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May and Bake 1&2

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Nov 12th, 2015
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  1. #1
  2.  
  3. >You are anon, because of your woefully generic name, your friends call you Bake-Anon to distinguish you from all the other anons.
  4. >You don’t mind it, you were after all the team cook whenever there was an exte-...
  5. >You stop thinking about that, you’re not a part of that life anymore.
  6. >You sigh
  7. >It’s been how long? Mere months maybe, feeling like years.
  8. >Your sister ran the Bakery with your mother and father, but she ran away to become a pilot
  9. >She was always an airhead, you smile sadly
  10. >Since the Breach, the Bakery was trashed and your parents were hurt. You had to take over the shop to pay for the medical bills.
  11. >Apparently your sister had become something of an Atlesian fighter ace. She visited for a few moments while you were sweeping the dusty floor after the Breach. Medals pinned on her jacket.
  12. >As quick as she arrived, she left. Having only exchanged a few words.
  13. >All of your cousins, now even your sister, are Hunters, pilots, or soldiers.
  14. >You were once like them. Now you are a baker.
  15.  
  16. >The small Bakery-Cafe shop is mostly empty throughout the day. Most of the shops income in made through custom orders, like wedding cakes, or birthday cakes.
  17. >You had made yourself an espresso just a few seconds ago, setting it on the glass display, when someone walked into the shop
  18. >She wore comfortable clothes, a red and white sweater, blue pants. A rifle slung over her shoulder.
  19. >Probably a Huntress needing some coffee.
  20. >You walk over to the cash register, ready to take her order
  21. >Instead she walks right past you and sits in the corner, silent.
  22. >That doesn’t happen very often.
  23. >You open your mouth to greet her and ask if she needs anything, but you stop when you notice that she’s slouched over and looking down at the table
  24. >You rub your chin in thought and whip something up real quick
  25. >In 10 minutes you have a box of the thing you threw together in the back and a shot of espresso.
  26. >You put it down on her table and sit across from her, she looks up at it.
  27. >You notice her eyes are red, maybe from crying?
  28. “Strawberry and whipped cream Crêpe, drizzled with chocolate. And an espresso for some energy.”
  29. >She glances up at you, looking like a deer caught in headlights, then at the box. You open it, the crêpe is wrapped like a horn, with the strawberries in the horn.
  30. “You’re a hunter right? You guys are always moving.”
  31. >She’s speechless.
  32. “Take it, on the house.”
  33. >She blushes and stammers out a quiet thanks, taking the shot of espresso in one go and taking the box, her rifle, and bolting out the door.
  34. >All within a few seconds
  35. >You sit there flabbergasted, letting out an, ‘Okay.”
  36. >A few hours later you find a small note taped to the door of the shop
  37. >Written on the note is a proper thanks, and her name on the bottom. May Zedong.
  38. >Out of the corner of your eye, you swear you could see red on green, and the tiny glint of a scope in a distant tree.
  39. >Maybe being a Baker won’t be so boring anymore.
  40.  
  41. >Today was horrible for May Zedong.
  42. >Team BRNZ lost the Vytal Festival battle
  43. >To a bunch of unprofessionals
  44. >They were having a talk right in the middle of the battle, who does that?
  45. >After they had recovered, Brawnz pulled May aside and chewed her out
  46. >Calling her a horrible shot
  47. >If she had been able to hit anyone, they wouldn’t have lost
  48. >If she wasn’t spotted, she would have been able to put more fire down on them
  49. >If she was quicker, she would have denied them some of their advantages
  50. >It was too much, she pushed him aside and stormed out, taking a transport into the town.
  51. >She hoped to find a quiet corner to just let it all blow over.
  52. >Brawnz wasn’t the calmest person in Vacuo, he was probably yelling at Roy and Nolan now too
  53. >They probably didn’t care that she left.
  54. >Soon after walking around she found an empty cafe and stormed in, sitting in the corner.
  55. >What if she actually was a horrible shot? If she was actually slow, not fit to be a Huntress.
  56. >These thoughts of doubt were weighing heavily on her
  57. >She tried her best not to cry. A huntress wouldn’t cry.
  58. >Then she heard two quiet thumps, looking up, she saw a white box and a cup of espresso.
  59. “Strawberry and whipped cream Crêpe, drizzled with chocolate. And an espresso for some energy.”
  60. >May looked up at who put them down, the owner of the shop? He seemed awfully young to be the owner. And awfully cute.
  61. >She looked back down at the box, the Baker opening it. It looks absolutely delicious, masterfully made. She had never seen anything quite like it.
  62. “You’re a hunter right? You guys are always moving. Take it, on the house.”
  63. >Her mind went a million miles an hour. Why was he giving it to her for free? Did he fancy her? She felt her face heat up.
  64.  
  65. >The only appropriate response was to down the espresso, grab the box and exfiltrate immediately.
  66. >She tried to say thanks, but botched it.
  67. >Then she expertly, May downed the shot, took her rifle and crêpe and darted out the door.
  68. >The crêpe was delicious, like a thin cake. And the whipped cream, strawberries and chocolate blended together wonderfully in her mouth.
  69. >She wanted more, and what other foods could this baker make?
  70. >The fact that he was cute didn’t hurt either.
  71. >She got a piece of paper, pen and tape. Writing down a proper thank you, and signing it.
  72. >200 meters from the objective.
  73. >She was shaking in anticipation. Should she hand him the note personally? Or just tape it to the door?
  74. >She sped walked to the door.
  75. >As she passed the objective she quickly taped the note to it, then walking off.
  76. >As soon as she was out of sight she masterfully used her rifle to climb up a tree.
  77. >A vantage point, providing moderate concealment.
  78. >She took off the scope from her rifle and peered through it. Staring.
  79. >Once he walked out and grabbed the note, she saw his smile.
  80. >She admired his walk. A walk full of confidence, a trained walk only a warrior had. He had a way of checking his corners, glancing both ways before fully walking out.
  81. >She found herself smiling along with him.
  82. >That night she walked back, positively glowing.
  83. >Maybe today wasn’t so bad.
  84.  
  85. ===
  86.  
  87. #2
  88.  
  89. >It was a particularly cold day, the shop didn’t have a heater installed
  90. >It was again, a slow day. Not many visitors, not many orders.
  91. >You spent the day experimenting with some new recipes, and browsing some anonymous forums.
  92. >Wondering if she would visit the shop today and wondering why she was feeling down.
  93. >You’re still on those forums.
  94. >And you just discovered why she was feeling upset.
  95. >You stumbled upon a recording of her match in the Vytal Festival, you had completely forgotten about the tournament.
  96. >You don’t usually follow the Hunter/Huntress scene, but you come to the conclusion that this Team JNPR had far better teamwork than Team BRNZ.
  97. >And all four members of Team BRNZ was taken out with a single swing, that would discourage anyone.
  98. >You look out the window and see the sunset, knowing that the temperature would soon drop.
  99. >One of your cousins has always been a candle addict, and she always mails you a sizable box of candles per month.
  100. >You wonder how she gets all these candles
  101. >On second thought maybe you shouldn’t wonder.
  102. >You go into the back and take out some candles. Lighting them and placing them around the shop.
  103. >You dim the lights and let the light of the candles do its thing
  104. >That’s when you notice another note on the door.
  105.  
  106. >You go outside into the cold and take a look at the note.
  107. >It’s from May, asking if you have any more crepes.
  108. >You note how pretty her handwriting is, yours looks like chicken scratch.
  109. >Except for when you’re writing on a cake with frosting or chocolate, your handwriting is on point then.
  110. >You scan the trees lining the street looking for her, but it’s too dark.
  111. “You’re going to have to come on inside and order one!”
  112. >You yell out to her, a smile on your face.
  113. >You walk back into your shop, gathering the ingredients for something else.
  114. >Everyone likes chocolate.
  115. >You make a cup of hot chocolate with one of your own mugs, topped with whipped cream and shredded dark chocolate, with a candy cane soaking in the cocoa.
  116. >You know the candy cane will melt into the cocoa, adding peppermint into it
  117. >It’s a month early to be making peppermint cocoa but it was the first thing that came to mind.
  118. >Ten minutes later you hear the bells on your front door jingle
  119. >You walk over to the counter with the mug of cocoa in your hand.
  120. >She’s shivering. From the cold? From excitement? You noted how she zoomed out before, probably from nervousness.
  121. “Here. Hot cup of cocoa to warm you up.”
  122. >She takes the mug and slams down a small walkie talkie on the counter before speed walking out the door again
  123. >You had your mouth open, to ask a question
  124. >But she left before you could say anything
  125. >It takes you a few moments, but you realize that you had the lights dimmed
  126. >And candles lit
  127. >She took your mug
  128.  
  129. >You figure out that she gets really nervous when in the presence of strangers
  130. >She talks through radio most of the time
  131. >That first impression you made on her must have given her a mini heart attack
  132. >It took hours to clear up that situation with the candles that night
  133. >You lit them for warmth not for romance
  134. >You find out that she has a huge interest in ranged weaponry and dust ballistics
  135. >Not surprising since she carries a sniper rifle that fires what could only be dust rounds
  136. >One morning you ask her out to the range
  137. “Impress me with your shooting.”
  138. >You said, you hear a clatter shortly after
  139. >You could have sworn you heard a distant squeal of joy on the other end
  140. >Seconds later she gives you the time
  141. >Today at 1100 hours.
  142. >Well looks like you’re closing early today.
  143. >You close up shop and change out of your work clothes
  144. >When you get to the outdoor firing range you hear a single gun firing
  145. >You enter the range and find that it’s mostly empty, probably due to the festival going on
  146. >Everyone’s partying and nobody is training
  147. >Except for May. You spot her pretty quickly sitting on a chair with a bipod on her rifle set up on a table.
  148. >You look down range and it seems that her shots are pretty accurate
  149. >Up until around 800 meters away.
  150. >She hears you arrive, but doesn’t say anything. It’s obvious that she tried to hit targets exceeding 800 meters
  151. >You can see craters surrounding the targets.
  152. >She’s disappointed in herself.
  153. >Thinking quickly you grab a spotters scope from a nearby rack and place it on her table
  154. “Snipers need spotters. Let me be your spotter.”
  155.  
  156. >You hope you remember how to be a spotter.
  157. >You sit down, the small table making you touch elbows
  158. >She tries to let out a protest but stops when you put your eye to the scope
  159. “Single target. 12 O’clock. Steel plate target on fence. Yellow.”
  160. >She looks at you in half surprise and half disbelief
  161. >A couple of months ago you could have snapped that off quicker. More precise.
  162. >But this will do.
  163. “R-Repeat.”
  164. “Single target. 12 O’clock. Steel plate target on fence. Yellow.”
  165. >It’s the target over 1km away.
  166. >You flick on the laser range finder
  167. >You give her the range and the wind.
  168. “Send.”
  169. >BANG
  170. >The shot didn’t even go close to the target.
  171. >You look at May, she’s breathing erratically and her face is as red as her sweater
  172. >But still peering down her scope.
  173. >You get up and put your hands on her shoulders, over the soft fabric
  174. >She stops breathing and is still
  175. >You tell her to relax. You start to massage her shoulders
  176. >You’re no masseuse but everyone knows the basic shoulder massage thing
  177. >She lets out a gasp and then a moan
  178. >Guess you’re not half bad at this
  179. >You wonder if her skin is as soft as her scarf
  180. >Your curiosity gets the better of you as you brush her neck with your fingers
  181. >She jumps a little and you stammer out a sorry
  182. “N-No, I didn’t say stop.”
  183. >You continue massaging her shoulders, occasionally brushing her neck and her hair
  184. >It is as soft as her scarf
  185. >She let out stifled moans as you worked the knots out of her shoulders
  186. >BANG
  187. >That shot startled you
  188. >You look down range and find a hole in the bullseye of the middle of the 800 meter target.
  189. “Good shot.”
  190. >Ten minutes later you two pack up and head back to the shop.
  191. >Walking back, she grabs your sleeve
  192. >You look at her
  193. >Her face is still red, but she gives you a smile that would melt chocolate
  194. >You haven’t had that much excitement in a while, and you find yourself smiling back
  195. >Goddamnit
  196. >She took your mug
  197. >And now she’s probably taken your heart.
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