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lulzies

Don't Ever Change Chapter 9

Oct 19th, 2012
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  1. Chapter 9
  2.  
  3. >The house is quiet once more, but the tension is still there.
  4. >It immediately crushes you, the emotions left choking you.
  5. >You vacate the room as soon as possible, going for your own.
  6. >It is actually right next to hers.
  7. >Even with a spacious, two story building and yet the two of you still want to be right next to each other.
  8. >Present moment excluded, of course.
  9. >You actually had a third room made, right in front of yours.
  10. >It was ‘mom’s room.
  11. >It was furnished and well kept by you and yourself only.
  12. >You wouldn’t let the housekeepers touch the room.
  13. >It felt like she was there.
  14. >Sometimes you went in and thrashed the bed sheets, just to convince yourself.
  15. >You often peeked through the door, hoping to see the familiar face.
  16. >And tonight, you catch yourself doing it again.
  17. >It’s late already; you barely see anything in the room.
  18. >The window on the far side of the room lets in some moonlight.
  19. >You barely make out where the bed is, and it is not surprising it is empty.
  20. >It’s always empty.
  21. >You run your hand through the thick blanket, finding surprisingly clean.
  22. >Sitting on the side of the bed, you stare into the darkness.
  23. >After a moment, you begin to speak.
  24. “So… Hey, mom.” You whisper, as if reciting some prayer.
  25. “Got in a fight with Christie today.”
  26. >You pause.
  27. “I know, I know, apologize and whatnot.”
  28. >You find yourself smiling, mother’s speech already ringing in your ears.
  29. >Funny how you never took them seriously, now you barely remember anything she said.
  30. >Maybe now you’d take her words to heart.
  31. >What was that saying she always nailed to your head?
  32. >You’ll never appreciate anything till it’s gone?
  33. >Something with that line, she always had it in some form of a metaphor.
  34. >Something about fountains.
  35. >You want to tell her about what Christie is up to, the stallions she was often seen with.
  36. >Your condition.
  37. >Maybe it will help you feel better.
  38. >But for some odd reason, you can’t continue, the words only choking up your throat.
  39. >You go silent again, unable to form anything against the spectre of your mother.
  40. >And as if rushed out, you hastily leave the room.
  41. >You don’t want to go back to the nauseating bed of yours.
  42.  
  43. >Darting out of the house, you make your way to the city, hoping for some sort of a reprieve.
  44. >You shouldn’t be running; it just pushes your already weakened lungs.
  45. >Phase two can’t be cured, it’s already too late.
  46. >You know that.
  47. >You worked with it so many times.
  48. >Chrysalis doesn’t know- she can’t know.
  49. >You remind yourself to slow down; now walking through the dark streets of Canterlot.
  50. >Maybe you can find something to drink.
  51.  
  52. >Pouring yourself a cup of any alcohol you could find, you quickly down it.
  53. >This can’t be good for you.
  54. >You never even liked alcohol.
  55. >The after-taste killed you, and its effects weren’t pleasant as well.
  56. >You only drank because Christie said you should.
  57. >And after so many years, it’s almost a habit for you.
  58. >You supposed it was one way to keep her close.
  59. >Now, what was phase three?
  60. >You can’t breathe, you can’t move, you are paralyzed.
  61. >Every drop of the medicine burns your chest, but it’s the only way to keep yourself alive.
  62. >The green plague, a terrible, terrible disease.
  63. >You’re glad most of it is rooted out of the Canterlot, you saw ponies fade away once too many.
  64. >… What’s with the depressing thoughts?
  65. >Alcohol kicking in.
  66. >Christie is working so desperately trying to clean up your lungs, but she’s just scratching the surface.
  67. >Only treating the symptoms.
  68. >It’s downright impossible to purge this from your body.
  69. >Hey, everyone dies eventually.
  70. >Your turn jut comes up sooner.
  71. >But still, no telling her.
  72. >You’d rather spend the rest of your days in blissful, ignorant joy.
  73. >You’d like to believe she takes great joy and pride in keeping you alive.
  74. >Just the thought of it locked up your chest.
  75. >Sighing, you take another drink.
  76. >Your throat burns as the liquid goes down.
  77. >Alcoholics must be masochists.
  78.  
  79. >You stagger out of the bar, and return to your wanderings.
  80. >You begin to stagger, almost tripping many times.
  81. >Funny, you don’t feel drunk.
  82. >Two turns and three rights leave you in a very familiar part of the town.
  83. >You push through the wooden door, broken glass shattering under your weight.
  84. >Almost nothing is left in the house; most of the furniture was either thrown out or brought into your new home.
  85. >What was left was taken by the looters.
  86. >You stealthily go up the stairs, just like old times.
  87. >Peeking through mother’s old room, you sneak into yours.
  88. >You sit where your bed once was, on the hard, cold floor.
  89. >Not like there was a difference anyway.
  90. >Hugging your legs close, you bury your face between your knees.
  91. >And then-
  92. >You sob silently, trying to not wake mom and Christie.
  93.  
  94. >How long did it pass?
  95. >Two, three hours?
  96. >Anon isn’t back yet.
  97. >Chrysalis slowly lifted herself from her bed, rubbing her eyes.
  98. >It felt like waking from a bad dream.
  99. >Maybe if she told Anon her intentions first, he would’ve reacted better.
  100. >No, that’s like putting make up on a pig, it’s still a pig.
  101. >And if he knew, he’d never agree to let her help.
  102. >Chrysalis sunk into her pillow again, knowing things will be better by morning.
  103. >Yeah, she’ll have Anon apologize over some toast.
  104.  
  105. >Morning came is a blink of an eye, and Christie felt refreshed and ready.
  106. >She’ll just have to confront Anon over breakfast.
  107. >Preparing her reactions, Chrysalis gingerly made her way to the kitchen.
  108. >Her food was ready, a fork and a knife flanking its sides.
  109. >She glanced to the other side of the table, noticing Anon’s food untouched.
  110. >She waited for a while, slowly eating her own food.
  111. >Where the devil is that human?
  112. >She got up from her seat, fuming.
  113. >Some nerves he had.
  114. >He’ll soon learn to not anger the Changeling queen.
  115. >She kicked open his room door, her horn glowing.
  116. >But he wasn’t there.
  117. >He wasn’t anywhere in the house.
  118. >Chrysalis asked the maids, and they said they never saw Anon come in since last night.
  119. >He’s probably letting off steam, she thought.
  120. >Or piss drunk and on some random street.
  121. >Either way, he’ll be back.
  122. >Hopefully.
  123. >Chrysalis quickly put the issue behind her, and then proceeded with her daily duties, managing changelings here and there, meeting ponies of important stature.
  124. >She worked to rally all Changeling populace in Canterlot, trying to increase her own numbers.
  125. >For what, she couldn’t tell anyone.
  126. >It was odd, being the new superpower in the lower reaches of Canterlot.
  127. >The Queen of Changelings, and the Queen of the underworld.
  128. >Fitting, she supposed.
  129.  
  130. >Lunch time, and still no sign of Anonymous.
  131. >He’ll be back, he’ll be back.
  132. >Her entire day went on, with that phrase repeating over and over.
  133. >Only after midnight Anonymous showed his face again, clothes messed and flustered face.
  134. >She couldn’t even get mad at him, he couldn’t understand her.
  135. >Chrysalis could only watch as Anon stumbled (rather humorously) into the third room he kept to himself.
  136. >Still, he just ignored her the whole day and did not say a word upon his return.
  137. >Such arrogance cannot be tolerated!
  138. >Now more angry than worried, Christie made her way to the beige door.
  139. >Slowly pushing it open, she was immediately greeted with a rhythmical sound of sobs.
  140. >She peeked through, seeing Anon curled up on the bed.
  141. >The sheets were a mess, turned and halfway thrown.
  142. >”Anon?” She asked, her worry growing once more.
  143.  
  144. >You turn slowly, pretending to see something by the door.
  145. >Someone was there, you just heard them.
  146. >You can’t really make out who it is.
  147. >You wipe the tears on your face, not wanting to show anyone that you are crying.
  148. >But you’re still talking with mom.
  149. “It’s great seeing you again, mom. Everything’s fine- have you seen our new house? You can fit the old house in this one, and we’ll still have room to spare!” You laugh.
  150. >You sigh happily and plop onto the bed, still talking gibberish with your mother.
  151. >You don’t even notice the door close, no one else joining you.
  152. >You still go on about your life, how you settled in the life of the upper class, having a larger home, not being so dirty and all.
  153. >She just sat by you listening carefully with her ever warm smile.
  154. >You’re not sure when, but you dozed off, still off about how you should handle the situation with Christie.
  155. >When you wake, it is still dark.
  156. >The moonlight is just as intense as before, illuminating the room.
  157. >You expect to be bathed in the white light, seeing how the window was right above the bed.
  158. >You quickly notice the shadow loomed over you.
  159. >You groggily lift yourself up; your brain still addled with the alcohol.
  160. >Your eyes slowly make out the figure in front of you, sitting by the bed.
  161. http://youtu.be/mS9U75YC-jA
  162. >Her eyes gleam by the moonlight, the pair you know so well.
  163. >Her hair was tied to the back, just like how you always remembered.
  164. >The thick smell of chemicals filled your nose.
  165. “Mom?”
  166. >Without a second thought, you quickly wrap your arms around her.
  167. >She returns the gesture without a word, gently tapping your back.
  168. >You want to say something, but nothing comes to your mind.
  169. >So you simply stay there, rocking silently.
  170. >Tears start flowing immediately.
  171. >You begin to sob again, no matter how hard you try to stop.
  172. >She ruffles your hair, a small smile growing on her aged face.
  173.  
  174. >Chrysalis only entered the room later on, when everything died down.
  175. >The door creaked loudly, quickly betraying her position.
  176. >Still getting no response, Chrysalis poked her head over the door.
  177. >Anon was lying on the bed again, muttering gibberish.
  178. >She entered the room, closing the door behind her.
  179. >Coming up next to her friend, she sat by the bed.
  180. >She could smell the alcohol from here.
  181. >She leaned closer, trying to make out what he was saying.
  182. >He seemed to repeat the same word over and over again.
  183. >’Mom’.
  184. >She saw the stains on the sheets, and hoped it was not what the thought it was.
  185. >At least he seemed so peaceful.
  186. >Chrysalis took the chance to look around the room.
  187. >She walked over to the desk on the corner of the room, noticing an inkwell and a quill.
  188. >She checked the drawer underneath, only to find a pile of unmailed letters.
  189. >Each of them was addressed to his late mother.
  190. >She dared not look into its contents, but she could feel the strong waft of emotions over the paper.
  191. >Closing the drawer, she turned to Anon once more.
  192. >He seemed to miss his mother a lot…
  193. >A crazy idea comes to mind, and she goes over the bed again.
  194.  
  195. >You clench your teeth, desperately trying to silence yourself.
  196. >”Shhh…” She whispers, calming you with her soothing voice.
  197. >You eventually manage to control yourself, wiping your eye with a hand.
  198. >She lets you down to the bed, tucking you in.
  199. >”Goodnight, Anon.” She whispers, before leaving the room.
  200. >You fall asleep immediately, and you had to admit, that was the best sleep you had in a long time.
  201.  
  202. “Morning Christie.”
  203. >”Morn, Anon.”
  204. “Slept well?”
  205. >Christie pauses for a moment, chewing her toast.
  206. >”Yeah, I guess I did.” She flashes a smile.
  207. >You nod understandingly, busy with your eggs.
  208. >The table goes silent, but you can tell the tension died down significantly.
  209. >Testing the waters, you begin small talks.
  210. “So.”
  211. >”So.”
  212. “How’s the work lately? Lots of ponies coming under your cause?”
  213. >”It’s going great.” She replies flatly.
  214. >Well, not as significant as you thought.
  215. >You prod the egg with your fork, distracting yourself.
  216. “You know, about that night-“
  217. >What of it?” She cuts you off abruptly.
  218. >You recoil slightly at her reaction.
  219. >She’s staring straight at you right now, her face waiting for something.
  220. “I just wanted to say-“
  221. >She blinks once.
  222. “I mean what I want you to understand-“
  223. >You grin, stopping yourself.
  224. “You know what; let me make it up to you. How about we talk about this over dinner?”
  225.  
  226. >You shuffle around in your clothes, you never had to dress this fancy before.
  227. >A suit, a tie, everything.
  228. >You even had your hair done, all made out and all.
  229. >When did you and Christie ever done this before?
  230. >Something you might call a date.
  231. >It was back when you were in the slums.
  232. >Just when you were old enough to reach the top cupboards.
  233. >Well, just barely.
  234. >Chrys was already in her phase, she even had braces fitted.
  235. >She started caring so much for her looks, growing and cutting her mane.
  236. >But let’s put that aside, the queen is approaching.
  237.  
  238. >You remember the cold rainy day, not sure about the date.
  239. >The two of you were crouched under a canopy.
  240. >You also remember that was the time she took interest in some stallions as well.
  241. >She went out more often (much to mother’s chagrin) and came home much too late.
  242. >She had a few relationships, and they always went bad.
  243. >It was always the same thing, Christie approaching somepony under a guise, falling in love, revealing her true self, and the rejection.
  244. >Rinse, repeat.
  245.  
  246. >Chrysalis sits across from you, in her own, changeling form.
  247. >Looking at her now, it is amazing how much she had changed.
  248. >”Now, what are you planning, Anon?” She asks.
  249. “Well, first of all, I wanted to apologize over what I did that night.”
  250. >”Let me stop you right there, Anon. I don’t want to hear it, let’s put that behind us.”
  251.  
  252. >It was another night of her dates, and as always, Christie comes home crying.
  253. >Mother tries to comfort her- like she did always- but this time, it’s worse.
  254. >Christie rips off her dress; which was a distasteful palette of pink, and storms off to the back yard.
  255. >Mom stands in shock, never seeing her so enraged.
  256. >You sigh and get up.
  257. >Time to comfort the changeling again.
  258. >You find her sitting in the middle of the rain, head hung low.
  259. “You know, I keep telling you it won’t work.” You tell her, making your way.
  260.  
  261. “Don’t you think we need to at least do something about it? It’s bad to leave a wound untreated.”
  262. >”Come on Anon, we don’t have to apologize, I’m over it.”
  263. “Fine, no apologizing then.”
  264. >”Was there anything else?”
  265. >The food comes in, laid out in front of the two of you.
  266. “Yeah, I had something else to say.”
  267. >”Well then, go on.”
  268.  
  269. >”Why can’t I be loved?” She mutters, snorting up the snot.
  270. >You crouch next to her, looking straight forward.
  271. “Oh, don’t get like that, I’m sure there is someone who likes you.”
  272. >She looks at you with those green, wet saucers.
  273. >”R-Really?”
  274. “Really really.”
  275.  
  276. “You see, about the weekly healings…”
  277. >”Is there something wrong?” Chrysalis immediately springs into life, some emotions injected on her face.
  278.  
  279. >”W-who?” She stutters, still in her tears. “Who’ll love an ugly changeling?”
  280. “Well, I think you look for the answer too far.”
  281. >The two of you go quiet, only serenaded by the pitter-patter of the rain.
  282.  
  283. “Yeah, I’ve been meaning to tell you.”
  284. >”Tell me what?”
  285. “The medication… doesn’t work. You’re just slowing down the process.”
  286. >”But what about your mom-“ Chrysalis quickly cuts herself.
  287.  
  288. “I’ll love you, Christie.” You smile, clearing a stand of mane covering her face.
  289. >She lets out an innocent smile, her mismatched fangs showing.
  290. >”Really? You’ll love me?”
  291. “Yeah! Mom too! We’re family!”
  292. >Her face begins to glow, the smile growing.
  293.  
  294. >You take a deep breath, and go on.
  295. “I’m going to die, Christie.”
  296. >She freezes in place, her face in a mixture of horror and shock.
  297. >And by second, everything feels darker.
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