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| 1 | This is another Interlude. I saw various complaints on the Strange Waifu Thread, about characters being basically monster girls with ponies, half-pony mary-sue characters, and (oddly) why aren't there any giraffes? So I decided it would be fun to shack Anon up with an amorous giraffe who is just as disorganized and irresponsible as he usually is. This is the result. | |
| 2 | ||
| 3 | And here is the image that inspired it... https://derpiboo.ru/846247 | |
| 4 | ||
| 5 | >It ain't easy trying to find decent living arrangements in Magical Mashmallow Horseland. | |
| 6 | >Especially since, at six-foot plus, your noggin is a certified ceiling hazard to most pony dwellings. | |
| 7 | >So you're a little surprised when the clerk at the Resettlement Assistance Office hands you a form with an address on it. | |
| 8 | >And with an uncharacteristically cryptic smile, tells you to 'keep an open mind'. | |
| 9 | >And thus you find yourself, with your suitcase, standing in front of a somewhat-larger-than-average building, with a somewhat-larger-than-average front door. | |
| 10 | /They're having a laff./ | |
| 11 | >Nevertheless, figuring that anything is worth a shot at this point, you walk up to the door and rap the knocker. | |
| 12 | >"Just a minute!" A female voice answers from within. | |
| 13 | /Oh yeah. Those clowns are definitely having a laff./ | |
| 14 | >The door opens. | |
| 15 | >"Hello?" | |
| 16 | >You are disconcerted to find yourself having to look up to address the giraffe that has answered it. | |
| 17 | >A kindly smile creases her features. | |
| 18 | "Um, I'm Anonymous. The Resettlement Office sent me." | |
| 19 | >She suddenly seems flustered. | |
| 20 | >"That's today? Oh, peanuts, excuse me a moment..." | |
| 21 | >The door slams in your face. | |
| 22 | /WTF?/ | |
| 23 | >You listen at the door, hearing the what sounds like cans been swept up and thrown out, Things being shoved inside closets, and the unmistakeable sound of a vacuum cleaner. | |
| 24 | /I hope they're having a good laff. Bastards./ | |
| 25 | >After a few moments, the vacuum shuts off and the door reopens. | |
| 26 | >The giraffe stands to one side. | |
| 27 | >"Hi, I'm Annabelle. Sorry about that, I hadn't realized you were coming today, and the house was just such a mess! Anyhow, please come in." | |
| 28 | /What the hell, I can go along with a joke./ | |
| 29 | >You shrug and enter the home. | |
| 30 | >Well, at least you won't have to worry about bashing your head here. | |
| 31 | >Everything seems built to her scale, which is to say, slightly outsize for you. | |
| 32 | "You do realize I'm a guy, right?" | |
| 33 | ||
| 34 | >Annabelle blushes a bit. | |
| 35 | >"Yeah, I do, but it's fine, you'll have your own room and your own bathroom." | |
| 36 | "Isn't this place kinda big for just you?" | |
| 37 | >"Well," she says, fidgeting, "you run out of space kinda fast when you're me, but it is kinda lonely here, so I'm glad of the company." | |
| 38 | >She stops talking abruptly, as though she were worried that she might have said too much. | |
| 39 | "Okay, that's cool. Where's my room?" | |
| 40 | >"Oh, right this way." | |
| 41 | >She turns and walks ahead of you, which puts you right at eye level with her backside. | |
| 42 | >If she's conscious of the show she's giving you, she doesn't show it. | |
| 43 | >You avert your gaze as you walk past the kitchen, noticing that the trash appears to be stuffed full of beer cans. | |
| 44 | >Annabelle opens a door at the end of the hall and ushers you in. | |
| 45 | >The room is recently cleaned, with a futon, a desk, a chair, and a small chest of drawers. | |
| 46 | >Small is relative, most of the furniture looks a bit big for you. | |
| 47 | >But hey, bonus - big bed. | |
| 48 | >"There's fresh linens in the closet, so you can make up the bed, and the bathroom is through this door." | |
| 49 | >She flicks a lightswitch and opens a door next to it, revealing a water closet/shower combination, also recently cleaned. | |
| 50 | >Again, the fixtures are a bit outsize, but you figure you can make them work. | |
| 51 | "I guess they sent me here because of my size. I was having a hard time fitting in pony guest houses." | |
| 52 | >"Ha-ha, I know, right? It's like this whole city is built around miniature equines, I know how much of a pain that can be." | |
| 53 | "Looks okay." | |
| 54 | >You set down your suitcase and reach into your pocket, pulling out a rumpled envelope, which you offer to her. | |
| 55 | >"What's this?" | |
| 56 | "First month's rent." | |
| 57 | >"Oh." She brightens considerably. "Oh! So you like it?" | |
| 58 | "Sure." | |
| 59 | >She takes the envelope with her teeth. | |
| 60 | >"Tiwiffic! I weef oo oo e elle i" | |
| 61 | "What?" | |
| 62 | >She bends her neck down, tucking the envelope into the pocket of her apron. | |
| 63 | >"I'll leave you to get settled in then! Make yourself at home!" | |
| 64 | ||
| 65 | >She smiles at you, then turns to go, again giving you a full view of her backside. | |
| 66 | >You begin to unpack and put away your few possessions. | |
| 67 | >"I'm going to work now, talk to you when I get back!" | |
| 68 | "Okay." | |
| 69 | >You hear the front door open and shut. | |
| 70 | >Oh well. You're adaptable, you can work out the rest of the details later. | |
| 71 | >And least you've got a place to stay. | |
| 72 | >Better still, a place to stay where you won't bump your head so much. | |
| 73 | >After making up the bed, you have a look around the house. | |
| 74 | >She left the door to her room open. Peering inside, you see similar furnishings to your room, with articles of clothing and personal effects scattered about haphazardly. | |
| 75 | >The living room is home to a plush couch set in front of a large-screen TV, and little else. | |
| 76 | >The kitchen is a mess. | |
| 77 | >You decide to make a good first impression and clean it up. | |
| 78 | >It's not as if you have anything else to do today. | |
| 79 | >You wash the pots and pans, and take the cans out to the trash. | |
| 80 | >You do a bit of general tidying up, but not too much, because if Annabelle has a system, you don't want to mess with it. | |
| 81 | >But she did tell you to make yourself at home, and that mess was a bit much, even for you. | |
| 82 | >Feeling hungry, you decide you've earned a reward from the fridge. | |
| 83 | >You are disappointed, however, to find that there is nothing more in the fridge than a box of baking soda and a tube of wasabi. | |
| 84 | /Welp, Chinese./ | |
| 85 | >Then you realize she hadn't given you a key yet. | |
| 86 | /Sigh. Going to have to be a quick trip, then./ | |
| 87 | >You leave the door on the latch and go to the convenience store at the corner, returning with mac and cheese, a tin of tuna, and some beer. | |
| 88 | >You make up a quick tuna casserole by mixing the tuna into the mac and cheese, then settle down with it in front of the TV. | |
| 89 | /Right. Basic cable. Shoulda guessed./ | |
| 90 | >Putting the leftover tuna casserole in a container in the fridge, you decide to turn in early. | |
| 91 | >Hopefully your new roommate will be quiet when she gets home. | |
| 92 | >She's not, of course. | |
| 93 | ||
| 94 | >She bangs into the hallway, slamming the door behind her. | |
| 95 | >"Honest to pete, the frikkin' NERVE of some people!" | |
| 96 | >"Hey, you still up?" she calls, "I bought some groceries." | |
| 97 | /NOW she buys groceries./ | |
| 98 | >"Omigoodness!" | |
| 99 | /That's it./ | |
| 100 | >You get up, determined to discuss this behavior with her, when suddenly the door to your room bangs open. | |
| 101 | >Annabelle staggers in, very unsteady on her feet. | |
| 102 | >She looks around the room, despite the fact that you're standing right in front her, before focusing on you. | |
| 103 | >"Did you clean up the kitchen?" | |
| 104 | "Yeah, it was horrible. Look - OOF!" | |
| 105 | >She wraps her forelegs around you, crushing you into her chest. | |
| 106 | >You can smell that she has been drinking. | |
| 107 | >"Oh, thankyousomuch!!" | |
| 108 | "Let go of me!" | |
| 109 | >She releases you and you stagger back. | |
| 110 | >She lowers her head to a level with yours and looks at you unsteadily with her big, brown eyes. | |
| 111 | >"Thass so sweet of you! Y'know, I thin' you an' I are going to be GREAT friends!" | |
| 112 | "Well, not unless you MMFFFF!!" | |
| 113 | >Annabelle wraps her soft, fuzzy lips around the lower half of your face, and you feel her tongue invade your mouth. | |
| 114 | /Seriously, WTF!!!/ | |
| 115 | >You try to back up, but she follows you, pushing her tongue deeper into your mouth. | |
| 116 | >Like, gag reflex deep. | |
| 117 | >She moans into your mouth, sounding excited. | |
| 118 | >You trip over your futon and fall back, and Annabelle follows suit, still molesting your face with her lips and tongue, and ending up atop you. | |
| 119 | >She is no lightweight. Not at all. | |
| 120 | >Getting your hands under her head, you finally push her off you and gasp for air. | |
| 121 | >Her head lolls, and her neck is pinning you to your futon. | |
| 122 | "Hey, you! Get off me!" | |
| 123 | >Your only response is a loud snore. | |
| 124 | "%&@#?!! WAKE UP YOU #$&%ING DRUNK!!" | |
| 125 | >She nestles her head into your side and snores again. | |
| 126 | >You're not in danger of being crushed, but these are obviously your sleeping arrangements for the night. | |
| 127 | >When she wakes up, you are going to have to discuss things with her. | |
| 128 | ||
| 129 | >Fortunately, she did roll over in the night, making it possible for you to extricate yourself. | |
| 130 | >Taking a blanket and pillow, you grumpily decided to camp out on the couch, rather than smell her whiskey breath all night. | |
| 131 | >You sleep well enough, until the suns rays begin to creep in through the windows, gradually illuminating the room. | |
| 132 | >A guttural moan filters into your consciousness, waking you. | |
| 133 | >A few bumping noises, then Annabelle staggers into view, eyes closed. | |
| 134 | >She staggers into her room without acknowledging, or apparently even noticing your presence, and shuts the door. | |
| 135 | >You hear the sink running, a toothbrush, gargling, and other general waking-up-with-a-hangover noises. | |
| 136 | >She emerges, headed for the kitchen, and this time she notices you. | |
| 137 | >Peering at you in confusion, she asks, "What are you doing out here? Didn't you like the room?" | |
| 138 | /Unbelievable./ | |
| 139 | "Pop quiz. Where did you wake up just now?" | |
| 140 | >Her brow creases in thought. | |
| 141 | /Wait for it.../ | |
| 142 | >Her eyes go wide and her cheeks color. | |
| 143 | /A-a-and there it is./ | |
| 144 | >"Oh, geez, I'm sorry," she takes a couple of steps towards you and you sit up. | |
| 145 | >"Gosh, I must have been stinko last night." Well she seems sincere, at any rate. | |
| 146 | >"Umm, I didn't... do anything... inappropriate, last night, did I?" | |
| 147 | "Well, if trying to rape my face and then falling asleep on top of me are appropriate behavior, then no." | |
| 148 | >She blushes even more deeply. | |
| 149 | >"Oh my! Umm, I'm very sorry about that. Listen, I'll go get some groceries, do you want anything?" | |
| 150 | "You got some last night." | |
| 151 | >She looks puzzled, then she goes and looks in the kitchen. | |
| 152 | >"Oh! Well then, I bought coffee. Would you like some?" | |
| 153 | "Sure." | |
| 154 | >She disappears into the kitchen and you hear her putting things away. | |
| 155 | >"Thanks for cleaning up the kitchen, by the way." | |
| 156 | "Don't mention it." | |
| 157 | >Yeah, that's what set her off last night. | |
| 158 | >You rise from the couch and go to your room, closing the door. | |
| 159 | ||
| 160 | >Triple-S, and since the sheets have giraffe sweat and drool on them, you strip the futon and remake it with fresh linen from the closet. | |
| 161 | >You smell coffee as you finish dressing and open your door. | |
| 162 | /What the hell. Forgive and forget, I guess./ | |
| 163 | >As you enter the kitchen she looks up from her coffee at the kitchen table, and indicates a second cup set out for you. | |
| 164 | >"Do you want sugar, or..." | |
| 165 | "I take it straight, thanks." | |
| 166 | >You pick up the coffee and drink, sitting at the table across from her. | |
| 167 | >"So... maybe this isn't in the right order or anything, but maybe you'd like to tell me a little bit about yourself?" | |
| 168 | >You shrug. | |
| 169 | "Not much to tell. I was restocking shelves when I got the Emergency Alert Message on my cell." | |
| 170 | >Another sip of coffee. | |
| 171 | "I was less than ten miles from San Diego when the bombs started falling, so I was sure I was toast." | |
| 172 | >She nods, watching your face. | |
| 173 | "Then this weird portal opens up, and a pony is yelling at us to come through. And here I am." | |
| 174 | >For whatever reasons, they had saved as many as they could before the world burned. | |
| 175 | >In the process, they had burdened themselves with a refugee crisis greater than any known in Equestria's long and proud history. | |
| 176 | >Suddenly, overburdened town and city administrations were struggling to find housing and work for the aliens they had compassionately taken in. | |
| 177 | >"What about your family?" | |
| 178 | >Again, you shrug. | |
| 179 | "Don't know." | |
| 180 | >"That's so sad. Wasn't there a Missus Anonymous?" | |
| 181 | "Nope." | |
| 182 | >You finish the coffee and get up to pour yourself another cup. | |
| 183 | >"I guess I know how you feel, there's never been a Mister Annabelle." | |
| 184 | >You look over your shoulder to see her looking wistfully into her coffee cup. | |
| 185 | >"I was supposed to go on a date with someone after work last night, but he broke up with me instead." | |
| 186 | >She drains her cup. | |
| 187 | >"That's kinda why I was in the state I was in last night. My friends took me to a bar, since the bastard didn't even have the guts to tell me himself." | |
| 188 | ||
| 189 | >Against your better judgement, you feel a pang of sympathy for your new roommate, so you refill her cup for her as well before sitting down. | |
| 190 | >She acknowledges your kindness with a grateful smile, then opens three sugar packets into her coffee. | |
| 191 | "Workplace romances never worked out too well for me either." | |
| 192 | >You clink your cup to hers in a gesture of solidarity, and take a drink. | |
| 193 | >She smiles and drinks, keeping her eyes on you over the rim of her cup. | |
| 194 | "So what's for breakfast?" | |
| 195 | >"Umm, salad. My diet is pretty much leafy greens and fruits." | |
| 196 | /Yeah. Shoulda guessed./ | |
| 197 | "It's okay, I know where I can get some bacon and eggs. I'll need a key though." | |
| 198 | >"Oh, right." She rummages through a drawer in the kitchen until she finds it. | |
| 199 | >"So you're not mad about last night?" | |
| 200 | "Of course I am. But given the circumstances, I guess I'll forgive and forget." | |
| 201 | >She chuckles. "I guess I was right about one thing, then." | |
| 202 | "What's that?" | |
| 203 | >She looks you in the eye, pushing the key across to you. | |
| 204 | >"You really are kinda sweet." | |
| 205 | >You grimace. | |
| 206 | "Sure, you can go on believing that if you like." | |
| 207 | >She giggles at this. | |
| 208 | >"I'll make you a deal. I'll go on believing it until you do too." | |
| 209 | >Okay, you officially can't take any more of this, and you rise to go to the store, draining your coffee. | |
| 210 | "Sure. I'm headed out." | |
| 211 | >"Okay, see you when you get back," she replies cheerfully. | |
| 212 | >You also have to talk to the Resettlement Office about a job, so it may be a while. | |
| 213 | ||
| 214 | NEXT PART: http://pastebin.com/0ej1MPD8 (Note: NSFW) |