Advertisement
smallface

Horror House

Sep 12th, 2017
1,050
0
Never
Not a member of Pastebin yet? Sign Up, it unlocks many cool features!
text 17.57 KB | None | 0 0
  1. ----Laugh Shack----
  2.  
  3. >You wake up to the sound of chains rattling
  4. >You look around the dark
  5. >You have no idea where you are
  6. >The smooth texture of warm metal wakes you up quickly
  7. >Your limbs have been chained down to a metal table
  8. >You pull against the chains, trying to free yourself
  9. >The clanging echoes throughout the room
  10. >You cannot force your way out of the bonds
  11. >Your heart is pounding like crazy, panicking
  12. >You shout for help, but no response
  13. >You are getting light-headed, your breathing is erratic
  14. >You try to calm down
  15. >You look around the room again
  16. >It's dark, you can barely make out the outlines around you
  17. >For certain, there is a door at your feet
  18. >The walls are decorated by numerous objects of varying shapes and sizes
  19. >Above your head is a lamp, obviously not turned on
  20. >The chains are tightly wrapped around your limbs and the table
  21. >You move the chains around again, less forceful this time
  22. >Based on the tugging motions, the chains must be connected as one
  23. >The lights outside your door turn on
  24. >They shine through the window on the door
  25. >The walls illuminate just a bit
  26. >Just enough to see the tools that adorn your walls
  27. >The rusted saws, machetes, gardening scissors
  28. >The bent hammers, screw drivers, hand-drills
  29. >The knives
  30. >So many knives
  31. >Large knives, small knives, straight knives, curved knives, chef's knives, combat knives
  32. >All caked in what you assume to be dried blood
  33. >Footsteps emit from outside
  34. >Just when you are about to scream for help, you hear whimpering
  35. >Then crying, then begging
  36. >Pleading for something to stop
  37. >The footsteps stop
  38. >A door creaks open
  39. >"Heeyy! I got a joke for you!"
  40. >Her voice was sweet, caring, upbeat
  41. >The whimpers grew louder
  42. >"Plee-ee-eeaase, no more."
  43. >"Come on! This one's hilarious! What do you call it when a dentist works on a river?"
  44. >"I, *sniff* I don't know."
  45. >"A ROOT CANAL!"
  46. >You can tell by her enthusiastic voice that she probably posed for her punchline
  47. >The woman burst out laughing
  48. >"Get it?!"
  49. >"...Ha, haha..."
  50. >Their laughter was filled with fear, forced
  51. >"Hahahahaaa...haha..."
  52. >*KLUNK*
  53. >Something metal was struck
  54. >"Why aren't you laughing? That one was amazing!"
  55. >Your heart begins to sink, worried about what might be coming next
  56. >"No, I laughed, it was funny! YOU are fun-GRAH!"
  57. >They yelped in pain, something cut them off
  58. >"Don't lie to me! You don't think I'm funny!"
  59. >They continued to scream repeatedly in agony
  60. >"P-p-p-pleasssse!"
  61. >How's this? Is THIS funny? I THINK IT'S FUNNY!"
  62. >The screams are constant, rhythmic, and occurring faster
  63. >But soon turn to gurgles
  64. >Clanging can be heard, growing louder as the screams become quiet
  65. >An ear piercing laughter erupts from outside your door
  66. >"HAHAHAHAHAHA HAHAHA HAHAHAHA HAHAHAHAHAHAAAHHHH"
  67. >The screams are gone, the only thing you can hear is the laughter and metallic banging
  68. >Until it finally stops
  69. >The clang, the laughter, they stop
  70. >Only the faint heavy breathing of a woman can be heard
  71. >Then footsteps
  72. >Growing louder and louder
  73. >Heading towards your room
  74. >The window light is blocked by the silhouette of a head
  75. >Your door opens, light bleeds into your dark room
  76. >The walls light up, revealing the dried blood stains that decorate them
  77. >The person steps into the room, reaches over to the door frame, and flicks a light switch
  78. >A few ceiling lights burst on, one sparks as it struggles to illuminate
  79. >You close your eyes to the blinding light
  80. >The person walks up to your table
  81. >You struggle to force open your eyes and see the intruder
  82. >Finally, you adjust to the light and look to the body looming over the table
  83. >"Hi!"
  84. >The sweet voice came from an even sweeter face
  85. >A woman, with brown hair tied up in a ponytail looked down at you
  86. >Your eyes travel down her body
  87. >Her white blouse is covered in blood splatters
  88. >Her yellow skirt looked like it sat in a puddle of blood
  89. >Her right hand was caked in fresh blood
  90. >The knife she held was crooked, bent at the tip, and dripping blood
  91. >You look back up to her face
  92. >She grinned ear to ear, as if she was genuinely happy to see you
  93. >"Welcome, to my humble abode!"
  94. >She said, spreading her arms wide
  95. >"Do you like it?"
  96. >You remain silent, only staring at her, heart pounding
  97. >What the hell are you going to do?
  98. >Her smile shrinks
  99. >She blushes
  100. >"Heh, it's not nice to stare."
  101. >She puts her not-as-bloody hand on her cheek and looks away, embarrassed
  102. >Her attention snaps back to you
  103. >"I bet you're scared, not knowing what's happening. But don't worry, everything will be just fine!"
  104. >You open your mouth to say something, anything, but she interrupts you
  105. >"Oh! uhh..."
  106. >She blushes again
  107. >"I mean, if you're offering..."
  108. >Confusion strikes your face as she leans into you
  109. >She closes her eyes
  110. >And plants her lips onto yours
  111. >She's firmly kissing you, practically grating your lips together
  112. >Then her tongue slips into your mouth
  113. >It glides around yours, tangling itself with it
  114. >Her breath grows heavy as it flows through her nostrils
  115. >She gets up on the table, lips still connected
  116. >She mounts herself onto your mid-section
  117. >Her hands hold onto your wrist
  118. >You can feel the handle of the knife rub against your skin
  119. >Her tongue continues to thrash around in your mouth
  120. >She begins to moan
  121. >Then she moves to your neck
  122. >She sucks on your skin
  123. >She traces the hickeys with your tongue
  124. >You can feel the slobber pooling
  125. >She continues to move south, now snogging on your collar bone
  126. >A sharp pain hits your left hand
  127. >You cringe
  128. >She sits up and looks at your hand
  129. >The bent knife has cut your palm
  130. >Blood pours out of the wound
  131. >She gets off of you, off of the table
  132. >Her face is as red as a tomato
  133. >She wipes the spit off of her mouth
  134. >"Woopsie! I better take of this before we continue."
  135. >She heads to the door, turning around before she leaves
  136. >"I'll be back with something more..."
  137. >She brings the bloody knife to her face and licks the tip
  138. >"...intimate."
  139. >She skips down the hallway, leaving the light on and the door open
  140. >You stare at where she used to be
  141. >The pain in your hand snaps you out of your stupor
  142. >You need to get out of here
  143. >You need to get out of here, now
  144. >You move around, the chains rattle about
  145. >The clasps that are on your wrists and ankles jingle
  146. >You can almost slip out of them, you just need some lubricate
  147. >Your hand hurts, more blood seeps from the wound
  148. >That's it
  149. >You squeeze your left hand, doing your best to ignore the pain
  150. >The blood trails down your palm and onto your wrist
  151. >You gyrate your arm around, trying to get the fresh blood under the clasp
  152. >Finally, you are able to free your hand
  153. >You throw your bloodied hand to your right and tamper with it's clasp
  154. >It's rusted and difficult to move, but you are able to remove the clamp on it
  155. >You quickly do the same for your feet and jump off the table
  156. >Outside your room is a short hallway with three cell doors on each side
  157. >To your left is a rounding corner
  158. >To your right, at the end of that hall, is a door left slightly ajar
  159. >The fresh red hand-print on the door knob tells you that the woman went that way.
  160. >You head to the left
  161. >One room was left open, and inside was a corpse chained to a table
  162. >Their torso was stabbed multiple times, blood poured onto the table and over the sides
  163. >This was the victim you heard before
  164. >You continue down the hallway and reach the corner
  165. >It leads to another hall, more cells line the sides
  166. >A poorly lit door sits at the end
  167. >"HEY!"
  168. >You look back and see the woman standing at the end of the hall
  169. >"Don't run."
  170. >She takes out a chainsaw and pulls the cord
  171. >"Don't RUN!"
  172. >You run
  173. >"DON'T RUN!"
  174. >You hear her scream as the chainsaw revs to life
  175. >You run as fast as you can down the hall
  176. >Out of your peripheral vision you can see streaks of red in the rooms
  177. >The chainsaw roars louder as she rounds the corner behind you
  178. >You continue to run as fast as you can
  179. >The hallway seemed much shorter earlier
  180. >Finally, you reach the door and open it
  181. >You rush inside and slam it shut behind you
  182. >You are in a dark room
  183. >It smells awful, musky
  184. >You quickly feel around for a light switch
  185. >You find one and flick it on
  186. >White tiles appear everywhere
  187. >On the floor, the walls, the ceiling
  188. >Blood decorates the walls, hand-prints, smiley faces, a cat
  189. >Corpses litter the ground
  190. >Some missing limbs, missing heads, missing bodies
  191. >Off to the corner was a lone shower, turned on, watering a few of the bodies around it
  192. >The blood poured down the white tiles and into a drain that sat in the middle of the floor
  193. >This is the bathroom
  194. >This is a dead end
  195. >You push some corpses around, hoping to find some sort of escape
  196. >But no such luck
  197. >The door opens
  198. >The chainsaw revs
  199. >She walks in
  200. >Her sweet smile pointed right at you
  201. >"Hey! I got joke for you!"
  202. >You back up to the wall
  203. >She steps towards you
  204. >"What did the drunkard's friend say to him after he tripped head over heels?"
  205. >You sink to the ground
  206. >She's stands in front of you
  207. >The chainsaw sits directly at your crotch
  208. >"Bottoms up!"
  209. >She thrusts the motored saw into your genitals
  210. >You screech in pain as it tears through your flesh
  211. >Her ear-piercing laugh echoes through the room, into your ear
  212. >"GET IT?!"
  213. >She raises the chainsaw, ripping into your stomach
  214. >Your screams are replaced by spastic gurgles
  215. >Your vision fades
  216. >Everything is getting dark
  217. >The last thing you hear is her laughter
  218. >Shrieking
  219. >Wailing
  220. >Genuine
  221. >Laughter
  222.  
  223. ----The Perfect Couple----
  224.  
  225. >bingbong
  226. >the doorbell rang loud
  227. >you took a step back and looked at the house again
  228. >it's pretty swanky, she must have a good job to afford this
  229. >the door opens
  230. >there stood your date for the night
  231. >tall, fit, smart, blonde, and beautiful
  232. >all wrapped in with a pretty name of a bow
  233. >Lori Loud
  234. >you don't know how you convinced her to go out with you
  235. >"Anon! I'm so glad you came."
  236. >she stepped out and gave you a hug
  237. >she smelled like strawberries
  238. >"Come in come in."
  239. >you tell her that the movie will be starting soon
  240. >"Movie? Pfaw. No, we're going to have a nice dinner here."
  241. >home dinner for a first date is a bit weird
  242. >but god damn does it smell delicious
  243. >you follow her inside
  244. >you immediately notice the innumerable amount of pictures that adorn the wall
  245. >looks like she's part of a big family
  246. >"Sit down and relax, dinner will be ready soon."
  247. >you sat down at the dining table
  248. >silverware was well positioned on the table
  249. >off to one side was a set of candles
  250. >the other side had a chilled wine bottle and two wine glasses
  251. >within a minute she returned with two plates of hot food
  252. >dinner was set, the wine was poured and you began your date
  253. >not even twenty minutes in and you already know that she's the one
  254. >you two have so much in common
  255. >you both are laughing at the same jokes
  256. >her eyes sparkle everytime she looks at you
  257. >she's perfect
  258. >"You know, Anon, I've been with a few other people, and while they LOOKED perfect for me, one date with them told me otherwise."
  259. >she grabs your hand from across the table
  260. >"But you, you are what I have been looking for."
  261. >"You're the one."
  262. >your heart is practically bursting out of your chest
  263. >everything she says you could same about her
  264. >you open your mouth to speak, but nothing comes out
  265. >you need to calm down
  266. >thankfully your heart is starting to slow down
  267. >although, it's slowing down a bit too much
  268. >and are the lights getting dimmer?
  269. >your head tilts back as you lose conciousness
  270. >you suddenly wake up in a well lit room
  271. >your head is pounding
  272. >you go massage your head
  273. >your arms are tied to a chair
  274. >so are your legs
  275. >you aren't even wearing the same clothes from before
  276. >it looks like one of those patient gowns you see in the hospitals
  277. >you shout for help
  278. >nothing
  279. >you move around, trying to escape the bonds
  280. >nothing
  281. >you look around the empty room for something that can save you
  282. >nothing
  283. >except for the one door to this room
  284. >there's nothing you can do
  285. >that's when you notice the markings
  286. >all around your arms are various words, numbers, measurements
  287. >notes about what to change
  288. >the same markings decorate your legs as well
  289. >did Lori do this?
  290. >where is she?
  291. >with nothing else to do you try to read some of the notes on your skin
  292. >it's mostly about how much to add
  293. >add what?
  294. >*squeaksqueaksqueak*
  295. >you perk your head up at the new sound
  296. >it's coming from the door
  297. >it kind of sounds like a wheel
  298. >the door swings open and out appears Lori, in a doctor's coat, pushing a cart with some coolers on it
  299. >"Oh good, you're awake."
  300. >she's talking as if you weren't bound to a chair
  301. >"You like my coat?"
  302. >she does a twirl
  303. >"My sister made this for me."
  304. >you ask her what is going on
  305. >"Oh, hold on."
  306. >she walks up to you and grabs your head
  307. >she looks intently at at your face
  308. >she licks her thumb and vigorously rubs your cheekbones
  309. >"Needs a little bit..."
  310. >she thinks out loud as she takes a pen out and writes on your face
  311. >"There!"
  312. >your look of confused horror remined her of your question
  313. >"Okay, so, as I said earlier, I dated some people that looked perfect on the outside, but it turned out they weren't on the inside."
  314. >"And you..."
  315. >she puts her hands on her chest
  316. >"You are perfect on the inside."
  317. >she takes a deep breath
  318. >she looks you up and down, cringing
  319. >"But you don't look perfect."
  320. >"And, as you can plainly see, I am literally perfect, inside and out."
  321. >"So, it would make sense that someone as perfect as me gets someone equally as perfect to be their lover, right?"
  322. >"Now, it is MUCH harder for me to put inner perfection inside an outer perfection."
  323. >"I mean, I could probably get my younger sister to do it, but then I'd have to hear her complain about the morality of the whole thing, and just ugh."
  324. >you silently listen to this mad woman's rambling
  325. >"So, what I'm going to do is take a bunch of outer perfect and put it on you, or rather in you, under your skin."
  326. >your jaw drops
  327. >she's going to carve you
  328. >"You're right, I should change your jawbone a little more."
  329. >she goes to reach for your chin
  330. >you desperately try to eacape her hand
  331. >"Stop struggling, don't you want to be perfect?"
  332. >you call her crazy
  333. >she glares at you
  334. >she pulls a syringe from the coat pocket and stabs you in the chest with it
  335. >you immediately feel the numbness spread around youre body
  336. >"Trust me, you may disagree with it right now, but after I'm done you'll be thanking me."
  337. >she heads to the cart and opens a cooler
  338. >she begins to pull out various chunks of meat
  339. >she takes a few chunks and holds them up with a smile
  340. >"Your new biceps!"
  341. >she says with the same giddiness as she would after giving someone a gift
  342. >your tongue is starting to feel the numbness
  343. >you still manage you mumble out a question
  344. >"Where did these come from?"
  345. >"Uh, duh, remember those other dates I had? About them looking perfect?"
  346. >she gives you a look as if you just asked a stpid question
  347. >she pulls out a scalpel from a small box next to the cooler and walks up to you
  348. >she grabs your left bicep and thumbs the skin
  349. >"We'll start with your arms, thrn work down towards the legs."
  350. >you try to struggle, but your muscles refuse to work
  351. >she takes the scalpel and begins to stab it into your bicep
  352. >it's a dull pain, thanks to the numbness, but it's still among the worst things you have ever felt
  353. >she makes a long incision in the middle of your arm
  354. >blood pours out of your arm
  355. >she ignores it and makes two more clean cuts at the top and bottom
  356. >she sticks her gloved fingers in the wound and peels back your arm
  357. >she grabs your muscle and looks around the sides before finally digging the scalpel in
  358. >she carves into your muscle, peeling it back as she cuts deeper
  359. >you can see your bone, clear as day
  360. >your arm is stained red with your own blood
  361. >does she think you will not bleed out?
  362. >finally, with one last pull, she completely removes the muscle in your arm
  363. >"There we go!"
  364. >she holds your muscle up to your face
  365. >"Look at this thing, it's so tiny."
  366. >she dangles it for a few seconds before tossing it to the side
  367. >she goes back and grabs one of the chunks of meat, holding it up to your face
  368. >"Now THIS, this is what you want."
  369. >she plops the meat onto the wound in you arm
  370. >she squishes it down as she stretches your skin over the new muscle
  371. >she goes back to the cart and takes the suture kit from the small box
  372. >is she serious?
  373. >"Don't worry, I took a home economics class in High School."
  374. >she flashes a reassuring smile
  375. >she is serious
  376. >she thinks this will work
  377. >you try to tell her that you can't just slap someones muscle in and expect it to work
  378. >you try to tell her that that's not how the human body works
  379. >you try to tell her that she's a fucking idiot
  380. >all that comes out is babbles
  381. >your head is getting woozy from the blood lost
  382. >she notices you trying to tell her something
  383. >"Hmm? What's up?"
  384. >you babble incoherently
  385. >she cocks an eyebrow at you and looks at your arm
  386. >she stares for a bit before finally realizing it
  387. >"Aagghh, FUCK!"
  388. >she sighs
  389. >"I knew I was forgetting something. The blood! You're going to bleed out!"
  390. >she sighed again, clearly annoyed
  391. >"Well great. You're going to die and I'm going to have to start over, AGAIN."
  392. >she shoots you a look, as if it's your fault.
  393. >she looks at your half stitched arm before ripping the stitching off
  394. >she pulls the new muscle out of your arm, shaking your blood off of it
  395. >"Better get you cleaned up, big guy."
  396. >she takes the muscle and the cart and leaves the room
  397. >leaving you alone
  398. >tied to a chair
  399. >drugged
  400. >and bleeding out
  401. >you take one last look at your arm
  402. >she did a horrible job, as if you were just mauled by a bear
  403. >off to the side you see your old muscle
  404. >your vision begins to grow hazy
  405. >the room darkens
  406. >you let gravity take control as your head rests forward
  407. >everything fades to black
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement