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>With both hands in the shape of a sword -- at this super close distance, she gets ready to fight.
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With both hands in the shape of a sword -- at this super close distance, she gets ready to fight.
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>I imitate her.
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I imitate her.
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>In this case a handchop is better than forming a fist.
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In this case a handchop is better than forming a fist.
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>With the arm power of a vampire, both fists’ and handchops’ power could be said to be within the margin of error. In that case, it is easier to use a handchop that is more flexible--
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With the arm power of a vampire, both fists’ and handchops’ power could be said to be within the margin of error. In that case, it is easier to use a handchop that is more flexible--
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[...]
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>My handchop struck Kissshot's face in a horizontal swing -- the upper half of her head was severed, and it was blown behind together with her golden hair.
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My handchop struck Kissshot's face in a horizontal swing -- the upper half of her head was severed, and it was blown behind together with her golden hair.
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>Like she was waiting for it, Kissshot's handchop blew up my head. Although it was the same handchop, the power was different -- compared to Dramaturgie’s fist the impact point was smaller, but the power was more focused.
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Like she was waiting for it, Kissshot's handchop blew up my head. Although it was the same handchop, the power was different -- compared to Dramaturgie’s fist the impact point was smaller, but the power was more focused.
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>Both our heads flew away.
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Both our heads flew away.
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(Kizumonogatari, ch. 17)