Parasite_Steve

Normal Norman: Treble Clef Chapter 1

Aug 2nd, 2013
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  1. >Day 7.
  2. >Be Normal Norman.
  3. >You've been at this school for a week, and you've been harassed, kicked in the balls, and got beef stewed in one day.
  4. >In other words, usual day is usual.
  5. >Currently you are in a trash can, struggling to get out.
  6. "HELP ME! FOR THE LOVE OF ALL THAT IS GOOD IN THIS WORLD, HELP ME!"
  7. >Your pleas remain unanswered by all but the trash can, which responds by falling.
  8. >The bell rings. Well, you're fucked.
  9. >You silently cry to yourself, wondering what you did to deserve this.
  10. "God, if you're there, I get it, I deserve to be fucked with. Can we please call it good and let the good times happen again? I'd appreciate it."
  11. >No response. Well then, maybe you should turn to Satan. Or maybe Odin.
  12. >You take in a breath to recite a satanic chant, but you feel something pulling your legs.
  13. >Oh god yes, freedom!
  14. >Thank you, holy trinity!
  15. >You finally taste fresh air instead of Lil Wayne's music(because it's trash xdddddd), and are greeted by the sight of a grey girl in a tuxedo.
  16. "Well good morning, sunshine."
  17. >"Hello to you, too."
  18. >Come on, that worked on everyone back in Philadelphia!
  19.  
  20. >The walk to class is a tad talkative.
  21. >Her name is Octavia Philharmonica. She goes to Math class at this time, like you do.
  22. >She plays a cello, and now that she mentions it, you remember hearing a few of her performances.
  23. >They were fantastic, to say the least.
  24. >"By some chance, Norman, do you play any instruments?"
  25. "No, but I always wanted to."
  26. >"Well, I could perhaps find you some lessons, if you'd like to join."
  27. >Something productive that doesn't involve getting a high score in Mercenaries Reunion? Hot dog!
  28. "I'd appreciate that. Thanks, Octavia!"
  29. >She nods, and for a second, you think you catch a faint smile..
  30.  
  31. >One eternity later, you find yourself in the cafeteria.
  32. >Thankfully you had gym, so you had an opportunity to shower, so you don't smell like Dane Cook's idea of comedy.
  33. >i.e. Trash.
  34. >I'M SO LE FUNNY AND EDGY!11 XDDDDDDDDDD
  35. >Okay enough me trying and failing at comedy. I digress.
  36. >You look around for your bro, when you're approached by someone who is not-bro-tier-but-still-good-tier.
  37. >"Hello again, Norman."
  38. "Hey, Octavia."
  39. >"Would you like to join my friends for lunch?"
  40. >As much as you like Brad(no homo), you kinda get sick of him styling on you.
  41. "Sure, thanks."
  42. >You follow her to a table, and sit across from her, next to a purple skinned, blue haired guy.
  43. >"Everyone, I'd like you to meet Norman."
  44. >"My name is Frederic Horseshoepin. It's a pleasure, Norman," says a tan skinned, white haired guy.
  45. >"I'm Brass Breeze! Nice to meet you!" says a brown haired, teal skinned girl.
  46. >"And I'm Golden Strings," says the aforementioned purple guy.
  47. >Three handshakes later, you decide to cut the conversation sort and chow down.
  48. >"So how did you meet Octavia?"
  49. >Brass gets right to the point.
  50. "It involved a trash can. Can I leave it at that?"
  51. >"No way! Not when stuff like that's involved! Seriously, Octy, I thought you were the clean one?"
  52. >Octavia raises an eyebrow.
  53. >"Care to go on, Norman?"
  54. >You sigh, seeing you have no choice.
  55. "I got shoved in a trash can for supposedly being racist and Octavia got me out, which I never thanked her for. So thanks and stuf."
  56. >"But of course."
  57. >Octavia gives you another slight smile, this time you notice it.
  58. >"Oh, I remember the rumors! You have my condolences, Norman."
  59. "It's okay, Frederic. You're saying it like my dog died."
  60. >"Well, having dirt on you, truthful or false, is almost as bad, from my point of view..."
  61. "Almost?"
  62. >He smirks.
  63. >"Well, here I was thinking no one agreed. I think we're going to be great friends, Norman."
  64.  
  65. >The lunch bell rings.
  66. >"I suppose we should get to class."
  67. "Yup. See you all later."
  68. >They give their farewells as you grab what's left of your lunch and throw it out, placing the tray on the closest stack.
  69. >The rest of the day is uneventful so we're skipping to after school.
  70.  
  71. >Another eternity later, you run out, grab your stuff, run outside, and kiss the ground.
  72. >Oh lord, sweet relief.
  73. >"Norman? What are you doing?"
  74. >You look up to see a confused Octavia, then look back down, caressing the concrete.
  75. "No one understands our love, ground."
  76. >"Well, when you're finished being dramatic, would you like to walk home with me?"
  77. >You're dumped, concrete.
  78. "Sure!"
  79. >She doesn't smile too much.
  80. >Cue town theme.
  81. http://www.youtube.com/watch?v=8sw96AHqCco
  82. >On the way home, you two shoot the breeze, learning how the band's violinist left for another school due to their family, and how they need a new one.
  83. >"You seem to have the talent, you know."
  84. >Wait. You? Have talent? At something besides Mercenaries Reunion?
  85. "...Y-you too..."
  86. >She looks confused and amused at your spaghetti.
  87. "I mean, uh, you really think so?"
  88. >"I honestly do. You do know the basics, right?"
  89. >You remember making dubstep once by turning up everything and using as many hi-hats and bass drops as possible.
  90. "...No, I really don't."
  91. >"Oh. Well, this will be...interesting. I suppose I could teach you. Is tomorrow fine for you?"
  92. "How about today?"
  93. >"That works, too."
  94. >"You reach her house soon afterwards.
  95. >"Here we are."
  96. >You follow her inside, and take off your shoes, remembering basic human decency.
  97. "So where will we do this?"
  98. >Heh, you said do.
  99. >"The living room. Allow me to retrieve some books on Music Theory first..."
  100. "I can wait."
  101. >You sit down on a chair as she leaves and you wait for her to return.
  102. >You examine the room while you wait.
  103. >There are a few cellos. Not as many as you'd think.
  104. >There's also some pictures of what you presume is her and her family.
  105. >...Speaking of which, where are they?
  106.  
  107. >Your question is answered when you hear a car pull up.
  108. >You see a rather elegant woman exit the Ferrari.
  109. >She enters the house, and jumps when she sees you.
  110. >"Who are you?!'
  111. >"He's my friend, mother."
  112. >Octavia returns at last.
  113. "What, did you get lost and end up in the ninth circle of hell?"
  114. >"Yes. I forgot to bring you a souvenir, I apologize."
  115. >She's good. BUT YOU'RE BETTER.
  116. >You stand up, walking to Octavia's mother.
  117. "Hi, I'm Norman."
  118. >"Melody Philharmonica, Secretary of FashionCraft. The pleasure is all mine."
  119. >Oh yeah, that trending clothes brand.
  120. >"Here's my card."
  121. >She hands you a business card, with her name and contact information.
  122. >"Mother, he's a guest, not a customer."
  123. >"He could use a better look, in my book. Pardon the rhyme."
  124. >Well, that was an ice burn.
  125. >"So, may I ask what you're doing here?"
  126. "Octavia was going to give me a lesson in Music Theory."
  127. >"Ah, Octavia, still clinging to music?"
  128. >Oh god this won't end well.
  129. >"Mother, not now..."
  130. >"You know you'll have to move on from your childish dreams to face the real world, you know."
  131. >#SHOTSFIRED
  132. >"Courage is the magic that turns dreams into reality."
  133. >"Yes, so be courageous and do what's possible."
  134. >Way to twist a fantastic quote!
  135. >"Can we discuss this later, mother? We have a guest."
  136. >"Fair enough. I suppose you can preach about your music."
  137. >That's just going from "realist" to "cunt."
  138. >She leaves the room, leaving the two of you alone.
  139. >"My apologies for that, Norman. She doesn't exactly approve of my life decisions."
  140. "I wouldn't have guessed."
  141. >"Shall we begin the lesson, try to not let her drag us down?"
  142. "It's what I came for, so yes."
  143.  
  144. >One lesson later, you feel like you made no progress.
  145. >After a not-at-all brief lesson on the origins of music, you tried your hand at a violin so she could see what she had to work with.
  146. >You made yourself almost cry from the pain of your violin skills.
  147. >"That will do, Norman."
  148. >She takes the violin, and places it back in her case.
  149. >"I suppose that the first step in becoming good at something is to make mistakes."
  150. "We don't make mistakes. We just have happy accidents."
  151. >"Thank you, Mr. Ross."
  152. >Why does she barely smile when she does it?
  153. "So is that it for the day?"
  154. >"Yes. I'll see you tomorrow, Norman."
  155. >To the point. Oof.
  156. >One thing, though...
  157. "Could I get your number so we can keep in contact?"
  158. >She looks surprised, blushing slightly.
  159. >"Um, sure."
  160. >She whips out her phone, and clears her throat.
  161. >"555-3247."
  162. >You punch it in.
  163. "555-0932 is mine."
  164. >She dials it swiftly.
  165. >"Alright, I'll talk to you later."
  166. "Later, Octavia."
  167. >You turn to leave, and wave as you exit.
  168. >Today was an alright day.
  169.  
  170. END CHAPTER 1
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