SHOW:
|
|
- or go back to the newest paste.
1 | % ŵ (UTF-8 test character: double-u circumflex) | |
2 | % “ = 0147 (left formatted quote) | |
3 | % ” = 0148 (right formatted quote) | |
4 | % — = 0151 (dash) | |
5 | % – = 0150 (shorter dash) | |
6 | % © = 0169 (copyright symbol) | |
7 | % ® = 0174 (registered copyright symbol) | |
8 | % ⌜ = u231C | |
9 | % ⌝ = u231D | |
10 | ||
11 | \version "2.18.2" | |
12 | #(set! paper-alist (cons '("media carta" . (cons (* 5.51 in) (* 8.5 in))) paper-alist)) | |
13 | ||
14 | emphasize = { | |
15 | \override Lyrics.LyricText.font-shape = #'italic } | |
16 | ||
17 | negra = { | |
18 | \override Lyrics.LyricText.font-series = #'bold } | |
19 | ||
20 | normal = { | |
21 | \revert Lyrics.LyricText.font-shape | |
22 | \revert Lyrics.LyricText.font-series | |
23 | } | |
24 | ||
25 | stemOff = { \hide Staff.Stem } | |
26 | ||
27 | %\paper | |
28 | %{ #(set-paper-size "media carta") | |
29 | indent = 0.0 | |
30 | line-width = 185 \mm | |
31 | %between-system-space = 0.1 \mm | |
32 | %between-system-padding = #1 | |
33 | %ragged-bottom = ##t | |
34 | top-margin = 1.5 \cm | |
35 | %bottom-margin = 0.1 \mm | |
36 | %foot-separation = 0.1 \mm | |
37 | %head-separation = 0.1 \mm | |
38 | %before-title-space = 0.1 \mm | |
39 | %between-title-space = 0.1 \mm | |
40 | %after-title-space = 0.1 \mm | |
41 | %paper-height = 32 \cm | |
42 | %print-page-number = ##t | |
43 | %print-first-page-number = ##t | |
44 | %ragged-last-bottom | |
45 | %horizontal-shift | |
46 | %system-count | |
47 | %left-margin | |
48 | %paper-width | |
49 | %printallheaders | |
50 | %systemSeparatorMarkup | |
51 | %} | |
52 | ||
53 | ||
54 | \header | |
55 | { | |
56 | %dedication = "" | |
57 | title = "" | |
58 | %subtitle = "" | |
59 | %subsubtitle = "" | |
60 | % poet = \markup{ \italic Text: } | |
61 | % composer = \markup{ \italic Music: } | |
62 | %meter = "" | |
63 | %opus = "" | |
64 | %arranger = "" | |
65 | %instrument = "" | |
66 | %piece = \markup{\null \null \null \null \null \null \null \null \null \null \null \null \null \italic Slowly \null \null \null \null \null \note #"4" #1.0 = 70-100} | |
67 | %breakbefore | |
68 | %copyright = "" | |
69 | tagline = "" | |
70 | } | |
71 | ||
72 | ||
73 | global = | |
74 | { | |
75 | %\override Staff.TimeSignature #'style = #'() | |
76 | \time 6/8 | |
77 | \key c \major | |
78 | \override Rest #'direction = #'0 | |
79 | \override MultiMeasureRest #'staff-position = #0 | |
80 | } | |
81 | ||
82 | sopWords = \lyricmode | |
83 | { | |
84 | \override Score . LyricText #'font-size = #1 | |
85 | \override Score . LyricHyphen #'minimum-distance = #1 | |
86 | \override Score . LyricSpace #'minimum-distance = #0.8 | |
87 | ||
88 | % \override Score . LyricText #'font-name = #"Gentium" | |
89 | % \override Score . LyricText #'self-alignment-X = #-1 | |
90 | % | |
91 | % \set stanza = "Ant. " El Se -- ñor rei -- na ves -- ti -- do de ma -- jes -- tad, a -- le -- lu -- ya. | |
92 | \override LyricText.self-alignment-X = #LEFT "El Señor reina vestido de majestad," "el Señor, vestido y ce" -- \markup \italic "ñido de po" -- \markup {\bold der,} | |
93 | \override LyricText.self-alignment-X = #LEFT "así está firme el orbe y no va" -- \markup {\bold cila.} | |
94 | "Tu trono está firme desde siempre, y tú eres e" -- \markup {\bold terno} | |
95 | ||
96 | ||
97 | %\set vocalName = "Men/Women/Unison/SATB" | |
98 | } | |
99 | sopWordsTwo = \lyricmode | |
100 | { | |
101 | \set stanza = "2. " | |
102 | } | |
103 | sopWordsThree = \lyricmode | |
104 | { | |
105 | \set stanza = "3. " | |
106 | } | |
107 | sopWordsFour = \lyricmode | |
108 | { | |
109 | \set stanza = "4. " | |
110 | } | |
111 | sopWordsFive = \lyricmode | |
112 | { | |
113 | \set stanza = "5. " | |
114 | } | |
115 | sopWordsSix = \lyricmode | |
116 | { | |
117 | \set stanza = "6. " | |
118 | } | |
119 | sopWordsSeven = \lyricmode | |
120 | { | |
121 | \set stanza = "7. " | |
122 | } | |
123 | altoWords = \lyricmode | |
124 | { | |
125 | ||
126 | } | |
127 | tenorWords = \lyricmode | |
128 | { | |
129 | ||
130 | } | |
131 | bassWords = \lyricmode | |
132 | { | |
133 | ||
134 | } | |
135 | ||
136 | \score | |
137 | { | |
138 | %\transpose es' d' | |
139 | << | |
140 | \new Staff \relative c'' | |
141 | ||
142 | << | |
143 | \override Score.BarNumber.break-visibility = ##(#f #f #f) | |
144 | %\set Score.midiInstrument = "Orchestral Strings" | |
145 | %\set Score.midiInstrument = "Choir Aahs" | |
146 | \new Voice = "sopranos" | |
147 | { | |
148 | \voiceOne | |
149 | \global | |
150 | %\override Score.MetronomeMark #'transparent = ##t | |
151 | \override Score.MetronomeMark #'stencil = ##f | |
152 | \override Score.TimeSignature #'stencil = ##f | |
153 | \tempo 4 = 120 | |
154 | \stemOff \cadenzaOn g \breve \bar "" \breathe \parenthesize g1 a2 c \bar "'" c \breve a2 \bar "'" | |
155 | a\breve g2 \bar "||" | |
156 | } | |
157 | ||
158 | \new Voice = "altos" | |
159 | { | |
160 | \voiceTwo | |
161 | } | |
162 | ||
163 | \new Lyrics = sopranos { s1 } | |
164 | %\new Lyrics = sopranosTwo { s1 } | |
165 | %\new Lyrics = sopranosThree { s1 } | |
166 | %\new Lyrics = sopranosFour { s1 } | |
167 | %\new Lyrics = sopranosFive { s1 } | |
168 | %\new Lyrics = sopranosSix { s1 } | |
169 | %\new Lyrics = sopranosSeven { s1 } | |
170 | %\new Lyrics = altos { s1 } | |
171 | %\new Lyrics = tenors { s1 } | |
172 | %\new Lyrics = basses { s1 } | |
173 | >> | |
174 | ||
175 | ||
176 | \context Lyrics = sopranos \lyricsto sopranos \sopWords | |
177 | %\context Lyrics = sopranosTwo \lyricsto sopranos \sopWordsTwo | |
178 | %\context Lyrics = sopranosThree \lyricsto sopranos \sopWordsThree | |
179 | %\context Lyrics = sopranosFour \lyricsto sopranos \sopWordsFour | |
180 | %\context Lyrics = sopranosFive \lyricsto sopranos \sopWordsFive | |
181 | %\context Lyrics = sopranosSix \lyricsto sopranos \sopWordsSix | |
182 | %\context Lyrics = sopranosSeven \lyricsto sopranos \sopWordsSeven | |
183 | %\context Lyrics = altos \lyricsto altos \altoWords | |
184 | %\context Lyrics = tenors \lyricsto tenors \tenorWords | |
185 | %\context Lyrics = basses \lyricsto basses \bassWords | |
186 | >> | |
187 | ||
188 | \midi { } | |
189 | \layout | |
190 | { | |
191 | \context | |
192 | { | |
193 | \Lyrics | |
194 | \override VerticalAxisGroup #'minimum-Y-extent = #'(0 . 0) | |
195 | } | |
196 | } | |
197 | } | |
198 | ||
199 | - | \markup { |
199 | + | %\markup { |
200 | - | \fill-line { |
200 | + | %\fill-line { |
201 | - | "" |
201 | + | %"" |
202 | %{ | |
203 | - | \column { |
203 | + | %\column { |
204 | - | \left-align { |
204 | + | %\left-align { |
205 | - | \line {Levantan los \italic "ríos Se" \hspace#-.5 \bold ñor,} |
205 | + | %\line {Levantan los \italic "ríos Se" \hspace#-.5 \bold ñor,} |
206 | - | \line { \hspace #2 levantan los ríos su \bold voz} |
206 | + | %\line { \hspace #2 levantan los ríos su \bold voz} |
207 | - | \line {\hspace #2 levantan los ríos su fra\hspace#-.5 \bold gor.} |
207 | + | %\line {\hspace #2 levantan los ríos su fra\hspace#-.5 \bold gor.} |
208 | - | } |
208 | + | %} |
209 | %} | |
210 | %} | |
211 | - | "" |
211 | + | %"" |
212 | %} | |
213 | %} | |
214 | - | \markup { \vspace #1.5 |
214 | + | %\markup { \vspace #1.5 |
215 | - | \fill-line { |
215 | + | %\fill-line { |
216 | - | "" |
216 | + | %"" |
217 | %{ | |
218 | - | \column { |
218 | + | %\column { |
219 | - | \left-align { |
219 | + | %\left-align { |
220 | - | \line {Pero más que la voz de\italic "aguas cauda" \hspace#-.5 \bold losas,} |
220 | + | %\line {Pero más que la voz de\italic "aguas cauda" \hspace#-.5 \bold losas,} |
221 | - | \line { \hspace #2 más potente que el oleaje del \bold mar,} |
221 | + | %\line { \hspace #2 más potente que el oleaje del \bold mar,} |
222 | - | \line { \hspace #2 más potente en el cielo es el Se\hspace#-.5 \bold ñor.} |
222 | + | %\line { \hspace #2 más potente en el cielo es el Se\hspace#-.5 \bold ñor.} |
223 | - | } |
223 | + | %} |
224 | %} | |
225 | %} | |
226 | - | "" |
226 | + | %"" |
227 | %} | |
228 | %} | |
229 | - | \markup {\vspace #1.5 |
229 | + | %\markup {\vspace #1.5 |
230 | - | \fill-line { |
230 | + | %\fill-line { |
231 | - | "" |
231 | + | %"" |
232 | %{ | |
233 | - | \column { |
233 | + | %\column { |
234 | - | \left-align { |
234 | + | %\left-align { |
235 | - | \line {Tus mandatos son \italic "fieles y se" \hspace#-.5 \bold guros;} |
235 | + | %\line {Tus mandatos son \italic "fieles y se" \hspace#-.5 \bold guros;} |
236 | - | \line { \hspace #2 la santidades el adorno de tu \bold casa,} |
236 | + | %\line { \hspace #2 la santidades el adorno de tu \bold casa,} |
237 | - | \line {\hspace #2 Señor por días sin \bold término:} |
237 | + | %\line {\hspace #2 Señor por días sin \bold término:} |
238 | - | } |
238 | + | %} |
239 | %} | |
240 | %} | |
241 | - | "" |
241 | + | %"" |
242 | %} | |
243 | %} | |
244 | ||
245 | - | \markup {\vspace #1.5 |
245 | + | %\markup {\vspace #1.5 |
246 | - | \fill-line { |
246 | + | %\fill-line { |
247 | - | "" |
247 | + | %"" |
248 | %{ | |
249 | - | \column { |
249 | + | %\column { |
250 | - | \left-align { |
250 | + | %\left-align { |
251 | - | \line {Gloria al Padre y al Hijo y al Es \hspace#-.5 \italic "píritu" \bold Santo} |
251 | + | %\line {Gloria al Padre y al Hijo y al Es \hspace#-.5 \italic "píritu" \bold Santo} |
252 | - | \line { \hspace #2 como era en el principio, ahora y \bold siempre} |
252 | + | %\line { \hspace #2 como era en el principio, ahora y \bold siempre} |
253 | - | \line {\hspace #2 por los siglos de los siglos A\hspace#-.5 \bold mén. \italic Ant.} |
253 | + | %\line {\hspace #2 por los siglos de los siglos A\hspace#-.5 \bold mén. \italic Ant.} |
254 | - | } |
254 | + | %} |
255 | %} | |
256 | %} | |
257 | - | "" |
257 | + | %"" |
258 | %} | |
259 | - | } |
259 | + | %} |