“Thunder” was recorded on January 26, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Brian Poer & Steve Noonan…
(Custom) Additional note : The first version is “a stripped down mix with a few more lyrics and instrumentation”… (see T’s comment on AMP concerning the description…)
Additional recording for the album version took place on April 22…
It was mixed by Michael Koppelman…

“Daddy Pop” was recorded on July 2, 1990 at Olympic Studios (in Studio 1), it was engineered by Michael Koppelman, whilst assisted by Tim Penn…
Additional recording for the album version started to take place on September 18, 1990 in Studio A, it was engineered by Michael Koppelman & David Friedlander, while assisted by Tim Penn…
It was mixed by Keith Cohen…

“Diamonds And Pearls” was recorded on November 19, 1990 in Studio B, it was engineered by Michael Koppelman, whilst assisted by Tim Penn…
Additional note : The words “Diamonds” and “Pearls” are mentioned as early as on “Blue (Diamonds & Sunday Pearls)”…
Additional recording for the album version started to take place on December 18…
It was mixed by Michael Koppelman…

“Cream” was recorded on December 3, 1990 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Tim Penn…
Additional notes : Its recording started from reworking “Girls & Boys”… / Kirk Johnson plays percussion, including the opening cowbell…
(Custom) Additional recording started to take place in December…
It was mixed by Keith Cohen…

“Strollin’” was recorded on September 4, 1990 at Warner Pioneer, it was engineered by Matt Larson…
Additional recording for the album version started to take place on September 18, it was engineered by Michael Koppelman & David Friedlander, while assisted by Tim Penn…
It was mixed by Michael Koppelman…

“Willing And Able” was recorded on September 4, 1990 at Warner Pioneer, it was engineered by Matt Larson…
Additional note : The “emphasised” keyboard section mimicks “Partyup”…
Additional recording for the album version started to take place on September 18, it was engineered by Michael Koppelman & David Friedlander, while assisted by Tim Penn…
It was mixed by Michael Koppelman…

“Gett Off” was recorded on May 10, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Ray Hahnfeldt & Steve Noonan…
Additional note : The album version with the “longer fade” was made on May 30, 1991… / The only other instrumentalist is Michael B. playing drums on the initial version (which eventually got looped on the “club mix”)…
(Custom) Remixing by Keith Cohen took place in June…
It was mixed by Keith Cohen…

“Walk Don’t Walk” was recorded on July 2, 1990 at Olympic Studios (in Studio 1), it was engineered by Michael Koppelman, whilst assisted by Matt Larson…
(Custom) Additional recording started to take place in December…
It was mixed by Michael Koppelman & Tom Garneau…

“Jughead” was recorded on January 31, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Ray Hahnfeldt, Brian Poer & Steve Noonan…
Additional note : Rosie Gaines’ vocals were added on February 5…
It was mixed by Michael Koppelman…

“Money Don’t Matter 2 Night” was recorded on September 4, 1990 at Warner Pioneer, it was engineered by Matt Larson…
Additional recording started to take place on September 18, (including guitar overdubs by Levi Seacer, Jr., percussion overdubs by Kirk Johnson and vocal overdubs by Prince), it was engineered by Michael Koppelman & David Friedlander, whilst assisted by Tim Penn…
It was mixed by Michael Koppelman…

“Push” was recorded on February 5, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Brian Poer, David Friedlander & Steve Noonan…
Additional notes : It was inspired by the four-bar intro of the Elisa Fiorillo’s “medley demo” (penned by Prince)… / It replaced the ’91 version of “Old Friends 4 Sale” on “Diamonds And Pearls”…
It was mixed by Michael Koppelman…

“Insatiable” was recorded on October 8, 1990 at Larrabee Sound, it was engineered by Michael Koppelman, whilst assisted by Sylvia Massy, Tim Penn & Brian Poer…
(Custom) Additional recording started to take place in December…
It was mixed by Michael Koppelman…

“Live 4 Love” was recorded on November 19, 1990 in Studio B, it was engineered by Michael Koppelman, whilst assisted by Tim Penn & Brian Poer…
Additional notes : The origin for “Live 4 Love” traces back from the chant at IJsstadion Thialf’s performance on the “Nude Tour”, its chant was sampled at the end of the “work-in-progress” version that appears on “D&P SDE”… / Margie Cox appears on background vocals… / Tim Penn appears on background “screams”…
(Custom) Additional recording started to take place in December…
It was mixed by Michael Koppelman…

“Schoolyard” was recorded on July 2, 1990 at Olympic Studios (in Studio 1), it was engineered by Michael Koppelman, whilst assisted by Matt Larson…
(Custom) Additional note : “Oobey Doop” was also recorded during this session…
It was mixed on November 25 by Michael Koppelman, whilst assisted by Tim Penn..

“My Tender Heart”, “Pain” & “Streetwalker” were recorded on July 6, 1990 at Metropolis Studios (in Studio B), it was engineered by Michael Koppelman & Matt Larson, whilst assisted by Matt Howe…
Additional notes : Dr. Fink plays keyboards on the tracks… / (Custom) “In The Name Of Love” & “Turn Your Lights Down Low” were also recorded during this session…
“Pain” was mixed on January 7, 1992 at Record Plant, it was engineered by Ray Hahnfeldt…
“Streetwalker” was mixed on January 13, 1992 at Record Plant, it was engineered by Ray Hahnfeldt…
“My Tender Heart” was (posthumously) mixed by Chris James…

“Lauriann” was recorded on September 3, 1990 at Warner Pioneer, it was engineered by Matt Larson…
Additional notes : The second version was re-recorded on December 30, 1992 at Paisley Park (as “Laurianne”)… / The ’92 version was intended for “Come” & “The Undertaker”…
It was mixed on September 18 by Michael Koppelman…

“Darkside” was recorded on September 4, 1990 at Warner Pioneer, it was engineered by Matt Larson…
Additional note : “Five Women” was also recorded during this session (as the last track)…
It was (posthumously) mixed by Chris James…

The “work-in-progress” version of “Insatiable” was sourced from a cassette…

“Glam Slam ’91” was recorded on October 29, 1990 in Studio B, it was engineered by Michael Koppelman & Tom Garneau, whilst assisted by Tim Penn…
Additional notes : It started out as a remix of “Love Machine”… / Elements of “Elephants & Flowers” were used for this track…
The remix version (also known as the “Hype Mix”) was made (on a DAT) on November 3, 1990 by Keith Cohen, it was mixed by Michael Koppelman & Tom Garneau…

The (second) “work-in-progress” version of “Live 4 Love” was sourced from a cassette…

The second take of “Cream” was (posthumously) mixed by Chris James…

“Skip To My You My Darling” was recorded on December 10, 1990 in Studio A, it was engineered by Michael Koppelman & Tom Garneau, whilst assisted by Tim Penn & Brian Poer…
It was mixed by Michael Koppelman…

The (second) “work-in-progress” version of “Diamonds And Pearls” was made on December 16, 1990 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Tim Penn…
It was mixed by Michael Koppelman…

The remix of “Daddy Pop” was made by Keith Cohen between January 12 and 26 in Studio A…

“Martika’s Kitchen”, “Spirit” & “Open Book” were recorded on January 11, 1991 in Studio A, it was engineered by Michael Koppelman & Tom Garneau, whilst assisted by Steve Noonan…
(Custom) Additional note : “Love… Thy Will Be Done” was also recorded during this session…
They were mixed on January 13 by Michael Koppelman…

“Work That Fat” was recorded on January 12, 1991 in Studio A, it was engineered by Michael Koppelman…
(Custom) Additional note : Sonny T. & Michael Koppelman (“Mike”) were present during this session, but didn’t play…
It was mixed on January 12 by Michael Koppelman…

The (third) “work-in-progress” version of “Horny Pony” was recorded on January 29, 1991 in Studio A, it was engineered by Michael Koppelman & Femi Jiya…
Additional note : The released version was recorded on January 31…
It was mixed on January 30 by Eddie Garcia…

The second version of “Something Funky”, “Hold Me” & “Blood On The Sheets” were recorded on January 31, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Ray Hahnfeldt & Brian Poer…
Additional notes : (Custom) The released version of “Call The Law” was also recorded during this session… / The first version of “Something Funky” was recorded on September 7, 1990 alongside the (first) “work-in-progress” versions of “Horny Pony” & “The Flow” and a first version of “Call The Law”… / “Hold Me” was first rehearsed with the band on December 27, 1990… / “Blood On The Sheets” includes Michael B. on drums, Sonny T. on bass, Tommy Barbarella on keyboards, Kirk Johnson on percussion & Levi Seacer, Jr. on rhythm guitar…
They were mixed by Michael Koppelman…

“The Last Dance” was recorded on February 12, 1991 in Studio A, it was engineered by Michael Koppelman…
It was mixed by Michael Koppelman…

“Don’t Say U Love Me” was recorded on February 13, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Steve Noonan…
Additional note : It was sourced from a cassette, as the lead vocal was wiped off the 24-track tape…
It was mixed by Michael Koppelman…

“Get Blue” was recorded on March 17, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Steve Noonan & Ray Hahnfeldt…
It was mixed on March 19 by Michael Koppelman…

“Tip O’ My Tongue” was recorded on April 9, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Steve Noonan & Ray Hahnfeldt…
It was mixed by Michael Koppelman…

“The Voice” was recorded on April 24, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Steve Noonan…
It was mixed on April 26 by Michael Koppelman…

“Trouble” was recorded on May 24, 1991 at Larrabee Sound in Studio A, it was engineered by Michael Koppelman, whilst assisted by Sylvia Massy…
It was (posthumously) mixed by Chris James…

“Alice” was recorded on May 28, 1991 at Larrabee Sound in Studio A, it was engineered by Michael Koppelman, whilst assisted by Sylvia Massy…
Additional note : It was offered to Sheila E. who overdubbed on the track in ’91…
It was mixed on November 26, 1991 by Michael Koppelman…

“Hey U” & “Standing At The Altar” were recorded on June 23, 1991 in Studio B, it was engineered by Michael Koppelman, whilst assisted by Steve Noonan…
Additional note : The looped drums on both tracks were played by Prince…
“Hey U” and “Standing At The Altar” were mixed respectively on June 24 and June 26 by Michael Koppelman…

“Letter 4 Miles” was recorded on September 30, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Steve Noonan & Ray Hahnfeldt…
It was mixed on February 18, 1992 by Michael Koppelman…

“Allegiance” was recorded on October 1, 1991 in Studio A, it was engineered by Michael Koppelman & David Friedlander, whilst assisted by Steve Noonan…
It was (posthumously) mixed by Chris James…

“Thunder Ballet” was recorded on October 3, 1991 in Studio A, it was engineered by Michael Koppelman, whilst assisted by Steve Noonan…
Additional note : The recording of the track took three days…
It was mixed on October 6 by Michael Koppelman…

There's a config which does include "Get Blue" & "Blue Light", thanks to @Neversin...
Thunder
Daddy Pop
Get Blue
Walk Don't Walk
Schoolyard
Diamonds & Pearls
Strollin'
Willing And Able
Horny Pony
Blue Light
Push (Longer)
Insatiable (with full lyrics)
Live 4 Love