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YairZ

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Dec 11th, 2019
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  1. % ŵ (UTF-8 test character: double-u circumflex)
  2. % “ = 0147 (left formatted quote)
  3. % ” = 0148 (right formatted quote)
  4. % — = 0151 (dash)
  5. % – = 0150 (shorter dash)
  6. % © = 0169 (copyright symbol)
  7. % ® = 0174 (registered copyright symbol)
  8. % ⌜ = u231C
  9. % ⌝ = u231D
  10.  
  11. \version "2.18.2"
  12. #(set! paper-alist (cons '("media carta" . (cons (* 5.51 in) (* 8.5 in))) paper-alist))
  13.  
  14. emphasize = {
  15. \override Lyrics.LyricText.font-shape = #'italic }
  16.  
  17. negra = {
  18. \override Lyrics.LyricText.font-series = #'bold }
  19.  
  20. normal = {
  21. \revert Lyrics.LyricText.font-shape
  22. \revert Lyrics.LyricText.font-series
  23. }
  24.  
  25. stemOff = { \hide Staff.Stem }
  26.  
  27. %\paper
  28. %{ #(set-paper-size "media carta")
  29. indent = 0.0
  30. line-width = 185 \mm
  31. %between-system-space = 0.1 \mm
  32. %between-system-padding = #1
  33. %ragged-bottom = ##t
  34. top-margin = 1.5 \cm
  35. %bottom-margin = 0.1 \mm
  36. %foot-separation = 0.1 \mm
  37. %head-separation = 0.1 \mm
  38. %before-title-space = 0.1 \mm
  39. %between-title-space = 0.1 \mm
  40. %after-title-space = 0.1 \mm
  41. %paper-height = 32 \cm
  42. %print-page-number = ##t
  43. %print-first-page-number = ##t
  44. %ragged-last-bottom
  45. %horizontal-shift
  46. %system-count
  47. %left-margin
  48. %paper-width
  49. %printallheaders
  50. %systemSeparatorMarkup
  51. %}
  52.  
  53.  
  54. \header
  55. {
  56. %dedication = ""
  57. title = ""
  58. %subtitle = ""
  59. %subsubtitle = ""
  60. % poet = \markup{ \italic Text: }
  61. % composer = \markup{ \italic Music: }
  62. %meter = ""
  63. %opus = ""
  64. %arranger = ""
  65. %instrument = ""
  66. %piece = \markup{\null \null \null \null \null \null \null \null \null \null \null \null \null \italic Slowly \null \null \null \null \null \note #"4" #1.0 = 70-100}
  67. %breakbefore
  68. %copyright = ""
  69. tagline = ""
  70. }
  71.  
  72.  
  73. global =
  74. {
  75. %\override Staff.TimeSignature #'style = #'()
  76. \time 6/8
  77. \key c \major
  78. \override Rest #'direction = #'0
  79. \override MultiMeasureRest #'staff-position = #0
  80. }
  81.  
  82. sopWords = \lyricmode
  83. {
  84. \override Score . LyricText #'font-size = #1
  85. \override Score . LyricHyphen #'minimum-distance = #1
  86. \override Score . LyricSpace #'minimum-distance = #0.8
  87.  
  88. % \override Score . LyricText #'font-name = #"Gentium"
  89. % \override Score . LyricText #'self-alignment-X = #-1
  90. %
  91. % \set stanza = "Ant. " El Se -- ñor rei -- na ves -- ti -- do de ma -- jes -- tad, a -- le -- lu -- ya.
  92. \override LyricText.self-alignment-X = #LEFT "El Señor reina vestido de majestad," "el Señor, vestido y ce" -- \markup \italic "ñido de po" -- \markup {\bold der,}
  93. \override LyricText.self-alignment-X = #LEFT "así está firme el orbe y no va" -- \markup {\bold cila.}
  94. "Tu trono está firme desde siempre, y tú eres e" -- \markup {\bold terno}
  95.  
  96.  
  97. %\set vocalName = "Men/Women/Unison/SATB"
  98. }
  99. sopWordsTwo = \lyricmode
  100. {
  101. \set stanza = "2. "
  102. }
  103. sopWordsThree = \lyricmode
  104. {
  105. \set stanza = "3. "
  106. }
  107. sopWordsFour = \lyricmode
  108. {
  109. \set stanza = "4. "
  110. }
  111. sopWordsFive = \lyricmode
  112. {
  113. \set stanza = "5. "
  114. }
  115. sopWordsSix = \lyricmode
  116. {
  117. \set stanza = "6. "
  118. }
  119. sopWordsSeven = \lyricmode
  120. {
  121. \set stanza = "7. "
  122. }
  123. altoWords = \lyricmode
  124. {
  125.  
  126. }
  127. tenorWords = \lyricmode
  128. {
  129.  
  130. }
  131. bassWords = \lyricmode
  132. {
  133.  
  134. }
  135.  
  136. \score
  137. {
  138. %\transpose es' d'
  139. <<
  140. \new Staff \relative c''
  141.  
  142. <<
  143. \override Score.BarNumber.break-visibility = ##(#f #f #f)
  144. %\set Score.midiInstrument = "Orchestral Strings"
  145. %\set Score.midiInstrument = "Choir Aahs"
  146. \new Voice = "sopranos"
  147. {
  148. \voiceOne
  149. \global
  150. %\override Score.MetronomeMark #'transparent = ##t
  151. \override Score.MetronomeMark #'stencil = ##f
  152. \override Score.TimeSignature #'stencil = ##f
  153. \tempo 4 = 120
  154. \stemOff \cadenzaOn g \breve \bar "" \breathe \parenthesize g1 a2 c \bar "'" c \breve a2 \bar "'"
  155. a\breve g2 \bar "||"
  156. }
  157.  
  158. \new Voice = "altos"
  159. {
  160. \voiceTwo
  161. }
  162.  
  163. \new Lyrics = sopranos { s1 }
  164. %\new Lyrics = sopranosTwo { s1 }
  165. %\new Lyrics = sopranosThree { s1 }
  166. %\new Lyrics = sopranosFour { s1 }
  167. %\new Lyrics = sopranosFive { s1 }
  168. %\new Lyrics = sopranosSix { s1 }
  169. %\new Lyrics = sopranosSeven { s1 }
  170. %\new Lyrics = altos { s1 }
  171. %\new Lyrics = tenors { s1 }
  172. %\new Lyrics = basses { s1 }
  173. >>
  174.  
  175.  
  176. \context Lyrics = sopranos \lyricsto sopranos \sopWords
  177. %\context Lyrics = sopranosTwo \lyricsto sopranos \sopWordsTwo
  178. %\context Lyrics = sopranosThree \lyricsto sopranos \sopWordsThree
  179. %\context Lyrics = sopranosFour \lyricsto sopranos \sopWordsFour
  180. %\context Lyrics = sopranosFive \lyricsto sopranos \sopWordsFive
  181. %\context Lyrics = sopranosSix \lyricsto sopranos \sopWordsSix
  182. %\context Lyrics = sopranosSeven \lyricsto sopranos \sopWordsSeven
  183. %\context Lyrics = altos \lyricsto altos \altoWords
  184. %\context Lyrics = tenors \lyricsto tenors \tenorWords
  185. %\context Lyrics = basses \lyricsto basses \bassWords
  186. >>
  187.  
  188. \midi { }
  189. \layout
  190. {
  191. \context
  192. {
  193. \Lyrics
  194. \override VerticalAxisGroup #'minimum-Y-extent = #'(0 . 0)
  195. }
  196. }
  197. }
  198.  
  199. %\markup {
  200. %\fill-line {
  201. %""
  202. %{
  203. %\column {
  204. %\left-align {
  205. %\line {Levantan los \italic "ríos Se" \hspace#-.5 \bold ñor,}
  206. %\line { \hspace #2 levantan los ríos su \bold voz}
  207. %\line {\hspace #2 levantan los ríos su fra\hspace#-.5 \bold gor.}
  208. %}
  209. %}
  210. %}
  211. %""
  212. %}
  213. %}
  214. %\markup { \vspace #1.5
  215. %\fill-line {
  216. %""
  217. %{
  218. %\column {
  219. %\left-align {
  220. %\line {Pero más que la voz de\italic "aguas cauda" \hspace#-.5 \bold losas,}
  221. %\line { \hspace #2 más potente que el oleaje del \bold mar,}
  222. %\line { \hspace #2 más potente en el cielo es el Se\hspace#-.5 \bold ñor.}
  223. %}
  224. %}
  225. %}
  226. %""
  227. %}
  228. %}
  229. %\markup {\vspace #1.5
  230. %\fill-line {
  231. %""
  232. %{
  233. %\column {
  234. %\left-align {
  235. %\line {Tus mandatos son \italic "fieles y se" \hspace#-.5 \bold guros;}
  236. %\line { \hspace #2 la santidades el adorno de tu \bold casa,}
  237. %\line {\hspace #2 Señor por días sin \bold término:}
  238. %}
  239. %}
  240. %}
  241. %""
  242. %}
  243. %}
  244.  
  245. %\markup {\vspace #1.5
  246. %\fill-line {
  247. %""
  248. %{
  249. %\column {
  250. %\left-align {
  251. %\line {Gloria al Padre y al Hijo y al Es \hspace#-.5 \italic "píritu" \bold Santo}
  252. %\line { \hspace #2 como era en el principio, ahora y \bold siempre}
  253. %\line {\hspace #2 por los siglos de los siglos A\hspace#-.5 \bold mén. \italic Ant.}
  254. %}
  255. %}
  256. %}
  257. %""
  258. %}
  259. %}
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