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Zodiac CYOA text

Jan 23rd, 2017
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  1. >something about this doesn't feel real
  2. >maybe it isn't, who knows ?
  3. >you try not to really think about stuff like that much anymore
  4. >you know, roll with the punches, go with the flow
  5. >if only it weren't so hot
  6. >you look up into the sun
  7. >celestia doesn't mess around out here
  8. >you scan the horizon while attempting to shield your eyes
  9. >the desert is so open
  10. >there's a certain lack of structure, an organic freedom
  11. >the plants strong enough to survive are sparse and modest
  12. >so different from canterlot
  13. >social structure means nothing out here, just adaptability and the will to thrive
  14. >you look back down at the piece of heavy card-stock in your hand
  15. >the reason you are here
  16. >you notice that the paper's gold outlining sparkles a little in the sun
  17. >you examine the text on the card for what feels like the thousandth time
  18.  
  19. > “Anonymous -
  20.  
  21. For the first time in common Equestrian history, we are set to experience an extraordinary alignment within our galaxy. It is with great honor that we cordially invite you, Anonymous, to the first ever “ball of the stars”. Additionally, we would like to make you our very own guest of honor. As a guest of honor, you will be treated as one of the ZODIAC family. We formally extend our invitation for you to stay with us at the one and only Castle of Celestial Dawn before the event. Food, housing and all other essentials will be provided! We feel that your insight will be pivotal in laying the framework for our developing annual tradition. We encourage you to arrive early, yet we will be expecting you at any time.
  22.  
  23. because you never know where the stars will take you
  24.  
  25. * Z O D I A C *
  26.  
  27. > “They're all crazy you know”
  28. >you jump a bit at the driver's voice
  29. >he sounds irritated
  30. >the crunch of hoof and wheel on desert is the only thing challenging the overbearing sun for your attention
  31. >you shrug your shoulders
  32. “Let's just say I'm working on being less judgmental”
  33. >he looks back for a second before continuing his monotone stride
  34. > “Ponies call em the Star Cult for a reason”
  35. “I just assumed it was another excuse for a horse related pun”
  36. >you don't have to see his eyes to sense his glare
  37. >he picks up his pace as more dust continues to get stirred up around you
  38. > “Look kid, I'm not much for conversation. I'm getting paid to take you out to that damned castle, I ain't getting paid to take you back. You got a question or not?”
  39.  
  40. * (input) *
  41.  
  42. “Yeah, so how far away are we from the nearest city exactly?”
  43. >the driver chuckles a little
  44. > “Ain't much out here kid, it's a bit late for second thoughts”
  45. >this guy must just be trying to get under your skin
  46. “Just answer the question”
  47. >“I reckon we're at least an hour away from Appleloosa if you trot... or however your type moves. The old rock farm to the west might be a tad closer, I ain't too familiar with the area.”
  48. “So you've never been to the castle? What's it like inside?”
  49. >he shakes his head no
  50. > “I've been outside and that's as close as I'm gonna get. From a distance it's mighty impressive, just like anything else dangerous.”
  51. “Dangerous?”
  52. >he shakes his head yes and continues his trot
  53. >“Legend has it that ponies who go in don't come out the same. Some say it's haunted, ponies don't go there unless they askin' for trouble, nopony really knows what's inside. I reckon that anyone who goes in there must be crazy, couldn't imagine what livin' in there would do to ya.”
  54. >you remain silent and scan the horizon
  55. > “Course I've been known to exaggerate in the name of a good story... Anything else you wanna know? we're almost there.”
  56.  
  57. *
  58.  
  59. >it's then when you notice it
  60. >tucked away against the foothills you've steadily been approaching
  61. >you can tell it must be huge and it looks to be made of stone
  62. >the castle is almost ancient in appearance
  63. >you hope that the free housing isn't in some dusty old ruins
  64. >or a lie all together
  65. >the landscape at least looks more lively up ahead
  66. >there must be water somewhere in the area
  67. “Well it's a good thing I'm already crazy then”
  68. >the driver snorts a bit but resumes his pace
  69. >“Seems like the perfect fit for ya then”
  70. >the silence is a little tense
  71. “So who are the Zodiac, what do they do?”
  72. >more hoof noises
  73. > “I don't know much about em, don't care to find out. From what I heard, this Zodiac group went in there a while back to do some kind of research. They haven't come out or released nothing, this is the first I've heard of em since.”
  74.  
  75. >the castle is approaching rapidly
  76. >some of the details in the stonework start to become noticeable, it looks like there are statues on the higher castles tiers
  77. >you approach the wall blocking the massive stone structure ahead of you, from the direction that you are approaching not much of the castle is visible
  78. >it looks like it extends back a ways too
  79. >there is a break in the wall ahead with what seems to be a type of arch over it
  80. >the driver's eyes are fixed on it
  81. >you look up and can read the text carved into the stone
  82. >it's oddly legible and clear
  83. > ZODIAC CASTLE
  84. > “Alright kid, end of the line. This is as far as I'm going”
  85. >you get out of the cart and step foot on the ground
  86. >the driver looks up at you briefly as if he forgot about your height
  87. >he begins to trot in the other direction
  88. >you feel like you should say something
  89. “Thanks”
  90. >he looks back and nods then continues his stride
  91. >you turn back towards the castle and take a deep breath
  92. >you slowly make your way through the gate
  93.  
  94. >it really is something up close too
  95. >you knew it'd be impressive but being at a distance doesn't compare
  96. >it somehow fuses size and attention to detail well, every rock is massive but many seem to be carved with intricate patterns
  97. >the courtyard you are walking through feels so different
  98. >otherworldly
  99. >complete contrast from the desert you just traveled through
  100. >you don't even feel as hot anymore
  101. >vibrant green
  102. >it feels like magic all around you
  103. >it probably is, right damn horse world
  104. >you work your way closer to the castle through the hedges and statutes
  105. >they are definitely strange
  106. >they look old
  107. >everything here does, it feels almost preserved
  108. >untouched by time and change
  109. >the statutes of bizarre creatures and ponies wearing vintage armor show little to no cracks or wear
  110. >it really does puzzle you why this castle would be so uninhabited
  111. >you'd think something as impressive and pristine would be swarming with tourists and loud cameras
  112. >or at least it'd be explored and mapped out
  113. >the driver made it sound like there would only be a few ponies here
  114. >despite the vibrancy, everything feels empty and uninhabited
  115. >it's awe inspiring but the whole thing raises a lot of questions
  116. >especially as to how you are actually going to get in the castle
  117. >how are they going to have any idea you are here?
  118. >there are so many stories these ponies could be anywhere
  119. >you see there are multiple doors on the nearest part of the castle
  120. >maybe you should knock on one of them?
  121. >or you could look around the courtyard?
  122.  
  123. *
  124.  
  125. >you are tempted to just approach one of the large wooden doors and knock, but something about that seems off putting
  126. >plus the statutes around do seem interesting
  127. >hopefully snooping around won't look suspicious
  128. >you approach two large statues to your right close to a tall hedge
  129. >the first one you notice is of two griffons holding each other in a tight embrace
  130. >the larger and more stout looking griffon has its wing wrapped around a slender and fluffy look catbird
  131. >they are making eye contact
  132. >the stone beneath reads something too
  133. >“for every heartbeat they will share”
  134. >seems kind of corny, but the detailed facial expressions must take a certain amount of mastery with stone
  135. >you take note of the statue next to it as well
  136. >time hasn't been as kind to this one
  137. >a pony with what appears to be a beaming smile raising a hoof slightly, as if in mid-step
  138. >he wears what looks to be a modest crown, or at least some type of headwear
  139. >one side of his face is completely smashed, yet the rest of the statue's architecture seems to be fairly intact
  140. >just like the one next to it, there is a small passage underneath the stonework
  141. > “he died how he lived, in his web of lies”
  142. >you look at the statue's smashed face and what is left of his beaming smile
  143.  
  144. >definitely something eerie about all of this
  145. >you feel like moving on
  146. >you turn the hedge and can faintly hear the sound of water ahead
  147. >it looks like there is a fountain
  148. >it is about twice your height
  149. >and actually running
  150. >in the middle of a desert...
  151. >the base of the fountain is rounded and thick enough to rest on
  152. >you approach it and sit down
  153. >the hedges around you restrict your view fairly well here
  154. >seems like at one point this would have been a peaceful place to spend some time resting
  155. >you take a moment to sit down and close your eyes
  156. >it's been a long journey here already today
  157. >just as your mind starts to slip and your shoulders start to slouch you hear a voice to your side
  158. > “Hello Anonymous”
  159. >you jump and abruptly turn to see a very calm looking light blue mare
  160. >the tranquility of her voice and her relaxed demeanor slow your heart rate slightly
  161. >she has a multi-shaded white mane that covers her eyes
  162. >your first instinct is to be alarmed at the presence of the stranger, but everything seems so peaceful
  163. > “My name is Aquarius. It's an honor to welcome you to Zodiac Castle”
  164.  
  165. *
  166.  
  167. >after you've fully gathered yourself you put together an acceptable response
  168. “The honor is mine Aquarius, it's nice to meet you”
  169. >she smiles just a tiny bit and blinks slowly
  170. “You have many lovely statues here”
  171. >her voice remains controlled and level, soothing
  172. > “I'm glad you think so, I've always enjoyed this part of the courtyard myself”
  173. >yeah you could get used to it here
  174. “So who are they? The griffons and the smiling gent with the broken face?”
  175. >she continues to smile and moves a bit closer to where you are sitting
  176. > “Unfortunately, I do not know. They have been lost in time at this point, but one can imagine...”
  177. >she pauses for a moment
  178. >even with the change in speech pattern she maintains composure well
  179. >“This castle provides more questions than answers sometimes”
  180. >the sound of water in the fountain behind you really is calming
  181. >you want to hug her
  182. >you make eye contact
  183. >her deep blue eyes are so engaging
  184. “It's all very beautiful... may I hug you?”
  185. >her face falters for a brief moment
  186. >maybe you took it too far
  187. >she approaches your seat and leans up to embraces you slightly
  188. >you reciprocate and wrap your arm around her
  189. >it feels nice, she is soft and just like her appearance, her touching is cooling
  190. >you can feel her lean into you a little further, it's surprisingly tender
  191. >just as abruptly as it happened she pulls away
  192. >you look at her again
  193. >you think you see a little bit of a blush on her
  194. >maybe it's just the lighting, it is really slight if there at all
  195. >you feel like you should say something
  196. “So can I get a tour?”
  197. >Aquarius nods yes
  198. > “Of course, I will help you get oriented around here. The others are all very eager to meet you as well.”
  199. >she pauses for a second before continuing
  200. > “Would you like to see more of the courtyard or do you want to go inside the castle and meet the others? I'll answer any questions you might have along the way to the best of my ability”
  201.  
  202. *
  203.  
  204. “Let's go in and get the tour started then”
  205. >you stand up
  206. >Aquarius nods and begins making her way back out of the hedges
  207. >you follow and try to stay by her side
  208. >it is a little surreal leaving the fountain
  209. >things don't feel quite as empty out here anymore
  210. “So... things seem pretty isolated out here, how do you get food and water?”
  211. >she continues her pace as you make your way back towards the statues
  212. > “When we first arrived we thought that would be an issue as well. We brought a supply of food, seeds and water”
  213. >you nod and she continues
  214. >“All that planning only to find running water and a complete fertile and thriving orchard in the southern most part of the land. As far as we can tell the land has been untended for a very long time... It's a type of magic we don't quite understand”
  215. >you think you almost hear a sigh
  216. >“Like a lot of things here...”
  217. >she's not a very expressive one for sure
  218.  
  219. >it's probably going to start getting dark soon
  220. >you can feel the temperature dropping
  221. >you look up and see that the sun has moved down the horizon to the point where it is almost blocked by the hills behind you
  222. >they look daunting this close up
  223. >Aquarius says nothing but seems to be taking in the surroundings as well
  224. >you pass the statues again
  225. >they give off almost a completely different feeling at this time of day
  226. >like there is an energy coming from them, some kind of untold story that could be lost forever
  227. >it is off putting
  228. >your thoughts are interrupted by Aquarius
  229. >her tone is surprisingly soft
  230. > “Maybe it's just me, but it feels like there are a lot of memories in this castle. Sometimes you can feel them if the lighting is just right...”
  231. >she stops walking and breaks her rhythm
  232. >you stop with her
  233. >her tone picks back up
  234. > “We're almost to a main castle entrance, before you enter I'd like to lay down a few guidelines for your stay with us”
  235. >you nod yes
  236.  
  237. > “First, no magic. Anywhere on the castle grounds. That rule is mainly for unicorns, you shouldn't have to worry about it.”
  238. >she remains calm and soothing but her voice does command some authority
  239. >like a museum guide or something
  240. > “Second you must understand that a lot of this castle is completely unknown. You are free to explore as you please and help us discover, but there is an inherent risk involved. If you get the wrong type of energy from a room, I'd personally recommend you do not enter it.”
  241. >you take a second to process her words
  242. > “And lastly just know we are all very different ponies, give us our space if we ask for it and try not to interrupt our rituals”
  243. >she stops at the castle entrance and blinks her eyes slowly
  244. >your eyes lock
  245. > “Do you understand?”
  246.  
  247. *
  248.  
  249. >you nod in understanding
  250. >or at least you think you understand but you still have a lot of unanswered questions
  251. “Why no magic? If the castle is so dangerous is there somewhere I can arm myself?”
  252. >Aquarius pauses then begins to speak
  253. > “As I mentioned about the orchard, there is a lot of magic here that we don't understand. We don't want to do anything to disturb the spells in place.
  254. >she pauses then continues
  255. >"There is a harmony to the magical frequencies, possibly even spells from thousands of moons ago still in place all around us. If the magic is disturbed, diluted or corrupted in anyway, it could be lost from history forever.
  256. >she stops talking and sighs softly
  257. >"We are doing our best to preserve things... If you feel in danger we could provide you with a sword or dagger of some sort perhaps, but I can assure you that you'll be safe in the areas of the castle we have explored”
  258. >she gives you a surprisingly warm smile
  259. >you don't know much about magic but it seems legit
  260. “What kind of rituals are you talking about, what is it you do here exactly?”
  261. >she takes a breath but doesn't break her voice's tranquil cadence
  262. > “While it is tough to classify the Zodiac group as one thing, we are at the core stargazers. It is how we learn and experience ourselves. It is important for us to find complete solitude and observe the night sky to see what answers it holds for us. I know it may be difficult to understand, but it is important to everyone here. Each of us has our own established room in the castle where we stay alone for several designated hours every night, it is essential to our practice that you do not disturb us during these times.”
  263. >you nod but are still skeptic
  264. “So I've heard some rumors about this castle, is it true that ponies who go inside don't come out the same? I heard that none of you ever leave.”
  265. >She looks slightly confused at your question but considers it for a second and begins to answer in her normal calm and collective voice
  266. > “We have been here with each-other for a while now. There is just... so much to take in. You shouldn't be afraid, the castle doesn't change ponies magically.”
  267. >she pauses and smiles slightly before continuing
  268. > “Although I have to say I am a different pony just through my experiences here, if that makes sense, but by all means you will not lose your identity”
  269. >not quite a straight forward answer, but you've kinda come to expect that out of her at this point
  270. >at least it makes some sense to you
  271. “Any troublemakers I should be aware of?”
  272. >she laughs a little
  273. >it breaks her stoic aura, but it is nice to see her open up
  274. > “All of us can be a handful in the right setting... not to be a gossip but Leo and Scorpio can be trouble... their intentions are pure.”
  275. >noted, secret is safe with her
  276. “So... any ponies I should or shouldn't hug?”
  277. >this time she definitely blushes
  278. > “Some of the others might not be as... receiving as me. But you can try your luck”
  279. >she blinks slowly and takes a deep breath
  280. > “So Anonymous, are you ready to go inside?”
  281.  
  282. *
  283.  
  284. >you look again at the heavy wooden door in front of you
  285. “Yes, lead the way”
  286. >Aquarius nods and pushes the door forward
  287. >as the two of you walk through the door-frame the energy and general ambiance drastically changes once again
  288. >the interior of the castle is warm in color
  289. >bright reds and purples decorate the hallway with ridiculous and extravagant patterns
  290. >dots and other stripes, splashes of paint, metallic gold highlights
  291. >it's visually cluttered but somehow sharp and cohesive at the same time
  292. >the floor seems to be made of non-polished stone of different varieties, mostly black and white in a check-board reminiscent pattern
  293. >the hallway is straight with nothing but a chandelier hanging over head
  294. >you both walk forward
  295. >even the echoing click clack of Aquarius' hooves on the stone embodies rhythm
  296. >and just like in the courtyard everything is in immaculate shape
  297. >the hallway takes a sharp right turn ahead
  298. >like it only turns right
  299. >weird architecture for sure, not exactly intuitive by any means
  300. “I'll have to take you up on the sword offer, I definitely want to explore some and I've always wanted to carry a sword anyways”
  301.  
  302. >she nods and continues her pace around the corner
  303. >the hallway begins to slant downward?
  304. >yeah you are definitely descending, if only a slight amount
  305. >“Very well, we will get you situated once we establish where you will be staying”
  306. >you silently fist-pump
  307. >you continue your walk forward to the opening ahead
  308. “Is there a public observatory? Or only the private ones?”
  309. >Aquarius blinks a little in surprise
  310. > “If you are interested in stargazing there is a great viewing spot outside on the roof of the castle... Our private observatories are positioned to give us views of specific sections of sky, but if you'd like a great overview it really is breathtaking up there but rather intense for lack of a better word”
  311. >just as you are about to reply again you make your way through the opening and out of the hallway
  312. >wow
  313. >this is not what you were expecting
  314. >you realize that you are on an indoor balcony of sorts looking down into an enormous ballroom
  315. >its decor is just as intense as the hallway's, but much less crowded
  316. >does this castle go underground too?
  317. >you stop and look down to see a set of stairs to either side of you leading downwards
  318. >there is a group of ponies downstairs, you count 12
  319. > “AQUARIUS! Come down here already!”
  320. >she looks down but doesn't seem alarmed at her name being yelled
  321. >she raises her voice but the integrate of her speech isn't comprised
  322. >“Alright, hold on we are coming Leo”
  323. >the two of you work your way down the long staircase
  324. >Aquarius speaks up again
  325. > “It looks like everyone is here, sorry if this is a tad overwhelm. I'm sure you'd like to rest... Things will settle down once you select a house to stay in”
  326.  
  327. *
  328.  
  329. >neither of you say anything on the way down the stairs
  330. >it is somewhat intimidating, all the ponies make their way over to where you are headed
  331. >as soon as you reach the bottom of the staircase you are immediately knocked backwards by an orange blur
  332. >what is happening, fuck
  333. >you stumble backwards, luckily whatever hit you is soft
  334. >you look up directly into a pair of golden brown eyes
  335. > “Hey Anonymous! Ohhhh wow you really are an alien! It's nice to meet you mister alien. My name is Leo!”
  336. >why this pony is wearing a lion suit is beyond you
  337. >her smile is infectious though
  338. >you stand up but not before giving her a quick scratch behind the ear
  339. >she keeps smiling and stands up next to you, on the opposite side of Aquarius
  340. >the blue pony with ram horns speaks up
  341. >wait ram horns?
  342. > “Jeez Leo, I didn't think you were being serious when you said you were gonna tackle him”
  343. >Leo just keeps smiling and sticks a little closer to you
  344. >"Yep! Sure was!"
  345. >you feel like you should introduce yourself
  346. “Uh, hey everyone. My name is Anonymous. It's nice to finally meet all of you, I'm honored to be invited... even if I'm not quite sure why you wanted me in particular.”
  347. >you stop speaking and no one says anything for a brief second
  348.  
  349. >the silence is broken by a purpleish pony to the side of the small crowd you've gathered
  350. >“We wanted to invite you cause you are actually from the stars! That's so cool Anon, can I call you Anon?”
  351. >you notice she has a crab with her that looks to be alive
  352. “Yeah that's fine, and you are?”
  353. >her facial expression picks up a little bit more
  354. >she leans forward as she talks
  355. >“My name is Cancer! It's nice to meet you Anon!”
  356. >heh Cancer
  357. “My pleasure, I like your crab it's very cute”
  358. >she freezes for a moment then actually swoons into the pony next to her
  359. >the lime green unicorn with the blue mane looks confused but remains silent as her friend leans into her playfully
  360. >the pony to her other side is not as amused
  361. >you make eye contact and she kind of just glares and doesn't say anything
  362. >her teal eyes are looking right into you, almost like sizing you up
  363. >just when you are about to say something you are approached by a large red stallion
  364. >he is also wearing horns
  365. >he extends his hoof out to you
  366. >you shake it kind of awkwardly
  367. >his presence is strong and sharp
  368. > “The name is Taurus, good to meet you Anonymous. If you need anything around here you just let me know. Us guys got to have each-others backs”
  369. >you nod at him knowingly
  370. “I'll keep that in mind, thank you Taurus. Can you tell me where I can find food and the bathrooms?”
  371. >he nods then continues to talk
  372. > “Each house will have several bathrooms and a kitchen. You can always find food in the orchard, nothing like eating right from the tree”
  373.  
  374. >you are about to respond when you are approached by a very regal looking white pony
  375. >she is wearing a dress and has a pretty lavender colored flower in her well maintained pink mane
  376. > “Speaking of houses, have you decided where you will be staying?”
  377. >...
  378. “I assumed that you would let me know since housing is provided...”
  379. >the pony scoffs lightly to herself
  380. > “Did Aquarius forget to tell you? I knew I should have been there to greet you more properly. Our castle is composed of four main houses that are element specific...”
  381. >you look at her puzzled and she just sighs and continues
  382. > “If you choose to stay in the fire house you will be staying with Leo, Sagittarius and Aries”
  383. >the blue pony with the horns, lion outfit pone and an orange pegasus stallion step forward a little
  384. > “Fire house rules!”
  385. >the white pony speaking at you glares back
  386. > “Leo, please do not interrupt me!”
  387. >Leo rolls her eyes but remains silent
  388. > “Anyways... the air house is composed of Aquarius, who you've meet, Gemmy and Minny, and of course Libra”
  389. >Aquarius makes eye contact with you for a brief second and nods
  390. >two unicorns with inverted color palettes wave at you eerily in sync to Aquarius' left
  391. >on the other side of them a yellowish-orange pegasus blinks rapidly at you then bites her bottom lip
  392. >top cute unf
  393. > “In the water house we have Cancer, Scorpio and Pisces”
  394. >Cancer and the green pony next to her wave while the pony with the teal eyes just continues to stare you down
  395. > “And lastly in the Earth house we have Taurus, Capricorn and myself”
  396. >she pauses then takes a breath
  397. > “I am Virgo, it is nice to finally meet you Anonymous”
  398. >you shake her hoof just like with Taurus but you are a bit more prepared this time
  399. >the other pony with a white coat out of the group approaches you
  400. >she must be Capricorn
  401. > “Earth house is very nice and grounded Anonymous, I'm sure you'd like it! But whatever you decide is okay!”
  402.  
  403. *
  404.  
  405. >you take a moment to consider the options
  406. >you think it's a good idea to stick with a pony that you already kinda know
  407. >can't deny that much waifu material either
  408. “I think that I'll stay in the Air house”
  409. >Capricorn's face falters for a second but she gives you a smile
  410. >you hear Leo and Cancer awww in the background
  411. “Not that the other houses don't sound great, just good to be with a familiar face”
  412. >Aquarius smiles and moves closer to you
  413. >the yellow-orange pegasus who you have gathered to be Libra trots over
  414. >it sounds like she is giggling
  415. >she wraps her hooves around the white coated pony's neck and leans into her
  416. > “Awww, no hard feelings Capricorn! Everypony knows air house is the cutest ~”
  417. >you wonder if that remark is in good taste...
  418. >Capricorn starts to laugh along with Libra though so you figure they must be friends
  419. >the two ponies with inverted color schemes approach you
  420. > “Nice to meet you Anon, I'm Gemini”
  421. > “Nice to meet you Anon, I'm Gemini”
  422. >you are confused for second and don't quite know what to say
  423. >the green pony with the yellow mane laughs
  424. > “We couldn't resist”
  425. >the yellow pony with the green mane speaks up
  426. > “In all seriousness nice to meet you, I'm sure you'll love the Air house”
  427. >Aquarius' calming voice carries over what is starting to become a significant amount of noise
  428. >the echo is really weird in this ballroom like some frequencies reverberate with more intensity than others
  429. > “We should all get going soon, the Lunar clock is close to ringing”
  430.  
  431. *
  432.  
  433. >you give the situation an internal “k”
  434. “What is the Lunar clock?”
  435. >Aquarius motions a hoof over to a large grandfather clock that is somewhat tucked against one of the castle walls
  436. >you work your way over to the clock to inspect it
  437. >several of the ponies from other houses start to disperse
  438. >you assume back to their respective houses
  439. >you can't quite tell what material it is made of
  440. >it almost looks like black polished marble but when you look more closely you see that some parts sparkle a very dark blue
  441. > just like everything else in the castle it looks ancient, but this somehow feels different
  442. >despite being aged and delicate looking, the clock almost looks modern, sleek
  443. >you look to see what time it displays but it only has one large hand
  444. >instead of having numbers or numerals the clock has two identical moons, one at the 3 o clock position and one and the 9 o clock position
  445. >the hand has almost reached the moon on the right
  446. >Aquarius watches you admire the clock by your side while Libra and the two Gemini ponies slowly approach
  447. >she speaks up with her ever calm and educational voice
  448. > “As far as we can tell, the Lunar clock is the heart of the castle. It is an extraordinary magical artifact, we have reason to believe it was once Princess Luna's own craft”
  449. >Aquarius pauses
  450. >you expect her to continue but Libra speaks up
  451. > “When that hand reaches the rightmost moon on the clock we will start our stargazing sessions, the sessions continue until the hand goes to the leftmost moon.”
  452. >Libra flutters off of the ground and raise her tone
  453. >“But as soon as that hand reaches that part of the clock the craziest thing happens!”
  454. >she is now level with the face of the clock and points to demonstrate
  455. >“The clock plays a really loud tune, or at least you can hear it everywhere in the whole castle... Then that hand starts ticking backwards the other-way! A counterclockwise clock can you believe it? I think it's novel”
  456. >the Gemini pony with the green mane and yellow coat speaks up
  457. > “And speaking of the clock, it's going to sound soon. We should get back up to our observatories, we can walk and talk on the way to the Air house if you have any questions!”
  458. >you nod in agreement
  459. >the other Gemini pony speaks up and starts to walk away
  460. > “Agreed! So Anon, what do you think of the castle? Are you enjoying your stay so far?”
  461. >Libra approaches your other side
  462. > “Yeah Anon ~ Why don't you tell us a bit about yourself? Why'd ya decide to stay in Air house?”
  463.  
  464. *
  465.  
  466. >you think for a bit about how you want to present yourself
  467. >you've always had trouble describing yourself to others
  468. >maybe that's just a you problem
  469. “Well, before I came to horseland I kinda just spent most of my time bumming around, but I tried to take being here as a bit of a second chance. I started working as a hairdresser back in Canterlot, but had to bounce around from job to job, turns out most high society ponies aren't cool with a giant foreigner clipping and brushing their pretty manes”
  470. >seem like you have everyone's attention
  471. >you start to make your way back up a series of stairs on the opposite side of the ballroom
  472. >this one seems to go up further than the stairs you entered from
  473. >you never noticed how high up the ceiling is in here wow
  474. >the two Gemini ponies trot ahead of you slightly with Libra to your left and Aquarius on your right
  475. >Aquarius speaks
  476. > “Mmmm true. So many ponies are so quick to judge”
  477. >you continue after taking a short breath
  478. “Figured this ball might open up some different opportunities for me, I felt stuck in Canterlot, needed a change of pace”
  479. >Libra giggles and brushes up against you
  480. >it's barely noticeable but noticeable none the less
  481. > “Well if you find yourself missing the hairdressing life, I've been look for a new way to style my mane”
  482. >... you might have to take her up on that
  483. >you pause to gather your thoughts as you continue to ascend up the stairs
  484. “I choose Air because it seems the most open and active, I think staying with you all will be smart and fun. You all strike me as very friendly and understanding ponies, not too mention your house does have a lot of qts...”
  485. >both the Gemini ponies look back at you but continue their pace forward
  486. >Aquarius stumbles a little but is able to gather herself and resume her rhythmic walk forward
  487. >Libra brushes into you and giggles as you reach the top of the stairs
  488. >Aquarius is the first to speak, her voice falters
  489. > “So we are almost at the top of the castle, this door here to the right leads to our housing. The door up ahead leads out to the castle roof if you'd like to see that view”
  490. >the yellow Gemini pony approaches the door
  491. > “Alright Anon! We're here, welcome to Air house”
  492. >you take in your surroundings before you walk through the door
  493. >the castle is starting to become more dimly lit, but you can tell you are on a very high up balcony that still overlooks the ballroom beneath you
  494. >the door opens ahead of you
  495. >you walk through the door frame and are immediately surprised at how bright it is
  496. >it feels like sunlight in the room, despite the fact that it should be dark by now
  497. >a lot of the walls are a slightly off white color, yet they are painted with leaves and trees and other wildlife
  498. >the room is decorated with soft looking gray furniture and several clouds that you take to be real
  499. >right horseworld
  500. >you look up and see that the roof of the common area you are in is painted like a cloudy sky
  501. >there is a lot of attention to detail, subtle linear patterns and gold flake layer over the blue portions of the sky
  502. >the air in the room feels cool, crispy and rich like a casino lobby
  503. >it's soothing but almost energizing at the same time
  504. >you notice three large metal doors with emblems on them as well as several labeled wooden doors
  505.  
  506. >Libra hops onto one of the clouds in the room while the Gemini ponies and Aquarius sit on a long gray couch
  507. “This castle is lovely, how did you end up acquiring it after all?”
  508. >the green Gemini ponies speaks up
  509. >you really should figure out what they like to be called...
  510. > “Acquiring it? We don't own it, it's abandoned, anyone could have come here... Hey, maybe it is ours now...! Not to mention our cutie marks were on the doors when we got here, that has to mean something right?”
  511. >Libra laughs from her cloud
  512. > “Yep! We got a whole castle pretty sweet huh?”
  513. >you nod and are about to speak but a tone starts to play in the room
  514. >it sounds like there is a speaker in the room almost but the tone is too crisp
  515. >like a bell, sharp and penetrating it calls for your undivided attention
  516. >it continues to play a soft mellow that increases in pace
  517. >it becomes more elaborate until it sounds like a small symphony of bells harmonizing
  518. >the colors in the room become brighter, even more vibrant as if the sound is taking on a visual quality
  519. >just like in the courtyard the energy in the room is changing
  520. >the clouds over head painted on the roof look darker and more ominous, as if they were about to start dripping rain
  521. >their hue changes ever so slightly
  522.  
  523. > “Oh that's the lunar clock! It's time to start the gazing for the night”
  524. >Libra hops down from her cloud as she speaks
  525. >the ponies start making their ways to their respective doors
  526. >you look at Aquarius
  527. “So you said not to distribute you during these rituals, but you also mentioned that the castle is dangerous. How bad does it have to get before I interrupt?”
  528. >Aquarius seems to think for a moment in silence
  529. > “If you are in serious danger, you can come to me.”
  530. >the Gemini ponies look at Aquarius then to Libra
  531. >Libra speaks up with a little bit more vigor
  532. > “Jeeez Aquarius, up tight much? Anon, my door is open to you, knock if you feel the need okay?”
  533. >Libra and Aquarius look at each other but remain silent
  534. >okay...
  535. >yellow pony breaks the silence
  536. > “If you want to stargaze tonight it might be a bit.... well, intense for a lack of a better word. Luna's moon was full just last night, so it is still vibrant out there. You can explore the castle if you'd like as well, your room is that wooden door to the right with the blue dot on the door. In there you should find your sword”
  537. >noted
  538. >Aquarius speaks up again softly
  539. > “We really should begin now, you may start exploring or star gazing as you please Anonymous. Is there anything else you need to know before we go into solitude?”
  540.  
  541. *
  542.  
  543. >you make eye contact with Aquarius while you are thinking
  544. “That's all, I'm going to explore the castle”
  545. >Aquarius nods and opens the door into her observatory
  546. >she closes the door too quickly for you to get a peak into the room
  547. >Libra and the two Gemini ponies enter into their separate rooms as well
  548. >it's amazing how quickly the castle can take on it's empty feeling
  549. >you take a second to look up and admire the sky painted above on the roof and think
  550. >definitely time to get that sword
  551. >you can't help but wonder what the stargazing is like
  552. >it's impressive if they really do follow through with doing it on time every night
  553. >you open the door with the blue dot and see your room
  554. >impressive, you might have hit the jackpot coming here
  555. >the interior is gorgeous, they definitely didn't slack in this room
  556. >the couches and chairs match the furnishing outside
  557. >the bed is actually large enough for you to comfortably sleep in, something that is rare here
  558. >around it is a white curtain with fancy purple lining
  559. >it looks like you have a sink and a mirror but no full bathroom
  560. >you notice on the bed the sword you've been looking for
  561. >you walk over and pick it up and unsheathe it
  562. >damn
  563. >the only word to describe it is “pimp”
  564. >the blade is thin and sharp, modern and made of a silverish metal
  565. >it's unblemished and has an inherent geometry to the curves and edges that is definitely noticeable
  566. >the handle looks to be polished brass but there is a single dark blue gem embedded in it
  567. >you don't know much about gems but it looks real, the way it catches the light and gleams internally is convincing
  568.  
  569. >you put the sword back in its sheathe and attach it to your belt
  570. >that is satisfying
  571. >you sit on the bed for a second then decide to go back into the common area
  572. >might as well check out the two other doors in the room
  573. >you open a door with a green square on it to find the kitchen
  574. >it is filled with a variety of grains, fruits, nuts and even some spices
  575. >there is a long and tall table that seats about eight ponies as well as a clean cooking space
  576. >dope, definitely will come in handy
  577. >you exit and walk to the other-side of the room to open the wooden door with the yellow triangle
  578. >what weird features honestly
  579. >oh okay this is the bathroom cool
  580. >it feels clean and private, all around pleasant
  581. >you walk in a little further and admire the shower area
  582. >it actually sinks into the flooring a bit as a full walk-in shower
  583. >the walls are adorn with glamorous green stones
  584. >just as get close to inspect the stonework you hear the steady sound of hooves clicking on marble
  585. >that can't be good
  586. >it sounds like it is coming from the common area
  587. >you place your hand on the handle of your sword and peak though the door
  588. >your heart starts to race at the thought of what could be out there
  589. >you open the door wider and whatever is out there sees you!
  590. >it's Libra...?
  591. >she makes eye contact with you briefly then blinks
  592. > “Hey Anon, I hope I didn't startle you”
  593. >you are confused, what happened to the whole complete solitude thing?
  594. >she makes her way over to the couch and sits down before sighing and continuing to speak
  595. > “I just didn't feel right leaving you out here alone all abruptly like that. I wanted to make sure you're comfortable... and I figured I could set aside a little time for us to get to know each-other maybe?"
  596.  
  597. *
  598.  
  599. >once you have sufficiently calmed down you take a moment to consider the situation and what you know about Libra
  600. >it seems like it would be safe to stay and talk but you don't want to interrupt their rituals
  601. “Hey, this whole stargazing thing seems really important to all of you and I wouldn't want to do anything to disturb you...”
  602. >you pause a bit before continuing
  603. >Libra looks down at the ground for a second
  604. “I was thinking I'd go up to the castle roof and try it out for myself. How about we talk after?”
  605. >she looks back up at you and stands up from the couch
  606. >her body language has dampened but she gives you a reassuring smile
  607. > “Sure thing! Aquarius must have really got to you with all her rules...”
  608. >she giggles warmly to herself and blinks a couple times before resuming
  609. > “Have fun Anon! We will talk afterwards for sure!”
  610. >she continues her trot across the room
  611. >she opens the observatory door and looks back at you
  612. >you feel like you should say more
  613. “We'll have to become best friends, I could use a Libro around here”
  614. >you feel kinda silly for saying that but her giggling makes it worth it
  615. >she winks at you then closes the door
  616.  
  617. *
  618.  
  619. >you feel the emptiness start to set back in
  620. >you walk across the room
  621. >at least your footsteps don't echo as much in here
  622. >the silence is real
  623. >you feel like it's about time to see what else this castle has to offer
  624. >you hesitate slightly at the door then open it to reveal the balcony above the ballroom
  625. >it feels a little bit brighter out here
  626. >or at least you can make out more of the features below you
  627. >the ballroom looks almost light up
  628. >huh
  629. >you go back to the door that you were told leads up to the roof and open it
  630. >the room is small and sparse
  631. >just stone walls and a staircase leading upward
  632. >you begin to make your way up the stairs
  633. >the lack of even spacing in the steps makes walking up them more of a challenge
  634. >it has a sort of raw elegance to it that you can appreciate
  635. >the night sky becomes visible as you continue further up
  636. >eventually you reach the top of the stairs
  637. >oh wow you are so high off the ground right now
  638. >you get a bit dizzy
  639. >you are at one of the top spires on the castle, there is more castle roof below you but only one or two other spires seem to elevate beyond the level you are at
  640. >there isn't much room to walk around but you notice a nice stone bench carved out of the wall behind you that overlooks the sprawling desert landscape below
  641. >you sit down and prepare to start observing the night sky
  642. >you start to wonder what they meant by intense
  643. >how hard can looking at the sky be?
  644.  
  645. >you look up into the stars
  646. >it is so clear out here
  647. >incredible
  648. >you always forget how much light pollution effected the night sky back on earth
  649. >out here there is nothing
  650. >the sky absolutely overpowers the landscape
  651. >the dazzling vibrancy of an uncountable amount of stars
  652. >you look back across the land
  653. >it takes on a whole different personality
  654. >an unspoken depth
  655. >that organic freedom of the desert
  656. >you can feel the history radiating through the land
  657. >you can feel that other ponies have stood here and taken in the same view
  658. >for thousands of years the land has been harmonizing like this
  659. >as if culminating into a coherent visual
  660. >you look up from the desert again
  661. >the power of the moon
  662. >it's like a magnet your eyes are drawn to it immediately
  663. >it feels like the moon is looking back
  664. >staring into you
  665. >its light overpowers everything
  666. >illuminates
  667. >adds a color and depth to the entirety of the landscape
  668. >it's more expressive and subtle than sunlight but just as overbearing
  669.  
  670. >you have to look away
  671. >right into a stunning array of stars
  672. >they are all different sizes and radiant with different energies
  673. >or is it distance?
  674. >that is a thought right there
  675. >you look into the planets above you
  676. >those are like really there wow
  677. >each an entirely different landscape with its own elaborate history
  678. >you have no idea what is up there and it fills you with awe
  679. >it's almost too much
  680. >your mind is racing like a well oiled machine
  681. >you're not used to thinking this much everything feels crisp
  682. >like you've eliminated a mental fog you didn't know was there
  683. >you want it to stop
  684. >you have to look down but the sprawling and radiant desert is just as intricate
  685. >all the stories buried beneath the dirt
  686. >the blood and triumph of the land
  687. >it's too much information
  688. >you stand up and take a deep breath
  689. >you are shaking slightly it must be cold out here
  690. >you have no idea how long it has been but the moon prevails
  691. >its light is exposing, personal
  692. >you feel like you should go back inside but you could try to tough it out for longer
  693. >maybe their ritual is done already?
  694.  
  695. >it's cold up here and enough is enough
  696. >you take one last look into the night sky
  697. >you wonder if you could find earth in the cluster of stars above you
  698. >you'd have no idea where to begin
  699. >maybe if you started to oriented yourself with the night sky more in the future
  700. >your mind drifts back to home
  701. >you start your descent back down the stairs
  702. >the simplicity of the stone is greatly welcome after the overwhelming night sky
  703. >you reach the bottom of the stairs and swing the door to the castle open
  704. >okay this definitely doesn't feel real anymore
  705. >you'd seen lighting changes in the castle, glimpses of different settings in the same area but this is over the top
  706. >the castle is completely lit
  707. >you thought it was lighter in here earlier but now it is absolutely unmistakable
  708. >you look over the ballroom and see the all the levels of the castle have a bit of a glow
  709. >they omit a soft and blue light, fluorescent in nature around the edges of the balconies overlooking the ballroom beneath
  710. >even the floor of the ballroom takes on a different appearance, as if it glistens and sparkles from above
  711. >it almost looks icy
  712. >you look up at the ceiling and notice an array of chandeliers that were not visible to you before
  713. >they now are radiant, refracting the light into warming shades of yellow, red and gold
  714. >other parts accent the warming colors with cooling shades of light green and pinkish purples
  715. >you can't help but overlook the balcony in awe
  716. >all the splashes of color decorating the walls take on a different vibrancy in this lighting, the colors are sharp and pop off the wall
  717. >from this distance the pattern seems a lot more coherent
  718. >you should see how much longer the ritual will last
  719. >you start to descend down the long staircase back to the ballroom
  720. >the silence is eerie
  721.  
  722. >as you make it down the winding stairs you continue to take in the lighting
  723. >it is extravagant, magical
  724. >just like the moon outside the glow it omits is personal, intimate
  725. >it's intensity gives the room a certain serenity
  726. >even the echo of your footsteps seems to add to the eloquent ambiance
  727. >you reach the dance-floor and enter into the ballroom
  728. >you look back up
  729. >the chandeliers that were so dazzling up close just sort of blur together into a sea of gold and sparkles
  730. >the detail in the floor is more apparent at this distance though
  731. >you look over to the luna clock
  732. >just like the accents on the balconies, the clock takes on a fluorescent quality
  733. >a intense bluish purple glow invites you over
  734. >the entirety of the once black surface now illuminates the room as if glowing from within
  735. >just as mentioned the hand is ticking counterclockwise
  736. >it is half way back to the leftmost moon
  737. >you take a moment to remember that all the Zodiac are still gazing
  738. >must be intense going for that period of time...
  739. >it should give you time to explore more though
  740. >you investigate the Lunar clock more closer and place your hand gently on the side of the clock
  741. >it is cold and smooth, yet somehow you can feel its age, its resistance to the weathering of time...
  742. >you take a moment to consider what parts of the castle you'd like to see
  743. >it looks like there is a hallway to your right that goes deeper into the castle
  744. >underground
  745. >you could always go back up to the top levels by air house and investigate as well
  746. >or maybe you could go out to the courtyard from the way you came and try to find the orchard?
  747.  
  748. *
  749.  
  750. >something about the underground of the castle is so alluring
  751. >you take one last look at the clock and turn to your right
  752. >you start to make your way down the hallway
  753. >it descends at a surprisingly steep rate
  754. >you see a desk up ahead
  755. >it looks like there is a more level hallway running perpendicular ahead of you
  756. >there is a bit of space where the two hallways merge
  757. >you notice that the fine stonework starts to become more crude
  758. >as if nature is fighting through trying to reclaim the land
  759. >you investigate the desk
  760. >it has a neat stack of notepads and pencils
  761. >that's convenient as hell
  762. >you take a pencil and examine one of the notepads
  763. >each leaf of paper has a series of stamps on it with symbols you don't quite recognize
  764. >in a simple black font it reads ZODIAC on the pad
  765. >you decide it'd be a good idea to leave a message
  766. >you quickly jot on the pad that you are exploring down the left side of the hallway
  767. >you place the note on the desk
  768. >okay cool
  769. >you pocket the pencil and pad
  770.  
  771. >the walls of the hallway are a calming and level stone
  772. >it looks steady and dense
  773. >it's incredible architecture considering the weight of the castle above it
  774. >you continue down the hall
  775. >uh, up the hall
  776. >the rock starts to incline
  777. >although it is more dirt than rock at this point
  778. >the plant life is green and the ceiling is lower here
  779. >there is a bit of subtle green lighting but you can't quite tell if it is coming from the plants or the walls of the castle
  780. >you see a bit of a clearing ahead
  781. >once again you are stunned by the intensity of the light
  782. >although it is more neutral white
  783. >it's pleasant
  784. >the clearing is filled with a series of doors and two staircases
  785. >the plant-life in this room is really impressive
  786. >like a well maintained garden
  787. >it has form around a series of low white marble walls
  788. >flavorful flowers and exotic greenery blossoms from the ground and walls
  789. >you notice three doors ahead of you like the observatories in the air housing
  790. >this must be the Earth house
  791. >it's tasteful, you wonder who the gardener is
  792. >just as you start to appreciate the relaxing natural ambiance of the room your thoughts are interrupted >a soft bell rings somewhere
  793. >you hear a crisp tone harmonizing with the features of the walls
  794. >just as quickly as you noticed it, the tone quickly ends
  795. >the lighting in the room drops an almost unnoticeable amount
  796. >what once felt luminescent feels earthy
  797. >you pause
  798.  
  799. >you hold your pause and listen
  800. >the sound has stopped and the bell did not echo
  801. >silence fills the room
  802. >you hear hooves
  803. >you keep listening
  804. >laughter
  805. >there is laughter coming from somewhere
  806. >your heart rate picks up and you clutch your sword
  807. >before you have time to gather yourself you turn to see a pair of horn emerging from a door
  808. >they look real, long slender and gray
  809. >two other doors open abruptly
  810. >you look back and see that the horn's belong to Capricorn
  811. >you assumed that they were some cheap prop at first but the closer you look the more authentic they appear to be
  812. >Capricorn stops laughing to herself and makes eye contact with you
  813. >her eyes are a soft and engaging shade of purple
  814. >you see Virgo and Taurus emerge from their respective observatories
  815. >they look at each other
  816. >Capricorn is the first to speak in her up-tone voice
  817. > “Oh! Hey Anon! You're just in time, the gazing ritual just ended”
  818. >She trots over to you eagerly
  819. >Virgo whispers something to Taurus
  820. >he shrugs
  821. >it seems like you were stargazing for a lot longer than exploring
  822. >maybe the clock's hand doesn't move at a consist speed...
  823. >either that or you just really can't handle the stars
  824. > “So what brings you to Earth house?”
  825. >Capricorn pauses and gasps
  826. >she is close to you now
  827. > “Oh! Did you change your mind and decide to come stay here with us?”
  828. >her eyes have a delicate twinkle to them
  829.  
  830. *
  831.  
  832. >you shake your head
  833. “No, I was just exploring and ended up here. I could have sworn that the clock was only halfway through its motion, does it not move at a consistent pace?”
  834. >Capricorn takes a step back away from you
  835. > “Oh! Uh, not sure. I'm usually in my observatory and don't get to see the clock! It seems to me like some sessions take longer than others though...”
  836. >she stops talking and clicks her front hooves together before brushing her mane out of her eyes
  837. >Virgo speaks up, her tone is a bit dramatic
  838. > “Oh definitely, thank Celestia tonight was short. I need to get my beauty sleep. Anonymous, good seeing you”
  839. >Taurus nods at you before the two of them exit the room
  840. >it seems like they exchange a few more words on the way out
  841. >must be some sort of other common-area over there
  842. >Capricorn speaks up again, she sounds on edge
  843. > “So, uh, are you gonna stick around here for a bit?”
  844. >you really should be getting back
  845. “I think I should get back to Air house, don't want to keep them waiting. I still want to see the other houses, you can be my guide if you want”
  846. >her eyes light up and she looks up at you
  847. >“Really? Y-yeah that sounds great! I guess I will see you around then?”
  848. >you nod
  849. “Yeah definitely see you around”
  850. >with that Capricorn gives you a hesitate smile then turns to walk back through the door Virgo and Taurus exited through
  851. >you make your way back out of the green livelihood of the housing into the hallway
  852.  
  853. >you'll have to come back some other time when you aren't in a hurry
  854. >right now your focus is getting back and talking with Libra like you promised
  855. >you continue back the way you came working your way to the ballroom
  856. >the hall loses some of the life and earthiness that you felt walking in the other direction
  857. >the harsh structure of the castle becomes more apparent
  858. >it is darker now, the luminescence is gone
  859. >all the colors seem muted, or at least more normalized
  860. >you take the time to pick up the note you left on the way back
  861. >no reason to confuse anyone
  862. >the ballroom is empty when you re-enter it, the echo of your footsteps is overwhelming in this amount of open space
  863. >it feels desolate, having company really makes such a huge difference here
  864. >something to break the silence
  865. >you think about your night as you make your way up the stairs
  866. >definitely something different to say the least
  867. >some parts don't quite make sense to you still, but all and all things are going better than you could have asked for
  868. >the surreal feeling sets back in
  869. >your surroundings, the castle roof overlooking the desert, the intensity of the moon
  870. >you hope that conversation will be smooth, it seems like a nice way to end the day
  871. >something calming...
  872. >you look over the balcony to the ballroom below for a second to catch your thoughts before opening the door to Air house
  873. >it's quiet inside, the clouds painted on the ceiling are dark and heavy
  874. >light blues have turned to grays
  875. >the inspiring air has calmed and settled into a stormy setting
  876. >it takes you a moment to notice that there are ponies in the room
  877. >Libra is sitting on the large couch in the room, she looks to be lost in thought when she notices you
  878. >it's not quite the expression you are used to seeing on her
  879. >the two Gemini ponies are on the shorter couch
  880. >they are spaced further apart than you are used to seeing them
  881. >no one is speaking, you feel like you should be hearing the sound of raindrops
  882. >the ceiling casts an interesting shadow, like there are actually clouds overhead
  883. >you don't see Aquarius anywhere
  884. >one of the Gemini ponies is the first to break the silence
  885. >you still haven't figured out which is which
  886. > “Hey Anon, did you get to explore the castle at all?”
  887. >you nod still a bit hesitant to break the silence
  888. >you look over to Libra and she makes eye contact with you
  889. >she looks almost concerned but she perks up slightly before speaking in her normal lively tone
  890. > “Oh hey! You're back, did you have something in mind that you wanted to go do together? We could go anywhere on the castle grounds”
  891. >she stops then bites her lip
  892. > “Oh and did you see Aquarius at all? We figured either you two were together or she decided to stay in her observatory... she normally likes to come out and talk with us afterwards”
  893.  
  894. *
  895.  
  896. >Libra shifts her positioning on the couch slightly, she leans up further
  897. “I haven't seen Aquarius, sorry. Do you think she is missing?”
  898. >her bright blue eyes remains calm, contemplating
  899. >her tone matches her facial expression
  900. > “She must still be in her observatory then”
  901. >the yellow Gemini pony speaks
  902. >it doesn't seem like they are too concerned
  903. > “Yeah, she must still be in there. Huh, not really like her, must have been a tough session”
  904. >green pony is quick to speak after
  905. >“We will keep an eye out for her, she has to come out at some point”
  906. >Libra hops of the couch and nods
  907. > “You're right Gemmy, I'm getting worked up over nothing”
  908. >she starts to make her way towards you
  909. >there is a bit of spring to her step, but it seems like that is always there
  910. “So I was thinking we could go for a walk through the garden?”
  911. >she is now by your side
  912. > “That sounds great! I bet the orchards are really cool at night”
  913. >she starts to make her way out of Air house, there is almost a sway to her step
  914. >you begin to follow her but she stops when someone speaks up from behind her
  915. > “Wow Libra, no invite?”
  916. >Libra stops
  917. >she turns around and huffs
  918. >it's adorable, the yellow pony laughs
  919. > “Just giving you hell, have fun out there you two ~”
  920. >the green pony starts laughing too
  921. >Libra just blushes and continues her way out the door looking flustered
  922.  
  923. >you and Libra make your way out onto the balcony
  924. >it is much darker now, there seems to be a torch keeping things lit but it must be a considerable distance away
  925. >you start to make your way down the stairs
  926. >it's nice having company, the castle feel much less empty
  927. >you look over the railing and can see that the lunar clock is no longer bright, it has returned to its dark stone look
  928. > “So the gardens are on the south end of the grounds, it's a pretty far walk...”
  929. >Libra stops walking
  930. >you continue past her a little bit but she remains investigating the railing
  931. > “But luckily your best friend Libra knows a short cut”
  932. >she giggles and pushes into a break in the railing
  933. >oh damn, it swings outward on a hinge to reveal a staircase
  934. >it is steep, the steps are small and stone but the landing below is fairly close
  935. >impressive
  936. >you follow Libra downward, closing the makeshift gate behind you
  937. >the break in the railing is subtle, or maybe just in this lighting
  938. >you find yourself on a small balcony, still overlooking the ballroom beneath you
  939. >there is a single hallway that winds its way into the castle
  940. >the floor is carpeted, light blues, whites and grays in a vintage floral pattern
  941. > “Pretty cool huh? Being a pegasus has its perks ~”
  942. >guess this hallway would be a bit more noticeable if you could fly...
  943. >Libra trots ahead of you, the spring in her step very pronounced
  944. > “So what'd ya do during the ritual Anon? Did you get to explore?”
  945. >she stops on a dime and turns around to face you
  946. > “Oh ! And you absolutely have to tell me about where you are from! I've always wondered what is it like to be on a star!”
  947. >she looks up at you, her eyes have a slight sparkle to them
  948.  
  949. *
  950.  
  951. >the two of you continue your pace forward as you speak
  952. “I went up on top of the castle and looked at the stars for a bit, then went exploring but your ritual thing ended early apparently”
  953. >you get a little distracted by your surroundings, it looks like you are coming up on a staircase
  954. >there are several doors in this area but Libra seems to be paying no attention to them, her eyes are fixed directly ahead
  955. >she glances at you
  956. “As for where I am from, it's a planet, not a star. Third planet from our sun”
  957. >you make your way down the stairs
  958. >it feels like you are in more of a house than a castle right now
  959. >the stairs brought you right into a small room
  960. >the interior is a soft green, it's cozy
  961. >Libra speaks up
  962. > “So what do you mean third planet from our sun? Does your species live on three planets?”
  963. >she looks a tad bit confused but continues out of the room
  964. >you follow her out
  965. >oh wow this hallway is overwhelming
  966. >it extends in either direction with a precise black and white tile pattern
  967. >you can't see the end of the hallway in either direction because of the changes in elevation
  968. >Libra begins trotting down the hall to the left while you think of how to explain
  969. “Out of all the planets that orbit our sun, ours is the third furthest away. The other planets are uninhabited”
  970. >Libra completely stops
  971. >“Wait wait, you know what an orbit is?”
  972. >you nod yes
  973. >she continues her pace forward
  974. > “That's impressive! Not many ponies know about that! You kinda have to watch the sky for long enough to figure it out. Celestia moves our sun... or at least... well nevermind”
  975.  
  976. >she stops talking pretty abruptly, her paces loses some of its spring
  977. >the hallway continues to slant downwards
  978. >there are so many doors here
  979. >there must be a lot of ways to reach this hallway
  980. >you were kinda under the impression that this entire area was isolated because of your odd entrance
  981. >either that or this castle is absolutely massive
  982. >Libra speaks up again, like she was thinking of how to phrase her words
  983. > “A lot of us around here... Well, we are kinda skeptics I guess. It's just hard to believe a single pony could be that powerful”
  984. >you think you understand what she means
  985. >it was hard for you to believe when you first heard about the royal sisters
  986. “I think I understand”
  987. >she slows her pace to stay at your side and brushes into you
  988. > “Thanks Anon, that means a lot to me”
  989. >the two of your continue walking in the comfortable silence
  990. >her hoof-steps are quiet
  991. >finally it looks like you reach an end to the hallway
  992. >two large doors with windows on either side
  993. >they are stained glass, even in the dark the vibrancy of greens and blues are impressive
  994. >each panel is the same, asides from minor details
  995. >plant life with the focal point of the art being on an extravagant looking purple flower
  996. >the purple is too dark to make much of an impression but you can tell that it is detailed
  997. >Libra opens the doors revealing the outside world
  998.  
  999. >it feels nice, not as cold as the top of the castle
  1000. >there is less energy out here, it is calm
  1001. >feels good to be back in an open space, just the right amount of view
  1002. >you can see the wall surrounding the castle ahead, but there is plenty of land out here
  1003. >the stars are still bright but feel more distant
  1004. >the moons light softly highlights the land and brings a glow to the trees
  1005. >you and Libra walk across the grounds quietly enjoying each others company
  1006. >you start to make your way to the rows of crops
  1007. >so structured and organized, everything looks fresh
  1008. >colorful fruits and berries are everywhere
  1009. >the air feels moist here, more so than the rest of the castle grounds
  1010. >Libra brushes into you again as you make your way through the crops
  1011. >you hear water ahead
  1012. >sure enough, you reach the end of the row and the land drops revealing a bit of a valley
  1013. >a river runs through the land
  1014. >the sound of the water is rhythmic and calming
  1015. >there is stone bench overlooking the land
  1016. >there is a statue behind the bench, but you can't make out the details very well in the lighting at this distance
  1017. >next to it is a bush that seems to be growing a spiky orange colored fruit
  1018. >Libra breaks the serene rhyme of the river with her voice
  1019. >“it's so different at night here... wow”
  1020. >her tone is hushed like she is appreciating the sounds around her
  1021. >the river shines and sparkles, reflecting the light of the moon
  1022. >maybe this would be a good place to stop?
  1023. >Libra is still standing looking off into the distance, maybe she wants to keep walking?
  1024. >you feel like you should say something
  1025.  
  1026. *
  1027.  
  1028. >you want to keep moving on for a little bit
  1029. >nothing too much at least
  1030. “You've never been here at night? Why not? Would you like to continue on? I wouldn't mind going a little further ahead but I don't want to get too far...”
  1031. >Libra pauses then looks back at you
  1032. >she begins to move down towards the river and you follow
  1033. >she stutters then begins to speak
  1034. > “Well, I usually like to come out here alone... And I try not to be alone at night, it makes the aloneness so much more lonely”
  1035. >you catch up with her and stick close to her side
  1036. >you are tempted to initiate some contact but decide against it
  1037. >“But with you out here it's different!”
  1038. >she bumps into you again
  1039. >“This is fun thanks”
  1040. >you nod knowingly, hopefully you aren't coming off as too cold
  1041. >ah, probably not
  1042. “So what is the story with that statue back there by the bench?”
  1043. >Libra perks up as you make your way down the hill side with her
  1044. >you are right along the bed of the river now
  1045. > “Oh! That one is cool, so around the orchard there are a bunch of statues of animals. Like exotic far away crazy dangerous animals!”
  1046. >she flutters off the ground
  1047. > “That statue is of a tiger! That's about all I can tell you, I don't know why it is there”
  1048. >cool stuff
  1049. >you continue along the river observing the plant life and flowers that are growing around you
  1050.  
  1051. >you think about the stars again looking up at them
  1052. >so many, the moon's glow is still intense but it looks to be fading
  1053. “Yeah so the planet I'm from is called Earth. There are about seven billion other people who live on the planet”
  1054. >Libra touches back down on the ground
  1055. > “Wow! That is a lot!”
  1056. >you nod yes
  1057. “Yeah definitely. There are other planets in our solar system, but all of them too hot or too cold to support life... We have one moon too, it orbits our planet”
  1058. >she looks up at you with a spark in her eyes
  1059. >“It must be like a whole different world. Space is crazy wow!”
  1060. >yeah things are different here to say the least
  1061. >the sound of the river is the only thing fighting for your attention
  1062. >you look ahead in the distance and see some large metal structures
  1063. >you can't quite tell what they are, they look like boxes of different sizes and shapes
  1064. >the architecture is unique, bars are spaced out and layered on top of each other to form almost a metal cage
  1065. >you can't help but wonder what kind of purpose these would serve
  1066. >Libra leaps off the ground and flies up to the top of one of the sculptures
  1067. >guess that's what you could call them
  1068. >you are able to climb up off the ground and join her to catch your breath for a moment
  1069. >you wonder how you could get in or out of one of these things, there doesn't seem to be any kind of entrance
  1070. >you both take a moment to look at the scenery and take in your surroundings
  1071. >you follow Libra's dreary gaze across the horizon
  1072. >there seems to be some sort of building in the distance near the foot of the wall
  1073. >you wonder if she is starting to get tired... maybe you could go back to the bench ?
  1074.  
  1075. *
  1076.  
  1077. >you decide to stay for a second longer
  1078. >appreciate the moment kinda thing
  1079. >you can't help but wonder about this land
  1080. “So do you know what we are sitting on? How do you get in?”
  1081. >the metal work is simple yet has a flare to it
  1082. >it reminds you of a knot almost
  1083. >“Oh weird! I was just wondering how you would get out if you happened to get in...”
  1084. >Libra looks down into the structure beneath you
  1085. >she pauses then continues
  1086. > “As for what they are, well, I'm not sure but I have my theories”
  1087. >you look at her expecting her to continue
  1088. “Well, what do you think?”
  1089. >she signs
  1090. > “I think that they are cages. Something about them just... I don't know, upsets the balance of the land. Does that make sense?”
  1091. >you take a moment for her words to sink in
  1092. >you look across the landscape, the area is different
  1093. >it's practically wild on this side of the orchard
  1094. >the ground beneath you looks warn down
  1095. >you nod
  1096. > “Judging by all the statues on this part of the grounds, I'd guess that this was some kind of zoo”
  1097. >her face goes slightly pale
  1098. >you decide to get down from the structure
  1099. >the metal is cold anyways
  1100. >might be a good time for a change of scenery
  1101. >and topic
  1102.  
  1103. >Libra quickly follows, the color and gleam quickly returning to her face
  1104. >her hoofsteps are so light, soft, but yet she trots at a moderate pace ahead
  1105. “A bit more about where I'm from, the same side of the moon is always facing our planet and we are about 150 million kilometers from our sun”
  1106. >you plan to continue but Libra speaks up
  1107. > “Oh! That's cool! How'd ya figure that out? What's a kilometer?”
  1108. >uh
  1109. >you stop talking for a second and she giggles
  1110. >damn equestrians need to switch to metric like the rest of the world
  1111. “Anyways, what can you tell me about your solar system here?”
  1112. >Libra thinks for a moment as you continue to trot forward through the hedges and closer to the castle
  1113. >looks like she is taking you a different way back
  1114. >more statues this way, or at least you see a large one ahead
  1115. >it's still too dark to make out a lot of detail at a distance
  1116. >the hedges are tall and really restrict vision, they run crisscrossing one another
  1117. >it must be a sight from far enough above
  1118. > “Well... We don't know a lot to be honest. Space is largely a mystery to us. Ponies are told that Luna and Celestia control the sun and moon... There are a lot of myths about stars, some say it Luna's past time to move them across the sky, others say they are tributes to fallen greats through pony history”
  1119.  
  1120. >the two of you make your way around a corner
  1121. >Libra mutters something just barely loud enough for you to hear
  1122. > “We are trying to understand”
  1123. >you are about to question further when something flies across your field of vision
  1124. >like a flash it is there and gone
  1125. >you and Libra stop walking
  1126. >stuck in the hedge a couple strides ahead of you is an arrow
  1127. >your brief moment of shock is interrupted by a voice
  1128. >“Sorry about that! Didn't see you there!”
  1129. >you turn to your side to see the orange pegasus stallion from earlier
  1130. >he has a bow slung over his back and is approaching you and Libra quickly
  1131. > “Sagittarius! Are you trying to kill us?”
  1132. >Libra glares at him and huffs
  1133. >he shrugs and speaks
  1134. > “Well that'd be a hell of a way to introduce myself wouldn't it? Nice to finally meet you Anon, name is Sagittarius”
  1135. >he extends a hoof which you shake not so awkwardly
  1136. >okay kinda awkward still with hands and hooves and all
  1137. >he continues to speak, his tone is lively but surprisingly level
  1138. > “Didn't mean to interrupt your date Libra, but you really gotta work on that attitude”
  1139. >she huffs at him with more vigor, there is definitely a blush to her face now
  1140.  
  1141. *
  1142.  
  1143. >he's being awfully friendly for someone who nearly just shot you in the head
  1144. “You should be more careful but no hard feelings”
  1145. >he laughs a bit
  1146. “Why are you practicing at night anyways? You must have quiet the sight to do that”
  1147. >Libra huddles a little closer to you but remains silent
  1148. >Sagittarius looks at you with a smile
  1149. > “Yeah, I have good eyes for sure. I'm trying to get good at archery, might as well practice in different conditions right? Being well versed and all”
  1150. >guess that makes sense
  1151. >Libra speaks up finally
  1152. > “Yeah, well still be careful other ponies live here you know”
  1153. >he laughs and trots back down the row of hedges a bit
  1154. “Can I try firing your bow? I've always wanted to try it”
  1155. >he looks back at you
  1156. > “Definitely! Come back here I'll show you what I've been practicing”
  1157. >you and Libra follow him to the back of the row facing the wall of hedges where his previous arrow found its mark
  1158. > “So practicing at night is cool because you can seriously focus on the mechanics of your motion. Ponies are so reliant on what their eyes tell them that they sometimes forget that firing an arrow is a physical action”
  1159. >he moves to the far edge and draws his bow
  1160. > “I've been lining up all the way to the side cause I've been trying to correct this leftward pull I have going on, not sure if it is just the wind speed but...”
  1161. >Sagittarius lets the arrow fly
  1162. >you can almost see where it struck at this distance, it isn't a very far shot
  1163. >it looks to be very close to the first arrow
  1164. >“I'm pretty good at this”
  1165. >Libra scoffs
  1166. >“show off”
  1167. >he shrugs and passes you the bow and an arrow
  1168. > “Let's see what you got Anon”
  1169.  
  1170. >you look down the row ahead at the hedge
  1171. >you can't see much but the glint of the arrow's tip is visible to you
  1172. >the moonlight illuminates just enough to get a clear view
  1173. >you line the bow up and take a deep breath
  1174. >it takes a lot more torque than you were expecting but you pull it back until you can feel a considerable amount of tension then let the arrow fly
  1175. >it doesn't fly with quite the same zip as Sagittarius' arrow, but it lands very near his first and second marks
  1176. >Libra claps her hooves together in some type of cheer
  1177. > “Hey, not bad Anon. If you ever wanna go shooting more some other time let me know”
  1178. >you nod, Libra approaches your side
  1179. “So why are you trying to get good at archery? Where do you get your replacement arrows?”
  1180. >you hand Sagittarius his bow back carefully
  1181. > “I try not to lose them and I brought a lot, but we've also found several in the castle. You don't need many arrows if you are careful with them. Archery is a hobby of mine, great for socializing and for defense, great way to pass the time if you ask me”
  1182. >seems legitimate
  1183. >you think you hear Libra yawn
  1184. >you couldn't even begin to guess what time it is
  1185. >it looks like Sagittarius is thinking along the same lines
  1186. > “Well, I should go fetch those arrows and try to get some rest. Have fun you two lovebirds”
  1187. >even when drowsy she is expressive
  1188. > “Hey!”
  1189. >he just laughs and gives an exaggerated wave as he trots away
  1190. >you wave back, Libra huffs
  1191.  
  1192. >after a moment of taking in the silence of the courtyard Libra speaks up
  1193. > “I don't know about you but I'm getting tired...”
  1194. >you give her an understanding nod and begin to make your way through the hedges
  1195. >there isn't much for a reference point asides from a large elephant statue
  1196. >must have been what you saw in the distance before running into Sagittarius
  1197. >the elephant's wrinkles are worked into the natural curvature of the rock very well
  1198. >just as you continue to admire the stonework Libra yawns then leans into you
  1199. >it's pretty damn adorable
  1200. >she leans back away abruptly and walks ahead to open the door to the castle
  1201. >she opens the door for you
  1202. >the interior of this hallway is more modest than a lot of what you have seen thus far
  1203. >simple and crude stone work, torch lighting the works
  1204. >it looks fairly short though, it seems to connect to the lower part of the ballroom
  1205. >weird, seems like the way there was much longer
  1206. >or maybe you walked a ways in those hedges
  1207. >makes you question Libra's short cut...
  1208. >you feel like you should talk
  1209. “So do you all sleep in the day since you are so active at night here?”
  1210. >Libra giggles as you make your way into the ballroom and towards the flight of stairs that you now know leads to Air house
  1211. >“Varies from pony to pony. I like the mornings here a lot personally”
  1212. >you nod, noted
  1213. >the two of you continue up the stairs walking side by side
  1214. >this housing option is a workout
  1215. >you can see the top of the stairs in sight
  1216. “Where are the Zodiac from? How long have you been here?”
  1217. >Libra steps are starting to slow, or maybe it is just you
  1218. > “We are from all kinds of different backgrounds... and don't even get me started on the time thing it's waaaaay too late for that. I'll tell you some other time k?”
  1219. >you nod and open the door into air house
  1220. >the inside is still stormy but the clouds look slightly less intense and more like a regular painting
  1221. >Libra follows you in closely
  1222. >the common-area is empty and quiet, you are starting to feel tired
  1223.  
  1224. *
  1225.  
  1226. >it's time to sleep for sure, you start to think on how you want to conclude the day
  1227. >you walk with Libra up to the door of her observatory
  1228. “Thanks for spending some time with me tonight Libra. It was really pleasant and informative”
  1229. >she smiles and rubs against you affectionately
  1230. > “Thank you Anon, it was nice not being alone tonight”
  1231. >her tone is really dreary at this point, she must be ready to fall asleep
  1232. >she opens her door and lingers for a second as if considering something to say
  1233. >you get a glimpse of her observatory's interior
  1234. >it looks similar to the furnishing in the living room, at least at first glance
  1235. >you don't get time to investigate much further, Libra waves then closes the door
  1236. >you are filled with a comfortable feeling, even in the emptiness of the castle housing
  1237. >you yawn
  1238. >as much as you want to sleep you can't help but be concerned about Aquarius
  1239. >she was so welcome, you feel the need to make sure that she is alright
  1240. >you wait for a second and walk up to her door
  1241. >no reason to concern Libra with this
  1242. >Aquarius' observatory door is sturdy
  1243. >there are two sharp zig-zag lines on the door, you vaguely recognize it as her cutie mark
  1244. >you knock on the door softly and wait
  1245. >silence
  1246. >you continue to wait for a second and look up at the ceiling
  1247. >you look back at the door
  1248. >nothing
  1249. >just as you turn to leave it opens the slightest amount
  1250. >Aquarius peaks through the door to her observatory
  1251. >she looks somber, her eyes are moist as if holding back tears
  1252. >her expression changes to one of slight surprise when she sees you
  1253. > “Oh, Anonymous. I-I thought, I... is there something you need?”
  1254. >she looks down, her tone doesn't have the same soothing effect as before
  1255. >she looks anxious
  1256.  
  1257. *
  1258.  
  1259. >you think of the best thing to say
  1260. “Just wanted to say hi... Couldn't help but worry about you a bit, I tried stargazing tonight and I can see that it is intense. Am I interrupting?”
  1261. >Aquarius doesn't say anything for a second before mumbling
  1262. >she doesn't open the door any further
  1263. > “I'm fine”
  1264. >she stops talking and speaks up in a low tone
  1265. >“you don't have to worry about me”
  1266. >she closes the door a little further but you speak quickly
  1267. “I want to see you, do you want company or do you want to be alone?”
  1268. >Aquarius stops closing the door but remains silent
  1269. >you wonder if she heard you
  1270. >your inner whiteknight rages with a fiery passion
  1271. “It pains me to see you so sad”
  1272. >she stays quiet but mumbles something you can't hear
  1273. “What was that?”
  1274. >she opens the door and looks up at you
  1275. >“I said I'll come out, one second”
  1276. >you decide to give her some space to gather herself
  1277. >you take a seat on the large couch in the common-area and wait
  1278. >the paintings in here really do change
  1279. >it's like each time you look at the walls you see different patterns in the wildlife and plants
  1280. >different tones make the plants look more or less lively
  1281. >it really is a simple harmony, an ecosystem in its own right
  1282. >just as you begin to admire the artwork more deeply Aquarius walks out of her observatory
  1283. >she makes eye contact with you and takes a seat close next to you
  1284. >the room is silent, her presence doesn't feel as soothing as earlier today
  1285. >you can't help but wonder what happened
  1286. >or is happening
  1287. >she looks at you
  1288.  
  1289. *
  1290.  
  1291. >you don't really know what to say or do
  1292. >it seems like just leaving the observatory has returned her back to a more level and focused state
  1293. >the distance in between the two of you on the couch is noticeable
  1294. >you kinda just start talking and hope for the best
  1295. “You know, back on Earth we had this thing called astrology. I never knew too much about the specifics, but there were 12 signs, each that matched a constellation in the stars. Humans knew a lot about the sky all things considered... We had telescopes and these things called satellites that we launched into space. We could predict where planets were going to be and a bunch of other bizarre stuff, but it's funny, the pursuit of knowledge kinda clouded up our night skies, took away some of it's vibrancy and magic..”
  1296. >you don't quiet know where you are going with this still, but you pause to catch your breath and resume
  1297. >Aquarius is looking at you with an expression of mild curiosity, maybe wonder?
  1298. “I walked around the castle a bit tonight, and it is really admirable. It is like nothing that you'd see back on Earth... I tried stargazing at the top of the castle for a while, I can start to see that it is intense now”
  1299. >she remains silent and calm
  1300. >her breathing has leveled noticeably
  1301. >everything definitely feels lighter
  1302. >Aquarius speaks up in her ever surreal tone
  1303. >“That's incredible...”
  1304. >she shifts to face you more, opening up her body language and raising her hooves a bit
  1305. > “And yes... things can definitely be intense. I just... t-the moon can be so revealing”
  1306. >she looks down for a moment and the silence re-invades the room
  1307. “I just wanted to let you know that I care”
  1308. >with that she looks back up at you
  1309. >her eyes are such a beautiful shade of blue
  1310. >you feel closer, both emotionally and physically
  1311. >she speaks up, her tone sounds almost less formal, yet still maintains its consistent cadence
  1312. > “Let me ask you something... What do you think of the ponies here so far? Do you feel properly situated?”
  1313. >she blinks slowly and perks up a bit more
  1314.  
  1315. *
  1316.  
  1317. >you nod yes
  1318. “So far everyone has been welcoming and friendly, it really seems like they mean to make me feel at home, well, except maybe Scorpio but I think she was just being protective...”
  1319. >Aquarius smiles at you and nods
  1320. >“Yes, that definitely sounds like her”
  1321. >she looks tired, like she is finally starting to genuinely unwind
  1322. >you keep talking, speaking in a hushed and mellow tone
  1323. “I've been able to explore and get to know everyone at my own pace which has been pleasant and calming... I haven't had the time to properly speak with everyone yet, I got to meet Sagittarius tonight. He seemed nice even if he almost shot me”
  1324. >her eyes widen a bit but you laugh reassuringly
  1325. “You shouldn't worry yourself, I like it here in the Air house. If there is anything I can help you with, let me know...”
  1326. >you give her a look over, trying to make yourself available if she wants to talk
  1327. >she looks pleased, no longer under duress
  1328. >it's nice
  1329. > “I... Thank you Anonymous, that is all very reassuring to hear. I just might take you up on your offer sometime in the future”
  1330. >she looks hesitant
  1331. >she moves closer to you and nuzzle into your shoulder very briefly before leaning up
  1332. >you definitely weren't expecting that kind of affection
  1333. >it seemed innocent enough
  1334. >Aquarius leaves the couch slowly
  1335. > “I... really appreciate what you did for me tonight Anonymous. Thank you. I think I'm going to get some rest, unless you need anything else... I suspect you will want to get some sleep as well”
  1336. >she walks to her observatory door slowly in a calm trot
  1337.  
  1338. *
  1339.  
  1340. >you yawn, it is really starting to get late
  1341. >at least, you think...
  1342. “Goodnight Aquarius, I'll see you in the morning”
  1343. >she looks at you and speaks
  1344. >“Goodnight Anonymous”
  1345. >and with that she closes the door to her observatory
  1346. >you linger in the living area for a moment before making your way to the comfort of your own room
  1347. >oh wow this bed is soft
  1348. >you lay down and look at the ceiling, letting your mind process some of the details of the cloudy artwork above you
  1349. >the events of today start to blur together in your mind making a coherent image
  1350. >you reminisce on the wonders and ambiance of the ancient castle
  1351. >thinking about the past, why it is here, what it meant to the ponies who used to occupy it...
  1352. >history
  1353. >you can feel your mind starting to slow down, your body starting to relax
  1354. >your surroundings become less and less important as you shift positioning trying to get comfortable
  1355. >so relaxing... colors, mysterious landscapes half formed by your mind
  1356. >nothing has meaning here...
  1357. >black
  1358.  
  1359. >you slowly start to stir awake
  1360. >sunlight is entering your room from somewhere
  1361. >must be a window higher up
  1362. >you roll over and enjoy your tranquil and comfortable state for a moment
  1363. >everything is so soft damn
  1364. >you lean up and stretch out a bit before yawning and burying your face back into the pillow
  1365. >just as you start to slip back into the world of sleep you are brought to your senses by the sound a voice in the living room
  1366. >it sounds energetic, excited, you recognize it as Libra's immediately
  1367. > “Luna is coming here! Princess Luna is coming! Oh my gosh she is actually going to show up!”
  1368. >wait, right now? you are too tired to properly process things so you decide to crawl out of bed and see what all the commotion is about
  1369. >you walking into a very high energy common-area, Libra is fluttering around the room excitedly
  1370. >the yellow Gemini pony looks as confused as you do
  1371. > “Wait, you mean she actually responded to our invitation?”
  1372. >she looks at Libra then to the green pony next to her with a look of slight disbelief
  1373. >Libra lands right in front of the two of them and hops up and down excitedly several times
  1374. >it is way too early for this
  1375. >probably
  1376. >you don't see Aquarius around, you can only hope that she is feeling better
  1377. > “Yeah Minny! She is going to show up! For our ball! I can't believe this!”
  1378. >Libra stops hopping and flies your way before wrapping you in a hug
  1379. > “Oh I am so excited! Isn't that incredible Anon? Princess Luna!”
  1380. >you unlatch Libra from you slightly before speaking
  1381. “That really is something, maybe you'll be able to ask her about the clock”
  1382.  
  1383. >this time the green Gemini pony speaks up
  1384. > “Oh yeah, that is a good idea! thanks Anon”
  1385. >you nod
  1386. “Hey, so which one of you is Gemmy and which is Minny? Sorry I haven't got the chance to ask until now”
  1387. >she laughs slightly
  1388. > “I'm Gemmy, the yellow pony is Minny”
  1389. >Minny nods at you and winks before speaking up
  1390. > “So what do you say about some breakfast in honor of our ball now being a host to royalty? My treat”
  1391. >you nod yes and Libra claps her hooves together
  1392. >the four of you make your way into the modest kitchen within the Air house
  1393. >the mood is very high energy, this must be a really big deal for them
  1394. >you are finally starting to feel awake
  1395. >the two Gemini ponies start cooking, it looks like they are making something simple
  1396. >eggs, a couple pastries and an assortment of fruits
  1397. >you and Libra take your seats at the table
  1398. >Libra speaks up in her bubbly and excited tone, the enthusiasm is still strong in her voice
  1399. > “So Anon... What's the plan today?”
  1400. >she blinks at you a couple of times
  1401. >you remember back to talking with Capricorn yesterday
  1402. “I think I am going to start by trying to see the other two houses, I told Capricorn yesterday that she could be my guide”
  1403. >Libra gasps, her eyes sparkle a bit
  1404. > “Ooooh you are going to hang out with Capricorn? Am I invited?”
  1405. >she gives you an exaggerated smile as if trying to be convincing
  1406. >before you can think any further a plate of food is set in front of you, breakfast time
  1407.  
  1408. *
  1409.  
  1410. >you use the food in front as an excuse to think for a moment
  1411. >you have the common sense to thank the Gemini ponies for breakfast
  1412. >...
  1413. >they take the seats across from you and Libra
  1414. >you figure it would probably be best to have some one on one time to get to know Capricorn
  1415. “If I weren't getting to know her for the first time, I'd probably say yes.... but do you think she would appreciate the space? Maybe it'd be better if you just walked me to the Earth house instead?”
  1416. >Libra looks a little rejected but she brushes it off pretty quickly
  1417. > “Uh, yeah you are probably right. Maybe next time then? I can walk you down there for sure”
  1418. >you nod yes and continue to eat
  1419. >the food is delicious, all of the fruits are small in size but intense and fresh in flavor
  1420. >you take a sip of the cold glass of water in front of you
  1421. “So how about princess Luna coming to the ball? That must be very exciting news”
  1422. >the two Gemini ponies smile in sync
  1423. >Minny speaks up
  1424. > “Yeah! It is going to be incredible”
  1425. >Gemmy nods
  1426. > “It's nice that the hard work we put in is finally paying off”
  1427. >you look over to Libra who is enjoying some type of bizarre fruit
  1428. “Do you think it'd be a good idea to fly ahead of me and inform the other houses?”
  1429. >Libra continues to chew happily
  1430. > “Don't think I will need to! Luna notified me by dream! One pony from each house should know... At least that's what the invitation said”
  1431. >she pauses for a second before continuing
  1432. > “It was really clever of her to use dreams to talk with us! I don't think we can even get mail out here”
  1433. >she stops talking again and a look of panic crosses her face
  1434. > “Oh no! What if I just dreamed of the letter in my dream and she isn't really coming?”
  1435. >she gasps and stands up
  1436. >the two Gemini ponies just laugh before green pony speaks up
  1437. > “I'm sure she'd have cleared things up in person if that were the case”
  1438. >yellow pony follows her up in a teasing tone
  1439. > “Yeah, jeez calm down Libra. You can always ask someone from Earth house too”
  1440. >Libra looks slightly embarrassed but takes her seat again
  1441. >you start to finish your breakfast
  1442. >you feel like asking some questions
  1443. “So why did you decide to split the houses up by elements in the first place anyways? What principles did you divide yourselves by?”
  1444.  
  1445. >Libra takes her chance to jump back into the conversation
  1446. >“All of the houses are oriented in a way where we can view and mentally map out certain sections of the sky. Each element has a lot of common traits and ideally should harmonize well with each other...”
  1447. >Gemmy speaks up in a simple tone
  1448. >“Mainly though, when you arrive in a new and unexplored place and you find a door with your cutie mark on it... You get the hint pretty fast”
  1449. >that does make things pretty simple, you assumed those were a later addition to the castle
  1450. >Minny nods in agreement before speaking up
  1451. >“It really is eerie, especially after living your whole life with such a... well, unexplained cutie mark to say the least...”
  1452. >Libra bites her lip and looks down
  1453. “That is really strange for sure I could only imagine. It seems that the housing is working out pretty well though, huh?”
  1454. >Libra speaks up from next to you in her normal energized tone
  1455. > “Oh for sure! I'm glad I'm in Air house, I couldn't imagine living with some of the other ponies here, it'd be a mess”
  1456. >she giggles and the Gemini ponies nod
  1457. >everyone is done with their breakfast, you figure it is time to make your way down to Earth house
  1458. >you take a moment admire the silverware, plating and glass while cleaning up after yourself
  1459. >it is fancy, you wonder if the glass is crystal
  1460. >the silverware looks to be real silver, solid definitely not plated
  1461. >Libra brushes into you
  1462. > “About ready to go Anon? ~”
  1463. >you nod yes and wave to Gemmy and Minny
  1464. >they wave back in sync
  1465. >Minny talks from across the room
  1466. > “See you soon Anon!”
  1467. >Gemmy turns to her and says something
  1468. >you and Libra make your way out of the kitchen and back into the common area
  1469.  
  1470. >the clouds painted on the ceiling above are sparse, fluffy and white, while the sky is a light blue
  1471. >you make your way out onto the balcony to see that it is also bright out here
  1472. >a different kind of bright than during the ceremony last night
  1473. >the light is very non-specified, mostly natural
  1474. >it feels intense, but not as invasive and personal as the moonlight
  1475. >the florescence is replaced with a feeling of overexposure
  1476. >you and Libra make your way down the stairs towards the ballroom
  1477. >you were half expecting to see several ponies down there, but it is empty
  1478. >the clock has a sparkle to it in this lighting, tints of blue shine out towards you, but it still has a dark ambiance
  1479. >you make your way into the ballroom and start to head to the underground area of the castle
  1480. “I think maybe later I will check out the library, not sure though. Know any ponies who might be interested?”
  1481. >Libra giggles
  1482. > “So you're the library type huh? You'll have to talk with Gemini”
  1483. >you start to make your way down the steeply descending hallway
  1484. > “Not too sure who'd be interested in the other houses, maybe Pisces but that pony is so quiet you'd never know...”
  1485. >you turn left at the desk and take a moment to admire how absolutely massive these walls must be
  1486. >the hall starts to take on more of a wild feeling, you know Earth house must be getting close
  1487.  
  1488. >sure enough you find yourself in the lobby quickly
  1489. >the air is so thick here compared to that of Air house
  1490. >you feel immersed in the plant life
  1491. >you admire the gardens and see the Virgo is the only one out in the main room
  1492. >she notices the two of you quickly
  1493. >it looks like she is watering some type of flower garden
  1494. >you can't see much except what is growing above the white marble wall
  1495. >she makes eye contact with you from a considerable distance
  1496. >“Hello Anonymous! Hello Libra”
  1497. >she looks at Libra and scowls kinda
  1498. >Libra flutters over to her and wraps her into a hug
  1499. >Virgo doesn't seem to approve, yet she doesn't fight to break it either
  1500. > “Heyyyyy Virgo, Anon here is trying to challenge you for the title of being my best friend!”
  1501. >she continues to cling to Virgo while giggling profusely to herself
  1502. >Virgo finally breaks the grip and takes a few steps away
  1503. > “Whatever would I do without you”
  1504. >her voice is completely deadpan
  1505. >she sighs and collects herself
  1506. > “I'm assuming that your house was informed accordingly per Princess Luna written request?”
  1507. >Libra continues to giggle
  1508. > “Yep! I used smaller words to do it though”
  1509. >Virgo scoffs then speaks
  1510. >“Why are you here Libra?”
  1511.  
  1512. >you feel inclined to speak up and ease the tension a bit
  1513. >or, Virgo's tension, it looks like Libra is doing just fine on her own
  1514. “Actually, she was just seeing me down here. I was looking for Capricorn, she was going to give me a tour of the other houses”
  1515. >Virgo gives you an understanding smile and nods
  1516. >“I'll go get her for you, one second!”
  1517. >she trots away at a quick pace
  1518. >you take the time to admire the gardens and the staircases in the common area
  1519. >they look to lead up pretty far, the railing is brass, it goes well with the elegant and bright look of the room
  1520. >within moments Capricorn trots up, it looks like Virgo went off to other parts of the garden
  1521. >“Oh! Hey Anon! I-I wasn't expecting you so early”
  1522. >you smile
  1523. “Good to see you Capricorn”
  1524. >she gives you a very genuinely happy smile
  1525. >“Hey Libra! Uh, are you coming along?”
  1526. >Libra giggles before speaking in a playful tone
  1527. >“He's all yours Caps, have fun you two ~”
  1528. >Capricorn blushes a bit at Libra's teasing, she is at a disadvantage with such a light coat
  1529. >“O-okay, good seeing you Libra! I'll catch you later”
  1530. >Libra waves then starts to trot up one of the staircases
  1531. >huh
  1532. >Capricorn speaks up
  1533. >“I-I'm gonna need a few minutes to get ready. I hope you don't mind! I didn't know you'd be here so fast”
  1534. >she trots in place a tiny bit, moving anxiously
  1535. > “In the mean time think about if you want to go to Fire or Water house first?”
  1536. >you nod and start to think of topics for your walk
  1537.  
  1538. *
  1539.  
  1540. >Capricorn quickly trots away to go prepare however she needs to
  1541. >you give yourself another moment to just sit and appreciate the Earth house
  1542. >you can't help but wonder about the garden, you decide to make your way over to where Virgo went while you wait for Capricorn
  1543. >she is still scanning over a bed of flowers, looking at them intently
  1544. >definitely something a little more than just admiration, planning maybe?
  1545. “Hey, I just figured I'd use the occasion to let you know that I am glad to be here at the castle. You all have been wonderful hosts for me so far”
  1546. >Virgo looks up from her gardening and gives you a smile
  1547. > “Awww, thank you Anonymous! I appreciate that”
  1548. >you give her a nod and look over the bed of brightly colored flowers again
  1549. “So was this garden here when you arrived or did you all grow it from scratch?”
  1550. >Virgo continues her overview of the garden bed, occasionally touching her hooves to some of the more brightly colored flower petals
  1551. >they contrast well with her clean white coat
  1552. > “When we first arrived the garden was here, I couldn't imagine trying to start this from scratch!”
  1553. >she looks up and across the room over all of the plant life
  1554. >“I have been doing my best to maintain it, it was supporting itself with some type of magic, but naturally things had gotten messy over the years. Just can't compete with Earth pony gardening skills”
  1555. >she smiles proudly
  1556. >you give her a nod and smile back
  1557.  
  1558. >you notice Capricorn making her way back towards the two of you, that was fast enough
  1559. “Well, everything looks incredible in here, keep up the good work Virgo”
  1560. >her smiles becomes more vibrant, she giggles a little to herself
  1561. > “Thank you Anonymous, I look forward to seeing you around here again soon”
  1562. >Capricorn is now by your side
  1563. > “So ready to go Anon? Which house first?”
  1564. >you think for another moment in case the order is relevant in anyway
  1565. “Let's check out Water house first, then we can go to Fire house”
  1566. >Capricorn nods and starts to lead you back through the way that you came
  1567. > “Alright great! Catch you around Virgo!”
  1568. >Virgo waves at the two of you before resuming her meticulous evaluation of the plants
  1569. >you make your way out of Earth house and back into the castle hall
  1570. >Capricorn stays close to your side while you make your way back up the hall
  1571. >her tail swishes into you slightly as the two of you remain silent
  1572. >you notice the way that it is parted at the end, interesting
  1573. “Hey, I was wondering why you style your tail like that”
  1574. >Capricorn looks up at you resuming her pace forward
  1575. >“What this?”
  1576. >she swishes her tail again in an exaggerated motion and giggles
  1577. >“I don't know, I've always done it like this! I think it is fashionable, how else you supposed to stand out when everyone is dressing up?”
  1578. >good point
  1579. “Well, I like it. Seems very fitting for a trip to Water house”
  1580. >Capricorn smiles and laughs
  1581. >“Hey! Thank you”
  1582. >the two of you approach the desk with all the notepads on it
  1583. >you instinctively start to turn right to make your way back to the ballroom but Capricorn continues to trot straight ahead
  1584. >you follow her and walk past the desk
  1585. >Capricorn stays close to your side, a different kind of close than Libra, despite being right next to you she doesn't make any physical contact
  1586. >the hallway continues to descend deeper underground, you see stairs ahead
  1587. >this isn't like the way to Earth house where it levels out either, it seems to just continue to drop downward
  1588. >the lighting becomes cooler in tone, the path remains stone, no plants or dirt in this direction
  1589. >as much as you like closely admiring stonework, you feel that it would be best to talk with Capricorn a bit more
  1590.  
  1591. “The Princess Luna thing must be really exciting to hear, when exactly is the ball?”
  1592. >the two of you continue to descend downward, the stairs start to spiral
  1593. >it looks like the path levels out up ahead though
  1594. >you can't help but wonder how much weight in stone is above your head right now...
  1595. >you brush your hand against the polished stone, it is cool to touch
  1596. >the stonework is clean, sharp, focused, you are confident that it will hold for a very long time
  1597. >the walls are polished, the floor is polished, everything has a very sterile look for being so far underground
  1598. >yet at the same time you can tell that it is vintage, the stone is filled with various cracks, discolorations and other imperfections that give the entire hallway ahead a very mysterious and unique look
  1599. >the more you look the more you notice details everywhere, strange carvings along the walls, ceiling and floor
  1600. >it is almost reminiscent of hieroglyphics
  1601. >you can hear water running somewhere up ahead
  1602. >Capricorn's hooves click clack on the tile beneath her as she speaks
  1603. >“Should be exactly a week away today! And yeah, the Luna thing is just... Wow! Looks like things are finally starting to come together in my life”
  1604. >she giggles, it is infectious, she looks happy, definitely more at ease than the times you met before >even if her nervousness wasn't noticeable to you then
  1605. >you reach the bottom of the stairs and the path levels out to reveal a straight hallway that leads to a single solid door
  1606. >on either side of the hallway a thin aqueduct flows
  1607. >it is a nice touch for sure
  1608. >you make your way to the closed door, Capricorn knocks
  1609.  
  1610. >the two of you wait a moment, nothing but the sound of the water running over the smoothly polished catches your attention
  1611. >the door opens and Cancer looks out, her crab is resting on her head
  1612. >she smiles wide and hugs you
  1613. >you return her embrace to the best of your ability, you weren't expecting that
  1614. >she is so warm
  1615. > “Anon! You came to visit! Hey Capricorn!”
  1616. >Capricorn smiles, Cancer continues to cling to you for a moment then lets go
  1617. >“Can we come in?”
  1618. >the purple pony smiles and nods carefully as to not disrupt her pet
  1619. >“Of course! I was just out in the common area talking with Pisces”
  1620. >the three of you make your way through the doorway into the common area of the water house
  1621. >this is really something, you weren't expecting it to continue to go downward
  1622. >you wonder how they can get a view of the sky from here...
  1623. >you find yourself on a balcony overlooking a large pool
  1624. >woah, fancy
  1625. >the water is very calm right now, undisturbed, you can see a multitude of colors at the bottom
  1626. >like a mosaic of rainbow tiles
  1627. >the rest of the architecture is pale, tan, or white
  1628. >the center piece of the room is a waterfall across the room on the other side of the balcony that cascades downward into the water below
  1629. >you are surprised that it doesn't disturb the rest of the water more
  1630.  
  1631. >Capricorn looks down over the pool
  1632. > “Aw, I always forget how fancy the pool here is”
  1633. >Cancer snickers a little to her in a playful manner
  1634. >“Yeah we have it made! You're missing out Caps”
  1635. >you follow Cancer to the right, it looks like the balcony extends all the way across the room in a circle and behind the waterfall
  1636. >the three of you take another quick right and you find yourself in more of an actual common-area
  1637. >light purple couches, chairs, and lamps, it is a really soothing ambiance
  1638. >feels old fashioned, like staying in a home that someone has spent a life in
  1639. >Pisces is sitting one of the larger couches
  1640. >there is an aquarium with several colorful goldfish on the table near where she is sitting
  1641. >Cancer takes the sit next to Pisces
  1642. >“Hey Pisces! Anon and Capricorn came to visit!”
  1643. >Pisces looks away from the aquarium and at you and Capricorn
  1644. >Capricorn takes a seat on a different couch next to Cancer and Pisces
  1645. >you wave to Pisces
  1646. >she looks up at you, makes eye contact before looking away quickly
  1647. >“Oh! Um, hey”
  1648. >she looks up for a moment then shifts her gaze back at the aquarium then looks back at you again before giving you a very brief and unconvincing smile
  1649. >her tone is soft and pleasant, comforting
  1650. >“I-I'm Pisces, nice to meet you Anon”
  1651.  
  1652. *
  1653.  
  1654. >you decide to take the seat on the couch next to Capricorn
  1655. >figure it is only fair since you didn't get to talk much on the way here
  1656. >she seems pleased
  1657. “Nice to meet you too Pisces”
  1658. >you smile and take a look at the aquarium next to her
  1659. >those fish are way colorful damn
  1660. >they are a visual focal piece of this lounge type area, they contrast strongly with the otherwise sepia furnishing and walls
  1661. >you fondly recall
  1662. “You know, back on Earth we had giant aquariums called oceanariums, they housed thousands of species. They had giant glass pipes that you could walk through so you could admire the marine life up close... They were really incredible, definitely one memory of my race that I can be proud of”
  1663. >you look take another second to admire the aquarium before turning to look at Pisces
  1664. >she looks down
  1665. >Capricorn is listening intently next to you
  1666. >Pisces speaks in a fairly meek tone
  1667. >“Oh, that sounds cool”
  1668. >you expect her to say more but she doesn't, instead Cancer speaks up
  1669. >“That is cool Anon! I don't know if we have any aquariums like that in Equestria”
  1670. >you look over to Cancer, the crab is now wandering on their couch
  1671. >she is keeping a close eye on it, probably making sure it doesn't wander off too far
  1672. “So that pool is really impressive! Makes me want to go for a swim, do you use it for swimming or festivities? Do you use the pool for your pets? I wouldn't want to disturb them...”
  1673. >Cancer looks up at you
  1674. >“Oh! You won't have to worry about Crabbers here, he's always with me”
  1675. >she brings the crab back a little closer to her and continues to speak
  1676. >“The fish stay in the aquarium up here. And yeah! We do swim in that pool sometimes, the water is a little different though...”
  1677. >Capricorn nods next to you then starts to talk
  1678. >“Yeah, I haven't used it much but it makes you feel a bit weird afterwards... I don't know how to describe it”
  1679. >she kinda huffs
  1680.  
  1681. >Pisces speaks up a quietly
  1682. >“It seems spiritual to me. The pool slows your perception of time and let's you experience the castle from some kind of different angle. I imagine that the magic was intended to be therapeutic, but the enchantment seems to me like it was a work in progress... If you do swim I wouldn't advice staying in the water for too long”
  1683. >you look at Pisces and make eye contact
  1684. >she swishes her two toned blue mane lightly, revealing more of her horn
  1685. >Cancer hugs her
  1686. >“Wow Pisces, I didn't know you had that many words in you!”
  1687. >Pisces blushes and moves away slightly
  1688. >you and Capricorn share a little bit of a laugh at their antics
  1689. >you can't help but wonder where the other pony is
  1690. “Aren't there three ponies in your house? Do you know where Scorpio is?”
  1691. >Cancer's face drops a little bit
  1692. >Pisces speaks up
  1693. >“We haven't seen her since before the ritual last night. I'm sure she is okay, she does this a lot... but if you do happen to see her around let me know okay?”
  1694. >you nod and decide to change the topic
  1695. “So how do you see the stars from this far underground?”
  1696. >Cancer giggles
  1697. >“ A lot of stairs! Or, at least for me, I can't speak for Pisces and Scorpio”
  1698. >Pisces looks down and remains silent
  1699. >Capricorn decides to break the silence
  1700. >“It's good to see the two of you! It's been too long since we've got to talk. We will have to plan later for Princess Luna's arrival”
  1701. >Pisces nods but Cancer gasps loudly in surprise
  1702. >“Wait, Capricorn, you mean Princess Luna is actually coming here?! When did you find that out? What?”
  1703. >Capricorn gives her a confused look
  1704. >“Uh, Virgo told me this morning. I thought someone from each house was suppose to know”
  1705. >huh, Luna must have notified Scorpio
  1706. >it looks like Cancer draws the same conclusion but Pisces speaks up softly
  1707. >“Oh, yeah. I was meaning to tell you Cancer but I couldn't find a good time to bring it up...”
  1708. >the green pony hides in her mane a little Cancer gives her a deadpan expression
  1709. >“Pisces, the two of us have been together all morning. Most of that time in silence!”
  1710. >Pisces blushes and Capricorn laughs
  1711. >you wonder how long it has been since you got here
  1712. >it doesn't seem like you have over stayed your welcome yet but it would be good to spend some time with Capricorn too...
  1713.  
  1714. *
  1715.  
  1716. >your thoughts keep drifting back to the huge pool by the entrance
  1717. >something about it is so alluring
  1718. >maybe it's because on some level you know that you are in the desert...
  1719. >you look over the ponies in the room
  1720. “It seems like you are all very good friends, how long have you known each other?”
  1721. >Cancer and Pisces look at each other for a moment before Cancer starts to speak
  1722. >“We've known each other for a few years, but some of the Zodiacs have met more recently”
  1723. >Capricorn nods and speaks up next to you
  1724. >“Yeah, it's hard to say with how time is here. I'd say that I met you two about a year ago when we first came to the castle”
  1725. >Pisces speaks up quietly
  1726. >“Has it really been that long?”
  1727. >Cancer interrupts in a much more lively tone
  1728. >“I think it has been much longer than that!”
  1729. >Capricorn huffs
  1730. >“It was just a guess”
  1731. >you look back over at the pool and admire the tiles at the bottom once more
  1732. “I think I want to try the pool, how long do you have to be in the water for there to be an effect? Do you have to be fully submerged?”
  1733. >Pisces is looking into the aquarium appearing to be in thought
  1734. >she looks at you briefly then looks down
  1735. >“Oh! Um, not sure, the longer you stay in the stronger the effect. You could probably just dip your head in for a minute...”
  1736. >you nod
  1737. “Might as well try it out now in a controlled environment, right?”
  1738.  
  1739. >Cancer claps her hooves together and stands up
  1740. >“Oh! Follow me”
  1741. >you and Capricorn get off of the couch and follow while Pisces trails a ways behind the two of you
  1742. >Capricorn is still close by your side
  1743. >Cancer leads you to a series of stairs on the other side of the lounge
  1744. >it leads downward several levels to the pool
  1745. >you wonder how much space is in this house...
  1746. >hell, all of the houses
  1747. >eventually you reach the surface of the water
  1748. >the tiles look vibrant from this close
  1749. >“Alright Anon, whenever you are ready!”
  1750. >you look to Cancer and nod before dipping your head beneath the calm surface of the water
  1751. >it is refreshing, you take a moment to feel the sensation with your eyes closed
  1752. >the water feels light and cool, but otherwise normalized
  1753. >you leave yourself submerged for another second
  1754. >you can't help but wonder what the tile looks like from underwater
  1755. >you open your eyes briefly
  1756. >fractals
  1757. >you were not expecting that
  1758. >you lose all sense of your surroundings
  1759. >the water is somehow distorting the colorful tiles beneath you into a ridiculously elaborate colorful pattern
  1760. >repeating in and out, you can't begin to guess how deep the water is
  1761. >you pull your head up and out of the water and take a breath of air
  1762.  
  1763. >everything feels bright
  1764. >you open your eyes and are dazzled by the stone
  1765. >once sepia, they now are omitting a soft rainbow glow
  1766. >everything seems so crisp, vividly real
  1767. >you remain silent in awe of your surroundings
  1768. >a soft voice enters your ear
  1769. >“Anon? Are you okay?”
  1770. >you look up into a pair of beautiful dazzling purple eyes
  1771. >Capricorn's face expresses genuine concern
  1772. >she has been so nice to you so far...
  1773. >they all been really kind
  1774. >her mane is so cute
  1775. >you wonder what you did to deserve her affection, after doing nothing but pushing her away the first few times you talked
  1776. >everything feels different
  1777. >how long have you been thinking for?
  1778. “Yeah, I'm okay. Everything is just really real right now”
  1779. >you take couple deep breaths and stand up
  1780. >Capricorn helps you to your feet, then quickly withdraws her touch
  1781. >you don't want to pull away, she feels really nice right now
  1782. >you look at her, she still seems withdrawn and nervous on some level
  1783. >it's like you are becoming more and more aware of it
  1784. >you look at Pisces and Cancer
  1785. >they seem to be a bit more comfortable
  1786. >Pisces speaks up
  1787. >“Just try to relax and realize that everything is truly okay, appreciate your surroundings”
  1788. >you look over to the waterfall and get lost in thought
  1789. >everything is so tranquil... the rhythm of the water
  1790. >these ponies are so nice, you wonder what you should do
  1791. >you hope Capricorn is okay
  1792.  
  1793. *
  1794.  
  1795. >you look around the housing more before answering Pisces
  1796. “Almost everything is okay. I just need to appreciate all the elements in my surroundings...”
  1797. >you give Capricorn a meaningful glance
  1798. >her purple eyes sparkle and return your gaze
  1799. “I'm sorry for not choosing to stay in the Earth house with you Capricorn, there were just so many ponies to choose from and I hadn't really met anyone yet”
  1800. >she really is adorable, you decide to reach down and give her a couple soft pets
  1801. >at first she looks surprised but then smiles and blushes before leaning into your hand
  1802. >Cancer makes an 'awww' noise and Pisces looks away
  1803. >Capricorn speaks up in a soft voice
  1804. >“Aw, thanks for that Anon, don't worry I understand”
  1805. >you give her a nod and she continues to lean into you
  1806. >she looks a lot more at ease but still a little in disbelief
  1807. “You're a very nice mare and I appreciate your company. I'm still not sure the extent to which the houses here do activities, or what it really means to belong to a house, but this is much more than I could have imagined. If you want to spend more time with me despite being in a different house I am perfectly okay with that”
  1808. >Capricorn blushes more furiously and nods
  1809. >“Yeah of course! Um, you are about ready to go see the Fire house maybe?”
  1810. >she clops her hooves together slightly
  1811. >you nod yes and turn to the two water house ponies
  1812. “I'll have to try this water here again sometime in the future. Do you have a normal pool anywhere?”
  1813. >Cancer nods and speaks, there seems to be a lingering sense of disappointment in her eyes
  1814. >maybe you are seeing too much into these ponies right now...
  1815. > “Yep! All the way upstairs by where you came in. Two lefts from the entrance, directly across from the lounge”
  1816. >you nod and try to remember the instructions while looking over at Pisces
  1817. >surprisingly she seems to be the most calm out of the group, you can't help but wonder more about her
  1818.  
  1819. >Capricorn breaks the silence
  1820. > “You know, it has been too long. Before we leave a little dip couldn't hurt”
  1821. >she looks at the surface of the water hesitatingly before taking a few steps in to soak her hooves
  1822. >Capricorn signs loudly
  1823. >“This is really soothing”
  1824. >she continues to stand in the water and looks back at you
  1825. >she giggles and waves at you before speaking
  1826. >“Figured you'd want someone a little bit more of the same frequency as you Anon”
  1827. >she looks vibrant in the water, full of life and emotion
  1828. >a real pony... crazy, her horns looks so exotic
  1829. >she closes her eyes and takes a couple deep breathes before making it back out of the water towards you Cancer and Pisces
  1830. >Cancer and Pisces look at Capricorn who is still giggling
  1831. >she leans into you again more heavily
  1832. >the physical contact feels enhanced, either that or she is just really really soft
  1833. >“Woah! Really colorful”
  1834. >she looks up at the ceiling with wonder in her eyes
  1835. >“Ooooh.... so ready to go to Fire house Anon?”
  1836. >it feels like you have been down by this pool for so long
  1837. >the idea of changing scenery hadn't really occurred to you
  1838. >you nod yes and Capricorn laughs
  1839. >you feel connected, as if not having to say too many words to communicate
  1840.  
  1841. “Thanks for having us over! I'll have to come back and try the water again”
  1842. >Pisces giggles very softly
  1843. “Oh, I already said that huh?”
  1844. >she nods
  1845. >Cancer comes over to give you a hug
  1846. >“Don't be a stranger Anon, enjoy the spirituality of the castle, you will feel different for a while”
  1847. >you nod and return her embrace before making your way back up the stairs out of Water house with Capricorn
  1848. >all of the changes of elevation in this castle are really incredible
  1849. >you remember you are underground...
  1850. >Capricorn just seems to be taking in everything in awe as well
  1851. >“You know, I feel like I have gotten so involved with trying to explore this castle that I've forgotten how beautiful it is here... I'm glad you're here to experience this with me Anon”
  1852. >she leans into you affectionately as you make your way out of the water house back into the sterile looking hallway
  1853. >it looks even more sterile and minimal, pure hospital core
  1854. >the aqueducts are really sparkly, they glisten and dance in the lighting
  1855. >it is bizarre
  1856. >you look down and make eye contact with Capricorn briefly
  1857. >the click clack of her hooves on the tile beneath you is exaggerated
  1858.  
  1859. *
  1860.  
  1861. >the two of you continue to make your way down the hallway
  1862. >you feel energetic, finally awake and alert
  1863. >guess you aren't really a morning person
  1864. >you continue to look at the patterns in the stone
  1865. >it seems like there are more subtle patterns that weren't there before, moving in waves
  1866. >huh
  1867. >there is so much detail, the contrast bounces around in your field of vision
  1868. >you and Capricorn start ascend up the stairs
  1869. >this is taking forever
  1870. >she brushes into you again and giggles
  1871. > “Okay, so I'm going to take you to the ballroom first, that way you will be oriented”
  1872. >you nod and continue to focus on the stonework
  1873. > “But what you'll come to find the longer you stay here is that there's more than one way to get everywhere”
  1874. >she hesitates
  1875. > “D-do you know what I'm saying?”
  1876. >you are slightly confused but nod reassuringly
  1877. “If you all have been here for a year then there must really be a ridiculous amount of secrets to be discovered in this castle, huh?”
  1878. >Capricorn nods yes
  1879. >you are filled with an overwhelming sense of wonder as you reach the top of the stairs to the hallway
  1880. >you are starting to get the impression that there could be seriously anything in here
  1881. >even in this hallway there are several doors that you didn't quite take notice of on your first pass through
  1882. >“You know it's funny, I feel like I know less about why this castle is here than when I first arrived”
  1883. >Capricorn huffs as you make your way towards the ballroom
  1884. >you can't help but feel like someone is watching you
  1885. >or rather there is a mutual awareness
  1886. >like you are aware of the history around you, while simultaneously becoming part of it
  1887. >the ballroom feels eerily empty, it appears that natural light is entering from somewhere
  1888.  
  1889. >you look at the clock, what they referred to as the heart of the castle
  1890. >the hand is still far away from either of the marks
  1891. “You know, this castle is really mysterious. I can see how trying to understand it would be frustrating...”
  1892. >Capricorn smiles
  1893. >“Jeez, tell me about it”
  1894. >you continue
  1895. “The whole thing with your cutie marks being on the doors and the castle being intact, it's like it was built for all of you”
  1896. >the two of you make your way to the large staircase that you first entered the castle ballroom from on your first night
  1897. >“Hey, it was bound to happen eventually right? I was due for a free castle”
  1898. >she giggles and leans into you before looking up at you
  1899. >so warm damn
  1900. >you ascend further up the stairs, past the hallway and continue to move up further
  1901. >it looks like you aren't quite level with the elevation of air house, but you are close to it
  1902. >you make your way to a break in the stairs and Capricorn turns to the left down a hallway
  1903. >the carpeting is a silky red
  1904. >it's bright and stands out strongly with the more darkly colored stones around you
  1905. “So what do you have planned for Princess Luna's arrival then? Is Luna also going to be offered a house to stay at, or other guests of honor?”
  1906. >Capricorn continues forward as she speaks
  1907. >she doesn't feel like a guide really like Aquarius, but rather like a friend who explaining a new area to you
  1908. >very informal, despite the fact you are sure she has a wealth of knowledge about the castle
  1909. >the pathway ahead starts winding different directions and changing in elevation
  1910. >dipping then raising, left then right, the stonework is very unlevel
  1911. >there are tons of doors in this hallway as well
  1912.  
  1913. >“Well, we have been trying to figure out a lot of the magical patterns in the castle. We think they have something to do with the stars above. This alignment should be a show in itself, the castle is going to be doing a lot of the dazzling for us”
  1914. >that does make sense, the venue seems like a good location
  1915. >“Other then that... We invited several other guests, prestigious ponies, writers, element bearers but we don't really expect them to show up early like you did. Although, I guess they are welcome to stay after the ball too if they want!”
  1916. >Capricorn pauses as you continue to make your way down the winding path
  1917. >it is starting to feel warmer ahead
  1918. >the stone remains a dark hue, the tone of the carpet is now more of a deep blood red
  1919. > “To be honest, there is a lot of planning to be done still... We wanted some of your perceptive, since you are literally otherworldly... We figured an outside and non-biased view would really move things along around here”
  1920. >the hallway to come to an end ahead
  1921. >about time, you were starting to feel dizzy
  1922. “Yeah, I guess that makes sense. I will try to help out how I can. The stargazing on the roof last night was very intense. It brings out a whole different side of the land. I don't know how it was for you and Earth house, but Air house was really somber”
  1923. >Capricorn nods understandingly
  1924. >“Last night was not too bad for most of Earth house, but that was because the moon fell within Earth houses reign. The energy that was project matched more closely with what we naturally agree with. Sometimes it can be hard for Air houses to be down to earth and straight forward, see things from a direct and head on angle”
  1925. >she trails off
  1926. > “Am I speaking too much? I feel like I am speaking too much. Did you follow that okay?”
  1927. >you laugh and nod
  1928.  
  1929. “I like hearing from you, it's fine. You should tell me more about yourself”
  1930. >Capricorn nods, leans into you further and blushes as you make your way out of the hallway
  1931. >the room you enter is circular, the walls are lined with 5 heavy looking metal doors, the ceiling is high above you
  1932. >Capricorn keeps trotting forward to the door directly ahead as you continue to speak
  1933. “Favorite color? Favorite food? Any life ambitions? Strangest thing you've had happen to you here? Hobbies?”
  1934. >she giggles
  1935. >“Oh! Favorite color is black, if that counts, favorite food blueberries...”
  1936. >she pauses to think for a minute before the door ahead of you
  1937. > “Life ambitions, find out why the heck I have this cutie mark and these horns, hobbies I like to research magic... I know I'm not a unicorn”
  1938. >she huffs a little
  1939. >“But that doesn't mean it isn't really interesting!”
  1940. >you laugh and give her a scratch on the head
  1941. >she sighs then giggles remaining close to her
  1942. >you feel really connected, you are walking at the same pace
  1943. “That's alright, I definitely know what it is like to have unusual interests”
  1944. >she ponders for a moment more before speaking again
  1945. >“And the last thing... what was it? Oh yeah! Strangest thing... It's kinda hard to describe”
  1946. >you give her a reassuring look
  1947. “That's alright”
  1948. >she nods
  1949. >“So a few nights after I arrived in the castle I decided to go exploring for the first time by myself”
  1950. >she pauses and you urge her to go on
  1951. >“Well, anyways, I was at the very top of the castle, or at least it what I thought was the very top. One of the spires, I had been gazing there for a while but it was really cloudy so the stars weren't telling me much”
  1952.  
  1953. >that is an interesting way to phrase that
  1954. >“So I decided to take the stairs back down the outside of the spire, only when I went over I found that they keep going upwards too... In the name of exploring I decided to follow them as high as I could, which was a dead end above the cloud-line”
  1955. >she stops and opens the door ahead of you
  1956. >“I thought that maybe it would connect to some kind of cloud structure! So I rushed back into the castle to get Libra cause she is a Pegasus and could walk on the clouds, only when I came back with her the staircase wasn't there. Libra thought I was going crazy, but it just didn't extend upward into the clouds like it did before...”
  1957. >you are about to respond to Capricorn but you are stunned by the sight of fire
  1958. >flames
  1959. >huge, in the center of the room a large fire burns wild
  1960. >it illuminates the entire house common area, the couches are positioned around the fire
  1961. >the stone work is urban and crude
  1962. >you see that Leo and the pony you remember to be Aries are sitting on one of the couches chatting
  1963. >Leo stops speaking and looks directly at you from all the way across the common-area
  1964. >the fire is so intense
  1965. >Leo's eyes have a spark to them, she is still in that lion suit
  1966. >she barks at you from across the room
  1967. > “Anon! There you are! About time!”
  1968. >she jumps off the couch and runs over to you
  1969. >she makes it across the room in several fast strides before pouncing on you
  1970. >at least you were expecting it this time and are able to stay on your feet
  1971. >so much energy in this room you feel like you are spinning
  1972. >after behind so immersed in slow thought and conversation, everything feels alive
  1973. > “How come it took you so long to come visit your best pal Leo Anon?”
  1974. >Capricorn looks down and moves a bit away from the energetic ball of lion costume
  1975. >Aries keeps his distance, watching from the couch
  1976. >he yells over to you
  1977. >“Morning Anon!”
  1978. >Oh wow, it is still morning, everything is moving a mile a minute
  1979.  
  1980. *
  1981.  
  1982. >you decide to return Leo's hug with vigor
  1983. “Good morning Leo, sorry it took so long but I'm here now! How's everyone in Fire house?”
  1984. >Leo nuzzles into you a bit before letting go and taking a couple steps back
  1985. >Capricorn remains silent, she appears to be a little uneasy
  1986. >it feels so busy in here, everything was calming in Water house and in the hallway
  1987. >you both must be stunned at the vibrancy of this housing
  1988. >Aries leaves his position on the couch and starts making his way over towards the three of you
  1989. >Leo is the first to talk
  1990. >“All's well in Fire house! Sagittarius is off shooting his bow somewhere, Aries and I were just talking about how PRINCESS LUNA is coming to the castle! I can't believe it! Can you believe it?”
  1991. >you laugh a little and nod
  1992. “It is pretty incredible... “
  1993. >your eyes are drawn to the fire again
  1994. “Hey, that's a nice fire you have over there, do you keep it burning all the time?”
  1995. >Aries responds a bit louder than necessary
  1996. >“Oh yeah, I don't think we could stop it if we wanted to. It has been going for who knows how long. Fancy magic of some kind”
  1997.  
  1998.  
  1999. >you and Capricorn look up into the flames
  2000. >they are very warm, they heat up the entire room
  2001. >their color is off in some way, tainted with hints of purple and blue
  2002. >or maybe you are seeing things, everything seem overexposed in this common-area
  2003. >you are starting to adapt
  2004. >energy, heat, noise
  2005. >you still feel a touch overwhelmed
  2006. “So how long did it take you to find these houses when you first arrived? Did you gravitate towards them naturally?”
  2007. >Leo laughs
  2008. > “I wish! It took a lot of time, hard-work and self-discovery”
  2009. >Aries deadpans and interrupts
  2010. >“Oh come on! It was like 2 or 3 weeks at most before we found the Fire housing”
  2011. >Capricorn giggles next to you
  2012. >Leo speaks back in a dismissive tone
  2013. >“Pssh, whatever Aries. Trust me it was rough”
  2014. >she pauses and looks serious for a very brief moment, as if in thought
  2015. >she takes a moment and speaks in a cheery voice
  2016. >“So Anon! Any questions about Fire house? Anything you want to do? Or see? Or accomplish?”
  2017. >Leo leaps forward and leans up on her tip toes in a futile attempt to make eye contact
  2018. >she blinks her eyes rapidly several times
  2019.  
  2020. *
  2021.  
  2022. >you are assumed at her antics
  2023. >you lean down so that you're more on eye level with her
  2024. “So queen of the jungle, are you gonna give Capricorn here a pounce too? Or am I getting a special treatment cause I don't know ya yet?”
  2025. >Leo gets down off her tip toes and looks over to Capricorn
  2026. >she crouches
  2027. >Capricorn goes pale
  2028. >Leo laughs and speaks up
  2029. >“You are always so expressive Caps, relax. I know you've had enough pouncing ~”
  2030. >Capricorn blushes and looks down
  2031. “So are there any other rooms I can see in the Fire house?”
  2032. >Aries nods before speaking up in his normal energized tone
  2033. >“Oh totally! You'll love this, it's the best chill spot”
  2034. >Leo seems to know which room he is referring to because they both start heading back across the room to a door on the other side of the flames
  2035. >you can't help but notice how quickly the intensity of the heat rises as you get near it
  2036. >the flames sparkle and glisten with accents of abnormal colors
  2037. “I assume that a lot of the castle is heated from here? I would love to see where it comes from, do you ever use this Fire to cook?”
  2038. >Aries laughs as the four of you walk by the flames and go through a tall stone door frame
  2039. >it reveals a staircase that seems to descend a level or two
  2040. >“I try to stay away from that fire, of course I'm clumsy. Nothing good can come of it you know? I think it burns too hot to cook anyways”
  2041. >it does look very large, it lays silhouettes on the stone walls of this stairwell
  2042. >it feels like you are with a crowd of ponies
  2043. “Any lava? What else is burned here? Calories? You have a gym too maybe?”
  2044. >Aries doesn't miss a beat with his response
  2045. >“No lava, no gym. I like to use the track outside in the courtyard if I need to go for a run”
  2046. >you nod
  2047.  
  2048. >the four of you reach the bottom of the stairs to reveal a lounge area
  2049. >the walls are an off colored white stone, the furniture is a tasteful teal color
  2050. >surprisingly close to the tone of Capricorn's tail and mane
  2051. >it is a little cooler in here
  2052. >sprawled across the walls and ceiling extending upward are miscellaneous shelves with various jars >different shapes and sizes
  2053. >each jar contains a small colored flame, burning with a vague intensity that gives the room a very odd lighting
  2054. >it seems to dazzle and reflect off of the marble, doubling, tripling forming patterns and fractals
  2055. >kind of like the stars last night
  2056. >you reorient and blink before looking at your surroundings again
  2057. >how long have you been in here?
  2058. >Capricorn seems to be lost in the sparkles as well
  2059. >Leo and Aries have already taken their seats together on one of the couches
  2060. >Capricorn is still staring upward but she is brought back out of the trace by Leo's voice
  2061. >“Come over here and take a seat you two, jeez!”
  2062. >the two of you make your way to the couch and sit down
  2063. >Capricorn leans into you a little, Leo is close to your left but on the other couch
  2064. >you look at her
  2065. “Isn't it too hot in here for that costume?”
  2066. >Leo giggles and bats her eyelashes at you
  2067. >“Why? You want to see me take it off or something ~”
  2068. >Capricorn blushes bright red, you look down as Leo continues to giggle
  2069. >you decide to think about how convenient the amount of couches in this castle is
  2070. >Aries speaks up before you have time to fully gather yourself
  2071. >“It's too bad Sagittarius isn't here right now, you'll have to meet him later”
  2072. >you take a short breath before responding
  2073. “Oh don't worry about it! I actually met him last night, what I am really hoping to achieve is getting to know all of you...”
  2074. >it is true, you are fascinated by the idea of other ponies right now
  2075. >everything is so vivid, meaningful and full of energy here
  2076. >Capricorn remains quiet, it looks like she bites her lip a little, you can't tell out of the corner of your eye
  2077. >Leo gets a devious look in her eyes
  2078. > “I know the perfect way for us all to get acquainted if you are game...”
  2079. >you don't know if you like where this is going...
  2080. >“Sooooo Anon, truth or dare?
  2081.  
  2082. *
  2083.  
  2084. >panic starts to fill you as you look into the eyes of the eager lion ahead of you
  2085. >damn the look she is giving you is insane, you feel like prey lured into her game
  2086. >you can't resist though
  2087. >you look over to Capricorn to make sure she is doing okay
  2088. >the effects of the water are still noticeable, at least you think, everything feel weirdly amplified
  2089. >thoughts are fading into one another, looping back, sticking to themes
  2090. >you suppose that could be other magic in the castle though...
  2091. >but more likely the water
  2092. >wait, how long have you been thinking?
  2093. >you continue to articulate your reply
  2094. “Uh, before we start I just want to make sure things don't get too out of hand, any ground rules we should lay down? Seems like it'd make sense to figure that out before we start”
  2095. >Leo sighs before speaking up
  2096. >“Yeah, I guess you are right, but you aren't getting out of this that easy Anon, you are still going first”
  2097. >she states that in a very matter of fact tone then continues
  2098. >“We can move clockwise with who issues the question or dare, they can choose whoever they'd like. Don't disturb ponies outside the game, don't pressure ponies into doing dares or answering things the don't want to, don't pick on anyone etc etc etc”
  2099. >Leo takes an exaggerated breath of air
  2100. >the white and teal pony next to you doesn't seem as tense, so you'll count your caution as a win
  2101. >it's funny how well Capricorn's tail blends into the furniture
  2102.  
  2103. >Leo speaks again
  2104. >“Aries I'm assuming you are in?”
  2105. >Aries nods yes
  2106. >“Oh definitely, wouldn't miss it”
  2107. >you look over to Capricorn again more noticeably, she looks over to you
  2108. “Do you want in too Capricorn? I understand if you don't want to play but it could be a good ice breaker...”
  2109. >she gives you a slightly nervous nod
  2110. >“Yeah I'll play”
  2111. >Leo claps her hooves together
  2112. >“Okay! We have a game!”
  2113. >Aries speaks up and leans forward
  2114. “So it'll go Anon, then Leo.... again, then me, then Capricorn? That's for who issues the dare?”
  2115. >Capricron nods in agreement but Leo interrupts
  2116. >“Yeah but first thing is first”
  2117. >she leans forward to make eye contact with you
  2118. >your faces are close
  2119. >“Truth or dare?”
  2120. >the same uneasiness fills you but it is lesser now
  2121. >you've had a long while to think
  2122. “Truth”
  2123. >Leo giggles
  2124. > “So you like to go the easy route huh Anon? I'll go easy on you cause you are new... Don't expect the same mercy in the later rounds ~”
  2125. >you wonder silently how long this could go on while Leo builds some suspense with her question
  2126. >“Hmmmm Air house... A lot of mares there aren't there Anon?”
  2127. >you remain silent
  2128. >your palms are sweaty
  2129. >Leo leans in closer somehow
  2130. >“But I'm sure that didn't factor into your decision at all... Tell me Anonymous, which one do you think is the cutest?”
  2131. >you look down feeling a blush coming on
  2132. >Aries laughs a bit at the interaction, you see Capricorn go a bit red out of the corner of your eye
  2133. >Leo speaks up again quickly
  2134. >“Bonus points for why ~”
  2135.  
  2136. *
  2137.  
  2138. >you look up at Leo and smile
  2139. >confidence is key
  2140. >there is only one solution here and it involves getting tactical
  2141. >you reach out and boop her
  2142. “Boop”
  2143. >she scrunches up and moves back a bit
  2144. >Capricorn giggles next to you
  2145. >you readjust your position, in the process opening up your body language
  2146. >you continue speaking
  2147. “They are all really nice ponies, Aquarius is cool. Libra is fun. The Gemini are nice.”
  2148. >you try to build some suspense as you scheme
  2149. “But I have to say that Aquarius is the cutest”
  2150. >Leo makes an exaggerated gasp
  2151. >Aries laughs to himself then speaks up
  2152. >“Damn! I thought for sure you were going to say Libra”
  2153. >you shrug and elaborate
  2154. “I don't know, maybe I'm just a sucker for mares with such silky white hair and luscious blue coats...?"
  2155. >you look at Leo
  2156. >it is hard to tell through her costume but it looks like she blushes before giving you a devious smile
  2157. "Or... maybe it's just her gentle and affectionate way of being that got to me?"
  2158. >you look over to Capricorn next to you
  2159. >she looks dejected but is hiding it well
  2160. >she realizes that you are looking at her and makes eye contact
  2161. >her deep purple eyes are so curious
  2162. >something seems to click in her head and she blushes before looking down
  2163. >Aries just looks confused in the background, he speaks
  2164. >“Well, which is it?”
  2165. >you already have your comeback prepared
  2166. “Ah, only one truth at a time. Leo said the rest was bonus”
  2167. >Leo scrunches before speaking
  2168. >“Fine, well it is your turn anyways. Pick someone”
  2169.  
  2170. *
  2171.  
  2172. >you look over the three ponies in the room
  2173. >so many choices...
  2174. >you look at Aries, he has been pretty distance thus far
  2175. “Alright Aries, truth or dare?”
  2176. >Aries looks at you with a look of mild surprise
  2177. >“Me?”
  2178. >he points one of his hooves towards himself
  2179. >you nod yes
  2180. >“Dare. Easy choice”
  2181. >you were expecting that
  2182. >you start to brainstorm as you make Aries wait
  2183. >it probably feels longer to you, there are just so many things to consider
  2184. >your eyes wander to the flickering flames in the jars behind you
  2185. >sparkle sparkle sparkle colors
  2186. >they fight for your attention but you stay focused
  2187. “Hey Leo, you have a spare costume? I was thinking of daring Aries to parade around in it”
  2188. >he scrunches up and gives you a look
  2189. >Capricorn giggles softly next to you
  2190. >Leo erupts in laugh
  2191. >“That sounds amazing, I have to see that! This is a one of a kind though, but it should be big enough to fit him!”
  2192. >before you can elaborate further Leo leaps up off the couch and starts to unzip the costume
  2193. >she is able to step out of it in one clean motion, like some speed undressing type shit
  2194. >it's funny how oddly naked she looks without it
  2195. >she seats back down on the couch next to Aries and hands him the costume
  2196. >“There you go Aries, don't tear the mane on those goat horns of yours”
  2197. >Aries takes the costume and scrunches even further
  2198. >“They are ram horns! And I will be careful”
  2199. >he stands up and immediately stumbles forward slightly
  2200. >you sit back, cross your arms and smirk in amusement as Aries struggles to fit his legs in the costume
  2201. >looks like Leo was right, but it is definitely a bit tight on him, he has to settle for zipping it up around halfway
  2202. >he trots in place and inspects the costume
  2203. >Capricorn laughs at his antics, you can't help but smile
  2204. >his facial expression lifts a bit
  2205. >“Hey, this is pretty comfortable, I can see why you wear this so much now Leo”
  2206. >Aries starts to spin around in circles doing some kind of dance
  2207. >it almost looks like he is chasing his tail
  2208. >Leo gives him a look before speaking
  2209. >“You are enjoying this too much, it's not as funny as I thought it'd be. You better give it back you goat lion”
  2210. >Aries scoffs and strikes a pose
  2211. >“Ram lion actually”
  2212. >Leo signs
  2213. >“Whatever, now gimme!”
  2214. >you'd consider this a success
  2215. >Aries starts to work his way out of the costume, it takes much more time
  2216. >he has to work each leg out individually
  2217. >as soon as he hands the costume back to Leo she stands up from the couch
  2218. >she grabs the costume with a playful huff and lays flat on the floor
  2219. >before you have to time to wonder what's going on she rolls to the side, into the costume in a swift motion
  2220. >she jumps up full dressed and leaps onto the couch
  2221. >she trots then claps her hooves together eagerly
  2222. >“My turn!”
  2223. >you sit in a bit of awe at the feat you just witnessed
  2224.  
  2225. >Leo leans forward to your couch but this time leans past you to Capricorn
  2226. >Capricorn shrinks away and bites her lip
  2227. >“Heyyyy Caps”
  2228. >she doesn't say anything for a second and looks everywhere else in the room but at Leo
  2229. >looking for some type of last minute out maybe
  2230. >“You've been awfully quiet, soooooo, truth or dare?”
  2231. >Capricorn looks at Leo finally making direct eye contact
  2232. >“Uhhh, dare”
  2233. >Leo pauses to think but then Capricorn speaks up again almost immediately
  2234. >“No wait! Truth!”
  2235. >Leo leans back and gives her some more space
  2236. >“You sure about that Caps?”
  2237. >Capricorn continues to chew on her lip a little nervously
  2238. >“No... I'll do dare. Final answer”
  2239. >Leo laughs
  2240. >“It's okay, I'll go easy on you...”
  2241. >she get a devious smile on her face for a brief second
  2242. >Capricorn has become the lion's prey
  2243. >“In fact you might even like it ~”
  2244. >Capricorn shrinks away even further
  2245. >“O-okay”
  2246. >she takes a breath as if bracing herself
  2247. >Leo speaks up in a very teasing tone
  2248. >“Capricorn, I dare you to cuddle Anonymous ~”
  2249.  
  2250. >what?
  2251. >you look to Leo then to Capricorn
  2252. >Capricorn's eyes go wide and her cheeks go bright red
  2253. >“W-what?”
  2254. >Leo giggles and leans back forward
  2255. >“Come on ~ I know you wanna ”
  2256. >Capricorn looks to Leo then up to you before going even more red
  2257. >she speaks up in a hesitant tone
  2258. >“F-for how long?”
  2259. >Aries just seems to be watching intently but he voices his opinion
  2260. >“I'd say at least until your turn is fair”
  2261. >you remain silent unsure what to think, you are still a bit taken by surprise
  2262. >Leo nods then laughs
  2263. >“Unless you wanna go for longer”
  2264. >Capricorn scrunches up then speaks
  2265. >“O-okay fine”
  2266. >she looks up at you again
  2267. >“I-I hope you don't mind this Anon”
  2268. >you are about to respond but she leans into you before you can speak
  2269. >she is so soft and warm
  2270. >this is way more intimate than you were expecting
  2271. >maybe the water is enhance the feeling of her rubbing against you
  2272. >she doesn't hold back, you feel her sigh and nuzzle into you just ever so slightly
  2273. >you wonder if you should be reciprocating?
  2274. >Leo giggles like a school girl and claps her hooves together
  2275. >“See Capricorn! That wasn't so bad!”
  2276. >Capricorn looks at you for a second then quickly looks over to Leo
  2277. >she just scrunches in embarrassment
  2278. >Aries looks kind of amused but nowhere near as enthusiastic as Leo, he speaks up
  2279. >“Alright Anon, it's coming back to you. Truth or dare?”
  2280. >you feel a bit more at ease, but are skeptic at what Aries could have in store for you...
  2281.  
  2282. *
  2283.  
  2284. >you take a moment to consider your options
  2285. >you decide to give him a chance for a comeback
  2286. “Alright, I'll go with a dare. What do you got?”
  2287. >he looks pensive for a moment
  2288. >Capricorn is still snuggling into you
  2289. >you discreetly wrap your arm around her
  2290. >...or at least as subtly as you can when there are only two other ponies in the room
  2291. >she feels so warm, it is nice to see her opening up
  2292. >you feel like you've developed a bond with her of some sorts at least, the feeling of her pressed against you just manifests that thought
  2293. >you can tell she is calming down by the rate of her breath
  2294. >she sighs softly and moves further into your embrace
  2295. >Leo giggles to herself before Aries speaks up in an almost disoriented voice
  2296. >“Alright I got it! See all the jars around us Anon?”
  2297. >you look around at the array of glass covering the shelving throughout the room
  2298. >they really are hard to miss
  2299. >you nod, you can feel Capricorn perk up next to you
  2300. >“Well, let me tell ya something...”
  2301. >you notice Leo's facial expression shift out of the corner of your eye
  2302. >“They are memory magic artifacts. Break the jar, relive the memory”
  2303. >Aries stands up off the couch
  2304. >Leo gives him an uneasy look but he continues forward to the nearest shelve
  2305. >he motions to three jars of similar size next to each other
  2306. >each flame within flickers vividly in a different color
  2307. >purple green orange
  2308. >the flames dance in sync with one another, it is distracting, alluring
  2309. >Aries' energetic voice draws you back out of your trance
  2310. >“I dare you to break a jar, pick one and I'll bring it over to ya... Wouldn't want to interrupt your cuddle session”
  2311. >Capricorn huffs but doesn't pull away in the least
  2312. >Leo speaks up, she sounds mildly irritated
  2313. >“Aries! We only have so many of those jars you know... especially with you breaking them all the time”
  2314. >he waves a hoof at her dismissively
  2315. >“Psssh, relax, most of those were accidents”
  2316. >Leo throws him a priceless glare
  2317. >“So what do you say Anon?”
  2318.  
  2319. *
  2320.  
  2321. >you hesitate
  2322. >you can't help but remember what Aquarius said about the castle
  2323. “I was told not to disturb anything in the castle, are you sure that it's okay to break one? Or are you just trying to make yourself seem less guilty?”
  2324. >he looks over at you and is about to speak before Leo interrupts
  2325. >“It's alright every now and then but the problem is we don't know anything about these memories. So you are basically reliving a random experience”
  2326. >Aries speaks up in a louder tone
  2327. >“I haven't had anything negative, a lot of weird or neutral stuff though. Makes you wonder why they saved it... Or who saved it?”
  2328. >Capricorn is still silently cuddling you
  2329. >this is all just raising more questions
  2330. “So how do they work then? Can't I just open it instead? This seems to be walking the line between fun and vandalism, if these are memories that were suppose to be preserved for all of eternity...”
  2331. >this time Capricorn is the first to speak, it surprises you
  2332. >you had almost forgot about your peripheral vision
  2333. >“They are meant to be a one time use. You break the jar and look into the fire, it phases out almost instantly but you go back into the memory”
  2334. >Leo nods
  2335. >“Yep, how'd you know all that Caps?”
  2336. >Capricorn turns her head to talk to Leo giving you a close look at her horns
  2337. >oh wow they are definitely real
  2338. >like real real...
  2339. >“Oh, I remember Pisces and I were trying to figure them out a while ago. Almost drove us both crazy, something about the way the magic is cast is so... I don't know ancient. It's hard to know what is happening at a technical level”
  2340. >you can feel her energy, the passion in her voice as she speaks
  2341. >she stops speaking and seems to remember your proximity before blushing slightly and re-establishing her position
  2342.  
  2343. >Aries speaks up again, his voice is powerful in close quarters
  2344. >he definitely draws attention to himself with his vibrant tone
  2345. >“I wouldn't think of it as destroying a memory, it's more like reliving it, recreating it. Hopefully learning from it... I mean, you have to think they are here for a reason right? Sometimes you just gotta live in the moment see what life really has to offer ya”
  2346. >you listen to his words, it does make some sense in one aspect or another
  2347. >if you are suppose to be learning here and stuff...
  2348. “Alright, pass me that green one, the one in the middle”
  2349. >Aries nods and picks the jar up and makes his way back towards you
  2350. >the flame inside moves off center slightly
  2351. >“There you go Anon, still not too late to chicken out ~”
  2352. >you grab the fire from him
  2353. >both you and Capricorn look closely at the flame flickering within
  2354. >sustaining itself, burning with a hint of something from the past ready to resurface
  2355. >maybe you are just over analyzing things still because of that water, it really is hard to tell
  2356. >it feels like you have been inside this castle forever almost
  2357. >the smooth glass jar is warm in the palm of your hand
  2358. >Leo glances over at you expectantly, a touch of curiosity in her eyes
  2359. >guess it is now or never
  2360.  
  2361. *
  2362.  
  2363. >you take one more moment to admire the jar before unceremoniously tossing it on the ground a few feet away
  2364. >you don't exactly know what to expect
  2365. >the jar hits the tile and shatters, the flame flickers and ignites upon impact
  2366. >you watch the green flames turn almost white with brightness then simmer back to their normal color and size
  2367. >the whole thing feels really anti-climatic
  2368. >Capricorn nuzzles into you as you continue to look into the fire
  2369. >she speaks in a soft and caring tone, you don't know if it is audible to Leo and Aries
  2370. >“Just remember I'll be here when you get back, okay?”
  2371. >you are about to reply but you can't take your eyes away from the flame
  2372. >watching it dance and flicker on the floor, seemingly consuming nothing yet staying alive
  2373. >you hear a voice in the room but can't identify who is speaking
  2374. >“I always forget how quick those things burn out”
  2375. >conversation carries on in the room around you but the words aren't translating into language
  2376. >the fire is too alluring, you keep watching, feeling your thoughts dance with the flames of the past
  2377. >it reminds you, you remember
  2378. >what do you remember?
  2379. >you think back, trying to visualize your landscape
  2380. >you are in a room
  2381. >well, you know that you are in a room you can hear the ponies talking
  2382. >but you are alone in the room
  2383. >this whole thing is frustrating
  2384. >wait no, you are frustrated you remember
  2385. >you don't remember why
  2386. >you try to orient yourself, take a breath and look at your surroundings but you're still locked a deep trance, engaged in staring at the green flames all around you
  2387. >where are you?
  2388. >you know there is something warm next to you but that is about it
  2389. >all you can do is recall, the visuals of the recollection are far more vivid than your actual surroundings
  2390. >the room becomes more clear, the finer details resurfacing
  2391.  
  2392. >you look ahead at the walls, admiring the details in the paint
  2393. >purple and gold, swirling, you are definitely still in the castle
  2394. >you are upset, this whole thing is just so stupid
  2395. >if only ponies would actually listen and pay attention then maybe your work would mean something
  2396. >wait what work?
  2397. >your confusion is interrupted by a knocking sound
  2398. >you try to figure out which direction the noise is coming from but your head turns the other direction
  2399. >wow that was involuntary
  2400. >you are looking at the door ahead of you
  2401. “Come in”
  2402. >you're not sure whose voice just spoke but the door swings inward to reveal a single pony
  2403. >she looks familiar to you
  2404. >you look into her gray eyes and are overwhelmed with emotions
  2405. >you know she is very important to you and always will be
  2406. >her dress is absolutely extravagant
  2407. >vintage, ancient, covered head to hoof in dazzling turquoise and dark purple gems
  2408. >the dress is accented with larger bright red gems that seems to be focal points of the pattern, the intricacy of the stones' cut makes them reflect light in a way you didn't think plausible
  2409. >she brushes her dark gray mane out of her eyes before speaking
  2410. >her tone is so personal, like she is thinking carefully about each syllable as she speaks
  2411. >like time is freezing around her just for the two of you
  2412. >“You know, nopony ever solved anything by moping around”
  2413. >you feel a rise of frustration course through you
  2414. “I am solving things”
  2415. >her facial expression softens as she starts to approach you
  2416. >“Are you sure you aren't just creating different problems?”
  2417. >she takes a seat next to you and sighs
  2418. >“I know... this whole situation is tough. But we have to be smarter”
  2419. >you hear someone snort in reply
  2420. “He's two steps ahead, I'm twenty steps ahead and you are clueless”
  2421. >the pony next to you looks down before speaking again
  2422. >“Steps ahead only count if time is linear and both of us know I'm not clueless”
  2423.  
  2424. >you briefly make eye contact
  2425. >her gray eyes are filled with so much care
  2426. >a look of concerned is etched on her pale face
  2427. >you speak up, your voice quivers
  2428. “No, I don't think you understand. I am going to crush him. I'm going to win”
  2429. >you can feel the passion in your words
  2430. >you remember the determination
  2431. >the drive that nothing else matters, you know your priorities and what you need to do
  2432. >this is why you are alive
  2433. >to win, conquer, scheme, attack
  2434. “And nothing can stop that. You don't understand my determination, you are clueless sis”
  2435. >you couldn't ever forget
  2436. >she sighs deeply before standing up
  2437. >her dress sparkles but she does not
  2438. >“Just... be careful. Ponies are trying to understand you”
  2439. >you roll your eyes before looking back at the pony
  2440. “I need to get back to work”
  2441. >she nods understandingly
  2442. >“I'm sure I will see you again soon”
  2443. >you lock eyes with her one last time
  2444. >taking in every subtle motion, dilation of her pupils
  2445. >the beauty of her deep gray irises
  2446. >you can feel your surroundings start to fade, but your determination remains
  2447. >a foreign feeling in your mind, but one that has become integrated into how your system functions
  2448. >your field of vision is slowly becoming an array of colors again
  2449. >they sparkle similar to the dress
  2450. >except there is no dress, just a lot of jars
  2451. >you are in someone's embrace
  2452. >you look over, it feels different being in control of your motions again
  2453. >oh right Capricorn
  2454. >her face shows an eerily similar look of concern
  2455. >“Everything okay?”
  2456. >you blink still disoriented
  2457.  
  2458. *
  2459.  
  2460. >something about all of this feels important
  2461. >you mentally cycle through what you just witnessed as you reorient and get accustom to the feeling of being in your own body again
  2462. >everything is off, it might take a minute to get re-acclimated
  2463. >you feel the need to record what just happened in an attempt to piece together the past
  2464. >you want a clean interpretation, not one that your brain has had time to transform and forget
  2465. >an elaborate series of questions race through to the forefront of your mind all at once
  2466. >you feel almost dizzy and overwhelmed, the intricacy of your surroundings is nauseating
  2467. >the room in the memory was much more minimal
  2468. >the dazzling lights ahead of you blur together visually as you think
  2469. >you reach a hand into your pocket and note that you still have the pad of paper from earlier
  2470. >you wonder how often these must come in handy for ponies around here
  2471. >or what pieces of the story, secrets they may know about the castle that could help you better understand the emotional input you were just subjected to
  2472. >it feels like you have been sitting in silence for so long, you look back to Capricorn and blurt out a reply
  2473. “Who was the mare?”
  2474. >Leo and Aries give you a confused look, Capricorn's concern grows
  2475. >it takes you moment to realize that your speech wasn't entirely coherent
  2476. >you look down at the tile beneath you, the pattern looks like it is moving
  2477. >fuck what is happening
  2478. >you calm yourself by taking a deep breath and leveling the tone of your voice
  2479. “How long was I out for?”
  2480. >Aries speaks up in his loud tone
  2481. >everything is so loud in here right now, you miss the quiet rhythmic waterfall in Water house
  2482. >“I don't know, 20 or 30 seconds?”
  2483. >that makes little to no sense to you, but you'll roll with it for now
  2484.  
  2485. >you're starting to feel back in the room again at least
  2486. >you realize that the game play for everyone else has been almost continuous
  2487. >you try to think of where to start with describing the memory
  2488. >nothing better than a question
  2489. “Is it always suppose to be that vivid? I felt emotionally connected to the memory”
  2490. >Leo is the first to answer
  2491. >surprisingly her demeanor has calmed down significantly
  2492. >she looks almost in thought, pensive
  2493. >“Yes, some memories are more vivid than others though. Of course, there isn't really a baseline comparison, each experience is subjective...”
  2494. >Aries nods in agreement
  2495. >Capricorn is still cuddling you softly, the look of concern on her face fading away
  2496. >she speaks up in a gentle and caring tone
  2497. >“Do you wanna talk about what you saw?”
  2498. >you definitely do, you want answers
  2499. >where to begin though...
  2500. “It was a memory from within the castle, I don't know how long ago. A pony and what I take to be his sister were talking...”
  2501.  
  2502. >the room's energy level has mellowed, you feel more stable and grounded
  2503. >it seems like you have captured everyone's attention sufficiently
  2504. “She was very comforting, wore an extravagant dress. His voice was very level, detached, cold and calculating, yet despite his behavior I could tell he cared for her deeply”
  2505. >you pause and think of how to proceed, you are once again reminded of Capricorn's presence next to you as she nuzzles into you a bit further
  2506. “Other then that it was very vague, something about a rivalry and a deep hatred... Oh and they mentioned something about time not being linear”
  2507. >everyone seems to perk up slightly at those last parts
  2508. >you decide to ask some more questions, see what these ponies might know
  2509. “I think I'm going to write down some of what I saw, just so I remember. What kind of experiences do all of you have with these memories and time magic? Have you learned any history or castle secrets from these memories?”
  2510. >you look up expectantly and are reminded not to look into the nauseating wall of colorful flames behind you
  2511. >Aries is the first to speak
  2512. >“I don't know much about time magic, but it kind of makes sense the whole time not being linear thing. Maybe I've just been here too long to know”
  2513. >you briefly wonder if this castle does change ponies
  2514. >Aries ponders then continues to talk
  2515. >“I've experienced a bunch of different memories, it's hard to differentiate at this point, especially when you've accidentally broke two jars at the same time...”
  2516. >Capricorn nods in understand
  2517. >“Yeah and hard to summarize concisely. I definitely have learned stuff from them before. I remember once I watched one of sculptures in the courtyard being made, that was neat. Oh! And I have to add that entering a room for the first time that you've been in before is definitely a weird feeling...”
  2518. >you nod trying to imagine what that is like
  2519.  
  2520. >there is still so much more to know and to be learned
  2521. “So then do any of you know who either of the ponies in that memory might have been?”
  2522. >Aries seems to think for a moment but shakes his head no
  2523. >Leo bites her lip and looks down
  2524. >Capricorn sighs and speaks
  2525. >“I don't think I can help you with that, sorry Anon. I know sometimes those memories leave a lot unanswered...”
  2526. >you just sit and think about the past
  2527. >what has been lost and what can still be pieced together
  2528. >or even how accurate the memory was
  2529. >who is to say
  2530. >it definitely doesn't sit well with you, especially with how deeply you have been analyzing things today
  2531. >everything still feels slow, that water must be really powerful
  2532. >Leo breaks the silence, her tone is slightly agitated maybe, as if she is eager for a change in pace
  2533. >“Are we gonna to finish this game up or what? Capricorn it's your turn”
  2534. >Capricorn looks at Leo
  2535. > “Oh yes right! Let me think for a second, okay?”
  2536.  
  2537. >it definitely feels weird jumping back into the game
  2538. >Leo speaks up again, still seemingly uncomfortable
  2539. >“I think after Capricorn we should stop, I still haven't ate breakfast”
  2540. >breakfast
  2541. >that feels like it was forever ago wow
  2542. >you can't help but wonder what the other Zodiac are up to
  2543. >there is still so much time left today, you wonder what else you should do
  2544. >your thoughts are interrupted by Capricorn speaking up, her tone is devious
  2545. >“Don't think you are getting out of this without having to take a turn Leo! Truth or dare?”
  2546. >she stares at Leo and smirks as she leans against you
  2547. >Leo scrunches her face up, but seems to soften a bit
  2548. >her tone is equally devious when she replies
  2549. >“I see how it is Capricorn... Give me a dare, hit me with your best shot”
  2550. >Capricorn giggles
  2551. >“Oh okay Leo, don't worry I have something good”
  2552. >you and Aries are just watching this psycho-logic warfare intently
  2553. >Capricorn continues to talk
  2554. >“Pretty impressive how quick you are able to get in and out of that suit I have to say”
  2555. >you silently agree, wondering how much time it took to master
  2556. >Leo postures up, seemingly proud of her antics
  2557. >Capricorn's tone is relaxed, it remains teasing in nature
  2558. >“... but I don't get what the hurry is, wouldn't it be better slower?”
  2559. >you don't quite see where she is heading with this, but Leo blushes
  2560. >“I dare you to stand up and do a strip tease with your lion suit”
  2561.  
  2562. >oh wow
  2563. >that definitely is not what you were expecting to hear out of the pony next to you
  2564. >Leo scrunches up even further and Aries breaks into a fit of laughter
  2565. >“Oh man! That is a good one Caps”
  2566. >she giggles, you can fell her breath rising and falling next to you
  2567. >her soft white fur...
  2568. >“Thanks Aries, alright Leo get to it”
  2569. >she claps her hooves together quickly
  2570. >Leo looks torn for a moment but then stands up with a look of determination on her face
  2571. >she locks eyes with Capricorn
  2572. >Capricorn stops giggling and looks back at Leo
  2573. >she walks towards Capricorn, swaying her hips all the while
  2574. >“Jeez, well, only cause you asked so nice ~”
  2575. >Aries and you just continue to watch in silence
  2576. >Leo brings her faces very close to Capricorn's, her eyes lidded slightly
  2577. >she reaches out a hoof and touches Capricorn's check softly before turning around and leaning forward
  2578. >she looks over her shoulder and winks
  2579. >the word 'red' doesn't even begin to describe the look on Capricorn's face
  2580. >Aries just seems to be staring in awe
  2581. >Leo rolls over in a somersault type motion before resting her head on her hooves and striking a seductive pose
  2582. >you make brief eye contact with her
  2583. >she bats her eyelids at you
  2584. >unf
  2585.  
  2586. >you can hear her laughing as she continues with the tease
  2587. >she starts to strike a bunch of ridiculously silly poses while making different facial expressions
  2588. >she freezing in place and slowly starts working the zipper downward
  2589. >you can see her blue fur start to show as she puffs her chest out and slowly steps each leg out of the costume, showing off and caressing her figure
  2590. >Capricorn wolf whistles then giggles as Leo makes it the rest of the way out of her costume
  2591. >she does really look exposed after all of that, her blush visible but she is laughing along
  2592. >Capricorn is the first to speak, she is still laughing to herself next to you
  2593. >“Way to work it girl, I wanted to throw some bits at you”
  2594. >you and Leo both laugh at her joke
  2595. >Aries speaks up as Leo starts to work her way back into the costume, this time more slowly and modestly
  2596. >“I am with Leo on the breakfast thing, this seems like a good spot to stop, unless Anon wants one more turn maybe? He is the guest after all”
  2597. >you haven't thought too much about what to do from here or if you want to keep playing
  2598. >maybe it is time to go to a different part of the castle, see who else is around?
  2599. >Capricorn is still next to you but is no longer cuddling against you, more just brushing up against your side and shoulder ever so slightly
  2600. >Leo speaks up, now back covered and proper in her lion outfit
  2601. >“Yeah, if you want one more turn go for it, either way. You are both welcome to join us for breakfast too”
  2602. >you consider the offer and wonder what Capricorn has planned for the rest of the day, if she is expecting to spend more time with you?
  2603. >it feels like you have been with her a while but it is hard to tell with everything that you have experienced
  2604. >you silently contemplate how to proceed with your day
  2605.  
  2606. *
  2607.  
  2608. >that seems like a fitting end to the game
  2609. >you aren't feeling particularly hungry either, but a second breakfast sounds like a nice way to deflate
  2610. “I'll pass on the turn, I don't think anything is gonna top that”
  2611. >you look over to Leo and add on teasingly
  2612. “Way to stand up to the challenge, we need to figure out that memory magic just to preserve that”
  2613. >she blushes slightly and waves a hoof at you dismissively
  2614. >“That was nothing, trust me ~ So breakfast?”
  2615. >you nod yes
  2616. “I already ate earlier, but a quick snack doesn't sound bad, I can keep you company for a bit longer”
  2617. >Leo and Aries look pleased, Leo leaps forward towards the entrance to the main common-area
  2618. >Capricorn stands up next to you
  2619. >the two of you briefly make eye contact
  2620. >the loss of her physical presence is a little saddening
  2621. >you stand up, everything spins for a second
  2622. >it feels like you have been sitting down forever
  2623. >you speak up
  2624. “So Capricorn, think you could take me back to Air house afterwards? It would be nice to know a more direct route”
  2625. >her eyes sparkle a little and she nods yes as the two of you make it out of the lounge back up the stairs
  2626. >Leo and Aries lead the way a few paces ahead of you and Capricorn
  2627. >“Yeah of course! Whatcha planning to do with the rest of the day?”
  2628. >she looks up at you expectantly
  2629.  
  2630. >you remember wanting to check out the library
  2631. “I think I'm going to go see the library, do you happened to know if Gemini will be at the Air house this time of day?”
  2632. >you continue to admire the stonework as you ascend, you can feel the atmosphere heating up around you
  2633. >Capricorn speaks up with a hint of hesitation in her voice
  2634. >“I'm not too sure... sorry. I don't spend too much time up in the Air house, I usually like to be more grounded... The library sounds cool though”
  2635. >you take a moment to consider everything she said
  2636. >you'll just have to check in at Air house and see who is there, won't be a problem
  2637. >the four of you make it into the living room, Leo and Aries are chatting too quietly to hear
  2638. >you are greeted again by the roaring warmth of the flame in the center of the room
  2639. >you can feel it on your skin the close you approach
  2640. >the four of you head out of the common area quickly, the heat seems too intense, at least right now
  2641. >you go right through the door that you originally entered through into the desolate five door room
  2642. >you are in a completely different position in the room but it looks the same as when you originally entered
  2643. >the spacing between each door must be close to geometrically perfect
  2644. >it makes the region of your brain responsible for physical orientation dizzy
  2645. >Leo leads the way, swinging the metal door to your near left inward to reveal a staircase that goes both upward and downward
  2646. >it looks like this door leads to somewhere in the middle for whatever reason
  2647. >you are starting to seriously question this architecture
  2648. >like who had the time to do this and why did they make it all so counter intuitive?
  2649. >all of this is happening indoors...
  2650. >you feel lost, it's hard to remember where everything is in relation to you
  2651. >Leo takes the right stair case that leads down, you and Capricorn follow
  2652.  
  2653. >the interior changes drastically in here, it is much more colorful, the walls are pastel and don't appear to be stone
  2654. >they are a pale white, the staircase is steady, dark and wooden
  2655. >the railing is clearly crafted with care, smoothed, polished
  2656. >you run your hand along it as you make it downwards, it is a bit low for you understandably...
  2657. >the four of you reach the bottom of the staircase shortly, it reveals another lounge type area with several doors in it
  2658. >Leo leads you through the cozy and simple room
  2659. >you look around and see a series of photographs all over the walls, mostly of ponies
  2660. >you decide to break the brief silence
  2661. “Which other ponies in the castle have broken jars? I might be inclined to ask them about it later”
  2662. >Aries is the first to speak
  2663. >“Well, I know for sure all of us here now, Pisces and Scorpio. But other ponies could have done it without my knowledge...”
  2664. >you nod and Leo continues to lead you into a kitchen of sorts
  2665. >more like a buffet though actually
  2666. >there is a wide assortment of fruits, nuts and berries
  2667. >you wonder if this is just constantly stocked or?
  2668. >there is still a simple counter and what appears to be some type of built in fire pit
  2669. >Capricorn gasps behind you and trots ahead to the table
  2670. >“Oohhh you do have blueberries. You guys are the best”
  2671. >she grabs a hoof full and tosses them in her mouth unceremoniously before making a pleasant expression while she chews
  2672. >Leo giggles and works her way to the other side of the room
  2673. >“It is definitely time for pancakes”
  2674. >Aries nods in agreement, you just look over the table overwhelmed before settling for several pieces of fruit that you can eat while you walk
  2675. >you decide to jot down a few notes from the memory beforehand in order to give Capricorn proper time with her favorite fruits
  2676. >she grabs the bowl and sits at the counter, you take the spot next to her
  2677. >Leo is busy cooking something, Aries is closely examining a round gray colored fruit
  2678.  
  2679. >might as well ask some more questions or try to make some conversation while you are here
  2680. “So... How are other guests treated at the castle? I'm curious, when was the last time you had one? Do you know of the apparent reputation you have outside the castle?”
  2681. >Leo sighs and continues with her process
  2682. >“Yeah, I've heard we are all nut jobs. Naturally we don't have many guests, you are actually our first”
  2683. >that surprises you, the room goes quiet, you decide to speak again
  2684. “Well, it is an honor! It is amazing here”
  2685. >Capricorn eats a few more berries before speaking up
  2686. >“Hopefully having Princess Luna come here will change up our public image!”
  2687. >Aries pitches in from behind you, he makes it closer to where you are sitting
  2688. >“Oh it definitely will. This ball is going to be a hit! Watch, I'd be willing to bet that once the word Luna is coming spreads we will get plenty of other notable guests”
  2689. >seems like a bit of wishful thinking to you, but you admittedly still don't know much about pony culture
  2690. >you don't have much to add at this point, the high energy level of Fire house is beginning to takes it toll on your body and mind
  2691. >you feel disassociated, guess getting thrown into a memory will do that to you
  2692.  
  2693. >Capricorn finishes her bowl of blueberries, she looks a little disappointed
  2694. >she looks over to you
  2695. >“Sorry, I'm sure you are about ready to go, I just couldn't resist”
  2696. >she stands up, Leo speaks from behind the counter
  2697. >“It was great having you two over, stop in again sometime soon?”
  2698. >you nod yes and stand up, you definitely will consider that
  2699. >you wave to Aries who is still immersed in investigating the meal he is composing
  2700. “It was good meeting all of you proper, I'm sure I'll be back soon”
  2701. >Capricorn pitches in as she starts to make it back out of the kitchen to the lounge
  2702. >“Yeah! That was really fun! Thanks as always”
  2703. >Leo waves to you as you make it into the lounge
  2704. >“Bye Anon! Good meeting you!”
  2705. >she pauses and lids her eyes at Capricorn
  2706. >“Byee Caps ~”
  2707. >she waves again, Capricorn blushes furiously
  2708. >as you walk away you can feel the emptiness set in
  2709. >it felt so crowded with three other ponies, with just one it feels like a more much clear and personal connection
  2710. >the two of you start to make it back up the staircase
  2711. >all this walking is such a weird change of pace
  2712. >you take a moment to silently share Capricorn's company, you wonder if she is still feeling the effects of the water
  2713. >you wonder if you are too, it really did feel like an eternity in Fire house
  2714. >you have no reference for how long you were really playing for
  2715. >you reach the doorway in the middle of the staircase and are about to walk through it but Capricorn turns and keeps heading upward
  2716. >“Oh, come this way Anon, you wanted the shortcut, right?”
  2717. >oh, that is convenient
  2718. >you pass by the entrance to the circular room and continue up the wooden stairs
  2719. >the click of Capricorn's hooves is very pronounced
  2720. >you feel like trying to make conversation, learning more about her
  2721. >your eyes keep getting drawn back to her horns
  2722. >curiosity gets the best of you
  2723. “I have to ask, are the horns real? Or did you and Aries and Taurus all just decide to wear fake horns to the castle?”
  2724. >she giggles softly as you make it to the top of the staircase
  2725. >it is just a single red colored door, Capricorn opens it while she speaks
  2726. >“Oh these? They are very real”
  2727. >she makes it through the doorway and stops to brush her mane to the side
  2728. >you look closer and can see that they are indeed attached
  2729. >her face falters
  2730. >“And no, I didn't come to the castle with them”
  2731.  
  2732. >that is definitely something, you decide not to press her further quite yet, maybe later?
  2733. >you take moment to look at your surroundings
  2734. >ahead of you is a well lit and straight ahead hallway
  2735. >to either side of you is a door, green to your left and white to your right
  2736. >Capricorn opens the white door to reveal yet another long and straight hallway
  2737. >you decide to change the topic
  2738. “You know, I've noticed a huge time thing going on throughout this castle, is there a certain reason you all like to gaze at a particular time?”
  2739. >Capricorn perks up at your question as you continue to make it down the dull stone hallway
  2740. >no carpet here, just tiles and lots of clicking and clacking noises
  2741. >“Yeah, the time here is very strange. That is all I can tell you, I haven't been able to find a pattern yet. Sometimes things feel like they are going way too slow or way too fast. Then again, there is a lot of stuff here that just alters perception, so it is really hard to tell”
  2742. >she pauses then continues
  2743. >“The clock is mainly for organizational purposes, everyone knows when to begin and when to stop. We like to be on the same page with things around here, makes everything easier”
  2744. >you nod understandingly and continue the conversation
  2745. “So then what is star gazing like for you? If that isn't too personal to ask. It was really intense for me, was it overwhelming at first? Has how you experience the sky changed with practice?”
  2746. >she now seems very engaged in the conversation, she makes eye contact with you again
  2747. >her purple eyes are have such a depth to them, a natural curiosity
  2748.  
  2749. >“Oh definitely! The first time I tried gazing here was a mess! I tried drawing out where all the stars were, not very efficient as you can probably guess... Now stargazing is a very relaxing and helpful process for me!”
  2750. >making a map does sound like a nightmare, just counting them is troubling
  2751. >the two of you reach another white door at the end of the hallway
  2752. >“Now I just listen to the stars when they speak to me”
  2753. >she says that in such a calm and matter of fact way, you are confused
  2754. >you are about to respond when Capricorn opens the door revealing what you first take to be a room
  2755. >once you make it out further you see you are on a balcony, the ballroom behind you to the right
  2756. >oh and straight ahead of you is the entrance to Air house
  2757. >that is a nifty
  2758. >Capricorn opens the door for you and you enter your current residence
  2759. >the sky painted overhead is bright blue, completely cloudless
  2760. >okay so this ceiling definitely does changes then
  2761. >you notice that the entirety of Air house is seated on the couches in the common room
  2762. >Libra is the first to look up, she jumps off the couch and trots to the two of you excitedly
  2763. >“Hey! My friends are back!”
  2764. >Aquarius and the Gemini ponies look over but don't have time to speak as Libra hugs Capricorn before looking back up at you
  2765. >“Hey Anon! How was the castle? Oh! What did you two do together all morning? Whatcha gonna do for the rest of the day Anon?”
  2766. >she leans forward and bats her eye lashes rapidly
  2767.  
  2768. *
  2769.  
  2770. >how to properly summarize...
  2771. >it might be best to take a seat and allow yourself to get comfortable for a moment
  2772. >after all you and Capricorn are technically guests to the Air house
  2773. >a proper greeting is definitely in order first and foremost
  2774. “Hey everyone!”
  2775. >you look down briefly at Libra and affectionately ruffle her mane
  2776. >you try to keep it quick as to not show her too much extra attention, just the right amount she is looking for
  2777. “Hey Libra, Capricorn just finished showing me the other houses in the castle”
  2778. >you take a breath and continue as you consider how much detail to go into
  2779. “Got to take a dip in the water at Water house and got to watch a memory in Fire house. All and all good, I feel like I've got to know a lot of the ponies here at this point”
  2780. >everything still feels kind of different, like you are slightly disengaged from reality
  2781. >this room makes everything feel even more off, it look completely different you keep forgetting that you are indoors
  2782. >you wonder how much the water and memory are still affecting you
  2783. >it takes you a moment to locate the soothing voice
  2784. >Aquarius speaks up, it is really impressive how seamlessly she is able to make her presence known
  2785. >“Sounds adventurous, I hope in the future you consider staying on the side of caution”
  2786. >you're not quiet sure what that is suppose to mean, you think it is directed at you
  2787. >Libra huffs next to you, Capricorn still hasn't said anything
  2788. >you hear one of the Gemini's voices
  2789. >Gemmy is talking to you
  2790. >“That's awesome Anon, sounds like Capricorn was a good guide. You'll have to tell me what you saw from the past in more detail sometime!”
  2791.  
  2792. >you nod and decide to make your way over to the large gray couch
  2793. >Capricorn follows a few paces behind while Libra flutters ahead to beat you to the couch
  2794. >it's almost humorous with how much room there is
  2795. >once you are properly seated you decide to elaborate a bit more
  2796. “It really was pleasant getting to learn more about how all the houses function here. It's funny how the Air house here has a lot of traits from other houses, like a combination of sorts. Quiet a nice balance if I don't say so myself”
  2797. >you pause and look up into the light blue painted ceiling
  2798. >the sparkles of gold are very apparent right now
  2799. >it's a nice touch to the interior, the wildife painted on the walls around you look very docile and cartoonish
  2800. >a selective pastel color palette in the paints
  2801. >it's weird how different this room can feel, almost non-constant, fluid
  2802. >you can't help but wonder if there is more space here that you haven't seen...
  2803.  
  2804. >your thought cycle is once again interrupted but this time by the yellow Gemini pony
  2805. >“So plans with the rest of the day Anon? At some point I want to try and do something productive with the Princess coming here and all...”
  2806. >you definitely don't feel too capable of planning right now
  2807. >you know you want to see the library
  2808. >you can't keep your mind off of the castle
  2809. >all of the space, the height of the ceiling in here
  2810. >it seems a lot higher up than it was before
  2811. >maybe you need some fresh air
  2812. >yeah physical activity something to reset
  2813. “I think it'd be nice to go outside for a bit if you all would like to join me. I want to see the library after that”
  2814. >you see the two Gemini ponies each perk up in sync
  2815. >Minny is the first to speak
  2816. >“Yeah I could use some fresh air too, I'm definitely in on the library later”
  2817. >Gemmy nods in agreement
  2818. >Libra hops of the couch and starts speaking
  2819. >“That sounds perfect, I could use the exercise! This figure doesn't maintain itself ~”
  2820. >she stretches a little before trotting away with a little more sway than needed
  2821. >“Let me get my ball”
  2822. >ball?
  2823. >Libra trots over to her sanctuary
  2824. >you notice that Capricorn and Aquarius still haven't said much
  2825. >you decide to stand up, best to help initiate action
  2826. “Aquarius, Capricorn, you two coming along?”
  2827. >Aquarius makes eyes contact with you and blinks before nodding slowly yes
  2828. >Capricorn speaks up
  2829. >“Uh, yeah sure! If that's what's happening then I am in”
  2830.  
  2831. >Libra emerges from her observatory
  2832. >you notice she has a soccer ball with her
  2833. >futbol? hoofball?
  2834. >whatever, it sports the classic black and white pattern
  2835. >“Alright! Let's get moving, fields on the left side of the castle sound good?”
  2836. >you don't know where that is nor do you consider left a proper direction
  2837. >there is a mutter of consensus, Libra is already half way out the door
  2838. >so much for getting to catch your breath here, although that seemed like a somewhat proper break
  2839. >you start to funnel your way out of the room with the other ponies from Air house and Capricorn
  2840. >now it really seems like a crowd
  2841. >it is hard to stay aware of everyone around you
  2842. >you eventually all make it out onto the balcony overlooking the ballroom
  2843. >you expect to go downward but Libra instead travels towards the stairs that lead to the roof of the castle
  2844. >the other ponies follow rather silently
  2845. >you sneak a peak over at Capricorn next to you, she nods and moves ahead
  2846. >best not to question it
  2847. >you enter into the room with the stone staircase leading to the roof from which you gazed
  2848. >wow that was only last night
  2849. >you are starting to understand the true meaning of time alteration
  2850. >Libra leads the way ahead as you emerge into the daylight
  2851. >you just now note that there isn't really a door here, it just ascends to the roof
  2852. >as you make your way to the top of the stairs you look up into the sky
  2853. >it still feels very early in the day, the sun doesn't even look like it is at high noon
  2854. >the vibrancy and rising energy of the morning is counter intuitive, not what your weary mind was expecting to see
  2855. >the sky above is dotted with white clouds of varying sizes
  2856. >it looks so much different up here in the day
  2857. >you look back to the bench that you sat on to observe the stars
  2858. >the stone seems so simple and gentle in the day light
  2859. >it is weird being here with other ponies
  2860.  
  2861. >Libra giggles
  2862. >“This is one of my favorite short cuts outside”
  2863. >you almost wonder if she is just going to fly down and leave you stranded on the roof, but instead she points to the edge of the roof
  2864. >you notice a section where it drops off, a staircase leading to the roof below you
  2865. >oh huh, the more you look, the more stairs you see carved crudely down into the sides of the structure
  2866. >it is very elegant and definitely not highly visible in the dark
  2867. >you make your way cautiously to the stairs behind Aquarius, Libra is already a level below you
  2868. >that pony really doesn't dally
  2869. >you do get a nice view of what you assume are the fields below you from this angle
  2870. >large green patches of empty space outside the maze of hedges, pretty much directly below you
  2871. >you are pretty high off the ground, it's bright and dizzying outside
  2872. >you reach the stone platform a level lower, Libra pauses to let everyone catch up
  2873. >she speaks up and continues down the next flight of stairs
  2874. >this one seems to descend more gradually and is much longer
  2875. >“So are we going to play 3 vs 3 or should we just kick the ball around? If we are doing teams we should pick captains”
  2876. >Minny is the first to speak up, everyone seems to just be relaxing and quietly enjoying the natural lighting
  2877. >“Whatever works, Anon do you want to decide since you are the guest?”
  2878. >she looks over to you with a twinkle in her magenta eyes
  2879.  
  2880. *
  2881.  
  2882. >overall you are feeling fairly indifferent, you just wanted some fresh air really
  2883. >might as well just let things flow, don't need to take the time to organize anything formally
  2884. “Just kicking the balling around for a bit is fine, we don't have to play a formal game”
  2885. >it'd probably just be a 1-1 draw anyways...
  2886. >Libra nods and continues forward
  2887. >so many stairs here, you make your way down the gradually descending stone
  2888. >it looks like the roof below you is almost on ground level, just one more flight of stairs to go after that
  2889. >it's funny how there isn't an echo out here, it's like the audio is much more brief and crisp
  2890. >as if all of your thoughts and actions are just diffusing faster
  2891. >everything in the castle has a tendency to linger it seems, out here in the open it is so open
  2892. >wait that is redundant
  2893. >you look up
  2894. >the sun is so simple, such a refreshing contrast to the intensity of the moon
  2895. >you feel on auto pilot as you carefully make your way down the non-evenly spaced stone
  2896. >it's weird with so many ponies you'd think things would be louder, more vibrant
  2897. >everything feels pensive and still
  2898. >maybe you were just in Fire house too long
  2899. >Aries and Leo must add a lot to the general noise level
  2900. >you finally reach the end of the staircase and get a moment to orient yourself on the roof
  2901. >just as you suspected from above, you are only several body lengths from the ground
  2902. >you are starting to really notice how vibrant the grass field beneath you is
  2903. >such a stark contrast to the arid desert land
  2904. >everything is full of life within the castle walls though
  2905. >oasis
  2906.  
  2907. >your concentration is broken by the sound of Capricorn's voice
  2908. >“I've always thought that sports were really interesting. The idea that ponies could dedicate their themselves so heavily to a game”
  2909. >she kinda stutters at the end part of the sentence
  2910. >“It's really cool, even admirable. I'm glad that they can do what they like”
  2911. >you consider what she says for a moment as you continue down the last flight of stairs
  2912. >it's weird how this roof levels out, the staircases are much less hidden
  2913. >Aquarius speaks up but it is not very sudden nor does it interrupt your stream of thought
  2914. >calm and rhythmic as always
  2915. >“It's one of the easiest mediums for skill to visibly manifest itself”
  2916. >one of the Gemini ponies replies, you are too busy watching your step to see which is speaking
  2917. >“I think that is definitely debatable”
  2918. >you're not sure if you agree you aren't really following the conversation very well
  2919. >it feels like you are watching yourself reach ground level
  2920. >it is so bright
  2921. >Aquarius speaks up as the group ahead of you reaches the field
  2922. >you wish her voice could quench the glaring heat of the desert around you
  2923. >“Well everything is debatable, but the really question is who has the time for that”
  2924. >you glance over to Libra who is bouncing the ball up and down on her back, occasionally reaching out to bounce it off of a hoof
  2925. >you look down at the grass beneath you and are thrown immediately into a trance
  2926. >you can see each individual blade, it seems like the wind is blowing across the field but the weather is calm
  2927. >eventually it becomes too much small detail for your eyes to process
  2928. >it is overexposed out here, everything feels plastic
  2929. >the grass is synchronizing beneath you, breathing, spiraling
  2930. >you are seeing organic patterns that are actually there, just subtle, common themes throughout the nature around you
  2931. >you're not sure if you are okay with this
  2932. “I don't know, it seems like there is plenty of time to go around here”
  2933.  
  2934. >Libra giggles from what feels like really far away
  2935. >this field is huge
  2936. >“That is a very good point”
  2937. >she stops juggling the ball and looks over towards you
  2938. >you can distinctly picture yourself from her field of vision
  2939. >she kicks the ball at you
  2940. >you watch as it approaches, spinning end over end
  2941. >black white black white black white
  2942. >you can see the pattern of the grass being disturbed as the ball rolls across towards you
  2943. >reflexively you become less aware of the details around you
  2944. >you narrow your field of vision in on the ball and tap it off the side of your foot
  2945. >it rolls softly in front of Capricorn a few feet away from you, who trots forward a bit and nudges it back up to Libra
  2946. >she receives the pass and stops the ball under her hoof
  2947. >“Oh hey! Anon! Think you can play goalie for a sec! I want to take a penalty kick”
  2948. >you don't see any goals
  2949. >you look down on the far end of the field and notice what she must be referring to
  2950. >a large minimalist metal structure
  2951. >reminiscent of the ones outside the orchard
  2952. >the empty space between the straight and rusty metal rods form a rectangle
  2953. >it looks to be roughly proper size from a distance
  2954. “Uh, yeah, sure. Which side of the field?”
  2955. >Libra just points and starts trotting to the goal you are roughly closer to
  2956. >as you walk you note the features and dimensions of the grass you are trending upon
  2957. >it looks measured up, cared for
  2958. >at one time this must have been used for sports or at least something similar
  2959. >you make your way over to the metal
  2960. >the crowd follows
  2961. >you touch the side of the goal before looking forward towards Libra who is placing the ball on the ground several lengths in front of you
  2962. >“Ready Anon?”
  2963. >this seems sudden but you center yourself and nod
  2964. >she takes a few steps back and looks you in the eyes before grinning and beginning her approach
  2965. >which hoof is she even gonna kick with?
  2966. >uh, you're suppose to pick a direction and dive right?
  2967. >giddy up ?
  2968.  
  2969. *
  2970.  
  2971. >you watch Libra as she approaches, trying to anticipate which direction she is going to kick
  2972. >she picks up a considerable amount of speed
  2973. >something is telling you to focus right but you're going to stay put until you see the ball
  2974. >one of her back hooves hits the ball with more force than you were expecting
  2975. >she is able to maneuver out of the path of the ball quickly
  2976. >it's such an awkward motion you are almost distracted by it
  2977. >the ball is moving right fast at about eye level
  2978. >you jump over to the side and try to reach your hands out in any kind of blocking motion
  2979. >the ball sails right through the top corner of the goal
  2980. >you're not even sure if you had a chance...
  2981. >you guess horses don't lose
  2982. >Libra flutters into the air in celebration
  2983. >“What was that thing you were saying about manifesting skill earlier Aquarius?”
  2984. >you can hear her giggling to herself as you stand up and admire your surroundings
  2985. >you notice other interesting metal work around, maybe potential seating?
  2986. >there are several large metal hoops elevated above the ground in a couple areas around the parameter of the field as well
  2987. >you hear Capricorn speak up
  2988. >“Niiiiice one Libra, you've won the right to go get the ball”
  2989. >both the Gemini ponies laugh and you think you see Aquarius laugh silently to herself as well
  2990. >it does look like the ball went a ways out there too
  2991. >bummer
  2992. >Libra huffs and starts to fly in that direction
  2993.  
  2994. >you look back down at the grass briefly as you wait for Libra to return with the ball
  2995. >the patterns are subsiding slightly but still feel radiant and elevated
  2996. >you look over to Capricorn who is watching Libra
  2997. >you silently wonder how she is feeling
  2998. >she said she wanted to be on the same level as you, you wonder if she still is
  2999. >you see Aquarius stretching slightly out of the corner of your eye
  3000. >is she officially the cutest?
  3001. >just as you are about to consider further you hear Libra yell something from a distance
  3002. >“Hey everypony! Come over here! I found something”
  3003. >you are taken out of your miniature trance and are brought back to reality
  3004. >everyone around you is already alert and trotting over
  3005. >you can see Gemmy and Minny whispering to each-other ahead of you
  3006. >Capricorn and Aquarius are at your side, you can see Libra in the distance
  3007. >she is examining what looks to be a broken up statue
  3008. >the ball is caught up in a very odd looking bush by the scattered white marble
  3009. >you all make a semi circle around where Libra is looking
  3010. >you look at the base of the statue
  3011. >it is impossible to tell exactly what the stonework was of, but the base is still intact
  3012. >the only thing carved in it are two stars
  3013. >they are very on center, you can tell someone threw a fit over the placement
  3014. >Libra is the first to speak
  3015. >“Are you seeing what I am seeing?”
  3016. >you are about to comment on the stars but Aquarius speaks first in a very matter of fact tone
  3017. > “Yes, the plant is very clearly fake”
  3018. >Libra nods
  3019. >oh what?
  3020. >sure enough, it is some type of artificial matter...
  3021. >you look at the base of the plant
  3022. >Capricorn speaks up, pointing at the ground
  3023. >“That is a hinge! Libra I think this goes underground!”
  3024. >very detail oriented observation there, she leans down and dusts the ground
  3025. >sure enough there is some-type of hinge
  3026. >Libra grabs the plant and pulls upward on it, the dust moves to reveal the outlines of a square board
  3027.  
  3028. >“Ohhhhhh finally I'm gonna find some buried treasure”
  3029. >Libra giggles and trots in place on the ground
  3030. >Aquarius raises her voice
  3031. >“Not so fast Libra, we need to be careful. We don't know what is down there”
  3032. >Libra makes a dismissive pssh noise
  3033. >Gemmy speaks up from your left side
  3034. >“That is a valid point, I think we need to send someone back to the castle and let the others know where we are”
  3035. >you don't really know what to add
  3036. >Aquarius nods in agreement
  3037. >“Yes, that would be logical, Libra, why don't you fly back quickly and inform at least one of the others”
  3038. >Libra scoffs loudly
  3039. >“I found the thing I wanna get to explore it! I don't need to be a messenger, that is ridiculous Aquarius”
  3040. >she pauses and pulls on the plant again before speaking
  3041. >“Caps, help me lift this”
  3042. >Capricorn seems to be broken out of deep thought and look up at you before quickly diverting her gaze to Libra
  3043. >she speaks up tentatively
  3044. >“I-I don't know about all of this Libra. Maybe we should plan this out a bit more carefully”
  3045. >you look at the marble around on the ground again and contemplate your options
  3046.  
  3047. *
  3048.  
  3049. >you can't help but wonder...
  3050. >maybe it would be best to look first and see whether it is even worth notifying the others?
  3051. >you decide to provide some input to the situation
  3052. “You know, maybe we should take a quick look before anything? I mean, this thing looks like it has been left untouched for a very long time. We can take our time with things there isn't a rush”
  3053. >Capricorn nods in agreement with you
  3054. >Aquarius scrunches her face up in thought for a brief moment before nodding slowly
  3055. >“That makes sense. A quick look isn't going to hurt. Best make sure this isn't a false alarm”
  3056. >Gemmy speaks up in a peppy tone
  3057. >“That's good thinking Anon”
  3058. >Libra nods enthusiastically while undusting the board covering the ground
  3059. >the two Gemini ponies locate and open the latches
  3060. >the board creeks loudly, Capricorn moves back
  3061. >you move over to get a better view of the entrance
  3062. >Libra makes an exaggerated gasp
  3063. >“Stairs!”
  3064. >sure enough, a stair case leads deep into the earth beneath you
  3065. >it doesn't look like you have disturbed anything but rather uncovered something...
  3066. >the rest of the ponies crowd around the entrance to try to get a look down as the dust finishes clearing
  3067. >it looks like you'll have to walk single file, it is a narrow space
  3068. >Libra speaks up, her tone oozing with enthusiasm
  3069. >“Okay! This is definitely something new, Aquarius I think you are right I should go notify the others”
  3070. >Aquarius deadpans at her before blinking slowly and speaking
  3071. >“Always so indecisive Libra”
  3072. >she shakes her head and Libra scoffs
  3073. >Libra looks panicked for a second
  3074. >“You will wait for me right?”
  3075. >Minny giggles and walks over to Libra
  3076. >she embraces her gently
  3077. >“Aw, of course”
  3078. >Libra looks over at you
  3079. >“So Anon, you wanna stay guard here or come with me to notify the others?”
  3080. >she blinks at you rapidly, you notice Capricorn bite her lip and look at the ground out of the corner of your eye, but she remains silent
  3081.  
  3082. *
  3083.  
  3084. >you give Capricorn a glance, her eyes twinkle softly
  3085. >you give her an acknowledging smile
  3086. >she returns it
  3087. >you look over to Libra
  3088. “I'd hate to turn down your company twice in one day. Let's go try to find the others”
  3089. >Libra nods excitedly, Capricorn looks down
  3090. >maybe you should have invited her to come along...
  3091. >you decide to speak to everyone but especially direct it towards Capricorn
  3092. “We will try to be back soon”
  3093. >you turn over to Libra who picks up the ball as well as a shard of the marble
  3094. >Libra speaks up in an energized tone
  3095. >“Alright, let's go then! I know a quick way to get to Earth house from here, we can take that to Water then Fire”
  3096. >Aquarius' soft tone seeps into the flow of the conversation
  3097. >“No hurry you two, we will wait. It would be a good idea to investigate the surrounding above ground area to see if there are other passages. I am concerned about the tunnel's stability”
  3098. >one of the Gemini ponies laughs
  3099. >Gemmy speaks up in an amused wavering tone
  3100. >“Isn't stability always a concern around here?”
  3101. >you briefly think about how heavy rocks are
  3102. >Libra begins making her way back closer to the base of the castle
  3103. >“Alright! We will be fast!”
  3104. >you begin to follow her taking a brief glance over your shoulder as you exit
  3105. >the other Air house ponies start to spread out, Capricorn investigates the base of the broken statue
  3106. >you make it to Libra's side, she is trotting to the left side of the fields a bit away from how you entered
  3107. >you see how this could be disorienting
  3108.  
  3109. >“This is gonna be really cool! I hope that there is a lot of area to explore it is always so fresh not knowing what you are going to find”
  3110. >Libra maintains a rapid trot forward, it is hard to match her enthusiasm
  3111. >you still feel kinda of off and sluggish but the effects are much less noticeable
  3112. >it looks like it is about noon
  3113. >whatever that means
  3114. >you reach the castle way fast
  3115. >Libra walks around a small corner within the base
  3116. >“There is a door over here”
  3117. >the lighting is just right to see the door, if the sun were casting a longer shadow you probably would not be able to notice the door easy
  3118. >it opens in front of you as Libra trots in
  3119. >huh?
  3120. >maybe you just missed her opening it
  3121. >you look into the hallway
  3122. >this looks familiar
  3123. >you took this to the orchard?
  3124. >or one that looks very similar
  3125. >Libra's hoof-steps echo loudly as you make it further into the castle
  3126. >it was definitely a good idea to get some air, things feel a bit more normal
  3127. >like a soft weight was lifted off your shoulders
  3128. >you keep moving down the hallway
  3129. >something sounds off about Libra's hoof-steps
  3130. >she slows her pace
  3131. >yeah there is definitely another sound
  3132. >it is coming from one of the many doors in the hallway
  3133. >Libra notices it too you both stay quiet for a second
  3134. >“It must be one of the other ponies, we should figure out which door it is”
  3135. >you nod and continue further down the hall trying to locate the sound
  3136. >you hear a muffled yell and a crash
  3137.  
  3138. >Libra looks startled but springs into action flying forward and pressing her ear to the door to your immediate right
  3139. >“I think someone is in trouble! This door!”
  3140. >before you can stop to consider anything she opens to door, swinging it inward and moving in
  3141. >you hesitate but follow, grasping your sword's handle
  3142. >you run your finger over the cool blue stone anxiously
  3143. >the first thing that you notice is that the ground is covered in shards of glass
  3144. >it looks marvelous, dazzling refracting the light
  3145. >each and every piece
  3146. >different hues of beautiful reds, oranges, pinks
  3147. >something incredible
  3148. >you look up further and see a pony
  3149. >it takes you a moment to put a name to the face
  3150. >her cheeks are clearly streaked with tears
  3151. >she looks torn apart, frustrated
  3152. >her posture is firm and upright
  3153. >you make eye contact and are stunned by her soft light blue irises
  3154. >you've never seen someone flash so many facial expressions at once
  3155. >she goes from hopeless to confused to intrigued before resting on anger
  3156. >Libra speaks, her voice is fairly calm
  3157. >“Scorpio! Is everything okay? I heard a crash”
  3158. >she looks at the shards of glass appearing to notice them for the first time
  3159. >Scorpio keeps looking at you, staring into you
  3160. >she breaks eye contact to glare at Libra
  3161. >her voice is snide, unlevel with a hidden allure
  3162. >it could be charming if she wasn't yelling
  3163. >“Everything is JUST fucking FINE”
  3164. >Libra looks like she is going to interject but Scorpio maintains her assertive voice and takes a step forward into the glass on the ground
  3165. >“Now both of you leave. Right b-bucking now”
  3166. >she looks directly at you again
  3167. >“And don't you dare say a word about this to anyone”
  3168. >she postures up slightly but looks down, dejected
  3169.  
  3170. *
  3171.  
  3172. >once the initial shock of the situation wears off you begin to analyze your surroundings a bit more closely
  3173. >you look over Scorpio's coat to see if the glass cut her anywhere
  3174. >it doesn't look like it, although she did just step into a pile of it, could be a problem...
  3175. >you scan the room, it is mostly bare in here asides from several empty shelves on the opposite side of the room
  3176. >you notice that there are absolutely no windows in here either, just several modest wooden doors
  3177. >you wonder where the object could have been resting before it broke...
  3178. >the more you look at the subtle quiver in Scorpio's posture, the more you are starting to think that something was intentionally broken
  3179. >Libra speaks before you have the chance to say anything
  3180. >her tone is surprisingly cold, she sounds irritated
  3181. >“Jeez, rude, sorry for checking in on you. We will leave”
  3182. >she pauses and looks at the glass one more time
  3183. >her facial expression drops
  3184. >“And breaking things doesn't solve anything”
  3185. >Scorpio looks down and paces slightly
  3186. >she groans
  3187. >you decide to speak
  3188. “We weren't looking for you in particular but I know that the other Water house ponies are worried about you”
  3189. >you pause and try to add a bit more of an assertive tone to your voice
  3190. “I won't say anything without your permission, but if you expect me to stay quiet for long you need to talk to one of us here about the problem, or one of your friends once you calm down. Choice being yours”
  3191. >she stops her pace and turns to look you in the eyes
  3192. >she takes a step forward
  3193. >her voice is venomous
  3194. >“Excuse me?”
  3195.  
  3196. >she keeps her gaze locked into the center of your eyes as she walks forward with complete disregard for the shards of warm colored glass
  3197. >her voice is picking up in potency but you can she is holding back
  3198. >“Were you, the guest here at the castle, who has been here for what? All of a day?”
  3199. >she pauses and continues to look up at you
  3200. >Libra doesn't say anything or move, she just watches Scorpio's hooves as the glass cracks underneath them
  3201. >“Trying to imply that you know SHIT about what I should or shouldn't be doing?”
  3202. >she stops talking but keeps looking up at you
  3203. >she is much smaller than you but you can't help feel a tad bit intimidated
  3204. >Scorpio's posture slouches and she smirks at you before speaking in a much more soft and leveled tone
  3205. >almost too level for comfort, the change is way too sudden, a complete emotional 180
  3206. >“I think it's cute that you are trying to be assertive”
  3207. >she blinks at you then turns before speaking again
  3208. >“I think I've made my point”
  3209. >she begins working her way across the room, it looks like she is just going to leave
  3210. >you can't help but admire the intense hue of her Magenta coat as she trots away
  3211. >she is about to open one of the wooden doors across the room before Libra speaks up in a loud and fast paced tone
  3212. >“When you calm down meet us out by the soccer fields, we found something to explore”
  3213. >Scorpio stops and scoffs loudly before looking back at Libra and speaking
  3214. >“I'm sorry, do you really think I care about going down there right now?”
  3215. >Libra's face falters
  3216. >this whole interaction has really left a bitter taste in your mouth, you wonder if you should still go to Earth house immediately after...
  3217. >Scorpio is still in the room but it looks like she is about to exit
  3218.  
  3219. *
  3220.  
  3221. >several different thoughts run through your head
  3222. >you are immediately tempted to remind her that you are a neutral entity here of sorts
  3223. >or that her friends are worrying about her
  3224. >but you decide it's best right now to hold your tongue
  3225. >best not to get stung...
  3226. “Alright, well, I look forward to seeing you again”
  3227. >Scorpio stops in the doorway as she opens the door further to reveal the hallway ahead of her
  3228. >you make eye contact
  3229. >her facial expression softens and her pupils dilate
  3230. >her tone loses a little of its venom
  3231. >“Thank you Anon, I will see you soon”
  3232. >you think you see her wink?
  3233. >maybe not, she is turning to leave
  3234. >you look over to Libra who looks on edge to say the least...
  3235. “She is quite the intriguing mare huh?”
  3236. >Libra scoffs and turns to leave the room, going back to the hallway you entered from
  3237. >you take a moment to pick up one of the shards of glass and examine it
  3238. >it is much thicker than any of the jars from earlier, like this object was almost solid
  3239. >you feel different holding the glass, warm
  3240. >you watch the colors sparkle across the surface
  3241. >there is a depth to them, oranges and greens dazzle and fade within the solid alluring red
  3242. >you follow Libra out into the hallways as she speaks up
  3243. >“If by intriguing you mean a complete basket case then yeah”
  3244. >seems a tad bit harsh but you shrug as you listen to the shallow clip clopping echo of Libra's hoofs while you descend
  3245. “So has she always been like that then? Cancer mentioned that she disappears a lot, are there any ponies she gets along with particularly well that I could talk to?”
  3246. >Libra continues her trot but makes a hmmm noise
  3247. >the doors on either side of the hallway here look remarkably similar
  3248. >“Yeah, she has always kinda been like that from what I know of her at least. I don't know much about a lot of the ponies in Water house to be honest. I imagine she gets along with them okay and I used to see her around Taurus sometimes...”
  3249.  
  3250. >she pauses and stops as you continue down the hall
  3251. >“That's an awful lot of questions Anon ~ I think someone has a crush ~”
  3252. >Libra giggles to herself loudly and brushes into you as she continues ahead
  3253. >you decide it'd probably be a good idea to key her in on your dilemma
  3254. “Well, Cancer... or was it Pisces? Told me to tell let them know if I saw Scorpio. So that's why I was so vocal with my intentions back there. I'm not sure what to do now”
  3255. >Libra nods as she stops to investigate a door to your left very closely
  3256. >“Hey, I wouldn't worry about it too much. It doesn't seem to be too uncommon...”
  3257. >Libra sighs as she continues to look at the door, you come to a complete stop
  3258. >“Now I always forget which door it is coming from this way...”
  3259. >she opens the door revealing a single spiraling brass staircase that descends downwards beneath the floor
  3260. >“Ah ha! This is it”
  3261. >this room is so bare, it is just the stairs going down
  3262. >Libra quickly flutters over the railing and begins making it downwards
  3263. >you quickly lose sight of her and decide to follow
  3264. >you look down through the floor into an opening that is very high off the ground
  3265. >or at least seemingly that way after just being level with the floor
  3266. >it takes you a minute to realize you aren't outside, it is just green below you
  3267. >you look carefully as you make it down the stairs and realize that this is Earth house
  3268. >you can tell by the white marble walls and observatory doors below
  3269. >oh damn, that was fast, nifty short cut for sure
  3270. >it doesn't look like anyone is below you
  3271. >“Hey!!! Anypony here?”
  3272. >Libra yells from the stairs as she continues to trot downwards
  3273. >you follow, it is quite dizzying
  3274. >you've almost reached ground level by the time that you see Taurus emerge from one of the rooms near the observatories
  3275. >you hear him yell across the room in a level and grounded voice
  3276. >“Hey Libra! Hey Anon, what brings you guys here?”
  3277. >Virgo is nowhere to be seen
  3278.  
  3279. *
  3280.  
  3281. >you continue to make your way down the remainder of the stairs as Taurus begins a steady walk towards the two of you
  3282. “Well if it isn't the pony for the job”
  3283. >Taurus looks confused for a second
  3284. >“What job exactly?”
  3285. >you open your mouth to speak but before you can fully form your thoughts Libra interrupts
  3286. >“We discovered a trapdoor out in the fields and are seeing who wants to come exploring!”
  3287. >she flutters up into the air excitedly
  3288. >you decide to add on to her description
  3289. “Yeah, we were out by the soccer fields with Capricorn and the rest of Air house when Libra here stumbled upon an underground passage. We are looking to gather up whoever is interested in helping”
  3290. >you pause for a moment
  3291. “Sure your strength could come in useful”
  3292. >he nods and gives you a friendly and hardy laugh before
  3293. >“Yeah definitely count me in, I'm always in for a good exploration project”
  3294. >cool
  3295. >Taurus speaks up again, seeming to direct more of his attention to Libra
  3296. >“Uh, so where are we going next then?”
  3297. >Libra pauses she looks torn between flying off in two different directions
  3298. >“Well, I was thinking Water house first, then we could go to Fire... No! Wait, it would make sense to go Fire then Water”
  3299. >Taurus just gives her a confused look
  3300. >you are about to say something when Libra speaks again
  3301. >“No wait, definitely Water house first. It's much closer”
  3302. >damn indecisive pone
  3303. >you decide to make things a bit more clear
  3304. “Do you want to walk with us Taurus or have us meet you once we've gathered other ponies?”
  3305. >Taurus thinking for a moment but answers decisively
  3306. >“I'll walk along with you guys, I don't mind at all”
  3307. >Libra clops her hooves together excitedly and begins a quick trot towards the exit
  3308. >you and Taurus follow
  3309.  
  3310. >this walk is starting to feel more and more familiar
  3311. >you remembered how wondrous it was the first time you went down this pathway to Earth house with the castle all illuminated by its own magical ambience
  3312. >you watch the plant life at your feet become more and more sparse as you make it further down the hallway
  3313. > you pass the desk covered in notepads
  3314. >to begin the descent to Water house again
  3315. >it feels like so long ago since you were in the water, even though it's only been a few hours...?
  3316. >you don't really wanna think about time
  3317. >things are finely starting to seem normal
  3318. >you decide to try to make some conversation as you start to make it down the stairs leading to the isolated hallway
  3319. “So I've heard the Earth house is a very grounded house... I'm not quite sure I understand what that means. Everyone here seems very stable, well, except maybe Scorpio but I've only got to see her once so far...”
  3320. >you kinda trail off at the end not sure how much detail would be considered invasive
  3321. >Taurus looks down at the ground
  3322. >your glance follows, you reach the bottom of the spiraling stairs to touch foot on the polished stone of the hallway leading to Water house
  3323. >the sound of water is becoming present, you look at the aqueducts running along either side of the hallways around you
  3324. >you decide to conclude your thought a little better
  3325. “I guess what I'm asking is, what does it means to you to be part of Earth house? Maybe you could shed a little light on that?”
  3326. >Libra is listening attentively as you make it to the heavy door ahead
  3327. >Taurus looks pensive but he speaks in a steady voice
  3328. >“Well, the way I view it is that we see things from ground level. Both me, Virgo and Capricorn are all fairly direct ponies. We face things head on, we don't over analyze or under analyze things. Present a problem to ponies from Air house and they might focus too largely on the bigger picture, or with Water house they might get caught up in the details...”
  3329.  
  3330. >Libra scoffs
  3331. >“Seems like a generalization to me, and you know those are always accurate”
  3332. >Taurus laughs and knocks on the door ahead of you loudly
  3333. >“See? That type of abstract and conceptualized thinking of yours proves my point exactly oh lofty Libra”
  3334. >Libra scoffs again more loudly
  3335. >Taurus laughs and speaks again
  3336. >“Sometimes though it would be nice to be a bit more detail oriented I must admit”
  3337. >you are about to say something but the door in front of you swings open
  3338. >Cancer is in the door-frame, she looks cheery
  3339. >her face drops at the sight of the crowd in front of the house entrance
  3340. >“Back again already! Oh no! Is everything okay Anon?”
  3341. >she looks worried
  3342. >“The water wasn't too intense was it?”
  3343. >it takes you a moment to gather yourself but you try to quickly explain
  3344. “Yes everything is okay! Don't worry. We just found an underground passage and are looking for other ponies who want to explore”
  3345. >Cancer's face picks up a little
  3346. >“O-oh okay. We were just busy going through some documents, do you want to come in?”
  3347. >Libra looks impatient, Taurus looks completely neutral, but alert
  3348.  
  3349. *
  3350.  
  3351. >you figure that there is no real rush to get back to the fields
  3352. >hopefully the others aren't just sitting there waiting...
  3353. “Yeah, that sounds nice. What kind of documents did you find? Looking for something specific?”
  3354. >Cancer's body language warms up a tad bit and she giggles
  3355. >“You'll have to ask Pisces about them, I'm more just sitting back and watching. I think she is looking for answers”
  3356. >she holds back another fit of giggles
  3357. >Taurus narrows his brow, you and Libra walk into Water house side by side
  3358. >the four of you make it into the large common area as you are once again greeted by the roaring sound of the waterfall
  3359. >you look across the rainbow tiles of the water below you
  3360. >there is much more tension across the surface, it seems that the waterfall is cascading with more force, creating a series of bubbles that distorts the view of the abstract pattern work
  3361. >Cancer leads the three of you back to the lounge that you went to with Capricorn
  3362. >you look over to Taurus and Libra as they also admire the water beneath you
  3363. >you turn the corner and are greeted by the sight of a very disgruntled Pisces
  3364. >she is positioned right by the aquarium and is completely surrounded by about medium sized pieces of paper
  3365. >she looks frustrated, moving and rearranging piles of squares with no particular order
  3366. >there look to be at least a hundred of them if not more
  3367. >Libra speaks in a loud and bubbly tone, Pisces doesn't bother to look up
  3368. >“Oh! What'd ya find Pisces?”
  3369. >Pisces just continues to order the cards and remains silent for an almost uncomfortable amount of time
  3370. >finally she speaks softly
  3371. >“Uh, I don't know”
  3372. >well that doesn't give you much information
  3373. >Cancer takes the seat next to Pisces, Taurus remains silent
  3374. >you decide to walk closer to get a better view of the squares
  3375. >okay these look weird
  3376. >they are just small glossy pieces of white card-stock
  3377. >each piece contains a single thick black letter in a bold font
  3378.  
  3379. >Pisces picks up a stack of papers and begins to sort through it
  3380. >“This is so stupid, why would anyone take the time to make this?”
  3381. >she buries her head in her hooves for a brief moment
  3382. >Cancer hugs her softly and giggles
  3383. >“Try not to get so worked up about it, we'll figure this all out”
  3384. >you look away for a moment and take note of the brightly colored fish next to her swimming back and forth slowly across the aquarium
  3385. >Pisces scoffs while repositioning herself
  3386. >she stops sorting and groans
  3387. >“Ugh! And why is this one blank? This just doesn't make any sense”
  3388. >she sets down the pile of paper squares in her hooves and massages her temples
  3389. >Cancer speaks up in a nurturing tone as Libra and Taurus find a seat on a couch a tad bit of to the side
  3390. > “Aw, I know you were happy to get into that box but maybe it is time for a break. You haven't even said hi to Anon yet Pisces”
  3391. >Pisces look at Cancer, then to you
  3392. >her eyes twinkle for a brief moment but she quickly looks down at the floor and doesn't say anything
  3393. >you take another look over the 'documents'
  3394. >you can see how this would raise a lot of questions...
  3395. >you take a moment to consider your next course of action
  3396.  
  3397. *
  3398.  
  3399. >you continue to just observe Pisces
  3400. >she rearranges a couple squares as if trying to spell out something with the various letters
  3401. >you don't want to do anything too sudden that would break her concentration
  3402. >Cancer leans forward a bit to watch her as well
  3403. >Pisces looks away from the cards, she seems a bit overwhelmed maybe?
  3404. >you decide to break the silence
  3405. “So where did you find the cards anyways?”
  3406. >maybe that can offer some additional clues
  3407. >Pisces makes brief eye contact with you before looking over to the aquarium as she speaks
  3408. >you watch her eyes follow the fish's motions across the tank
  3409. >“It was this small wooden box that I found in my observatory a while back. Sealed with some kind of magically enchantment or something...”
  3410. >she pauses and continues to look down and shuffle the cards around, stacking them, rotating them as if searching
  3411. >“Finally got through the thing, thought I was going to find something really important and instead just these cards”
  3412.  
  3413. >Cancer giggles in the background
  3414. >“The box has really had it out for you from the start”
  3415. >you are taking note of how quiet Libra is being, she looks to be intrigued by the puzzle in front of her
  3416. >Taurus has gotten up and started pacing around the room a bit, investigating the walls and shelves more closely
  3417. >you really should consider getting a move on
  3418. “Hey, the cards do seem important, but sometimes it can be useful to take a break from a task like this and come back to it with fresh eyes. Re-engage the subconscious and stuff”
  3419. >Libra nods from the couch
  3420. “Yeah! Both of you should come help us with some useful explore! We found something really cool outside!”
  3421. >Pisces looks at Libra hesitatingly then bites her bottom lip and looks down at the cards
  3422. >Cancer is the first to speak up
  3423. >“I don't know... Could be fun, but I'm afraid to leave Crabbers here behind...”
  3424. >you don't notice the small red crab immediately, it takes you a second to see it rested on the back of the couch behind Cancer's head
  3425. >Pisces replies shortly after
  3426. >“Yeah... I don't think I really want to do that. I don't know...”
  3427. >she looks down at the ground then back to the cards and sighs
  3428. >poor girl really should take a break though
  3429. >you debate whether or not you should try to convince them to come along or if it'd be better to have them stay behind
  3430. >or maybe even convince just one of them?
  3431. >you try to think if there is something else helpful that could be done or if there is anything else that you should bring up before you leave...
  3432.  
  3433. *
  3434.  
  3435. >several thoughts go through your mind but the most relevant is that you should get over to Fire house and gather everyone else who is around
  3436. >you look quickly across the room, scanning your surroundings
  3437. >you really are starting to get a lot of ponies together for this...
  3438. “Well, I think that Libra, Taurus and I are going to walk over to Fire house and see who is there. If you guys want to join us for the walk, it could give you both some time to think about exploring. Pisces, I really do think you should take a break for a bit too”
  3439. >Cancer nods immediately
  3440. >“Oh! Yeah that sounds good for sure, I could stand to leave Water house sometime today...”
  3441. >Pisces looks down at the ground again
  3442. >she doesn't say anything right away, you decide to reach out and pick up one of the squares in the meantime
  3443. >you grab a square that has an “S” on it
  3444. >it seems like most of the letters and random, you see a lot of Qs and Ls
  3445. >you flip over the card, the reverse side of the cardstock is exactly the same
  3446. >Pisces finally opens up in a meek tone
  3447. >“I-I'm okay with walking for a minute”
  3448. >Libra clops her hooves together and leaps off the couch
  3449. >“Well alright! We got a nice group of ponies together now, let's get over to Fire house”
  3450. >Taurus nods steadily and begins to make it out of the room
  3451. >it's funny how much more quiet he has gotten since coming here
  3452. >you continue to watch his eyes scanning over the features of the lounge, then gaze back out over the balcony to the waterfall
  3453. >what now definitely feels like a crowd of you make it out of the Water house lounge and back onto the balcony
  3454. >Libra is taking the lead, while Taurus and Cancer follow closely behind
  3455. >you and Pisces remain towards the back
  3456. >you see her glance anxiously back
  3457. >you take one more look at the water before making out of the house into the sterile hallway ahead
  3458. >the echo of many hooves resonates throughout the hallway as your crowd of five starts to ascend up the stairs
  3459.  
  3460. >you take a glance at Pisces, she has a blank expression on her face
  3461. >you decide to maybe try to make some more conversation as you make it up the stairs
  3462. “So uh, I was told we aren't to use magic in the castle? How did you get the box open?”
  3463. >Pisces doesn't say anything as she continues forwards at a slowed pace
  3464. >she stumbles for a second then looks up at you
  3465. >“Oh! That right... I tried breaking it up with magic a couple times outside of the castle, but the magic just reflected off of it”
  3466. >she stops talking as you make it to the top of the stairs and into the hallway leading back to the ballroom
  3467. >“I had all but given up, but today I found a key in my observatory...”
  3468. >she sighs as you continue forward
  3469. >“Truly classic”
  3470. >you can't help but laugh a little bit
  3471. >the five of you make into the ballroom
  3472. >it looks a tad bit brighter in here now, probably because the sun isn't angled directly overhead anymore
  3473. >you hear Libra speak up from the front of the crowd
  3474. > This is gonna be really awesome, it's been a while since I've gotten to explore with sooo many of my favorite ponies”
  3475. >Cancer nods, you notice that her pet crab is positioned on her upper back as she walks
  3476. >“I'm just a bit frightened of things underground... who else is gonna be there?”
  3477. >Libra stops to count to herself for a second
  3478. >“Well, us here, then Gemmy, Minny, Aquarius and Capricorn are all waiting for us”
  3479. >Taurus nods and speaks
  3480. >“Plus whoever we find in Fire house, this really is a gathering”
  3481. >you focus ahead while you look over the railing, down to the ballroom beneath you
  3482. >Cancer speaks up again
  3483. >“I haven't been to Fire house in a while, this is gonna be interesting!”
  3484. >you turn left down the hallway as you reach the top of the stairs, once again admiring the blood red carpeted and eerily dark stonework
  3485. >it feels so different being here with a group instead of just Capricorn...
  3486. >you can see the circular room in front of Fire house ahead
  3487.  
  3488. >Libra continues to trot forward eagerly into the room, right through forward to the door straight ahead
  3489. >you've been so fixated on the conversation ahead of you, you finally catch up to the group proper
  3490. >Fire house is quiet
  3491. >there isn't much energy, just a steadily roaring fire
  3492. >dancing, flickering
  3493. >the colors seem a bit more normal than when you first observed it, it look like an average, well, large but regular fire
  3494. >you scan the room, turning around to see who is here
  3495. >none of the Fire house ponies are here, or at least in this part of the house...
  3496. >wait how come you only count three other ponies here?
  3497. >yep, it is just you, Libra, Taurus and Cancer
  3498. >you look back into the circular room, Pisces is nowhere to be seen
  3499. >Cancer looks around the room and seems to notice the same thing
  3500. >she speaks up in an “oh well” type of tone
  3501. >“Oh, of course Pisces... Jeez! That pony needs to learn to start telling other ponies when she leaves”
  3502. >Taurus says nothing as he scans the room, appearing to trace his gaze around the walls of the room
  3503. >Libra scoffs
  3504. >“She does this kind of thing all the time doesn't she?”
  3505. >Cancer just nods as she sits down on her haunches for a moment
  3506. >her crab works its way to the top of her head
  3507. >you wonder if it is worth it to stop and check the rest of Fire house or look for Pisces
  3508. >maybe you should just head down to the fields with the ponies here?
  3509. >you still don't know if Cancer is up for coming along...
  3510.  
  3511. *
  3512.  
  3513. >this is somewhat concerning
  3514. >you turn to Cancer to try to figure out more about what Pisces' motives could have been
  3515. “So do you think she just didn't want to come and this was her way of saying no? I know she is quiet”
  3516. >you are caught up looking into the fire again
  3517. >it really does heat the room, but it feels much cooler in here than before for whatever reason
  3518. >Cancer nods and then speaks up
  3519. >“Yeah, that seems most likely. She leaves without saying anything pretty often... I wouldn't worry about her too much”
  3520. >you nod as the fire starts to put you back into a bit of a trance
  3521. “I think we should split up and look around Fire house to see if we find anyone”
  3522. >Libra and Taurus nod in sync
  3523. >Cancer looks hesitant for a moment
  3524. “I'm not sure if you want to come along or not Cancer, either way is fine. You can go back to Water house if you want”
  3525. >she bites her lip for a second and looks down
  3526. >“No, I think I'll be okay. I do wanna to come along and see everyone I just... I don't like tunnels. Being underground is scary”
  3527. >Libra makes an “aww” noise before she speaks up
  3528. >“We'll all be here with ya, nothing bad is gonna happen promise!”
  3529. >she flutters over to Cancer and gives her a reassuring hug, which she affectionately returns
  3530. >you nod in understanding
  3531. “Okay, well, we should try to find the fire ponies, I'm sure they would like an invitation as well”
  3532. >you consider what you know of the lay out of Fire house, it isn't much
  3533. “I'll check the lounge downstairs on the other side of the room, someone should knock on the observatory doors and check the kitchen too”
  3534. >Cancer nods before speaking
  3535. >“Uh, okay sure! Crabbers and I can go check the kitchen”
  3536. >Libra and Taurus exchange a look before Libra speaks
  3537. >“Why don't you check the observatories and I will scan the higher up parts of the house?”
  3538. >Taurus nods in agreement
  3539. >you watch his horns move up and down
  3540. >you almost forgot about them
  3541.  
  3542. >they seem to have a different shape, color and texture than Capricorn's and Aries'
  3543. >you just now realize that you don't even know where the observatories are in the Fire house...
  3544. >it's funny how immediately apparent they are in the Earth and Air houses, but now that you think back you don't remember seeing the doors in Water or Fire house
  3545. >you decide to break the silence and conclude
  3546. >everyone has already started to scatter apart
  3547. “Alright great, we will all meet back here soon then”
  3548. >there is a quiet consensus
  3549. >you look back at the Libra, Taurus and Cancer one more time and start to make it across the room closer to the fire
  3550. >you make a note to pass the intense heat rather quickly
  3551. >you start to make it back downstairs to the lounge
  3552. >such an interesting room really
  3553. >you can already see some of the colors turning softly as you descend further
  3554. >you make it into the room and are once again stunned by the amount of jars and the intensity of some of the fire
  3555. >each spark of color projecting forward to meet your eyes
  3556. >it is much less overwhelming, the air is quiet
  3557. >it doesn't seem like there is anypony down here, no one on the couches at least
  3558. >there are a couple areas that connect to this room that you are not familiar with though
  3559. >you turn to face the doorway to your right
  3560. >oh, there is a pony in the doorway, perfect!
  3561. >your brain and heart skip a beat at the same time
  3562. >...that isn't one of the Zodiac
  3563. >you can't catch your breath, it takes a moment for you to feel the pounding in your chest
  3564. >you are staring into a pair of gray eyes
  3565. >she steps forward silently, approaching you steadily
  3566. >no hoofsteps
  3567. >this does not feel right
  3568. >you hear the sound of a soft and sincere voice in the back of your mind
  3569. >“You really are quiet the careless type aren't you?”
  3570.  
  3571. *
  3572.  
  3573. >after the initial shock of the situation wears off you immediately brace yourself
  3574. >must be some sort of illusion or something, you try to prepare mentally for what could be thrown at you
  3575. >you watch as she makes it close to you, her dress moving along without rippling in anyway
  3576. >the gems radiant a foggy light, nothing close to the stunning refracting ability in the memory
  3577. >you place your hand on the hilt of your sword
  3578. >it seems to be the mare from the memory!
  3579. >you don't want to be caught off guard...
  3580. “Who are you and more importantly what are you doing here?”
  3581. >you hold you hand on your sword careful not to draw too much attention to it
  3582. >her facial expression falters, she stops right in front of you
  3583. >you are attempted to reach out and touch her to see if she is some kind of ghostie
  3584. >her voice takes on a more dreary note
  3585. >her mouth isn't moving, you realize that she isn't making any sound at all
  3586. >“Would it be rude to say that I do not know?”
  3587. >she looks down and sighs
  3588. >she doesn't appear to be much of a threat, you gently brush your hand over her
  3589. >definitely isn't there
  3590. >maybe a slightly warm feeling, but you think it is more your mind trying to process the stimuli around you
  3591. “Well, I am Anonymous. I guess you are kind of right, I did come here despite the spooky reputation”
  3592.  
  3593. >her facial expression picks up
  3594. >“It is nice to meet you Anonymous! It's been a long time since I've met someone!”
  3595. >you nod and think of what else to add
  3596. “Do you know when you are from? Is there anything you need?”
  3597. >she narrows her gaze in thought, it looks like she is reflecting on something
  3598. >she speaks slowly
  3599. >“Those are very sophisticated questions thank you... I'm afraid I don't know when I am from either, but not...”
  3600. >she pauses and stares off before continuing
  3601. >“I'm not from this time”
  3602. >she turns and faces you more directly
  3603. >her face flashes a look of intense worry
  3604. >fear...
  3605. >“I don't know why this is happening, I can barely remember anything, I'm sorry I can't be more helpful!”
  3606. >she tries to catch her breath, but it looks like the breathing motions are purely instinctual
  3607. >“I'm so disoriented I don't know how I got here”
  3608. >her eyes scan across the room, fixating on the flames around you that both illuminating the scene
  3609. >she looks down, hiding her eyes
  3610. >“I-I'm... I'm not alive am I?”
  3611. >she doesn't move
  3612. >her gaze cast downward, she looks on the verge of breaking
  3613.  
  3614. *
  3615.  
  3616. >a series of different ideas and questions race through your head but the first priority is making sure she calms down
  3617. “Hey, it's gonna be alright just try to relax”
  3618. >she takes a couple more quick exaggerated breath, it doesn't look like that was very helpful
  3619. >her tone takes on an edge
  3620. >“I'd like to see you try to relax in my position!”
  3621. >she huffs, but her breathing seems to level slowly
  3622. >you shrug
  3623. “Fair enough, but this castle is full of magic, especially time magic. There are plenty of reasons for why you could be here right now”
  3624. >her eyes go wide
  3625. >“Castle?
  3626. >she looks around the room
  3627. >“When did I...?”
  3628. >her searching becomes more frantic
  3629. >“Oh no, oh no, that word gives me a bad feeling”
  3630. >she backs up a bit
  3631. >you try to comfort her further
  3632. “Well, I guess just try to go with things for a second, maybe there is something that you can learn... I don't know, seems to me like you can still be happy either way, maybe we should sit down and talk”
  3633. >she drops her shoulders and sighs before meeting your gaze again
  3634. >you try to give her a reassuring smile but she just stares past you slightly
  3635. >her posture slouches, it looks like she is having trouble holding herself up
  3636. >her voice is dreary
  3637. >“It feels like I am falling asleep now”
  3638. >her tone of concern is gone
  3639. >you try to lead her over to one of the couches as you take a seat, but she just stays low to the ground in place
  3640. >you ponder, looking for something to say that could help orient her better
  3641. “Do you know what your cutie mark is?”
  3642.  
  3643. >she throws you a glare and huffs
  3644. >“Awfully rude, asking a mare about her cutie mark”
  3645. >not quite the response you were expecting, that doesn't give you a whole lot to work with
  3646. “Well, can you remember the last time you met someone? You said it has been a while”
  3647. >she shakes her head no
  3648. >“Only the ponies I've seen in your memories”
  3649. >you start to nod understandingly but freeze as you process her words more carefully
  3650. >wait?
  3651. >you start to ask further but she collapses in front of you
  3652. >she is fading rapidly, you watch her white coat grow paler and paler
  3653. >her aura becomes lighter as she falls apart visually, her dark gray mane becoming a light ash tone
  3654. >for a second there is a look of shock that flash across her face, but it is followed shortly by a tired look of acceptance to the fate of gradually decaying
  3655. >her light is beautiful
  3656. >it looks like she is trying to say something
  3657. >struggling to get the words out
  3658. >she speaks up in a surprisingly audible tone that resonates only within your head
  3659. >one soft crisp word, her voice unwavering
  3660. >“Danger”
  3661. >the room is empty, nothing but twinkling flames
  3662. >the silence is brief
  3663. >you hear heavy steps stampeding down the stairs, steadily rising in intensity and volume coming towards you
  3664.  
  3665. *
  3666.  
  3667. >you turn to face the stairs that lead back up to the common area
  3668. >you instinctively draw your blade
  3669. >it has a gleam to it in the air
  3670. >you see a silhouette making it down the stairs
  3671. >horns...
  3672. >“Hey Anon is that you? I thought I heard talking down here”
  3673. >Taurus comes fully into your view as he enters the lounge area
  3674. >“Libra said she went up to the roof and saw that all of Fire house was already down on the fields”
  3675. >he pauses, then stops in his tracks
  3676. >his eyes glance to your sword nervously
  3677. >he takes a few steps back cautiously
  3678. >“Uhh, we're cool right?”
  3679.  
  3680. *
  3681.  
  3682. >it takes a moment to come down from the shock
  3683. >you stand in the room for a second just slowing your breath and taking in your surroundings
  3684. >you sheath your sword and speak up to Taurus while wondering how many details to include
  3685. “Uh, yeah I think so... I saw a ghost”
  3686. >Taurus looks a bit confused
  3687. “Or at least, that's what I think it was, I guess she could have been something else. Just showed up and started talking before she disappeared”
  3688. >he looks a bit bewildered but his body language opens back up
  3689. >at least it is a step up from having a sword drawn on him...
  3690. >“Huh, okay. Sure it couldn't have been something else? Maybe a trick of the light?”
  3691. >you shake you head no
  3692. >Taurus starts to make it back up the stairs to the lounge
  3693. >before you follow him you quickly scan the area of the floor where you broke the jar earlier
  3694. >you look around briefly and see two large shards close by
  3695. >the once clear glass is charred black
  3696. >you decide to pick the pieces up for good measure before hurrying over to the stairs
  3697. >you take a few moments to consider what kind of dangers could be here
  3698. >Taurus speaks up, you are only a couple steps back at this point
  3699. >“I think Libra is in a big hurry to get down there now, hope you don't mind if we just head straight to the fields”
  3700. >you don't have a problem with that, it'll make it easiest to talk about your encounter
  3701. >the two of you make it back to the common area quickly
  3702. >you take in the fire
  3703. >it is still burning strong, filling the room with an intense heat
  3704. >the flickering red flames occasionally flash off-gray colors as the flames lick the air around them, saturating it with heat
  3705. >Libra and Cancer are waiting for you
  3706. >Libra speaks from across the room
  3707. >“Hey Anon! Found the Fire ponies! They are already down there”
  3708. >you nod
  3709. “So I heard, let's go then”
  3710.  
  3711. >you follow Libra out into the circular room with the doors
  3712. >Libra immediately opens the door to your left without a hint of hesitation to reveal the middle section of the staircase
  3713. >you wonder to yourself if you will ever be able to navigate the castle like that...
  3714. >Cancer sticks close to your side as you follow Libra up the stairs
  3715. >Taurus follows closely behind, he has said very little about your encounter
  3716. >Cancer speaks up as you make it to the top of the stairs, taking note of the single bright red door from earlier
  3717. >“Is everything alright Anon? You look a bit pale”
  3718. >oh huh, guess so
  3719. “Yeah, I think I saw something important, I'll explain more when we are with everyone”
  3720. >Cancer nods
  3721. >Libra speaks up
  3722. >“Ohhhhh sounds interesting. This day just keeps getting more and more mysterious!”
  3723. >she giggles to herself and opens the green door to the left
  3724. >guess she is taking a slightly different route
  3725. >you haven't seen this wing of the castle before
  3726. >the area that she revealed is rather small, just three doors only several steps ahead of you
  3727. >you are starting to wonder how many doors can be in a single building
  3728. >even if it is a very large building...
  3729. >you don't take note of the finer details in the room, only the colors of the doors
  3730. >purple, black and blue
  3731. >Libra immediately leads everyone through the purple door
  3732. >this is definitely interesting
  3733. >just a straight hallway
  3734. >stone flooring and walls
  3735. >it leads directly into the sunlight
  3736. >you follow Libra but are slightly blinded by the intensity of the sun as you walk forward
  3737. >there is little to no echo which leads you to suspect that this door actually does just lead to the grounds of the castle
  3738. >you reach the end of the hallway and can now see that you are on one of the many levels of roofing
  3739.  
  3740. >Libra trots forward leading the way to a different, slightly more elevated roof to your right
  3741. >there is a small staircase, maybe four to five stone steps that leads up
  3742. >you have a much less constructed view from up here
  3743. >oh, there are the fields below and to the right
  3744. >you look carefully and are able to make out a group of ponies down below
  3745. >sure enough, you can spot Aries' large twisting horns from a distance
  3746. >the four of you begin the descent to ground level, moving down staircases from roof to roof
  3747. >by the time you reach ground level you are in a bit of a different spot on the left most side of the field
  3748. >looks like a bit of a walk before you reach the other Zodiac ponies
  3749. >Capricorn and Aquarius beginning approaching you from a distance
  3750. >you wave as you continue to move forward, looking forward at the group
  3751. >you feel like they are almost within earshot
  3752. >just as you go to say something strikes you in the side
  3753. >oh fuck
  3754. >you try to keep your footing but end up following down into the grass
  3755. >at least everything is really soft
  3756. >you look up into a pair of sparkling orange irises
  3757. >Leo is sitting on top of you
  3758. >“Hey Anon! Ready to explore?”
  3759. >your heart is still pounding, damn lion pone
  3760.  
  3761. *
  3762.  
  3763. >you shrug Leo off
  3764. “Could you get up? I have something to tell everybody”
  3765. >her facial expression drops
  3766. >“Jeez, fine”
  3767. >she stands up and walks back to the group her gaze cast downward
  3768. >you stand back up and head over to the entrance
  3769. >it now really feels like a true crowd
  3770. >it takes you a second to count everyone
  3771. >eight ponies...?
  3772. >your comment seems to have already caught everyone's attention
  3773. “So back in Fire house I think I saw a ghost”
  3774. >Leo turns back to look at you but says nothing
  3775. >there is a little of a murmur over the crowd
  3776. >Aries is the first to say anything, he yells a bit louder than appropriately
  3777. >“A ghost? What!'
  3778. >it's almost exaggerated
  3779. >Aquarius' tone seeps to the forefront of your attention
  3780. >“Please do explain Anonymous”
  3781. >you take a breath and consider how to best summarize
  3782. >Capricorn has made it close to your side
  3783. “Yeah, so I was in the lounge area of the Fire house, you know? The one with all the fires? I was looking for you guys to tell you about the tunnel when I saw a pony. I think from the memory before? She wasn't physical, she called me careless and said she couldn't remember anything. I tried to ask her a few things but she faded away before I could say much more. The last thing she said was 'danger'”
  3784. >there is a second of silence
  3785. >the wind lightly blows across the grass
  3786. >it is still surprisingly light out
  3787. >you look over the crowd
  3788. >the Gemini ponies aren't here
  3789.  
  3790. >Leo is the first one to say anything
  3791. >“So what you're saying is you just walked into our housing and snooped around while we weren't there?”
  3792. >...that's not exactly the response you were looking for
  3793. >Libra speaks up first
  3794. >“Oh come on Leo, you've never had a problem with us doing that before”
  3795. >Leo doesn't miss a beat
  3796. >“Yeah but I've given you explicit permission before, whether or not you remember it Libra”
  3797. >she huffs and turns
  3798. >Sagittarius eases the tension a bit
  3799. >he has his bow handy drawn over his back
  3800. > “Well, as far as I am concerned you are, um, 'explicitly' welcome on my behave at least”
  3801. >Capricorn speaks up kind of quietly next to you
  3802. > “I thought you told us to drop in soon anyways...”
  3803. >Leo wheels around to face her but doesn't say anything
  3804. >Capricorn makes eye contact with her before she looks down
  3805. >she mutters
  3806. >“I thought the ghost thing sounded interesting... although it sounds like a memory trace to me”
  3807. >her tone is meek, Leo speaks over her
  3808. >“More likely just someone looking for attention if you ask me. Danger? Really Anon?”
  3809. >Leo laughs
  3810. >Aquarius looks down at the ground but says nothing, Libra, Cancer and Taurus have stayed on the fringe of the circle staying completely silent
  3811. >Capricorn huffs and raises her shoulders
  3812. > “Leo! You of all ponies should know that memory magic has bizarre effects”
  3813. >Leo narrows her gaze in on Capricorn to a glare
  3814. > “Oh yeah? Is there something you are trying to say right now Capricorn? Why don't you tell everypony about my extensive knowledge of memory magic?”
  3815. >Capricorn's face falters and her shoulders drop
  3816. >it looks like she wants to say something but she just looks at the ground and stays quiet
  3817.  
  3818. >Aquarius speaks up, her cool tone oblivious to the situation
  3819. >“Now that everyone is here, we should begin planning this exploration. Anonymous, while the ghost story is intriguing, I don't think such a vague warning could have specific relevance. We are all aware that this could be dangerous already”
  3820. >there is a nod of conscious
  3821. >Libra and Taurus step forward further towards you and Capricorn
  3822. >Cancer bites her lip and stays far back from the group
  3823. >Aquarius continues speaking
  3824. >“While you were awake, we surveyed the landscape around and the very beginning section of the tunnel”
  3825. >Libra scoffs
  3826. >“I thought you said you would wait!”
  3827. >Aquarius sighs and continues
  3828. >“If there are no more interruptions...”
  3829. >she stops talking for a second
  3830. >Aries looks like he is going to say something just because he can, but he chooses to stay silent
  3831. >her tone continues, quiet yet it carries across the near by field
  3832. >“It appears that the passage immediately branches off three different directions”
  3833. >Libra's eyes go wide
  3834. >“So it is large then”
  3835. >Aquarius nods and continues
  3836. >“I see two ways to approach this situation. Split up or stay together”
  3837. >another murmur spreads across the crowd
  3838. >“There are nine of us here, three per group if we decide to split up evenly, either way I feel that it is best to have an extensive plan before going underground”
  3839.  
  3840. >you look over the group of ponies here
  3841. >Aquarius, Aries, Cancer, Capricorn, Leo, Libra, Sagittarius, Taurus
  3842. >Sagittarius speaks up in a very matter of fact tone
  3843. >“Well aren't there other ways we could go about this to? Just because there are three paths doesn't mean we could start off as one group then say, split into two groups?”
  3844. >Aquarius blinks
  3845. >“Theoretically there is an infinite amount of ways this could be achieved. I did not think of it that way”
  3846. >Libra speaks up
  3847. > “It's really a toss up, all the options are weighed pretty equally in my mind. Anonymous, what do you think?”
  3848.  
  3849. *
  3850.  
  3851. >you look over the ponies gathered here
  3852. >definitely a lot to get done...
  3853. >might as well do this all together, keep everything cohesive
  3854. “I think it would be best if we stick together”
  3855. >no one seems to object
  3856. >you take a breath and add on
  3857. “Also, you should have waited for Libra like ya said, it was important to her”
  3858. >Libra leans into you and nods, Aquarius' face falters
  3859. “And to clarify I wasn't snooping Leo, didn't mean to offend, I was looking for you ponies”
  3860. >Leo huffs and swishes her lion tail
  3861. >“Alright Anon, sure”
  3862. >you huff back slightly
  3863. “It's true though. When we got there we split up to look for you all so you wouldn't miss out on the exploring. I just checked in the lounge, I figured it was a common area”
  3864. >you decide to make it over closer to Leo, she looks up
  3865. >her eyes are curious
  3866. “And I'm sorry for not returning your warm greeting, I was a bit on edge from the warning of danger, I even drew my sword on Taurus earlier”
  3867. >he nods in confirmation as he and Sagittarius start to lift the board, fully revealing the hidden stairs
  3868. >you decide to give Leo an affectionate pet, she smiles softly
  3869. >“Thanks for that Anon, I'm glad we are on the same page. No hard feelings”
  3870. >you nod to her
  3871. >that feels a bit more resolved now
  3872. “I made sure not to break anything, I picked up a couple shards of glass from the artifact earlier, is it normal for the glass to turn black like this?"
  3873. >you decide to take out one of the shards and show Leo
  3874. >she examines it closely
  3875. >“Yeah, I'm not entirely sure! Never noticed that before!”
  3876. >Capricorn walks over to the two of you, closer to the opening
  3877. >you watch some of the ponies' facial expressions as they gaze downward for the first time
  3878. > “I-Is it alright if I look at it Anon?”
  3879. >you don't see a problem with that
  3880. >you nod and Leo hands her the piece she was examining over
  3881. >Capricorn prods the glass with her hooves
  3882.  
  3883. >“Hmmm, okay, this char probably just means that the memory had a lot of magic discharge potential, this must have happened on impact. See how it just scrapes off?”
  3884. >she scratches the surface with her hoof and sure enough the clear colored glass below becomes once again visible
  3885. >she looks down and stutters again
  3886. >“I-It must have been a really vivid memory, you really might have caught a trace”
  3887. >you feel the sun beat down upon you over head
  3888. >it reflects off of the glass, shining into your eyes
  3889. >you try to blink the red spot out of your vision
  3890. >Aries speak up, he doesn't sound as loud without an echo accompanying him
  3891. >“Sssh, whatever Capricorn, I've broken more of those than anyone and never had that happen”
  3892. >Capricorn looks down, Leo laughs
  3893. >“As if you'd even be smart enough to notice a trace if you had one goat for brains”
  3894. >Leo flickers her tail back and forth, Aquarius and Libra both laugh to themselves
  3895. >even Capricorn giggles, ironically...
  3896. >Aries just scrunches up
  3897. >“Hey take that back!”
  3898. >Leo's facial expression drops for a second
  3899. >she walks over to Aries and drapes herself over him playfully
  3900. >he continues to scrunch
  3901. >“I can apologize for the comment but I'm afraid that the psychological and social backlash cannot be withdrawn”
  3902. >Aquarius places a hoof over her own mouth, you hear Sagittarius and Taurus join in on the laughter
  3903. >Taurus seems to whisper something to Sagittarius
  3904. >Aries looks, maybe trying to locate the source of a fire that could cause a savage burn
  3905. >“Huh?”
  3906. >Leo laughs loudly
  3907. >you decide to save Aries a little embarrassment while silently noting the depth of Leo's verbal arsenal
  3908. “In all fairness, I don't know what a memory trace is either, maybe someone could explain a bit? Capricorn?”
  3909. >you look her way, she nods
  3910. >“Yeah definitely! It's nothing to be too concerned about, but let's walk and talk... I don't want everyone waiting on my account”
  3911.  
  3912. >you nod, seems like everything is about ready
  3913. >there are still a couple lingering things though before you go underground formally ...
  3914. >you look over to Cancer
  3915. >she has been silent, holding her crab and looking down into the dirt
  3916. >you can't help but feel the sun ahead and focus on the horizon, the reality of your surroundings
  3917. >the way spires overhead create shadows on the ground is eloquent
  3918. >you speak
  3919. “Are you doing okay Cancer? Sorry if that was stressful I didn't mean to sour the mood, I just wanted to see if anyone could relate to my experience”
  3920. >she looks up at you
  3921. >“Oh, no, it's okay Anon. I'm just nervous about being underground a-and in the unknown is all”
  3922. >you try to express your understanding through your tone
  3923. “Alright, well, we can take all of this slow, okay? Whatever you are comfortable with”
  3924. >she nods softly
  3925. >you look over to Aquarius and Sagittarius who seem to be leading the way
  3926. >Aquarius blinks and you nod, then she begins make it underground
  3927. >you follow closely behind her and Sagittarius
  3928. >Capricorn is to your right
  3929. >Libra flutters over to your left side and winks at you
  3930. >Cancer, Aries and Leo follow, it seems like Leo is talking to Cancer saying something below your level of hearing at this range
  3931. >you decide to make conversation as you descend beneath the ground level
  3932. “So where did Gemmy and Minny go?”
  3933. >the general echo you are used to hearing is coming back steadily as you make it further and further under
  3934. >the stone walls around you are crude, unevenly size rocks that seem to seam together unusually well
  3935. >as if the choice of stone was not from lack of options but rather for artist expression
  3936. >Aquarius' voice fills the corridor as the stairs begin to level out
  3937. >“They decided it would be wise to stay back and help work on Air house's preparations for the ball. Something about a library trip in the future perhaps?”
  3938.  
  3939. >oh right that
  3940. >this day really has lasted forever...
  3941. >you reach the level ground beneath you
  3942. >you notice that the flooring is continuous, no cracks, flat
  3943. >three paths lay ahead
  3944. >the middle is larger, or at least wider, but with a slightly lowered ceiling
  3945. >you can still easily walk underneath
  3946. >the other two paths are narrow with an even higher ceiling
  3947. >above the middle pathway is an elaborate mural
  3948. >a dragon
  3949. >you notice everyone's eyes gaze up collectively to read the text
  3950. >it is not legible... just characters
  3951. >you look into the eyes of the dragon portrayed above
  3952. >the simplistic face
  3953. >it isn't paint, it is colored stone
  3954. >not gems but dull colored stones, like colored blocks of charcoal that are laced into the hard dark gray stone overhead
  3955. >Aquarius speaks, her tone seep into your stream of consciousness
  3956. >you notice her motion to your left then to the right
  3957. >“To remember, to forget”
  3958. >there are more characters you didn't see at first, on the walls next to the side corridors
  3959. >you watch her eyes move to the text laced around the dragon
  3960. >the black symbols illegible to you...
  3961. >“For those with purity in their heart”
  3962. >she looks back over the crowd
  3963.  
  3964. >everyone is silent
  3965. >Libra is the first to speak
  3966. >“S-So which path then?”
  3967. >Sagittarius starts walking to the left
  3968. >“I don't know about you guys, but there is a lot of stuff that I could stand to remember. My memory is lousy maybe I've finally found the cure!”
  3969. >he is almost turning down the hallway already
  3970. >I don't want to remember
  3971. >Taurus and Libra move to catch up with him quickly
  3972. >Libra flies, speeding ahead to reach before Taurus
  3973. >“Nuh uh! We decided we are sticking together, so everyone has an equal say in this”
  3974. >Sagittarius scoffs
  3975. >“You sound like Virgo, now let me through. If you don't want to follow that's fine. I have my bow”
  3976. >Aquarius interrupts, which more or less feels like the conversation switching focus to her words
  3977. >“Relax Sagittarius, this passage has been untouched for a very long time judging by this olden equine script. There is absolutely no hurry”
  3978. >he sits down and sighs
  3979. >“Okay sure, what do you all got in mind then?”
  3980. >you look up once more into the dragon's flat, stone eyes
  3981.  
  3982. *
  3983.  
  3984. >it doesn't seem like it matters very much
  3985. >at least not to you
  3986. >the group is pretty set on explore all the passages as far as you can tell
  3987. >silence reigns in the opening as you overlook the crowd
  3988. >the air is tense
  3989. >you notice Cancer look at the ground, she is holding her crab tightly to her chest
  3990. >you decide to break the silence, this is becoming a bit too much
  3991. “The left path sounds fine to me”
  3992. >Sagittarius looks pleased in your choice, he nods
  3993. >“Okay, that's two for the left then, anyone else wanna vote?”
  3994. >there is a bit of a murmur but no one speaks up
  3995. >silence begins to fill the chamber again
  3996. >Sagittarius nods
  3997. >just as everyone seems to reach a consensus Leo speaks up
  3998. >“Oh definitely the right pathway”
  3999. >her tone is playful, she smirks
  4000. >Sagittarius stops in his tracks and turns
  4001. >“Leo, now's not the time for this”
  4002. >she looks taken a back, she speaks back quickly
  4003. >“Time for what Sagittarius? Are you telling me that I don't have a say in this?”
  4004. >Leo smirks
  4005. >Sagittarius glares and takes a step forward, he looks upset
  4006. >you just watch silently
  4007. >“I'll count your vote, it's still two to one”
  4008. >Leo turns her back and walks a few steps away
  4009. >“Fine by me, last I counted there are nine ponies here”
  4010. >Leo looks over to you and pauses
  4011. >“Anon, I'm counting you as a pony”
  4012.  
  4013. >you are about to say something but Libra speaks up
  4014. >“Actually, now that I'm thinking about it, I think I want to go right too. Make things even between us”
  4015. >she winks, Sagittarius' face falls
  4016. >memories of last night in the courtyard with those two together come back to you
  4017. >Libra giggles to herself, she looks pleased
  4018. >Sagittarius speaks up again, he is doing a good job at leveling his tone
  4019. >“Okay fine, that makes it a tie. Who else has a say?”
  4020. >you look over to the other ponies around
  4021. >Aries just yells one word
  4022. >“Left!”
  4023. >it echos much more vividly than the other voices
  4024. >he walks over to by where Sagittarius is, still around the entrance to the left hallway
  4025. >Capricorn speaks next to you, her tone is soft but confident
  4026. >“I'm going to have to say left too”
  4027. >it looks like she is about to add more, but instead she stops speaking and looks up
  4028. >she gives you a hesitant smile
  4029. >you do your best to return it affectionately, you are tempted to rest a hand on her withers but you refrain
  4030. >Aquarius concludes the conversation neatly
  4031. >her voice almost has no echo
  4032. >“And for the sake of convenience, I will also vote left. That is majority”
  4033. >Sagittarius smiles
  4034. >“Alright let's do this”
  4035. >you hear someone scoff, you're not sure if it is Libra or Leo
  4036.  
  4037. >you look over the ponies around as you begin to file down the left hallway
  4038. >it is very narrow, the ceiling is high above
  4039. >the stone walls feel very close, it looks like the hall only fits about two ponies side by side
  4040. >Sagittarius and Aries lead the way, both of them look eager, they are chatting among themselves, you see Aries point forward
  4041. >you can only catch every other word of their conversation from this distance, but you are fairly sure Aries is saying something about how far the passage goes on
  4042. >Libra and Aquarius follow closely behind the two fire house stallions, it doesn't sound like they are saying anything
  4043. >both seem to be lost in thought
  4044. >you making it into the hallway, Capricorn hurries forward to stick close by
  4045. >you keep moving forward, this does seem to extend a ways
  4046. >there isn't much lighting either
  4047. >you can only really make out the main features of the crude stone that is enclosing around you
  4048. >you can feel Capricorn's body heat next you
  4049. >you look back over your shoulder to see Leo and Cancer
  4050. >Leo seems to be comforting Cancer, she pats a hoof on her back
  4051. >Taurus follows the group, his eyes set straight ahead, unwavering
  4052.  
  4053. >you look ahead, making sure to watch your feet as you step
  4054. >there are a lot of inconsistencies in the flooring, it seems like you are just walking on stones placed over earth
  4055. >you try to take in the details but the darkness is too much
  4056. >you becoming aware of all the little dots and lines, splotches of color in your field of vision
  4057. >it is almost pitch dark, there is no end in sight, it just extends forward
  4058. >Aries and Sagittarius almost are not visible
  4059. >the click of hooves is the only sound echoing in the narrow hall
  4060. >you hear Capricorn's voice next to you, she is speaking in a fairly calm tone considering the circumstances
  4061. >you can make out her facial expression, the bright color of her mane and coat, but her horns and some of the other finer details are lost
  4062. >“So you wanted to know about memory traces, right Anon?”
  4063. >you nod as you continue forward before quickly realizing that might not be easy for her to see
  4064. “Uh, yeah, definitely. What do you know?”
  4065. >Capricorn catches her breath
  4066. >you can feel her brush against you as you walk forward, it is very comforting
  4067. >“W-when Pisces and I were experimenting with the memories stored in Fire house, we observed a few different things...”
  4068. >she pauses, you continue to listen
  4069. >at this point pitch dark is an understatement
  4070. >you can barely see Aquarius and Libra ahead, it feels like the path is going deeper and deeper into the earth
  4071. >Capricorn speaks again, her tone hesitant as if she is picking and choosing her words
  4072. >“Some memories were by far more clear and potent than others... It was always hard to tell exactly whose point of view you are observing”
  4073. >it seems like Capricorn is the only one in the group talking, but it is impossible to tell how far ahead Aries and Sagittarius could be by now
  4074. >“The other thing we noticed was that the magic was biologic and not strictly mnemonic in nature. We suspect that means the magic interacts directly with memory systems in the brain itself”
  4075.  
  4076. >you try to think about that for a second, but it doesn't make sense entirely
  4077. >does that mean the magic made your brain form the memory?
  4078. >you consider the different possibilities as Capricorn continues to speak
  4079. >“Unfortunately, I need to brush up on my neuroanatomy, but basically what I am saying is if a memory is vivid enough, it can mess with how the neurons in your brain fire. This could do... well, basically anything, your mind is your filter for how you take in reality. Memory traces are just a general term I came up with for the general lingering effect on perception... I personally have never felt another pony talk to me”
  4080. >you don't say anything for a second, taking in the murmur of conversation going on around you
  4081. >that was a mouthful, but informative to say the least
  4082. >it looks like there is a light ahead
  4083. >some kind of torch maybe?
  4084. >you decide to response to Capricorn before anything else
  4085. “Well, thank you for the explanation, I think I understand, well, kinda”
  4086. >she nods, the light casts a dark shadow across her pale coat
  4087. >you look forward more closely
  4088. >now that there is light you can tell that the path is in fact descending at an alarming rate
  4089. >Aries and Sagittarius have come back into view, they both are looking back down the hall towards you
  4090. >it looks like the hallway comes to some kind of end where they are
  4091. >the you and Capricorn and the air house ponies ahead quickly catch up
  4092. >you look briefly back to see Cancer and Leo
  4093. >Cancer is shaking softly, you notice that she is still holding her crab tight
  4094. >you can't help but wonder what the two of them must think of this whole experience...
  4095. >Leo whispers something to Cancer, you notice her shaking subside for a moment
  4096. >Taurus is the last one to make it into the dim clearing
  4097.  
  4098. >the nine of you are in another torch lit chamber
  4099. >this one is much smaller and noticeably darker
  4100. >there is just one hallway to your right leading straight ahead
  4101. >Libra is the first one to break the silence, she looks back at you
  4102. >“That darkness is pretty spooky, gotta say”
  4103. >Aquarius nods
  4104. >“Definitely, perhaps we should turn back at this point and find a better source of light?”
  4105. >Cancer whimpers something too quiet to hear, Leo wraps her forearm around her
  4106. >Aries scoffs and makes a futile attempt to pull the torch from the wall
  4107. >it is stuck, the metal holding the magic flame is embedded into the rock
  4108. >“Psssh, I'm not afraid of a little darkness, we're already this far along”
  4109. >Sagittarius nods in agreement
  4110. >“Yeah, it would definitely be much more work to do two trips”
  4111. >just as you are about to say something Capricorn gasps next to you
  4112. >“D-did anyone else see this door?”
  4113. >you pull your gaze away from the abyss of the hallway to your right to see where Capricorn is pointing
  4114. >directly to your left, as if the hallway leads to where she is standing
  4115. >it takes you a moment to see it, but there is indeed a disturbance in the consistency of the stone
  4116. >there isn't a handle
  4117. >Capricorn reaches out a hoof and nudges the stone
  4118. >it swings inward
  4119. >the corridor floods with light
  4120. >there is a collective gasp from most of the group
  4121. >you have to close your eyes then blink rapidly in an attempt to try adjust to the sudden brightness
  4122.  
  4123. >a white light is radiating from somewhere within the room that Capricorn just revealed
  4124. >you blink a couple more times to make sure that your eyes aren't playing tricks on you
  4125. >the floor ahead is green, covered with thick and unkempt grass
  4126. >you can't make out many of the other details from this distance
  4127. >it looks like there are no doors in the room, or at least as far as you can tell
  4128. >only a fraction of the floor's surface seems to be visible from the angle you are at
  4129. >it feels earthy, the air has a heaviness, thick with the feeling of nature
  4130. >Aquarius' voice seeps over the stunned silence
  4131. >“I think we can all agree to go in here and get out of the dark then?”
  4132. >no one seems to object
  4133. >Libra speaks up moving forward slightly
  4134. >“Nuh uh, I'm excited to finally get to the treasure!”
  4135. >she is about to cross the doorframe but Capricorn reaches out a hoof to stop her
  4136. >“W-well, hold on, think about how hidden this door is... There could be a whole bunch of stuff around here. A-and we have no idea what is in there. We shouldn't hurry this”
  4137. >you consider her words for a second
  4138. >Aries shouts next to you
  4139. >you notice Cancer jump out of the corner of your eye
  4140. >man, he really needs to work on the volume control thing
  4141. >you can hear his voice echo several times over
  4142. >“Yeah but we have no idea what is in here either, so that means it's probably safe”
  4143. >you're not sure if that is sound logic but okay
  4144. >you look over to Cancer again
  4145. >she is very on edge, shivering in place an almost comic amount
  4146. >maybe Capricorn has a point...
  4147.  
  4148. *
  4149.  
  4150. >you are skeptic of the room for sure, but it is definitely worth looking around in an attempt to find some proper lighting
  4151. “Yeah, I think that going in the room will be fine. We can always come out and explore the rest of the corridor afterwards”
  4152. >the crew around you nods in agreement, except for Cancer who whimpers
  4153. >Leo hugs her again, this time with much more vigor.
  4154. > “It's gonna be alright girl, we are all here”
  4155. >Cancer returns the hug as the rest of the ponies gather properly around the door-frame
  4156. “We need to make sure that it there aren't any traps, walk carefully. Make sure that the door doesn't close”
  4157. >Aquarius nods her head
  4158. > “That is all good thinking Anonymous!”
  4159. >she smiles approvingly at you
  4160. >you draw your sword discreetly and trace it around the entrance to see if any strings are set up
  4161. >nothing...
  4162. >Aries speaks up from down the hall, it looks like he is trying to pick something up with his hooves
  4163. >“I stubbed my hoof on this brick back here on the way down, figure it would work for the door yeah?”
  4164. >he brings it over into the light
  4165. >you wonder how long it has been detached from the architecture for...
  4166. >something about how crude it is runs a disturbing chill down your spine
  4167. >you look forward to erase your mind
  4168. >into the grass, the walls are all white, smooth and rounded
  4169. >Aries passes the brick forward to Taurus who props it against the door swing
  4170.  
  4171. >everything seems properly prepared
  4172. >Libra is the first one to enter the room, she flies ahead a few paces
  4173. >Aquarius and Sagittarius follow a few moments later
  4174. >the three of them scan the room
  4175. >you look over the other ponies around
  4176. >the rest of you pile in quickly after, taking notice of the brick and making sure that the door doesn't close
  4177. >you walk ahead slowly
  4178. >it feels almost identical to the field
  4179. >well, except for the walls
  4180. >everyone is quiet
  4181. >the room is circular
  4182. >floating above head in several different locations are balls of light
  4183. >they are somehow suspended, or at least appear to be
  4184. >the white light is florescent in nature, reverberating off of the harsh walls, each orb making a gentle hum
  4185. >it looks like there are three or four in total, but you figure one produces a ridiculous amount of light already
  4186. >you continue looking into the lighting
  4187. >watching it wave, seeing the inner tones of red and orange on the spherical glasswork
  4188. >so circular, it fades into the already white background seamlessly
  4189. >you look down into the grass
  4190. >it's soo physical, real
  4191. >you look over
  4192. >everything feels slow
  4193. >as if you can process every frame of your motion
  4194. >does that make sense?
  4195. >oh wow there are ponies here
  4196. >their colored coats stand out so brightly against the neutral background
  4197.  
  4198. >you feel so in touch
  4199. >it is such a simple room
  4200. >as you look around it you see that it does look like there is a single door asides from the entrance
  4201. >the brick has successfully stopped the door from swinging closed completely
  4202. >... it's a good thing because you don't see a handle on this side of the door either
  4203. >you fixate back on the crowd of ponies
  4204. >how did you get so far away anyways?
  4205. >you are feel like you are on the other side of the room
  4206. >Libra is giggling loudly
  4207. >she leans down and rolls over on the ground giggling the whole while
  4208. >she sits up slightly before speaking
  4209. >“I can confirm that this is grass”
  4210. >Leo laughs and jumps over to where Libra is before making a proper pounce at her
  4211. >“Good work detective Libra!”
  4212. >the two of them giggle in the grass
  4213. >Aries makes a shushing noise
  4214. >“You guys! I think Aquarius is here, she probably wants us to be careful!”
  4215. >Aquarius speaks up from next to him
  4216. > “I think it is okay...”
  4217. >she takes a few more steps forward and takes a deep breath
  4218. > “It is nice down here”
  4219. >you nod in agreement
  4220. >everything is so light hearted, you can't help but get caught up in reality before scanning the room further
  4221. >Cancer has set her crab down and is letting it walk small distances around her
  4222. >Taurus is standing close by her in complete silence, almost perfectly still, just walking the crab move back and forth over blades of grass
  4223. >Sagittarius is trotting over to the other single door in the room
  4224. >Capricorn is walking towards you
  4225.  
  4226. >she makes eye contact with you
  4227. >you look into her soft purple eyes
  4228. >a spark of hope with a shadow of fear
  4229. >her horns look so extravagant, regal
  4230. >“Um, hey Anon, so, uh, what do you think of it here?”
  4231. >you blink at her, trying to break the trance
  4232. >you watch her chest steadily rise and fall
  4233. “Here?”
  4234. >she nods and brushes into you
  4235. >“Y-yeah here. It is so quiet, familiar... I think it is really nice...”
  4236. >you nod, it is
  4237. >just a grassy circle
  4238. >no worries, responsibilities
  4239. >it reminds you of how simple being alive can be
  4240. >your body feels light, energized
  4241. >it makes you realize how simple the action of being alive can actually be
  4242. >wait you just thought that...
  4243. >you blink, green grass and soft ponies
  4244. >you get lost looking at Capricorn
  4245. >you hear a door opening
  4246. >Sagittarius already opened the one other door
  4247. >it looks much darker in there without the magic orbs
  4248. >you look up at them again, one of them should be perfect, but it looks like it'll be a full job to move
  4249. >they twinkle and burn above you, all except for a single large gray colored sphere that is closer to the light blue ceiling
  4250. >the ceiling is so far ahead... you feel dizzy
  4251. >maybe you should sit down
  4252. >Capricorn leans against you completely, as if she is using you to support her weight
  4253. >she has a blissful smile on her face, her eyes are closed
  4254. >she looks completely out of it...
  4255. >almost everyone has relaxed in the grass
  4256. >Sagittarius voice pierces the sedative air
  4257. >“Memories”
  4258.  
  4259.  
  4260. >that is enough to make Capricorn snap out of her daze
  4261. >she blushes furiously before looking down and walking away
  4262. >Aries yells
  4263. >“Wait! Memories?”
  4264. >Sagittarius nods
  4265. >Aquarius, Libra and Leo walk over but Cancer, Taurus and Aries don't seem to be bothered by the discovery
  4266. >you look into the room
  4267. >sure enough, on a table are three small silver flames contained delicate glass jars
  4268. >front and center in the middle of the stone table housing the memories is a deep pool of liquid
  4269. >you want to say water but there is no way to be sure really
  4270. >Sagittarius is about to take a step into the room before Aquarius stops him
  4271. >“Careful... Anonymous... Sword”
  4272. >you nod and unsheathe it again
  4273. >the blue stone really is a good touch to the handle
  4274. >the blade glistens in the odd florescent light
  4275. >you trace the blade around the door frame, it seems to be clear
  4276. >you glance nervously over your shoulder, looks like the door is still propped open
  4277. “I think it is safe to walk in”
  4278. >the ponies gather take a few step forward, Libra passes through the crowd to get up close and look at one of the jars
  4279. >“Ohhhhh!!! These are soooo cool!”
  4280. >Capricorn nods
  4281. >“M-Maybe we should view one?”
  4282. >Aquarius speaks up in a very formal tone
  4283. >“I don't think that would be safe, I've warned you about those things Capricorn”
  4284. >Capricorn huffs
  4285. >“Something tells me I know a bit more about them than you”
  4286. >Aquarius rolls her eyes but doesn't interject
  4287. >Sagittarius speaks up
  4288. >“We need to know... What if we crack all three?”
  4289. >Aquarius puts her hoof to her face
  4290.  
  4291. *
  4292.  
  4293. >you look ahead into the sepia silverish flames flickering in-front of you
  4294. >it's almost taunting, they could contain anything
  4295. >but at the same time... you don't feel that this is the right time
  4296. “I think I am in agreement with Aquarius here, these are probably placed like this for a reason... We should take them back up to the castle with us”
  4297. >Aquarius blinks and smiles in approval
  4298. >Capricorn nods in understanding
  4299. >you look up at the room around you again
  4300. >so different from the grassy area, small in size and modest, condensed
  4301. >you look into the liquid again
  4302. “Does anyone have a container for this? We should definitely take some of it too”
  4303. >you around the room and hoping to find something extremely convenient
  4304. >... damn not this time
  4305. >Leo speaks up giggling
  4306. >“Aquarius? Come on?”
  4307. >Aquarius narrows her gaze but says nothing
  4308. >Sagittarius laughs, it's more of a snort really
  4309. >you look into the water again, something about how it refracts the surrounding light is just a little off
  4310. >Capricorn joins Libra's side, investigating the flames more closely
  4311. >her tone is contemplative
  4312. >“Well, we could always open one of the jars... from what Pisces and I found the memory just defuses if you open it normally. We'd lose a memory but we wouldn't have to come back later”
  4313. >you consider that for a moment, seems wasteful...
  4314. >Libra looks at the flames
  4315. >“I don't know about that... Maybe we should just wait”
  4316.  
  4317. >you look into the flames again before speaking
  4318. “They seem important, I think we should just take what we have found so far and go back to the castle”
  4319. >Libra makes an awwwing sound
  4320. >“But we haven't found any treasure yet!”
  4321. >Aquarius looks over to her
  4322. >“How do you know that these are not treasures Libra? I agree with Anonymous, there is no reason to hurry. Let's take what we have found thus far and call this a successful excavation”
  4323. >Sagittarius and Leo exchange a glance before Sagittarius speaks
  4324. >“That sounds okay, there's some other stuff I'd like to do before the gazing tonight”
  4325. >oh right that
  4326. >this day is taking too long
  4327. >Leo is the first one to take a jar, she picks up the one in the middle
  4328. >you make sure to quickly glance into the other room to make sure nothing changes or gets displaced
  4329. >there is a brief suspenseful moment of silence that fills the room
  4330. >you watch Leo's eyes twitch back and forth slightly, trying to follow the saturated flame
  4331. >“I'll grab this one, Anon and Aquarius do you want to get the others?”
  4332. >Aquarius nods and takes the left most jar
  4333. >you hesitate for a moment but grab the final remaining memory from the table
  4334. >Capricorn looks at the memory you are holding, before blinking and speaking
  4335. >“Libra or Sagittarius, one of you should fly up and grab one of those orbs for the walk back”
  4336. >Libra replies, already half way out the door
  4337. >“Alright, I'm on it!”
  4338. >the rest of you follow in suit behind her
  4339. >it is a shame there is nothing to get the liquid with, but there will be time later
  4340. >you steal one glance back at the pool of water before looking forward
  4341. >there's something off about this grass
  4342. >maybe it's the room, it feels like the walls have gotten closer
  4343. >you look over to Cancer
  4344. >seems like she is finally enjoying herself, still just watching her crab
  4345. >Taurus is by her, Aries is roaming aimless staring up at the ceiling in awe
  4346. >Libra flutters back down with one of the large orbs
  4347.  
  4348. >you can't help but stare into it, watching how the curvature of the glass manipulates the color of the lighting slightly
  4349. >now that it is closer to you, you can see that this sphere in particular hums primarily in a soft yellow
  4350. >Libra speaks up to everyone in the room
  4351. >“Alright everypony, we are gonna go back to the castle! We found some memories!”
  4352. >Cancer looks up from her pet towards Libra
  4353. >Aries is the first to speak
  4354. >“Just some plain old memories? That's all?”
  4355. >Capricorn scoffs next to you at his remark
  4356. >Leo retorts
  4357. >“Think about where we are for a second”
  4358. >his facial expression drops for a moment before he laughs
  4359. > “Oh yeah! Right...”
  4360. >Cancer giggles at him
  4361. >“It's okay Aries, I've almost forgotten where we all are too, oh and I think Crabbers likes this room... It is really relaxing”
  4362. >she sighs to herself softly
  4363. >you look ahead and nod
  4364. >it almost makes you feel drowsy, so at peace with the simplicity of your surroundings
  4365. >it seems like everyone is content to quietly make their way out through the door and into the hall
  4366. >you make it back into the darkness
  4367. >as you fill into the chamber, Libra is the last one out of the room
  4368. >she rolling the orb of light
  4369. >it illuminates the corridor
  4370. >the stone is simple, it doesn't look like there were any amazing secret passages you missed
  4371. >at least not right here
  4372. >Libra giggles to herself then rolls the ball down the pathway a few steps ahead of her
  4373. >it reveals some of the finer details, the divots and gouges in the wall are dark in hue
  4374. >“This thing is pretty neat! It would be great for games at night”
  4375. >huh, hadn't thought of that
  4376. >Aries trots up to Libra's side as the rest of you follow
  4377. >“Are you gonna let me have a turn with that or what?”
  4378. >Libra shakes her head
  4379. >“Nope, you'll find an ingenious way to break it on accident”
  4380. >Aries keeps up pace with her
  4381. >“Awww come on!”
  4382. >Leo giggles at your side, somehow balancing the jar steadily on her back
  4383.  
  4384. >her tone is very teasing
  4385. >“She is right you know”
  4386. >Aries scrunches up and holds back a bit letting Libra take the lead
  4387. >you look back and see that Capricorn and Taurus are behind you
  4388. >Sagittarius, Cancer and Aquarius are at the back of the group
  4389. >the hallway doesn't seem as long and spooky with the lighting
  4390. >you can already almost see the end of it, back to the entrance
  4391. >Capricorn speaks up from behind you
  4392. >“So uh, which house should we take these flames to? Or? I don't know”
  4393. >she looks down for a moment
  4394. >you feel Leo's tail flicker against you slightly
  4395. >you are about to say something but Libra makes a noise up at the front of the group
  4396. >“Oh! There's my treasure! Yes!”
  4397. >it looks like she stops to pick something up
  4398. >Leo is the first one to say anything
  4399. >“What is it Libra?”
  4400. >Libra holds up her hoof
  4401. >it looks to be empty, at least you think so
  4402. >“It's a gem! I can show you guys better when we get out of here! It was just laying here on the path this whole time”
  4403. >Sagittarius laughs from the back of the crowd
  4404. >“So a single gem counts as treasure to you now, huh Libra?”
  4405. >she puffs her cheeks up before replying
  4406. >“Hey! Better than anything you've found down here”
  4407. >you look back
  4408. >it looks like Sagittarius is going to say more but he holds his tongue
  4409. >the chamber is very close now, you can see the exit ahead
  4410. >you look one more time at the fire in your hand briefly
  4411. >Libra rolls the orb into the already torch lit entrance chamber
  4412. >you look up the stairs as everyone files in, Libra is already almost half way up the steps
  4413. >you take the moment to look one more time into the eyes of the dragon before going above
  4414. >...
  4415.  
  4416. >the sunlight is bright out here
  4417. >it looks close to sunset, late afternoon at some point definitely
  4418. >you gaze back over to the fields and then to the looming castle
  4419. >the spires extent so high into the sky...
  4420. >you admire the metal work around the fields, just taking a moment to appreciate not being surrounded by walls
  4421. >Aquarius is the first one to say anything
  4422. >she looks at the memory she is carrying before talking in a soft and at ease voice
  4423. >“Well, we have all made it back safely. I can say that was a good trip, let's hope we can learn something from these”
  4424. >there is a murmur of agreement outside
  4425. >Taurus' voice pierces through the crowd
  4426. >“So where to next with these then?”
  4427. >you overlook at the eight ponies present
  4428.  
  4429. *
  4430.  
  4431. >something is telling you to trust Aquarius with the jars
  4432. >she just seems so reliable, but it doesn't seem like a fair way to distribute the treasures
  4433. “It's too bad there are only three, it would be good to give one to each house, unless you guys can think of a better way...?”
  4434. >there is a bit of a murmur, Capricorn is actually the first to speak
  4435. >“I'm not very concerned with where they end up, as long as we agree to keep them safe and communicate. I trust everyone here”
  4436. >Aquarius nods in rhythm
  4437. >“I agree, Air house can be left without one. That way they will be spread apart if something were to happen to one”
  4438. >that makes sense
  4439. >risk management or something
  4440. >Aquarius passes over the memory she has been carrying to Capricorn
  4441. >you decide to work your way over to Cancer and offer her the jar you are holding
  4442. >she looks away from her pet crab for a moment then smiles and takes the jar
  4443. >“Thank you Anon!”
  4444. >you nod
  4445. “You are welcome, if everyone is alright with it I think that Earth house is the way to go right now”
  4446. >Taurus nods in confirmation
  4447. >Capricorn clops her hoof against the jar softly to make a tapping noise
  4448. >“Ohhh definitely!”
  4449. >you look over the rest of the ponies to gauge their reactions
  4450. >Libra flutters over to your side and leans into you
  4451. >“Sounds good to me!”
  4452. >Aquarius and Cancer both nod their heads
  4453. >Sagittarius speaks up
  4454. >“I was planning on going back to Fire house, but I guess I can walk some of the way”
  4455. >Aries speaks right next to him
  4456. >“Yeah, same, I can pretend it is on the way”
  4457. >Leo makes a pssssh noise off to the side
  4458. >“You guys are laaame just shut up and come along”
  4459. >she flickers her tail, Sagittarius laughs
  4460. >with that the crowd of you begins moving towards the castle, away from the underground passage
  4461.  
  4462. >the castle somehow becomes less daunting when you approach it a little closer, it is more physical
  4463. >everyone has their eyes fixed on either the jars or the now setting sun
  4464. >your legs are tired from all the standing and walking, at least the hallway is close to the fields
  4465. >Taurus is leading the group, he pulls the door to the castle open ahead of him
  4466. >you all file back inside, Leo and Sagittarius seem to be bickering about something behind you
  4467. >everything feels different inside
  4468. >like, actually inside, not just underground
  4469. >the ceiling in the hallway has so much detail, the light fixtures illuminate the vibrant flooring
  4470. >as you make it further down the hall you can't help but remember your encounter with Scorpio early
  4471. >you wonder where she ended up going anyways...
  4472. >you glance over to Libra at your side, she is biting her lip and looking at the very same door
  4473. >must be thinking similar thoughts
  4474. >the opposite door swings open revealing the descending stair that spirals into Earth house
  4475. >Taurus goes down the stair without hesitating, his hoofsteps thundering on the metal during his descent
  4476. >the Fire house ponies follow closely after
  4477. >you, Libra and Capricorn work your way to the stairs together
  4478. >best not to make it too crowded, you wait for a second
  4479. >Capricorn speaks at your side
  4480. >“T-Thanks for decided to come to Earth house Anon, I-I like it when we have visitors”
  4481. >you can't help but smile and ruffle her mane a little
  4482. >she smiles and leans into your touch softly before making it through the floor level and down the stairs
  4483. >you follow after
  4484. >as you look down into plant-life below you can't help but think more about the trip underground
  4485. >seems like there is still so much to be explored....
  4486. >you look back up the stairs to Cancer, Libra and Aquarius before looking down
  4487. >it looks like Virgo is here, she is talking to Taurus
  4488. >her eyes glance to the staircase, then to Taurus, she doesn't look too pleased
  4489.  
  4490. >you only can catch a bit of the conversation at this distance
  4491. >you can see Virgo huff though
  4492. >taking in the fresh air and plant-life around you, you wall along the waist high marble wall, closer to the commotion
  4493. >“Well, it seems like you all thought to inform every pony in the castle other than me!”
  4494. >Taurus scratches the back of his neck, you are now within a few lengths of where everyone is crowding
  4495. >“Well, I'm sorry, I don't know what to say, you weren't here. It was kinda in the moment”
  4496. >Virgo's face turns red before she stops and takes an exaggerated deep breath
  4497. >“And I suppose that 'in the moment' you never once considered that I could be in my observatory, AS I told you I would be, working on preparations for the ball?”
  4498. >she turns her back and takes a few paces before stopping on a dime and turning around to face Taurus again
  4499. >she opens her mouth like she is about to say something, but instead just groans and turns her back again and huffs
  4500. >you look at the ground for a second to gather yourself, silently admiring the small plants sprouting from the dirt underfoot
  4501.  
  4502. *
  4503.  
  4504. >you look up back at Taurus
  4505. >his facial expression wavers
  4506. >you feel the need to assume some responsibility
  4507. “Virgo, I'm truly sorry, I was trying to gather everyone, this mistake is on me”
  4508. >she turns around and blinks at you
  4509. >she looks torn for a moment, her expression is blank
  4510. >“Thank you Anonymous, but I assure you not to worry”
  4511. >she stops talking, it looks like she is biting her tongue
  4512. >Taurus looks down at the ground, Virgo casts him another disapproving look
  4513. >you look at Capricorn next to you, she seems to be staying neutral
  4514. >can't blame her
  4515. >you speak before the pause goes on for too long
  4516. “We only explored one section, most of it is still unexplored. If you'd like you can lead the next expedition if everyone else is okay with that...”
  4517. >Aquarius nods
  4518. >“Yes, but we need to stop and discuss a little bit”
  4519. >Capricorn and Libra nod in agreement
  4520. >Sagittarius speaks up
  4521. >“I'm going to head back to Fire house, I think that you all can do without me”
  4522. >he pauses and looks to Aries
  4523. >“Are you going to stay or leave now?”
  4524. >Aries puts a hoof to his chin before speaking
  4525. >“I think I'm gonna leave. Later everyone!”
  4526. >Libra waves
  4527. >“Bye Aries”
  4528. >you wave, Sagittarius acknowledges you but it looks like Aries is oblivious
  4529. >a few other ponies wave, Leo speaks
  4530. >“I'll let you know if there is any critical intelligence I need to convey”
  4531. >her joking tone feels mismatched with those words
  4532.  
  4533. >Aries nods look around at the plants as he walks the other direction
  4534. >“Oh yeah, for sure”
  4535. >you focus back over to the remaining seven ponies
  4536. >Cancer looks at the ground, then to her crab, then to you
  4537. >“I-I think I'm going to head back too. Crabbers here has had a long day”
  4538. >you suppose that is fair, must be a lot
  4539. “Alright, see ya soon Cancer”
  4540. >Libra trots up to her and gives her a hug
  4541. >you watch her maintain an expert hold of both the crab and the memory jar
  4542. >“Thanks for coming along, it was fun”
  4543. >she returns Libra's embrace gently and nods before following out behind the two Fire house stallions
  4544. >Virgo is the first pony to break the silence
  4545. >“Well, why don't we make it out of here and into the lounge area. I'd like to be more informed. If I am going to lead an expedition, I would like as much orienting detail as possible, did anyone sketch out a map perhaps?”
  4546. >uh
  4547. >Leo responds quickly
  4548. >“Nah, too dark”
  4549. >Virgo blinks as she continues to make her way to the door closer to the observatories
  4550. >you realize you haven't seen this part of Earth house yet as you make it through the doorway
  4551. >the ceiling is soo high up that you forget you are indoor for a brief moment
  4552. >you are at the top of a pit descending downward
  4553. >white marble stairways lead to an earthy floor below
  4554. >in the center of the floor is a tall and lively tree
  4555. >it looks old, the branches established
  4556. >the leafs reach above your current elevated eye level, the tree must be huge
  4557. >surrounding the thick and knotted trunk is a waist high circular stone wall
  4558. >“Does that darkness have something to do with why Libra left a large glowing orb in the common area?”
  4559.  
  4560. >Libra flutters over to Virgo's side and grins before giggling and leaning on her
  4561. >“I just thought I'd bring it to my favorite pal Virgo because you never fail to brighten my day!”
  4562. >Virgo groans, Libra just giggles louder
  4563. >you hear Capricorn laugh at your side
  4564. >you look down, her and Leo are doing expert jobs at balancing those memories
  4565. >must be an earth pony thing
  4566. >Leo is staring into the memory intensely
  4567. >you reach ground level, the earth feels soft underneath you in contrast to the marble
  4568. >it looks like there are several makeshift benches both on the inside and outside of the main wall
  4569. >Aquarius and Taurus both take a seat on the outer side
  4570. >you take a seat on one of the bench like things, some type of carved stone
  4571. >it's such a peculiar shape
  4572. >you look up towards the ceiling
  4573. >you can't even see the roof of the castle because the leafs overhead are so dense
  4574. >it feels like the room is breathing, coursing with energy
  4575. >you thoughts are interrupted by Leo
  4576. >“I think that we should break one of the memories, I'm volunteering Fire house's”
  4577.  
  4578. >Libra gasps from her place at Virgo's side
  4579. >“But wouldn't it be lost forever? We can't record it”
  4580. >Aquarius looks contemplative
  4581. >“Currently, we have no valid way of recording the memories, but if we find a way in the future ...”
  4582. >she blinks and stops talking
  4583. >the silence in the room feels natural as your eyes fixate to Aquarius
  4584. >she continues speaking in her cool and collected tone
  4585. >“Eventually, one of these is going to get broken. They have too much allure... I'm almost in agreement that we do it now in a controlled setting”
  4586. >Capricorn looks skeptic next to you
  4587. >“I'm concerned about these memories. The flames being so saturated must mean something and I don't know what, that just makes me uneasy...”
  4588. >Leo nods in agreement
  4589. >Taurus speaks up, he looks puzzled
  4590. >“Well, it's not lost forever if one of us remembers it?”
  4591. >Aquarius' voice seeps back into the conversation
  4592. >“That seems to be the case, but that arises the question of who would observe the memory?”
  4593. >you are about to volunteer yourself but Capricorn speaks before you
  4594. >“Anyone here except Anonymous would be fine”
  4595. >you look at Capricorn somewhat confused
  4596. >her pupils dilate slightly
  4597. >“You already viewed one strong memory today Anon! And went into the water house pool... Your mind must be in a confused state if you are experiencing traces, I'm just afraid something serious could happen if this memory was also strong. Pisces and I learned the hard way to space these things out”
  4598. >seems like a valid point, but at the same time you are also a bit curious
  4599. >you suppose that you could view the memory later, tomorrow maybe?
  4600. >or someone could do it now, you look around
  4601.  
  4602. > Taurus speaks up, his voice steady and confident
  4603. >“I would be okay with viewing it, I haven't seen one before I would be lying if I said I wasn't curious about it”
  4604. >Libra yells immediately after Taurus
  4605. >“OH! I volunteer too!”
  4606. >Virgo speaks up next to Libra
  4607. >“I'm still a bit confused about where these came from and what they are...”
  4608. >Libra turns to her and explains a bit
  4609. >“They are like the memory's in Fire house, remember? We went there together a long time ago but neither of us could figure out what the jars were so we just told Pisces about them? I've still been itching to break one, that sounds so satisfying for some reason”
  4610. >Virgo's eyes twinkle
  4611. >“Oh yes! Okay, those things, and you found them in this tunnel thing I assume?”
  4612. >Aquarius nods before speaking
  4613. >“Yes, we did. I almost feel like someone who has viewed a memory in the past should watch this one, that way we have a point of comparison. That would narrow it down to me, Leo and Capricorn I believe”
  4614. >Leo speaks up as she continues to stare into the jar
  4615. >“That seems irrelevant to me... I don't know. Would viewing it even be something you'd want to do Aquarius?”
  4616. >she blinks and looks to the ground for a moment before speaking again
  4617. >“Yes, I would like to get the details first hand”
  4618. >Capricorn looks over to Aquarius
  4619. >“Whatever works I guess, I'm sure you all know that I'm curious about it too”
  4620. >she bites her lip and looks down at the jar she has been carrying
  4621. >your eyes are drawn into the gray flames
  4622.  
  4623. *
  4624.  
  4625. >you blink
  4626. >something still just feels wrong about breaking them
  4627. >maybe you are being too cautious but...
  4628. “I think it would be a good idea to wait a bit longer honestly, maybe we will learn more once we explore the tunnel more, or at least inform the other houses properly”
  4629. >Aquarius nods ahead of you
  4630. >“You do have a point, I don't see any urgency”
  4631. >Leo scoffs
  4632. >“It's like you guys are just expecting information to fall out of the sky, something you have to go out and get it”
  4633. >she lowers herself into a ready to pounce stance before straightening up
  4634. “I guess that is a good point, but there is still a bunch of stuff to go over”
  4635. >that seems to get everyone's attention, you are expecting someone to add on but the room stays silent
  4636. “Uh, Taurus, I was thinking that if you wanted to see a memory maybe you could view one of the other ones in the Fire house? I guess that could go for anyone else too”
  4637. >Taurus nods in understanding
  4638. >“Oh, yeah, I guess you are right, it's just far from Earth house”
  4639. >you turn over to Virgo
  4640. “I think it'd only be fair to give you a few more details, we went through the underground passage. The entrance has three pathways, we took the left most one, it was suppose to make you remember I think? I don't know, I felt forgetful in there personally”
  4641. >Capricorn speaks up from next to you
  4642. > “That's interesting Anon, I thought it helped me remember, maybe not traditional memory... But like... I don't know, I felt attune with the past and myself”
  4643. >Aquarius nods, her voice following Capricorn's flawlessly
  4644. >“Yes, I found the room to foster a highly meditative and focused environment”
  4645.  
  4646. >that is interesting for sure, you wonder how it could have effected the other ponies there
  4647. “Well, that is strange for sure then. Let's see, what else, the room was grassy and really minimal. We found several of those light orbs as well as the three memories and some liquid that we didn't have a container for”
  4648. >you pause feeling like you are forgetting something
  4649. >Virgo looks intrigued, you look into her eyes
  4650. “Oh, and Libra found a gem! Can I see that actually?”
  4651. >Libra's face lights up, she gasps softly
  4652. >“Oh yeah! I almost had forgot”
  4653. >she shows the gem to Virgo briefly first before trotting over to you
  4654. >“It's pretty neat if I don't say so myself!”
  4655. >she hands you the gem, it is cool to the touch
  4656. >you look at it closely
  4657. >the cut on it is fabulous, the stone is about the size of your thumbnail
  4658. >it looks familiar...
  4659. >something about the dark purple hue
  4660. >it makes you a little uneasy, you hand it back to Libra
  4661. “That is a really nice gem, good find, I don't know if I would have noticed it”
  4662. >Libra giggles and leans against you playfully
  4663. >“Not everyone can have such an eye for detail Anon ~”
  4664. >she has a smirk on her face
  4665. >you reach out and boop her nose, watching her eyes follow your hand forward as she scrunches
  4666. >“Hey!”
  4667. >it's your turn to laugh
  4668. >Virgo speaks up again, moving her mane out of her eyes
  4669. >“Well, it seems worth exploring further to me. We should plan an expedition sometime soon, hopefully ponies don't get curious and go on their own... As for me, I need to prepare before the gazing, it has been pleasant having you all over”
  4670.  
  4671. >you figure it is probably about time to head back to Air house anyways
  4672. >there should still be a bit of time to go over to the library, but it is really hard to tell
  4673. >you don't know exact when the clock is going to go off
  4674. >Aquarius speaks up, as if reading your thoughts
  4675. >“We should start making it back to Air house, I feel like the gazing is going to start very soon”
  4676. >Libra nods, Leo yawns
  4677. “Well, thanks for having us, I guess I will see all of you either later tonight or tomorrow?”
  4678. >Capricorn giggles next to you
  4679. >she wraps her hooves around you slightly
  4680. >“Thanks Anon! It's better a really fun day!”
  4681. >you give her a boop too cause why not
  4682. >she seems to appreciate it, her giggling increases
  4683. >Taurus waves to you, you return his wave and he makes it up the stair out of the room
  4684. >Libra and Aquarius lead the way out of the room, back up the stairs
  4685. >you take one last look over your shoulder at the tree
  4686. >it's leafs seem to be rustling in an imaginary wind
  4687. >Leo passes you to the left
  4688. > “I'll see you later Anon, good luck tonight... Something is tell me that this is going to take a while”
  4689. >she is already out the door before you can say more
  4690. >you enter into the common area
  4691. >it feels quiet with just two ponies here
  4692. >you can actually focus on everyone present
  4693. >Aquarius is looking ahead, determined, her hoof-steps rhythmic
  4694. >Libra is eye up one of the spiral stair cases leading through the roof
  4695. >she makes her way towards the base of that staircase, a different one then you entered through
  4696. >“So Anonymous, I'm not sure how much time Gemmy and Minny will have before the gazing to show you through the library, I know you were interesting in going. Perhaps we can give you the directions? You may wish for some past-times tonight”
  4697. >you take a moment to consider as you make it up out of Earth house into the unknown segments of the castle above
  4698.  
  4699. *
  4700.  
  4701. >you look ahead as you emerge, reaching the top of the staircase
  4702. >the room you are in is small, minimum, much like the top of the other staircase you descended early
  4703. >close stone walls, the only feature being another staircase, spiraling upwards a dizzying height
  4704. >you look down and focus on your feet as you step on the first stair
  4705. >they are metal, sequenced in a way where there are gaps of air between each step, making them look very individual, isolated
  4706. >you speak trying to ease your thoughts
  4707. “Yeah, I think I might check out the library tonight, directions would be good”
  4708. >you look up and notice the ceiling far above, it looks like a night sky
  4709. >or it could be glass, although you wouldn't expect it to be that dark out yet
  4710. >you continue speaking over the sound of Aquarius rhythmic hoofsteps
  4711. “Not from here though, I have no idea where we are”
  4712. >Libra giggles from your side
  4713. >she has opted to just fly apparently and is fluttering next to you
  4714. >“One of the spires, taking the elevated way to Air house”
  4715. >you're not quite sure what that means, but you are starting to reach an alarming height above the ground
  4716. >it looks like the stairs lead to a ledge, you can see the short metal railing overhead
  4717. >Aquarius reaches the platform first, Libra flies to meet her
  4718. >Aquarius speaks, her tone reaching your ears softly as you step foot onto the ledge
  4719. >“If you exit out of Air house towards the ballroom room balcony there will be a door straight ahead of you, this will reveal a straight hallway”
  4720. >you vaguely remember taking that route from Fire house to Air house okay
  4721. >Aquarius blinks then continues, giving you appropriate time to process the information
  4722. >Libra opens the door ahead of you
  4723. >it looks dark through the door...
  4724.  
  4725. >“If you follow that hallway, it will lead you to a single white door. Beyond that door are two other doors, red and green. Take the green door, then take the purple door. The library is straight ahead after that, can't miss it”
  4726. >you pay attention carefully as you make it through the doorframe
  4727. >ahead of you is some kind of catwalk
  4728. >this is really scenic...
  4729. >the walls around you are glass, giving you a view of the sky, the courtyard below
  4730. >the sun is in the final stages of setting, most of the sky is dark
  4731. >in some areas stars are beginning to twinkle softly against the purple hues of the night sky, while the very edge of the horizon bleeds an intense shade of orange
  4732. >you take a moment to admire the landscape, the horizon becoming dim
  4733. >it looks as if Libra and Aquarius are doing the same
  4734. >you feel the need to speak before moving through the next door
  4735. “How exactly do you know when it is time to gaze? Can you feel it or …?”
  4736. >Libra doesn't miss a beat as she stares off, but her tone is much more somber than usual
  4737. >“When the sky gets dark enough, the clock will sound”
  4738. >Aquarius nods and opens the door ahead of you
  4739. >“Once we cross through here we will be back in Air house”
  4740. >it reveals a single stone stair case, white marble that extends all the way to each wall during it's descent
  4741. >as if it's only purpose is to lead to the catwalk
  4742. >you can't help but wonder more about the gazing
  4743. “What happens if a pony misses a gazing?”
  4744. >Aquarius almost misses a beat as she makes it down the stairs, but she responds quickly
  4745. > “Our gazing is for our own personal enrichment, so I guess you could say nothing”
  4746. >she stops for a moment at the bottom of the stairs, it looks like it leads to a different room
  4747. >“But the loss of knowledge, interruption of continuous thought and observation as well as the breaking of routine are not something I would readily dismiss”
  4748. >she takes a deep breath, you follow her into the room ahead
  4749.  
  4750. >“Oh, hey Anon!”
  4751. >you look ahead into the room
  4752. >it is really dull, gray colored couches with gray colored walls
  4753. >they are almost the same shade
  4754. >you see the Gemmy and Minny sitting on one of the couches ahead
  4755. >you aren't sure who said that so you acknowledge both
  4756. “Hey, how's the day been for you two?”
  4757. >Minny shrugs, Gemmy replies
  4758. >“It's been good! We were just talking about how there probably isn't enough time to go to the library though”
  4759. >you nod and scratches your neck
  4760. “Yeah, sorry about that...”
  4761. >this time the yellow pony is the one to talk
  4762. >“It's okay, I'm sure we will find time to go sometime in soon! How'd the exploration go?”
  4763. >before you can say anything Libra responds
  4764. >“Oh, Oh! It was awesome, we found a bunch of memory jars, and giant light thingys and there is still a bunch left to explore! You should have went”
  4765. >Gemmy looks down at the floor, Minny blinks before speaking
  4766. >her tone is unease
  4767. >“Oh! Uh, yeah, I guess next time!”
  4768. >she follows it up with an unnatural sounding giggle
  4769. >Aquarius looks confused, but she speaks none the less before taking a seat on one of the dull couches
  4770. >it makes her coat look vibrant
  4771. >“So Anonymous, any thing last minute?”
  4772. >Libra walks to your side
  4773. >“I'm afraid it is going to take a really long time after how short it was last night”
  4774. >a sad expression flashes across her normally cheery eyes
  4775.  
  4776. *
  4777.  
  4778. >there are still a lot of answered questions lingering in the back of your mind
  4779. >you look at Aquarius and do your best to make eye contact as you speak
  4780. “What's the longest that you have gazed for? Has it been enough to interrupt your sleeping patterns in the past?”
  4781. >Aquarius looks hesitant for a moment than nods
  4782. > “Personally, I have to say I lose track of time entirely. I know that is has been long enough before to definitely effect how I sleep”
  4783. >Libra nods
  4784. > “Some of the sessions have felt like a literal eternity, it is indescribable... I'm not sure if that is only in the observatories”
  4785. >she pauses and looks down
  4786. >Gemmy decides to finish answering your questions
  4787. “To quantify it better, we've never had a gazing go longer into the early morning, the clock usually goes off again before sunrise”
  4788. >almost eerily on cue you hear the sound of a bell
  4789. >Libra looks up
  4790. > “That sounds like the clock...”
  4791. >there is a moment of silence in the room as the sound of the bell becomes more involved
  4792. >ringing upon ringing, layering, resonating across the castle
  4793. >it sounds in rhythm, almost geometric
  4794. >the tune continues to play for several brief moments before it fades, leaving a silence in the gray room
  4795. >Minny stands from the couch and speaks
  4796. > “We should get going, Anon, you can follow us to the common area”
  4797. >you nod and follow behind the two Gemini ponies through one of the two other doorways and into the next room
  4798.  
  4799. >oh, huh, this leads into the kitchen
  4800. >around a sharp corner, the entrance to the hallway was certainly not visible from the table at which you ate breakfast
  4801. >actually a lot of this kitchen was concealed actually
  4802. >you decide to ease the tension slightly by asking another question
  4803. “So uh, Gemmy, Minny, either of you broke a memory jar before?”
  4804. >both of them immediately reply
  4805. >“Yes”
  4806. >“No”
  4807. >you almost didn't catch who said which answer, but Gemmy speaks again
  4808. >“I've actually viewed quite a few, they fascinate me”
  4809. >Minny just looks at the ground as you make it into the common area
  4810. >the Air house ponies exchange a serious of looks before making it to their respective observatories
  4811. >you feel the need to speak
  4812. “Well, good luck tonight everyone. I'll see you all soon”
  4813. >the two Gemini ponies nod and wave in sync
  4814. >Libra looks on edge, but she puts a smile on her face
  4815. >“Definitely, see everyone soon!”
  4816. >Aquarius says nothing for a moment, she looks to be in deep thought
  4817. >something about the air is so empty, heavy
  4818. >you look at the ceiling over head, some of the clouds are starting to show again
  4819. >the wildlife on the walls around you begin to develop intense shadows
  4820. >Aquarius tone drifts over the damped room
  4821. >“Let's see what the stars have to offer tonight, everyone keep a level head”
  4822. >the sound of metal doors shutting is the last thing you feel before the room goes empty
  4823.  
  4824. *
  4825.  
  4826. >it takes a moment to adjust to the sensation of being alone
  4827. >the quiet in the room is intense
  4828. >you feel for a second as if there is no structure to your surroundings, almost as if you are merely an object in the room
  4829. >it takes you a second to gather yourself
  4830. >there is no hurry and nothing to be waiting for, so you take a second to just be in the room
  4831. >the clouds are getting heavier overhead
  4832. >you notice several animals painted on the walls that hadn't stood out to you before
  4833. >most of them hiding in the tall grass painted on the white walls
  4834. >a change in scenery definitely couldn't hurt
  4835. >you decide it is finally time to try and find this library
  4836. >taking one last look at the somber setting in Air house, you exit the room onto the balcony
  4837. >as you make it through the doorway it is easy to tell that things are different
  4838. >the castle is not lite up as it was the first night
  4839. >there are traces of bright color across some of the flooring and walls below you, but for the most part the air is quiet
  4840. >the light doesn't create the energetic and inspiring feeling before
  4841. >it almost feels foggy out here
  4842. >like you can see some of the lights below, but they are damped an unnatural amount by the distance
  4843. >your footsteps echo eerily as you make it to the door ahead of you
  4844.  
  4845. >you swing the door open to reveal the hallway, heading straight ahead as far as you can see
  4846. >as you walk you start to realize there is actually something different
  4847. >you can't see as far ahead of you, it feels too real
  4848. >the air is thick, gray, dense
  4849. >you make it down the featureless stone pathway until you reach the white door
  4850. >it looks almost ghostly, but you opened it as Aquarius instructed to reveal two doors
  4851. >red and green
  4852. >if you recall the red door leads to the Fire house kitchen, you've been in this area three different times now
  4853. >you focus on the green door ahead and swing it inward
  4854. >the moan of the door as it unhinges makes you jump
  4855. >three doors ahead
  4856. >Aquarius said purple...
  4857. >the purple and black doors are almost indistinguishable, it takes you a moment
  4858. >you have to look closely to observe the true hue of the paint
  4859. >it's like the further you make it from the house the less you can see
  4860. >you go to push the purple door inward only to realize it swings outwards
  4861. >it reveals a single hallway
  4862. >all you can see is gray ahead of you
  4863.  
  4864. >you continue forward trusting Aquarius advise and assuming the you can't miss it
  4865. >the hallway seems to be straight away, but it is really hard to tell
  4866. >it appears as if the hall is filled with smoke, but only from a visual perspective
  4867. >you fill your lungs with a breath of fresh cool night air as you head onward
  4868. >you almost trip on a step ahead of you
  4869. >stairs
  4870. >it looks like five or six steps upward
  4871. >you follow them, eventually coming into a large clearing
  4872. >the air has more room to spread here, things are thinner, more clear
  4873. >you can see rows of shelving in the distance, straight ahead of you
  4874. >narrow and tall rows of books, extending in all directions ahead of you
  4875. >there are two identical statues of a mare on either side of you, as if marking an entrance, a gateway to the area ahead
  4876. >you look at the expression of stone on her face
  4877. >it feels life like, she has a beaming smile and a sincere look
  4878. >you search for an inscription on the left most figure and notice a couple lines of text carved at the base of the statue
  4879. >“The quest for knowledge is eternal”
  4880. >there is an indent in the text followed by an arrow pointing left
  4881. >“The past”
  4882. >you look back up into the mare's eyes
  4883. >she looks scholarly almost, maybe it is just the text leaving an impression on you
  4884. >you take a couple more steps before checking the base of the identical statue to your right
  4885. >the top inscription identical, however the arrow beneath points to the right
  4886. >“The future”
  4887. >huh
  4888.  
  4889. >there is no saying how these books could be sorted
  4890. >you look up at the ceiling trying to find a clue or something
  4891. >it would be useful to find something about etiquette for the ball...
  4892. >just as you are about to take another step forward you hear a deep sound to your left
  4893. >it sends an intense chill directly down your spine
  4894. >you look into the fog and are unable to see anything ahead
  4895. >vague outlines of rows of books
  4896. >just as you are looking away you swear you see a streak of neon blue flash across your peripheral vision
  4897. >you immediately turn your head around and see nothing
  4898. >... this does not feel right
  4899. >you focus in on your heart pounding against your chest
  4900. >this time you turn to your right
  4901. >your heart freezes, there is a pony in the fog
  4902. >you grab your sword instinctively
  4903. >the lack of hoofsteps, the ghostly flutter
  4904. >it takes your brain to register it is the pony from the memory again
  4905. >you look into her, the dark gray mane, the elaborate purple and teal gemstone dress...
  4906. >she doesn't say anything, it looks like she is struggling to speak
  4907. >her silence is off-putting
  4908. >you don't like the look in her eyes...
  4909. >fear
  4910. >just as you are about to open your mouth, she utters a single word
  4911. >“Run”
  4912.  
  4913. *
  4914.  
  4915. >the word hits your mind with an urgency
  4916. >there is no reason not to trust this figure
  4917. >your feet are already moving
  4918. >you don't even know where you are going but you motion for the memory pony to follow
  4919. >turning back the way you came you make it through the foggy hall, trying to find yourself back in familiar territory
  4920. >it feels a little ridiculous almost, you don't really know why the need to run
  4921. >you make it back through the green door and are met with the choice of red or white as you swing the door outward
  4922. >just as you are about to slow down and catch your breath you hear a chilling sound in the hallway behind you
  4923. >a deep growl
  4924. >you have no idea what but it is enough to get you moving
  4925. >something tells you to go to Water house
  4926. >the water could be useful and maybe the door will be enough to keep whatever is following you at bay
  4927. >you run through the red door
  4928. >it's hard to tell if the ghost like pony with the dress is following
  4929. >you can't see her silhouette through the fog
  4930. >you make it down the set of stairs and open the door to reveal circle room
  4931. >oh hell which door is which
  4932. >you try to mentally orient yourself quickly
  4933. >the sound of heavy stepping behind you doesn't make it an easy task
  4934. >trying your luck you go for the door almost straight across from you, making a note to slam the door you entered from behind you
  4935.  
  4936. >this looks right!
  4937. >you got lucky this time
  4938. >might not be so easy in the future...
  4939. >you keep a quick pace down the foggy red carpeted hallway
  4940. >this is definitely right, you can see the ballroom below you
  4941. >the lighting is starting to become more vivid
  4942. >shades of purple, deep red and blue seep through the mist below
  4943. >towering above the layer of fog is the lunar clock, lit up and ticking
  4944. >you make it down the stairs quickly
  4945. >you don't feel like slowing down too much after the scare
  4946. >the adrenaline of the chase is wearing off-putting
  4947. >your legs are heavy and sore, you can feel your heart pounding as your chest rapidly expands and collapses to fill your lungs with air
  4948. >as you reach the ballroom floor you start to get the feeling that you are in the clear at least for the moment
  4949. >you try to wipe some of the sweat from your brow, but it doesn't have much of an effect
  4950. >you probably look exhausted
  4951. >Water house still feels like the right place to go, even if you aren't sure on getting in the water
  4952. >maybe just the regular pool could be soothing right now...
  4953. >you wonder what effects you could even be experiencing
  4954. >you look around trying to find the trace pony?
  4955. >there has to be something better to call her
  4956. >she doesn't seem to be around...
  4957.  
  4958. >this whole thing is making you unease
  4959. >the fog just feels even thicker down here
  4960. >you make it down the stairs into the sterile hallway before Water house's entrance
  4961. >the aqueducts trickle towards the door, it steadies your heart rate
  4962. >the lighting in here is particularly odd, the air has a noticeable light green hue
  4963. >your footsteps echo in the chamber a reasonable amount
  4964. >the silence is really killing you
  4965. >you want the memory pony to come back or something
  4966. >you reach out and open the door ahead of you
  4967. >light
  4968. >it is clear in here, no more fog
  4969. >just the crashing sound of the waterfall
  4970. >the mosaic of rainbow tiles on the bottom of the pool has gone completely gray-scale
  4971. >you could seriously get used to this kind of relaxation
  4972. >then again, there is a lot to do in Water house
  4973. >you look down at the pool below you again
  4974.  
  4975. *
  4976.  
  4977. >you pause and close the door to Water house behind you
  4978. >it is such a heavy door, should really hold back anything that could still be giving chase
  4979. >your gut is telling you that you are in the clear for the moment
  4980. >you check the door for some type of lock but see nothing
  4981. >a dip in some water sounds really nice right now, but you aren't sure about the main pool area
  4982. >you watch the waterfall cascading downward for several moments
  4983. >Cancer's words from earlier come back to you, two lefts from the entrance, right across from the lounge
  4984. >you turn left and follow the balcony hovering above the water
  4985. >somewhere in the back of your head you wonder if it'd be safe to dive from here, but you try to push that thought away
  4986. >you make it to the second door over and look across the house
  4987. >a sliver of the lounge is visible from this spot, seem to be the right door
  4988. >you open it and are immediately met with a wall of steamy warm air
  4989. >the visibility is only a bit better than the castle outside
  4990. >you can feel your shoulders drop and your mind start to slow
  4991. >the water below looks so soothing
  4992. >ripples and bubbles move across the surface
  4993. >damn it is almost like a hot tub
  4994.  
  4995. >you just might have hit the jackpot
  4996. >slowly you take off your shoes and work your feet gently into the water
  4997. >it feels soo good
  4998. >you don't want to undress all the way though... that could be a problem if you had to run or something
  4999. >there are several makeshift stone shelves, carved crudely into the walls surrounding you
  5000. >maybe there is something to use as a pair of swim trunks
  5001. >most of the shelving is empty, many have a single item centered in the middle
  5002. >you look closely
  5003. >small statues, figurines
  5004. >some of them are ponies, other appear to be birds or animals
  5005. >you admire the detail work as you scan the other shelves
  5006. >hey towels!
  5007. >that could work
  5008. >the fabric is soft, there are easily five or six
  5009. >you briefly weigh the pros and cons and say screw it
  5010. >you strip down and stack your clothes neatly on one of the shelves closest to the surface of the water next to your sword
  5011. >the whole room is small, condensed, it is easily within arm reach
  5012. >you tightly wrap the towel around you and work your legs into the water
  5013. >instantly you can feel all of the pressure from standing and running throughout the day alleviate
  5014. >a sigh escapes your lips as you make it further into the water
  5015. >there is a spot to sit under the surface of the water
  5016.  
  5017. >the relaxation is real right now
  5018. >the other ponies are definitely missing out on this
  5019. >maybe they have pools in the observatories too, you wouldn't know
  5020. >come to think of it you still haven't seen inside of any of them
  5021. >doesn't really matter
  5022. >you sigh again and sink deeper into the water to the point where you ears are almost submerged
  5023. >you make sure to keep a close eye on the door
  5024. >listen for an danger...
  5025. >your breathing is so slow, you could stay in here forever
  5026. >probably
  5027. >the soft sound of music fills your mind
  5028. >each note fading, echoing
  5029. >you almost wonder if it is the lunar clock but you recall that the last session ended with a shrill tone
  5030. >this is musical, classical, the perfect sounds to relax to
  5031. >definitely a stringed instrument
  5032. >it hops and jumps between lively notes,
  5033. >you wonder if it is a recording for the pool room because it is clean, crisp
  5034. >you can visually each note, the colors of the sound intertwining to harmonize and dance in the air
  5035. >the tone of the music drops and becomes more focused
  5036. >intense, personal, like it is moving inward on your thoughts
  5037. >the heavy emotion mixes well with the overpowering steam
  5038. >you feel completely immersed, at peace
  5039. >no thought to the time and space around you, just the weightless sensation of the warm water
  5040. >just as subtly as the music started it stops
  5041.  
  5042. >that was definitely an enjoyable listen
  5043. >you wonder if the sounds will come back on if you stay around a bit longer
  5044. >the water has not become overwhelmingly warm yet, although that could definitely happen you are sure
  5045. >you wonder if there is a cold pool around somewhere too
  5046. >maybe there are some doors you didn't notice the first time around in this room
  5047. >you trace your eyes over the walls, but don't see any distinct features there at least
  5048. >could be in a different part of the house too maybe
  5049. >you consider the options a bit longer
  5050. >sound
  5051. >you look quickly to the door
  5052. >definitely hoofsteps, you instinctively bring your sword closer to you and slow your breath
  5053. >before you have time to do more you see a blur of magenta
  5054. >it's Scorpio, she is standing in the doorway to the pool area, looking back over her shoulder
  5055. >she turns around and makes direct eye contact with you immediately
  5056. >you see her bright blue eyes go wide before she quickly turns around again
  5057. >it looks like she is just going to pretend like you didn't see her and leave
  5058. >this whole thing seems sudden, you try to think of something to say or do fast
  5059.  
  5060. *
  5061.  
  5062. >you definitely feel the need to grab her attention quickly
  5063. >there are multiple things racing through your mind right now
  5064. “ Hey, Scorpio! Wait”
  5065. >your words are brief and cut through the dampened air
  5066. >there is notably no echo in here, the acoustics of the room are very soothing
  5067. >even your harsh yell just now seems more toned, just urgent
  5068. >she stops on her toes and turns around to look at you but says nothing for a moment
  5069. >“Uh, yeah?”
  5070. >her tone is more questioning than rude or short
  5071. >you pause considering your words carefully
  5072. “Aren't you suppose to be gazing now?”
  5073. >her face looks torn between two expressions, as if output slightly by your words
  5074. >she blinks and give you a straight face
  5075. >“Yes, I am suppose to be gazing right now”
  5076. >she stands in the doorway and scans every corner of the room with her eyes before resting them on you again
  5077. >you feel the warm water on your skin
  5078. >being one on one with her is definitely different
  5079. >you watch her tails twitch back and forth a few times
  5080. >she is still just looking at you, you feel the need to say something
  5081. >you speak a bit too quickly
  5082. “Oh, uh, why? I mean, why do you not want to gaze right now?”
  5083. >she blinks at you again before making a tssk noise
  5084. >“You are just full of questions aren't you?”
  5085. >you open your mouth to say something but then close it again quickly
  5086.  
  5087. >Scorpio circles in around you
  5088. >walking close to the edge of the water
  5089. >you are remember that you are in a towel...
  5090. >it seems to be doing the trick just fine, you can barely see beneath the water's surface as is
  5091. >her voice cuts through the mist
  5092. > “What brings you here?”
  5093. >you hesitate and remember the events from just a few moments ago
  5094. >or at least it seems that way...
  5095. “Went to the Library and got chased by some kind of big creature... I didn't really see it, but it growled and sounded large”
  5096. >Scorpio nods and looks you over again
  5097. >“I take it you are okay?”
  5098. >you try to make out her facial expression to see if that is genuine care
  5099. >it is really hard to read her
  5100. “Yeah, I made it out alright”
  5101. >she nods but looks stiff
  5102. >still just standing outside the pool, her eyes darting around the room
  5103. >“You kinda of have a knack for 'just making it out alright' don't you?”
  5104. >she moves her hooves in place, looking uneasy
  5105. >you don't quite follow...
  5106. >she sighs
  5107. >“I assume that when you came out from the underground that the latch to the surface was open, yeah?”
  5108. >the water feels hotter around you as you watch her pace
  5109. >you think back and answer her question briefly
  5110. “Um, yes it was”
  5111. >Scorpio just scoffs, she opens her mouth, then closes it, then decides to speak after all
  5112. >“Well, you are welcome for that”
  5113.  
  5114. >it takes you a minute to follow
  5115. >... oh
  5116. >if that means what you do understand it to mean you might owe her a thank you
  5117. >although you don't really see how to the entrance could have been recovered, unless maybe the wind...
  5118. >the room is quiet and damp
  5119. >Scorpio is trotting in place slightly
  5120. >you suppose she could leave at anytime if she really wanted to
  5121. >maybe there is more you could talk or ask about...
  5122.  
  5123. *
  5124.  
  5125. >you still are working over her comment about the latch in your head
  5126. “So wait, I'm not sure I follow entirely with the latch thing... Can you explain more?”
  5127. >Scorpio flickers her tail back and forth a few times then huffs
  5128. >you notice a flash of something metallic in her tail as you watch it sway
  5129. >“After we uh, talked... I ran into Pisces. The whole thing seemed thrown together the more she explained, so I might have been there to assure things went right”
  5130. >you take a second to process that before speaking again
  5131. >does that mean that you were being followed?
  5132. “And you are saying that while we are underground the latch closed?”
  5133. >she nods and stare into the water
  5134. >“the wind picks up out here in the desert, must have blown the cover back shut... I honestly couldn't believe you didn't have anyone watch the entrance”
  5135. >you lean little further into the water as Scorpio makes eye contact with you again
  5136. >the room goes quiet, you feel the need to say more
  5137. >she still looks so tense...
  5138. “Hey, uh, do you want to get in the water? Couldn't hurt to unwind a bit right?”
  5139. >she looks away from you to the ground then back up
  5140. >her facial expression changes from surprise to curiosity, maybe reservation, anger
  5141. >you don't even know how she does that
  5142. >it's like you can see the spectrum of emotions she is processing in her eyes
  5143. >finally she nods, her facial expression blank
  5144. >“Y-yeah, definitely”
  5145. >she looks down at the water with a look of hesitation before taking a step forward
  5146. >she submerges herself one hoof at a time before sitting down on the underwater ledge
  5147.  
  5148. >the setting feels a lot more personal
  5149. >you feel much more at ease now that you are on the same field of vision
  5150. >Scorpio sighs and lays back
  5151. >you watch her lavender mane slowly lose its form as it makes contact with the water
  5152. >you are the first to speak
  5153. >the chase from earlier still lingering in the back of your mind
  5154. “So do you have any idea what could have chased me then?”
  5155. >she blinks and leans against you for a moment before pulling away and speaking in level tone
  5156. >“Most likely one of the beasts”
  5157. >you eyes go wide slightly
  5158. “Beasts...?”
  5159. >Scorpio looks down into the water and sighs
  5160. >“I don't think that the others believe me about them, but they are here. I've only seen them at night. I don't know how many or what they are. Certainly not normal animals...”
  5161. >you gulp to yourself
  5162. >that seems much more dangerous than what you bargained for
  5163. >Scorpio leans against you with more force, this time resting there as she speaks
  5164. >“They can't hurt you”
  5165. >she pauses
  5166. >it sure did seem like whatever was chasing you could inflict some serious harm
  5167. >you are about to ask more but she continues
  5168. >“As long as you believe they can't touch you, they can't touch you... They aren't real”
  5169. >she makes eye contact with you
  5170. >her eyes are soft, laced with care
  5171. >it is not the expression you were expecting at all
  5172. >“Trust me”
  5173.  
  5174. >the temperature of the water seems warmer
  5175. >you take a moment to get lost in the blue of her eyes
  5176. >at this point she is definitely, undeniably, laying against you for support
  5177. >it feels electric, she shifts position slightly
  5178. >you feel everywhere the she is making contact
  5179. >you speak, staying in position
  5180. “Thanks for all of the information and for looking out... I really do appreciate it”
  5181. >Scorpio looks down into the water
  5182. >her eyes look somber , she looks up but her expression is still fairly blank
  5183. >you continue speaking
  5184. “It seems like there is a lot of real danger here though, maybe I wasn't expecting so much... But at the same time this castle is full of wonderful surprises. The music that was playing in here just a moment ago was so lovely”
  5185. >with that remark Scorpio's eyes spark back to life
  5186. >she displays a brief smile before quickly going back to a straight face then a saddened look
  5187. >“S-So you don't hate me...? Think I'm a psycho?”
  5188. >her vibrant blue eyes twinkle, you can feel her lean against you even further
  5189. >“A-And you liked the music?”
  5190. >she bites her lip and looks down
  5191.  
  5192. *
  5193.  
  5194. >so she can be cute then
  5195. >damn
  5196. >you shift slightly before speaking to the maroon colored pony
  5197. “Why would I assume you were a psycho? Clearly strange things happen here. It's alright, everyone feels emotion, we all have rough days. No hard feelings at all”
  5198. >her face brightens up at your remark
  5199. >a bit of a smirk appear across her lips
  5200. >“Well, that is good to know, thanks”
  5201. >you nod
  5202. “Thanks for telling me everything, I'm glad to have met you here tonight”
  5203. >she smiles wider and leans further into the water before blinking slowly
  5204. >this is definitely relaxing
  5205. >it almost looks like she is blushing, but it is hard to tell with the shade of her coat
  5206. >sink into the water a bit deeper
  5207. >you decide to speak up again
  5208. “So how did you find out that they couldn't hurt you? That must have been an interesting experience”
  5209. >Scorpio blinks again and then sits up straight
  5210. >she bite her lip softly before speaking again
  5211. >“I uh, I learned that from a memory...”
  5212. >she pauses before continuing in almost a mumble
  5213. >“A rather unpleasant one”
  5214. >that does confirm that she has broken at least one of the jars then
  5215. >she looks a like down now, her eyes staring into the water beneath you
  5216. >you give her a bit of a sympathetic nod and decide not to press too much further
  5217. “I've heard that they can be unpleasant, the one that I watched was more... confusing I want to say?”
  5218. >Scorpio looks up a smiles
  5219. >“That is often the case with them it seems, huh? Context is a hell of a thing”
  5220. >you nod your head again in agreement and then continue
  5221. “Capricorn was saying she thinks that the memory gave me something called a trace”
  5222.  
  5223. >Scorpio makes eye contact with you as you say that
  5224. >her facial expression falters to one of concern for a brief second, before going back to relaxation, then possible curiosity
  5225. >“Visual or auditory?”
  5226. >you feel her lean back into you against as she asks the question
  5227. >something about her touch is too intense, you can feel her energy so easily
  5228. >you almost get lost in the sensation instead of speaking, but you are able to gather yourself again quickly
  5229. “ I guess mostly visual? I have seen a mare twice, and both times she has left in a hurry because of some type of danger”
  5230. >she sighs and shakes her head slightly before leaning back even further into you
  5231. >it appears as if she isn't very concerned about her personal space, she looks to be enjoying herself anyways
  5232. >“That is good, I've found that auditory ones are much worse, just hearing different voices from the memory in your head will make you think you are crazy”
  5233. >that does sound pretty awful
  5234. >you take a second to appreciate the full filled silence in the room
  5235. >the steam, the warmth of the water and the body heat of the pony laying against you
  5236. “Thanks again for all of this, you seem like a trustworthy pony Scorpio”
  5237. >she smiles widely at that remark
  5238. >“Why thank you Anon!”
  5239. >she looks up into your eyes and blinks rapidly a couple times before letting her face settle on an innocent looking expression
  5240. >you can't help but wonder though...
  5241. “Was the music that I was heard earlier yours?”
  5242. >now you can definitely tell that she is blushing, it is visible even on her maroon coat
  5243. >it disappears quickly before being replaced with a calm look
  5244. >she still seems a bit uneasy
  5245. >“Y-yeah, actually... I am glad you liked it”
  5246. >she stops and fiddles with her hooves nervously
  5247. >“If you wanted to hear more maybe...”
  5248. >she looks into your eyes, a hint of a smile can be seen on the edge of her lips
  5249.  
  5250. *
  5251.  
  5252. >you feel a bit torn
  5253. >there is really only so much time to see the castle like this...
  5254. >you look back into Scorpio's eyes
  5255. >they look hopeful
  5256. >might as well give her a chance
  5257. >you speak with a somewhat reluctant tone
  5258. “Alright, sure. Let's see what you can do”
  5259. >she leans up and smiles
  5260. >“Okay sweet! Let me go get my violin, meet me back out on the balcony?”
  5261. >you nod
  5262. >the water is starting to feel too warm, best to get out before it becomes unpleasant
  5263. >Scorpio stands up and leaves the stone pool of water, her mane and coat dripping
  5264. >this will be a perfect chance to change back into your clothes
  5265. >she glances over her shoulder at you one more time before making it back out of the room
  5266. >once she has made it around the corner in full you exit the pool and toss the towel aside
  5267. >you take a moment to feel the cool air of the castle on your skin before quickly changing back into your normal clothes
  5268. >have to keep these things in good shape for sure...
  5269. >you attach your sword back to your belt, admiring the patterns in the blue gem
  5270. >you look over the small room one more time before making it back out onto the balcony
  5271. >the view really is stunning from up here
  5272. >you find yourself lost in the waterfall
  5273. >Scorpio is already trotting back with a very simple looking violin
  5274. >the dark wood is polished beautiful
  5275. >she walks closer to you to get within ear shot
  5276. >you can't help but notice that she is shaking slightly
  5277.  
  5278. >“R-Ready then?”
  5279. >you look her over again before nodding
  5280. “Just nothing too long, I do wanna see some more of the castle tonight”
  5281. >she nods and speaks again quickly
  5282. >“Uh, okay yeah! Definitely”
  5283. >you watch as she closes her eyes
  5284. >you wait
  5285. >she plays one steady drawn out note to begin
  5286. >you can feel it reverb, spreading across the room
  5287. >you gaze down to the water and looking into the waterfall then back to Scorpio
  5288. >she seems very focused, honed in
  5289. >several more notes gently meet your ears, layering over each-other, merging in and out
  5290. >it creates a solid ambiance across the room
  5291. >like the entire vibe of the situation changes
  5292. >you feel immersed in the moment, watching the colorful pony in front of you working her hooves gently to maneuver the instrument
  5293. >the sob of the strings is heartfelt, you watch her shift position to spread up the cadence of the music
  5294. >more notes layer in, hitting you at different speed, pulling up in a short rhythm before she ultimately draws a sorrowful note that breaks the moment of elation
  5295. >it bring you back to reality, watch her give it everything she has
  5296. >she scrunches up her brow briefly
  5297. >the air in the room feels heavy, laced with the cry of the instrument
  5298. >several more notes follow, repeating in rhythm for a moment
  5299. >there is a loud scratching noise that breaks the pattern, you watch Scorpio's face falter
  5300. >you can tell that something threw her off
  5301. >she tries to break into a different rhythm but the notes scratches again a bit less noticeable
  5302. >her eyes open for a moment but she carries on anyways looking dejected
  5303. >as if going through the motions to finish, building up notes quickly before slicing the air with one quick draw of the bow
  5304. >the final note resonates across the housing
  5305. >she drops the instrument and groans
  5306. >it hits the ground with a thump, you hope that doesn't hurt the tuning...
  5307.  
  5308. >“Well, there you go, guess you got to hear me make a fool of myself”
  5309. >you are about to say something but she continues, pacing back and forth close to you
  5310. >“I really thought I had the rhythm going there for a second, I'm still not very good... I'm sorry for wasting your time”
  5311. >she looks down at the ground in front of her
  5312. >you have to admit that the first part was very impressive, but the mistakes differently broke the immersion of the music
  5313. >you give her a comforting smile before speaking up
  5314. “Hey, give yourself some credit, you really had it going for a moment there”
  5315. >she looks up and scoffs
  5316. >“Thanks I guess, I'm more interesting in composing the music anyways, I should have played something easier...”
  5317. >she stops talking suddenly, as if regretting her choice of words
  5318. >you decide to speak up again quickly to reassure her
  5319. “Well, I thought it was cool. Thanks for playing for me I do appreciate it”
  5320. >Scorpio makes eye contact with you
  5321. >“Aw, you are welcome Anon”
  5322. >her voice is much softer than you expected it could go
  5323. >you look into her light blue eyes, the sense of wonder, hope, inspiration, frustration
  5324. >she really goes across the whole spectrum
  5325. >it looks like she is expecting you to say more...
  5326.  
  5327. *
  5328.  
  5329. >you look back at the pony in front of you
  5330. >you figure there is more that you could be doing with your time right now, looking around, discovering
  5331. >might as well try to wrap things up politely
  5332. “So do you use your gazing as part of the inspiration for the musically composition then?”
  5333. >Scorpio look into your eyes before blinking and nodding
  5334. >“Yeah, it makes it into everything I do because it is so far ingrained into who I am at this point”
  5335. >she flickers her tail a couple of times then smiles softly
  5336. “I really should get going, I guess I'll see you around”
  5337. >her face immediately falters, but she picks her expression back up rather quickly
  5338. >“Oh, okay, see you later then”
  5339. >her tone is cold and detached
  5340. >before you can say anything more she trots away in silence with her head down
  5341. >nothing but the thundering sound of the water and her hoofsteps can be heard
  5342. >back to the silence then
  5343. >the feeling of being alone sets in again
  5344. >you make it slowly over the balcony reflecting on your encounter with Scorpio
  5345. >all and all she seemed to be fairly nice, you feel like you did something to offend her but you can't quite put your finger on it
  5346. >you make it out of Water house and begin to contemplate your next move
  5347. >you walk down the metallic and oddly sterile passive leading away from the Water house door
  5348. >as you make it up the stair your mind continues to race
  5349. >you can't get the idea of the underground out of your head
  5350. >something is drawing you back there, like you feel the need to unearth something
  5351. >the need to discover something real...
  5352.  
  5353. >you continue down the hallway connecting Water house to Earth house
  5354. >the fog in the castle has begin to subside
  5355. >or at least it seems that way, you feel that you can see a much further distance
  5356. >maybe you are just able to process details a bit more carefully now that you aren't running
  5357. >the beasts just give you more of a reason not to want to be in the castle right now
  5358. >you figure that it would be easy enough to just continue through to Earth house, and then go up the stair back to the hallways and out the fields
  5359. >huh you really are starting to get a hang of this
  5360. >or at least this part of the castle anyways
  5361. >you pass the desk complete with notepads that you found on the first night
  5362. >you stop to look at them for a second remembering the moment
  5363. >it seems so distant
  5364. >when Capricorn said the ball would be a week away you figured that be a short period of time, but now you just aren't sure
  5365. >you continue to descend slightly, watching the wildlife on the flooring become more thick, vibrant
  5366. >the walls are resonating a soft earthy green light that is blending to make an amazing ambiance with the fog
  5367. >the plants almost seem florescent in the lighting
  5368. >you make it into Earth house
  5369. >the stair cases look daunting overhead, casting thick shadows in the peculiar lighting
  5370. >it seems darker in here for some reason...
  5371. >you can spot the ball of light that Libra recovered from the memory section of the underground off to the side
  5372. >damn that will be really useful
  5373. >you pick up the smoothed orb and continue onward towards the stairs
  5374.  
  5375. >as you ascend further and further up you really get to admire the depth of Earth house
  5376. >there appear to be sections of furniture complete blocked off by walls of natural growth
  5377. >isolated sections within what is looking more and more like a labyrinth from this prospective
  5378. >maybe you have never noticed because there are always so many ponies with you around this house
  5379. >it is weird seeing it completely empty
  5380. >you continue through the ceiling and up into the tiny room connecting to the hallway
  5381. >you turn out the door and begin making it down the passage way
  5382. >the fog is almost gone at this point, in fact it seems to be clear
  5383. >the lighting is overexposed, it is hard for your eyes to adjust to the harsh change
  5384. >your footsteps resonate as you make it further and further down the hallway towards the door that leads outside
  5385. >you stop for a moment to admire the complex patterns in the tile on the floor, as well as the bright color of the carpet contrasting with the mostly black and white interior
  5386. >you take a deep breath and swing the door open
  5387. >the cool night air hits your lung
  5388. >you feel refreshed
  5389. >a sense of wonder tingles through your body, reaching you finger tips as you looking into to the sparkling ocean that is the desert night sky
  5390. >so many planets, stars, lights, specks of detail morphing into a coherent picture in front of your very eyes
  5391. >you step silently across the earth, appreciating the openness
  5392. >no resonance, no echo, energy is free to come and go
  5393. >you fill your lungs with air again and make it further out into the fields
  5394. >looking up into the air the tops of the metal poles and odd statues piercing the skyline that begin to fade into the darkness of the night
  5395. >you get dizzy from looking up into the expanse of the void around you
  5396.  
  5397.  
  5398. >everything about this feels so real
  5399. >the silence, the air, your thoughts
  5400. >your steps
  5401. >the motion of moving
  5402. >you hold the orb of light out closely in front of you, watching how it's aura effects the space around you
  5403. >it makes everything else less visible, a bit dimmed, yet it exposures the shadows
  5404. >the features of the near landscape, the saturated color of the night landscape
  5405. >you feel so focused, alone, making it closer to the door that leads to the unknown
  5406. >you look back into the orb again and see the colors of the light
  5407. >mostly it is a dim yellow, but the inner tones of the glass show pinks, soft blues and greens
  5408. >almost like a blur of pastel colors that you can visual pick apart if you focus in hard enough
  5409. >you stop and set the orb down
  5410. >this is it
  5411. >the underground entrance
  5412. >you are about to lift the latch but hesitate, wondering what the other Zodiac would think if they were to find out
  5413. >second guessing
  5414. >you blink and take a moment
  5415. >no need to rush really, you are here
  5416. >you look across the night landscape out into the dark
  5417. >the desolate land ahead, dull, sparse with plant life
  5418. >it really is beautiful
  5419. >flash
  5420. >a streak of silver light runs across your vision
  5421. >dazzling, phasing
  5422. >you quickly swivel your head around
  5423. >you definitely saw something moving in that direction
  5424. >away from where you are standing
  5425. >you focus in
  5426. >another slight movement, from behind a short tree like bush in the distance
  5427. >the creature comes more fully into view
  5428. >it is stunning from a distance
  5429. >large, glistening antlers extend from the creature's head
  5430. >bright points of yellow and blue light form it's outline, but it appears to be made entirely of light
  5431. >it feels like an angel
  5432. >the white light it radiates as it meanders, if you had to compare it to an animal on earth you'd say it was almost like an elk
  5433. >it stops and turns it's massive head, orienting its intricate antlers towards you
  5434. >you make eye contact, the creature freezes in place
  5435.  
  5436. *
  5437.  
  5438. >the standstill lasts for several moments
  5439. >you focus in on the creature
  5440. >your peripheral vision starts to blur, ignoring the finer details of the dark around you
  5441. >it's almost like you are taking in nothing but the creature made of light in front of you
  5442. >just as abruptly as it turned to face you, it turns its back towards you and begins to walk away
  5443. >you quickly swoop up the orb of light and follow
  5444. >you step lightly, trying not to make it too noticeable that you are in pursuit of the animal
  5445. >it stand out so vividly against the wonders of the night
  5446. >you keep walking behind it, several lengths back
  5447. >the colors dance in your field of vision, all else is silent around you as you bask in the creature's aura
  5448. >it keeps traveling away from the castle, further out into the surrounding desert
  5449. >the elk seems to float across the ground at a consistent pace, walking slow and proud with it's head to the stars
  5450. >it really is majestic, it is hard to take your eyes off of it
  5451. >an intense series of red and light blue sparks manifest themselves in the air
  5452. >you watch in awe as they expand outward and encompass the night around you
  5453. >everything feels bright, faded, your footsteps don't feel really as you make it over the contours of the dirt
  5454. >you can't see anything around you beside the elk for a brief moment before your eyes adjust again to the lack of color and light
  5455. >did you just see trees?
  5456. >sure enough, you look ahead and see several large trunks
  5457. >that doesn't make much sense...
  5458. >those really aren't there
  5459.  
  5460. >you pick up the pace trying to close the gap between you and the creature a bit further
  5461. >you have absolutely no sense of long much ground you have covered
  5462. >out of the corner of your eyes you keep seeing leaves, branches, other pale bits of green nature that fade into the darkness of the night around you
  5463. >it feels like you are following the elk through a dark and dense forest, yet as you reach out to your sides you feel nothing
  5464. >like the reality around you has been enhanced, augmented to show pale and ghostly features of this illusion forest
  5465. >the night limits your visibility, even as you carry the orb
  5466. >it illuminates through the trees slightly to give you a better look at the actual desert setting around you
  5467. >you look forward hesitantly at the elk
  5468. >it continues to dazzle, brightening the trees around it and further distorting reality
  5469. >as if the light were bending around its very form to create sometime of peaceful and serene trance behind it
  5470. >the main wall surrounding the castle grounds is ahead of you
  5471. >it is tall, thick, daunting up close
  5472. >definitely fortified, the top is adorn with several crude watch towers
  5473. >you never noticed how much this wall juts in and outward, leaving different spaces and coves open on the ground level
  5474. >the creature just keep moving forward steadily, stopping occasionally to bend down or look at it's surroundings
  5475. >just as it reaches a particularly dark cove in the large wall it stops
  5476. >nowhere to go at this point...
  5477. >it turns back to face you again
  5478. >you make eye contact, the world around you melts
  5479.  
  5480. >all that you can focus on is the light omitting from the creature
  5481. >you can see the waves as they disperse outwards and hit your eyes
  5482. >fractals, patterns, waving and fading, shifting, dripping around you to create a visual tunnel forward into the elk's eyes
  5483. >you almost forget that the sun isn't out because of the intensity of the light
  5484. >it just stares at you further
  5485. >you feel the need to say something
  5486. >just as you go to open your mouth the color of the light gets very dull
  5487. >the flashes of color accenting its aura turn to solid stable grays
  5488. >you blink
  5489. >the darkness around you is back
  5490. >the desert
  5491. >in front of you and right before the wall is a large statue
  5492. >an elk...
  5493. >it's stone eyes gazed, expressionless
  5494. >you approach the statue carefully
  5495. >did... it seriously just turn to stone in front of you?
  5496. >you reach your hand out and touch the stone
  5497. >sure enough, it is solid, cold, material
  5498. >grounded
  5499. >you check the base beneath it in a desperate search for information
  5500. >cleanly cut into the stone is a single word
  5501. > p a s s w o r d
  5502.  
  5503.  
  5504. *
  5505.  
  5506. >the whole thing puzzles you really
  5507. >you rapidly try to think of different connections, what this could mean
  5508. >where would you even go to input a password anyways?
  5509. >do you just say it out-loud...?
  5510. >you look into the statues stone eyes and speak
  5511. “Alces?”
  5512. >the statues eye continue looking into yours, unwavering
  5513. >well, so much for all that Latin you learned then...
  5514. “Remember?”
  5515. >the night is silent around you
  5516. >you feel weird for talking to yourself, it is extremely unlikely you'd be able to guess the password you assume but no harm in trying
  5517. >you sigh to yourself and figure that it is probably best to search the area for clues
  5518. >you start by looking up and down the statue, noticing any peculiarities in the integrity of the stone
  5519. >it doesn't appear to be damaged really in anyways
  5520. >you walk closer to the wall and examine the coves
  5521. >it almost looks like there is the silhouette of a doorway...
  5522. >you focus in on the area of stone that is on eye level with you
  5523. >huh, there are multiple holes puncturing deep into the stone
  5524. >almost perfectly round, they go deep into the wall
  5525. >they are all close together
  5526. >you decide to look at the ground beneath you to check for any hoofprints or anything of note
  5527. >just dirt and small plants
  5528. >you walk down the wall a good ways, running your hand over the surface of the stone as you look down
  5529. >you lower the orb to the earth in hopes of revealing something
  5530. >anything
  5531.  
  5532. >you take a moment to stop and look into the night sky
  5533. >the stars positioned above you
  5534. >the extensive space of the outdoors and how much this wall is shadowing the moonlight from flooding the ground
  5535. >you look back down as you continue to walk further out from the wall, a bit away from the statue
  5536. >as you lower the orb you notice something sparkle
  5537. >it wasn't too intense, but just for a brief moment something on the ground twinkled
  5538. >you get closer to the area and bend down on one knee to investigate
  5539. >pebbles, plants, dirt
  5540. >dull gray rocks
  5541. >you set the orb down and move a few feet over
  5542. >there is the sparkle again
  5543. >you focus in more closely into the dirt to see a small turquoise gem...
  5544. >you reach down a carefully pick the stone up
  5545. >the near by orb really allows it to shine, it is similar to the size and cut of the gem Libra found in the tunnels...
  5546. >huh, purple and turquoise
  5547. >that seems familiar to you for some reason
  5548. >you quickly try to process this, if there is something that can be taken away from this small treasure
  5549. >it has to mean something right?
  5550.  
  5551. *
  5552.  
  5553. >you blink as you continue to examine the stone
  5554. >there might be more to see close by
  5555. >you decide to expand the radius of your search, carefully scanning the ground as you make it out further from the statue
  5556. >there are several small plants near by, they aren't very green but they are surviving
  5557. >impressive for how dry the earth is
  5558. >you must have walked further than you thought while following the elk creature
  5559. >it raises a lot of questions, you want to know that password now
  5560. >the only distinguishable feature in this area is a medium sized bush that seems to be growing some bizarre fruits
  5561. >you look more closely, they look like light blue plums
  5562. >you don't know if they are edible or not, they're suspiciously bright
  5563. >curiosity gets the best of you, it is good to be sure
  5564. >you take one of the fruits from the bush and decide to pocket it for now
  5565. >could have something to do with the statue, could be nothing
  5566. >you make it further away , doubling back to head towards the underground
  5567. >the rush, the adventure
  5568. >it is too alluring
  5569. >you have no idea how long you followed the elk for
  5570. >you scan quickly over the area once more as you walk away
  5571. >definitely will have to come back here soon
  5572.  
  5573. >the rest of the walk is quiet
  5574. >the stars ahead shine down, clear and vivid
  5575. >you spend a lot of the time walking looking up
  5576. >the other Zodiac ponies must be gazing too...
  5577. >you feel like you might be jumping the gun a bit by going underground, but you feel they will be understanding
  5578. >just a quick exploration can't do much harm, in and out
  5579. >you continue along the landscape steadily, keeping and eye out for anything unusual along the way
  5580. >nothing unexpected this time
  5581. >just the crunch of land underfoot
  5582. >the moonlight saturated the landscape, giving it a cool glow
  5583. >you soon make it back to the cover over the tunnel
  5584. >you lift it up, revealing the total darkness beneath
  5585. >it is a good thing you grabbed the orb, it is like pitch black down there
  5586. >you examine the closing mechanism
  5587. >nothing that a large rock wouldn't stop
  5588. >you move a stone that is near by and prop it over where the board would rest on the ground
  5589. >that should work
  5590. >you carefully descend down the stairs in the dark, holding the orb with both hands
  5591. >taking one last look at the door above, you continue further down
  5592. >it should hold up...
  5593. >the staircase seems longer and empty with less ponies here
  5594. >silence and echo
  5595. >again with the echoing
  5596. >eventually you make it down to the chamber below with the three parthways
  5597. >remember, pure of heart, forget
  5598. >you look up at the dragon made of colored stone overhead
  5599. >the way it lays flat against the upper walls, staring down
  5600. >hmmmm
  5601.  
  5602. *
  5603.  
  5604. >you look back up into the intricate stonework overhead
  5605. >your stomach drops as you look into the eyes of the dragon
  5606. >there are still a lot of unknowns down here
  5607. >maybe it would be safest to go with something familiar
  5608. >you turn your head to look down the narrow, dark hall
  5609. >the torch's lighting and the orb only are able to make some of the features of the near stone distinguishable
  5610. >they have almost an earthy red tone to them right now
  5611. >saturated, ancient
  5612. >you hold the orb in front of you a bit further
  5613. >it shines
  5614. >you make it further into the hallway away from the other unexplored areas
  5615. >as you walk you take careful note of the walls around you, looking for any distinguishable features
  5616. >just footsteps
  5617. >that's all that is really discernible
  5618. >the light hits the walls around you in interesting ways but ultimately doesn't illuminate that much area
  5619. >hey
  5620. >you turn your head, you almost didn't catch that
  5621. >just your thoughts...
  5622. >it is completely different being here alone...
  5623. >“i-is everything alright, where are we?”
  5624. >you look around for the source of the noise again, turning behind you, checking your sides
  5625. >your heart freezes and then rapidly accelerates
  5626. >you can feel the adrenaline pumping through your body
  5627. >the harsh pounding of your ear drums
  5628. >you look ahead in the abyss
  5629. >the memory pony makes her way out of the darkness
  5630. >looking pale as ever, slightly frightened
  5631. >the light from the orb refracts softly against the gems on the dress
  5632. >the purple and turquoise gems compliment her white coat in a nice way
  5633. >you scan the hall around you as she makes it closer to you
  5634. >her gray eyes show a shade of curiosity
  5635. >you gulp as your heart begins to slow down again
  5636. >your answer is short
  5637. “Uh, we are underground somewhere”
  5638. >she nods slowly and blinks
  5639. >“Well, that would explain the drab setting wouldn't it?”
  5640. >she giggles to herself softly
  5641.  
  5642. >you don't know what to say to her really
  5643. >your mind is still racing
  5644. >so much to take in
  5645. >you blurt something out quickly noticing how long you've been silent for
  5646. “Yeah for sure, at least we are out of that library”
  5647. >her eyes flash an expression of worry briefly but she nods in agreement softly
  5648. >you continue to walk, she follows along
  5649. >the silence feels comfortable
  5650. >it looks like she is in a decent mood, you almost see a hint of a smile on her face
  5651. >she really is hard to spot in this lighting, there is definitely some type of transparency to her form
  5652. >you can see the end of the hallway ahead
  5653. >the path that diverges right into the unknown
  5654. >you see the brick you used to prop open the hidden door
  5655. >white light is spilling into the hallway
  5656. >you should probably go back to the area you have explored and do a more careful search
  5657. >see if everything is still in place
  5658. >you feel like there is a lot more that you could ask this pony though...
  5659. >something to talk about while you explore
  5660. >she looks up at you with that small hint of a smile on her lips
  5661.  
  5662. *
  5663.  
  5664. >it is honestly good to see her again
  5665. >a little bit of company couldn't hurt down here
  5666. >you can't help but wonder if she is even in control of when she shows up
  5667. >you have several thoughts and questions but you make sure to choice your words carefully
  5668. >best to try and keep her mood as one of positive valiance
  5669. >you reach out and open the door into the bright circular room as you begin to speak
  5670. “Thanks for the warning back in the library by the way, do you think it will be safe there soon?”
  5671. >she nods as the two of you make it through the doorway ahead of you
  5672. >“Oh not a problem! And I would imagine it'll be okay soon, just one of the animals getting loose”
  5673. >huh
  5674. >you are about to ask more but immediately as you step through the doorway you are met with a rapid recall of the library
  5675. >the statues on either side of you, the fog
  5676. >the adrenaline, the blood chilling growl
  5677. >the darkness of the tunnels seems distance
  5678. >you blink and look around the circle white room
  5679. >the grass is soothing underfoot
  5680. >it wavers slightly under your gaze as your mind wanders off
  5681. >memory pony is smiling softly, looking around with a bit of wonder in her gray eyes
  5682. >really should find something better to call her
  5683. “Do you have a name?”
  5684. >her eyes settle on one of the floating orbs of light overhead
  5685. >they look almost the same, shining brightly with hints of color among the yellow and white
  5686. >her face falters, she looks over to you
  5687. >“Not that I know of, no”
  5688. >oh, that is not the answer you were expecting to that
  5689. she looks down at the grass a little dejected
  5690.  
  5691. >you decide not to let her linger on that thought for too long
  5692. >instead you look over her dress before speaking
  5693. “You look royal to me, do you feel royal?”
  5694. >that seems to take her mind else where
  5695. >she blinks a couple times before posturing up slightly
  5696. >“Why thank you! I feel proper, now royal... well, that may be a different story”
  5697. >she giggles to herself slightly before blinking quickly and speaking again
  5698. >“So what exactly is this room may I ask? It feels very familiar”
  5699. >she sighs and lets some of the tension in her shoulder go
  5700. >you look over the featureless white walls and the orbs above before talking
  5701. “I'm not enter sure, but I believe it is suppose to help ponies remember”
  5702. >as soon as you say the word remember she gasps
  5703. >“Oh that would be just wonderful! I feel like this is the first time I have truly been conscious, it is very unsettling to get thrown into the mix of things”
  5704. >you nod
  5705. >definitely can relate
  5706. >you decide to keep the conversation moving
  5707. “Well, hopefully we can figure some stuff out then”
  5708. >your eyes trace over her dress again
  5709. “Do you know what material the dress is made out of? It suites you well, I'm interested because not a lot of ponies nowadays wear clothes but it is a popular choice where I come from”
  5710. >she looks up at you with a curious look on her face before shifting her attention downward towards her dress
  5711. >“Oh yes! Why it is...”
  5712. >she pauses and scrunches up her face
  5713. >“It's...”
  5714. >you see her look at the material in her hoof before she groans
  5715. >“This is so embarrassing I can't remember the name, I know the material”
  5716. >she looks downward again a bit dejected but more in thought and frustrated
  5717.  
  5718. >you decide to change the subject for her again, but there is more to this dress...
  5719. >you pull out the gleaming turquoise gem
  5720. >it is a bit closer to a shade of blue than a shade of green, maybe aquamarine would be the better term...
  5721. >you reach your hand out and show her the stone
  5722. >she looks down a bit puzzled, but it appears to alleviate her frustration
  5723. “I found this earlier, do you think it matches the gems on your dress?”
  5724. >you get a bit closer to her in order to get a better comparison
  5725. >she is really pale up close, almost transparent looking
  5726. >you are attempted to reach out and touch her to see what happens but you carefully refrain
  5727. >she looks closely at the gem then her own dress
  5728. >you examine the square cut stones, only the red accents are circular
  5729. >it definitely looks to be the right size, color and cut
  5730. >the other purple gems seem to match the one that Libra found as well...
  5731. >“Why yes! It does look like that is one of the gems from my dress!”
  5732. >she reaches her hoof out and touches it gently
  5733. >“But it feels much more solid...”
  5734. >she looks back over at her own figure and blinks
  5735. >“That is very interesting, consider it a keep sake from me!”
  5736. >she blinks and smiles up at you
  5737. >you nod and smile back
  5738. “Alright, thank you I will”
  5739. >you scan your eyes across the room in the moment afterwards
  5740. >just the one door that leads to the pool of water
  5741. >you figure it is best to make sure that everything is the same in here and that there isn't anything that you missed
  5742.  
  5743. >the two of you make it into the same and pale stone room
  5744. >it looks even more desolate without the fires
  5745. >just the pool of water like fluid on the table in front of you
  5746. >the memory mare stay quite and begins to trot around the room, examining the walls closely
  5747. >you look over into the surface of the liquid
  5748. >there has to be something to it
  5749. >you are tempted to reach out and touch it....
  5750. >“Hey! I think I found something!”
  5751. >you quickly turn your head to see the mare looking under the table
  5752. >huh didn't think of that
  5753. >you begin making it around to the other side
  5754. >“It's one of those... uh”
  5755. >she looks down again with a hint of a blush
  5756. >“Oh Celestia, this is horrible I don't...”
  5757. >you try to softly reassure her with a smile before looking down to see what the thing in question is
  5758. >under the table there appears to be a very large hourglass
  5759. >it looks like the sides are made out of a dark and worn wood, while the glass is cleanly polished
  5760. >it shines, even in the more dull lighting
  5761. >you watch the sand slowly trickle from the top section downwards
  5762. “Hey! Good find, that's an hourglass”
  5763. >she blinks quickly before her face light ups
  5764. >“Thank you! That is the word I was looking for”
  5765. >you nod as she reaches out and presses a hoof on the hour glass
  5766. >as soon as she makes contact with the object you watch a vibrant neon purple energy ripple across the surface of the glass
  5767. >the sand inside begins to glow brightly, an overpowering white
  5768. >a look flashes across the memory mare's face
  5769. > “Oh heavens, what did I do?”
  5770. >it begins to fall threw at an extremely rapid
  5771. >you watch in awe as the sand vanishes from the bottom layer steadily
  5772. >there is a loud grinding noise from outside in the memory room
  5773.  
  5774. >it is enough to make you jump
  5775. >the memory mare looks concerned
  5776. >you hurry out into the circular room to make sure that nothing has changed...
  5777. >the green grass is the first thing you eyes see but then you notice that the lighting is different
  5778. >all of the orbs, including the one you brought are emitting a blue glow
  5779. >it reflects off of the white walls in an interesting and almost overbearing way
  5780. >the shades of blue get darker and darker, severely effecting the natural lighting in the room giving everything a solid and soothing hue
  5781. >the memory pony quickly trots out, the look of concern on her face growing
  5782. >you can see why...
  5783. >that's a lot more doors than before...
  5784. >none of them appear to be propped open, they just look like gaping black squares in the sea of blue around you
  5785. >you gulp as your mind begins to race
  5786. >you don't think you are fully grasping the gravity of this
  5787. >you look anxiously at the pale pony with you before quickly counting the doorways you can see
  5788. >each is spaced out almost perfectly, it reminds you of the circular room before Fire house
  5789. >five of what appear to be exits, including the door to the room with the water
  5790. >you aren't even sure if any of them are in the same place as the door you entered this room through, it doesn't seem like it
  5791. >what to do?
  5792. >you look over the doorways more closely
  5793. >above each one is a single letter, they are in a font reminiscent to the cards Pisces had...
  5794. > D R X Y and above the room with the water is an L
  5795. >you are the memory mare exchange a look but neither of you say anything
  5796. >yikes...
  5797.  
  5798. *
  5799.  
  5800. >your heart rate starts to pick up
  5801. >you watch the memory mare's pupils dilate slightly
  5802. >definitely don't want the zodiac ponies knowing about this
  5803. >have to try and set the hour glass back the way that it was
  5804. >you turn to the pale mare next to you
  5805. “Let's see if we can get it to go back first”
  5806. >she nods nervously and begins trotting in place slightly
  5807. >“I am so so sorry, I didn't know!”
  5808. >her face drops a bit
  5809. “It's alright, let's just fix this”
  5810. >the two of you make it back to the side room quickly
  5811. >the liquid looks completely unchanged, asides from the color of light projecting on to it
  5812. >it's hard for you to really focus on the minor details of anything
  5813. >it is just blue
  5814. >it feels unreal you are waiting for it to switch back
  5815. >each moment the reality sets in a bit more
  5816. >you look under the desk at the hour glass
  5817. >it is completely empty, no sand within
  5818. >you reach out and try to flip it over
  5819. >hot!
  5820. >the hourglass hits the floor with a loud crashing sound
  5821. >you immediately grab your hand, it feels like you got burned
  5822. >the pale pony next to you jumps at the noise, but luckily the glass is still intact
  5823. >you her here sharply inhale, a startled gasp before speaking
  5824. > “Goodness! Are you alright?”
  5825. >you look down and see that the surface of the skin is already slightly red
  5826. >the dull sensation burns deep
  5827. “I think I will be okay, try touching the glass again”
  5828. >she nods and cautious presses a hoof against it
  5829. >nothing
  5830. >just blue lighting
  5831. >she looks frustrated, she tries to pick it up but her hooves go through it
  5832. >well, that confirms she is not solid
  5833. >she huffs
  5834. >“Well, now what?”
  5835.  
  5836. *
  5837.  
  5838. >you look back down at the hourglass on the ground with a bit of determination
  5839. >this has to be able to be undone
  5840. >it just has to
  5841. >you don't say anything but instead take off your shirt
  5842. >the memory ponies just looks puzzled
  5843. >you wrap your hands up in the cloth as best as you can
  5844. >should protect you from the burn of the glass
  5845. >you carefully pick it up
  5846. >alright, that seems to do the trick
  5847. >the pale pony next to you continues to watch silently
  5848. >you can feel the warmth radiating through the fabric
  5849. >you flip the hourglass over and set it on the table...
  5850. >nothing
  5851. >more ominous and dampened silence, drowning in the blue light around you
  5852. >this is seriously not good
  5853. >you gulp and look down into the pony's eyes
  5854. >she looks particularly hazy in this lighting
  5855. “Damn, I thought that might work”
  5856. >you start to pace, examining the walls around you for anything that could be useful
  5857. >they are shockingly bare
  5858. >the memory mare speaks up with, she sounds nervous
  5859. >“W-we are going to have to do something”
  5860. >you look around the room again, working yourself back into your shirt
  5861. >you wonder how trapped you could actually be right now...
  5862. >you can't actually be stuck right?
  5863.  
  5864. *
  5865.  
  5866. >you make eye contact with the memory mare
  5867. >just the two of you in the room
  5868. >the lighting is becoming overbearing
  5869. >saturating the room, giving everything a genuinely unreal feeling
  5870. >you can't help but take notice of the anxiety mounting in your chest
  5871. >you try to steady your breath, taking note of how the color around you could even be seen as soothing
  5872. “Let's just... let's wait here for a bit. I don't know, maybe we can find something useful”
  5873. >she nods
  5874. >the uneasy look in the depths of her gray eyes does not subside
  5875. >her facial expression matches the feeling in the pit of your gut eerily well
  5876. >you stand up and begin pacing
  5877. >you cover the length of the room several times over
  5878. >just walking
  5879. >you guide your hand over the surface of the cool white walls
  5880. >you watch your hands move
  5881. >working, trying to search for something
  5882. >you feel the need to talk
  5883. “So uh, any good exploring stories from the castle so far?”
  5884. >you watch her look up at you from a considerable distance
  5885. >the gems in her dress refract the colored light in such a subtle and ghostly manner
  5886. >“The most notable thing I would say so far is the size of the building itself...”
  5887. >she blinks and watches you pace, re-positioning herself in the grass beneath her slightly
  5888. >“I mean really, it has everything and more”
  5889.  
  5890. >you nod, trying to get your mind away from the current situation
  5891. >you sigh and nod
  5892. “Yeah, I've noticed it is very elaborate, a lot must have went into the construction”
  5893. >you make it back over closer to the memory mare
  5894. >there really isn't going to be much of an option...
  5895. >“Oh, I don't believe that the castle was constructed”
  5896. >she looks to be in a bit of a daze
  5897. >staring up at the ceiling, watching the orbs hover in place above
  5898. >that doesn't make any sense
  5899. “I don't quite get what you mean, how else would it get here?”
  5900. >she blinks a few times and stands up
  5901. >“The better question is how would you get these kind of materials out here”
  5902. >she looks around, scanning the walls and doors
  5903. >“Really, think about it. It doesn't add up”
  5904. >you try to evaluate what she is saying but your mind is too cluttered
  5905. >you have no way to tell how long you have been down here at this point
  5906. >you keep pacing
  5907. >it feels like it has been a decent amount of time
  5908. >you need to move
  5909. “I can see what you mean”
  5910. >you pause for a moment
  5911. “I think we should try one of these doors”
  5912. >you tentatively eye the door with the large D overhead
  5913. >the memory mare's disoriented gaze follows yours
  5914. >“Yes, we might as well”
  5915. >you walk over to the door and gently place your hand on the knob
  5916. >you take several steady deep breathes and then slowly open the door
  5917. >it looks yellow inside
  5918. >you blink
  5919. >must be your eyes adjust to the lack of blue hue
  5920. >you cautiously take a few steps forward
  5921.  
  5922. >this is definitely impressive
  5923. >the room is also circular, but this one is filled with tables
  5924. >you walk across the tile underneath as you scan your eyes over the room
  5925. >there is so much in here
  5926. >it looks like a study
  5927. >papers and books scattered everywhere
  5928. >you notice the large table in the center of the room has a single memory jar place on top of it
  5929. >the flame flickers and flashes a bright shade of venomous purple
  5930. >it tasteful accents the gentle colors of the room's interior
  5931. >the memory mare walks along side you, gazing directly up at the ceiling
  5932. >you look up
  5933. >the ceiling is very high up in this room as well
  5934. >you figure that it probably reaches ground level
  5935. >there is a single, narrow spiraling staircase leading up to what appears to be a second floor above you
  5936. >“I-I think that I have been here before”
  5937. >you look over to the mare who is cautious trotting around the room, her eyes scanning the notes around her
  5938. >huh
  5939. >you take a quick glance at one of the books near you
  5940. >the title is completely illegible to you
  5941. >you cautiously reach out and grasp the book, it feels solid in your hands
  5942. >you open up to a random page in the middle
  5943. >the worn paper displays a grotesque diagram of a sliced open pony
  5944. >yikes, those sketches are way too detailed
  5945. >you quickly set the book down and take a couple steps forward, glancing up at the floor above as you walk
  5946.  
  5947. *
  5948.  
  5949. >you look around the room again
  5950. >taking note of the clutter as you shift your gaze
  5951. >it strikes you as a bit odd that a memory jar would be in a study
  5952. >a lot of things don't quite make sense to you right now though
  5953. >your mind keeps drifting back to the idea of the castle itself not being built
  5954. >you run through a series of different ideas but none seem to progress your line of thought
  5955. >maybe you can get some answer, even if you have to do it in a non direct kind of way
  5956. “Hey, so, you know anything about that jar? Why would it be in a study?”
  5957. >she blinks and stares towards the center of the room where the fire flickers
  5958. >“Oh, yes that is... ah”
  5959. >she stomps her hooves in place a bit, irritation creeping across her soft facial features
  5960. >“Well, regardless it would make sense for it to be in a study, they help you learn”
  5961. >huh, you had never really considered that application for it before
  5962. >you nod
  5963. “That is interesting, I don't have a good name for them either”
  5964. >you put your hands in your pockets subconsciously
  5965. >your eyes follow the movements of the colored flame as it rises and falls
  5966. “Have you ever manifested outside the castle?”
  5967. >the memory mare blinks
  5968. >“No, this is the first time that...”
  5969. >she pauses and looks down, considering her next words carefully
  5970. >“I-I think that this is the first time I have been present. All the other times haven't been me, this is a true awakening”
  5971. >she stutters again at the end and continues talking in an off pace
  5972. >“I don't remember anything before this I am truly sorry, I feel like I was once a-alive”
  5973. >she quivers slightly while she stands
  5974. >you move closer to her, close enough for comfort
  5975. >you briefly considering resting your hand on her withers, but you hesitate
  5976.  
  5977. “It'll be alright, you are here, there is no reason to think you aren't alive”
  5978. >she sobers up at your comment and nods gently
  5979. >you scratch the back of your neck before speaking again
  5980. “Let's check out this upstairs area, maybe there is a way out”
  5981. >the memory mare perks up a bit
  5982. >“Oh, okay, yeah! That's a good idea”
  5983. >she moves nervously in place before looking upward and beginning to trot towards the spiraling staircase ahead of you
  5984. >you decide to grab the book you were looking through as you follow the mare upstairs
  5985. >you thumb through the pages as you walk slowly upwards
  5986. >you can really see the ghostly quality of the memory mare's dress from this distance
  5987. >only a portion of her long gray tail is visible
  5988. >you return your gaze to the pages, quickly flipping through the book
  5989. >trying to find anything you can read
  5990. >just more sketches, diagrams
  5991. >you settle on a page the appears to be a mapped up diagram of a pony's head
  5992. >over sections of the skull are illegible clusters of letters
  5993. >you turn the page again but unfortunately the next page is very text heavy
  5994. >there are several sections underlined with ink in a sloppy manner
  5995. >huh
  5996. >you finally reach the top of the stairs to get a better view of the room above
  5997. >it looks like a bedroom?
  5998. >everything is mostly organized up here, minimal
  5999. >the memory mare gasps
  6000. >“Oh! So tasteful! This whole place seems oddly familiar, I can't place a hoof on it...”
  6001. >it is pretty nice
  6002. >nothing too elaborate, but the wood around you and all of the railings are polished and have a real pleasant sheen to them
  6003. >the bed is neatly made, it looks inviting
  6004. >unfortunately, you notice there are no doors...
  6005. >at least if worst comes to worst you have a place to sleep
  6006. >you take a deep breath and consider what to do now
  6007.  
  6008. *
  6009.  
  6010. >you look over to the memory mare
  6011. >she is trotting around the room carefully surveying it with her eyes
  6012. >taking in all the details around her
  6013. >you break the silence
  6014. “Yeah, it is nice. What do you like about it?”
  6015. >she stops in place and looks back at you
  6016. >you can see a spark of a emotion run across her saturated eyes
  6017. >“Just look at the proportions! I can tell that all of the spacing was very well thought out”
  6018. >you blink and look at her again
  6019. >she huffs slightly but continues speaking
  6020. >“Just watch”
  6021. >she makes it all the way to the corner of the room and begins walking forward slowly and carefully
  6022. >“2, 4, 6, 8, 10”
  6023. >she is counting in sync with her trotting, increasing by twos each time she covers roughly a body length
  6024. >“... 16, 18, 20”
  6025. >she stops at the railing and turns to walk along the length
  6026. >her pace is steady, normally you'd question this way of measuring something out, but she looks to have this down to a science
  6027. >her face scrunches up in concentration as she makes it towards you along the wooden railing overlooking the study below
  6028. >“10, 12, 14, 16, 18, 20”
  6029. >the counting and hoofsteps together are almost too rhythmic
  6030. >you start to go into a trance as you walk her continue closer to where you are standing by the bed
  6031. >she makes it close to you, after almost having gone around the length of the room
  6032. >“32, 34, 36, 38”
  6033. >she takes two more steps past where you are and touches the wall
  6034. >“40”
  6035. >her face sports a proud expression
  6036. >she looks over to the bed by where you are standing
  6037. >“and I would be willing to bet...”
  6038. >she makes it over to the bed with the same rhythmic trot
  6039. >“2, 4, 6, 8”
  6040. >she stops in an awkward position about half a trot from the bed
  6041.  
  6042. >you smile at her
  6043. “It's a good thing we didn't make a bet then huh?”
  6044. >she looks at you and giggles
  6045. >“Oh, on the contrary, the railing to the far wall is 20 metric trots, the bed is going to take up two of those, therefore; for it to be positioned evenly, each side of the room needs to allot 9 trots”
  6046. >you don't even know what a metric trot is
  6047. >she gives you a smirk before taking a step and leaping up onto the bed
  6048. >she notable does not sink through it
  6049. >she positions her hooves under her and rest on the bed still giggling softly
  6050. >you wonder what is making her so vivid and lively
  6051. >if the hourglass had something to do with her awakening, or maybe you are just getting more used to her present...
  6052. >it is really hard to say but you welcome the change
  6053. >you decide to keep the flow of conversation going as you look around for another book to examine
  6054. “So, that's the kinda thing you like with design? Spacing?”
  6055. >she nods and replies almost immediately
  6056. >“Spacing, but also neatness. Has to be well kept”
  6057. >you nod but your mind is drifting else where
  6058. >you really want to find something to help you undo that damn hourglass
  6059. >there only appears to be one book around, it is onto of the nightstand near the bed
  6060. >the solid black cover looks well preserved, but at the same time faded and flavored with time
  6061. >the binding is worn, you open the book carefully
  6062. >it looks like it's about rocks
  6063. >once again, the old text is completely illegible to you
  6064. >maybe someone else could read it, but you have nowhere to begin
  6065. >it shows black and white drawings of different stones and gems
  6066. >you can only differentiate them by the cut of the stone, you imagine color would have been extremely useful...
  6067. >it doesn't look like this is going to be immediately useful
  6068. >you look back to the memory mare and something clicks
  6069.  
  6070. “We should definitely check under the bed, it could probably tell us a lot about the owner”
  6071. >she looks up and clops her hoofs together
  6072. >they don't make a sound, but the enthusiastic expression on her face is still amusing
  6073. >“Yes! That is a good idea”
  6074. >she sits up and steps off the bed carefully as you make it back around
  6075. >you lean down and look
  6076. >there is a single box underneath
  6077. “Yeah, there is something!”
  6078. >the memory mare's face lights up
  6079. >“Oh! Really?”
  6080. >you slide the box out into the open lighting
  6081. >it looks very bland
  6082. >like an ancient equivalent to cardboard
  6083. >at least it isn't locked or anything
  6084. >you slowly lift the lid as you take a deep breath
  6085. >it's just paper
  6086. >wait
  6087. >you look more careful
  6088. >these are those cards that Pisces had in Water house
  6089. >tons of them
  6090. >easily 10 or 20 times the amount that she was investigating
  6091. “I've seen these before”
  6092. >you reach in and grab a stack
  6093. >the memory mare just looks at them with curiosity in her eyes
  6094. >you flick through the pile of single letters, in a bold black font
  6095. >there is a moment of silence before you notice something
  6096. >you almost gasp as you stop sorting through the pile
  6097. >that looks important
  6098. >a single card with tons of letters listed on it, each one accompanied by what looks to be a single word in finer print
  6099. >it's some kind of reference
  6100. >you can't read the words...
  6101. >you look to the mare next to you to gauge her expression
  6102. >she is examining the card in your hand carefully
  6103.  
  6104. *
  6105.  
  6106. >you just continue to stare at the flooring beneath you
  6107. >the polished wood has such a natural element to it
  6108. >it makes you feel slightly at ease but at the same time you feel there is more to all of this
  6109. >you blink and look down at your hands holding what you assume is a legend
  6110. >it almost feels like this place is inhabited
  6111. >definitely not something you haven't felt since being in the castle
  6112. >it makes your stomach turn
  6113. >you speak to distract your mind, stopping yourself from going too far down that line of thought
  6114. “Do any of these letters or words look familiar to you?”
  6115. >the memory pony looks at the card in your hand and grimaces
  6116. >she speaks hesitantly
  6117. >“I-I know those are words, some of the symbols are confusing me, but I'm not sure... I”
  6118. >she looks down with a hint of redness crossing her face
  6119. >she catches her breath
  6120. >“All the lines of text are blending together when I try to look at it, I'm so sorry”
  6121. >you look at the finer print on the card
  6122. >you look back up at the memory mare
  6123. >tears are starting to form in her eyes
  6124. >you are about to say something to comfort her but she continues to speak before you get your chance
  6125. >“I didn't used to be like t-this, I c-could read”
  6126. >she shuts her eyes and looks down trying to maintain composure
  6127. >“I shouldn't be illiterate, w-why is this h-happening”
  6128. >she cover her eyes with her hoofs and rests on the wooden floor
  6129. >the dress flattens around her in an unnatural manner
  6130. >you feel the need to comfort her at this point
  6131. >instead of saying anything you just wrap your arm over her
  6132. >it feels like the right thing to do
  6133.  
  6134. >you take careful note not to hesitate as you reach out, even if you don't exactly know how to approach this
  6135. >you start by just barely resting your arm over her to see what she feels like
  6136. >it's a soft and warm sensation, definitely pleasant
  6137. >she looks over a little startled, her eyes widen slightly before she blinks
  6138. >her facial expression shifts from one of sadness to one of confusion
  6139. >you decide to apply a little more pressure as you speak
  6140. >the sensation almost feels internal, like the stimulation is coming from your body as opposed to the outside world
  6141. >kinda like resting in warm water, it is very soothing
  6142. “It'll be alright, we will figure it out”
  6143. >she looks into your eyes
  6144. >you can see the traces of tears around them
  6145. “But first thing, we need to find a way out of here”
  6146. >that seems to bring her back completely
  6147. >she nods and smiles
  6148. >“You are right, we will figure this out”
  6149. >you look back down at the box filled with cardstock as you reach into your pockets
  6150. >oh right the notepad
  6151. >guess you could try to transfer the code?
  6152. >hopefully it doesn't offend anyone...
  6153. >if anyone is even down here, it really is hard to say
  6154. “I'm going to try to transfer this over and then we can move on”
  6155. >the memory mare nods but doesn't say much just two soft words
  6156. >“Thank you”
  6157. >she begins to trot down the stairs out of sight
  6158. >you look back down and focus on the card as you set down your pad of paper on the floor
  6159.  
  6160. >you are definitely having difficulty transferring this
  6161. >sure, the letters were easy but these 'words' are almost impossible
  6162. >you have no idea how accurate this is going to be, a lot of the characters seem to be blending together
  6163. >you try to carefully note every line and loop, who knows maybe they are all very critical to the form of the written language
  6164. >you vaguely remember Aquarius mentioning something about old scripture last time you went underground
  6165. >a ping of guilt hits you as you wonder what the other Air house ponies are doing right now
  6166. >hopefully the gazing went well for them
  6167. >whatever that would even mean...
  6168. >you look over your work as you continue to contemplate
  6169. >looks decent, someone might be able to decipher it later
  6170. >you carefully fold the paper and secure it, making sure that the marks won't smudge
  6171. >okay
  6172. >you take a deep breath
  6173. >it is time to move on from here
  6174. >there are plenty of unanswered questions but you have to make tracks
  6175. >and put everything in place where you found it...
  6176. >you place the cards back into the box carefully leaving the legend close to the top of the stack just in case you have to grab it in a hurry later
  6177. >you make it back over to the bed stand and grab the book that you brought from downstairs
  6178. >there is almost no echo in here as you walk, the sound seems dulled on the well maintained flooring
  6179. >as you make it back over to the railing and the staircase you look down below
  6180. >you don't see the memory mare anywhere...
  6181. >carefully you make it down the narrow and winding stairs back to ground level
  6182. >or well... back to the study
  6183. >you continue to scan the room looking for the pony as you put the book back where you found it
  6184. “Hey? You still down here?”
  6185. >you hesitate for a moment, the silence is off putting
  6186.  
  6187. >maybe she just... disappeared again?
  6188. >it's hard to say
  6189. >you take one last look across the room, observing the purple flame as it dances in its jar on the table
  6190. >guess it is time to move on, she might have just went ahead of you too
  6191. >you slowly make it back out into the circle grassy room
  6192. >to remember...
  6193. >the color has changed in here
  6194. >everything has faded to a more vibrant and intense green instead of the solemn and deep blue tone
  6195. >the orbs are all humming a soft greenish yellow giving the grass and even more earthy vibe
  6196. >it is really bright, distorting the color of your reality like a pair of low quality sunglasses
  6197. >you look around the room again but see no sign of the memory mare
  6198. >damn, there is definitely more you could have talked about... and some company might be nice
  6199. >you scan your eyes over the lettering on top of the doors
  6200. >you look at the R door closest too you
  6201. >might as well move on
  6202. >you approach the heavy door slowly
  6203. >reaching out, you watch your hand turn the knob gently to the right
  6204. >you swing the door inward
  6205. >everything seems dark in here in contrast to the orb room
  6206. >earthy browns, the color of brick
  6207. >you see a staircase!
  6208. >solid, stone, wide, it ascends upwards at a steep rate
  6209. >this looks very promising
  6210. >you begin to walk upwards
  6211. >you can't quite see where it leads
  6212. >maybe it is a bit darker in here...
  6213. >all of the sources of light are getting more and more distant
  6214. >you hear something in the darkness ahead of you
  6215. >it makes you freeze
  6216. >it sounds like something is running down the stairs ahead
  6217. >you try to listen in closer but immediately jumping
  6218. >barking
  6219. >loud barking, from multiple sources
  6220. >you heart rate begins to accelerate as a silhouette comes into view
  6221. >you see a flash of teeth
  6222.  
  6223. *
  6224.  
  6225. >you can't let them get to you
  6226. >they can't hurt you
  6227. >you just keep repeating that phrase to yourself as the barking and growling sounds get closer
  6228. >sure enough, a pack of dogs starts to come into view
  6229. >it looks like there are four of them, and they are... larger than normal dogs
  6230. >they don't slow their pace, their eyes fixed ahead
  6231. >you take a step forward, ready to grab your sword if need be
  6232. >they can't hurt you
  6233. >you take an unease breath
  6234. >the more closely you are able to look the more you can tell they are not quite real
  6235. >their black coats blend into the darkness, but even as you watch their snarling lips you can tell they aren't solid
  6236. >more opaque... dream like
  6237. >they are terrifying, loud, menacing
  6238. >at this point the four dog like beasts are just around you are barking and snarling non-stop, but none have made a move to touch you
  6239. >it's just noise, they can't hurt you
  6240. >you keep making it forward up the stairs past them, shaking as you walk
  6241. >despite all of the howling, slobbing and growling none of them make a move
  6242. >your confidence builds further as you head up the stairs, much to the dismay of the hounds surrounding you
  6243. >the barking turns to more quiet snaring but you continue to ignore it as you go forward
  6244. >the sound fades away behind you
  6245.  
  6246. >all this explore is starting to make your legs ache
  6247. >you've been standing for so much of the day
  6248. >this staircase is pretty damn tall
  6249. >or at least the darkness doesn't offer any easy reference points
  6250. >you glance back over your shoulder anxiously
  6251. >guess Scorpio's trick really did work... you'll have to thank her
  6252. >things are getting brighter up ahead of you...
  6253. >the browns and dark reds are turning into more visible and clean blues and silvers
  6254. >there is some source of light ahead
  6255. >you finally reach the top of the stairs
  6256. >it looks like you are in a hallway
  6257. >a hallway with actual lighting!
  6258. >it looks very clean, all the walls appear to be dark polished stone
  6259. >the floor is a light blue tiling that matches the light well
  6260. >every few lengths there is a type of torch mounted to the wall, extending both to your left and to your right further than you can see
  6261. >they look electric, or magic...
  6262. >the bluish silver glow is not something that could be produced by any kind of traditional fire
  6263. >you are torn about which direction to go
  6264. >you look up at the ceiling, it looks like you are probably still underground judging by the level and uninspired ceiling
  6265. >the entire hall looks to be built for stability
  6266. >you glance down at the tile beneath you and double take
  6267. >there are some symbols!
  6268. >definitely, in a slightly lighter color than the tile around it are three symbols
  6269. >directly in front of you is a circle, it is disturbingly accurate in proportions for something so subtle
  6270. >you barely can see it, it is just slightly more green than the blues around it
  6271. >to your right on the ground is what looks to be a depiction of a statue of a pony and to your left is the image of a fountain
  6272. >huh
  6273. >you did just come from a circular room, maybe this is depicting where the hall leads?
  6274. >could be entirely off though...
  6275. >you glance in both directions while you contemplate your next move
  6276.  
  6277. *
  6278.  
  6279. >this makes you nervous
  6280. >both ways are a complete unknown
  6281. >you think back to the orb room
  6282. >something has to change, right?
  6283. >it can't just like, be different forever
  6284. >your curiosity gets the best of you
  6285. >you quickly turn around and head back down the staircase
  6286. >to hell with the hounds they can't do anything about it
  6287. >asides from being hopelessly lost you feel pretty beast about that
  6288. >you make it back down quickly through the darkness noting the stone railing carved out of the wall
  6289. >yeah, you'll go for it
  6290. >you sit down on the edge of the stone and do your best to slide down
  6291. >damn you are actually getting some momentum going
  6292. >you reach a foot out to slow yourself down slightly
  6293. >the last thing you need is to get hurt down here doing something childish
  6294. >even if you do have a serious need for speed
  6295. >it doesn't seem like the dogs are around, they must have disappeared
  6296. >you can already see the light of the orb room spilling through the doorway below you
  6297. >you walk through the doorway cautiously
  6298. >fuck
  6299. >everything looks exactly the same...
  6300. >you are starting to panic, your mind is wearing down
  6301. >you just want it to go back damn it
  6302. >it isn't going to just magically change because you want it to
  6303. >it is so frustrating, you don't know how any of this works
  6304. >the one thing you do notice is that the light as become more yellow than green at this point
  6305. >guess it could be working its way through the color spectrum
  6306. >that doesn't really answer anything
  6307. >you just want to break one of these stupid orb or the hourglass or something
  6308. >at least get some revenge on this damn room
  6309. >maybe it would be best to stay here for a bit and rest, you feel delirious
  6310. >but one of the five doors has to be an exit, right?
  6311.  
  6312. *
  6313.  
  6314. >you just don't know
  6315. >you resist the temptation to bang your head against something
  6316. >okay, gotta think
  6317. >you just want things to go back to how they were
  6318. >you stare into the yellow orbs above you as you take a seat in the grass to think
  6319. >it is really soothing, if it weren't for the predicament you could see how this could be a meditative area
  6320. >you need more information
  6321. >something has to give eventually
  6322. >getting back on your feet you begin to pace
  6323. >around the walls of the room, tracing your hand against the edge trying to find some kind of inconsistency in the material
  6324. >nothing
  6325. >you stop in front of the two doors X and Y
  6326. >while it is tempting to walk back up the stair or just sleep in the bed you have to find something new
  6327. >there has to be more
  6328. >your eyes dart between the two illuminated characters in a frenzied manner
  6329. >you feel dreary, this doesn't feel like it is happening
  6330. >none of this adds up
  6331. >you just have to pick one
  6332. >you reach out and open door X
  6333. >you take a breath hoping that this leads to something useful
  6334. >before you can see what is inside all the orbs go out in sync
  6335. >it makes you jump, your beaten down body gets hit with yet another wave of adrenaline
  6336. >an even more vivid darkness leaks into the room
  6337. >you start to panic
  6338. >the air intake from your lungs reaches your mind in seconds
  6339. >you feel all of your muscle mass relax as you blink your heavy eye lids
  6340. >this is not good but you can't
  6341. >the grass is so comfortable
  6342. >you try to stand up but you can't move your legs they are too heavy now
  6343. >when did you get on the ground though?
  6344. >you …
  6345. >...
  6346.  
  6347. >the tile is so cold
  6348. >you feel tired out but are slowly coming back to
  6349. >you lift your head up as you stretch your limbs
  6350. >it feels good, you are tempted to roll back over and continue sleeping
  6351. >where are you ?
  6352. >slowly the memories of last night come back to you
  6353. >night?
  6354. >the underground, the doors
  6355. >you almost swear as you bolt up
  6356. >it takes you a minute to orient yourself
  6357. >you are in the memory room, the table with the pool of water is in front of your vision
  6358. >how did you even get in here?
  6359. >you look around and notice the hourglass underneath the table
  6360. >fuck that, you aren't going anywhere near it again
  6361. >you look out into the circular room
  6362. >your heart almost skips a beat when you see the color white
  6363. >could it actually be?
  6364. >you quickly stand up, the blood rushes to your head but you manage to keep moving forward
  6365. >the grass is green, the orbs are glowing their normal yellowish tone
  6366. >you scan the walls
  6367. >only one door!
  6368. >you silently celebrate, it looks like things are back to normal
  6369. >it is time to get the hell out of here before anyone catches on
  6370. >... if they haven't already
  6371. >you scan the room still a bit delirious
  6372. >you aren't even going to consider staying down here
  6373. >this whole thing feels unreal you need to just leave
  6374. >your body starts walking as you blink and yawn, trying to wake up
  6375.  
  6376. >you kinda just keep walking, there isn't a whole lot on your mind to start except the darkness around you
  6377. >the narrow hallway provides a good low involvement activity while your brain reboots
  6378. >you blink
  6379. >what are you even gonna say?
  6380. >you don't even know how long you have been out for
  6381. >you gulp as your mind continues to replay this exploration
  6382. >the darkness around you is oddly soothing as you continue briskly walking forward
  6383. >was that a dream or are those rooms actually there?
  6384. >can you even tell?
  6385. >wait! the legend you transferred!
  6386. >if it was a dream you wouldn't have the note on you right?
  6387. >you can see the lighting of the torches denoting the chamber entrance ahead of you
  6388. >no matter what you are thankful to make it out of here in one piece
  6389. >you reach into your pocket and feel nothing
  6390. >...
  6391. >well, all of that careful writing seems to have been a waste then
  6392. >a confusing waste
  6393. >you make it into the clearing with the dragon and are still a bit in awe at everything
  6394. >you don't even know where to begin with this and you don't think you can talk to anyone about it either...
  6395. >you make it up the stairs and start to panic at the sign of darkness ahead
  6396. >oh if the door is closed after all of this...
  6397. >it just can't be
  6398. >you keep going and notice that it is open when you get closer
  6399. >you take a sigh of relief
  6400. >wait, it is still dark outside
  6401. >you can see stars overhead
  6402. >you emerge from the underground and gaze into the night sky above
  6403. >it is still dark, clear and breath-taking
  6404. >the openness of being above ground ...
  6405. >you just pause and admire everything before take a deep breath of cool night air
  6406.  
  6407. *
  6408.  
  6409. >the night sky is still so vivid you wonder how long it is going to be until the sun rises
  6410. >maybe you still have time to explore and figure more things out
  6411. >you start to walk away from the underground, making note to leave the entrance the way that you found it
  6412. >it is nice to finally be back out in the open
  6413. >you just keep breathing in the crisp air, it feels like a splash of cold water to your lungs
  6414. >so much less clustered out here
  6415. >you don't quite know how to get back to the ballroom directly but that seems like a good place to start right now
  6416. >you do know how to get back to Earth house from here though
  6417. >figure it is easy enough to make it to the ballroom from there
  6418. >you continue across the landscape, passing the fields as you continue your pace
  6419. >it is really intense out here for being so much more soothing and open
  6420. >it feels like the stars are watching down on you
  6421. >the ground crunches underneath your feet as you make it closer to the looming mass of stone that is the castle
  6422. >you reach the door and open it to reveal the long straight hallway in front of you
  6423.  
  6424. >the fog has definitely faded at this point
  6425. >you had almost forgot about how hard it had been to see inside
  6426. >the hall is absolutely dazzling
  6427. >you take a step inside and are blown away by the amount of detail that you are able to take in
  6428. >different speckles of paint on the walls dazzle in ways that you haven't seen in this part of the castle
  6429. >it almost looks like glass, you don't know if a light is projecting down on it or what but the walls are dancing with a vibrant pattern
  6430. >greens, oranges, purples, reds, blues
  6431. >all deep and murky in tone reflect and move across the walls
  6432. >the hallway is also illuminated, solid red stripes act as a guideline along the straight pathway ahead
  6433. >you continue further and further down the hallway
  6434. >you feel like it stretches on for further than it used to honestly
  6435. >not quite sure which of these doors it was...
  6436. >there has been so much that has happened to day that it is all starting to blend together into a mess of information
  6437. >you thought that it was going to be tomorrow but this day just won't end
  6438. >this door feels right...
  6439. >you open it up and sure enough, it is the minimal room with the staircase
  6440. >of course, it doesn't seem all that minimal with the castle putting on this kinda light show
  6441. >the railing shines an intense gold color that gives the dark stone walls a yellowish orange feeling
  6442. >it feels deep and rich
  6443. >you quietly begin to make your descent down the stairs into Earth house
  6444. >as you look down you immediately notice the marble on the floor below
  6445. >all of the waist high walls and lining the room and various gardens are shining an intense white
  6446. >it almost looks glow in the dark or florescent or something
  6447. >it's fairly impressive, the plantlife looks dark in comparison
  6448.  
  6449. >you set foot on the ground carefully
  6450. >it doesn't seem like any of the Earth ponies are here
  6451. >guess they could be asleep, or somewhere else but judging by the state of the castle it seems like they are still gazing
  6452. >you make it out of Earth house quietly, wondering if the shrill bell is going to sound ending the gazing like last time
  6453. >nothing
  6454. >you continue down the underground passage, walking carefully around the glowing plant life
  6455. >everything seems darker in here compared to the hallway, it was really dazzling in there
  6456. >you make it past the desk in the center of the hallway that you have no become very familiar with seeing
  6457. >you note all of the notepads still placed on the table, wondering what could have happened to the note that you wrote
  6458. >the whole thing seemed very off but somehow to vivid to have just been a hallucination
  6459. >you can't quite put your finger on it but the whole scenario seems off
  6460. >the biggest question is why?
  6461. >what incentive would someone even have to make an hourglass like that?
  6462. >it doesn't make any sense
  6463. >you let your mind drift away from the underground and take root in the present again as you make it into the ballroom
  6464. >the lights in here are definitely a show
  6465. >plenty of light yellows, pinks and teals
  6466. >almost pastel in nature, the lighting and flickering point of random color form a very relaxing yet regal environment
  6467. >you slowly make it over to the lunar clock
  6468. >it looks menacing, glowing in a vivid and very serious shadowed blue
  6469. >oh wow....
  6470. >the clock is about half way through its cycle
  6471. >you gulp
  6472. >definitely thought it would have been closer to done
  6473. >but who knows?
  6474. >last time it didn't seem to line up very consistently...
  6475.  
  6476. *
  6477.  
  6478. >you look around the illuminated room and consider your next step
  6479. >it seems like you are going to have plenty of time before any of the Zodiac are done gazing
  6480. >the library crosses your mind again
  6481. >something about it seems interesting, maybe you can find some kind of information
  6482. >you think you remember how to get through the series of doors, plus you know now that you shouldn't worry about whatever is up there
  6483. >seems like a solid option, you can work from there while you try to unwind and gather yourself a bit
  6484. >you make it over to the staircase that rapidly ascends up to the heights of the castle
  6485. >you suppose that it would be fastest to go through the Air house passage, although Fire might be faster
  6486. >you aren't sure
  6487. >better to stick with the more familiar territory
  6488. >you quickly start to make your way up the modest staircase toward the top of Air house's spire
  6489. >it takes you a while to make it up the stairs, you have a lot to think about
  6490. >what is gonna happen after the gazing, is everyone just going to go to sleep?
  6491. >you stare over the railing as you watch and continue to admire the dazzling lights that are now swimming and blurring together in your vision
  6492. >it is very majestic
  6493. >you make it to the top of the staircase and again find yourself making it down the straight forward hallway leading to the white door ahead
  6494. >you open it to reveal two doors, red and green once again
  6495. >you make it ahead through the green doorway, keeping your pace and breath steady as you walk
  6496.  
  6497. >this hallway looks a lot more welcoming without the intense fog
  6498. >the sides are lite with a bright and deep purple tone that helps you guide your steps as you make it towards the stairway ahead of you
  6499. >it feels oddly familiar, probably because you've already been here once tonight
  6500. >you make it up the stone steps slowly, it almost seems like they are uneven as you step
  6501. >the library comes into view
  6502. >instead of seeing gray you can truly take in the volume of books here
  6503. >it looks like they extend further back than you can see
  6504. >the statues on either side of you seem inviting, beckoning you inward
  6505. >past, future
  6506.  
  6507. *
  6508.  
  6509. >there are so many books in here
  6510. >you are just looking ahead into the shelving in front of you
  6511. >the rows of books go back in neat straight lines
  6512. >you don't even know where to start honestly
  6513. >there are lifetimes worth of knowledge in this room alone...
  6514. >you feel that it would be best to just go straight for a second
  6515. >get a feel for where you currently are
  6516. >you slowly make your way past the statues as they beam at you
  6517. >their cheery facial expressions forever engraved in the cold stone
  6518. >the light greenish blue illumination around you gives everything a quiet and serene feeling
  6519. >you finally make it up to the shelves and start to make it back down the first row of books, further down the row until you are in what you'd assume is roughly the middle
  6520. >it is almost maze like as you just watch the spines of the books while walking
  6521. >so many faded colors, but everything seems to be in okay shape
  6522. >you can actually read the titles!
  6523. >nothing in particular is standing out to you at this point however...
  6524. >it seems like this section is related to culinary stuff
  6525. >now if you could find something on history or etiquette maybe...
  6526. >you continue all the way to the end of the middle aisle, but it does not take you to a wall
  6527. >it looks like you are in the middle a maze of towering shelves at this point
  6528. >in front of you are rows and rows of books, going even deeper into the castle
  6529. >you find yourself in a sort of hallway, being able to move freely left and right
  6530. >guess you could shift more to the past now...
  6531. >it looks to go a very far way in both directions, but you can actually see a wall somewhere to your left
  6532. >might as well see what is over this way
  6533. >you turn to your left and begin making it towards the other side of the library
  6534.  
  6535. >you don't go too far, but you cover a decent amount of ground before choosing to go further down one of the rows to the left
  6536. >everything looks to be organized so coherently, in neat and narrow rows of shelving with properly allotted spacing in between
  6537. >it's definitely a proper library, it's interesting, being empty and all...
  6538. >these books seem to be a bit more faded, but you didn't travel too far into the past it looks like
  6539. >you can still actually read the titles on the spines, no old and forgotten languages
  6540. >well, some of the books are just colored with no words at all
  6541. >you still don't know exactly what to grab, there are so many options
  6542. >plus, some of the titles just seem like too niche of information
  6543. >you stop walking and actually try to take in your surroundings
  6544. >a large black book with thick gold letting catches your eye
  6545. >“An introduction to common equine culture”
  6546. >that could be good!
  6547. >it looks heavy, seems like a lot more than an introduction to you
  6548. >you scan over the titles next to it to see if you can notice some kind of coherent pattern in organization
  6549. >one particularly destroyed book catches your attention
  6550. >a thin and very clearly damaged red book
  6551. >such a stark contrast to the thick and well maintained black book next to it
  6552. >you can barely make out the title on the spine through all of the creases and the general darkness around you
  6553. >“Mental Warfare”
  6554. >you let your eyes continue to drift down the shelving
  6555. >a bright turquoise colored book stands out, right below the equine culture text
  6556. >the black font is very legible and tasteful
  6557. >“A pony's guide to the real world”
  6558. >it almost seems like some kind of self-maintenance or improvement section
  6559. >it's hard to tell though, you could get lost in titles all day and not really get any information
  6560. >best not to judge a book by its cover huh?
  6561.  
  6562. *
  6563.  
  6564. >these all seem interesting
  6565. >you start to pull them off the shelves one by one
  6566. >it feels like you are displacing them in a way, everything has been where it rests for such a long time you can almost feel the objects sliding out of their groove
  6567. >might as well skim the first few pages and see if you can find anything useful
  6568. >you don't go in too far, it'd be better to find a few more good books first before really diving into things
  6569. >you start with the small red book, opening it about fifteen pages in
  6570. >and... that is a lot of text
  6571. >you try to focus in on it but the font is really small, almost too fine to read in this lighting
  6572. >some of the pages are torn or marked in odd ways
  6573. >you try to just take in some quick information but there are almost no spaces anywhere on the page
  6574. >just blocks of text
  6575. >you flip through a few pages and begin to notice the margins are filled with notes
  6576. >scribbles from a pencil, faint on the aged paper
  6577. >definitely can't make that out, most of the hand writing is in sloppy cursive
  6578. >maybe if you really took the time to you could figure out more, but this book is just too dense to skim read
  6579. >you close it for the moment and move on to the book titles “ A pony's guide to the real world”
  6580. >okay this seems to be a bit more coherent
  6581. >at least there are sections with titles
  6582. >you opened to somewhere in the middle initially but decide to scale back to the first few pages
  6583. >you start reading the only text on the spacious page
  6584. > ' I dedicate this to those curious about the true nature of life and how it relates to our current reality '
  6585. >huh
  6586. >you turn over a few pages and find yourself in the thick of what seems to be the first chapter
  6587. > ' Cutie marks and what they tell us '
  6588. >this could be good, even if it might not be applicable
  6589.  
  6590. >you look up into the darkness for a brief moment
  6591. >it really is amazing how much just staring at this paper can make your mind race
  6592. >you look back down quickly and turn to a later page
  6593. >maybe it will get more interesting
  6594. >your eyes settle on the thick blue text highlight the paper
  6595. > 'The Royal Forgetting Paradigm and why it should scare you'
  6596. >beneath it is a sketch of two alicorns circling one in the sky above a crowd of ponies
  6597. >this could definitely be juicy...
  6598. >you are tempted to just start reading more but you wanna check the other book too
  6599. >might as well check out the culture book while you are thinking about it
  6600. >you close the other book but not before making note of your place
  6601. >you decide to open just barely into the thick book about etiquette
  6602. >after skimming through a couple of pages you come across an index
  6603. >oh this will be useful for sure
  6604. >your eyes scan feverishly down the sections
  6605. >a lot of the sections seem to be about different Equestrian cities
  6606. >there are some names you don't recognize
  6607. >a section once again about cutie mark, clothes, cooking and diet
  6608. >different species cultural guidelines
  6609. >you note that there is a section titled 'royalty' as well
  6610. >alright
  6611. >you think that you have a basic understanding of the three different texts
  6612. >best to get moving along, there has to be more to find
  6613. >you start making it further back into the library down the row
  6614. >this is one of the few places inside the castle where you can barely hear your own footsteps
  6615. >the floor seems carpeted, or at least soft enough to dull the noise
  6616. >you continue further down the shelving, walking at a steady pace
  6617. >this aisle seems to extend forever
  6618. >you stop at just about the end to observe the books around you
  6619.  
  6620. >the first text you notice is thick, maroon and faded
  6621. >deep in color, dark
  6622. >you focus in on the title
  6623. > 'magic for non-magic users '
  6624. >hey, that could be good too!
  6625. >there is a wealth of interesting books down this row, there must be so much information in here
  6626. >you check the other title close to the maroon book
  6627. >another thick text, this one is maybe a bit thinner but is dark purple in tone
  6628. >the lettering on the binding is a lighter tone making it legible
  6629. > 'The Night Sky and How to Observe it”
  6630. >you remove the two texts from the shelves and add them to your growing stack
  6631. >your thoughts are interrupted by the sound of running water
  6632. >huh, it is very faint but definitely there
  6633. >you watch slowly with your heavy stack of books, careful not to drop them or let them slide
  6634. >you make it out of the row and into a clearing in the library
  6635. >oh wow, it is definitely brighter here
  6636. >light is pouring from a series of elegant chandeliers above you
  6637. >there are several desks and tables scattered in various areas throughout this clearing
  6638. >in front of you is a sturdy metal railing
  6639. >you approach it slowly and look down into the area below
  6640. >there are two staircases leading downwards from the other side of railing, although you're not sure how to get to that side of the clearing
  6641. >the area beneath looks very pristine
  6642. >fountains
  6643. >largely, clean stone fountains and cycling water up and down, letting it cascade and fill the library with a soft and steady sound
  6644. >the tables around look nice, maybe this would be a good place to stop and gather yourself?
  6645. >you kinda wonder how long you should be in this library, though there isn't really any reason to leave quite yet...
  6646.  
  6647. *
  6648.  
  6649. >you continue to look over the railing at the falling water
  6650. >it is comforting
  6651. >you decide to quickly open the book about magic
  6652. >you open to one of the first pages, it seems to be giving the reader a bit of a debriefing
  6653. >you scan the page
  6654. > 'What is magic? How are you able to control your environment?'
  6655. >huh, okay interesting
  6656. > 'Throughout this text I will explain how magic works and why visible unicorn magic is too simplistic of an understanding'
  6657. >you skip a few pages forward
  6658. >there are a couple simple illustrations of a glass of water being levitated at different heights next to a hoof holding the glass
  6659. >underneath the text is a small line 'all of these actions should be non-possible events'
  6660. >seems like kind of a thick and thought intensive read
  6661. >you wonder if you know anyone else who would be interested
  6662. >your mind continues to race as you watch the water descend down the fountain beneath you
  6663. >there really isn't much direction to this library
  6664. >you wonder if there is more to it that you are missing
  6665. >you think back to the entrance and try to retrace your steps
  6666. >all the shelving, the desks, tables
  6667. >the statues...
  6668. >huh
  6669. >you think back to the cold facial expressions on the stone mares
  6670. >just maybe...
  6671. >you didn't even try talking to them
  6672. >that seems like it could work!
  6673.  
  6674. >what if they are guides?
  6675. >or librarians of sorts?
  6676. >you have a gut feeling
  6677. >your feet are already moving underneath you, there is no harm in trying
  6678. >you quickly make it up through the row of books in front of you
  6679. >the mountains of text tower narrowly around you
  6680. >you keep stepping, foot after foot
  6681. >it is a long walk, but you keep your gaze narrowed forward
  6682. >you can already see the opening
  6683. >looks like this route takes you right through the middle to where the statues are positioned by the library entrance
  6684. >you slowly make it around so that you are properly oriented to face the mares
  6685. >their facial expressions are solid, frozen and unwavering
  6686. >it feels a bit off but you speak
  6687. “Hello? You two there?”
  6688. >you fix your gaze on the mare facing to the right
  6689. >your eyes pick up some of the illuminating light in the background
  6690. >silence
  6691. “If one of you could maybe help me find a book?”
  6692. >you rapidly shift your gaze back and forth between their eyes
  6693. >the stone stay silent
  6694. >you are actually a bit surprised, you figured at least something would happen
  6695. >the books you are carrying weigh heavy in your arms
  6696. >you speak again, not entirely willing to give up
  6697. “Can you at least tell me why you are here then?”
  6698. >you look forward, their eyes continue to beam, almost in a mocking manner
  6699. >ugh, this is frustrating, you figured that would work
  6700. >you feel even more lost in this library now
  6701. >you turn around and begin to pace but quickly freeze in your tracks
  6702. >at the top of the stairs behind you stands a very confused looking Pisces
  6703. >oh damn
  6704. >you make eye contact, her facial expression quickly shifts to one of surprise before she looks down at her hooves
  6705.  
  6706. *
  6707.  
  6708. >you gulp as you instinctively look away
  6709. >gotta play it cool
  6710. >you gather yourself and look back to Pisces who says nothing but makes it closer to you
  6711. >her silence makes you nervous
  6712. >you can feel your hands starting to sweat, you scan over the slightly illuminated environment around you
  6713. >the need to speak overpowers your cool demeanor
  6714. “Figured that they might be guides, wasn't any harm in trying”
  6715. >you shrug
  6716. >Pisces maintains a fairly unwavering facial expression but nods
  6717. >“Guess I can't blame you”
  6718. >she doesn't say much more, her tone matches her flat facial expression
  6719. >you reach your hands into your pockets
  6720. “So, uh, how's the gazing going? Or is it over?”
  6721. >you shift positioning slightly as you stand
  6722. >Pisces looks into the eyes of the statue near to you then at you
  6723. >“Not over yet, but I needed a break. I can barely even hear the stars over all the commotion anyways”
  6724. >she looks down for a second, then her eyes scan to the books you are holding
  6725. >you wonder what she means by hearing the stars...
  6726. “Commotion?”
  6727. >her gaze remains fixated on the books you are holding
  6728. >as if she is trying to read the titles from a distance, she look contemplative
  6729. >you almost aren't expecting her to speak because of the trance she is in, but her soft voice spread throughout the spacious room
  6730. >“Oh, just Scorpio”
  6731. >your gut sinks a bit, you nod in understanding attempting not to miss a beat
  6732. >Pisces just continues to gaze forward with a look of consideration on her face
  6733. >she speaks again in a simple and almost sidetracked tone
  6734. >“What have you been up to?”
  6735. >you rapidly recall the events of the night and hesitate
  6736.  
  6737. *
  6738.  
  6739. >you think back on everything
  6740. >there is definitely some stuff that you want to self censor
  6741. >maybe not lying but just omitting details?
  6742. >yeah, that's it
  6743. >you quiver slightly as Pisces shifts her gaze more directly on you
  6744. >her pinkish purple eyes dwell on you
  6745. “Well, I was outside earlier and I saw this bright animal thing. It looked like a stag and was really majestic and stuff, distorted everything around it...”
  6746. >you watch her pupils dilate as she starts to become more expressive
  6747. >“Oh! Interesting, did you follow it?”
  6748. >her lips start to form a soft smile
  6749. >you nod
  6750. “Yeah, it took me all the way to the castle wall, then subtly it turned to stone in front of me! Like a statue”
  6751. >her eyes light up even further as she steps more closely to you
  6752. >“That must be some really intense magic”
  6753. >you shift slightly, fishing the small colored gem out of your pocket
  6754. >a keep sake...
  6755. “I've never seen anything like it, the base said something about a password”
  6756. >Pisces laughs to herself softly
  6757. >it resonates in the room just the slightest amount
  6758. >“Oh boy, more mysteries. I wonder if it has anything to do with those dang cards...”
  6759. >she looks down at the ground in thought for a second
  6760. >you anxiously fiddle with the bluish green gem
  6761. “I looked around the area afterwards and found this gem, I think it is from the mare's dress in the memory I viewed”
  6762. >Pisces gazes up at you, you look into her pink eyes
  6763. >“Wait, you viewed a memory today?”
  6764. >you nod, thinking that you had conveyed that to her earlier
  6765. >you remember that she left before you went underground now...
  6766.  
  6767. “Yeah, it was a pretty intense one apparently”
  6768. >Pisces giggles softly
  6769. >“Really living it up here already, I guess that explains why you are talking to statues”
  6770. >you scratch the back of your neck as she continues to giggle
  6771. >“I'm just teasing, what brings you to the library then?”
  6772. >you look down at the books in your arms
  6773. >guess you kinda forgot about their weight because of the conversation
  6774. >it is weird to see yourself holding things right now
  6775. >huh
  6776. “Oh yeah, at the moment I'm looking for something that could help”
  6777. >Pisces blinks
  6778. >“Help with...?”
  6779. >oh right
  6780. >it almost takes you a moment to think of why you were here
  6781. “To help with the ball of course”
  6782. >smooth save
  6783. >Pisces blinks again
  6784. >“Of course, my bad, that is good thinking”
  6785. >there is a moment of silence
  6786. >something about what she said about Scorpio stuck with you
  6787. >more how she phrased it
  6788. “So just Scorpio huh? Is she doing okay? Do you know what is the matter with her?”
  6789. >Pisces' facial expression drops
  6790. >“I don't know what is the matter with that pony, it's just miscellaneous noise”
  6791. >she shifts in her stance before speaking again
  6792. >“I-I'm used to it, she told me not to worry about her when she gets like that”
  6793. >you blink
  6794. >the doesn't seem like the healthy way to deal with things at all
  6795. “Do you know where I can find her?”
  6796. >Pisces picks her gaze up off the floor and makes eye contact with you again briefly before looking down yet again
  6797. >“She probably somewhere in her observatory, no saying if she'd answer or not”
  6798. >you look at Pisces for a moment while you think
  6799.  
  6800. *
  6801.  
  6802. >you consider your options for a second
  6803. >definitely don't want a grudge to set in with Scorpio, but at the same time Pisces is being surprisingly social
  6804. >you shift the positioning of the books in your arms as you think
  6805. “How long does she usually stay awake for? Do you think she is going to sleep soon?”
  6806. >Pisces blinks at you with an oblivious type of look on her face
  6807. >“I mean, she should be gazing right now, so I doubt she is asleep...”
  6808. >shift moves her hooves in place anxiously
  6809. >“I guess I should be gazing too though”
  6810. >she shrugs to herself and moves past you a bit
  6811. >guess you will have a bit of time to address her more formally later then
  6812. >hopefully she is doing better, it is nice to have some time with Pisces though
  6813. >you turn to face her more directly as she walks into the library a bit past the statues
  6814. “What brings you here anyways? Anything I can help with maybe?”
  6815. >Pisces keep moving forward, you walk to keep up
  6816. >you almost think that she didn't hear you
  6817. >you hold your tongue for a second considering if you should repeat yourself
  6818. > “Just need some activity”
  6819. >there doesn't really give you much information
  6820. >you wonder if she minds if you are here or...?
  6821. >she doesn't say anything
  6822.  
  6823. >the two of you continue forward for a bit in what feels like a very awkward silence
  6824. >Pisces doesn't seem to mind, she is more involved with the shelving around her
  6825. >she doesn't look discontent though, she has a bit of a smirk on her face
  6826. >just continuing to trot forward into the future sections
  6827. >the interior around you becomes a bit more cubic, sharp and polished
  6828. >the lighting turns a more light blue, hints of gray fade the intensity of the color tones
  6829. >eventually you speak and overcome the simplistic moment of silence
  6830. >it feels almost icy around you
  6831. “Do you know what causes the color and lighting around the castle?”
  6832. >Pisces slows her pace and eventually stops in front of a particularly wide row
  6833. >she turns to face you and speaks with a distant tone
  6834. >“I'm pretty sure they are visual hallucinations, most ponies would answer magic”
  6835. >that is definitely a surprise to you
  6836. >it's a bit alarming
  6837. “Wait, hallucinations? What is inducing it then?”
  6838. >Pisces blinks and thinks for a moment
  6839. >your arms are starting to tire from the load of books
  6840. >you set them down on a stone platform, some type of stylish low-level table
  6841. >you shift your gaze back to Pisces as she answers
  6842. >“Magic”
  6843. >you deadpan slightly, guess it is a step removed from magic but still
  6844. >does it count as biology or magic at that point?
  6845. >maybe it is synonymous in a way
  6846. >you blink and try to reset your train of thought
  6847. >just as you start to re-evaluate your situation relieved of the weight of the books you here Pisces shout
  6848. >she raised has her tone to an excessive volume
  6849. >“Hey Anon!! Ever yell in a library before!!!?”
  6850. >you jump as it takes you a second to register it is her voice
  6851. >Pisces just giggles to herself and shift on her hooves to face you
  6852.  
  6853. >you don't have quite the audacity to go for that type volume but you raise your voice to slightly below her level as you speak
  6854. “Can't say that I have!”
  6855. >Pisces shifts her front hoof to her mouth and tries to contain her giggles slightly before speaking again
  6856. >“This future area is so novice, perfect place to chill”
  6857. >she smirks and postures up a bit
  6858. >you can't help but reciprocate her smile a bit as you speak
  6859. “Yeah, definitely. This castle makes me wonder, how do you think it got here? Do you think it was built?”
  6860. >Pisces' pinkish purple eyes shift to a tone of curiosity
  6861. >you can tell she is contemplating
  6862. >selecting her words cautiously
  6863. >“This place doesn't look it but it is old. Really old... The royal sister haven't made a statement about its creation”
  6864. >she huffs to herself
  6865. >“Well, you know, not only lacking a statement but rather avoided acknowledging its existence”
  6866. >she shifts her positioning as your mind begins to drift back to a distant conversation at some point
  6867. >you can't recall the memory fully, you are too engulfed in Pisces' mannerisms right now
  6868. >“You've picked out some good literature, I'll say that”
  6869. >you quickly glance back to your pile of books before speaking
  6870. “So what you are saying is it guesswork for how it was created then?”
  6871. >Pisces nods and trots in place a little
  6872. > “Yeah, probably”
  6873. >silence fills the room again
  6874. >it feels like things are going well, but you don't have any idea what to do from here
  6875. >Pisces doesn't seem to be taking the lead
  6876.  
  6877. *
  6878.  
  6879. >you shift in your position a bit and consider how you are going to carry out the conversation
  6880. >definitely a lot of questions bouncing around in your head, you glance over to the books you selected
  6881. “Have you tried reading any of the books that I picked up?”
  6882. >Pisces glances over to the stack of books on the desk near her
  6883. >she nods softly
  6884. >“Just a pony's guide, I had to check it out, I have a thing for banned books”
  6885. >she clops her hooves together softly, almost fidgeting as she speaks
  6886. >it is adorable, but you double take at the word banned
  6887. >you glance back at the thick turquoise binding
  6888. “Banned? By who and when?”
  6889. >Pisces giggles to herself softly
  6890. >“I guess I shouldn't have expect ya to know that, very old and outdated royal decree, one of many books that ended up on a censor list”
  6891. >she pauses and stares off for a second before continuing
  6892. >“That's a pretty hard to find copy right there”
  6893. >oh hey, that is interesting
  6894. >looks like you made a pretty good selection then
  6895. >it makes you wonder what kind of content it could contain to be banned...
  6896. >you blink, your mind still full of questions
  6897. “Seems like there is a lot of information here, what is the oldest written records you've been able to find here”
  6898. >Pisces looks down and continues to trot forward a little bit
  6899. >you instinctively follow, you grab the book off the desk as you begin to walk again
  6900. >“It's hard to say, I'm fairly good with reading old equus, but some of the texts here seem to predate that entire language...”
  6901. >damn, that is impressive
  6902. >you nod slightly as you continue further forward
  6903. >the shelving around you begins to warp, it doesn't quite walk a straight line
  6904.  
  6905. >you decide to speak up again, your curiosity has been sparked
  6906. “That's really cool, hey! Do you think we could go to the past section and try to find the oldest mention of the castle or the royal sisters?”
  6907. >Pisces nods as you continues to trot further down the hallways
  6908. >it is slowly shifting to your left with the curvature in the positioning of the shelves around you
  6909. >“Oh, okay, that sounds good to me!”
  6910. >you start to slow down and turn around, but Pisces continues to trot forward deeper into the future section without saying anything
  6911. >huh, guess there is something that she would like to see first then
  6912. >might as well just tag along, you continue to follow a few paces back
  6913. >you watch her tail sway slightly as she trots, examining the book shelves as she walks
  6914. >the sound of hoofs is all you can really hear
  6915. >your mind is taken over by awe at the sheer amount of information around you right now
  6916. >there is so much to be uncovered about this castle
  6917. >you speak up again in a more hesitant tone
  6918. “This place is so mysterious, and unrecorded it seems... Do you guys do a lot of writing about it?”
  6919. >Pisces slows her trots and blinks
  6920. >the turn ahead the two of you is very shape, it veers to the left hard
  6921. >you look at the books around you as you speak
  6922. >once again, you don't quiet recognize the text around you, it is not a language you recognize
  6923. >“I personally take some notes, but I can't speak for everyone else... S-surely I'm not the only pony who does it”
  6924. >she flickers her mane out of her eyes a bit as she looks back at you while you make it around the turn
  6925. >you nod
  6926. “Seems like a good idea, it might be useful to have a public journal somewhere that way you can all share information and discoveries more easily”
  6927.  
  6928. >you see Pisces' eyes glitter slightly as she considers your words
  6929. >“Ohh! Hey, that might be a good idea, I wonder how the others would feel about it...”
  6930. >her voices trails off a bit at the end, but it seems like she received the idea well
  6931. >just as you start to second guess yourself she speaks up again
  6932. >“It sounds smart, I don't see any reason why it wouldn't be useful”
  6933. >you smile a bit, content with the praise as you continue to walk, making it slowly around the bend
  6934. >the hallway straightens out ahead of you again
  6935. >you can see ahead a considerable distance
  6936. >just looks like shelving and more desk ahead, it is hard to tell through the darkness and haze of purplish illumination ahead of you
  6937. >you continue slowly, guess you are heading back into the past now?
  6938. >or further into the future section?
  6939. >it really is hard to tell the difference as you continue your slow pace through the dark
  6940. >you hear water again through the silence
  6941. >huh
  6942.  
  6943. >the two of you continue your ahead
  6944. >it sounds distance, but it brings your mind back to the fountains beneath the library
  6945. >Pisces is from the Water house...
  6946. “Do you know where the water from the fountains in here comes from? Any connection to Water house?”
  6947. >you smirk at her, she looks back just enough to see it
  6948. >“No, not that I'm really aware of, I think it is a closed cycle of water that just recirculates between the fountains down there”
  6949. >you nod and speak quickly
  6950. “I guess that makes a bit more sense”
  6951. >you can't help but wonder how long that water has been flowing for
  6952. >you quickly glance at the books to your right
  6953. >looks like they are slowly becoming more normal in shape... and language
  6954. >the sound of the water ahead is just growing stronger as you walk forward, but this hall continues on for a ways
  6955. >you look back down at Pisces as she walks ahead of you
  6956. >her eyes seem fixated ahead, you are more to her side at this point
  6957. >something about the layout ahead of you looks familiar
  6958. >oh wait... maybe it is
  6959. >you see the railing ahead of you, and quickly shift your gaze to your right to see the fountains beginning to come into view below you
  6960. >it starts to click in your mind that this is a huge circle
  6961. >or oval, something like that
  6962. >your eyes stay fixed on the flowing water
  6963. >rising and falling, cycling
  6964. >you were just thinking about these fountains too
  6965. >you watch Pisces gaze downwards over the metal railing
  6966. >“I always liked this area”
  6967. >she continues to look down with an almost somber expression on her face
  6968. >you nod in agreement
  6969. “They do seem very nice, calming”
  6970. >she returns your nod before looking away, back in towards the shelves
  6971. >she continues her trot forward for a moment, but then stops abruptly and takes a seat at one of the near by tables
  6972. >“J-just need to rest my hooves for a second, s-sorry”
  6973.  
  6974. >seems completely reasonable, you are eager for the opportunity to give your arms a bit of a rest too
  6975. >you set the heavy stack of books down on the table and take the seat across from Pisces
  6976. >it feels good to be relieved of the weight, you can feel the tension in your forearms start to fade
  6977. >you turn and make eye contact with Pisces
  6978. >your gaze happening to rest in the dead center of her vibrant pink irises
  6979. >a smile quickly spread across her face as you make eye contact, but she blinks and then down quickly, shifting her line of sight to the fountains below
  6980. >“I-I've always been curious about how to get down there...”
  6981. >weird, you had the same thought early
  6982. >seems pretty difficult though, you can't see any stairs or doors
  6983. >maybe it is just for pegasus or something
  6984. >or maybe there is a way down, it could just be hidden
  6985. >you speak up over the sounds of the tumbling water
  6986. “Yeah, I thought the same thing”
  6987. >Pisces shifts her gaze back towards you and blinks
  6988. >“Oh, you've already been back here then? That's cool”
  6989. >you nod softly but don't say much, you just look back at the water
  6990. >there are almost hints of color within it, or maybe just a trick of the eyes
  6991. >“So, um, how far into the past do you want to go? Do you want to go back as far as we can? Or... I don't know, I can only read so much”
  6992. >you see a hint of a blush spread across her face
  6993. >her blue mane conceals her eyes slightly
  6994.  
  6995. *
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