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Captain Marvel (2019) eng

May 29th, 2019
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  5.  
  6. 1
  7. 00:00:14,648 --> 00:00:16,084
  8. (PAGER PINGING)
  9.  
  10. 2
  11. 00:00:22,523 --> 00:00:26,194
  12. BRIE LARSON: It's such an honor
  13. to be part of the Marvel Universe.
  14.  
  15. 3
  16. 00:00:26,227 --> 00:00:29,397
  17. To be a part
  18. of this legacy of characters
  19.  
  20. 4
  21. 00:00:29,430 --> 00:00:32,100
  22. is so incredibly meaningful
  23. to people.
  24.  
  25. 5
  26. 00:00:33,701 --> 00:00:36,637
  27. ANNA BODEN: It's amazing
  28. to get the opportunity
  29.  
  30. 6
  31. 00:00:36,670 --> 00:00:38,739
  32. to bring
  33. a female superhero to life.
  34.  
  35. 7
  36. 00:00:40,574 --> 00:00:42,376
  37. Not only because
  38. Captain Marvel
  39.  
  40. 8
  41. 00:00:42,410 --> 00:00:45,813
  42. is one of the most powerful
  43. characters in the Marvel Universe.
  44.  
  45. 9
  46. 00:00:48,416 --> 00:00:50,751
  47. But also because
  48. we are getting to create
  49.  
  50. 10
  51. 00:00:50,784 --> 00:00:53,421
  52. the image of this
  53. very powerful superhero.
  54.  
  55. 11
  56. 00:00:55,289 --> 00:00:57,791
  57. There is so much
  58. that I want to bring to her.
  59.  
  60. 12
  61. 00:00:57,825 --> 00:01:00,094
  62. That's the part
  63. that I'm excited about.
  64.  
  65. 13
  66. 00:01:01,795 --> 00:01:06,567
  67. The newest person joining us,
  68. Captain Marvel herself...
  69.  
  70. 14
  71. 00:01:06,600 --> 00:01:08,302
  72. (AUDIENCE CHEERING)
  73.  
  74. 15
  75. 00:01:08,336 --> 00:01:09,770
  76. Brie Larson!
  77.  
  78. 16
  79. 00:01:13,241 --> 00:01:17,478
  80. BODEN: What attracted us to the
  81. project was definitely Brie Larson.
  82.  
  83. 17
  84. 00:01:18,746 --> 00:01:20,748
  85. Such a fan of her acting.
  86.  
  87. 18
  88. 00:01:20,781 --> 00:01:22,350
  89. She's so strong.
  90.  
  91. 19
  92. 00:01:22,383 --> 00:01:25,786
  93. She brings
  94. such a range of emotion.
  95.  
  96. 20
  97. 00:01:25,819 --> 00:01:29,223
  98. She was a huge fan of the
  99. character in the comic.
  100.  
  101. 21
  102. 00:01:29,257 --> 00:01:31,325
  103. LARSON: The idea of that star
  104. and these colors,
  105.  
  106. 22
  107. 00:01:31,359 --> 00:01:32,660
  108. that we can have a symbol
  109.  
  110. 23
  111. 00:01:32,693 --> 00:01:37,331
  112. that represents strength
  113. and humility and compassion.
  114.  
  115. 24
  116. 00:01:37,365 --> 00:01:39,333
  117. Something that
  118. I didn't grow up with having.
  119.  
  120. 25
  121. 00:01:41,869 --> 00:01:44,772
  122. That put things in perspective
  123. of what this was.
  124.  
  125. 26
  126. 00:01:46,740 --> 00:01:48,509
  127. This is more than
  128. a performance.
  129.  
  130. 27
  131. 00:01:50,778 --> 00:01:52,746
  132. Brie in this role
  133. is so important
  134.  
  135. 28
  136. 00:01:52,780 --> 00:01:57,718
  137. because she is such a dynamic
  138. and complex person.
  139.  
  140. 29
  141. 00:01:57,751 --> 00:01:59,720
  142. Stop using this,
  143. start using this.
  144.  
  145. 30
  146. 00:01:59,753 --> 00:02:03,391
  147. Brie brings such humanity
  148. to this character.
  149.  
  150. 31
  151. 00:02:03,424 --> 00:02:06,660
  152. LARSON: When I'm on set
  153. and I'm performing,
  154.  
  155. 32
  156. 00:02:06,694 --> 00:02:09,897
  157. I don't think so much about the
  158. specific choice that I'm making.
  159.  
  160. 33
  161. 00:02:09,930 --> 00:02:11,465
  162. I just think about
  163. what's available to me
  164.  
  165. 34
  166. 00:02:11,499 --> 00:02:12,600
  167. and what's honest
  168. in that moment.
  169.  
  170. 35
  171. 00:02:12,633 --> 00:02:15,236
  172. And if it's honest,
  173. then it can't be wrong.
  174.  
  175. 36
  176. 00:02:16,837 --> 00:02:19,773
  177. BODEN: It was such a joy
  178. to be able to work with her.
  179.  
  180. 37
  181. 00:02:19,807 --> 00:02:24,345
  182. To imagine and develop
  183. and create a character
  184.  
  185. 38
  186. 00:02:24,378 --> 00:02:28,482
  187. who is just about as dynamic as
  188. any character we've ever written.
  189.  
  190. 39
  191. 00:02:29,450 --> 00:02:30,484
  192. (MOUTHS) Oh, my God!
  193.  
  194. 40
  195. 00:02:32,420 --> 00:02:35,223
  196. LARSON: The thing that
  197. I found so unique in Carol
  198.  
  199. 41
  200. 00:02:35,256 --> 00:02:37,425
  201. from reading the comics
  202. and from the script
  203.  
  204. 42
  205. 00:02:37,458 --> 00:02:41,195
  206. was that total capability in
  207. whatever challenge comes her way.
  208.  
  209. 43
  210. 00:02:41,229 --> 00:02:42,830
  211. That core of her
  212. is the Air Force.
  213.  
  214. 44
  215. 00:02:44,832 --> 00:02:45,799
  216. MARIA: You ready?
  217.  
  218. 45
  219. 00:02:45,833 --> 00:02:48,269
  220. Higher, further, faster, baby.
  221. That's right.
  222.  
  223. 46
  224. 00:02:49,970 --> 00:02:51,939
  225. LESLIE FINSTEIN: If Brie was gonna
  226. be playing an Air Force pilot,
  227.  
  228. 47
  229. 00:02:51,972 --> 00:02:53,774
  230. she needed to go
  231. to meet some real pilots.
  232.  
  233. 48
  234. 00:02:54,842 --> 00:02:56,444
  235. Who better to meet than
  236.  
  237. 49
  238. 00:02:56,477 --> 00:02:58,979
  239. the first female fighter
  240. pilot in the Air Force?
  241.  
  242. 50
  243. 00:02:59,012 --> 00:03:01,882
  244. I think it's great to do
  245. that level of research
  246.  
  247. 51
  248. 00:03:01,915 --> 00:03:04,752
  249. and to understand the people
  250. that she is representing.
  251.  
  252. 52
  253. 00:03:04,785 --> 00:03:07,421
  254. For her to take the time to
  255. really sit down and talk with them
  256.  
  257. 53
  258. 00:03:07,455 --> 00:03:10,691
  259. and to experience going up in a fighter
  260. jet, I think, is pretty awesome.
  261.  
  262. 54
  263. 00:03:12,626 --> 00:03:16,730
  264. I believe it was important
  265. for Brie to go up in the F-16.
  266.  
  267. 55
  268. 00:03:16,764 --> 00:03:21,302
  269. Kind of gain an appreciation for
  270. what people in the Air Force do.
  271.  
  272. 56
  273. 00:03:21,335 --> 00:03:23,971
  274. She is so engaged in wanting
  275. to learn about everything.
  276.  
  277. 57
  278. 00:03:25,506 --> 00:03:26,907
  279. LARSON: What's the fastest
  280. that you've gone?
  281.  
  282. 58
  283. 00:03:26,940 --> 00:03:28,676
  284. LEAVITT: Mach 1.6.
  285.  
  286. 59
  287. 00:03:28,709 --> 00:03:29,777
  288. You're so cool.
  289.  
  290. 60
  291. 00:03:31,044 --> 00:03:32,780
  292. LARSON: Once we were on set,
  293.  
  294. 61
  295. 00:03:32,813 --> 00:03:34,682
  296. we were simulating
  297. a barrel roll.
  298.  
  299. 62
  300. 00:03:34,715 --> 00:03:36,850
  301. I was able to
  302. recall that exactly.
  303.  
  304. 63
  305. 00:03:36,884 --> 00:03:39,253
  306. What that feels like,
  307. what your body feels like,
  308.  
  309. 64
  310. 00:03:39,287 --> 00:03:41,622
  311. how hard it is to breathe.
  312.  
  313. 65
  314. 00:03:41,655 --> 00:03:43,857
  315. As soon as you see
  316. the wings go like this,
  317.  
  318. 66
  319. 00:03:43,891 --> 00:03:45,626
  320. here come the G's.
  321.  
  322. 67
  323. 00:03:45,659 --> 00:03:46,727
  324. Here come some G's.
  325.  
  326. 68
  327. 00:03:48,296 --> 00:03:50,798
  328. LARSON: Kazi, my pilot,
  329. is so incredible.
  330.  
  331. 69
  332. 00:03:50,831 --> 00:03:52,500
  333. Super, super talented.
  334.  
  335. 70
  336. 00:03:52,533 --> 00:03:53,667
  337. I want you to
  338. grab the stick,
  339.  
  340. 71
  341. 00:03:53,701 --> 00:03:55,536
  342. and I want you to shake it and
  343. say, "I have the aircraft."
  344.  
  345. 72
  346. 00:03:57,438 --> 00:03:58,939
  347. PARK: It was amazing!
  348.  
  349. 73
  350. 00:03:58,972 --> 00:04:01,409
  351. (LAUGHS)
  352. Unbelievable what she does.
  353.  
  354. 74
  355. 00:04:02,643 --> 00:04:04,978
  356. I'm going to actually
  357. know how to do this.
  358.  
  359. 75
  360. 00:04:06,580 --> 00:04:07,681
  361. FURY: Do you know
  362. how to fly this thing?
  363.  
  364. 76
  365. 00:04:07,715 --> 00:04:08,716
  366. We'll see.
  367.  
  368. 77
  369. 00:04:09,917 --> 00:04:11,719
  370. That's a yes or no question.
  371.  
  372. 78
  373. 00:04:11,752 --> 00:04:12,986
  374. Yes.
  375.  
  376. 79
  377. 00:04:15,689 --> 00:04:16,957
  378. LARSON: By the time
  379. we started shooting,
  380.  
  381. 80
  382. 00:04:16,990 --> 00:04:18,759
  383. I had been training
  384. for nine months.
  385.  
  386. 81
  387. 00:04:19,927 --> 00:04:21,462
  388. I'm so glad that I did.
  389.  
  390. 82
  391. 00:04:24,398 --> 00:04:26,967
  392. Doing kicks and punches up and
  393. down a train for three days,
  394.  
  395. 83
  396. 00:04:28,702 --> 00:04:30,003
  397. felt kind of alive.
  398.  
  399. 84
  400. 00:04:33,974 --> 00:04:35,709
  401. SUPREME INTELLIGENCE:
  402. We found you.
  403.  
  404. 85
  405. 00:04:35,743 --> 00:04:38,679
  406. We made you one of us.
  407.  
  408. 86
  409. 00:04:38,712 --> 00:04:41,582
  410. Gotta admit, that's not the
  411. craziest thing I've heard today.
  412.  
  413. 87
  414. 00:04:41,615 --> 00:04:43,651
  415. Well, it's still early.
  416.  
  417. 88
  418. 00:04:43,684 --> 00:04:47,321
  419. LARSON: Sam and Annette
  420. are incredible actors.
  421.  
  422. 89
  423. 00:04:47,355 --> 00:04:50,358
  424. So talented, so funny.
  425.  
  426. 90
  427. 00:04:50,391 --> 00:04:52,593
  428. It's been really wonderful
  429. working with them.
  430.  
  431. 91
  432. 00:04:52,626 --> 00:04:54,027
  433. I was so thrilled
  434.  
  435. 92
  436. 00:04:54,061 --> 00:04:57,898
  437. when I found out that they were
  438. going to be on this ride with me.
  439.  
  440. 93
  441. 00:04:58,899 --> 00:05:00,334
  442. LAWSON:
  443. Wonderful view, isn't it?
  444.  
  445. 94
  446. 00:05:00,368 --> 00:05:02,102
  447. I prefer the view
  448. from up there.
  449.  
  450. 95
  451. 00:05:02,135 --> 00:05:03,871
  452. You'll get there
  453. soon enough, Ace.
  454.  
  455. 96
  456. 00:05:04,972 --> 00:05:07,808
  457. You'll get there
  458. soon enough, Ace.
  459.  
  460. 97
  461. 00:05:07,841 --> 00:05:09,910
  462. You'll get there
  463. soon enough, Ace.
  464.  
  465. 98
  466. 00:05:12,946 --> 00:05:14,615
  467. What did you put in my head?
  468.  
  469. 99
  470. 00:05:14,648 --> 00:05:16,517
  471. Nothing that wasn't
  472. already there.
  473.  
  474. 100
  475. 00:05:18,419 --> 00:05:19,987
  476. YON-ROGG: Forget who you were.
  477.  
  478. 101
  479. 00:05:20,888 --> 00:05:23,457
  480. Remember what you are.
  481.  
  482. 102
  483. 00:05:23,491 --> 00:05:26,527
  484. LARSON: The thing about Carol is
  485. that she's Kree and she's human.
  486.  
  487. 103
  488. 00:05:26,560 --> 00:05:29,930
  489. VERS: I keep having
  490. these memories.
  491.  
  492. 104
  493. 00:05:29,963 --> 00:05:31,765
  494. She's always trying
  495. to figure out who she is.
  496.  
  497. 105
  498. 00:05:32,933 --> 00:05:34,768
  499. VERS: I think
  500. I had a life here.
  501.  
  502. 106
  503. 00:05:34,802 --> 00:05:36,103
  504. What else aren't you
  505. telling me?
  506.  
  507. 107
  508. 00:05:36,136 --> 00:05:37,905
  509. LARSON:
  510. That internal struggle for her
  511.  
  512. 108
  513. 00:05:37,938 --> 00:05:40,541
  514. is what keeps playing her
  515. so interesting for me.
  516.  
  517. 109
  518. 00:05:43,076 --> 00:05:46,547
  519. It's taken me a year
  520. on this journey.
  521.  
  522. 110
  523. 00:05:46,580 --> 00:05:49,917
  524. I don't think that I fully
  525. understood the scope of it.
  526.  
  527. 111
  528. 00:05:49,950 --> 00:05:53,621
  529. To see photos of homemade
  530. Captain Marvel costumes
  531.  
  532. 112
  533. 00:05:53,654 --> 00:05:56,757
  534. moms have made for their little
  535. girls makes me emotional.
  536.  
  537. 113
  538. 00:05:58,592 --> 00:06:00,528
  539. FEIGE: We had the first
  540. full costume fitting
  541.  
  542. 114
  543. 00:06:00,561 --> 00:06:02,463
  544. on the set of
  545. Avengers: Infinity War.
  546.  
  547. 115
  548. 00:06:04,064 --> 00:06:06,567
  549. Seeing that character that
  550. we've been working on for years
  551.  
  552. 116
  553. 00:06:06,600 --> 00:06:08,836
  554. standing in front of you for
  555. the first time in real life,
  556.  
  557. 117
  558. 00:06:08,869 --> 00:06:10,438
  559. it's incredible.
  560.  
  561. 118
  562. 00:06:10,471 --> 00:06:12,640
  563. LARSON: This experience
  564. has been invaluable.
  565.  
  566. 119
  567. 00:06:12,673 --> 00:06:15,976
  568. It's my opportunity to
  569. bring Carol into this world.
  570.  
  571. 120
  572. 00:06:16,009 --> 00:06:20,047
  573. It's my chance to pick the brains
  574. of living legendary superheroes
  575.  
  576. 121
  577. 00:06:20,080 --> 00:06:22,049
  578. and ask the questions.
  579.  
  580. 122
  581. 00:06:22,082 --> 00:06:24,685
  582. Questions that I wouldn't
  583. be able to have answered
  584.  
  585. 123
  586. 00:06:24,718 --> 00:06:27,120
  587. by anyone other than
  588. the superheroes themselves.
  589.  
  590. 124
  591. 00:06:28,188 --> 00:06:30,458
  592. My entire lifetime
  593. of experience
  594.  
  595. 125
  596. 00:06:30,491 --> 00:06:32,826
  597. is all coming through
  598. to come together
  599.  
  600. 126
  601. 00:06:32,860 --> 00:06:35,963
  602. to play this character right
  603. now at this period of time.
  604.  
  605. 127
  606. 00:06:35,996 --> 00:06:38,098
  607. I feel so grateful
  608. that they have given me
  609.  
  610. 128
  611. 00:06:38,131 --> 00:06:52,079
  612. the most dynamic character that I
  613. have ever had the chance to play.
  614.  
  615. 129
  616. 00:06:52,112 --> 00:06:53,781
  617. MARIA: About to show
  618. these boys how we do it.
  619.  
  620. 130
  621. 00:06:53,814 --> 00:06:55,048
  622. Higher, further,
  623. faster, baby.
  624.  
  625. 131
  626. 00:06:58,552 --> 00:07:01,121
  627. It's really incredible
  628. to be part of this legacy.
  629.  
  630. 132
  631. 00:07:01,154 --> 00:07:05,893
  632. These films are a part of what's
  633. shaping our culture, shaping who we are.
  634.  
  635. 133
  636. 00:07:05,926 --> 00:07:08,829
  637. We've always had powerful
  638. female characters in our movies,
  639.  
  640. 134
  641. 00:07:08,862 --> 00:07:10,898
  642. but having Captain Marvel
  643. as the title character
  644.  
  645. 135
  646. 00:07:10,931 --> 00:07:13,567
  647. for the first time
  648. feels like it's overdue.
  649.  
  650. 136
  651. 00:07:13,601 --> 00:07:16,470
  652. And it's something that we can't
  653. wait to deliver onto the world.
  654.  
  655. 137
  656. 00:07:16,504 --> 00:07:19,840
  657. She's a new,
  658. extremely important part of the MCU.
  659.  
  660. 138
  661. 00:07:23,544 --> 00:07:29,817
  662. Somebody who's not just powerful,
  663. but also really complicated.
  664.  
  665. 139
  666. 00:07:29,850 --> 00:07:32,720
  667. I found evidence
  668. that I had a life here.
  669.  
  670. 140
  671. 00:07:35,188 --> 00:07:37,858
  672. What else
  673. aren't you telling me?
  674.  
  675. 141
  676. 00:07:37,891 --> 00:07:40,027
  677. MAN: Action!
  678. FEIGE: This is not just about somebody
  679.  
  680. 142
  681. 00:07:40,060 --> 00:07:43,030
  682. who can fly around and shoot
  683. photon blasts out of her arm.
  684.  
  685. 143
  686. 00:07:43,931 --> 00:07:45,432
  687. It's somebody
  688. who's very human,
  689.  
  690. 144
  691. 00:07:45,465 --> 00:07:48,602
  692. who's very vulnerable,
  693. and who has multiple dimensions.
  694.  
  695. 145
  696. 00:07:48,636 --> 00:07:50,671
  697. LARSON: She has this
  698. incredible dry sense of humor.
  699.  
  700. 146
  701. 00:07:50,704 --> 00:07:52,039
  702. Put that on.
  703. What is it?
  704.  
  705. 147
  706. 00:07:52,072 --> 00:07:53,240
  707. It's the S.H.I.E.L.D. logo.
  708.  
  709. 148
  710. 00:07:53,273 --> 00:07:55,809
  711. Does announcing
  712. your identity on clothing
  713.  
  714. 149
  715. 00:07:55,843 --> 00:07:58,245
  716. help with the covert part
  717. of your job?
  718.  
  719. 150
  720. 00:07:58,278 --> 00:08:01,715
  721. BODEN: You will definitely meet
  722. somebody who has a lot of swagger.
  723.  
  724. 151
  725. 00:08:01,749 --> 00:08:06,086
  726. She's a fighter pilot,
  727. has that top gun, maverick attitude.
  728.  
  729. 152
  730. 00:08:06,119 --> 00:08:08,622
  731. She's this badass
  732. who just can't be kept down.
  733.  
  734. 153
  735. 00:08:10,658 --> 00:08:14,562
  736. LARSON: It's amazing exploring
  737. the complexity of this character.
  738.  
  739. 154
  740. 00:08:14,595 --> 00:08:17,831
  741. Exploring emotion
  742. mixed with honor.
  743.  
  744. 155
  745. 00:08:17,865 --> 00:08:18,932
  746. These two things
  747. that, I think,
  748.  
  749. 156
  750. 00:08:18,966 --> 00:08:20,634
  751. coincide
  752. within Captain Marvel.
  753.  
  754. 157
  755. 00:08:24,271 --> 00:08:26,640
  756. CADET OFFICER:
  757. It's over! Give it up!
  758.  
  759. 158
  760. 00:08:31,278 --> 00:08:32,913
  761. They'll never let you fly.
  762.  
  763. 159
  764. 00:08:32,946 --> 00:08:35,649
  765. She has this thing inside of
  766. her that refuses to give up.
  767.  
  768. 160
  769. 00:08:35,683 --> 00:08:36,817
  770. Get off the track!
  771.  
  772. 161
  773. 00:08:39,687 --> 00:08:42,990
  774. She's already kind of a superhero
  775. before she gets super powers.
  776.  
  777. 162
  778. 00:08:43,023 --> 00:08:44,758
  779. You don't belong out here!
  780.  
  781. 163
  782. 00:08:44,792 --> 00:08:46,827
  783. She has this desire
  784. for perfection,
  785.  
  786. 164
  787. 00:08:46,860 --> 00:08:50,097
  788. and also this leniency
  789. to having this open heart,
  790.  
  791. 165
  792. 00:08:50,130 --> 00:08:53,066
  793. and how there's messiness
  794. between the two of those things.
  795.  
  796. 166
  797. 00:08:53,100 --> 00:08:55,168
  798. CAROL: You have
  799. no idea who I am.
  800.  
  801. 167
  802. 00:08:55,202 --> 00:08:57,104
  803. I don't even know
  804. who I am!
  805.  
  806. 168
  807. 00:08:57,137 --> 00:08:59,072
  808. You are Carol Danvers.
  809.  
  810. 169
  811. 00:08:59,106 --> 00:09:02,075
  812. You are smart,
  813. and funny,
  814.  
  815. 170
  816. 00:09:02,109 --> 00:09:05,679
  817. and you were the most
  818. powerful person I knew
  819.  
  820. 171
  821. 00:09:05,713 --> 00:09:07,581
  822. way before you could
  823. shoot fire from your fists.
  824.  
  825. 172
  826. 00:09:09,650 --> 00:09:14,655
  827. The struggle, needing to find her
  828. strength and ultimately overcoming,
  829.  
  830. 173
  831. 00:09:14,688 --> 00:09:17,190
  832. that's really what
  833. makes her a hero.
  834.  
  835. 174
  836. 00:09:17,224 --> 00:09:18,325
  837. CAPTAIN MARVEL:
  838. What happens when
  839.  
  840. 175
  841. 00:09:22,262 --> 00:09:23,831
  842. I'm finally set free?
  843.  
  844. 176
  845. 00:09:27,668 --> 00:09:29,469
  846. (LAUGHING)
  847.  
  848. 177
  849. 00:09:29,502 --> 00:09:33,106
  850. FEIGE: This film, it also is going to
  851. set the stage for how Captain Marvel
  852.  
  853. 178
  854. 00:09:33,140 --> 00:09:36,977
  855. has influenced everything
  856. that has happened in the MCU.
  857.  
  858. 179
  859. 00:09:37,010 --> 00:09:38,746
  860. You think you can find
  861. others like her?
  862.  
  863. 180
  864. 00:09:41,214 --> 00:09:43,817
  865. FURY: She might
  866. just be the beginning.
  867.  
  868. 181
  869. 00:09:43,851 --> 00:09:46,019
  870. FEIGE: Seeing that character that
  871. we've been working on for years,
  872.  
  873. 182
  874. 00:09:46,053 --> 00:09:48,355
  875. that we've been dreaming about even
  876. longer than that, come to life...
  877.  
  878. 183
  879. 00:09:50,090 --> 00:09:51,158
  880. It was astounding.
  881.  
  882. 184
  883. 00:09:52,225 --> 00:09:54,962
  884. How do I look?
  885. Fresh.
  886.  
  887. 185
  888. 00:09:54,995 --> 00:09:58,331
  889. I'm not going to fight your
  890. war, I'm gonna end it.
  891.  
  892. 186
  893. 00:10:00,133 --> 00:10:02,803
  894. She refuses to give up on herself
  895. and to give up on humanity.
  896.  
  897. 187
  898. 00:10:05,172 --> 00:10:06,740
  899. That's why I feel so lucky
  900.  
  901. 188
  902. 00:10:09,209 --> 00:10:10,744
  903. to be playing Captain Marvel.
  904.  
  905. 189
  906. 00:10:11,344 --> 00:10:21,388
  907. Try to keep up.
  908.  
  909. 190
  910. 00:10:21,388 --> 00:10:31,431
  911. Try to keep up.
  912.  
  913. 191
  914. 00:10:31,464 --> 00:10:32,833
  915. (KNOCKING ON GLASS)
  916.  
  917. 192
  918. 00:10:34,702 --> 00:10:35,703
  919. Excuse me, miss.
  920.  
  921. 193
  922. 00:10:36,804 --> 00:10:38,338
  923. You're watching
  924.  
  925. 194
  926. 00:10:38,371 --> 00:10:40,173
  927. a Carol Danvers origin story,
  928.  
  929. 195
  930. 00:10:40,207 --> 00:10:42,910
  931. but you're also watching
  932. a Nick Fury origin story.
  933.  
  934. 196
  935. 00:10:42,943 --> 00:10:44,244
  936. You wanna get personal.
  937.  
  938. 197
  939. 00:10:44,277 --> 00:10:48,181
  940. Which then means that this is kind
  941. of an entire MCU origin story.
  942.  
  943. 198
  944. 00:10:48,215 --> 00:10:51,785
  945. Nicholas Joseph Fury.
  946. Agent of S.H.I.E.L.D.
  947.  
  948. 199
  949. 00:10:51,819 --> 00:10:54,922
  950. Nicholas Joseph Fury.
  951. You have three names?
  952.  
  953. 200
  954. 00:10:55,889 --> 00:10:57,925
  955. Everybody calls me Fury.
  956.  
  957. 201
  958. 00:10:57,958 --> 00:11:01,829
  959. Nick Fury is one of the most important
  960. characters in the Marvel Universe.
  961.  
  962. 202
  963. 00:11:01,862 --> 00:11:04,264
  964. Official S.H.I.E.L.D.
  965. activity. Stay back.
  966.  
  967. 203
  968. 00:11:04,297 --> 00:11:05,498
  969. And has influenced,
  970.  
  971. 204
  972. 00:11:05,532 --> 00:11:07,901
  973. literally, almost everything
  974. that has happened.
  975.  
  976. 205
  977. 00:11:07,935 --> 00:11:11,839
  978. We have no idea what other
  979. intergalactic threats are out there.
  980.  
  981. 206
  982. 00:11:11,872 --> 00:11:14,041
  983. S.H.I.E.L.D. alone
  984. can't protect us.
  985.  
  986. 207
  987. 00:11:14,074 --> 00:11:15,442
  988. SAMUEL L. JACKSON: He realizes
  989.  
  990. 208
  991. 00:11:15,475 --> 00:11:16,944
  992. at that point it's like,
  993.  
  994. 209
  995. 00:11:16,977 --> 00:11:19,246
  996. "Okay. I need to find
  997. some people
  998.  
  999. 210
  1000. 00:11:19,279 --> 00:11:22,883
  1001. "that can do extraordinary
  1002. things like this person
  1003.  
  1004. 211
  1005. 00:11:22,916 --> 00:11:25,052
  1006. "because the threat's
  1007. not just coming
  1008.  
  1009. 212
  1010. 00:11:25,085 --> 00:11:27,420
  1011. "from the east or the west
  1012. on this planet.
  1013.  
  1014. 213
  1015. 00:11:27,454 --> 00:11:29,022
  1016. "It's coming from out there."
  1017.  
  1018. 214
  1019. 00:11:29,056 --> 00:11:31,224
  1020. COULSON: You think you can find others?
  1021. She's just the beginning.
  1022.  
  1023. 215
  1024. 00:11:37,064 --> 00:11:39,900
  1025. FURY: You think you're the
  1026. only superhero in the world?
  1027.  
  1028. 216
  1029. 00:11:39,933 --> 00:11:43,036
  1030. Mr. Stark, you've become
  1031. part of a bigger universe.
  1032.  
  1033. 217
  1034. 00:11:43,070 --> 00:11:44,972
  1035. You just
  1036. don't know it yet.
  1037.  
  1038. 218
  1039. 00:11:45,005 --> 00:11:47,274
  1040. Who the hell are you?
  1041. Nick Fury.
  1042.  
  1043. 219
  1044. 00:11:47,307 --> 00:11:48,742
  1045. Director of S.H.I.E.L.D.
  1046.  
  1047. 220
  1048. 00:11:49,777 --> 00:11:52,312
  1049. Nick Fury told everyone
  1050. what to do.
  1051.  
  1052. 221
  1053. 00:11:52,345 --> 00:11:55,749
  1054. And he's like the air
  1055. traffic controller of Hell.
  1056.  
  1057. 222
  1058. 00:11:55,783 --> 00:11:56,850
  1059. What do you want from me?
  1060.  
  1061. 223
  1062. 00:11:56,884 --> 00:11:58,318
  1063. What do we want
  1064. from you? Nah-uh-uh.
  1065.  
  1066. 224
  1067. 00:11:58,351 --> 00:12:00,253
  1068. What do you want
  1069. from me?
  1070.  
  1071. 225
  1072. 00:12:00,287 --> 00:12:04,091
  1073. You have become a problem.
  1074. A problem I have to deal with.
  1075.  
  1076. 226
  1077. 00:12:08,929 --> 00:12:10,230
  1078. FURY: You've been asleep, Cap.
  1079.  
  1080. 227
  1081. 00:12:11,131 --> 00:12:12,833
  1082. For almost 70 years.
  1083.  
  1084. 228
  1085. 00:12:12,866 --> 00:12:16,036
  1086. JACKSON: Being able to
  1087. introduce the characters,
  1088.  
  1089. 229
  1090. 00:12:16,069 --> 00:12:18,338
  1091. Nick Fury becomes what we,
  1092.  
  1093. 230
  1094. 00:12:18,371 --> 00:12:20,808
  1095. I guess, know as
  1096. a master manipulator.
  1097.  
  1098. 231
  1099. 00:12:20,841 --> 00:12:21,975
  1100. That's his superpower.
  1101.  
  1102. 232
  1103. 00:12:22,009 --> 00:12:24,444
  1104. You here with a mission, sir?
  1105. I am.
  1106.  
  1107. 233
  1108. 00:12:24,477 --> 00:12:25,913
  1109. Trying to get me back
  1110. in the world?
  1111.  
  1112. 234
  1113. 00:12:26,546 --> 00:12:27,981
  1114. Trying to save it.
  1115.  
  1116. 235
  1117. 00:12:28,015 --> 00:12:30,383
  1118. He really is the one
  1119. running the show.
  1120.  
  1121. 236
  1122. 00:12:30,417 --> 00:12:33,453
  1123. I recognize the Council
  1124. has made a decision,
  1125.  
  1126. 237
  1127. 00:12:33,486 --> 00:12:35,322
  1128. but given that
  1129. it's a stupid-ass decision,
  1130.  
  1131. 238
  1132. 00:12:35,355 --> 00:12:36,990
  1133. I've elected to ignore it.
  1134.  
  1135. 239
  1136. 00:12:39,026 --> 00:12:41,895
  1137. These people may be isolated,
  1138. unbalanced even,
  1139.  
  1140. 240
  1141. 00:12:41,929 --> 00:12:43,563
  1142. but I believe
  1143. with the right push,
  1144.  
  1145. 241
  1146. 00:12:43,596 --> 00:12:46,066
  1147. they can be exactly
  1148. what we need.
  1149.  
  1150. 242
  1151. 00:12:46,099 --> 00:12:48,168
  1152. JACKSON: He knows
  1153. how to bring people together
  1154.  
  1155. 243
  1156. 00:12:48,201 --> 00:12:51,905
  1157. and manipulate them to get them
  1158. to do what needs to be done
  1159.  
  1160. 244
  1161. 00:12:51,939 --> 00:12:53,073
  1162. to serve the greater good.
  1163.  
  1164. 245
  1165. 00:12:53,106 --> 00:12:54,507
  1166. What are you asking me to do?
  1167.  
  1168. 246
  1169. 00:12:54,541 --> 00:12:58,278
  1170. I'm asking, what are you
  1171. prepared to do?
  1172.  
  1173. 247
  1174. 00:12:58,311 --> 00:13:00,413
  1175. He's always observing,
  1176. always watching.
  1177.  
  1178. 248
  1179. 00:13:00,447 --> 00:13:02,049
  1180. You're not the only people
  1181. out there, are you?
  1182.  
  1183. 249
  1184. 00:13:02,082 --> 00:13:04,885
  1185. And you're not
  1186. the only threat.
  1187.  
  1188. 250
  1189. 00:13:04,918 --> 00:13:07,487
  1190. Name a detail so bizarre a
  1191. Skrull could never fabricate it.
  1192.  
  1193. 251
  1194. 00:13:07,520 --> 00:13:09,957
  1195. If toast is cut diagonally,
  1196. I can't eat it.
  1197.  
  1198. 252
  1199. 00:13:11,291 --> 00:13:13,060
  1200. LARSON: Nick Fury
  1201. is the character
  1202.  
  1203. 253
  1204. 00:13:13,093 --> 00:13:17,264
  1205. that we have all loved
  1206. and watched for a decade.
  1207.  
  1208. 254
  1209. 00:13:17,297 --> 00:13:21,034
  1210. AUTOMATED VOICE: Species: human male.
  1211. Threat: low to none.
  1212.  
  1213. 255
  1214. 00:13:21,068 --> 00:13:23,203
  1215. (GRUNTING)
  1216.  
  1217. 256
  1218. 00:13:23,236 --> 00:13:25,072
  1219. That thing's
  1220. clearly busted.
  1221.  
  1222. 257
  1223. 00:13:25,105 --> 00:13:27,207
  1224. A man who is just a hero.
  1225.  
  1226. 258
  1227. 00:13:27,240 --> 00:13:28,541
  1228. We need to find more.
  1229.  
  1230. 259
  1231. 00:13:29,242 --> 00:13:30,277
  1232. More weapons?
  1233.  
  1234. 260
  1235. 00:13:30,310 --> 00:13:32,145
  1236. More heroes.
  1237.  
  1238. 261
  1239. 00:13:32,179 --> 00:13:33,914
  1240. There are a lot of people
  1241. that have been brought
  1242.  
  1243. 262
  1244. 00:13:33,947 --> 00:13:38,051
  1245. into the mythology of what
  1246. the Marvel Universe is.
  1247.  
  1248. 263
  1249. 00:13:38,085 --> 00:13:39,252
  1250. Is this normal?
  1251.  
  1252. 264
  1253. 00:13:39,286 --> 00:13:40,320
  1254. Pretty much.
  1255.  
  1256. 265
  1257. 00:13:40,353 --> 00:13:42,455
  1258. They're still just
  1259. scratching the surface of it.
  1260.  
  1261. 266
  1262. 00:13:44,457 --> 00:13:45,558
  1263. That's what I'm talking about!
  1264.  
  1265. 267
  1266. 00:13:46,894 --> 00:14:00,307
  1267. (LAUGHING)
  1268. CAPTAIN MARVEL: Whoo!
  1269.  
  1270. 268
  1271. 00:14:00,340 --> 00:14:04,044
  1272. MAN: All right, here we go.
  1273. We're set. And action!
  1274.  
  1275. 269
  1276. 00:14:05,578 --> 00:14:07,047
  1277. Roll!
  1278.  
  1279. 270
  1280. 00:14:09,416 --> 00:14:11,651
  1281. KEVIN FEIGE: We've always had powerful
  1282. female characters in our movies,
  1283.  
  1284. 271
  1285. 00:14:11,684 --> 00:14:14,254
  1286. but having Captain Marvel as the
  1287. title character for the first time
  1288.  
  1289. 272
  1290. 00:14:14,287 --> 00:14:17,124
  1291. feels like it's overdue.
  1292. And so,
  1293.  
  1294. 273
  1295. 00:14:17,157 --> 00:14:21,494
  1296. we always love to look for filmmakers
  1297. who've done incredibly special films,
  1298.  
  1299. 274
  1300. 00:14:21,528 --> 00:14:24,331
  1301. and Anna Boden and Ryan Fleck
  1302. have done just that.
  1303.  
  1304. 275
  1305. 00:14:26,533 --> 00:14:29,302
  1306. They just understood Carol
  1307. and they understood her story
  1308.  
  1309. 276
  1310. 00:14:29,336 --> 00:14:31,371
  1311. and that journey
  1312. of becoming a superhero.
  1313.  
  1314. 277
  1315. 00:14:35,008 --> 00:14:36,609
  1316. JONATHAN SCHWARTZ: Ryan and Anna
  1317. came in with an amazing perspective,
  1318.  
  1319. 278
  1320. 00:14:36,643 --> 00:14:39,446
  1321. and they've really put
  1322. their own spin on the material
  1323.  
  1324. 279
  1325. 00:14:39,479 --> 00:14:43,650
  1326. and given it a voice
  1327. and a spirit that's fresh.
  1328.  
  1329. 280
  1330. 00:14:43,683 --> 00:14:46,586
  1331. You guys wouldn't happen to know
  1332. how these things come off, would ya?
  1333.  
  1334. 281
  1335. 00:14:46,619 --> 00:14:48,355
  1336. No? Fine.
  1337.  
  1338. 282
  1339. 00:14:48,989 --> 00:14:50,423
  1340. (GRUNTING)
  1341.  
  1342. 283
  1343. 00:14:51,992 --> 00:14:54,061
  1344. CLARK GREGG: I've seen,
  1345. time and time again,
  1346.  
  1347. 284
  1348. 00:14:54,094 --> 00:14:57,297
  1349. directors be brought into the
  1350. Marvel Universe and really thrive.
  1351.  
  1352. 285
  1353. 00:14:57,330 --> 00:14:58,966
  1354. That was really good.
  1355.  
  1356. 286
  1357. 00:14:58,999 --> 00:15:00,333
  1358. GREGG: The same thing
  1359. is true of Ryan and Anna.
  1360.  
  1361. 287
  1362. 00:15:00,367 --> 00:15:03,670
  1363. They have this intense
  1364. enthusiasm for it
  1365.  
  1366. 288
  1367. 00:15:03,703 --> 00:15:07,440
  1368. and a desire to kind of honor what's
  1369. been set up about these characters,
  1370.  
  1371. 289
  1372. 00:15:07,474 --> 00:15:09,342
  1373. and also take it
  1374. somewhere new.
  1375.  
  1376. 290
  1377. 00:15:09,376 --> 00:15:10,543
  1378. FURY: Do you know
  1379. how to fly this thing?
  1380.  
  1381. 291
  1382. 00:15:10,577 --> 00:15:11,578
  1383. We'll see.
  1384.  
  1385. 292
  1386. 00:15:12,645 --> 00:15:14,381
  1387. That's a yes or no question.
  1388.  
  1389. 293
  1390. 00:15:14,414 --> 00:15:15,415
  1391. Yes.
  1392.  
  1393. 294
  1394. 00:15:19,419 --> 00:15:21,154
  1395. That's good stuff
  1396. right there.
  1397.  
  1398. 295
  1399. 00:15:21,188 --> 00:15:23,423
  1400. BRIE LARSON: We both came from that,
  1401. like, scrappy indie film world,
  1402.  
  1403. 296
  1404. 00:15:23,456 --> 00:15:24,424
  1405. and that's all the stuff
  1406.  
  1407. 297
  1408. 00:15:24,457 --> 00:15:25,792
  1409. that ultimately goes back
  1410. into these films.
  1411.  
  1412. 298
  1413. 00:15:28,495 --> 00:15:31,564
  1414. Because the car chases and
  1415. the explosions are super fun,
  1416.  
  1417. 299
  1418. 00:15:31,598 --> 00:15:35,235
  1419. but what sits with you are those
  1420. interpersonal relationships.
  1421.  
  1422. 300
  1423. 00:15:35,268 --> 00:15:38,071
  1424. Name a detail so bizarre a
  1425. Skrull could never fabricate it.
  1426.  
  1427. 301
  1428. 00:15:38,105 --> 00:15:40,507
  1429. If toast is cut diagonally,
  1430. I can't eat it.
  1431.  
  1432. 302
  1433. 00:15:42,242 --> 00:15:43,576
  1434. You didn't need that,
  1435. did you?
  1436.  
  1437. 303
  1438. 00:15:43,610 --> 00:15:45,712
  1439. No. No, I didn't.
  1440. But I enjoyed it.
  1441.  
  1442. 304
  1443. 00:15:45,745 --> 00:15:47,647
  1444. (LAUGHTER)
  1445.  
  1446. 305
  1447. 00:15:47,680 --> 00:15:51,351
  1448. JUDE LAW: By bringing in people like
  1449. Anna and Ryan to direct Captain Marvel,
  1450.  
  1451. 306
  1452. 00:15:51,384 --> 00:15:52,452
  1453. their sense of humor
  1454.  
  1455. 307
  1456. 00:15:52,485 --> 00:15:55,455
  1457. and sense of banter
  1458. and insight keeps it youthful.
  1459.  
  1460. 308
  1461. 00:15:55,488 --> 00:15:56,656
  1462. MAN: Go!
  1463.  
  1464. 309
  1465. 00:15:58,225 --> 00:15:59,426
  1466. You married?
  1467. (LAUGHS)
  1468.  
  1469. 310
  1470. 00:15:59,459 --> 00:16:01,094
  1471. FLECK: And cut.
  1472.  
  1473. 311
  1474. 00:16:03,096 --> 00:16:05,365
  1475. BODEN: We are getting to
  1476. kind of create the image
  1477.  
  1478. 312
  1479. 00:16:05,398 --> 00:16:09,202
  1480. of this woman and this very,
  1481. very powerful human being
  1482.  
  1483. 313
  1484. 00:16:11,338 --> 00:16:15,075
  1485. who's complicated
  1486. and has flaws and has doubts
  1487.  
  1488. 314
  1489. 00:16:15,108 --> 00:16:17,210
  1490. and has insecurities,
  1491. just like all of us do.
  1492.  
  1493. 315
  1494. 00:16:17,244 --> 00:16:20,480
  1495. And it reminds us of who
  1496. we're making the movie for
  1497.  
  1498. 316
  1499. 00:16:20,513 --> 00:16:23,316
  1500. and who we want to
  1501. inspire with this movie.
  1502.  
  1503. 317
  1504. 00:16:23,350 --> 00:16:26,053
  1505. I've been fighting with one
  1506. arm tied behind my back.
  1507.  
  1508. 318
  1509. 00:16:26,086 --> 00:16:27,187
  1510. (ALL GRUNTING)
  1511.  
  1512. 319
  1513. 00:16:30,323 --> 00:16:31,524
  1514. But what happens when
  1515.  
  1516. 320
  1517. 00:16:33,193 --> 00:16:45,105
  1518. I'm finally set free?
  1519.  
  1520. 321
  1521. 00:16:45,138 --> 00:16:49,476
  1522. FURY: So, Skrulls
  1523. are the bad guys.
  1524.  
  1525. 322
  1526. 00:16:49,509 --> 00:16:53,746
  1527. And you're a Kree?
  1528. A race of noble warriors?
  1529.  
  1530. 323
  1531. 00:16:53,780 --> 00:16:56,516
  1532. Heroes.
  1533. Noble warrior heroes.
  1534.  
  1535. 324
  1536. 00:17:00,120 --> 00:17:01,454
  1537. KEVIN FEIGE:
  1538. Captain Marvel is a character
  1539.  
  1540. 325
  1541. 00:17:01,488 --> 00:17:03,456
  1542. in our comics and mythology
  1543.  
  1544. 326
  1545. 00:17:03,490 --> 00:17:07,094
  1546. who's got one foot on Earth,
  1547. one foot in the cosmic arena.
  1548.  
  1549. 327
  1550. 00:17:08,461 --> 00:17:10,297
  1551. So, this story
  1552. was the right one
  1553.  
  1554. 328
  1555. 00:17:10,330 --> 00:17:13,700
  1556. to introduce the overarching
  1557. narrative of the Kree-Skrull war.
  1558.  
  1559. 329
  1560. 00:17:13,733 --> 00:17:15,768
  1561. ASSISTANT DIRECTOR:
  1562. Background, and action!
  1563.  
  1564. 330
  1565. 00:17:15,802 --> 00:17:19,206
  1566. It's inspired by the comics,
  1567. but it's at a whole other level.
  1568.  
  1569. 331
  1570. 00:17:20,773 --> 00:17:22,242
  1571. CAPTAIN MARVEL: I'm not
  1572. going to fight your war.
  1573.  
  1574. 332
  1575. 00:17:23,476 --> 00:17:24,711
  1576. I'm going to end it.
  1577.  
  1578. 333
  1579. 00:17:29,582 --> 00:17:35,122
  1580. The Marvel Cinematic Universe
  1581. has had so many iconic villains.
  1582.  
  1583. 334
  1584. 00:17:35,155 --> 00:17:36,789
  1585. The Skrulls are
  1586. super-interesting villains to us
  1587.  
  1588. 335
  1589. 00:17:36,823 --> 00:17:39,126
  1590. because they can
  1591. turn into anyone.
  1592.  
  1593. 336
  1594. 00:17:39,159 --> 00:17:44,831
  1595. I'll tell you my secret
  1596. when you tell me yours.
  1597.  
  1598. 337
  1599. 00:17:44,864 --> 00:17:48,435
  1600. Skrulls might be the most famous
  1601. alien race in the Marvel comics.
  1602.  
  1603. 338
  1604. 00:17:48,468 --> 00:17:51,538
  1605. They're shapeshifters and very
  1606. important to the mythology.
  1607.  
  1608. 339
  1609. 00:17:51,571 --> 00:17:54,641
  1610. Skrulls can get inside
  1611. your little mind.
  1612.  
  1613. 340
  1614. 00:17:54,674 --> 00:18:00,480
  1615. So, this makes Skrulls very formidable,
  1616. because of their camouflage ability.
  1617.  
  1618. 341
  1619. 00:18:00,513 --> 00:18:03,216
  1620. They've evolved in such different
  1621. ways than the Kree and the humans.
  1622.  
  1623. 342
  1624. 00:18:04,851 --> 00:18:07,654
  1625. BODEN: They can be your mother,
  1626. your father, your brother.
  1627.  
  1628. 343
  1629. 00:18:09,622 --> 00:18:11,758
  1630. They're like the best
  1631. spies in the world
  1632.  
  1633. 344
  1634. 00:18:11,791 --> 00:18:13,626
  1635. because they can
  1636. literally be anybody.
  1637.  
  1638. 345
  1639. 00:18:21,368 --> 00:18:24,371
  1640. YON-ROGG: Skrulls have invaded
  1641. yet another border planet.
  1642.  
  1643. 346
  1644. 00:18:24,404 --> 00:18:27,607
  1645. The relentless Skrull expansion
  1646. dangerously nears our territory.
  1647.  
  1648. 347
  1649. 00:18:27,640 --> 00:18:31,344
  1650. What's very clever about the
  1651. storytelling in Captain Marvel
  1652.  
  1653. 348
  1654. 00:18:31,378 --> 00:18:34,381
  1655. is that you're fed
  1656. the propaganda of one nation
  1657.  
  1658. 349
  1659. 00:18:34,414 --> 00:18:38,318
  1660. and believe that
  1661. the Skrulls are the bad guys.
  1662.  
  1663. 350
  1664. 00:18:38,351 --> 00:18:41,188
  1665. But you're only seeing it
  1666. through the Kree's eyes.
  1667.  
  1668. 351
  1669. 00:18:41,221 --> 00:18:42,922
  1670. SCHWARTZ: As we meet
  1671. the Kree in this movie,
  1672.  
  1673. 352
  1674. 00:18:42,955 --> 00:18:45,925
  1675. they're technologically driven and
  1676. very much motivated by this war,
  1677.  
  1678. 353
  1679. 00:18:45,958 --> 00:18:48,895
  1680. which has kind of become
  1681. pervasive to their entire society.
  1682.  
  1683. 354
  1684. 00:18:48,928 --> 00:18:53,300
  1685. The Kree are a very dominant
  1686. and very aggressive race,
  1687.  
  1688. 355
  1689. 00:18:53,333 --> 00:18:56,603
  1690. and their military and their
  1691. leaders conduct themselves as such.
  1692.  
  1693. 356
  1694. 00:18:59,672 --> 00:19:03,743
  1695. BRIE LARSON: The Kree are
  1696. really incredible warriors.
  1697.  
  1698. 357
  1699. 00:19:03,776 --> 00:19:08,215
  1700. Hyper-intellectuals and also
  1701. totally devoid of emotion.
  1702.  
  1703. 358
  1704. 00:19:09,582 --> 00:19:10,850
  1705. CAPTAIN MARVEL:
  1706. You lied to me.
  1707.  
  1708. 359
  1709. 00:19:10,883 --> 00:19:15,388
  1710. I made you
  1711. the best version of yourself.
  1712.  
  1713. 360
  1714. 00:19:15,422 --> 00:19:17,190
  1715. SCHWARTZ: What we learn
  1716. over the course of the movie
  1717.  
  1718. 361
  1719. 00:19:17,224 --> 00:19:18,858
  1720. is they won the war years ago.
  1721.  
  1722. 362
  1723. 00:19:18,891 --> 00:19:20,760
  1724. The Skrulls
  1725. are living as refugees,
  1726.  
  1727. 363
  1728. 00:19:20,793 --> 00:19:22,929
  1729. and the Kree are kind of
  1730. hounding them mercilessly.
  1731.  
  1732. 364
  1733. 00:19:25,232 --> 00:19:29,369
  1734. TALOS: The handful of us that
  1735. are left will be slaughtered next
  1736.  
  1737. 365
  1738. 00:19:29,402 --> 00:19:33,206
  1739. unless you help me finish
  1740. what Mar-Vell started.
  1741.  
  1742. 366
  1743. 00:19:37,277 --> 00:19:40,247
  1744. She's trying to break out.
  1745.  
  1746. 367
  1747. 00:19:40,280 --> 00:19:43,516
  1748. BODEN: This movie is very much
  1749. about the journey of discovery.
  1750.  
  1751. 368
  1752. 00:19:44,951 --> 00:19:48,321
  1753. Carol learned that she's
  1754. not who she thought she was.
  1755.  
  1756. 369
  1757. 00:19:48,355 --> 00:19:52,325
  1758. She learns that the war that she was
  1759. fighting is not what she thought,
  1760.  
  1761. 370
  1762. 00:19:52,359 --> 00:19:56,963
  1763. and the characters who we have in
  1764. the movie are on that journey, too.
  1765.  
  1766. 371
  1767. 00:19:58,398 --> 00:20:00,733
  1768. This movie
  1769. is really about heart,
  1770.  
  1771. 372
  1772. 00:20:00,767 --> 00:20:10,810
  1773. and we as an audience go on this
  1774. amazing, emotional journey.
  1775.  
  1776. 373
  1777. 00:20:10,810 --> 00:20:21,788
  1778. and we as an audience go on this
  1779. amazing, emotional journey.
  1780.  
  1781. 374
  1782. 00:20:21,821 --> 00:20:22,789
  1783. NARRATOR: In a world
  1784. where heroes and villains
  1785.  
  1786. 375
  1787. 00:20:22,822 --> 00:20:27,860
  1788. are caught in a perpetual game
  1789. of cat and mouse,
  1790.  
  1791. 376
  1792. 00:20:27,894 --> 00:20:31,598
  1793. the good guys only seem to
  1794. scratch the surface of justice.
  1795.  
  1796. 377
  1797. 00:20:34,901 --> 00:20:38,938
  1798. Filmmakers were tasked with finding
  1799. the most acclaimed cats-member
  1800.  
  1801. 378
  1802. 00:20:38,971 --> 00:20:43,009
  1803. to become an unlikely hero with
  1804. the power to move mountains.
  1805.  
  1806. 379
  1807. 00:20:43,042 --> 00:20:44,243
  1808. B-mark.
  1809.  
  1810. 380
  1811. 00:20:44,711 --> 00:20:46,012
  1812. (CAT MEOWS)
  1813.  
  1814. 381
  1815. 00:20:46,045 --> 00:20:47,980
  1816. (UPBEAT MUSIC PLAYING)
  1817.  
  1818. 382
  1819. 00:20:50,350 --> 00:20:51,484
  1820. FURY: What's your name?
  1821.  
  1822. 383
  1823. 00:20:51,518 --> 00:20:54,654
  1824. "Goose."
  1825. Cool name for a cool cat.
  1826.  
  1827. 384
  1828. 00:20:54,687 --> 00:20:57,490
  1829. ANNA BODEN: When we were working
  1830. on the first outline for this movie
  1831.  
  1832. 385
  1833. 00:20:57,524 --> 00:20:59,559
  1834. and we shared it
  1835. with Kevin Feige,
  1836.  
  1837. 386
  1838. 00:20:59,592 --> 00:21:03,029
  1839. his first note was,
  1840. "We need 200% more Goose."
  1841.  
  1842. 387
  1843. 00:21:03,062 --> 00:21:05,031
  1844. (PURRING) Oh, my God!
  1845. Get that thing away.
  1846.  
  1847. 388
  1848. 00:21:05,064 --> 00:21:06,466
  1849. How'd that get in here?
  1850.  
  1851. 389
  1852. 00:21:06,499 --> 00:21:07,867
  1853. We gave it to him.
  1854. Yeah, we gave it to him.
  1855.  
  1856. 390
  1857. 00:21:07,900 --> 00:21:09,035
  1858. The cat?
  1859. (WHIMPERS)
  1860.  
  1861. 391
  1862. 00:21:09,068 --> 00:21:10,803
  1863. This isn't what
  1864. you're afraid of, is it?
  1865.  
  1866. 392
  1867. 00:21:10,837 --> 00:21:11,871
  1868. That's not a cat.
  1869.  
  1870. 393
  1871. 00:21:12,705 --> 00:21:13,740
  1872. That's a Flerken.
  1873.  
  1874. 394
  1875. 00:21:15,975 --> 00:21:17,644
  1876. (ALL SCREAMING)
  1877.  
  1878. 395
  1879. 00:21:19,479 --> 00:21:20,480
  1880. (MEOWS)
  1881.  
  1882. 396
  1883. 00:21:21,113 --> 00:21:22,582
  1884. Okay.
  1885.  
  1886. 397
  1887. 00:21:22,615 --> 00:21:24,651
  1888. Good kitty.
  1889.  
  1890. 398
  1891. 00:21:24,684 --> 00:21:27,854
  1892. NARRATOR: In cats-ing Marvel's
  1893. most ambitious role yet,
  1894.  
  1895. 399
  1896. 00:21:27,887 --> 00:21:30,390
  1897. filmmakers had to endure
  1898. countless hours
  1899.  
  1900. 400
  1901. 00:21:30,423 --> 00:21:34,627
  1902. of cuddles, nuzzles,
  1903. and possible allergy attacks.
  1904.  
  1905. 401
  1906. 00:21:34,661 --> 00:21:35,962
  1907. JONATHAN SCHWARTZ: We
  1908. auditioned a few different cats.
  1909.  
  1910. 402
  1911. 00:21:35,995 --> 00:21:37,364
  1912. We ended up with
  1913.  
  1914. 403
  1915. 00:21:37,397 --> 00:21:38,431
  1916. primarily a cat named Reggie
  1917.  
  1918. 404
  1919. 00:21:38,465 --> 00:21:40,567
  1920. to play Goose,
  1921. who looks like a cat,
  1922.  
  1923. 405
  1924. 00:21:40,600 --> 00:21:42,569
  1925. but is actually an alien
  1926. called a Flerken.
  1927.  
  1928. 406
  1929. 00:21:43,002 --> 00:21:45,372
  1930. MAN: Action.
  1931.  
  1932. 407
  1933. 00:21:45,405 --> 00:21:48,341
  1934. AUTOMATED VOICE: Species: Flerken.
  1935. Threat: high.
  1936.  
  1937. 408
  1938. 00:21:48,375 --> 00:21:49,376
  1939. (MEOWS)
  1940.  
  1941. 409
  1942. 00:21:52,612 --> 00:21:55,482
  1943. NARRATOR: Reggie's unique sense
  1944. of humor and comedic timing
  1945.  
  1946. 410
  1947. 00:21:55,515 --> 00:21:56,949
  1948. were an asset to filmmakers.
  1949.  
  1950. 411
  1951. 00:21:58,518 --> 00:21:59,852
  1952. And his acting chops...
  1953.  
  1954. 412
  1955. 00:21:59,886 --> 00:22:01,454
  1956. Who's a good kitty, huh?
  1957.  
  1958. 413
  1959. 00:22:01,488 --> 00:22:03,523
  1960. ...proved paws-itively
  1961. ferocious.
  1962.  
  1963. 414
  1964. 00:22:03,556 --> 00:22:07,026
  1965. Yes, that's right.
  1966. Who's a good kitty?
  1967.  
  1968. 415
  1969. 00:22:07,059 --> 00:22:09,396
  1970. We got performances out of this cat
  1971. that I never thought we would get.
  1972.  
  1973. 416
  1974. 00:22:09,429 --> 00:22:11,864
  1975. Aren't you the prettiest
  1976. little kitty ever, huh?
  1977.  
  1978. 417
  1979. 00:22:11,898 --> 00:22:14,801
  1980. NARRATOR: He quickly became a
  1981. favorite among fellow cats-members...
  1982.  
  1983. 418
  1984. 00:22:14,834 --> 00:22:16,536
  1985. Oh, you feisty!
  1986.  
  1987. 419
  1988. 00:22:16,569 --> 00:22:19,406
  1989. ...forging friendships
  1990. to span all nine of his lives.
  1991.  
  1992. 420
  1993. 00:22:19,439 --> 00:22:21,908
  1994. Oh, whoa.
  1995. You're a tough little fella.
  1996.  
  1997. 421
  1998. 00:22:23,743 --> 00:22:25,011
  1999. SAMUEL L. JACKSON:
  2000. I love working with him.
  2001.  
  2002. 422
  2003. 00:22:25,044 --> 00:22:26,078
  2004. (MEOWS)
  2005.  
  2006. 423
  2007. 00:22:26,112 --> 00:22:28,415
  2008. (LAUGHING)
  2009.  
  2010. 424
  2011. 00:22:28,448 --> 00:22:30,550
  2012. We laugh and do things
  2013. in the trailer, but,
  2014.  
  2015. 425
  2016. 00:22:30,583 --> 00:22:31,951
  2017. when we hit the playground,
  2018.  
  2019. 426
  2020. 00:22:31,984 --> 00:22:34,086
  2021. you know,
  2022. the games become serious.
  2023.  
  2024. 427
  2025. 00:22:34,120 --> 00:22:36,088
  2026. NARRATOR: But his appetite
  2027. for purr-fection
  2028.  
  2029. 428
  2030. 00:22:36,122 --> 00:22:38,057
  2031. could sometimes be a problem.
  2032.  
  2033. 429
  2034. 00:22:38,090 --> 00:22:39,792
  2035. I'm not touching
  2036. that thing.
  2037.  
  2038. 430
  2039. 00:22:39,826 --> 00:22:41,093
  2040. You want me to
  2041. get you an oven mitt?
  2042.  
  2043. 431
  2044. 00:22:41,127 --> 00:22:42,595
  2045. (MEOWS)
  2046.  
  2047. 432
  2048. 00:22:46,499 --> 00:22:47,900
  2049. Whoa!
  2050.  
  2051. 433
  2052. 00:22:47,934 --> 00:22:49,436
  2053. LASHANA LYNCH:
  2054. I'm always like,
  2055.  
  2056. 434
  2057. 00:22:49,469 --> 00:22:51,538
  2058. trying not to touch the cat 'cause I
  2059. feel like it's going to eat my face.
  2060.  
  2061. 435
  2062. 00:22:54,474 --> 00:22:56,509
  2063. NARRATOR: With Reggie's
  2064. distinct cat-titude
  2065.  
  2066. 436
  2067. 00:22:56,543 --> 00:22:58,845
  2068. and fierce dedication
  2069. to his role...
  2070.  
  2071. 437
  2072. 00:22:58,878 --> 00:23:01,080
  2073. (SNARLS)
  2074. Ow! Mother Flerken!
  2075.  
  2076. 438
  2077. 00:23:01,113 --> 00:23:04,417
  2078. NARRATOR: ...there was
  2079. no time for kitten-around.
  2080.  
  2081. 439
  2082. 00:23:04,451 --> 00:23:09,589
  2083. Because if one thing's for sure,
  2084. this cat is Flerken purr-fect.
  2085.  
  2086. 440
  2087. 00:23:11,190 --> 00:23:12,759
  2088. (FURY GRUNTS)
  2089.  
  2090. 441
  2091. 00:23:12,792 --> 00:23:13,793
  2092. Come on, do your thing!
  2093.  
  2094. 442
  2095. 00:23:14,927 --> 00:23:15,962
  2096. Come on!
  2097.  
  2098. 443
  2099. 00:23:18,565 --> 00:23:19,866
  2100. Come on!
  2101.  
  2102. 444
  2103. 00:23:19,899 --> 00:23:21,000
  2104. (MEOWS)
  2105.  
  2106. 445
  2107. 00:23:21,033 --> 00:23:23,903
  2108. Damn it, Goose. Pick a side.
  2109. (MEOWS)
  2110.  
  2111. 446
  2112. 00:23:23,936 --> 00:23:33,980
  2113. He's our Flerken kitty.
  2114.  
  2115. 447
  2116. 00:23:33,980 --> 00:23:42,088
  2117. He's our Flerken kitty.
  2118.  
  2119. 448
  2120. 00:23:42,121 --> 00:23:44,557
  2121. You develop the film,
  2122. then you shoot the film,
  2123.  
  2124. 449
  2125. 00:23:44,591 --> 00:23:46,192
  2126. then you edit the film
  2127. in post.
  2128.  
  2129. 450
  2130. 00:23:46,225 --> 00:23:50,497
  2131. And that process, for me,
  2132. became where the movie's actually made,
  2133.  
  2134. 451
  2135. 00:23:50,530 --> 00:23:52,231
  2136. because every little decision
  2137. you make there
  2138.  
  2139. 452
  2140. 00:23:52,264 --> 00:23:54,734
  2141. impacts how it's being
  2142. presented to the audience.
  2143.  
  2144. 453
  2145. 00:23:56,736 --> 00:24:00,607
  2146. Iron Man 1 did not have a big budget,
  2147. did not have a lot of time in post.
  2148.  
  2149. 454
  2150. 00:24:02,274 --> 00:24:03,943
  2151. And when there were
  2152. a lot of new ideas
  2153.  
  2154. 455
  2155. 00:24:03,976 --> 00:24:08,481
  2156. that we wanted to execute that
  2157. many other places would say no...
  2158.  
  2159. 456
  2160. 00:24:08,515 --> 00:24:11,484
  2161. "No, too late to do that.
  2162. There's no way to afford that."
  2163.  
  2164. 457
  2165. 00:24:11,518 --> 00:24:13,219
  2166. Victoria made it happen.
  2167.  
  2168. 458
  2169. 00:24:19,125 --> 00:24:20,660
  2170. LOUIS D'ESPOSITO:
  2171. I was working on a film
  2172.  
  2173. 459
  2174. 00:24:20,693 --> 00:24:22,695
  2175. and Victoria Alonso
  2176. was the VFX producer.
  2177.  
  2178. 460
  2179. 00:24:22,729 --> 00:24:23,996
  2180. The film shut down.
  2181.  
  2182. 461
  2183. 00:24:24,030 --> 00:24:25,632
  2184. The day after
  2185. the film shut down,
  2186.  
  2187. 462
  2188. 00:24:25,665 --> 00:24:27,900
  2189. I go up to meet Jon Favreau,
  2190. Kevin Feige.
  2191.  
  2192. 463
  2193. 00:24:27,934 --> 00:24:30,737
  2194. Kevin was very shy at that
  2195. point, didn't really say much.
  2196.  
  2197. 464
  2198. 00:24:30,770 --> 00:24:33,773
  2199. And I told Jon I met this
  2200. great visual effects producer.
  2201.  
  2202. 465
  2203. 00:24:33,806 --> 00:24:35,675
  2204. My original job on Iron Man
  2205.  
  2206. 466
  2207. 00:24:35,708 --> 00:24:37,810
  2208. was as
  2209. a visual effects producer,
  2210.  
  2211. 467
  2212. 00:24:37,844 --> 00:24:40,246
  2213. and then I received a
  2214. co-producer credit for the film.
  2215.  
  2216. 468
  2217. 00:24:40,279 --> 00:24:42,582
  2218. Victoria and I
  2219. got along great.
  2220.  
  2221. 469
  2222. 00:24:42,615 --> 00:24:44,551
  2223. She was smart,
  2224. she was with it,
  2225.  
  2226. 470
  2227. 00:24:44,584 --> 00:24:46,819
  2228. she had a love
  2229. for filmmaking, too.
  2230.  
  2231. 471
  2232. 00:24:46,853 --> 00:24:48,721
  2233. (INDISTINCT SHOUTING)
  2234.  
  2235. 472
  2236. 00:24:48,755 --> 00:24:50,256
  2237. ALONSO: Kevin said,
  2238. "We're going to get a chance
  2239.  
  2240. 473
  2241. 00:24:50,289 --> 00:24:51,824
  2242. "to actually do
  2243. more than one movie.
  2244.  
  2245. 474
  2246. 00:24:51,858 --> 00:24:53,192
  2247. "Are you guys interested?"
  2248.  
  2249. 475
  2250. 00:24:53,225 --> 00:24:57,129
  2251. I didn't want to be a studio
  2252. person because I like producing.
  2253.  
  2254. 476
  2255. 00:24:57,163 --> 00:25:01,067
  2256. I like the pace, being around
  2257. teams and lifting this behemoth.
  2258.  
  2259. 477
  2260. 00:25:01,100 --> 00:25:04,871
  2261. "If I still get to produce with you
  2262. guys, then I will do it.
  2263.  
  2264. 478
  2265. 00:25:04,904 --> 00:25:06,639
  2266. "I will run
  2267. the post-production team,
  2268.  
  2269. 479
  2270. 00:25:06,673 --> 00:25:08,841
  2271. "the stereo team,
  2272. the technology team
  2273.  
  2274. 480
  2275. 00:25:08,875 --> 00:25:10,643
  2276. "if it can
  2277. all be under one roof."
  2278.  
  2279. 481
  2280. 00:25:10,677 --> 00:25:11,778
  2281. Good luck keeping up.
  2282.  
  2283. 482
  2284. 00:25:13,680 --> 00:25:15,815
  2285. ALONSO: The job
  2286. is a lot of things.
  2287.  
  2288. 483
  2289. 00:25:15,848 --> 00:25:19,218
  2290. Whether it's by picking the right
  2291. team for visual development,
  2292.  
  2293. 484
  2294. 00:25:19,251 --> 00:25:21,854
  2295. being in the edit room, being
  2296. in the visual effects reviews,
  2297.  
  2298. 485
  2299. 00:25:21,888 --> 00:25:24,190
  2300. color reviews,
  2301. being in sound reviews.
  2302.  
  2303. 486
  2304. 00:25:26,292 --> 00:25:28,595
  2305. We talk about costumes,
  2306. we talk about sets,
  2307.  
  2308. 487
  2309. 00:25:28,628 --> 00:25:30,830
  2310. we talk about color,
  2311. we talk about technology
  2312.  
  2313. 488
  2314. 00:25:30,863 --> 00:25:32,732
  2315. and how to implement
  2316. the technology
  2317.  
  2318. 489
  2319. 00:25:32,765 --> 00:25:33,966
  2320. that is out there in the world
  2321.  
  2322. 490
  2323. 00:25:34,000 --> 00:25:36,769
  2324. to make something new
  2325. and cool and different,
  2326.  
  2327. 491
  2328. 00:25:36,803 --> 00:25:40,539
  2329. and that makes our story
  2330. be a better story.
  2331.  
  2332. 492
  2333. 00:25:48,948 --> 00:25:51,150
  2334. Technology can be
  2335. your friend or your enemy.
  2336.  
  2337. 493
  2338. 00:25:52,652 --> 00:25:55,622
  2339. We look at it
  2340. when we design the characters,
  2341.  
  2342. 494
  2343. 00:25:55,655 --> 00:25:57,323
  2344. their powers,
  2345. the environments.
  2346.  
  2347. 495
  2348. 00:25:57,356 --> 00:26:00,893
  2349. Every character is challenging
  2350. and beautiful all at the same time
  2351.  
  2352. 496
  2353. 00:26:00,927 --> 00:26:03,630
  2354. throughout the journey.
  2355. When we think about it,
  2356.  
  2357. 497
  2358. 00:26:03,663 --> 00:26:05,765
  2359. when we're making it,
  2360. when we realize it
  2361.  
  2362. 498
  2363. 00:26:05,798 --> 00:26:07,734
  2364. and when we put it
  2365. out to the world.
  2366.  
  2367. 499
  2368. 00:26:09,068 --> 00:26:11,270
  2369. That's one of the challenges.
  2370.  
  2371. 500
  2372. 00:26:11,303 --> 00:26:15,141
  2373. The other challenge is to have
  2374. main characters be completely CG.
  2375.  
  2376. 501
  2377. 00:26:15,174 --> 00:26:18,711
  2378. After you see the film,
  2379. you realize that they're 100% integrated.
  2380.  
  2381. 502
  2382. 00:26:19,411 --> 00:26:21,648
  2383. We have Rocket Raccoon...
  2384.  
  2385. 503
  2386. 00:26:22,081 --> 00:26:24,684
  2387. Oh, yeah.
  2388.  
  2389. 504
  2390. 00:26:24,717 --> 00:26:25,918
  2391. ALONSO: ...and Groot...
  2392.  
  2393. 505
  2394. 00:26:25,952 --> 00:26:26,886
  2395. I am Groot.
  2396.  
  2397. 506
  2398. 00:26:26,919 --> 00:26:29,922
  2399. ALONSO:
  2400. ...which are completely CG.
  2401.  
  2402. 507
  2403. 00:26:29,956 --> 00:26:32,291
  2404. You never feel like they were
  2405. not there when we shot it.
  2406.  
  2407. 508
  2408. 00:26:32,324 --> 00:26:35,294
  2409. We took painful detail
  2410. on Rocket and Groot
  2411.  
  2412. 509
  2413. 00:26:35,327 --> 00:26:38,665
  2414. and the performances of Vin
  2415. Diesel and Bradley Cooper...
  2416.  
  2417. 510
  2418. 00:26:38,698 --> 00:26:39,866
  2419. They came.
  2420.  
  2421. 511
  2422. 00:26:39,899 --> 00:26:42,268
  2423. ALONSO: ...where we captured
  2424. their facial expressions.
  2425.  
  2426. 512
  2427. 00:26:42,301 --> 00:26:44,336
  2428. Give me your word
  2429. you won't hurt Groot
  2430.  
  2431. 513
  2432. 00:26:44,370 --> 00:26:46,639
  2433. and I'll tell you
  2434. where the batteries are.
  2435.  
  2436. 514
  2437. 00:26:46,673 --> 00:26:48,107
  2438. ALONSO:
  2439. When we created Thanos,
  2440.  
  2441. 515
  2442. 00:26:48,140 --> 00:26:49,742
  2443. we did the same
  2444. with Josh Brolin.
  2445.  
  2446. 516
  2447. 00:26:49,776 --> 00:26:54,180
  2448. Where is the Soul Stone?
  2449.  
  2450. 517
  2451. 00:26:54,213 --> 00:26:56,783
  2452. ALONSO: And we wanted to have
  2453. enough of Josh,
  2454.  
  2455. 518
  2456. 00:26:56,816 --> 00:26:59,185
  2457. his facial expressions
  2458.  
  2459. 519
  2460. 00:26:59,218 --> 00:27:02,021
  2461. and of who's portraying it,
  2462.  
  2463. 520
  2464. 00:27:02,054 --> 00:27:06,425
  2465. so that we can extract from
  2466. performance as much as we can.
  2467.  
  2468. 521
  2469. 00:27:06,458 --> 00:27:07,660
  2470. What did it cost?
  2471.  
  2472. 522
  2473. 00:27:10,129 --> 00:27:11,397
  2474. Everything.
  2475.  
  2476. 523
  2477. 00:27:11,430 --> 00:27:13,065
  2478. ALONSO:
  2479. Our intention is always,
  2480.  
  2481. 524
  2482. 00:27:13,099 --> 00:27:15,835
  2483. if we can have it real,
  2484. we will.
  2485.  
  2486. 525
  2487. 00:27:15,868 --> 00:27:19,171
  2488. Our exercise consistently is,
  2489. "Let's go shoot plates there,
  2490.  
  2491. 526
  2492. 00:27:19,205 --> 00:27:21,340
  2493. "shoot plates there
  2494. and shoot plates there."
  2495.  
  2496. 527
  2497. 00:27:23,409 --> 00:27:26,212
  2498. Could we do a waterfall
  2499. all in CG? Of course you can.
  2500.  
  2501. 528
  2502. 00:27:26,245 --> 00:27:29,949
  2503. But we did go to Iguazu Falls
  2504. and Victoria Falls in Africa
  2505.  
  2506. 529
  2507. 00:27:29,982 --> 00:27:32,819
  2508. to get the richness
  2509. of what that environment was
  2510.  
  2511. 530
  2512. 00:27:32,852 --> 00:27:34,721
  2513. and then, of course,
  2514. you enhance.
  2515.  
  2516. 531
  2517. 00:27:34,754 --> 00:27:38,791
  2518. But that reference
  2519. is irreplaceable.
  2520.  
  2521. 532
  2522. 00:27:38,825 --> 00:27:40,827
  2523. (BOTH GRUNTING)
  2524.  
  2525. 533
  2526. 00:27:40,860 --> 00:27:42,228
  2527. When you have a Flerken...
  2528.  
  2529. 534
  2530. 00:27:42,261 --> 00:27:44,864
  2531. Cool name for a cool cat.
  2532. Fury?
  2533.  
  2534. 535
  2535. 00:27:44,897 --> 00:27:46,298
  2536. ALONSO: We know
  2537. what a cat looks like,
  2538.  
  2539. 536
  2540. 00:27:46,332 --> 00:27:48,134
  2541. but you don't know
  2542. what a Flerken looks like.
  2543.  
  2544. 537
  2545. 00:27:48,167 --> 00:27:50,837
  2546. So then you have
  2547. a little bit of leeway.
  2548.  
  2549. 538
  2550. 00:27:50,870 --> 00:27:54,741
  2551. And yet, we always go back
  2552. to a known texture
  2553.  
  2554. 539
  2555. 00:27:54,774 --> 00:27:57,043
  2556. so that your eye
  2557. is tricked enough.
  2558.  
  2559. 540
  2560. 00:27:57,076 --> 00:27:59,979
  2561. You see the Flerken, you go,
  2562. "Oh, that makes total sense."
  2563.  
  2564. 541
  2565. 00:28:00,847 --> 00:28:02,481
  2566. (ALL SCREAMING)
  2567.  
  2568. 542
  2569. 00:28:02,514 --> 00:28:06,485
  2570. We take what is practical,
  2571. which gives us the best performance,
  2572.  
  2573. 543
  2574. 00:28:06,518 --> 00:28:07,619
  2575. and then we help it.
  2576.  
  2577. 544
  2578. 00:28:07,653 --> 00:28:10,122
  2579. And then we do anything
  2580. that is needed.
  2581.  
  2582. 545
  2583. 00:28:10,156 --> 00:28:12,992
  2584. We have a couple of
  2585. de-aging moments.
  2586.  
  2587. 546
  2588. 00:28:13,025 --> 00:28:17,163
  2589. This one has been one of the biggest
  2590. undertakings for de-aging that we've done.
  2591.  
  2592. 547
  2593. 00:28:17,196 --> 00:28:18,965
  2594. Did you see her weapon?
  2595. I did not.
  2596.  
  2597. 548
  2598. 00:28:18,998 --> 00:28:21,433
  2599. ALONSO: We have Coulson,
  2600. which is 10 years.
  2601.  
  2602. 549
  2603. 00:28:21,467 --> 00:28:25,872
  2604. But for Sam, we did more like
  2605. almost 25 years, 30 years.
  2606.  
  2607. 550
  2608. 00:28:25,905 --> 00:28:27,473
  2609. Excuse me, miss.
  2610.  
  2611. 551
  2612. 00:28:27,506 --> 00:28:31,243
  2613. ALONSO: Sam hasn't changed much
  2614. and yet you can see he has.
  2615.  
  2616. 552
  2617. 00:28:31,277 --> 00:28:33,479
  2618. I'm here to talk to you
  2619. about the Avenger Initiative.
  2620.  
  2621. 553
  2622. 00:28:33,512 --> 00:28:37,083
  2623. ALONSO: He's such an iconic actor
  2624. and everyone knows who he is.
  2625.  
  2626. 554
  2627. 00:28:37,116 --> 00:28:38,985
  2628. So if you do it wrong,
  2629. it's very clear.
  2630.  
  2631. 555
  2632. 00:28:39,018 --> 00:28:41,453
  2633. And we have maybe 800 shots.
  2634.  
  2635. 556
  2636. 00:28:41,487 --> 00:28:44,891
  2637. That's a lot of de-aging
  2638. of Sam Jackson.
  2639.  
  2640. 557
  2641. 00:28:44,924 --> 00:28:47,426
  2642. Official S.H.I.E.L.D.
  2643. activity. Stay back.
  2644.  
  2645. 558
  2646. 00:28:48,795 --> 00:28:50,396
  2647. We want to tell good stories.
  2648.  
  2649. 559
  2650. 00:28:52,064 --> 00:28:53,465
  2651. (DISTANT BLAST)
  2652.  
  2653. 560
  2654. 00:28:53,499 --> 00:28:56,402
  2655. There's nothing
  2656. that I want more.
  2657.  
  2658. 561
  2659. 00:28:56,435 --> 00:29:01,774
  2660. It works because the respect that we
  2661. give to the story and the characters
  2662.  
  2663. 562
  2664. 00:29:01,808 --> 00:29:06,545
  2665. by far is more than anything.
  2666.  
  2667. 563
  2668. 00:29:06,578 --> 00:29:10,482
  2669. At the end of the day,
  2670. it's not about the spectacle of it
  2671.  
  2672. 564
  2673. 00:29:10,516 --> 00:29:12,985
  2674. just for the spectacle.
  2675.  
  2676. 565
  2677. 00:29:13,019 --> 00:29:17,423
  2678. Technology and the visual
  2679. effects and sound and color
  2680.  
  2681. 566
  2682. 00:29:17,456 --> 00:29:19,358
  2683. allows us to
  2684. create those moments.
  2685.  
  2686. 567
  2687. 00:29:19,391 --> 00:29:20,459
  2688. Whoo!
  2689.  
  2690. 568
  2691. 00:29:20,492 --> 00:29:23,095
  2692. ALONSO: In thinking
  2693. about the journey
  2694.  
  2695. 569
  2696. 00:29:23,129 --> 00:29:25,231
  2697. and where we started,
  2698.  
  2699. 570
  2700. 00:29:25,264 --> 00:29:28,034
  2701. when we did Iron Man 1,
  2702. we had 800 shots
  2703.  
  2704. 571
  2705. 00:29:28,067 --> 00:29:30,769
  2706. that were visual effects shots
  2707. out of 1,800 cuts.
  2708.  
  2709. 572
  2710. 00:29:32,504 --> 00:29:33,806
  2711. (GROANING)
  2712.  
  2713. 573
  2714. 00:29:36,408 --> 00:29:39,478
  2715. Now movies are 3,200 cuts
  2716.  
  2717. 574
  2718. 00:29:39,511 --> 00:29:43,182
  2719. and 3,100 of those
  2720. are visual effects.
  2721.  
  2722. 575
  2723. 00:29:43,215 --> 00:29:47,386
  2724. That's sort of the magical
  2725. blend of all the departments.
  2726.  
  2727. 576
  2728. 00:29:47,419 --> 00:29:50,089
  2729. That has worked
  2730. really well for us.
  2731.  
  2732. 577
  2733. 00:29:50,122 --> 00:29:53,059
  2734. You can't do any of this
  2735. without your team.
  2736.  
  2737. 578
  2738. 00:29:53,092 --> 00:29:55,294
  2739. We create together.
  2740.  
  2741. 579
  2742. 00:29:55,327 --> 00:29:56,829
  2743. It's about your voice.
  2744.  
  2745. 580
  2746. 00:29:56,863 --> 00:29:59,431
  2747. It's about letting your voice
  2748. be heard.
  2749.  
  2750. 581
  2751. 00:29:59,465 --> 00:30:03,002
  2752. Being a part of the casting,
  2753. I'm one of those voices in the room
  2754.  
  2755. 582
  2756. 00:30:03,035 --> 00:30:04,003
  2757. that is always asking,
  2758.  
  2759. 583
  2760. 00:30:04,036 --> 00:30:05,337
  2761. "I know it was
  2762. written for a man,
  2763.  
  2764. 584
  2765. 00:30:05,371 --> 00:30:07,473
  2766. "but is there a reason why
  2767. that couldn't be a woman?"
  2768.  
  2769. 585
  2770. 00:30:08,607 --> 00:30:10,843
  2771. This one is fully led
  2772. by a woman.
  2773.  
  2774. 586
  2775. 00:30:12,378 --> 00:30:15,882
  2776. I believed in my gut feeling.
  2777.  
  2778. 587
  2779. 00:30:15,915 --> 00:30:17,616
  2780. I could have said,
  2781. "No, thank you.
  2782.  
  2783. 588
  2784. 00:30:17,649 --> 00:30:19,285
  2785. "No, thank you.
  2786. I'm not a studio girl.
  2787.  
  2788. 589
  2789. 00:30:19,318 --> 00:30:20,319
  2790. "I don't know how to do that."
  2791.  
  2792. 590
  2793. 00:30:20,652 --> 00:30:21,854
  2794. (GRUNTING)
  2795.  
  2796. 591
  2797. 00:30:23,389 --> 00:30:25,958
  2798. I believed in my voice.
  2799.  
  2800. 592
  2801. 00:30:25,992 --> 00:30:28,260
  2802. If you don't listen
  2803. to your voice,
  2804.  
  2805. 593
  2806. 00:30:28,294 --> 00:30:30,596
  2807. then you're going to shut out
  2808. a part of your future
  2809.  
  2810. 594
  2811. 00:30:30,629 --> 00:30:32,899
  2812. that could have been
  2813. bright and beautiful.
  2814.  
  2815. 595
  2816. 00:30:33,499 --> 00:30:35,134
  2817. It's within you.
  2818.  
  2819. 596
  2820. 00:30:37,203 --> 00:30:40,106
  2821. I had to take it in
  2822. that this was my life.
  2823.  
  2824. 597
  2825. 00:30:44,443 --> 00:30:45,978
  2826. It takes time.
  2827.  
  2828. 598
  2829. 00:30:48,314 --> 00:30:59,358
  2830. You will get there.
  2831.  
  2832. 599
  2833. 00:30:59,391 --> 00:31:00,993
  2834. TALOS: Let's open her up.
  2835.  
  2836. 600
  2837. 00:31:04,430 --> 00:31:06,532
  2838. Where are we?
  2839.  
  2840. 601
  2841. 00:31:06,565 --> 00:31:08,034
  2842. NOREX: Stand by.
  2843.  
  2844. 602
  2845. 00:31:09,936 --> 00:31:11,037
  2846. Where's your head at?
  2847.  
  2848. 603
  2849. 00:31:12,138 --> 00:31:14,406
  2850. In the clouds.
  2851. Where's yours?
  2852.  
  2853. 604
  2854. 00:31:14,440 --> 00:31:16,075
  2855. On my shoulders.
  2856.  
  2857. 605
  2858. 00:31:16,108 --> 00:31:17,944
  2859. About to show these boys
  2860. how we do it.
  2861.  
  2862. 606
  2863. 00:31:17,977 --> 00:31:19,211
  2864. You ready?
  2865.  
  2866. 607
  2867. 00:31:19,245 --> 00:31:21,380
  2868. Higher, further, faster, baby.
  2869. That's right.
  2870.  
  2871. 608
  2872. 00:31:33,159 --> 00:31:34,660
  2873. ANNA BODEN:
  2874. The Mind Frack escape
  2875.  
  2876. 609
  2877. 00:31:34,693 --> 00:31:37,396
  2878. was one of the first
  2879. action sequences
  2880.  
  2881. 610
  2882. 00:31:37,429 --> 00:31:41,300
  2883. that we started storyboarding
  2884. and pre-vising.
  2885.  
  2886. 611
  2887. 00:31:41,333 --> 00:31:43,135
  2888. Even before
  2889. we had a script,
  2890.  
  2891. 612
  2892. 00:31:43,169 --> 00:31:47,639
  2893. we knew that that sequence
  2894. was an anchor for our story.
  2895.  
  2896. 613
  2897. 00:31:47,673 --> 00:31:49,541
  2898. We worked with
  2899. different storyboard artists,
  2900.  
  2901. 614
  2902. 00:31:49,575 --> 00:31:52,111
  2903. who helped us out,
  2904. like Rico D'Alessandro.
  2905.  
  2906. 615
  2907. 00:31:52,144 --> 00:31:56,515
  2908. Do we have any information
  2909. we can act on?
  2910.  
  2911. 616
  2912. 00:31:56,548 --> 00:32:02,321
  2913. BODEN: The Skrulls are looking for
  2914. the clue to where the Tesseract is.
  2915.  
  2916. 617
  2917. 00:32:02,354 --> 00:32:03,689
  2918. VICTORIA ALONSO:
  2919. What does it feel if someone
  2920.  
  2921. 618
  2922. 00:32:03,722 --> 00:32:06,292
  2923. was trying to extract
  2924. that memory from your brain?
  2925.  
  2926. 619
  2927. 00:32:08,194 --> 00:32:10,296
  2928. TALOS: You're almost there.
  2929. Don't fight it.
  2930.  
  2931. 620
  2932. 00:32:10,329 --> 00:32:12,464
  2933. Get her back!
  2934. Get her back now!
  2935.  
  2936. 621
  2937. 00:32:13,765 --> 00:32:15,434
  2938. Where'd she go? Find her.
  2939.  
  2940. 622
  2941. 00:32:15,467 --> 00:32:17,169
  2942. This doesn't make any sense.
  2943.  
  2944. 623
  2945. 00:32:17,203 --> 00:32:18,670
  2946. (TALOS AND NOREX
  2947. SPEAKING INDISTINCTLY)
  2948.  
  2949. 624
  2950. 00:32:18,704 --> 00:32:23,675
  2951. We really wanted to capture that feel
  2952. for when she's first coming to...
  2953.  
  2954. 625
  2955. 00:32:23,709 --> 00:32:26,445
  2956. Her eyes, kind of, open up
  2957. and then close again.
  2958.  
  2959. 626
  2960. 00:32:26,478 --> 00:32:30,482
  2961. She's so disoriented and she
  2962. sees these upside down figures
  2963.  
  2964. 627
  2965. 00:32:30,516 --> 00:32:33,986
  2966. and the sound is all murky.
  2967.  
  2968. 628
  2969. 00:32:34,020 --> 00:32:36,722
  2970. And one of the fun things
  2971. that came out of the process
  2972.  
  2973. 629
  2974. 00:32:36,755 --> 00:32:39,625
  2975. was that shot
  2976. where we pull back
  2977.  
  2978. 630
  2979. 00:32:39,658 --> 00:32:42,494
  2980. and turn around and realize
  2981. that she is upside down.
  2982.  
  2983. 631
  2984. 00:32:45,097 --> 00:32:46,465
  2985. MAN: And action!
  2986.  
  2987. 632
  2988. 00:32:47,066 --> 00:32:48,067
  2989. (GRUNTS)
  2990.  
  2991. 633
  2992. 00:32:51,537 --> 00:32:53,439
  2993. I've just been trying
  2994. to be as prepared as possible.
  2995.  
  2996. 634
  2997. 00:32:55,541 --> 00:32:57,343
  2998. So, by the time
  2999. we started shooting,
  3000.  
  3001. 635
  3002. 00:32:57,376 --> 00:32:59,311
  3003. I had been training
  3004. for nine months.
  3005.  
  3006. 636
  3007. 00:33:01,180 --> 00:33:05,117
  3008. She's come in to dedicate time
  3009. and effort into her training
  3010.  
  3011. 637
  3012. 00:33:05,151 --> 00:33:08,254
  3013. like no other person that
  3014. I've had the experience with.
  3015.  
  3016. 638
  3017. 00:33:11,157 --> 00:33:13,592
  3018. Everything I've done up until
  3019. this point has been more cerebral,
  3020.  
  3021. 639
  3022. 00:33:13,625 --> 00:33:15,194
  3023. and to feel this connection
  3024. to my body
  3025.  
  3026. 640
  3027. 00:33:15,227 --> 00:33:18,230
  3028. in a way that I hadn't before
  3029. is really exciting.
  3030.  
  3031. 641
  3032. 00:33:27,406 --> 00:33:29,007
  3033. (GRUNTING)
  3034.  
  3035. 642
  3036. 00:33:30,509 --> 00:33:32,244
  3037. What did you put in my head?
  3038.  
  3039. 643
  3040. 00:33:32,278 --> 00:33:34,012
  3041. Nothing that wasn't
  3042. already there.
  3043.  
  3044. 644
  3045. 00:33:35,547 --> 00:33:36,982
  3046. But those aren't my memories.
  3047.  
  3048. 645
  3049. 00:33:37,015 --> 00:33:41,787
  3050. The Mind Frack is where we get introduced
  3051. to Carol's background as a human.
  3052.  
  3053. 646
  3054. 00:33:41,820 --> 00:33:44,056
  3055. BODEN: It started
  3056. in the script stage.
  3057.  
  3058. 647
  3059. 00:33:45,391 --> 00:33:48,494
  3060. You're going too fast!
  3061. You need to go slow!
  3062.  
  3063. 648
  3064. 00:33:48,527 --> 00:33:50,496
  3065. BODEN: We created
  3066. these little scenes
  3067.  
  3068. 649
  3069. 00:33:50,529 --> 00:33:53,665
  3070. and tried to make them
  3071. bite-sized enough
  3072.  
  3073. 650
  3074. 00:33:53,699 --> 00:33:57,836
  3075. so that we could get as much
  3076. as possible about who she was.
  3077.  
  3078. 651
  3079. 00:33:57,869 --> 00:33:59,071
  3080. Have it feel like
  3081.  
  3082. 652
  3083. 00:33:59,105 --> 00:34:01,573
  3084. you were getting pulled
  3085. through these memories
  3086.  
  3087. 653
  3088. 00:34:01,607 --> 00:34:04,643
  3089. that were connected by some
  3090. kind of stream of consciousness.
  3091.  
  3092. 654
  3093. 00:34:06,678 --> 00:34:07,679
  3094. It was much longer
  3095. on the page.
  3096.  
  3097. 655
  3098. 00:34:08,980 --> 00:34:12,084
  3099. As the writing evolved,
  3100. we kept trimming it down.
  3101.  
  3102. 656
  3103. 00:34:14,120 --> 00:34:16,722
  3104. BODEN: And really early on,
  3105. we did tests with the camera
  3106.  
  3107. 657
  3108. 00:34:16,755 --> 00:34:20,392
  3109. to see how we could get
  3110. that kind of 16 mm film feel
  3111.  
  3112. 658
  3113. 00:34:20,426 --> 00:34:22,761
  3114. or 35 mm film feel.
  3115.  
  3116. 659
  3117. 00:34:22,794 --> 00:34:25,397
  3118. And we landed on
  3119. a look and color palette
  3120.  
  3121. 660
  3122. 00:34:25,431 --> 00:34:27,333
  3123. that really felt like
  3124. the right one.
  3125.  
  3126. 661
  3127. 00:34:29,435 --> 00:34:31,670
  3128. FLECK: There is a lot of effects,
  3129. but also some of it's in camera.
  3130.  
  3131. 662
  3132. 00:34:31,703 --> 00:34:33,805
  3133. Like the part where
  3134. Brie is talking to Annette.
  3135.  
  3136. 663
  3137. 00:34:33,839 --> 00:34:35,474
  3138. LAWSON:
  3139. Wonderful view, isn't it?
  3140.  
  3141. 664
  3142. 00:34:35,507 --> 00:34:37,409
  3143. I prefer the view
  3144. from up there.
  3145.  
  3146. 665
  3147. 00:34:37,443 --> 00:34:39,111
  3148. You'll get there
  3149. soon enough, Ace.
  3150.  
  3151. 666
  3152. 00:34:39,145 --> 00:34:43,415
  3153. FLECK: And Annette starts to walk
  3154. away, the camera pivots to Brie,
  3155.  
  3156. 667
  3157. 00:34:43,449 --> 00:34:47,119
  3158. and then we have a double who's
  3159. drifting away in the background.
  3160.  
  3161. 668
  3162. 00:34:47,153 --> 00:34:48,354
  3163. Wonderful view, isn't it?
  3164.  
  3165. 669
  3166. 00:34:48,387 --> 00:34:50,722
  3167. FLECK: And then, Annette
  3168. runs around the camera.
  3169.  
  3170. 670
  3171. 00:34:50,756 --> 00:34:52,491
  3172. I prefer the view
  3173. from up there.
  3174.  
  3175. 671
  3176. 00:34:52,524 --> 00:34:54,260
  3177. You'll get there
  3178. soon enough, Ace.
  3179.  
  3180. 672
  3181. 00:34:55,494 --> 00:34:57,529
  3182. So it's all in one shot
  3183. with no effects.
  3184.  
  3185. 673
  3186. 00:35:04,570 --> 00:35:06,872
  3187. ALONSO: It's mind boggling
  3188. to try and get so many things
  3189.  
  3190. 674
  3191. 00:35:06,905 --> 00:35:10,742
  3192. that are hints to the story,
  3193. and hints to the pain.
  3194.  
  3195. 675
  3196. 00:35:10,776 --> 00:35:11,977
  3197. They'll never let you fly.
  3198.  
  3199. 676
  3200. 00:35:12,010 --> 00:35:15,147
  3201. And to do it in a way that
  3202. is intertwined and weaved.
  3203.  
  3204. 677
  3205. 00:35:16,815 --> 00:35:19,585
  3206. BODEN: We haven't done a lot of
  3207. big explosions in our movies,
  3208.  
  3209. 678
  3210. 00:35:19,618 --> 00:35:21,820
  3211. and we certainly have
  3212. never left the planet Earth.
  3213.  
  3214. 679
  3215. 00:35:21,853 --> 00:35:23,289
  3216. And if we are going
  3217. to leave the planet Earth,
  3218.  
  3219. 680
  3220. 00:35:23,322 --> 00:35:25,891
  3221. we want to do it with a
  3222. really good crew of people.
  3223.  
  3224. 681
  3225. 00:35:25,924 --> 00:35:27,659
  3226. And Marvel is the place to be.
  3227.  
  3228. 682
  3229. 00:35:30,362 --> 00:35:40,406
  3230. All right, I'm ready.
  3231.  
  3232. 683
  3233. 00:35:40,406 --> 00:35:50,416
  3234. All right, I'm ready.
  3235.  
  3236. 684
  3237. 00:35:57,656 --> 00:36:00,359
  3238. SUPREME INTELLIGENCE: You were
  3239. blinded by your feelings for her.
  3240.  
  3241. 685
  3242. 00:36:00,392 --> 00:36:01,693
  3243. I have no feelings for her.
  3244.  
  3245. 686
  3246. 00:36:02,228 --> 00:36:03,295
  3247. Perhaps not.
  3248.  
  3249. 687
  3250. 00:36:07,666 --> 00:36:12,338
  3251. We both know your admiration is
  3252. mostly reserved for yourself.
  3253.  
  3254. 688
  3255. 00:36:12,371 --> 00:36:17,309
  3256. Six years ago, we sent you to
  3257. locate Mar-Vell and her energy core.
  3258.  
  3259. 689
  3260. 00:36:17,343 --> 00:36:19,211
  3261. I found Mar-Vell.
  3262. Wrong.
  3263.  
  3264. 690
  3265. 00:36:19,245 --> 00:36:20,946
  3266. You executed Mar-Vell.
  3267.  
  3268. 691
  3269. 00:36:22,514 --> 00:36:23,815
  3270. Not part of the plan.
  3271.  
  3272. 692
  3273. 00:36:23,849 --> 00:36:25,284
  3274. What of the core?
  3275.  
  3276. 693
  3277. 00:36:25,317 --> 00:36:27,319
  3278. I believed it had been
  3279. destroyed by the blast.
  3280.  
  3281. 694
  3282. 00:36:27,353 --> 00:36:29,288
  3283. Wrong again.
  3284.  
  3285. 695
  3286. 00:36:31,022 --> 00:36:33,225
  3287. Care to go for a third?
  3288.  
  3289. 696
  3290. 00:36:33,259 --> 00:36:35,894
  3291. I returned to Hala with a
  3292. far more powerful weapon...
  3293.  
  3294. 697
  3295. 00:36:35,927 --> 00:36:38,464
  3296. One that has slipped
  3297. from your grasp.
  3298.  
  3299. 698
  3300. 00:36:39,565 --> 00:36:40,932
  3301. You're losing control.
  3302.  
  3303. 699
  3304. 00:36:42,334 --> 00:36:43,335
  3305. Please.
  3306.  
  3307. 700
  3308. 00:36:45,571 --> 00:36:47,906
  3309. Please, Your Intelligence.
  3310.  
  3311. 701
  3312. 00:36:48,740 --> 00:36:49,941
  3313. "Please"?
  3314.  
  3315. 702
  3316. 00:36:52,811 --> 00:36:54,212
  3317. "Please"?
  3318.  
  3319. 703
  3320. 00:36:56,415 --> 00:36:57,716
  3321. Are you begging?
  3322.  
  3323. 704
  3324. 00:36:59,285 --> 00:37:00,586
  3325. For what?
  3326.  
  3327. 705
  3328. 00:37:00,619 --> 00:37:02,421
  3329. For your worthless life?
  3330.  
  3331. 706
  3332. 00:37:07,859 --> 00:37:09,661
  3333. Allow me to kill her for you.
  3334.  
  3335. 707
  3336. 00:37:15,434 --> 00:37:17,869
  3337. Her implant
  3338. will lead you to her,
  3339.  
  3340. 708
  3341. 00:37:17,903 --> 00:37:20,906
  3342. and we will disable
  3343. her powers.
  3344.  
  3345. 709
  3346. 00:37:23,609 --> 00:37:27,946
  3347. Bring us the core
  3348. and the girl.
  3349.  
  3350. 710
  3351. 00:37:29,315 --> 00:37:41,393
  3352. Alive, Yon-Rogg.
  3353.  
  3354. 711
  3355. 00:37:41,427 --> 00:37:44,930
  3356. FEMALE ANNOUNCER: Know your enemy.
  3357. It could be you.
  3358.  
  3359. 712
  3360. 00:37:44,963 --> 00:37:48,667
  3361. Be alert!
  3362. The Skrulls can sim anyone.
  3363.  
  3364. 713
  3365. 00:37:48,700 --> 00:37:52,538
  3366. YON-ROGG: How long has the
  3367. Kree-Skrull war been going on?
  3368.  
  3369. 714
  3370. 00:37:52,571 --> 00:37:54,873
  3371. STARFORCE RECRUITS: Thousands of years.
  3372. Thousands of years.
  3373.  
  3374. 715
  3375. 00:37:54,906 --> 00:37:58,777
  3376. And yet still the Skrull
  3377. plague is ever present.
  3378.  
  3379. 716
  3380. 00:37:58,810 --> 00:38:02,481
  3381. One of you could be a Skrull
  3382. and we wouldn't know it.
  3383.  
  3384. 717
  3385. 00:38:03,949 --> 00:38:05,651
  3386. Is it you?
  3387.  
  3388. 718
  3389. 00:38:05,684 --> 00:38:07,719
  3390. Are you a Skrull?
  3391. What about you?
  3392.  
  3393. 719
  3394. 00:38:07,753 --> 00:38:09,688
  3395. (RECRUITS GIGGLING)
  3396. You sure you're not a Skrull?
  3397.  
  3398. 720
  3399. 00:38:11,490 --> 00:38:13,392
  3400. As the strongest
  3401. remaining empire,
  3402.  
  3403. 721
  3404. 00:38:13,425 --> 00:38:16,328
  3405. we proudly defend
  3406. not just ourselves,
  3407.  
  3408. 722
  3409. 00:38:16,362 --> 00:38:19,064
  3410. but every nation
  3411. too weak to fight. We...
  3412.  
  3413. 723
  3414. 00:38:19,097 --> 00:38:20,966
  3415. VERS: How do we know you're not a
  3416. Skrull, Commander?
  3417.  
  3418. 724
  3419. 00:38:20,999 --> 00:38:23,369
  3420. (RECRUITS GIGGLING)
  3421.  
  3422. 725
  3423. 00:38:25,036 --> 00:38:28,674
  3424. There's no greater example
  3425. of Kree potential
  3426.  
  3427. 726
  3428. 00:38:28,707 --> 00:38:30,642
  3429. than the mighty Vers.
  3430.  
  3431. 727
  3432. 00:38:35,814 --> 00:38:37,816
  3433. The commander's right
  3434. about the Skrulls.
  3435.  
  3436. 728
  3437. 00:38:37,849 --> 00:38:39,117
  3438. They took everything
  3439. from me.
  3440.  
  3441. 729
  3442. 00:38:39,150 --> 00:38:43,054
  3443. My home, my family,
  3444. my memory.
  3445.  
  3446. 730
  3447. 00:38:44,790 --> 00:38:46,558
  3448. Our leader,
  3449. the Supreme Intelligence,
  3450.  
  3451. 731
  3452. 00:38:46,592 --> 00:38:48,660
  3453. saved me,
  3454. gave me purpose
  3455.  
  3456. 732
  3457. 00:38:48,694 --> 00:38:49,961
  3458. and this implant,
  3459.  
  3460. 733
  3461. 00:38:52,163 --> 00:38:54,766
  3462. so I can fight back.
  3463. (WHISPERS INDISTINCTLY)
  3464.  
  3465. 734
  3466. 00:38:54,800 --> 00:38:56,568
  3467. Did it hurt?
  3468. No.
  3469.  
  3470. 735
  3471. 00:38:56,602 --> 00:38:58,404
  3472. What's
  3473. the Supreme Intelligence like?
  3474.  
  3475. 736
  3476. 00:38:58,437 --> 00:39:00,606
  3477. So vast
  3478.  
  3479. 737
  3480. 00:39:00,639 --> 00:39:04,510
  3481. our minds can't even
  3482. comprehend its true image.
  3483.  
  3484. 738
  3485. 00:39:04,543 --> 00:39:06,812
  3486. So when we commune
  3487. with the Supreme Intelligence,
  3488.  
  3489. 739
  3490. 00:39:06,845 --> 00:39:10,616
  3491. it appears to each of us
  3492. as a unique virtual form,
  3493.  
  3494. 740
  3495. 00:39:10,649 --> 00:39:14,953
  3496. as the person we respect
  3497. and admire above all others.
  3498.  
  3499. 741
  3500. 00:39:14,986 --> 00:39:16,021
  3501. So you see yourself, huh?
  3502.  
  3503. 742
  3504. 00:39:16,755 --> 00:39:17,823
  3505. (RECRUITS LAUGHING)
  3506.  
  3507. 743
  3508. 00:39:17,856 --> 00:39:19,425
  3509. Who do you see?
  3510.  
  3511. 744
  3512. 00:39:21,159 --> 00:39:22,428
  3513. Everyone back to work.
  3514.  
  3515. 745
  3516. 00:39:25,864 --> 00:39:26,965
  3517. Dreams again?
  3518.  
  3519. 746
  3520. 00:39:31,437 --> 00:39:32,671
  3521. Wanna fight?
  3522.  
  3523. 747
  3524. 00:39:33,972 --> 00:39:35,140
  3525. (GROANS)
  3526.  
  3527. 748
  3528. 00:39:35,907 --> 00:39:42,881
  3529. (EXHALES) I slipped.
  3530.  
  3531. 749
  3532. 00:39:42,914 --> 00:39:44,583
  3533. (ELECTRONIC WARBLING)
  3534.  
  3535. 750
  3536. 00:39:49,788 --> 00:39:51,022
  3537. (EXHALES DEEPLY)
  3538.  
  3539. 751
  3540. 00:39:52,057 --> 00:39:53,124
  3541. (GRUNTS)
  3542.  
  3543. 752
  3544. 00:39:58,830 --> 00:40:00,131
  3545. (ALL EXHALE)
  3546.  
  3547. 753
  3548. 00:40:00,165 --> 00:40:01,166
  3549. KORATH: Yes.
  3550.  
  3551. 754
  3552. 00:40:03,702 --> 00:40:05,837
  3553. All charged up?
  3554. Congratulations.
  3555.  
  3556. 755
  3557. 00:40:07,606 --> 00:40:09,074
  3558. Was there ever any doubt?
  3559.  
  3560. 756
  3561. 00:40:09,107 --> 00:40:12,611
  3562. You heard the part about this
  3563. being a stealth operation, right?
  3564.  
  3565. 757
  3566. 00:40:12,644 --> 00:40:13,845
  3567. What are you saying?
  3568.  
  3569. 758
  3570. 00:40:13,879 --> 00:40:16,014
  3571. X-27. Remember?
  3572.  
  3573. 759
  3574. 00:40:16,047 --> 00:40:18,450
  3575. Oh, come on.
  3576. That was not my fault.
  3577.  
  3578. 760
  3579. 00:40:18,484 --> 00:40:20,151
  3580. We were specifically told
  3581. to bring the heat.
  3582.  
  3583. 761
  3584. 00:40:20,185 --> 00:40:21,720
  3585. It was very hot.
  3586.  
  3587. 762
  3588. 00:40:21,753 --> 00:40:23,455
  3589. Just remember, Twinkle-fists.
  3590.  
  3591. 763
  3592. 00:40:23,489 --> 00:40:24,990
  3593. You think with your head,
  3594. not your hands.
  3595.  
  3596. 764
  3597. 00:40:25,023 --> 00:40:26,157
  3598. YON-ROGG: She knows.
  3599.  
  3600. 765
  3601. 00:40:26,191 --> 00:40:27,759
  3602. Right.
  3603.  
  3604. 766
  3605. 00:40:27,793 --> 00:40:29,094
  3606. We follow the beacon
  3607. to the target.
  3608.  
  3609. 767
  3610. 00:40:29,127 --> 00:40:32,698
  3611. Minn-Erva, Att-Lass,
  3612. find elevation and provide cover, please.
  3613.  
  3614. 768
  3615. 00:40:32,731 --> 00:40:34,432
  3616. The rest of you,
  3617.  
  3618. 769
  3619. 00:40:35,100 --> 00:40:36,735
  3620. let's bring Soh-Larr home.
  3621.  
  3622. 770
  3623. 00:40:37,503 --> 00:40:39,538
  3624. (WHIRRING)
  3625.  
  3626. 771
  3627. 00:40:40,739 --> 00:40:42,007
  3628. Shall we take a dip?
  3629.  
  3630. 772
  3631. 00:40:45,811 --> 00:40:48,246
  3632. (MINN-ERVA EXHALES)
  3633.  
  3634. 773
  3635. 00:40:48,279 --> 00:40:58,524
  3636. Does anyone else get
  3637. claustrophobic in these things?
  3638.  
  3639. 774
  3640. 00:40:58,524 --> 00:41:10,268
  3641. Does anyone else get
  3642. claustrophobic in these things?
  3643.  
  3644. 775
  3645. 00:41:10,301 --> 00:41:11,603
  3646. (ENGINE REVS)
  3647.  
  3648. 776
  3649. 00:41:11,637 --> 00:41:12,904
  3650. MAN: Nice scuba suit.
  3651.  
  3652. 777
  3653. 00:41:16,107 --> 00:41:17,843
  3654. You need a ride, darling?
  3655.  
  3656. 778
  3657. 00:41:19,711 --> 00:41:21,547
  3658. How about a smile
  3659. for me, huh?
  3660.  
  3661. 779
  3662. 00:41:21,580 --> 00:41:23,114
  3663. A smile?
  3664. Yeah.
  3665.  
  3666. 780
  3667. 00:41:23,148 --> 00:41:24,683
  3668. I'm offering to help you.
  3669.  
  3670. 781
  3671. 00:41:24,716 --> 00:41:26,117
  3672. The least you could do
  3673. is give me a smile.
  3674.  
  3675. 782
  3676. 00:41:28,920 --> 00:41:29,988
  3677. How about a handshake?
  3678.  
  3679. 783
  3680. 00:41:30,556 --> 00:41:31,723
  3681. (CHUCKLES)
  3682.  
  3683. 784
  3684. 00:41:32,991 --> 00:41:34,125
  3685. I'm Vers.
  3686.  
  3687. 785
  3688. 00:41:34,159 --> 00:41:36,928
  3689. People call me "The Don."
  3690.  
  3691. 786
  3692. 00:41:36,962 --> 00:41:38,029
  3693. Wow.
  3694.  
  3695. 787
  3696. 00:41:41,767 --> 00:41:44,002
  3697. (ELECTRICITY CRACKLING)
  3698. (GROANS)
  3699.  
  3700. 788
  3701. 00:41:44,035 --> 00:41:46,204
  3702. Here's a proposition for you.
  3703. (GROANS)
  3704.  
  3705. 789
  3706. 00:41:46,237 --> 00:41:48,740
  3707. You're gonna give me your jacket,
  3708. your helmet, and your motorcycle,
  3709.  
  3710. 790
  3711. 00:41:48,774 --> 00:41:51,977
  3712. and in return,
  3713. I'm gonna let you keep your hand.
  3714.  
  3715. 791
  3716. 00:41:53,645 --> 00:41:54,646
  3717. Take it.
  3718.  
  3719. 792
  3720. 00:41:54,980 --> 00:41:56,648
  3721. (GROANS)
  3722.  
  3723. 793
  3724. 00:41:56,682 --> 00:41:58,249
  3725. What, no smile?
  3726. (GROANS)
  3727.  
  3728. 794
  3729. 00:42:03,254 --> 00:42:04,756
  3730. (MOTORCYCLE ENGINE STARTS)
  3731.  
  3732. 795
  3733. 00:42:10,962 --> 00:42:25,911
  3734. (CAR HORN BLARES)
  3735. (TIRES SCREECHING)
  3736.  
  3737. 796
  3738. 00:42:25,944 --> 00:42:27,713
  3739. TECHNICIAN: The Quadjet
  3740. has anti-radar tech.
  3741.  
  3742. 797
  3743. 00:42:31,049 --> 00:42:36,655
  3744. So you're telling me you
  3745. can't track your own plane?
  3746.  
  3747. 798
  3748. 00:42:36,688 --> 00:42:38,824
  3749. Well, we're using satellites
  3750. to search for it.
  3751.  
  3752. 799
  3753. 00:42:38,857 --> 00:42:40,626
  3754. That takes time.
  3755.  
  3756. 800
  3757. 00:42:40,659 --> 00:42:41,793
  3758. Lawson is dead.
  3759.  
  3760. 801
  3761. 00:42:41,827 --> 00:42:43,294
  3762. Crash site
  3763. matches her memory.
  3764.  
  3765. 802
  3766. 00:42:44,930 --> 00:42:47,332
  3767. Do we have a record
  3768. from the flight?
  3769.  
  3770. 803
  3771. 00:42:47,365 --> 00:42:48,967
  3772. You mean the black box?
  3773.  
  3774. 804
  3775. 00:42:51,069 --> 00:42:52,971
  3776. Of course I do.
  3777.  
  3778. 805
  3779. 00:42:53,004 --> 00:43:03,048
  3780. Let's get our hands
  3781. on that, shall we?
  3782.  
  3783. 806
  3784. 00:43:03,048 --> 00:43:13,058
  3785. Let's get our hands
  3786. on that, shall we?
  3787.  
  3788. 807
  3789. 00:43:20,198 --> 00:43:23,068
  3790. Wow. They're ugly bastards,
  3791. aren't they?
  3792.  
  3793. 808
  3794. 00:43:23,101 --> 00:43:26,304
  3795. EXAMINER: (CHUCKLES) Yeah,
  3796. well, he's no Brad Pitt, sir.
  3797.  
  3798. 809
  3799. 00:43:31,743 --> 00:43:33,945
  3800. Safe journey to the beyond,
  3801. my friend.
  3802.  
  3803. 810
  3804. 00:43:36,047 --> 00:43:38,784
  3805. (WHISPERS) I will finish
  3806. what we started.
  3807.  
  3808. 811
  3809. 00:43:47,425 --> 00:43:49,027
  3810. EXAMINER: I wouldn't get
  3811. too close there, boss.
  3812.  
  3813. 812
  3814. 00:43:51,462 --> 00:43:53,031
  3815. No one in or out.
  3816.  
  3817. 813
  3818. 00:43:58,303 --> 00:43:59,304
  3819. Oh.
  3820.  
  3821. 814
  3822. 00:44:00,939 --> 00:44:03,675
  3823. Here's the police report you asked for.
  3824. Need a partner?
  3825.  
  3826. 815
  3827. 00:44:03,709 --> 00:44:04,876
  3828. Not now, rook.
  3829.  
  3830. 816
  3831. 00:44:10,849 --> 00:44:12,751
  3832. COULSON:
  3833. Forget your badge, sir?
  3834.  
  3835. 817
  3836. 00:44:12,784 --> 00:44:17,255
  3837. (SIGHING) Yeah. Yeah.
  3838.  
  3839. 818
  3840. 00:44:17,288 --> 00:44:19,657
  3841. Thank you. You'd think
  3842. it was my first day.
  3843.  
  3844. 819
  3845. 00:44:21,793 --> 00:44:31,837
  3846. (BEEPS)
  3847.  
  3848. 820
  3849. 00:44:31,837 --> 00:44:41,847
  3850. (BEEPS)
  3851.  
  3852. 821
  3853. 00:44:50,488 --> 00:44:51,689
  3854. MAN: Engage.
  3855.  
  3856. 822
  3857. 00:44:54,826 --> 00:44:58,129
  3858. (GRUNTS) Where was my other hand
  3859. supposed to go? I don't know.
  3860.  
  3861. 823
  3862. 00:44:58,163 --> 00:44:59,865
  3863. (UPBEAT MUSIC PLAYING)
  3864.  
  3865. 824
  3866. 00:45:01,466 --> 00:45:03,168
  3867. (LAUGHS)
  3868. (BURBLING)
  3869.  
  3870. 825
  3871. 00:45:03,201 --> 00:45:04,903
  3872. (BARKING)
  3873.  
  3874. 826
  3875. 00:45:04,936 --> 00:45:06,037
  3876. (BOTH GRUNTING)
  3877.  
  3878. 827
  3879. 00:45:06,071 --> 00:45:08,774
  3880. Other side.
  3881. Get on the other side.
  3882.  
  3883. 828
  3884. 00:45:08,807 --> 00:45:11,176
  3885. I know we rehearsed it this
  3886. way, but it's this way now.
  3887.  
  3888. 829
  3889. 00:45:12,210 --> 00:45:13,779
  3890. MAN: No, you go that way.
  3891. (GROANING)
  3892.  
  3893. 830
  3894. 00:45:13,812 --> 00:45:16,081
  3895. I forgot. I gotta
  3896. go the other way.
  3897.  
  3898. 831
  3899. 00:45:16,114 --> 00:45:18,383
  3900. (IN HIGH-PITCHED VOICE)
  3901. Oh, no! I'm destroyed!
  3902.  
  3903. 832
  3904. 00:45:19,284 --> 00:45:21,419
  3905. I'm melting!
  3906.  
  3907. 833
  3908. 00:45:21,452 --> 00:45:22,954
  3909. It's in here somewhere.
  3910.  
  3911. 834
  3912. 00:45:24,155 --> 00:45:25,857
  3913. (MIC RUSTLING)
  3914.  
  3915. 835
  3916. 00:45:28,159 --> 00:45:33,331
  3917. (LAUGHING) This is the worst take
  3918. of anything that's ever happened.
  3919.  
  3920. 836
  3921. 00:45:37,435 --> 00:45:39,470
  3922. (LAUGHS)
  3923. (CREW LAUGHS)
  3924.  
  3925. 837
  3926. 00:45:39,504 --> 00:45:40,605
  3927. MAN: It's in your nose.
  3928.  
  3929. 838
  3930. 00:45:40,638 --> 00:45:42,774
  3931. Well, I can't feel it
  3932. because it's not my real nose.
  3933.  
  3934. 839
  3935. 00:45:44,209 --> 00:45:45,210
  3936. (NERF GUN FIRES)
  3937.  
  3938. 840
  3939. 00:45:46,277 --> 00:45:48,013
  3940. (BOTH GRUNT)
  3941.  
  3942. 841
  3943. 00:45:48,046 --> 00:45:49,080
  3944. CLARK GREGG: Hold on.
  3945. I can't.
  3946.  
  3947. 842
  3948. 00:45:49,114 --> 00:45:50,215
  3949. (LAUGHING)
  3950.  
  3951. 843
  3952. 00:45:50,248 --> 00:45:52,017
  3953. (BOTH GRUNT)
  3954. (BLEEP)
  3955.  
  3956. 844
  3957. 00:45:52,050 --> 00:45:53,084
  3958. It's okay.
  3959.  
  3960. 845
  3961. 00:45:53,118 --> 00:45:55,053
  3962. No, it's not.
  3963.  
  3964. 846
  3965. 00:45:55,086 --> 00:45:56,855
  3966. SAMUEL L. JACKSON:
  3967. Aw, you broke it.
  3968.  
  3969. 847
  3970. 00:46:02,160 --> 00:46:03,194
  3971. That's enough!
  3972.  
  3973. 848
  3974. 00:46:03,228 --> 00:46:04,830
  3975. (BRIE LARSON LAUGHS)
  3976. (YOWLS)
  3977.  
  3978. 849
  3979. 00:46:04,863 --> 00:46:06,031
  3980. Good kitty.
  3981.  
  3982. 850
  3983. 00:46:08,599 --> 00:46:09,968
  3984. (BLEATS)
  3985.  
  3986. 851
  3987. 00:46:10,869 --> 00:46:12,503
  3988. (BLEATING)
  3989.  
  3990. 852
  3991. 00:46:12,537 --> 00:46:14,973
  3992. Let's do it,
  3993. you trippy camera freak.
  3994.  
  3995. 853
  3996. 00:46:15,006 --> 00:46:16,541
  3997. (UPBEAT MUSIC PLAYING)
  3998.  
  3999. 854
  4000. 00:46:26,351 --> 00:46:28,219
  4001. You know how to do the bump?
  4002. Mmm.
  4003.  
  4004. 855
  4005. 00:46:28,253 --> 00:46:29,554
  4006. See,
  4007. you remember something.
  4008.  
  4009. 856
  4010. 00:46:33,024 --> 00:46:34,025
  4011. (YELLS)
  4012.  
  4013. 857
  4014. 00:46:37,062 --> 00:46:38,396
  4015. Thank you very much.
  4016. Good night.
  4017.  
  4018. 858
  4019. 00:46:39,064 --> 00:46:40,198
  4020. (LAUGHTER)
  4021.  
  4022. 859
  4023. 00:46:40,231 --> 00:46:42,901
  4024. (SINGING)
  4025.  
  4026. 860
  4027. 00:46:42,934 --> 00:46:45,036
  4028. JACKSON: No.
  4029. (CONTINUES SINGING)
  4030.  
  4031. 861
  4032. 00:46:45,070 --> 00:46:46,171
  4033. JACKSON: Nope.
  4034.  
  4035. 862
  4036. 00:46:46,204 --> 00:46:56,247
  4037. Nope. Not happening.
  4038.  
  4039. 863
  4040. 00:46:56,247 --> 00:47:07,192
  4041. Nope. Not happening.
  4042.  
  4043. 864
  4044. 00:47:07,225 --> 00:47:10,128
  4045. FURY: We have no idea
  4046. what threats are out there.
  4047.  
  4048. 865
  4049. 00:47:12,197 --> 00:47:14,132
  4050. We can't do this alone.
  4051.  
  4052. 866
  4053. 00:47:17,035 --> 00:47:18,103
  4054. We need you.
  4055.  
  4056. 867
  4057. 00:47:20,138 --> 00:47:24,642
  4058. When we were first brainstorming
  4059. what this movie should be,
  4060.  
  4061. 868
  4062. 00:47:24,675 --> 00:47:29,414
  4063. we had a picture on the wall of
  4064. this young girl as Captain Marvel,
  4065.  
  4066. 869
  4067. 00:47:29,447 --> 00:47:34,619
  4068. flying with this huge smile across
  4069. her face and her hands up in the air.
  4070.  
  4071. 870
  4072. 00:47:34,652 --> 00:47:36,955
  4073. And we always kind of
  4074. returned to that and said,
  4075.  
  4076. 871
  4077. 00:47:36,988 --> 00:47:39,390
  4078. "That's how we want people to feel
  4079. when they're leaving this movie,
  4080.  
  4081. 872
  4082. 00:47:39,424 --> 00:47:40,992
  4083. "whether they're
  4084. a young girl or not."
  4085.  
  4086. 873
  4087. 00:47:43,294 --> 00:47:44,362
  4088. Whoo!
  4089.  
  4090. 874
  4091. 00:47:44,395 --> 00:47:45,330
  4092. RYAN FLECK: One of
  4093. the fun things about the movie
  4094.  
  4095. 875
  4096. 00:47:45,363 --> 00:47:47,865
  4097. is the visual feast
  4098. that it provides as well.
  4099.  
  4100. 876
  4101. 00:47:51,469 --> 00:47:54,239
  4102. ANNA BODEN: It's a very
  4103. visual-effects-oriented movie.
  4104.  
  4105. 877
  4106. 00:47:54,272 --> 00:47:55,540
  4107. There's a lot of action in it.
  4108.  
  4109. 878
  4110. 00:47:55,573 --> 00:47:57,175
  4111. (ALL GRUNTING)
  4112.  
  4113. 879
  4114. 00:47:58,343 --> 00:48:00,078
  4115. And that's something
  4116. that we hadn't had
  4117.  
  4118. 880
  4119. 00:48:00,111 --> 00:48:02,547
  4120. the opportunity to explore
  4121. in our other films,
  4122.  
  4123. 881
  4124. 00:48:02,580 --> 00:48:04,549
  4125. so we had to kind of exercise
  4126.  
  4127. 882
  4128. 00:48:04,582 --> 00:48:07,385
  4129. this totally different part
  4130. of our creative minds,
  4131.  
  4132. 883
  4133. 00:48:07,418 --> 00:48:09,955
  4134. which was building something
  4135. from the ground up
  4136.  
  4137. 884
  4138. 00:48:09,988 --> 00:48:12,323
  4139. and starting with
  4140. a blank slate.
  4141.  
  4142. 885
  4143. 00:48:12,357 --> 00:48:13,925
  4144. YON-ROGG: You can't do this.
  4145.  
  4146. 886
  4147. 00:48:14,592 --> 00:48:15,893
  4148. (ENGINE STARTS)
  4149.  
  4150. 887
  4151. 00:48:22,267 --> 00:48:23,834
  4152. BODEN: What we love
  4153. about Carol Danvers
  4154.  
  4155. 888
  4156. 00:48:23,868 --> 00:48:28,073
  4157. isn't just how confident and
  4158. what an amazing leader she is,
  4159.  
  4160. 889
  4161. 00:48:28,106 --> 00:48:31,276
  4162. but it's also her humanity
  4163. and her vulnerability.
  4164.  
  4165. 890
  4166. 00:48:31,309 --> 00:48:35,613
  4167. You are smart, and funny,
  4168. and a huge pain in the ass...
  4169.  
  4170. 891
  4171. 00:48:35,646 --> 00:48:38,984
  4172. FLECK: This is a character who goes
  4173. on this amazing, emotional journey,
  4174.  
  4175. 892
  4176. 00:48:39,017 --> 00:48:41,719
  4177. and we as an audience go on
  4178. this journey with Carol Danvers.
  4179.  
  4180. 893
  4181. 00:48:41,752 --> 00:48:51,997
  4182. And I think that's one of the
  4183. special things about this film.
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