Changeling_Fag

Biggs Chronicles CYOA: Part 4. The Finale

Jul 18th, 2014
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  1. >Eventually, you begin to feel yourself coming out of your unconscious state
  2. >You feel much better this time around, and sit up quicker than you did the first time
  3. >Looking up at the sky, it's unbearably bright out
  4. "It must be afternoon......did I seriously stay the whole night and half the day here knocked out?"
  5. >You just hope that nothing was inserted into you while you were asleep
  6. >You glance over to your side, what's left of Carl's obliterated jar is still there. But no sign of your bug bro
  7. >You struggle to fight back the tears. He wouldn't want to see you this way
  8. >Taking about a minute to shakily get to your hooves, your left arm still has a tinge of pain every now and then from the shrapnel cuts
  9. >You feel a burning anger building up inside
  10. "Carl....I promise that I will find who did this and avenge you. I promise..."
  11. >With that, you begin to slowly walk away from the area, back to the trail
  12. >You're feeling weak. You're probably dehydrated
  13.  
  14.  
  15. >Taking a few more steps, you begin to stumble
  16. "Something is defiantly not right..."
  17. >You need to find a water source soon, or you may not be able to make in back into town like this
  18. >Mustering what's left of your energy, you put on your Jean disguise, making sure that it appears that you look totally healthy
  19. >Slinking along the path, you can see a stream up ahead
  20. "Come on Biggs....just keep it together a little longer"
  21. >Hauling yourself steadily forward, you finally make it to the clear, inviting water
  22. >Simply collapsing, you stick your face in the stream and begin to drink, making sure not to take in too much at once, throwing up is the last thing you need
  23. >After a few minutes of alternating between drinking and resting, you get up, feeling much stronger
  24. >You may not be at %100, but you defiantly aren't going to kill over
  25. "I've got to get home, get cleaned up, and get some rest for tonight"
  26. >You mentally assure yourself that this is the last straw. You're walking away injured, and Carl has been killed. This ends tonight
  27. >Mustering yourself to a jog, you exit the park
  28.  
  29.  
  30. >As you go along the streets, you notice that there are increased patrols of guards nearly everywhere you go. There's also less civilians than usual out in the town
  31. >Has something happened while you were unconscious? You've never seen so many guards patrolling as there are now
  32. "I'll figure it out latter, I gotta get cleaned up first"
  33. >You're still a few blocks away from the bakery, but are making good time considering how banged up you are
  34. >Some ponies that you pass by seem to be eyeing to quizzically. Maybe your your disguise doesn't look as healthy as you thought?
  35. >You'll deal with that latter too, you're almost home
  36. "I never bothered to ask if the Cakes had any first aide supplies. I sure as hell hope that they've got some laying around."
  37. >Finally, you make it to the front step
  38. >Unlocking it, you walk inside and shut the door behind you, making sure to carefully re lock it
  39.  
  40.  
  41. >The front room is empty. Maybe nobody is home?
  42. >Before you go any further, you put your ear against the front door
  43. >Those ponies looked a bit suspicious, so you need to make sure that a lynch mob isn't following you home if someone figured out the truth
  44. >A few minutes of silence. That's good, maybe they were just wondering why you looked to be in such a hurry?
  45. >Turning back around, you begin to sneak into the house
  46. >You can't let anyone notice you before you get cleaned up, lest you give something away
  47. >As you snoop around the first floor, and make your way up the stairs, you confirm that no one is home
  48. "Well, that's good for now, but I've got to find some medical supplies"
  49. >Now where would they be?
  50.  
  51.  
  52. "Well, this is a bakery, so is does have some bladed hazards. Maybe the Cakes have a large first aid kit in the kitchen?"
  53. >You begin to trot back downstairs
  54. >If nothing's there, you consider checking the bathroom, and possibly where Carl's spare jar was
  55. >Entering the kitchen, you look at the multitude of cabinets and drawers
  56. "Lets see now......"
  57. >You start at the end of the room closest to you and begin searching
  58. "Pans.....cutlery....cans......"
  59. >You're almost out of drawers to check
  60. >Turning around in dismay, you notice a medium sized cabinet on the wall
  61. >"That might have something in it..."
  62. >Opening it, you find the elusive medical kit
  63. >You open it up, and search through it, pulling out the various supplies that you need. Bandages, rubbing alcohol, medical tape
  64. >You sit down and begin to work on yourself
  65. "Oh Biggs, you've really banged yourself good this time" You state as you wash the two shrapnel cuts
  66. >As this is going on, your mind begins to wander to last nights events
  67.  
  68.  
  69. >You think about what you've encountered the last few hours
  70. >The crime scene, the explosion, Carl
  71. >Oh Carl.....
  72. "No. No, now's not the time. I gotta finish this up quickly"
  73. >Figuring out what the hell happened last night is important, but you'll do that afterwards
  74. >You focus back to the task at hand; patching yourself up
  75. >Wincing as you give your wounds a final rub with the disinfectant, you begin to place sterile bandages on them
  76. "Now where's that medical tape......."
  77. >Digging around a little in a pile of supplies, you locate it, and begin to wrap it around your left arm
  78. >It's looking good so far, you'll be done in no time
  79. >Then that's when you hear it
  80. >You nearly leap as you hear someone placing a key in the front door's lock
  81.  
  82.  
  83. >Your mind begins to race
  84. >You begin to pack up the supplies, desperately stuffing them in the bag
  85. "Almost......there!"
  86. >You quickly throw the first aid kit back in it's original location, making sure that you keep the tape out, you'll need that
  87. >The door opens, and you can hear hoof steps in the other room
  88. >Ok Biggs, not to worry, just come up with a believable back story. You tripped and got a couple cuts or something
  89. >"Jean? Jean are you here?"
  90. >It's Pinky
  91.  
  92.  
  93. >You clam yourself down
  94. "Hey Pinky, I'm in the kitchen"
  95. >You hear her turn around and begin to trot to you
  96. >Soon, she appears through the doorway
  97. >"There you are! I've been so worried"
  98. >You see her eyes shift to your half finished tape job on your left arm
  99. >She recoils in surprise
  100. >"Jean your arm! What's going on?"
  101. >You consider your options
  102. >You could tell her about the mine exploding, but you're unsure of how she'll react
  103. >You decide that you'll just lie, you yourself still haven't figured out what exactly happened, and you don't want her to panic or jump to conclusions
  104. "Oh this? I uh, I was just walking through the park last night. I felt something hit me and I just kind of blacked out. But it isn't bad! Just a cut. But I'm not sure exactly what happened"
  105. >She eyes you worriedly
  106. >"You don't know what happened? That sounds very disturbing Jean. What were you even doing at the park?"
  107. "I was still looking for Carrot Top"
  108. >"Oh! Carrot Top. Well you'll be happy to know that we rounded up a search party, and Twilight was able to get the Royal Guard into high gear to find her"
  109. >That's reassuring
  110.  
  111. "Pinky.....when I woke up today in the park.....Carl was gone. I couldn't find him anywhere"
  112. >"Carl? Are you sure that he just didn't crawl away after you got hurt? He must have been scared"
  113. >Not possible, you saw the jar after the blast. There was barley anything left
  114. "I...I don't know Pinky. But I hope you're right."
  115. >"Oh Jean, come here"
  116. >She embraces you in a hug, and there you two sit for a few minutes
  117. >Finally you speak up
  118. "Listen Pinky. I think that somethings seriously wrong with Auckland. I think he might be behind Carrot Top's disappearance"
  119. >She looks at you with a mix of curiosity and disbelief
  120. >"What do you mean?"
  121. "Look, he was spending a lot of time with her before she went missing, and I don't want to jump to conclusions, but that should be considered a prime suspect in any situation"
  122. >"But Jean....Auckland has been indispensable in the search for her. He's probably covered more ground than me and my friends combined. He looks genuinely concerned for her safety"
  123.  
  124.  
  125. >You're sure that all his "effort" is just a ruse to throw the ponies off
  126. "Pinky, once again, I don't want to accuse anyone. But he told me that he walked her home the night before. When I checked out her house the next day, nobody seemed to have been there recently. The bed didn't even look like it was slept on"
  127. >"Now, now Jean. I know that you're very concerned for her, but I find that hard to believe. Maybe she was kidnapped after he left? I don't know, but what I do know is that Auckland has been straining to find Carrot Top the past day"
  128. >It's no use, she's not going to change her mind. Time to switch tactics
  129. "Maybe you're right.....I'm just stressed out and confused. I'm sure that Auckland is trying his best to find her."
  130. >With that, she brightens up and smiles
  131. >"It's alright Jean, I understand that you're upset. But I promise that we'll find her. But did you find anything while you were out?"
  132. >You can't tell her about your run in with the IED. But wait...you've still got that cigarette butt from a few days ago! It's in your torn and tattered saddle bag
  133.  
  134.  
  135. "Hang on, I actually have something that might help track down the culprit"
  136. >You reach over to your destroyed saddle bag, praying that the discarded butt wasn't lost in the blast
  137. "Come on, I know you're in here......"
  138. >You're hoof touches something small and paperish
  139. "Got it!" you exclaim, pulling it out and holding it in front of Pinky
  140. "I found this at one of the murder scenes. But I have no idea where it came from. I've never seen the brand before, and it looks like most of the name is burnt off"
  141. >She eyes it before speaking up
  142. >"A,L,D,E,L......what's an Aldel?"
  143. "I don't know, but I think it's some type of rare brand maybe. I wish we had the full name though. The killer must smoke a very particular type of cigarette."
  144. >She looks at you hopefully
  145. "Jean, that's actual a good find! Listen, I'm going to meet up with my friends to look for Carrot Top before the meeting at city hall tonight. I'll tell them about this when I see them"
  146. >......city hall meeting?
  147.  
  148. "City hall meeting? What's going on?"
  149. >"Well it actually was just announced about an hour ago. Supposedly it's an emergency meeting, the whole town should be there. Mr. Auckland requested it
  150. >Fucking Auckland..... you know that he's up to something
  151. >"But I have to go to meet up with my friends. Here, just take the cigarette, look up what Aldel is, maybe you'll find an answer to where it came from"
  152. >That's not a bad idea, you've got a few dictionaries laying around, you'll defiantly do that
  153. "Alright sounds good Pinky"
  154. >You attempt to stand up, but she gentle pushes you down again
  155. >"Now Jean, you stay here, and try not to move around much. You need to heal up. I'll see you after I get back when the meeting ends at 10"
  156. >10? That gives you a few hours, it's only 6
  157. "Well.....alright. Stay save"
  158. >She kisses you on the head and trots out the door, yelling "I love you!" as she shuts it
  159. >You resume wrapping up your arm. You need to find out what 'Aldel' is
  160.  
  161.  
  162. >You soon finish dressing up your wounds
  163. >They actual are starting to feel much better after getting cleaned out
  164. "There we go, nothing can slow Biggs down"
  165. >You place the medical tape back
  166. "Now it's time to get some answers"
  167. >Running upstairs, you pull all the dictionaries off of your bookshelf
  168. "Let's see now.....Aldel....where could it be?"
  169. >Looking down the entire page of the first one, you can't find anything that resembles the word, let alone starts out with the letters
  170. >You groan and throw it aside, reaching for another
  171. >After about 20 minutes, you expended all of the books, to no avail
  172. "This is odd.....I couldn't even find a word that started out with 'Aldel'......"
  173. >Wait. Idea.
  174. "Maybe a store in town has the brand!"
  175. >You know of at least one place that carries a few unusual brands
  176. >It's better than nothing
  177. >Grabbing a spare saddle bag, you place the cigarette into it, and walk downstairs
  178. >Making sure that the coast is clear of any potential enemies outside, you open the door, and lock it behind you
  179. >Now where was that store?
  180.  
  181.  
  182. >Racking your memory, you recall some pony mentioning that is down on the East End of town
  183. >Not surprising, there's some exotic clothing and other odd shops down that way
  184. >You begin to sprint in that direction. It's going to take a while to get to, it's on the edge of town
  185. After a few minutes of running, you flag down a rough looking stallion
  186. "Hey, I was in the mood for some exotic smokes. I know that there's a store on the east end that sells them, do you happen you know what street it's on?"
  187. >He eyes you intently
  188. >"Heh, well, you look like the kind of guy that enjoys a good smoke. But yeah, it's on Remora Avenue. Little ways past the wine shop."
  189. "Thanks mister, you take care"
  190. >"You take care yourself....it's a rough neighborhood"
  191. >And with that, he walks off
  192. "Alright, Remora Avenue, past a wine shop. Sounds easy enough"
  193. >You run off towards the east yet again
  194. >After a few minutes, you decide to take a shortcut down the alley, it might take a few minutes off of your trip
  195. >As you hear the rhythmic echos of your hooves making contact with the ground, you become aware of another sound, similar to something running a little distance behind you
  196. >Turning around, you stop and scan the alley way
  197. >You hear one last echo of movement...and then nothing
  198.  
  199.  
  200. >You take a couple of steps forward
  201. >.......Still silent
  202. >You consider bolting around the corner and ambushing whatever is following you, but decide that it isn't a good idea.
  203. >There could be a whole gang back there, you don't want to go out like a punk
  204. "Fuck this, I'm out" you whisper
  205. >You begin to slowly back away, looking behind you every so often
  206. >Still no signs of life.....maybe you were just imagining it?
  207. >You begin to run down the alley way again, listening for a pursuer
  208. >No further strange echos. Whatever it was, it's gone
  209. >You rocket out the end of the alley, into a dingy looking part of town
  210. "There's the wine shop!"
  211. >Looking down the street, you spot Remora Avenue and run over to it
  212. >Looking up and down both sides of the road, you spot the corner store
  213. "That's it" you mutter, walking over to it
  214. >You look in the window. It's a dark, and dirty looking place. But you can see racks of smokes behind the counter pony
  215. >You open the door and walk in
  216.  
  217.  
  218. >You walk over to the counter, ready to figure this mystery out
  219. >The counter pony is a mean looking stallion. Unkempt coat and mane, eye patch, the works
  220. >He eyes you, well, with his one good eye, as you casually approach the counter
  221. "Excuse me, do yo-"
  222. >"Ya here for the hookers?"
  223. >Nigga what?
  224. "Uhhh"
  225. >"They're right back there" he gruffly says, pointing to a back door
  226. >Dude, no. You aren't here to catch PIV
  227. "Actually no. I just came for some cigarettes"
  228. >"Oh sure, we've got plenty of those. What's your brand?"
  229. "Well that's the thing, I'm not sure"
  230. >"That's fine, we've got a fine selection. A lot of foreign stuff to, only place you can get it in town"
  231. >You reach into your saddle bag and pull out the cigarette butt
  232. "Well here's the thing, my brother loves to smoke this brand, but I never bothered to ask him what it was exactly. I'd like to surprise him with a pack, but all I've got is this butt with half the name burnt off. Do you happen to have any brands that start with 'Aldel'?"
  233. >He just stares at the butt for a couple seconds
  234. >"Aldel? I've never heard of that. Give it here son"
  235. >You comply and he takes a good look at it
  236. >He suddenly throws his head back and lets out a hardy laugh
  237. "What's so funny?"
  238. >The stallion lets out a few more chuckles, leaning up against the back wall before facing you again
  239. "Ohhh son. You've made a mistake, this doesn't say 'Aldel' at all"
  240. >What?
  241.  
  242.  
  243. "It doesn't say Aldel? What do you mean?"
  244. >"Looks like this butt was dropped in some dirt, son."
  245. >He takes his other hoof and gentle scratches at it
  246. >"Ya had a streak of dark soil between the A and the D. There ya go."
  247. >He hands the butt back, now clearly reading ADEL
  248. >"I don't blame ya though, the dirt was about the same shade as the letters. Ya'd have to look real close to catch that"
  249. >You mentally face hoof, you never considered to actually get a closer look at the lettering
  250. "Oh...well my mistake....So what exactly is Adel?"
  251. >"Well it's short for Adelaide brand. Pretty uncommon, you brother must have some expensive taste"
  252. >He reaches under the counter and digs around for a few moments
  253. "Ah! I knew we had a couple boxes laying around. Here ya are"
  254. >He shoves the box over to you
  255. >You pick it up and examine it
  256. >It's got a picture of what appears to be some brush on the front
  257. "So where exactly is this stuff from?"
  258. >"Well from Adelaide of course! It's a port in the southern Griffon Empire. Lots of dry grassland and brush and whatnot inland around it
  259. >Griffon Empire? Brush land?
  260. >You knew it. You fucking knew it!
  261.  
  262.  
  263. >You snap out of it, and look to the clerk
  264. >You consider telling him all about the murders and asking him for possible protection, he must know a few gangs, right?
  265. >Biggs, what are you doing? That'll take at least an hour to wheel and deal with, you have to do something now
  266. "So uh, how much does this pack cost?"
  267. >"Well that there is 30 bits"
  268. >30 freaking bits? You can't afford that. Besides, you don't want anyone connecting you to buying these cigarettes, you might end up getting blamed for the killings
  269. "Woah! I can't believe that my brother spends so much on smokes! Sorry man, but that's too rich for my blood"
  270. >"Well, suit yourself. Anything else you need?"
  271. >Yeah, a solid axe to drive into a bird's skull
  272. "No, I don't believe so, but thank you anyway"
  273. >He gives you a grunt and a nod, and you quickly move out the door
  274. >You've got to find Pinky
  275. >You look at a street clock
  276. >6:55. She should be home by now
  277. >You sprint off towards home faster than you've ever gone before
  278. >Even on your hurt leg, you must be setting a land speed record, adrenalin pumping through your veins
  279. >Making sure to stick on the main road to avoid confrontations with the wrong crowd, you rocket through town
  280. >You'll just meet her at home, tell her what you found, and you can bust Auckland before the town meeting. It's fool proof
  281. >After about 15 minutes of running you're only a block from home
  282. "Don't worry Pinky, I'm coming"
  283. >You screech to a halt on the sidewalk
  284. >As you walk up to the door, you notice something is wrong
  285. >A window is smashed in
  286.  
  287.  
  288. >No. No this is not happening
  289. >You begin to think about what that griffon is doing to Pinky in there
  290. >Most likely torturing her for info, or worse
  291. >You don't care if it's a likely trap, you've got to get in there
  292. >You run towards the back of the house, and retrieve a decent sized hatchet that you bought to go along with your lumberjack ruse when you first moved in
  293. "Nobody messes with my mate...."
  294. >Stealthily heading back to the front of the house, you carefully step through the broken window, attempting to avoid breaking anymore glass
  295. >Soon, you're inside
  296. >There's glass all over the floor in front of the window
  297. >All the lights are turned off
  298. >Gripping your hatchet tight, you listen in for movement
  299. .........dead silence
  300.  
  301.  
  302. >You take a few steps inside
  303. >You briefly consider getting help, but your attachment to Pinky tells you that you need to act now
  304. >You sniff the air your any out of place odors
  305. "Nothing...."
  306. >At least nothing inside is dead....yet
  307. >As stealthily as you can, you move into the kitchen area
  308. >Nothing here. Not a pan out of place
  309. >You turn the corner and search several other downstairs rooms. All yield nothing
  310. >You turn your attention to the stair case
  311. >You notice that there's a fallen picture on the steps that was previously on the wall
  312. >Someone went up there
  313. >You slowly head up the stairs, which softly creak beneath you with every step
  314. >You reach the top of the stair case and peak around the corner
  315. >Bathroom looks shut. Office is shut. The storage room looks secure
  316. >........Bedroom door is slightly ajar
  317.  
  318.  
  319. >You move slowly through the hallway, stopping short of the door
  320. >You try to get a peak through the crack but can't see anything
  321. >Maybe you should shout a warning? No, forget that. This isn't like when you attacked Royal Guard during the invasion, there could very well be a larger, more experienced hunter in there
  322. >You need some shock and awe
  323. >Alright Biggs, now or never. 1.....2......3!
  324. >You kick open the door with all your might and rush in, hatchet at the ready
  325. "Don't move griffon!!!"
  326. >Looking this way and that in your rage, you attempt to locate a target
  327. >Nothing. Not a living soul
  328. "Well.....shit"
  329. >You now focus on the state of the bedroom
  330. >Mattress flipped over, closet contents thrown everywhere, book pages ripped out
  331. >There must have been one hell of a struggle, or someone was looking for something
  332. >You lift your head up to check the window
  333. >It's closed....but what's that on the wall next to it.....
  334. >It appears to be a note hammered into the wall......with a large changeling fang
  335. ".......f-fuck.....this isn't....this can't be happening"
  336.  
  337.  
  338. >You slowly walk over to the note
  339. >It feels like you're about to pass out
  340. >You take a good look at the fang. It's almost as large as yours
  341. >Getting a firm grasp on it, you begin to yank it out slowly
  342. >Finally, the fang gives way, and the note falls to the floor
  343. >You just stare at it for a second
  344. "Snap out of it man..."
  345. >You shakily reach down and grasp it, pulling it up to eye level
  346. >You reluctantly begin to read
  347. >"Hello 'Jean". If you're reading this, you've obviously seen my handy-work and probably know who this is, but I'll keep this short for both out sakes. I have something of yours. Actually, a couple of things. One boss, and one lover. You will follow my directions to the dot if you want to have them returned to you alive. Now read this carefully, you will arrive at 55 Deadlight Lane by 8 PM. Any later, and lets just say that your friends will regret your tardiness. You know how the orange one is strict about being on time. Also, if you attempt to tell anyone about this meeting, or attempt to bring someone with you, even to keep a watch over the outside, you will find that those decisions would be a grave mistake. In short, show up to the address, alone, by 8 tonight, if you know what's good for the one's you love
  348. >............
  349. >You just drop the note and lock up, not moving a muscle
  350.  
  351.  
  352. >Finally finding the strength to move, you fearfully turn towards the alarm clock
  353. >7:34
  354. >If you need to show up by 8 PM, you need to leave. Fast. Deadlight Lane is off in a lonelier part of the town, out of the way from other residences
  355. "Biggs....you can do this.....you can do this" you continue to mutter
  356. >You begin to have flash backs to all the times you spent with Carrot Top
  357. >Getting the job, walking her home after work, harvesting carrots
  358. >Soon your thoughts wander to Pinky. Sweet, sweet Pinky.....
  359. >You feel a tinge of anger
  360. >You can see Carl crawling innocently on his twig right before the booby trap's explosion......
  361. >Taken. Too soon.
  362. "That's enough. That is enough!"
  363. >You stomp your hoof down and turn, grabbing your hatchet once more
  364. You nearly run into the wall as you sprint down stairs, and out onto the sidewalk
  365. >Looking both ways, you decide to take a right
  366. >Deadlight Lane, here you come
  367.  
  368. >It's starting to get dim as the sun begins to set
  369. >A cool breeze causes the trees to shudder
  370. >All details that you might have noticed if you were not rocketing down the street like a rabid animal
  371. >You've only seen a few pedestrians, they seem to be making their way to the town hall
  372. >They all give you frightened looks, but you don't care
  373. >You're a bug on a mission
  374. >After 15 solid minutes of sprinting, you arrive on Deadlight, totally winded
  375. >Now where is 55?
  376. >You run down the street, looking at house numbers
  377. >49......51.......53......57
  378. >What?
  379. >You back track, to see what happened to 55
  380. >And that's when you see it, a trail between addresses 53 and 57, leading off to a large home in the distance
  381. >You take off down the trail, straining for energy
  382. >Finally, you make it
  383. >It's a nice, 3 story home. Several lights are on
  384. >You knock on the impressive oak door
  385. >After about 30 seconds, the door opens seemingly on it's own, revealing a dimly lit front room
  386.  
  387. >You're tired of the cloak and dagger crap, it's time for a beat down
  388. >You leap into the front room, hatchet in one hand, fang in the other
  389. >You immediately face the other side of the open door
  390. "Stop right there criminal scum!"
  391. >Nobody there
  392. >You take note of your surroundings
  393. >A large front room, with a staircase leaving to the upper floors off you your right
  394. >A fireplace with a roaring, crackling fire to the left
  395. >The walls are coated in mounted animal heads, with everything from dragons to manitcores.....and a changeling
  396. >You gulp and move forward a few feet
  397. >The door shuts behind you on it's own
  398. "What have I gotten into....?"
  399. >Where do you go from here?
  400.  
  401.  
  402. >You decide to hang a right, there might be something on the other levels
  403. >You slowly creep forward, eyeing the mounted heads and paintings
  404. >You swear that a few of their eyes seem to follow you as you move
  405. "This is fucking surreal...."
  406. >You finally make it to the stairs, and decide to put the fang away, so that you have a steadier base when moving upwards
  407. >You continue to check out the paintings on the way up the wood and carpet stairs. Most of them are paintings of Auckland, posing with trophy kills
  408. >Some of the creatures that he stands over triumphantly look like the stuff of nightmares
  409. "If this all planned, he's a master at physiological warfare....and pretty sick in the head"
  410. >You finally make it to the dimly lit second floor
  411. >Lots of shut doors, and a hallway that splits off left and right at the end
  412. >You locate a light switch, and activate it
  413. >Several lights from the ceiling turn on
  414. "Still not too bright, but better than nothing...."
  415.  
  416.  
  417. >You go off down the hallway, passing several doors
  418. >You think of the impending fight that could be behind any of those doors
  419. "I'm gonna need all the energy I can get for this"
  420. >You drop your disguise to conserve love energy, feeling a little stronger afterwards
  421. "Well, I guess any door is as good as the other"
  422. >Kicking open the first door, you find nothing but an office, with a desk and file cabinets
  423. >You shut the door and move to the next
  424. >Kicking it open as well, you find a walk in closet with all sorts of khaki vests and other bush related items
  425. >You turn around and consider your next move
  426. "Maybe I shoul-"
  427. >"Jean! Jean help! He's around the corner! It's a trap!"
  428. >That was Carrot Top!
  429. >She sounded like she was muffled after she got out that warning
  430. "Oh you're in for a beating birdy" you yell as you run down the hallway
  431. >You eventually reach the corner, and pull out your fang, standing on your hind legs
  432. >You can't hear anything around the bend
  433.  
  434.  
  435. >You take in a deep breath, knowing what you must do
  436. >You begin to disguise, but something isn't right
  437. >You must be lower on love then you thought, you can only keep it up for a few seconds at a time
  438. >Screw it, Carrot Top wont recognize you at first, but she eventually wont care what rescues her....you hope
  439. >At this point, you figure that Auckland is a bit mentally unstable
  440. >You need to make him angry to cloud his sense of logic
  441. "Hey birdy, how about a shrimp on the barbie?"
  442. >You await his most likely rage induced response, but nothing comes
  443. >Enough waiting, it's time
  444. >You jump around the corner and raise your hatchet
  445. >"Let go of Carrot.....Top?"
  446. >You're face to face with her
  447. >She looks unharmed, and not restrained at all
  448. "Oh thanks god you showed Jean!"
  449. "Carrot Top, what are yo-"
  450. >Wait, you're undisguised.....how does she recognize you as Jean?"
  451. "....Carrot Top....What are you doing here?"
  452. "Oh you know, just distracting you for Rupert"
  453. >HOLY SHIT WHAT
  454. >Something stirs behind you
  455. >You attempt to turn but something hard hits the back of your head, and you fall to the ground in pain
  456. >You look up in your dazed state to see Carrot Top and Auckland standing side by side over you
  457. >"Ya did good, sheila, ya did good"
  458. >He gives her a quick kiss
  459. >Oh my god this isn't real life
  460. >"And now for you....."
  461. >He raises the butt of his crossbow above your head
  462. "W....wait..."
  463. >That's all you get off as the butt of the bow descends, knocking you out cold
  464.  
  465.  
  466. >You feel a cold splash across your face
  467. >Jolting awake, you try to make sense of what's around you
  468. >You're vision is still cloudy, you can only make out outlines until it gradually improves
  469. You feel as though you're sitting down
  470. >Attempt to stand up, you find that you're chained to a chair
  471. >"Well, well. What a specimen we have here"
  472. >You start to freak, thrashing around to no avail
  473. >"Oh don't hurt yourself too much mate, you're chained to a chair. Which is chained to a radiator"
  474. >You eventually concede defeat and stop struggling
  475. >At least your vision is improving, you can now make out your killer's face
  476. >He puts a claw under your chin and forces your head up to look him in the face
  477. "Just...just kill me. Finish it you feathered freak"
  478. >You see him smile
  479. "Oh don't you worry, there'll be plenty of time for that. But for now, I need you alive mate"
  480.  
  481.  
  482. >You can't take this any more
  483. "Listen here, Its bad enough you chained me, you aren't going to humiliate me and parade me around town as a big accomplishment"
  484. >He bursts out laughing, stepping a few feet away to a bar table
  485. "I'm serious!"
  486. >He just continues laughing
  487. >He's a grade A psychopath
  488. >Eventually he stops his chuckling, and breaks out a bottle of wine
  489. >"Oooooh mate. You really don't get it, do you?"
  490. >He pours himself a glass of wine and downs it
  491. "What are you going on about, Auckland?"
  492. >Your vision is almost 100 percent again, you can clearly see the large griffon stroll over to you
  493. >"I'm going on about how you haven't figured it out yet. I figured that someone like you could have seen what was going on"
  494. >He pulls out a cigarette and lights it, taking a deep breath and blowing it into your face
  495.  
  496.  
  497. >You continue to stare into his eyes
  498. >When he realizes that you weren't going to respond, he holds the cigarette in front of your face
  499. >Adelaide
  500. "You....you murdered all those ponies! Why?"
  501. >He just smirks
  502. >"Well let me just make something perfectly clear....do you even have a proper name ya bug?"
  503. "My friends call me Biggs" you mutter out, grinding your teeth
  504. >"Well, Biggs, I'll let you in on something. From the moment I saw you exit that bar with the pink mare, I knew what you were. I knew that I had you"
  505. >Your jaw drops
  506. "Th-then why didn't you just end it right there? Do what you were hired for and collect the bounty? What the hell caused you to commit those murders? Why any of this?!"
  507. >"Biggs....you obviously don't know much of my back story, do ya?"
  508.  
  509.  
  510. "Well, I never watched that Saturday morning cartoon they made about you, so no."
  511. >He grins a little
  512. >"Snippy little one aren't ya?"
  513. >You just give him a hiss in return
  514. >"Well here's the deal, bug. I spent most of my life in seclusion. I never really....fit in, you could say. When the Griffon Civil war begin, I was recruited into a sniper unit, using crossbows to stalk and kill high profile targets. It was a good time, I got some awards for my skills. But after the war ended, I was left with just that. Skills. I had no other abilities. All it seemed I was suited for was hunting."
  515. "Oh, so you're just a social reject. Boohoo, get over it"
  516. >A hard slap is all you get in return
  517. >You glares at you with flames in his eyes
  518. >After a few seconds, he appears to get a grip on himself, and his anger subsides
  519. "Biggs, you're totally right. I was an outcast. Couldn't adjust back to society after the war. So I took up the only job that I was good at; dangerous game hunting. I spent years out in the bush, making a name for myself, slaughtering some of the most ferocious beasts in the brush-lands.....yet, all I ever received was a few bits at the market for every beast that I slayed. Nothing more."
  520. >He begins to pace back and forth
  521. >"Do you know what all that time alone does to a griffon Biggs? Do ya? Anyway, one day I was offered a job to rid a small town of a pest. You. And that's when I realized what must be done"
  522.  
  523.  
  524. "So what are you getting at?" you ask, out of patience at his ranting
  525. >He turns back to you
  526. >"You see Biggs, this was my chance. My one chance to make a better life for myself. Sure, I could have tracked you in within a couple days. Sure I could have just slashed you down for the money. But in the long run, how much is 10,000 bits really? Enough to live for 8, maybe 10 months maximum. Oh no, that isn't good enough. Because you know where that places me? Right. Back. In. the. Bush."
  527. >You think you're begin to see where this is going
  528. >"So! I figured, if society couldn't change for me, I would change society. I initially raised the ponies fears with speeches at the town hall, about how dangerous you were. That you were capable of utter destruction. As soon as they were good and frightened, they started to give me a stipend, this house. Diplomatic immunity even."
  529. "So why all the murders?"
  530. >"Well Biggs, although all that stuff is nice, it still isn't enough to live off of forever. I had to intensify my plans, killing off a pony here and there, puncturing their necks with old changeling fangs to shift the blame onto you. It was then that the public really began to panic. They looked up to me, pleading for me to destroy you. Ready to give me anything that I wanted...."
  531. >He puffs out another cloud of smoke
  532. >"And that's why you must remain alive, for a few more hours at least. Because as long as they think that you're out there, killing civilians, they'll be willing to deal with me to a point that I'll have no financial worries. In short, I'm settling down finally. You're the start of something great Biggs, something great indeed.....my retirement plan"
  533.  
  534.  
  535. >This guy is fucking nuts, he actually believes that he can get away with this?
  536. >Maybe you could strike a deal with him? He might be crazy enough to agree to it
  537. "Listen Auckland...I know how you feel. In a way, we're both kind of the same. We don't belong here. I'm living a charade, and so are you. In the end all we really want is a better life, to settle down. Maybe we could help each other to achieve that? I could play the monster, while posing as Jean, and you could vanquish me every few months or so. What do you say?"
  538. >He just eyes you. He looks like he's on the verge of tears
  539. >"Biggs. I'm sorry, but it's much too late for that. The only thing that could be done to increase my influence at this point is murdering. Murdering until I've got them in a position where they'll support me for life."
  540. "But what about me then. How do I fit into this?
  541. >He perks up as soon as you say that
  542. >"After today, you'll be nothing but a pest. You see, tonight at town hall, they'll be giving me a contract that will guarantee a life long stipend after I kill you. So after that's signed, I'll "discover" you and take you out. Securing my life here"
  543. >Fuck
  544. "But what would Carrot Top think?"
  545. >"Oh, she already knows everything mate. Besides, I'll need every penny to help support my future wife"
  546.  
  547.  
  548. >What the hell Carrot Top?!
  549. >You need to think of something before the lunatic leaves for the town hall
  550. "Auckland, please. Can't you just give them an old kill and say that it was me? You've got to have something like that around here"
  551. >"Haha, you're right Biggs, I do have some old changeling bodies here. But the problem is, that even though I've killed probably a hundred of you bastards, I've never quite had the privileged of finding one as large as you. The ponies would know that something was up if I gave them a normal sized changeling"
  552. >Well there goes that plan
  553. >"Besides, I know your species, give you an inch and you'll take a mile. You're back stabbers by nature. I'm not stupid enough to let ya go, even if it might benefit me. It aint worth it in the long run to set ya free"
  554. >So that's that, you're fate is sealed
  555. "......what about Pinky?"
  556. >"Pinky? Oh! your mate......well, I'm afraid she knows a little too much."
  557. >He gives you a pat on the face
  558. >"I still need a couple more victims to pull this off"
  559. >NO. Fucking no!
  560. >You can't let him do this, there's got to be another way
  561.  
  562.  
  563. >If only you could shape shift into something more muscular. But you're low on love, and besides, that violates the laws of conservation of mass
  564. "Look Auckland, you can do whatever you want to me. Anything. Drive my head onto a stake in public for all I care. Just please don't hurt her"
  565. >"Look, I'm sorry that the poor mare had to get involved. I truly am. But I've come too far to not cover up all possible sources of evidence against me. It's what has to be done"
  566. >With that, you begin thrashing about, desperately trying to unchain yourself
  567. >"It aint gonna work mate, you're stuck here"
  568. >Suddenly, the door opens
  569. >"Rupert dear, we're going to be late if we don't hurry up and get to town hall"
  570. >Fucking cunt
  571. >Auckland turns back to you
  572. >"Heh. You were right about her diligence with time mate. Anyway, me and my marefirend have business to attend to, so I'll leave you here. Be back in a few hours"
  573. >With that he begins to walk to the door
  574. "No! No! You get back here you feathered bastard! Don't you dare leave! AUUUUCKLAND!"
  575. >The door shuts, the only thing illuminating the room is the faint glow of the fireplace
  576. >You're running out of ideas
  577. "I know it's a long shot....but maybe somehow Carl survived?"
  578. >You try to focus your brain waves, sending out a message
  579. "Carl. Come in Carl. Are you there? Carl I'm trapped at 55 Deadlight Lane. Situation critical. Help is immediately required. Please respond"
  580. >...Nothing. Not even static
  581. "Damn it!"
  582. You try to fight again, only hurting yourself in the process
  583. >You begin to sob uncontrollably. It shouldn't have to end like this. Pinky didn't do anything
  584. >Looking at a wall clock, it's 8:40 PM
  585. >The meeting starts at 9, ends at 10. And then, he'll be back to finish the job
  586. >You close your eyes, and let the tears flow. You aren't going anywhere
  587.  
  588.  
  589.  
  590. >It's been about 20 minutes since Auckland and Carrot Top left for city hall
  591. >Despite your thrashing around, you couldn't accomplish much
  592. >You even attempted to break one of the chair legs, but your leg is at too awkward of an angle to properly kick and push on it
  593. >Damn, you wish you could somehow change into something smaller, but that's not how it works. All the disguise does is distort the viewers senses, like sight and touch, nothing more. It can't literally physically alter your body
  594. >Even though it seems hopeless, you have no other option but then to keep trying to find a way out, because the only other alternative is you and Pinky's deaths
  595. "That sadist isn't going to get a hold of her. Come on Biggs, think. There has to be something that you haven't tried yet"
  596. >Then it hits you: you never bothered to check what was locking up the chain
  597. >Twisting and turning ever so slightly, you eventually work the shot of chain that lock is clamped to unto your stomach
  598. >It's a key lock
  599. >You can just barley touch it with your right arm's hoof
  600. "Maybe I could find a way to pick this thing?"
  601.  
  602.  
  603. >You quickly search the room for your saddle bag, maybe you could use some magic to pull it over?
  604. >The room looks a bit like a smoking room, lots of furniture, fire place, mounted heads. You hope that he actually left your stuff in here
  605. >Glancing over to the far corner, you have trouble making out what lies over there, due to the low light intensity
  606. >But finally, you determine that your bag is propped up against the wall, along with your hatchet
  607. >The fang in your bag should be thin and strong enough to do the trick
  608. "Alright, just gotta focus in on it..."
  609. >Your horn's magic doesn't respond
  610. >Glancing up, you notice that the griffon placed some type of metallic ring over it, nullifying it's use
  611. "This bird doesn't take any chances....now what?"
  612. >You really wish that you had hidden a bobby pin in your ass
  613. >Maybe you could use your own fang?
  614. >You begin to strain yourself to reach your head to the lock
  615. "Come on...just...a little...more!"
  616. >You're about an inch away, but you can't lean your head down any farther
  617.  
  618.  
  619. >You continue to try push your upper body downwards to no avail
  620. >Eyeing the lock, you steadily attempt to push it a little closer with your hoof
  621. >You begin to nudge it a little
  622. >But it isn't enough, your hoof is just too tied up to continue to push
  623. >You groan and throw yourself back into the chair in frustration
  624. "Maybe.....maybe this is it? Maybe Auckland left no room for failure..."
  625. >Your thoughts flash back to the murder scenes that you investigated
  626. >The police tape flutters like a ghost in the wind
  627. >The outlines of mercilessly killed ponies, contorted in agony
  628. >The dried blood spilled on the dirt
  629. >You raise your head in a new found determination
  630. "No. That will not be what Pinky has to look forward to."
  631. >Twisting your head to the left, you eye up the head rest of the chair and take a deep breath
  632. >You can't believe that it's come to this
  633. Closing your eyes, you throw your head with great speed into the wooden headrest
  634. >You fight back the tears as pain bursts through your mouth
  635. >Your left fang has loosened a little
  636.  
  637.  
  638. >You fight through the pain and slam your head once again into the headrest
  639. >The fangs loosens even more
  640. >You cock your head back a third time
  641. "I might loose this fang, but Auckland's gonna loose his anal virginity when I drag him back to the hive"
  642. >With that, you shut your eyes, and launch your head as hard as possible
  643. >*CRACK*
  644. >You scream in agony, bucking your legs in response to the pain
  645. >Tears are openly flowing, obscuring your view
  646. >Feels like someone rammed a railroad spike up into your jaw
  647. >You notice green blood begin to trickle down your torso, signalling your success
  648. >Even through the burning sensation in your jaw and head, you look down. The fang is laying in your lap
  649.  
  650.  
  651. >No time to let pain slow you down, you need to get out and stop the deranged catbird
  652. "Now how to go about this?"
  653. >You might able able to gently roll your body to the right, close enough for your right hoof to nab it
  654. >You begin to shift your weight to the right
  655. "Slowly.....slowly"
  656. >The fang begins to move a bit as you raise your left half higher
  657. "Come on. Roll for me"
  658. >You nervously eye the broken tooth as you raise just a tad higher, readying your right hoof to grab it as it skitters by
  659. >A little higher should do it
  660. "This is my only shot at this. No mistakes"
  661. >with that, you lean ever so slightly
  662. >The fang gives it's position up, and flies over to the right
  663. >You reach with your hoof to make the catch
  664. "NO!"
  665. >Damn it! You raised up too fast! The fang shot past your hoof and now lays on the floor
  666. >You desperately begin to paw at it with your back hoof
  667. >It's no use, it's out of range
  668. "For fuck's sake!"
  669. >You begin to thrash around once again in rage, spewing curse words left and right
  670. >You're seeing red from the anger as you attempt to break your bonds
  671. >A few minutes latter however, you collapse back from exhaustion
  672. "It's over....Auckland won"
  673.  
  674.  
  675. >You feel as though you're going numb
  676. >The loss of blood combined with your rapidly dwindling love energy is taking its toll
  677. >The cock your head back, preparing to break the other fang
  678. >But at this point, you can't even find the strength to even damage it on the wood
  679. "Maybe....maybe one of my comrades can home in on me?"
  680. >You attempt to focus in on hive mind
  681. >There's a few seconds of static, but you can't hold the signal, you're just too tired
  682. "Couldn't even get a message off...."
  683. >You desperately look around the room for something, anything that could help
  684. >Nothing
  685. "Pinky......I'm so sorry. I should have known that I was a danger to you just by association"
  686. >You're feeling more and more tired
  687. >You begin to shut your eyes, knowing that soon, you'll pass out from lack of love
  688. >Right before you do so however, you notice a line slither under the door at the opposite end of the room
  689. "Great....now I'm hallucinating"
  690. >You watch the line steadily trudging it's way to you, ever so slowly
  691. >You can see it clearer now that it's almost to you
  692. >Wait a minute
  693. "C.....Carl?"
  694. >The line stops, and raises it's upper half to look up at you
  695. "Carl! It's you! You're alive!"
  696.  
  697.  
  698. "Carl.....the fang. I need the fang Carl"
  699. >You desperately kick your back hoof towards it
  700. >Carl begins to crawl towards your fallen tooth
  701. "Hurry Carl, I'm running out of energy!"
  702. >With that, the caterpillar strains to place the fang, virtually the size of his body, perpendicular across his back
  703. >Slowly but surely, your bro crawls up the chair and into your lap
  704. "Alright, hand it here man, I need to pick this lock"
  705. >The bug obliges, and maneuvers the fang into your hoof
  706. >you immediately fall upon the lock, working in quick, precise movements
  707. >Lock picking is standard training for all changelings
  708. >Finally you hear a snap
  709. "Got it!"
  710. >The lock opens, and you begin to work the chains off of you, each shot falling to the floor
  711. >Eventually, you're free and stand up
  712. >You pick up Carl and walk over to your saddle bag, placing him inside
  713. >You grab your weapon and open the door
  714. "Come on bro. We've got a mare to save"
  715.  
  716.  
  717. >You begin to trot down the hallway, your mind dead set on finding Pinky
  718. "Where could she be?"
  719. >You begin opening doors, finding nothing that would disclose her location
  720. "Let's try the third floor Carl"
  721. >You need to find her fast, the meeting at city hall is already in motion
  722. >Plus you'll collapse soon from lack of love energy
  723. >Arriving at the top floor you walk down the hallway
  724. "Pinky? Pinky where are you? I'm here to bust you out!"
  725. >You listen for a few moments
  726. >Then you pick up on what sounds like chains rustling behind a door
  727. >You run over to it
  728. "Pinky are you in there?"
  729. >You hear a response from the other side of the closed door
  730. ">J-jean? Is that you? Get me out of here! Auckland's gone mad!"
  731. >Yeah, no kidding. You figured that out on your own
  732.  
  733.  
  734. >You have to get in there and make her give up some love fast, it's getting critical
  735. >Quickly remembering the ring on your horn, you throw it off to the side
  736. "Yeah.....yeah It's Jean. Listen, before I come in, just know that I have something to confess after I free you"
  737. >"Jean just hurry up! Please"
  738. >You're not one to keep a mare waiting
  739. >You muster as much energy as you can and kick the door open
  740. >There she is, chained to a chair in a fashion similar to how you were
  741. >She's also blind folded
  742. >"Jean?"
  743. "I'm here, just hang on"
  744. >You need to work fast, you feel like you're about to black out
  745. >Pulling out your broken off fang, you get down to business on the lock
  746. >Within a couple minutes it snaps open, the chains beginning to fall
  747. >You help her throw them off, and back up, waiting for her to take off the blind fold
  748. >Hurry up girl, even standing is becoming a hard pressed task
  749. >She hops off the seat and begins to pull the cloth from her eyes
  750. >"Oh Jean! I knew that you'd come for me. Listen! Auckland is going to the town hall to discuss the Ch-ch-changeliiiiiing!"
  751. >As soon as her eyes fell on you, she jumped back into the corner and presses against the wall, fear encompassing her as she stares at you with wide eyes
  752. >"P-please just stay back. I'm not helping the bounty hunter. J...just tell me where Jean is. Please!"
  753. >Oh boy, this isn't going to be easy
  754.  
  755.  
  756. >You just don't know what to do
  757. >Should you lie to her and somehow make this seem less painful than it is?
  758. >A tear begins to roll down your cheek
  759. "Pinky, just let me explain"
  760. >You laboriously walk to her, every step hurting as your body uses to last of it's energy
  761. >"No! Just stay back! Please! I don't want to die!"
  762. "We'll both die if we stay here"
  763. >She see to clam down a bit at that, and proceeds to observe you quizzically
  764. "Pinky....I am Jean. I've been him this whole time"
  765. >She begins to well up with tears
  766. >"N-no. I know Jean. I love Jean! You can't be him! You're lying"
  767. >Your heart begins to break
  768. >Wait, Carl. Maybe she'll believe you if you show her something that she connects with Jean
  769. >You pull him out to show her the pet that you two raised together
  770. >"Carl? How did you get a hold of him you monster?"
  771. "Pinky, I was the changeling that got lost in town. I tried to find a way out, but I couldn't. So I decided to stay with you. But I eventually felt some connection to you while I was trapped in town. Something I've been instructed to live off of, but never really experienced. True Love."
  772. >She continues to peer at you, tears falling freely to the ground
  773. "I didn't mean for anything like this to happen. But we've got to stop Auckland, he's been behind all the murders. He wants the town to keep paying him money so that he can retire. He's going to kill both of us after that meeting"
  774. >You fall down on your side, unable to support your own weight anymore
  775. >You give her one last pleading look
  776. "Please...just.....trust me"
  777. >Your vision fades
  778.  
  779.  
  780. >It's dark. You feel like you're drifting in a way. Kind of like a dream
  781. >Soon, you'll be out for good. No changeling can survive without love
  782. >But suddenly, you can feel something. Something.....energizing
  783. >Your entire body begins to warm up
  784. >You're starting to feel much better, most of the pain is receding
  785. >It almost feels like something is powering your love levels back up
  786. >You open your eyes slowly, to reveal Pinky embracing you, her lips locked with yours
  787. >You return the favor, noting that at the rate that she's transferring love for you, you'll be back to good in no time
  788. >After what seems like an eternity, she break the kiss, and just stares into your eyes
  789. >Damn, you feel good. You're jaw has stopped hurting, your aches have gone away.
  790. >You feel as good as you can ever remember, maybe even better
  791. >Love is a hell of a drug
  792. >Eventually she speaks
  793. >"I guess you aren't really Jean. Jean never existed........But, you're still something to me. The bug that stole my heart"
  794. >You stand up with renewed strength
  795. "Pinky, I'm so sorry for not telling you earlier. It's just that you were one of the only people that I could trust, and I knew that if I showed you what I truly was.....you'd leave me and inform others"
  796. >She props your head up with a hoof
  797. >"Listen....uh..."
  798. "Biggs. My real name is just Biggs"
  799. >"Biggs....you don't have to worry about that now. I'm willing to go to the end of the world with you. Besides, we've got a bird to stop!"
  800. >You give her a nod and pick up your hatchet
  801. "Follow me, babe"
  802.  
  803.  
  804. >Leading her down the flights of stairs, you explain the whole situation to her
  805. >Everything about Auckland's plan, Carrot Top's betrayal, the missing fang
  806. >Soon, you both on the ground floor
  807. "Pinky, head outside and wait for me on the street"
  808. >She nods and runs out the door
  809. >You run over to an alcohol cabinet and use your fresh strength to crack in open
  810. >Taking all the booze you can grab, you dump it all over the carpet
  811. "So much for the house, mate"
  812. >You smash a bottle of whiskey into the fire and run, sparks leaping of of the fireplace
  813. >Soon, the whole place is ignited in an inferno as you make your way to the street
  814. "Pinky, what time is it?"
  815. >"It should be about 9:30"
  816. >Damn, the meeting's halfway over
  817. "We've got to hurry. We've got to make it to city hall"
  818. >You both take off into the night, side by side with renewed vigor for your mission
  819.  
  820.  
  821.  
  822. >"Jean- Oh um Biggs?"
  823. "Pinky, you can call me whatever you like. You fell in love with stallion named Jean, I'm cool with you calling me that"
  824. >"Well alright. But do we have a plan?"
  825. >Huh, never though you'd get this far. Should have thought of one of those
  826. "Where are all your friends?"
  827. >"They should be in the crowd at the meeting"
  828. >Good, at least they'll be on scene
  829. "We're going to run up unto that stage and confront the maniac. Hopefully the crowd will realize what's going on and assist"
  830. >You really hope that this will work, otherwise, the crowd and guards could turn on you in a moment and it'd be over
  831. >After rounding a couple more blocks, you're approaching the center of town
  832. >You can make out the town hall now, illuminated brightly against the dark, night sky
  833.  
  834.  
  835.  
  836. >Both of you are now outside the town hall, making sure to avoid guard patrols
  837. "Lets make our way around back"
  838. >You can here applause and cheering coming from inside the building
  839. >You can only imagine what that lying son of a bitch is telling them
  840. >Finally sneaking to the back exit, you take off your bag and set down Carl
  841. "Watch my back bro, it's gonna get ugly"
  842. >He seems to understand well enough
  843. "Pinky"
  844. >"Yes Jean?"
  845. >You grab her tight and passionately kiss her
  846. >She replies in kind, and rubs her hoof around your chest, one leg cocked in the air in pleasure
  847. "Let's finish this"
  848. >She gets her game face on
  849. >"After you, stud"
  850. >With that, you stealthy open the door, trying not to alert any lurking guards
  851. >Shutting the door behind Pinky, you two begin to walk through a dark hallway, and come to a stop in front of a staircase labeled STAGE
  852. >You slowly walk up the stairs, Pinky in tow, and press your ear against the door
  853. >You can hear the bastard from the other side
  854. >"......And that's how I was able to save this poor mare from the fangs of the predator. Although it was quick enough to dart off into the night as I was tending to her, the most important thing is that she's alright"
  855. >He must be referring to Carrot Top
  856. >That prick is telling every pony that he must have saved her from you, and that's why she's been missing
  857. >Nobody slander's Biggs' good name
  858. >As Auckland finishes talking the crows erupts into cheering once more
  859. >Gullible idiots
  860. >You turn to Pinky
  861. >She nods without a word, signifying that she's ready
  862.  
  863.  
  864. >No more deceptive games. No more sneaking around. This is ending right here, right now
  865. >"Jean?"
  866. "Yes Pinky"
  867. >"No matter how ugly it gets out there, I've got your back"
  868. "....I know"
  869. >With that, you draw your axe and summon all your might
  870. "Hereeeeee's Biggs!"
  871. >You kick the door open harder than you ever have before, an ear shattering *bang* resonating through the entire auditorium as the door is almost ripped off of it's hinges
  872. >Auckland and Carrot Top fling around to face you
  873. >Auckland's wings flare out as he assumes a defensive stance, taken back by the sudden brutality with which the door was flung open
  874. >You take a few steps in, finally revealing yourself to the crowd as you step out from behind the curtain on the side of the stage
  875. >You can hear a collective gasp, followed by screams for help and "It's the changeling!"
  876. >The clearly surprised and frightened looks on the griffon and small, orange mare standing next to him are obvious
  877. >They know that they've fucked up. Big time.
  878. "Rupert Auckland, you are under arrest for multiple accounts of murder!"
  879. >The crowd continues to talk among themselves, but it mostly sounds confused now
  880. >All eyes are transfixed upon you and Pinky as you stroll up to the podium in front of your two enemies
  881.  
  882.  
  883.  
  884. >You take the podium, Auckland and Carrot top taking a few steps back, unsure of what to do
  885. >Pinky stares them down intently as you postion yourself at the stand
  886. >You give the room a sweeping glance
  887. >Looks like most of the town is here. Off to your left, you spot the rest of the Elements of Murde- Harmony. About 10 rows back.
  888. >The room is decently lit from the ceiling with lanterns on the walls every 10 yards or so
  889. >You snap back to the task at hand, the ponies look like they're becoming restless
  890. "Citizens of Ponyville. You have been cheated and lied to"
  891. >Off in the crowd you swear you can here an old pony yell "I knew it!" slapping an elderly stallion beside her
  892. >Weird
  893. >Suddenly the whole crowd ceases their confused chatter and go silent
  894. "It's true that I am the changeling that's been roaming the town. It's true that I did suck some love out of a pony at a bar one night, and ran out the back. Hell, it's even true that I'm responsible for arson"
  895. >You turn to Auckland and point out one of the large windows, and watch his jaw drop when he notices the billowing smoke from he assumes is his home
  896. "But one thing that isn't true, is what Rupert Auckland claims that he's been doing for this town."
  897. >The crowd begins to once again mutter in confused tones
  898. >Auckland takes a panicked step forward
  899. >"N-now slow down there mate, ya don't know what you're saying!"
  900. "No Auckland! Back up! These ponies need to know the truth!"
  901. >You hear several in the crowd yell "Get on with it!"
  902.  
  903.  
  904. "You hired Auckland to rid your village of me, but what he's been doing this whole time has been quite the opposite. He's been letting me roam the streets, while he schemed to make everyone of you his personal pawn"
  905. >It's time to pour your heart out to these ponies
  906. "Changelings feed on love, this you all know. For what purpose would I start to murder my victims? I'm a god damn love bug, my life revolves around seducing my victims, and taking the energy from them without them having a clue. Murdering them serves no purpose and would only intensify the pressure to find me......which is something that Auckland wanted"
  907. >You pause and look to the silent crowd, starring at you in curiosity
  908. "Further more, I was disguised for the majority of the time as "Jean Hatchet" Pinky Pie's roommate...and lover. She, and the Cakes know that after work, I would usually come home to be with her. The nights of the murders were no different. I wasn't out roaming the city. But guess who was?"
  909. >You glance over to Aukland. He's sweating bullets. Carrot Top just stands there with a shocked expression
  910. >Someone in the crowd yells
  911. >"So what's he got to do with all this? I don't suppose you have any proof to seriously accuse him of murder, bug"
  912.  
  913.  
  914. "Pinky, if you'd please pass me the cigarette butt"
  915. >"Sure thing Jean"
  916. >She digs around her bag and pulls it out, handing it to you
  917. "I found THIS at a crime scene. It may be just a discarded smoke to most of you, but if you look at it more closely, you'll find that it's a particularly rare brand. Adelaide. From the southern Griffon Empire. You can't find these in many places in Equestria. But we all know who comes from a foreign land, with his own personal packs of cigarettes."
  918. >Another glance at Auckland confirms that he knows that you've got him now, he just looks at you with pleading eyes
  919. "And another thing, if Pinky and the Cakes could back up my story of being home when the murders took place, then how would those ponies die to fang marks?"
  920. >The crowd begins to look over at the griffon, muttering in surprised, yet angry voices
  921. >They're starting to get it
  922. "That's right. Rupert Auckland. The only creature in this town bold enough to own changeling fangs, let alone wear them as hat decorations"
  923. >You step off the podium
  924. "Pinky dear, it's all yours"
  925. >"Thanks Jean"
  926. >As she takes the podium, you turn and check out the criminals. Carrot Top has broken down into tears. Auckland seem to have gotten a grip on himself, he just stares daggers into your eyes
  927. >Pinky begins to talk
  928. >"Earlier today, I was brutally kidnapped by Mr. Auckland in an attempt to bait Biggs, well, Jean into a trap."
  929. >The crowd gasps at this, they looked pretty shocked
  930. >"And let me tell you, he would have murdered me no less if it hadn't been for Jean! Auckland's been killing all those ponies in order to bend you to his will. He milked a house, payments, diplomatic immunity out of you. And it wasn't enough. He was going to murder until you were willing to basically pay enough for him to retire for life. And Carrot Top was in on it too!"
  931. >Oh boy that crowd looks pissed
  932. >"And he almost succeed here tonight. Signing over that life long stipend to him at the end of the meeting is exactly what he wanted."
  933.  
  934.  
  935. >You walk over and place yourself between Auckland and the podium
  936. >He's a good 20 feet away, but that'd be no distance at all if he made a lunge at her
  937. "Just tell me Carrot Top. Why? Why did you go along with all this? You didn't you just say no to his lies?"
  938. >She raises her head, still weeping and quivering
  939. >Birdy boy shoots a look down at her
  940. >"I....I just loved h-him so much. W-we only wanted to....settle do-own. Not have to worry about the f-f-future"
  941. >You walk back to the podium, Pinkie stepping behind you
  942. "She just wanted to settle down and not worry about the future....sounds a little similar to Auckland's goals. He milked a house out of this town. He needed it so he wouldn't have to go back to the bush. And he also was looking for an easy retirement....exactly what he planned to get here tonight"
  943. >The crowd begins to go into an uproar
  944. >"Hey, he's right! All we've been doing is giving him support!"
  945. >"That prick slashed my cousin with a freaking sword!"
  946. >"Somepony call the cops! Make sure that Griffon doesn't leave"
  947. >Success. You've done it Biggs. You woke up this town
  948. >Looking over to Auckland, he's nervously eyeing the 6 guards that just walked in through the front of the room, steadily making their way to the podium
  949. >The crowd is still in an uproar at your discovery
  950. >Maybe now is the time to make anything else clear to them?
  951.  
  952.  
  953.  
  954. >You can't think of anymore evidence to give, nor anything that would make you seem more innocent
  955. >But you can think of something that everyone needs to know
  956. "Pinky?"
  957. >"What is it Jean?"
  958. >You pull her back to you and embrace her
  959. >You both peer lovingly into each other's eyes, and then you go for it
  960. >You plant the deepest kiss you can muster upon her
  961. >You hear the crowd collectively "Awww"
  962. >You look back to the crowd, most of them are tearing up from what you can tell. The guards are only a few rows away from the stage to get the griffon
  963. "As a sign of good faith to this community, I will now be turning in myself to the authorities until the whole situation is clear, and....maybe be able to visit freely after I return home"
  964. >Much of the audience just nods, a few clap, some more just stare at Auckland and his mare
  965. >Heh, you can only imagine the look on his face
  966. >That's when you see the ponies in the crowd all face to your right and gasp
  967. >Oh crap
  968. >You turn your head to your former hunter, still embracing Pinky
  969. >"Not. So. Fast, mate....."
  970. >OH GOD NOT GOOD
  971. >He's shouldering his crossbow, taking aim at you
  972.  
  973.  
  974.  
  975. >There's no time to focus magic, he's already got a bead on you two
  976. >Quickly thinking, you reach back and grab the first thing that you can get a hold of off of the wall, a lantern
  977. "Catch this!"
  978. >Throwing it with all your might, you strike him in the head, his shot gliding off and embedding harmlessly into the wall behind you as he recoils
  979. >The lantern bounces off stage, while Auckland holds his heads, muttering curses
  980. >Heh, not such a bad shot Biggs.....Hey, what smell like something's cooking?
  981. >You glance to where the lantern fell off the stage, a roaring fire in full swing
  982. "What have I done?
  983. >The crowd begins to panic, and makes for all of the nearest exits. You can see a couple of the Elements being swept away in a sea of confusion
  984. >And there go the guards bolting for the doors, attempting to escape the rapidly expanding flames
  985. >"I've had about enough of you, and you're whore!"
  986. >Oh shit, Auckland's up again, kukri in hand
  987. >"And I'ma make you regret ever crossing my path, ya bug!"
  988. >Just then, you see an orange flash whiz by you
  989. >Carrot Top is on Pinky, both of them rolling around the stage pulling at each other's hair, desperately trying to punch each other in the face
  990. >Cat fights man
  991. >"And if I'm going into the big house, I'm making sure that you're going into the ground, Biggs"
  992.  
  993. You begin to charge up a shot from your horn, but he anticipates it as he runs forward
  994. >You send forth your blast, only to have the griffon dodge it quite expertly
  995. >You desperately begin to charge up again, but he's already on top of you
  996. >Attempting to duck away, a firm punch knocks you down
  997. >Your horn has a couple of sparks shoot off, but nothing else happens
  998. >Shit! He knocked it out of the fight
  999. >You feel a strong grip pull you up
  1000. >He just hold you up with one arm, standing on his hind legs, forcing you to look into his eyes
  1001. >You don't know if it's just the flames finally rising unto the stage, but his eyes seem to be burning with anger
  1002. >"And this is how it ends. You should have know what was good for ya and stayed chained up like the mutt ya are!
  1003. >You smirk in response
  1004. "Oh I don't think so, bird"
  1005. >Summoning those 5 hive wrestling championships, you set up a move to get him to release you
  1006. >And swiftly kick him in the crotch
  1007. >"Ahhh! damn it!"
  1008. >He lets you go, and attempts to nurse his bruised balls
  1009. >You make a break for the hatchet that you brought
  1010. >Carrot Top and Pinky are still wrestling around, yelling at each other
  1011. >"Bug bitch!"
  1012. >"Bird cocksleave!"
  1013. >"Chitin cunt!"
  1014. >Geez ladies get a grip
  1015. >You finally firmly grasp the axe, and turn to Auckland, now beginning to causally walk over to you with his kukri
  1016. >The flames have consumed most of the auditorium, and are beginning to really creep up onto the stage
  1017. >"Have at it....mate"
  1018. >He raises the blade
  1019.  
  1020.  
  1021. >You dodge his initially swing, probably due to him still having a slowed reaction time from nut pains
  1022. >As he attempts to turns to you, you deliver a solid kick into his side
  1023. >You swear you could hear a rib or two crack
  1024. >He begins to back up, one arm wrapped around his side where you hit him
  1025. >A little more maneuvering and you can get him with his back against the flames
  1026. >You spent 10 days pretending to be a lumberjack, surely those skills will transfer, right?
  1027. >You take a mighty swing with your axe, to which Auckland parries with the lighter kukri
  1028. >You circle him a bit, preparing to drive him to the flames
  1029. >Taking another swing, he backs up even more, before quickly taking a few slashes at you, which you manage to dodge you the most part
  1030. >The last swing nicked you, but you're fine due to your exoskeleton
  1031. >Suddenly, the griffon stands up tall on his hind legs, kukri gripped in both hands above his head
  1032. >"Taste steel, ya drongo!" He yells at the top of his lungs, the words fused with pure rage
  1033. >You quickly dive, barley getting out from under the bone crushing swing
  1034. >The kukri hits the floor and splinters the boards
  1035. >Now's your chance
  1036. >You take a side swing with the axe and feel it connect
  1037. >All you can hear is a gruesome cry of pain bellowing from your adversary
  1038. >You withdraw your weapon, to which Auckland desperately backs up even more, his left wing crushed, bloodied, and limply hanging
  1039. >He just looks down at his shattered wing, and then up at you in shock
  1040. "So where's all that "bush training" now, Aussie?"
  1041.  
  1042.  
  1043. >He just continues to stare at you, his beak slightly agape
  1044. >Enough is enough, you've waited too long for this moment
  1045. >You go in for the kill
  1046. >As you raise your axe, he quickly dives in and thrusts much to your surprise
  1047. "Ah! Fuck!"
  1048. >A burst of pain erupts throughout your body
  1049. >His kukri has embedded into your right arm quite deeply
  1050. >You immediately smack him off of you with the wooden grip of the axe
  1051. >He seems to be getting more sluggish, looks like he's loosing a lot of blood and beginning to stumble
  1052. >He just grins at his handy work
  1053. >"Why such a pained look son? I thought your kind was used to having holes in your arms?"
  1054. >Ass
  1055. >The kukri comes free with a couple good tugs
  1056. "Laugh it up, I'm not the one about the be killed with my own knife"
  1057. >You toss aside the axe, wanting to make sure that this kill will be book marked for generations as the ultimate irony
  1058. >He backs up some more, but stops, his tail being singed by flames
  1059. >He's got nowhere to run
  1060. "Just give it up Auckland, you're finished. Maybe the ponies will show you mercy if you just surrender"
  1061. >He sharpens his eyes
  1062. >"Not on your life, mate"
  1063. >With that he cocks back and takes a wild swing at you
  1064. >Big mistake
  1065. >You slash him up his stomach
  1066. >It was a shallow cut, but the damaged is gone; Auckland collapses before your feet, still very much alive though
  1067. >You raise the stolen blade ready to end this fiasco
  1068. >But then you hear a cry for help
  1069. >"Biggs! Jean! W-hatever! Heeeelp!"
  1070. >Carrot Top has straddled your marefriend, about to stab her with a knife
  1071. >Auckland begins to stir
  1072. >Do I kill the bird, or save the girl?
  1073. >Another scream from Pinky is all you need to make your decision
  1074. >Running over to the mares, you blind siding Carrot Top, sending her flying and knocking her out
  1075. >Shit, Pinky looks hurt. She's bleeding
  1076.  
  1077. >Good news is, it doesn't look like a major wound, just a glancing stab
  1078. >Bad news is, she begins to fade out of conscious
  1079. >It's probably from all the smoke in the room
  1080. >You're starting to feel light headed too
  1081. >You attempt to pick her up and carry her to the exit to get out of the building, but your damaged leg causes you to collapse
  1082. "Come on, work....work with me here damn it"
  1083. >No response, she's passed out
  1084. >You try dragging her one armed, but you're still a good distance from the door
  1085. >You crawl with her for a few more seconds and then tire out
  1086. >The blood loss and smoke is weakening you too much
  1087. >You keep trying to tug on her, but you're only moving a few feet at a time
  1088. >Eventually, you just collapse again, coughing and wheezing.
  1089. >You hear Auckland stirring once again
  1090. >Fuck, you're defenseless.
  1091. >You hear him crawling his way over in your direction slowly
  1092. "You...you wont hurt my mare without a fight...bird"
  1093. >You're seriously loosing energy fast, you might not be able to fend him off
  1094. >The movement stops. He must be right behind you
  1095. >You wrap yourself around Pinky in a final embrace
  1096. >Glancing over, you expect to see your attacker standing over you, ready to slice you open
  1097. >But he's not there
  1098. >Looking a few yards back you see him, cradling Carrot Top on the floor, sobbing.
  1099. >A bright red trail of blood shows how far he crawled to get to her
  1100. >"I...I'm so sorry Carrot Top. I failed us.....I failed us"
  1101. >He starts stroking her mane, you can see him begin to pass out, still holding onto the small mare as his energy fails him too
  1102. >So, this is how it ends. You, your mortal enemy, and your mares cuddling
  1103. >You're all going out making love. Not war.
  1104. >You realize that deep down, maybe you and Auckland really aren't that different
  1105. >You begin to shred a few tears, laying down as you're vision becomes cloudy, as your wound bleeds out and the smoke encompass you
  1106. >It seems like an eternity, the area around you is really heating up, the flames can't be too far away now
  1107. >That's when you hear it
  1108. >The back door has been kicked open
  1109. >"Is anyone in here?!"
  1110.  
  1111.  
  1112. >You painfully sit up a little
  1113. "H-ere! On the stage!"
  1114. >You hear multiple hoof steps down the hallway
  1115. >Pretty soon you can hear ponies barking orders, and clambering up the stairs
  1116. >"Sir! Are you up here?"
  1117. "Yes! Yes, please....help"
  1118. >Several ponies run out of the stair well, all wearing some type of respirators
  1119. >The helmets say P.F.D.
  1120. >Ponyville Fire Department
  1121. >A couple of them lift you up, and begin to drag you towards the exit
  1122. >Glancing back, another pony is carrying out Pinky in a similar fashion
  1123. "W-wait, there's still...a couple more....back there"
  1124. >"We know sir, we've got some of the squad pulling them out right behind us
  1125. >With that, you go limp in their arms
  1126. >Soon, the heat becomes less intense
  1127. >You're taken outside, and set on the grass, Pinky is laid down next you you
  1128. >They place oxygen masks over both of you and start first aide
  1129. >You glance around at the outside
  1130. >It looks like most of the town's citizens are watching on a ways back behind some wood barricades, guards making sure that they don't get too close
  1131. >Fire ponies are throwing water onto the inferno, pegasuses making dive bomb runs with buckets from above
  1132. >Then you see a team pulling out an unconscious griffon and mare from the building
  1133. >They made it
  1134. "Sir....h-how did you know that we were in there?"
  1135. >"Hm? Oh, a caterpillar actually crawled over to us and kept using his body to gesture over to the door. It was pretty odd"
  1136. >With that explanation you put your head back on the grass and smile
  1137. >Carl, you magnificent bastard. You did it
  1138. >You continue to sport the widest grin you've ever had as you're being loaded onto a stretcher that they placed beside you
  1139. >Taking one last look at Pinky, you let off a small chuckle, and blackout, your body too exhausted to stay awake
  1140.  
  1141.  
  1142. >It's been about 2 months since the whole town hall fiasco
  1143. >You were in the hospital for a three of those weeks
  1144. >That kukri cut actually nicked an artery, you needed intensive care immediately
  1145. >If it wasn't for the fire departments rapid response time getting you to the medical center, you would have died
  1146. >While you were there, they actually replaced your broken fang with a gold replica in the operating room. Pretty swanky
  1147. >As for Pinky, she was released after a couple of days. All she had was some smoke inhalation, and a shallow cut
  1148. >Lucky mare. At least she visited you every day in the hospital
  1149. >As for Auckland and his mate, they survived, but obviously didn't get quite the heart warming, get well welcomes that you did
  1150. >Auckland is still in the hospital, they had to totally reconstruct his wing from the axe strike
  1151. >The Griffon Empire refused to take him back to stand trial, so he'll be staying locked up for a looooong time in Equestria after he's released from the hospital
  1152. >At least him and Carrot Top will get to be with each other behind bars everyday!
  1153. >As for you? Currently, you're acting as the official changeling ambassador to Equestria
  1154. >This whole conflict allowed them to set aside some some of their differences with the hive
  1155. >It's a pretty sweet gig, you're in Ponyville 3 weeks a month, back at the hive the rest of the time
  1156. >Carl eventually metamorphosed into a monarch butterfly, and is currently on a cross country trip with some others looking for milkweed, but he visits every couple of weeks
  1157. >"Biggs, come on! We're going to be late for our dinner reservations!"
  1158. "Hang on dear! Just cleaning up some files"
  1159. >She's high maintenance, but you're proud to call Pinky your marefriend, going pretty steady
  1160. >She eventually took to calling you Biggs, something about it being a new name for a new chapter in life or something
  1161. "Biggs! Come ooooon!"
  1162. >Best not keep her waiting
  1163. >You stand up, wave goodbye to your framed picture of Carl on the way out, and shut your office's door, ready for a hot night with your mare
  1164. >The End?
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