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- >Day 7.
- >Be Normal Norman.
- >You've been at this school for a week, and you've been harassed, kicked in the balls, and got beef stewed in one day.
- >In other words, usual day is usual.
- >Currently you are in a trash can, struggling to get out.
- "HELP ME! FOR THE LOVE OF ALL THAT IS GOOD IN THIS WORLD, HELP ME!"
- >Your pleas remain unanswered by all but the trash can, which responds by falling.
- >The bell rings. Well, you're fucked.
- >You silently cry to yourself, wondering what you did to deserve this.
- "God, if you're there, I get it, I deserve to be fucked with. Can we please call it good and let the good times happen again? I'd appreciate it."
- >No response. Well then, maybe you should turn to Satan. Or maybe Odin.
- >You take in a breath to recite a satanic chant, but you feel something pulling your legs.
- >Oh god yes, freedom!
- >Thank you, holy trinity!
- >You finally taste fresh air instead of Lil Wayne's music(because it's trash xdddddd), and are greeted by the sight of a grey girl in a tuxedo.
- "Well good morning, sunshine."
- >"Hello to you, too."
- >Come on, that worked on everyone back in Philadelphia!
- >The walk to class is a tad talkative.
- >Her name is Octavia Philharmonica. She goes to Math class at this time, like you do.
- >She plays a cello, and now that she mentions it, you remember hearing a few of her performances.
- >They were fantastic, to say the least.
- >"By some chance, Norman, do you play any instruments?"
- "No, but I always wanted to."
- >"Well, I could perhaps find you some lessons, if you'd like to join."
- >Something productive that doesn't involve getting a high score in Mercenaries Reunion? Hot dog!
- "I'd appreciate that. Thanks, Octavia!"
- >She nods, and for a second, you think you catch a faint smile..
- >One eternity later, you find yourself in the cafeteria.
- >Thankfully you had gym, so you had an opportunity to shower, so you don't smell like Dane Cook's idea of comedy.
- >i.e. Trash.
- >I'M SO LE FUNNY AND EDGY!11 XDDDDDDDDDD
- >Okay enough me trying and failing at comedy. I digress.
- >You look around for your bro, when you're approached by someone who is not-bro-tier-but-still-good-tier.
- >"Hello again, Norman."
- "Hey, Octavia."
- >"Would you like to join my friends for lunch?"
- >As much as you like Brad(no homo), you kinda get sick of him styling on you.
- "Sure, thanks."
- >You follow her to a table, and sit across from her, next to a purple skinned, blue haired guy.
- >"Everyone, I'd like you to meet Norman."
- >"My name is Frederic Horseshoepin. It's a pleasure, Norman," says a tan skinned, white haired guy.
- >"I'm Brass Breeze! Nice to meet you!" says a brown haired, teal skinned girl.
- >"And I'm Golden Strings," says the aforementioned purple guy.
- >Three handshakes later, you decide to cut the conversation sort and chow down.
- >"So how did you meet Octavia?"
- >Brass gets right to the point.
- "It involved a trash can. Can I leave it at that?"
- >"No way! Not when stuff like that's involved! Seriously, Octy, I thought you were the clean one?"
- >Octavia raises an eyebrow.
- >"Care to go on, Norman?"
- >You sigh, seeing you have no choice.
- "I got shoved in a trash can for supposedly being racist and Octavia got me out, which I never thanked her for. So thanks and stuf."
- >"But of course."
- >Octavia gives you another slight smile, this time you notice it.
- >"Oh, I remember the rumors! You have my condolences, Norman."
- "It's okay, Frederic. You're saying it like my dog died."
- >"Well, having dirt on you, truthful or false, is almost as bad, from my point of view..."
- "Almost?"
- >He smirks.
- >"Well, here I was thinking no one agreed. I think we're going to be great friends, Norman."
- >The lunch bell rings.
- >"I suppose we should get to class."
- "Yup. See you all later."
- >They give their farewells as you grab what's left of your lunch and throw it out, placing the tray on the closest stack.
- >The rest of the day is uneventful so we're skipping to after school.
- >Another eternity later, you run out, grab your stuff, run outside, and kiss the ground.
- >Oh lord, sweet relief.
- >"Norman? What are you doing?"
- >You look up to see a confused Octavia, then look back down, caressing the concrete.
- "No one understands our love, ground."
- >"Well, when you're finished being dramatic, would you like to walk home with me?"
- >You're dumped, concrete.
- "Sure!"
- >She doesn't smile too much.
- >Cue town theme.
- http://www.youtube.com/watch?v=8sw96AHqCco
- >On the way home, you two shoot the breeze, learning how the band's violinist left for another school due to their family, and how they need a new one.
- >"You seem to have the talent, you know."
- >Wait. You? Have talent? At something besides Mercenaries Reunion?
- "...Y-you too..."
- >She looks confused and amused at your spaghetti.
- "I mean, uh, you really think so?"
- >"I honestly do. You do know the basics, right?"
- >You remember making dubstep once by turning up everything and using as many hi-hats and bass drops as possible.
- "...No, I really don't."
- >"Oh. Well, this will be...interesting. I suppose I could teach you. Is tomorrow fine for you?"
- "How about today?"
- >"That works, too."
- >"You reach her house soon afterwards.
- >"Here we are."
- >You follow her inside, and take off your shoes, remembering basic human decency.
- "So where will we do this?"
- >Heh, you said do.
- >"The living room. Allow me to retrieve some books on Music Theory first..."
- "I can wait."
- >You sit down on a chair as she leaves and you wait for her to return.
- >You examine the room while you wait.
- >There are a few cellos. Not as many as you'd think.
- >There's also some pictures of what you presume is her and her family.
- >...Speaking of which, where are they?
- >Your question is answered when you hear a car pull up.
- >You see a rather elegant woman exit the Ferrari.
- >She enters the house, and jumps when she sees you.
- >"Who are you?!'
- >"He's my friend, mother."
- >Octavia returns at last.
- "What, did you get lost and end up in the ninth circle of hell?"
- >"Yes. I forgot to bring you a souvenir, I apologize."
- >She's good. BUT YOU'RE BETTER.
- >You stand up, walking to Octavia's mother.
- "Hi, I'm Norman."
- >"Melody Philharmonica, Secretary of FashionCraft. The pleasure is all mine."
- >Oh yeah, that trending clothes brand.
- >"Here's my card."
- >She hands you a business card, with her name and contact information.
- >"Mother, he's a guest, not a customer."
- >"He could use a better look, in my book. Pardon the rhyme."
- >Well, that was an ice burn.
- >"So, may I ask what you're doing here?"
- "Octavia was going to give me a lesson in Music Theory."
- >"Ah, Octavia, still clinging to music?"
- >Oh god this won't end well.
- >"Mother, not now..."
- >"You know you'll have to move on from your childish dreams to face the real world, you know."
- >#SHOTSFIRED
- >"Courage is the magic that turns dreams into reality."
- >"Yes, so be courageous and do what's possible."
- >Way to twist a fantastic quote!
- >"Can we discuss this later, mother? We have a guest."
- >"Fair enough. I suppose you can preach about your music."
- >That's just going from "realist" to "cunt."
- >She leaves the room, leaving the two of you alone.
- >"My apologies for that, Norman. She doesn't exactly approve of my life decisions."
- "I wouldn't have guessed."
- >"Shall we begin the lesson, try to not let her drag us down?"
- "It's what I came for, so yes."
- >One lesson later, you feel like you made no progress.
- >After a not-at-all brief lesson on the origins of music, you tried your hand at a violin so she could see what she had to work with.
- >You made yourself almost cry from the pain of your violin skills.
- >"That will do, Norman."
- >She takes the violin, and places it back in her case.
- >"I suppose that the first step in becoming good at something is to make mistakes."
- "We don't make mistakes. We just have happy accidents."
- >"Thank you, Mr. Ross."
- >Why does she barely smile when she does it?
- "So is that it for the day?"
- >"Yes. I'll see you tomorrow, Norman."
- >To the point. Oof.
- >One thing, though...
- "Could I get your number so we can keep in contact?"
- >She looks surprised, blushing slightly.
- >"Um, sure."
- >She whips out her phone, and clears her throat.
- >"555-3247."
- >You punch it in.
- "555-0932 is mine."
- >She dials it swiftly.
- >"Alright, I'll talk to you later."
- "Later, Octavia."
- >You turn to leave, and wave as you exit.
- >Today was an alright day.
- END CHAPTER 1
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