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| 1 | Original Author: writer_ !q4X9Fm43Dk Thu 25 Sep 2014 22:15:12 No.19888135 | |
| 2 | >Day: Equestria | |
| 3 | >Location: Tuesday | |
| 4 | >In?: Anon | |
| 5 | ||
| 6 | >Nothing makes sense, nothing makes sense. | |
| 7 | >You snarl and gnash your completely nonthreatening canines, seizing the dissertation on your new solar monarch and ripping it into a thousand pieces. | |
| 8 | >The sun revolves around the earth?! How is this possible! | |
| 9 | "SON OF A BITCH!" | |
| 10 | >The door behind you creaks open. | |
| 11 | >You round on the victim of your anger, and - | |
| 12 | >Immediately calm the fuck down, as a meek-looking guard palomino pokes her head in the doorway. | |
| 13 | >Nerd rage isn't nearly as clever or fun if there's nobody to understand it. | |
| 14 | >"Um... is everything alright, sir?" she asks. | |
| 15 | >Your mind's telling you 'no'. | |
| 16 | >BUT YOUR BO-DY~ | |
| 17 | >YOUR BODY'S TELLIN' YOU YEEEES | |
| 18 | >Alright, enough of that. | |
| 19 | "I'm fine, thanks," you say, forcing a smile onto your face. "Dismissed." | |
| 20 | >The mare's cute muzzle scrunches a little bit at the glimmer of your teeth, but you ignore it out of habit, turning back to your desk. | |
| 21 | >"Um, actually, sir." | |
| 22 | "Mmm?" you say, drawing a new sheet of parchment from the neatly-stacked pile above your desk. | |
| 23 | >You dip the quill into the inkpot and begin scribbling. | |
| 24 | >"I have a letter for you, sir," the pegasus says curtly. | |
| 25 | "Ah. Just pop it by the door, will you?" | |
| 26 | >"...Actually, it's from the Princess." | |
| 27 | >Oh. | |
| 28 | >You pause from your writing, staring at the headboard of your desk. | |
| 29 | >It's probably about the complete absence of letters you've been sending her. | |
| 30 | >Probably a royal reprimand or something similar. | |
| 31 | >Who knows. | |
| 32 | "Alright. Just leave it on my desk, I'll read it in a dollar." | |
| 33 | >You blink. | |
| 34 | "I mean, a bit. Fuck, whatever." | |
| 35 | >The mare makes an unsure 'uhm'ing noise. | |
| 36 | >"It's, um... it's not my place to question you, sir, but I really think you should read this particular letter." | |
| 37 | >Her insistence is bugging you a bit. | |
| 38 | "Why? Does it look important?" | |
| 39 | >"It's, um..." | |
| 40 | >"Yeah, I guess." | |
| 41 | >"Looks like Celestia is asking you on a date, sir." | |
| 42 | ||
| 43 | >A loud snapping noise breaks a terribly long silence. | |
| 44 | >You glance down at the quill in your hand, which is now broken clean in two. | |
| 45 | >A nasty scrawl of ink slips off to one side of the page, ruining yet another scholarly endeavour | |
| 46 | >But hold the fuck up. | |
| 47 | "Excuse me?" you say, turning proper to Storm Lily. "What did you say?" | |
| 48 | >Storm Lily enters the room meekly, shutting the door quickly behind her. | |
| 49 | >In one hoof lies not a usual parchment scroll, but a red letter. | |
| 50 | >On it is embossed a faint gold heart stamped with a sun. | |
| 51 | >Storm Lily looks like a mess. | |
| 52 | >She's blushing and giggling in delight as she flutters over, depositing the letter on your desk. | |
| 53 | >"Wow, sir, isn't this fantastic? The Princess desires your company! What an honour!" | |
| 54 | >You can't quite believe what you're hearing. | |
| 55 | "Hold the phone. How in the what in the who now?" | |
| 56 | >Storm Lily, still smiling, rolls her eyes and jabs at the letter with a hoof. | |
| 57 | >"Just open it." | |
| 58 | >With two fingers, you bust through the paper with your letter-fu, retreiving the faint parchment within. | |
| 59 | >It glows a warm gold as you unfurl it, bathing your face and the otherwise darkened study in an almost celestial light | |
| 60 | ||
| 61 | >You read aloud for the benefit of Storm Lily. | |
| 62 | ||
| 63 | >My dearest Anonymous, I desire your presence in Canterlot this evening to dine privately with me. | |
| 64 | >I will send a chariot by at 6:30. | |
| 65 | >Yours lovingly, | |
| 66 | >Princess Celestia. | |
| 67 | ||
| 68 | >You fold the note back closed, issuing the same blank stare to the closed note as you had the headboard not a few moments ago. | |
| 69 | > | |
| 70 | >No, hang on, let's look at that again. | |
| 71 | >You re-open the folded letter. | |
| 72 | >Sparkly sparkly light glimmers around the room, scattering sunshine and rainbows and all manner of golden things ar- | |
| 73 | "Pfft, get real!" | |
| 74 | >You seize the letter in both hands and tear it down the middle. | |
| 75 | >There's a squealing noise from to your right, one that couldn't possibly have come from a trained guardspony like Storm Lily. | |
| 76 | >Nonetheless, you check up on whateverthefuck it might have been | |
| 77 | >The mare in question stares at you bug-eyed, her jaw slack in abject shock. | |
| 78 | >"Wh... wh-what did... whuh..." | |
| 79 | "What is this, the sixteen hundreds?" you demand of her, jabbing a finger against her barrel. "Nobody asks ANON out. I am a god-damn man, and I'm going to ask my OWN mares out." | |
| 80 | >Storm Lily lets out a tiny, terrified gasp, and then promptly faints into a small, twitching pile of feathers. | |
| 81 | >You look down at her. | |
| 82 | "Are you alright?" | |
| 83 | >The merest act of gallantry sends her into convulsions. | |
| 84 | >You decide to leave before you can do any more harm to the poor mare. | |
| 85 | >You need to go to Canterlot anyway, and talk with Celestia. | |
| 86 | ||
| 87 | AND THUS BEGAN THE ADVENTURES OF CHECKED PRIVILEGES: ANONYMOUS EDITION | |
| 88 | ||
| 89 | >Stride to the door and exit the study | |
| 90 | >The manor-house that has been generously granted to you is a few small paces, with guard-mares dotted here and there. | |
| 91 | >With your gigantic, manly strides, you quickly pace down the corridor towards the front door. | |
| 92 | >On the way, another one of your harem of guards exits another room, making for the door. | |
| 93 | >You both reach it at the same time. | |
| 94 | >For a second, you both share an uncomfortable moment. | |
| 95 | >You reach out to the doorhandle, twisting it and opening it. | |
| 96 | >Her deep magenta irises widen somewhat. | |
| 97 | >She appears simultaneously outraged and ashamed | |
| 98 | >Your smile widens into something short of a sadistic grin, and you bow your head slightly. | |
| 99 | "Ladies first." | |
| 100 | >The mare gasps in shock, shuddering in absolute fear at the sheer nerve of you | |
| 101 | >She gingerly trots beyond the doorway, and you become aware that two other house-mares are watching you from the front-gate solemnly, not daring to speak, but equally shocked. | |
| 102 | >The mare whom you walked through the door turns to you, stammering in shock. | |
| 103 | >"Th-thank you," she mumbles. | |
| 104 | >You smile wider, your erection now throbbing against your jeansfront. | |
| 105 | >"It was my privilege." | |
| 106 | ||
| 107 | >Exit out onto the busy Canterlot-town street, leaving a flock of stunned mares in your wake | |
| 108 | >With bold strides you begin to walk the fuck to the carriage rank; with the ultimate goal of claiming your mare | |
| 109 | >Mares left and right are noting your bizarrely bold antics, your fine-pressed suit and daring smile | |
| 110 | >The stallions behind them look meek and afraid, but some of them cheer at the very sight of you | |
| 111 | >You smile and nod your head politely at the mares as they pass you, most of whom are trying (and failing) to not notice you | |
| 112 | "Good morning, ladies," you say to two nobleponies. | |
| 113 | >Both gasp and swoon at the mere display of courtesy | |
| 114 | >You reach the end of the taxi-line, taking close note of the stallions shackled to carts, all of whom glance at you as you approach boldly | |
| 115 | >You wait patiently, until it's your turn at the top of the line | |
| 116 | >All of a sudden you hear the clopping of hooves and a few sharp cries | |
| 117 | >"Ah! Damn! Is that the last cab?" | |
| 118 | >You glance up to see a young, single mare looking woefully at the cab you're about to step into. | |
| 119 | >"Fraid' so, Miss," replies the Zebra cab driver. "I think this'm here fine gentleman wished to use it-" | |
| 120 | >You hold up your hand | |
| 121 | >The line behind you collectively holds their breath | |
| 122 | "Not at all. Let this young mare take my place, please." | |
| 123 | >The mare trembles at the realisation of what is taking place | |
| 124 | >With a sweep of your suited arm, you open the door and offer it to her | |
| 125 | >A mare in the line behind you squeals in horror | |
| 126 | >Humiliated, the young mare before you can think of no way to hit back against your overpowering chivalry | |
| 127 | >She quickly alights into the carriage as you smile arrogantly at her | |
| 128 | >"Thank you," she utters faintly, as you go to close the door | |
| 129 | >You pause in doing so, open it back up a little, and smile warmly at her | |
| 130 | >Lean down so that only she can hear | |
| 131 | "It was my privilege." | |
| 132 | ||
| 133 | >Decide to hoof it as future cabs aren't forthcoming | |
| 134 | >A glance at a greying sky makes you quicken your pace,much to the chagrin of passers by | |
| 135 | >With about fifteen minutes of solid walking you are about two-thirds of the way to the train station | |
| 136 | >When, all of a sudden, the local pegasi decide that perhaps it's time for you to catch hypothermia | |
| 137 | >Grey clouds scoot in, obscuring your previously warm and sunny day | |
| 138 | >And with almost as much warning they begin to spit rain | |
| 139 | >As expected, ponies on the street begin to hurry their own pace substantially | |
| 140 | >Not you, though | |
| 141 | >You are a man, unafraid or hurt by a light rain. | |
| 142 | >Walk the rest of the way as the rain slowly turns to a drizzle | |
| 143 | >You arrive at the train station just in time, and a small flash accompanied by a clap of thunder lets you know that you've barely missed the rain | |
| 144 | >The ponies leaving the station, however, aren't so lucky | |
| 145 | >You see Canterlot mares and stallions scattering hither and thither, their fancy dresses hitched up over their fetlocks so they don't get wet | |
| 146 | >All save one rather sheepish looking mare, who looks like she's caught out of the rain | |
| 147 | >she peers out at the sky, biting her lip and shivering at the cold | |
| 148 | >This looks like a job for you. | |
| 149 | >Entering into the station, you approach her, removing your jacket | |
| 150 | >As if in slow motion, the mare's expression slowly turns from the sky to you | |
| 151 | >You see the alarm in her bright green eyes, the question of 'why' forming on her lips | |
| 152 | >But you beat her to speaking | |
| 153 | "Excuse me, you look cold. Could I offer you a jacket?" | |
| 154 | >She stammers as you offer her the tailored suit-jacket | |
| 155 | >She offers no resistance as you cast it around her shoulders, but there's a horrified series of gasps from the ponies nearby | |
| 156 | >They nicker and chatter to one another as you skullfuck the matriarchy | |
| 157 | >And before the mare can respond, you lean down close and whisper in her ear | |
| 158 | "No need to thank me. It was my privilege." | |
| 159 | ||
| 160 | >Canterlot Castle station is just a short stride away | |
| 161 | >You attempted to offer your seat to a filly on the way over | |
| 162 | >You could practically hear the matriarchy crying out in despair as you savagely defiled it with your firm, strong masculinity | |
| 163 | >Now jacketless - but not vest-less - you alight from the train, leaving a trail of nervous stallions and outraged mares in your wake | |
| 164 | >The drawbridge to Canterlot Castle lowers for you as you stride up the mountainside, simply not giving a fuck | |
| 165 | >As you cross the drawbridge you note that the guards either side of the portcullis are stallions | |
| 166 | >Both are smiling at you, with tears in their eyes | |
| 167 | >Wave jovially to them and walk on as they begin to weep, finally realising that they are free from their oppression | |
| 168 | >Walk to Celestia's throne room, ignoring the shocked stares of the sight of an unescorted male in the house of the two princesses | |
| 169 | >Reach the golden double doors | |
| 170 | >There's a sharp intake of breath from the stallions either side of the door, who think you're about to do something unthinkable | |
| 171 | >Knock, knock, knock | |
| 172 | >One of them shivers and moans at the sheer ecstasy of being freed | |
| 173 | >"Enter," demands a calm, motherly voice | |
| 174 | >You do so at your Princess's command. | |
| 175 | ||
| 176 | >The throne room is not so packed today, you note | |
| 177 | >The upper galleries are all but empty of the snobbiest and richest of nobles | |
| 178 | >The Princess holds court, though from where she sits on her golden throne, she seems to almost be on the same level as her little ponies | |
| 179 | >But you know better then that | |
| 180 | >You wind up your gallantry | |
| 181 | >Celestia sees you coming, and immediately she sits upright in surprise. | |
| 182 | >"Oh, my! Anonymous! What a pleasant surprise it is to see you here! I - " You see her fumble for her words as you do not break in your stride. "Did you... get my, uh, my letter?" | |
| 183 | "Absolutely, your highness." | |
| 184 | >You come to a stop just a few short paces away from her - much closer then any other pony in her court would usually go. | |
| 185 | "I just thought it was rather... antiquated." | |
| 186 | ||
| 187 | >"Antiquated?" she repeats, her voice still firm, but without some of its usual warmth. "Whatever do you mean, my dear Anonymous?" | |
| 188 | "Come now, Celestia," you say with a warm smile. "I think you know all too well. It's the modern age of ponies..." your shit-eating grin spreads from ear to ear. "Surely a man can ask out a mare in this day and age." | |
| 189 | >There's a series of gasps from around the court | |
| 190 | >Celestia's bright magenta eyes bounce around in alarm. | |
| 191 | >"A-anon, if we might have such a conversation later..." | |
| 192 | "Oh, there's no conversation to be had, my dear," You say, taking a few bold strides forward till you stand before her. "I was just wondering if you would like to accompany me to dinner this evening - say around six-thirty?" | |
| 193 | >The words have scarcely left your mouth then a chorus of terrified screams fills the court | |
| 194 | >Mares everywhere begin to scatter in fear at the very suggestion that a stallion could do such a thing | |
| 195 | >The stallions watch on, confused, but eager to know more of your conquest | |
| 196 | >Princess Celestia's wings flitter uncomfortably. | |
| 197 | >"W-well, of course," she says. "I would love to, Anonymous. But wouldn't it be better if I asked y-" | |
| 198 | "Say no more," you say, holding up a hand to assert your dominance. | |
| 199 | >The sheer manliness of your words cowers the Princess, and she shrinks a little. | |
| 200 | >"Oh! Oh, well, um... That's fine, I suppose." | |
| 201 | "And another thing," you say, your shiteating grin so wide you can hardly speak. | |
| 202 | >She looks up at you with pleading eyes, begging you not to take this any further | |
| 203 | >But you can't help yourself | |
| 204 | >Your dick throbs in excitement | |
| 205 | >You lean down, taking Celestia's gilded forehoof in a hand, and kiss it gently. | |
| 206 | >The hall explodes into screams | |
| 207 | >A veritable riot begins inside the castle | |
| 208 | >It erupts into full blown and widespread panic, leaving thousands of mares hot and bothered | |
| 209 | >Stallyns everywhere stand up tall and proud, throwing off their chains | |
| 210 | >It is a good day to have a cock in horseland | |
| 211 | fin |