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Reckoning, Act 1

Nov 26th, 2019
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  1. Part 1:
  2.  
  3. >your name is Anonymous
  4. >known to your friends as Anon
  5. >you are the first man in Equestria
  6. >how did you get here?
  7. >who cares? this is an abusefag story
  8. >you're obviously going to be a filly within a few posts here
  9. >not that you know that
  10. >what you do know is that you live in Canterlot
  11. >and that it's the 999th Year of the Sun
  12. >and that you're fucking late for work
  13. >that whole Summer Sun Celebration holiday thing is still a few months out
  14. >but already, orders are flooding Ruby's jewelry shop for the special occasion
  15. >she's gonna be pissed at you for leaving you to deal with this shit herself
  16. >so you haul ass
  17. >ah, but Anon
  18. >what a large ass a six-foot biped must have
  19. >and how small these little ponies must be
  20. >and you
  21. >poor you
  22. >you don't notice the little, lavender unicorn you're hurtling toward
  23. >not until it's too late
  24. <"Ah!"
  25. >the feeling of an impact, combined with the sound of a squeal, makes you skid to a halt
  26. >and there she is
  27. >sprawled out on the sidewalk
  28. >books scattered all around her
  29. "Oh, shit, I'm sorry."
  30. >that right there, more than anything else, is where your problems will begin
  31. >you remember that one internet video
  32. >sorry for what?
  33. "Heh."
  34. >and now she's glaring at you
  35. <"Is this funny to you?"
  36. "No! Holy shit, I'm sorry. I guess I've just got a fucked up sense of humor. Here, lemme help you with that."
  37. >even as you kneel to gather up the little unicorn's books for her
  38. >her magic flares to rip them out of your grasp
  39. <"Don't touch them."
  40. >she rises to her own four hooves, her books stacked neatly in her magical grasp
  41. >she's still scowling at you
  42. >you're about to offer another apology
  43. >but the Canterlot clock tower thunders out a 9
  44. >and you remember
  45. >you're fucking late for work
  46. "L-look, I don't know if it's customary to exchange insurance information or something, but I've really gotta go. If you need anything, I'll be at Ruby's, on Mare Street."
  47. >and with that
  48. >you haul ass
  49.  
  50. >you are Twilight Sparkle
  51. >personal protege to Princess Celestia
  52. >you only just graduated from your final year at Princess Celestia's School for Gifted Unicorns last week
  53. >you were so excited to find out where the Princess wanted to take your education next
  54. >but what did she tell you when you asked her?
  55. >she wants you to spend the next few months "independently studying"
  56. >whatever that means
  57. >you're pretty sure it means "here, move into this library tower thing and leave me alone"
  58. >well, you've obliged the Princess' wish at that
  59. >after all, you didn't bother to ask her permission to break into the restricted area of the Archives
  60. >hey, it's not like there's anything from the regular Archives you haven't already read
  61. >all you're doing is expanding your education
  62. >and it's been a lot of fun so far
  63. >the spells from the Restricted Archives...
  64. >spells that fools from the olden days would have called "dark magic"...
  65. >wait, did you just call Starswirl the Bearded a fool?
  66. >well, if the horseshoe fits...
  67. >no, no
  68. >you're sure it's probably best to excercise a little caution with these spells
  69. >but, oh!
  70. >they feel so..
  71. >very...
  72. >good
  73. >and you were feeling so very good on your way to the Archives today
  74. >until that thing ran into you
  75. >maybe you could have gotten over it if the thing had just apologized
  76. >but it laughed at you!
  77. >it laughed!
  78. >for a moment, the white marble of the Canterlot street turns red
  79. >you have to stop and breathe deeply for a couple minutes before you can see clearly again
  80. >and you continue on your way
  81. >but you're still seething
  82. >of course you recognized him as that creature from another world who showed up in Canterlot a while ago
  83. >you and every other intellectual in the city followed that news story for as long as it was relevant
  84. >to think that he would knock you over
  85. >and then laugh about it!
  86. >you of all ponies, the Princess' own apprentice!
  87. >"Uh, Twilight?"
  88. >most of the royal guards know you by name
  89. >this guard you're trying to walk past now is...
  90. >well, you don't know most of the royal guards by name
  91. >what you do know is that he's annoyingly in your way right now
  92. "What is it?"
  93. >"Your ID?"
  94. "Huh? What do I need an ID for?"
  95. >the guard cocks his head
  96. >"To... enter the castle?"
  97. >you pause
  98. >and you see your surroundings as though for the first time
  99. >you have indeed reached the palace doors
  100. "Oh. Right. I'll just get it."
  101. >you reach into the field of magic which holds your stack of books
  102. >the talisman, an unfailing form of identification that's been magically attuned to your ego, should be sitting right on top of the books
  103. >but it's not
  104. >it's not under the books
  105. >between them
  106. >inside them
  107. >where is it?!
  108. >"Take your time, Twilight."
  109. "Shut! Up!"
  110.  
  111. >you are the guard
  112. >or at least, you think you are
  113. >in this moment, the most powerful mind known to ponydom is imposing itself upon you
  114. >so subtle are its weavings that you'll never know it was ever in your head
  115. >in reality, you are Princess Celestia, watching through the eyes of the guard
  116. >someone has been breaking into the Restricted Archives
  117. >much as you hate to spy on Twilight, she's one of the few unicorns in Canterlot powerful enough to do it
  118. >and power - as you've seen so, so many times in your life - corrupts
  119. >that testy attitude on your faithful student is certainly worrying
  120. >through the mouth of your guard, you ask Twilight the question that's on your mind
  121. "Twilight, are you all right?"
  122. >she seethes visibly for a moment
  123. <"I forgot my ID. Just let me through."
  124. "You know I can't do that."
  125. >Twilight's horn erupts into black, green, and violet flames
  126. <"I said let me through!"
  127. >the guard's natural fear-response kicks in, and you're almost kicked out of his mind for a moment
  128. >but you hang on, and compell him to regain his composure
  129. "All right. Just this once though."
  130. >Twilight doesn't respond as she brushes past and into the castle
  131. "Twilight!"
  132. >she stops and glares
  133. "Whatever's bothering you, you know you can talk to Princess Celestia about it, right?"
  134. >Twilight's glare turns into a scowl before she continues toward the corridor
  135. >you release your grip on the guard's mind, and your senses return to your study
  136. >there, you sit at your grand, oaken desk with a furrowed brow
  137. >much as you hate subverting ponies' wills like that, Twilight is important to you
  138. >you were hoping that granting Twilight a bit of freedom in her studies would help her grow
  139. >but it looks like she wasn't ready
  140. >the blind pursuit of knowledge has led many great ponies down dark paths
  141. >experience tells you that Twilight has already gone far enough on such a path that direct intervention will only cause her to flee farther down it
  142. >you'll need a more subtle approach if you want to save her before drastic actions become necessary
  143. >somewhere, beneath the horizon, a reminder of such an action lies painted on the Moon
  144. >what to do?
  145.  
  146. >you are Anon
  147. >and, at last, you are at work
  148. >Ruby is leaning on the display counter, tracing circles on the glass with her hoof
  149. >"Well, there you are. I was starting to get lonely."
  150. "Yeah, I'm sorry about that."
  151. >"What in the world kept you so long?"
  152. >uh
  153. >should you tell her you were up late drinking?
  154. "Slept through my alarm."
  155. >it's technically true
  156. >Ruby hums and keeps hoof-doodling on the counter
  157. >as you make your way to join her, you realize that your frantic departure has left you somewhat disshevelled
  158. >you take a moment to tuck your shirt back in
  159. >and it looks like you forgot to tie your tie before leaving for work
  160. >once behind the counter, you try to fix this
  161. >taking one end of the tie in each hand, you tie it into the closest thing to a Windsor knot that it seems willing to go
  162. >why the hell isn't this working?
  163. >"Anon."
  164. "Hm?"
  165. >"That's a bow tie."
  166. "Oh. Right."
  167. >you take your poor bow tie out of its unnatural contortion
  168. >and...
  169. >shit, why can't you remember the bow tie knot right now?
  170. >Ruby's chiding laugh is like jewels tinkling together
  171. >"Anon, just let me do it."
  172. >the ruby-maned unicorn takes the tie into her magic and slips it into a neat bow knot
  173. >you sigh
  174. >"Anon? You seem dazed, somehow. What's the matter?"
  175. >the response you prepare in your mind is something about staying up late and rushing over here
  176. >the response that slips out of your mouth is somewhat different
  177. "I bumped into a mare on the way here."
  178. >"Ooooh! Tell me everything! Was it love at first sight?"
  179. "What? No. I mean, I guess she was cute for, you know, a pony, but-"
  180. >"I can see it now! A university student, late to her classes, galloping down the street, toast in her mouth-"
  181. "No. Stop that."
  182. >"Here I thought I would be the one to put a crack in your shell."
  183. >you jump backwards, hands in a defensive posture
  184. "Nope!"
  185. >howls of tinkling laughter
  186. "Look, meeting this chick was wierd."
  187. >"Meeting your true love usually is."
  188. "Trust me, this was not that. The whole thing was, I dunno, unnerving. I guess she seemed kind of creepy."
  189. >"Hmmmm..."
  190. >Ruby, perhaps realizing that the mood for tormenting you has passed, goes back to her hoof-circles on the glass
  191. "Anyway, you seemed kind of spaced-out too. What's going on?"
  192. >Ruby groans
  193. >"Nothing is going on; that's just the problem. After all the orders for the Summer Sun Celebration yesterday, I figured the shop would be busier today."
  194. "It hasn't been?"
  195. >"I haven't seen a pony in here all day."
  196.  
  197. >you are Twilight Sparkle
  198. >the sight of the magical seal on the Restricted Archives only makes you smile now
  199. >the first time you'd done this, it had pushed you exactly to the limits of your power
  200. >almost as if it had been a test for you
  201. >and maybe it had been meant as a test
  202. >after all, you still don't know for sure what the Princess had expected when she charged you with independent study
  203. >in any case, with the power you've gained since studying the restricted tomes, the seal has only grown easier and easier
  204. >reaching into the sub-ether of the seal, you locate its two basic components
  205. >the seal itself
  206. >and a mental link leading to someone outside of the Archives
  207. >you assume that this link is designed to alert the Princess in the event that the seal is broken
  208. >it's made from very, very fine thread of magic
  209. >only an exceptional sorcerer would have been able to even notice it
  210. >fortunately, exceptional is just what you are
  211. >not only can you see the thread
  212. >you can also choke it tightly enough to keep it from transmitting any signals
  213. >once that's done, it's just a matter of breaking the seal itself
  214. >with a little so-called "dark" magic, that's foal's play now
  215. >once the seal is broken, you open the door and enter the Restricted Archives
  216. >now comes the delicate part
  217. >rebuilding the seal so you can let go of the mental link
  218. >this part is delicate because you have to try to rebuild the seal exactly as it was before you first broke it
  219. >that means no restricted magic
  220. >but you're an exceptional sorcerer, and the job gets done
  221. >you let go of the link
  222. >no alert
  223. >you take a moment to admire your hoofwork
  224. >it's such a near-approximation to the original seal, you doubt if anyone less than Princess Celestia herself could tell the difference
  225. >but of course, she'd have to come inspect it in person to see it
  226.  
  227. >you are Anon
  228. >there was a time when you never imagined that you might use a jeweller's screwdriver for actual jeweling
  229. >but that was a long time ago
  230. >in a world without electronics, jeweling is about the only thing these tiny screwdrivers are good for
  231. >and here you are, in the back of a talking unicorn's jewelry shop
  232. >putting the amazing dexterity of your fingers - compared to hooves anyway - to profitable use
  233. >setting a fire ruby into a plain gold ring
  234. >but something in your jacket becomes very cold, very quickly
  235. >you gasp and drop everything
  236. >the ring and screwdriver clatter neatly onto the table
  237. >but the screw you were working on rolls onto the floor, never to be seen again
  238. >Ruby calls to you from the storefront
  239. >"Anon, what was that girlish yelp? Is everything all right?"
  240. "I do not yelp! Everything's fine."
  241. >"If you say so."
  242. >you reach into your jacket pocket and pull out a flat, black disk
  243. >you sure didn't put this there
  244. >it's not so cold to the touch right now, but you assume it's what caused your pocket to freeze a moment ago
  245. >some sort of magic thing, probably
  246. >maybe it fell into your pocket when you bumped into that mare
  247. >at that thought, you shudder worse than you did when your pocket froze
  248. >you really, really do not want to meet her again
  249.  
  250. >you are Twilight Sparkle
  251. >you can't get that creature out of your head
  252. >no matter how much you try to focus on your pursuit of knowledge
  253. >he just won't leave you alone
  254. >he laughed at you!
  255. >and now he's distracting you from your studies
  256. >oh, and he made you lose your ID, too
  257. >deep breaths now, Twilight
  258. >the tome in front of you is actually quite fascinating
  259. >Anadolu Nokota's Esoteric Guide to Forms of Flesh
  260. >with normal forms of magic, spells designed to change a pony's race, age, or sex generally require so much power that they're effectively impossible
  261. >with restricted forms of magic, however, it seems like these spells are quite a bit more doable
  262. >boy, you'd like to turn that big alien monster into a helpless little foal and...
  263. >and...
  264. >you shake your head
  265. >you can't complete that thought
  266. >it's horrific
  267. >but still...
  268. >you bet he'd never knock anyone down again
  269. >or laugh at them while they're down
  270. >no, no, focus on your studies
  271. >ah, but Twilight
  272. >if you really want to explore these spells you're reading about...
  273. >then won't you need to test them on somebody?
  274. >your ears perk all the way up at this thought, as though by straining them you could hear more of it
  275. >yes, there might be a way to settle both of these interests then
  276. >Ah!
  277. >No!
  278. >you sigh
  279. >read over the principles of Nokota's form-changing magic until you think you've memorized it
  280. >and place the book back on its shelf
  281. >how about this?
  282. >you'll do a little research on the creatture
  283. >then you'll go meet him in person and give him a chance
  284. >where did it say he would be again?
  285. >some place on Mare Street
  286. >Rudy's or something
  287. >you'll probably remember when you see it
  288. >anyway, you'll figure out what to do once you've spoken to him
  289. >your plan seems acceptable to you
  290. >so you prepare to break through the seal once more to find what articles you can on the creature from another world in the regular Archives
  291.  
  292. >you are Anon
  293. >it's been a slow workday
  294. >fortunately, it's nearly over now
  295. >a few weeks ago, it would have been dark out by now
  296. >but with spring at last breaking in earnest, that princess pony is finally starting to keep up the sun longer now
  297. >"Anon?"
  298. "Hm?"
  299. >"You've been wiping that same spot on the counter for ten minutes while staring out the window."
  300. >you blink
  301. >indeed, the glass display counter directly in front of you has been wiped clean of any and all conceivable specks and smudges
  302. >and your eyes are fixed on the vibrant, blue sky
  303. "I guess I have been. I'll move on."
  304. >you step sideways, away from Ruby, taking your dry rag of cleanliness with you
  305. >"Anon."
  306. "Hm?"
  307. >"It's clean enough."
  308. >you sigh, and shove the rag into your back pocket
  309. >Ruby sets her book down and leans onto the counter
  310. >"What's on your mind? Is it still that mare?"
  311. >you inhale
  312. >well, it's partly that
  313. >it's partly the potentially evil black disk you found in your pocket as well
  314. >though that's probably related to that mare
  315. "Yeah, I guess."
  316. >Ruby grins
  317. >"She couldn't have been that creepy, could she?"
  318. "Eh. I don't know if creepy's the right word. I don't know..."
  319. >the way she looked at you
  320. "I guess I've just got a bad feeling."
  321. >"Oh, I don't know what you're so worried about. You'll probably never see her again."
  322. >that's when the front door jingles open
  323.  
  324. >you are Twilight Sparkle
  325. >so the place is called Ruby's
  326. >it's a jewelry shop of some sort
  327. >the eponymous Ruby, you presume, is a creme-colored unicorn with a looping red mane
  328. >standing next to her is...
  329. "Anonymous. I found you!"
  330. >yes, the creature's name is Anonymous
  331. >he refers to his race as "human"
  332. >and he has no idea how he ended up in Equestria
  333. >it's a shamefully boring story for an alien creature from an unknown world
  334. >currently, he's staring agape at you with wide eyes
  335. >is he afraid of you?
  336. >he should be
  337. >if he keeps this up he might just last the night unchanged
  338. <"Y-you sure did. And you found out my name too, I see."
  339. >the red-maned mare gasps
  340. >"Oh my. Anon, I didn't know you'd met Twilight Sparkle!"
  341. <"Oh, Ruby, you... know her."
  342. >"There aren't many unicorns in Canterlot who don't. I was still in the School for Gifted Unicorns when she was chosen as Princess Celestia's personal protege, so I used to see her all the time."
  343. >Ruby smiles toward you
  344. >"It's an honor to have you, Miss Sparkle. What brings you here today?"
  345. >you smile back, cordially
  346. "Oh, I just happened to bump into Anon this morning. He said he'd be here, so I figured I'd come visit."
  347. >Ruby's eyes widen
  348. >"Oh! Then you were- Well, he's been terribly bothered about it. I'll, erm, leave you two for a moment."
  349. >the jeweler shuffles away into some back room, leaving you alone with your quarry
  350. >you smile at Anon, trying your best to hide the utter loathing you feel right now
  351. "So, it's been bothering you."
  352. <"Uh, sort of. I, uh, I found something in my pocket, and I think it might be yours."
  353. >an appendage known as a "hand" is shoved into a suit jacket, and returns with...
  354. >no!
  355. >a round, black talisman
  356. >your ID!
  357. >that humiliation at the palace this morning...
  358. >it was all because this creature had stolen your ID!
  359. <"D-do you want it?"
  360. >you snatch the ID from his grasp with your magic
  361. >the talisman, magically attuned to your ID, lights up in your aura
  362. >it's odd, though
  363. >instead of the normal pink star, it's showing a sickly red fog
  364. >realization stabs you like a dagger
  365. >he broke it!
  366. >the stupid monster broke your ID!
  367. <"So, um, did you need anything? You weren't hurt, were you?"
  368. >your friendly smile doesn't falter, even with the wrath boiling beneath your skin
  369. >and you know
  370. >that you won't be sparing Anonymous today
  371. "Oh, no, Anon. I wasn't hurt. I just..."
  372. >steady now
  373. >this is the moment of truth, Twilight
  374. "I just needed a job done."
  375. >are you breathing heavily?
  376. >calm down
  377. >you reach into your bag
  378. >and procure a small amethyst
  379. "Can you set this into a ring for me?"
  380. >Anon plucks the gem from the air
  381. "Yeah. Yeah, that shouldn't be a tough job. Come back tomorrow and I'll have it done for you."
  382. "Great! I'll see you then!"
  383. <"Is there anything else?"
  384. "Nope!"
  385. >without another word, you trot out of the jewelry store
  386. >the amethyst is connected to you via a fine mental link
  387. >in about five minutes time, you'll send your judgement through it
  388.  
  389. >you are Anon
  390. >the mare named Twilight Sparkle has left the building
  391. >Ruby pokes her head out of the back room
  392. >"How'd it go?"
  393. "Better than I expected. She just wanted this in a ring."
  394. >you hold up the amethyst for Ruby's inspection
  395. >"Hm..."
  396. "What is it?"
  397. >"I'm not sure. It doesn't look enchanted or charged, but... there's something magical about that amethyst."
  398. "Is that bad?"
  399. >Ruby shrugs
  400. >"Probably not. Twilight Sparkle is known for her studies on magic."
  401. "All right. I'll go set it then."
  402. >"Oh, come off it, Anon. Let's close up shop; you can do that tomorrow."
  403. "Aw, this won't take me more than five minutes, Ruby. Might as well do it now."
  404. >Ruby rolls her eyes
  405. >she procures a key and sets it on top of the display counter
  406. >"All right, Mr. Hard Worker. You lock up the shop then. I'm going home now."
  407. "Okay. I'll lock it up when I go."
  408. >Ruby is already halfway out the door
  409. >but she sends you one last quip before leaving
  410. >"And since you've got the key, do try not to show up an hour late tomorrow."
  411. "No promises."
  412. >the door tinkles shut
  413. >you head into the back room to set the amethyst
  414. >it's a pretty simple job
  415. >grab the tiny screwdriver
  416. >grab the tiny screws
  417. >grab a fitting ring to set the jewel in
  418. >since Twilight Sparkle didn't specify what she wanted, you go with a plain, silver horn ring
  419. >it should go better with her purple coat than anything gold or brass-colored would
  420. >goodness
  421. >the mere fact that such a thought has just crossed your mind seems pretty funny now
  422. >you never once imagined that you'd grow up to make fashion choices for purple unicorns
  423. >life can take some pretty bizarre twists and turns
  424. >for example, you're just about finished setting the amethyst when you drop it and scream
  425. >the incomprehensible sight of black light reaches in tendrils from the jewel you were so recently holding
  426. >the black light overtakes you
  427. >and then?
  428. >no black light
  429. >just regular old blackness
  430.  
  431. Part 2:
  432.  
  433. >you are Twilight Sparkle
  434. >as you roll over in bed, you realize that you don't remember going to bed
  435. >as your eyes flutter open, you realize that the bed you're in isn't even yours
  436. >the white walls of a hospital
  437. >the rustle of cheap blankets
  438. >the skritch skritch skritch of a nurse taking notes
  439. >you decide to focus on the nurse
  440. "Excuse me. What am I doing here?"
  441. >the nurse looks up from her clipboard
  442. >"Oh. You're awake now. You suffered an attack of brain fever the other day. Passed right out in the middle of some alley."
  443. "Brain fever?"
  444. >"Well, your little dragon friend said you'd been irritable for a while. That plus the collapse, well, it's consistent with the symptoms."
  445. >you collapsed?
  446. >in the middle of some alley?
  447. >why would you be in an alley?
  448. >your eyes fly open when you realize
  449. >you did it
  450. >you actually did it
  451. >the spell must have taken more out of you than you'd expected
  452. >but you know it was no attack of brain fever that knocked you out
  453. >the spell!
  454. >did it work?
  455. >you've got to find out-
  456. >"Hey now, don't go exciting yourself. You could still have another attack."
  457.  
  458. >you are Anon
  459. >Ruby says you can't work for her anymore
  460. >but that's nonsense
  461. >you can work with these stubby hoof-things just as well as you can with fingers
  462. >you're in the process of climbing onto the display counter to show her you can still wipe it down
  463. >but you slip
  464. >and fall
  465. >and on the way down, your back hoof pierces the glass
  466. >and you land on your back
  467. >hard
  468. >"Anon."
  469. "Oh..."
  470. >"You know you'll always be my friend, Anon."
  471. "No..."
  472. >"But I can't afford to keep you around anymore."
  473. >the amethyst
  474. >the amethyst did something to you
  475. >you're smaller now
  476. >much smaller
  477. >with hooves
  478. >and your dick is gone
  479. >Ruby called you a filly
  480. >you're a filly now
  481. >you've become a filly
  482. "How am I gonna pay my rent?"
  483. >"I'm sorry."
  484. "You know what? Don't be. It's not your fault. It's hers."
  485. >"Anon..."
  486. "I think I'll go pay her a visit right now."
  487. >you roll over and jump to your hooves
  488. >the one that went through the glass was cut a little, and you wince when it hits the floor
  489. >"Try not to be too angry with her."
  490. "Why not? It was her fucking gemstone that ruined my life, wasn't it?"
  491. >"For your own sake, not hers."
  492. "Oh, whatever."
  493. >you proceed to limp out the door
  494. >"Do you want a bandage for that cut before you go out?"
  495. "Nope. I'm good."
  496. >"Well I'll... see you around some time, I hope."
  497. "Maybe. Have a nice life."
  498. >as you step outside, you realize
  499. >this is probably the last time you'll ever step through this door
  500.  
  501. >you're still Anon
  502. >you've managed to limp all the way to the Canterlot General Hospital
  503. >you don't know what you're going to do when you see Twilight Sparkle
  504. >last you heard, she fell unconscious the same night you turned quadrupedal
  505. >probably not a coincidence
  506. >maybe you'll yell at her
  507. >threaten to sue
  508. >something
  509. >you don't know
  510. "Hey, desk lady, down here."
  511. >the mare at the desk clearly hadn't noticed you
  512. >going from six feet tall to two feet tall has some major complications for you
  513. >she peers over the edge of the desk to look at you
  514. >"Well hello there, sweetie. Where's your mom?"
  515. >you physically bite your tongue to keep from screaming at the white earth mare
  516. >how likely exactly is it that you could convince her of your story?
  517. >probably not very
  518. >you are not getting kicked out of here after limping all the way from Ruby's on a cut foot
  519. >on a cut hoof
  520. >fuck
  521. "She's uh... a patient here. Her name is Twilight Sparkle. Can I see her?"
  522. >the receptionist's eyes begin to sparkle with compassion
  523. >"Oh, of course, sweetie. I'll call up to see if she'll see you, but I'm sure she will."
  524. >oh?
  525. >the bitch is awake now, then
  526. >good
  527. >the sooner you can get this lawsuit underway the better
  528. >the receptionist reaches up for a literal can on a string and speaks into it
  529. >this world is bizarrely quaint sometimes
  530. >"Hello, Miss Sparkle? Your daughter is here to see you."
  531. >oh, fuck
  532. >the desk mare might not know that you're lying, but Twilight Sparkle sure will
  533. >after a pause, her voice echoes from the can
  534. <"My... daughter?"
  535. >"Yes, she's right here."
  536. >another pause
  537. >this one longer
  538. >but at last
  539. <"What's... her name?"
  540. >the deskmare puts her hoof over the can and smiles at you
  541. >"What's your name again, sweetie?"
  542. "Anonymous."
  543. >"Anonymous? Ooh, that must be one of those new-age names. I like it."
  544. >she uncovers the can and tells Twilight Sparkle your name
  545. >there's another pause
  546. >a really long one this time
  547. >when she responds at last, she sounds almost like...
  548. >like she's been laughing?
  549. <"Send her up."
  550. >"Will do, Miss Sparkle!"
  551. >the receptionist releases the can, and it retracts into the ceiling alongside dozens of others
  552. >"Room R-120, sweetie."
  553. "Thanks."
  554.  
  555. >once again, you are Anon
  556. >after yet another long trudge on an injured hoof, you've finally located room R-120
  557. >looking on the door now, a certain chill can be felt running up your spine
  558. >but you can't account for that
  559. >besides, you've walked up too many stairs to turn back empty-handed now
  560. >you're gonna get some kind of compensation for this shit, and you're gonna get it now
  561. >with that thought, you push open the door and stride inside
  562. >and your plans are shattered within an instant
  563. >Twilight Sparkle is lying in a hospital bed
  564. >her cheeks are gaunt
  565. >her eyes are underlined with thick, black rings
  566. >she looks exhausted
  567. >she looks...
  568. >vulnerable
  569. >internally, you sigh
  570. >you can't sue a pony in this absolute state
  571. >you never were the sort to hold a grudge
  572.  
  573. >you are Twilight Sparkle
  574. >this filly who's just walked into the room...
  575. >could it be?
  576. "Anonymous?"
  577. >the filly inhales
  578. <"Yep."
  579. >ha!
  580. >it worked!
  581. >the spell worked!
  582. >here he is, the creature from another world
  583. >the monster who assaulted you
  584. >the beast who laughed at you
  585. >here he is, laid low at last
  586. >he's so tiny
  587. >he's...
  588. >vulnerable
  589. >the thought of it intoxicates you like the finest wine
  590. >any lingering thoughts of mercy are struck from your brain right then and there
  591. >with your new magical knowledge, there are a million ways in which you could dispose of him right now
  592. >why, with Grimoire of Bospone's mental bolt spell, you could eradicate a little thing like that without leaving a single atom behind
  593. >and there are no witnesses in here to see it...
  594. >he's completely within your power
  595. >no...
  596. >she's completely within your power
  597. >the sheerly unnatural nature of what you've afflicted this monster with fills your head with a sensation of fizzy euphoria
  598. <"Well geez, don't have a heart attack on my account."
  599. >shoot! you're getting too excited
  600. >you'll scare her out at this rate
  601. >you still need to lure Anonymous into one final trap before you can grant her the fiendish fate you have in store for her
  602. "What... what happened to you?"
  603. <"Oh, I did something different with my hair. Can you tell?"
  604. >she's got a dry sense of humor now
  605. >it's sarcastic, bitter, and insulting
  606. >she won't be telling jokes for much longer
  607. "Yeah. And your limbs, body, age, sex, and species too, I see."
  608. <"Funny story, that. That amethyst you left with me sprouted black tentacles and did this."
  609. "Oh, my. It wasn't supposed to do that at all."
  610. <"I'd hope not. Anyway, all I want to know is, is there any way to undo it?"
  611. >of course, with your new magic, there are plenty of ways
  612. >not that you'll use any of them
  613. >better lead her on with a little false hope though
  614. "Maybe... Say, where is the amethyst now?"
  615. <"Sitting in a ring, waiting for you at Ruby's. Not that I work there anymore."
  616. >she's unemployed
  617. >uncertain
  618. >soon to be desperate, if nobody offers a helping hoof
  619. >perfect
  620. "Oh, dear. You lost your job?"
  621. >Anonymous holds up a filly hoof
  622. <"Can't really operate a jeweler's screwdriver with these things."
  623. "Oh, I feel terrible. Is there anything you're going to need? Do you have a place to stay?"
  624.  
  625. >you are Princess Celestia
  626. >as you approach room R-120, you hear a pair of voices conversing
  627. <"Do you have a place to stay?"
  628. ^"I won't by the end of this month."
  629. <"Do you want... to stay with me?"
  630. >you choose this moment to make your serendipitous entrance
  631. "Why Twilight, that's a wonderful idea!"
  632. >Twilight and a little filly jump in surprise at your declaration
  633. >as you've just observed, you are Princess Celestia
  634. >very little happens here in Canterlot without your knowing about it
  635. >Twilight is teetering on the very precipice of madness
  636. >she went and transformed Anonymous, the creature from another world, into the small filly who's trembling here at your hooves
  637. >she used dark magic to do it
  638. >forcing her to live with the consequences of her actions
  639. >forcing her to care for the creature she's wronged
  640. >this could be the key to pulling your student back from the edge
  641. >but you'll have to be careful about it
  642. <"D-do you think so, Princess?"
  643. "I know so."
  644. >you bend your head to look at little Anonymous
  645. "Anon, my chariot is waiting outside of the hospital. Why don't you go there and ask the drivers to take you to your apartment so you can get ready to move? I've just sent them a message to wait for you."
  646. >Anon was always a bit unimpressive for an alien
  647. >but now that he's hardly taller than your horseshoes, he's almost heartbreaking
  648. ^"Th-th-thanks..."
  649. >with that, he shuffles out of the hospital room
  650. >leaving you alone with your student
  651. "Now Twilight, you know that I've taken many, many students over the years. Most of these turned out to be great ponies. Heroes, philosophers, scholars. Their works are given places of honor at every library in Equestria."
  652. <"Princess?"
  653. "A few of my students, however, went down darker paths. Obsession, hatred, and power got the better of them, and I was unfortunately forced to deal with them as criminals. Their works survive only in the Restricted Archives in my palace, where none but myself is permitted. The only reason these works still exist at all is because I cannot bear to wipe away the last traces of these fallen proteges, all of whom I cared for exactly as I care for you, Twilight."
  654. >Twilight is a bright young mare
  655. >you can see in her face that she's begining to see where you're going with this
  656. "Anadolu Nokota was of the latter type, Twilight. Which type do you want to be?"
  657. >tears are beginning to well up in Twilight's eyes
  658. <"P-P-P-Princess, I... I..."
  659. "Why'd you do it, Twilight? Why would you harm an innocent creature like that? Why would you hurt me like that?"
  660. <"I... I wanted to learn all that I could! Nokota's theories were fascinating; I just wanted see if it would work!"
  661. >you let a small sigh of relief escape your lips
  662. >a lust for knowledge is usually much easier to recover from than a lust for power or a lust for hate
  663. >this is a hopeful sign
  664. >you lower your head and wipe away Twilight's tears with your cheek
  665. <"Wh-what do you want me to do? Change him back?"
  666. "No, Twilight. It can't be done without more dark magic, and you've suffered quite enough from that already."
  667. >well, it could theoretically be done with light magic
  668. >but as far as you know there's noone in Equestria who can perform light magic right now
  669. >not even yourself, anymore
  670. >besides, light magic is too unpredictable for this sort of thing
  671. >it's terribly unfortunate for poor Anon
  672. >but there's just no helping him now
  673. >no
  674. >there's just no helping her now
  675. >if there's no way for Anon to go back, then she'll have to get used to life as a filly
  676. >Twilight's done a terrible thing
  677. >and now it's too late to save Anon
  678. >hopefully it's not too late to save Twilight too
  679. "What I want you to do, Twilight, is to take care of her like I've taken care of you. You can make up for your mistake by raising Anon with compassion and care."
  680. >Twilight spasms under your cheek
  681. <"I... I'll try."
  682. >you pull your head back and look upon your student
  683. >she's in a terrible way
  684. "Get some sleep now, Twilight. I'll come visit you again tomorrow."
  685. <"I will. Thank you, Princess."
  686. >with that, you leave your student to rest
  687.  
  688. >you are Twilight Sparkle
  689. >that was a close call
  690. >looks like you managed to fool the Princess into thinking you were sorry
  691. >unfortunately, it looks like she's onto you
  692. >you'll have to make her understand your point of view one of these days
  693. >but for now, you'll have to proceed with caution
  694. >for one thing, no more visits to the Restricted Archives
  695. >somehow she figured out you were studying there
  696. >you'll have to make due with the spells and theories you've already learned from here on out
  697. >for another thing, you'll need some way of keeping the Princess unaware of what you're doing to Anonymous
  698. >how exactly?
  699. >you're not sure just yet
  700. >but you've got a few more days in the hospital to brainstorm some plans
  701. >and you really are feeling pretty tired
  702. >so you roll over and try to sleep
  703. >you've won an important victory today
  704. >not only is Anonymous coming to live under your power
  705. >but the Princess herself has approved of it!
  706. >just a few days now
  707. >in just a few days...
  708. >Anonymous' punishment can begin for real
  709.  
  710. >you are Anon
  711. >you opted to get rid of most of the things from your apartment
  712. >in the first place, most of it was custom-made for a six-foot biped with opposable thumbs
  713. >in the second place, Twilight Sparkle's little tower-slash-library-slash-home doesn't really have room for your furniture
  714. >in the third place, it's always nice to have a few more bits to pad your bank account
  715. >for the past few days, you've been living in this tower with Spike
  716. >Spike is a baby dragon, and apparently he's Twilight's personal assistant
  717. >he's a pretty cool guy
  718. >but he looks pretty ridiculous in that apron
  719. >currently he's engaged in frantically tidying up the place for Twilight's return today
  720. >what exactly is he tidying up?
  721. >you can't tell
  722. >this place was spotless to begin with
  723. >at last, the door to the tower opens
  724. <"Spike? Spiiike? Is Anonymous here yet?"
  725. >"Yeah, she's right here."
  726. >you cringe
  727. >there's that "she" again
  728. >you suppose you'll have to get used to it for now
  729. >Twilight said "maybe" when you asked if she could turn you back though
  730. >so hopefully this won't last forever
  731. "Yeah, what he said."
  732. >Twilight ascends the stairs and comes into view
  733. <"Good, good. It's good to have you here, Anon."
  734. >the first thing she does is pick up Spike in her magic and inspect him closely
  735. >"H-hey! What gives?"
  736. <"The last time I left you alone for a week you had scale fleas when I got back."
  737. >"I was little then! I bathe three times a day now!"
  738. <"You shouldn't waste water like that, Spike. But you do look pretty clean."
  739. >with that, Twilight sets Spike down
  740. >then she walks up to you
  741. <"So... Anonymous..."
  742. "Uh, you can call me Anon if you want."
  743. <"Anon, huh? Just like your friends call you?"
  744. "Yeah. I guess."
  745. <"I want you to call me Mistress Sparkle."
  746. "Huh?"
  747. >you're not really sure what happens next
  748. >something hard and round impacts your face
  749. >you go flying through the air
  750. >when you've landed on the floor and painfully skidded a bit across it, you allow one eyelid to flutter open
  751. >there's something red on Twilight's hoof
  752. >she's staring at it
  753. >giggling
  754.  
  755. Part 3:
  756.  
  757. >you are Spike
  758. >or at least, you think you are
  759. >in reality you are, of course, Princess Celestia
  760. >it's not that you couldn't get into Twilight's mind if you wanted to
  761. >but she's so sensitive that she'd surely notice
  762. >Anon's mind, however, you really can't get into
  763. >despite her fairly normal personality, the structure of her mind itself is just too alien for you to get a good grasp on it
  764. >Spike is neither an alien nor a sensitive sorcerer
  765. >so you've decided to keep an eye on things by occasionally borrowing his senses
  766. >these past few days of watching have been a great relief
  767. >the relationship between Twilight and Anon is going better than you'd dared to hope
  768. >more importantly, Twilight is leaving dark magic alone
  769. >and you know she's not sneaking off to the Restricted Archives
  770. >the reinforcements you placed on the seal and the mental alarm system pushed you to your very limits
  771. >so they're certainly beyond Twilight's capability to break through without your immediate knowing it
  772. >currently, Twilight and Anon are engaged in some game where Anon rides on Twilight's back
  773. >it's all a bit more... childish than you'd expected
  774. >but it's sweet
  775. >and it looks like they're having a good time with it
  776. <"Oh no, you don't!"
  777. >with that, Twilight bucks up in the air, eliciting gasps of laughter from Anon
  778. >you allow a soft smile to grace your lips
  779. >it's wonderful to see your normally reserved student showing such uninhibited affection
  780. >you take your leave of Spike's mind and leave them to their game
  781.  
  782. >you are Twilight
  783. >you've tested the "see no evil" charms you placed on Spike the other day in every conceivable way
  784. >while Spike thought you were checking him for scale fleas, you slipped the enchantments on over his eyes and ears
  785. >Spike is a good assistant, if a bit stupid and lazy
  786. >there's no need to scar his childhood with what you're doing here
  787. >more importantly, there's no need to give him anything to talk about
  788. >the nice thing about enchanting the eyes and ears specifically?
  789. >it leaves no trace of mental tampering
  790. >even a master of psychological magic can't find surgical scars in a mind that was never operated on in the first place
  791. >not that you think Spike is going to have his mind read any time soon
  792. >still, it's nice to have that little bit of extra assurance
  793. >he's on the other side of the room right now
  794. >reorganizing some books you left out last night
  795. >you catch him glancing over at you every so often
  796. >grinning and shaking his head
  797. >it looks like he's seeing something a lot more gentle than what's going on right now
  798. >yes, you're satisfied that the enchantments worked
  799. >so you turn your attention back to Anon
  800. >she'll be needing it soon
  801.  
  802. >you are Anon
  803. >is this some sort of dream?
  804. >can you chafe in a dream?
  805. >can your shoulders groan in agony in a dream?
  806. >can you suffocate in a dream?
  807. >probably
  808. >after all
  809. >how can any of this be real?
  810. >you certainly can't be a small filly right now
  811. >you certainly can't be suspended by your forehooves from magenta chains in the ceiling
  812. >though, if you were, the shackles would have to be very tight
  813. >to keep your hooves from slipping through
  814. >they'd have to be tight enough to bite into your skin
  815. >tight enough to draw blood
  816. >dimly, it occurs to you to investigate
  817. >you turn your head to look at one of the shackles
  818. >sure enough, there's little drops of red dripping from it
  819. >the hooves themselves look kind of purple, too
  820. >just like the last umpteen times you checked
  821. >this dream sure is comprehensive
  822. >a hard, lavender object hits the crown of your head
  823. >and you're looking down at your body again
  824. >it's so small
  825. >covered with dozens of cuts and bruises
  826. >the air is rattling in your throat
  827. >once again, the sensation of pain begins to divorce itself from your consciousness
  828. >a little bit of black creeps in on the edge of your vision
  829. >it's getting hard to breathe
  830. >and you're drifting
  831. >a deeper state of sleep
  832. >hopefully the dream within the dream is nicer than the dream itself
  833. >the act of drawing in air has finally become too much effort
  834. >you give up on it
  835. >it's time to rest for a while
  836. <"Oh no, you don't!"
  837. >something warm rises from beneath you
  838. >you're lifted up
  839. >the tension on your shoulders is relieved
  840. >breathing hurts, but it's possible now, and instinct forces you to take great gasping breaths of life-giving air
  841. >now you're lying on a pony's back
  842. >a purple unicorn
  843. >something vague clicks in your memory
  844. "Hey... did you ever pick up that ring?"
  845.  
  846. >you are Twilight
  847. >keeping Anon's forelegs tensed over her head is a quick and dirty way of inducing slow asphyxiation
  848. >history tells you that in a less enlightened time, before the Princess, this was a popular method of torture
  849. >and sometimes an enlightened mare must do unenlightened things
  850. >it's somehow... unsatisfying though
  851. >over these past few days, you've become aware of a strange new need
  852. >when you smacked Anon over the head just a minute ago, that relieved your need somewhat
  853. >but somehow, this method overall just doesn't do it for you
  854. >standing by and watching Anon wheeze
  855. >lifting her up on your back every so often to make sure she doesn't lose consciousness
  856. >it feels like you're conducting some kind of experiment
  857. >not that there's anything wrong with experiments
  858. >but this isn't research
  859. >this is justice
  860. >a soft, steady breathing from behind you tells you that Anon has fallen asleep on your back
  861. >aw
  862. >isn't that sweet?
  863. >you teleport out from under her
  864. >Anon falls
  865. >the chain snaps taut
  866. >something else snaps too
  867. >her shoulder is sticking out of her barrel at a strange angle
  868. >dislocated
  869. >she's screaming now
  870. >you take a deep, shuddering breath
  871. >now that
  872. >is satisfying
  873. >however, you should probably let her down before her foreleg is torn off
  874. >with a wave of your horn, the chains cease to exist
  875. >Anon falls to the floor with a squeak
  876. >save for a rapid, unsteady rising and falling of her ribs, she does not move
  877. "You've distracted me from my studies long enough, you little monster."
  878. >a swift kick of your foreleg sends her flying into a bookshelf
  879. >Spike sighs as books scatter everywhere
  880. >you smile
  881. "Don't worry about it, Spike. I'll clean this up later."
  882. >"You're the boss."
  883. >with that, you head up the stairs to your study
  884. >you haven't been back to the Restricted Archives since the Princess confronted you, it's true
  885. >but you already understood enough about restricted magic to make some notes of your own
  886. >you allow a soft giggle to escape your lips
  887. >soon, it won't matter if Anon's leg gets torn off
  888.  
  889. >you are…
  890. >Anon?
  891. >you are Anonymous A. Faget the 2nd
  892. >you were born a man on a world called Earth
  893. >of that much you're certain
  894. >that much feels correct and in order in your mind
  895. >after that though…
  896. >you…
  897. >arrived, through an unknown means, in a land called Equestria, presumably not on Earth
  898. >did that much happen?
  899. >you think so
  900. >you remember a period of acclimation to your new home, wherein you were convinced of its reality
  901. >if you believed it was real then, you may as well believe it was real now
  902. >okay, moving on
  903. >the next major shakeup to your life was…
  904. >you became a small, talking horse?
  905. >how can that be real?
  906. >well, you already accepted the existence of such talking horses when you accepted the reality of Equestria
  907. >another staple of Equestria is a force known as magic, by which strange and unaccountable things often happen
  908. >wait, magic?
  909. >yes, magic is demonstrably real; you've seen it many times since arriving in this land and you were convinced of its reality during your acclimation to Equestria
  910. >if you were convinced of it then, you may as well be convinced of it now
  911. >okay, so it's theoretically possible that you could indeed be a filly right now
  912. >there was even a brief acclimation period of a few days, where you came to accept that this was at least temporarily the case
  913. >check, so you were indeed changed by magic into a small, talking pony of an age-and-sex group known as filly
  914. >so what the hell happened after that?
  915. >you're currently lying on the floor
  916. >one of your forelegs is in so much pain as to be completely unusable
  917. >or… it was in pain?
  918. >for some reason you're not feeling pain right now
  919. >though it is awfully cold
  920. >that's a symptom of shock, right?
  921. >or is it a symptom of hell?
  922. >somewhere, a door opens
  923. >somewhere, hoofsteps clack closer and closer
  924. >you know those hoofsteps
  925. >they're the hoofsteps of the devil
  926. >well if the devil is here
  927. >then it must be hell
  928. >the devil is standing over you know
  929. >somehow, you're vaguely aware that the devil resembles a lavender unicorn mare by the name of Twilight Sparkle
  930. >but his disguise is somewhat lacking
  931. >after all, unicorn mares don't spew green smoke from their eyes
  932. >the devil lowers his single horn to your injured shoulder
  933. >and it lights up with the indescribable sight of black light
  934. >the devil rises and stares at you with an appraising gaze
  935. >and…
  936. >pain
  937. >pain returns to your shoulder
  938. >pain returns to your whole body
  939. >dozens of small cuts and bruises heat up like brands
  940. >but worst of all is the shoulder
  941. >you can't hold back
  942. >you must scream
  943.  
  944. >you are Twilight
  945. >you've decided to combine pleasure and work a bit
  946. >currently, you're testing the ability of restricted magic to heal wounds
  947. >this is critical to legitimizing your research
  948. >after all, if restricted magic can heal, then it can't be truly "dark" magic, now can it?
  949. >in any case, it looks like this first attempt is working
  950. >Anon's dislocated shoulder is slowly but surely returning to its normal shape, signifying that the joint is being reinserted into its socket
  951. >granted, it's slow
  952. >granted, it looks - and sounds - extremely painful
  953. >but that's why these sorts of things are tested on low-value subjects before being presented to respectable ponies
  954. >and what could be a lower-value test subject than the worm writhing on the floor at your hooves?
  955. >the urge to kick her again rises up in your throat like a bad heartburn
  956. >but you hold off for the moment, not wanting to interrupt the testing
  957.  
  958. >you are Anon
  959. >the fire on your hide cools
  960. >the stretching in your shoulder bones ceases
  961. >in short, the pain subsides
  962. >you are exhausted
  963. >every breath in is a gasp
  964. >every breath out is a sob
  965. >the thought of all this being real is monstrously inconceivable
  966. >but you can't dream pain
  967. >much less agony
  968. >the last of the pain escapes through your skin, dragging drops of cold sweat with it
  969. >your muscles don't relax so much as they go limp
  970. >you can't even muster the effort to brace yourself when you see the devil's hoof swinging in for another kick
  971. >it's only a short ditance to the shelf behind you
  972. >a pair of dull thwacks
  973. >a pair of new bruises
  974. >the devil recedes
  975. <"Spike, I'm going out for a bit. Make sure Anon doesn't get into any trouble while I'm gone."
  976. >"Aw, Anon doesn't get into trouble."
  977. <"Just make sure."
  978. >"You're the boss."
  979. >the devil leaves the building
  980. >for a few minutes, you focus on breathing
  981. >in
  982. >and out
  983. >this is the least pain you've felt in days
  984. >so you hazard to put one hoof on the floor
  985. >and another
  986. >and soon you're heaved up to all fours
  987. >for the first time in days, you don't feel the need to retreat into your mind
  988. >your surroundings present no immediate threat of pain
  989. >hell, when did you get so…
  990. >analytical?
  991. >on the other side of the room, Spike is peacefully feather-dusting a book case
  992. >now, in the back of your mind, you still hold some amount of doubt that any of this is real
  993. >or rather, you still hold some amount of hope that it isn't real
  994. >there's still one element to this whole experience that's too strange for you to believe
  995. >Spike
  996. >before Twilight Sparkle came home, Spike was downright friendly with you
  997. >and after she came home, Spike has shown absolutely no interest in the ultra-violence his employer has inflicted upon you
  998. >whether he's in favor of it or against it, you'd expect to see some kind of reaction from the little guy, wouldn't you?
  999. >you hazard a step
  1000. >and another
  1001. >it feels like you won't have to limp
  1002. >so you trot across the room, naturally, to the small dragon
  1003. "Hey, Spike."
  1004. >"Hm. What's up?"
  1005. "This is all really bizarre to me, so I'm just gonna come out and ask you this. You know Twilight's been torturing me right over there for the past three days, right?"
  1006. >Spike throws up his claws
  1007. >"Hey, if you guys wanna play foals' games, I'm not judging. I-I'm, uh, totally not jealous either."
  1008. "Brutal beatings are a foals' game to you?"
  1009. >"Yeah, I was never able to beat Twilight at play-wrestling either. It's weird though, she hasn't wanted to romp around like that since she was little."
  1010. >there's definitely something strange about Spike
  1011. >it's like you're not even speaking the same language right now
  1012. >there's no way he's seeing what's happening and waving it off as play
  1013. >however, he's still shown no signs of hostility thus far
  1014. >so if you can't communicate information to him, maybe you can get a little information out of him
  1015. "Whatever. How do I get out of this place?"
  1016. >"Huh? The fridge is still right over there, Anon."
  1017. "No, not the fridge, the front door. Or better yet, the back door. I haven't seen the Sun since I got here."
  1018. >"Eh, Twilight said you might ask for meat. Sorry, all we've really got is hay. It's an acquired taste, but you'll get used to it, I promise."
  1019. >you shake your head
  1020. >it's like he's incapable of hearing what you're trying to say
  1021. >it's strange and unaccountable
  1022. >and in this world, magic is the means by which strange and unaccountable things occur
  1023. >so…
  1024. >check, there's probably some sort of magic at work preventing Spike from seeing what Twilight Sparkle is doing
  1025. >shit
  1026. >that accounts for every objection you had to this nightmare being real
  1027. >"Uh, Anon. Don't get upset, just get some hay. It'll be all right."
  1028. >your stomach lets out an unearthly noise at this prompting
  1029. >your knees nearly give out
  1030. >you don't think you've eaten in days
  1031. "You know what? Sure. I think I'll do that."
  1032.  
  1033. >you are Twilight Sparkle
  1034. >you are hungrily eyeing the selection of knives, blades, and other cutting instruments of Canterlot Cutlery
  1035. >the proprietor of the place strokes his mustache in thought
  1036. >"So, uh, what exactly do you need a knife for, Miss Sparkle?"
  1037. "Cooking. I'm trying to get into cooking."
  1038. >"Of course. But, uh, what kind of cooking?"
  1039. >Sun above, you don't know what to go with
  1040. >there's great, big knives like you might use to cut a potato in half
  1041. >little split blades like you might use to peel the skin off of that potato first
  1042. >broad graters of the sort you'd use to shred cheese
  1043. >thin, sharp knives that don't look so different from a scalpel, probably for softer produce like tomatoes
  1044. >decent selection of forks and spoons, too
  1045. "Well, all kinds of cooking, I guess."
  1046. >"All kinds?"
  1047. "Oh yes, Mr. Dicey."
  1048. >inhale
  1049. "I want to try everything."
  1050.  
  1051. >you are Anon
  1052. >you're not sure if you were supposed to prepare that hay somehow
  1053. >but it was actually quite palatable on your new palate
  1054. >with the exception of a couple bruises, you no longer have any major sources of physical discomfort
  1055. >at last, you can think straight
  1056. >it's silly to go on denying that this is happening
  1057. >everything that's happened these past three days
  1058. >it's all real
  1059. >it was a shock to your system at first
  1060. >it was all just… so out of nowhere
  1061. >you couldn't properly react to the new situation
  1062. >but your captor made a mistake
  1063. >she gave you time to think
  1064. >you have a decision to make
  1065. >a decision of the sort which you sometimes imagined being faced with in your old life
  1066. >a decision of the sort which you always feared you wouldn't be strong enough to make
  1067. >a decision you've already made
  1068. "I'm not gonna take this shit sitting down."
  1069.  
  1070. >>252364
  1071. >you're still Anon
  1072. >with a fuller stomach, and some more time to think
  1073. >something odd occurs to you
  1074. >why did you ask Spike where the front door was?
  1075. >you entered this tower through the front door, didn't you?
  1076. >you must have
  1077. >why can't you seem to remember?
  1078. >well
  1079. >Twilight usually comes up those stairs over there, right?
  1080. >that's probably a good place to start
  1081. >escaping this hell to report this bitch to the cops seems like a logical first thing to try
  1082. >so you head to the downward staircase
  1083. >and just walk right down it
  1084. >it almost feels easier than it should be
  1085. >there's nothing to block your journey or endanger you along the way
  1086. >not even one of those little fences you use to corral pets and kids
  1087. >eventually, you reach the bottom of the staircase
  1088. >and you're...
  1089. >back on the main library level?
  1090. >looking up the stairs you've just come down, you see that it's the stairwell leading up to the loft and Twilight's room
  1091. >the downward stair well is on the other side of the room still
  1092. >that's certainly strange
  1093. >you try again, with the feeling that it's not going to work this time either
  1094. >and once again, you end up back at the main library level
  1095. >you sigh
  1096. >you should have known there was a reason why Twilight Sparkle never bothered to restrain you in any way
  1097. >it's strange
  1098. >it's unaccountable
  1099. >it's magic
  1100. >if there are any backdoors, they probably have similar magic surrounding them
  1101. >you trot back over to the downward stairwell
  1102. >and you sigh
  1103. >waltzing right out the front door was probably a far-fetched hope to begin with
  1104.  
  1105. >you are Twilight
  1106. >trotting home with a shopping bag full of goodies from Canterlot Cutlery, you feel pretty good right now
  1107. >you're about to feel a whole lot better
  1108. >your horn buzzes
  1109. >you grin
  1110. >it buzzes again
  1111. >your grin grows into a big, bright smile
  1112. >looks like Anon found the door enchantments
  1113. >yet another trick you wouldn't be able to pull off with more mundane types of magic
  1114. >the precision offered by restricted magics allows you to place enchantments that can target just one pony
  1115. >it feels good to know that your spell worked
  1116. >it feels even better to know that Anon is misbehaving
  1117. >you glance at your bag of knives
  1118. >walking is suddenly too slow
  1119. >the once-difficult task of drawing restricted magical power into your horn comes now without a second thought
  1120. >and your horn lights up
  1121. >and you disappear from the Canterlot street
  1122.  
  1123. >you are Anon
  1124. >a flash of black light sends you sprawling backwards
  1125. >Twilight Sparkle grins at you, and drops a bag full of some sort of metal objects on the floor
  1126. <"Having fun with my enchantments, are we?"
  1127. >all thoughts of "not taking this shit sitting down" are banished from your consciousness as a wave of pure terror rises from the deepest part of your gut
  1128. >not that such thoughts were likely to do you much good
  1129. >you're enveloped in tingly, magenta light
  1130. >then your body goes flying
  1131. >and then you're pinned to the wall, completely immobilized by tight, magenta shackles
  1132. >it doesn't hurt as much as the chains
  1133. >but at least you could struggle in the chains
  1134. >Twilight draws something long, thin, and shiny from her bag
  1135. <"Bad filly..."
  1136. >should you protest?
  1137. >plead?
  1138. >lash out with a defiant one-liner?
  1139. >it doesn't matter
  1140. >even your mouth is bound tightly shut
  1141. >so when Twilight drags the blade of the knife across your belly
  1142. >you can't even scream
  1143.  
  1144. >you are Twilight
  1145. >you've only just made the barest scratch on her hide
  1146. >and already, muffled whines are escaping through her sealed lips
  1147. >you can see the muscles and tendons beneath her skin contracting and bulging uselessly as she strains against her bonds
  1148. >it's the tears though
  1149. >the tears welling up in Anon's eyes are what draw a deep sigh of delight from your lungs
  1150. "You big baby."
  1151. >you've made some revisions to your restricted healing spell
  1152. >you could say that there are two "branches" of the spell now
  1153. >one of these is, as you originally planned to develop it, somewhat faster and slightly less painful than the original
  1154. >the other is...
  1155. >the opposite of that
  1156. >no prizes for guessing which one you're trying on Anon right now
  1157. >judging by volume of Anon's throat noises, it hurts far worse than the cut itself did
  1158. >good
  1159. >you can test out the other branch later
  1160. >but for now
  1161. >you just intend to enjoy yourself
  1162. >unfortunately, you don't yet trust the spell to heal life-threatening injuries
  1163. >there's nothing you'd like more than to jab the biggest cleaver in your collection straight into her gut again and again and again
  1164. >you're sure you'll be able to do just that before the Summer Sun Celebration rolls around
  1165. >but today you'll have to settle for something a bit more precise
  1166. >so you carefully insert the thin blade into her left nostril
  1167. >the sharp metal breaks through the thin layer of skin and cartilage easily
  1168. >more noises, more high-pitched this time
  1169. >air is expelled in great quantities through Anon's expanded nostril in a desperate bid to keep the blood out of her windpipe
  1170. >blood and mucus and a small crumb of filly hide are carried into your face and you're screaming
  1171. "That! Is! Disgusting!"
  1172. >you lash out and leave a quick incision on her lips
  1173. "Bad filly!"
  1174. >another cut appears on her forehead
  1175. "Bad!"
  1176. >you jam the knife through both her cheeks and leave it there
  1177. "I think that's enough for today."
  1178. >with a wave of your horn, the shackles disappear, and Anon crumples gracelessly on the floor
  1179. >another wave of your horn, and the special healing spell begins its work on her
  1180. >ear-piercing shrieks permeate the air as her cheeks attempt to rebuild themselves around the sharp metal still embedded through them
  1181. >you wipe the filth from your face and resist the urge to yank that knife out of her mouth and impale her throat on it
  1182. >you wouldn't want to put an end to her punishment too soon, after all
  1183. "I'll take that out tomorrow if you behave yourself."
  1184. >grin
  1185. "In the meanwhile, I'd try not to talk too much if I were you."
  1186.  
  1187. Part 4:
  1188.  
  1189. >you are Anon
  1190. >for weeks now, every day has been the same
  1191. >when Twilight is around, you curl up in a corner
  1192. >and you try not to be noticed
  1193. >and more importantly
  1194. >you watch
  1195. >you spend your days observing Twilight's daily routine
  1196. >looking for some chink in her armor
  1197. >you've learned to meticulously monologue every detail of what you see
  1198. >most days, she doesn't go out
  1199. >when she doesn't go out, her day goes approximately as follows:
  1200. >step one: wake up late in the morning
  1201. >with each passing day she wakes up a bit later
  1202. >comes down from her room a bit groggier
  1203. >someday you might be able to take advantage of that
  1204. >but for now it's just a detail
  1205. >step two: grab some books and disappear back upstairs
  1206. >very, very rarely do you see her eat breakfast
  1207. >for the first few days she would generally eat whatever Spike cooked
  1208. >but as time went on, she started to skip this ritual more and more often
  1209. >now, Spike eats alone almost every morning
  1210. >it's far from uncommon to hear strange noises and hysterical laughter drifting down from Twilight's study while she's up there
  1211. >just what sort of ghoulish research she's engaged in, you can't guess
  1212. >step three: at some point between 10:00 and 13:00, she'll come downstairs and make herself a light lunch
  1213. >something simple, such as a thin hay sandwich
  1214. >she's usually in a good mood when she does this
  1215. >frequently humming or singing to herself
  1216. >her head lost somewhere in the clouds
  1217. >again, something you might be able to take advantage of in the future
  1218. >step four: back to her studies
  1219. >but this time, she tends to stay on the main library level
  1220. >whatever she's reading in the afternoon, she clearly doesn't feel as though she needs as much privacy as she does in the morning
  1221. >she just lies on the floor
  1222. >reading some book or other
  1223. >for all you know she could just be enjoying a novel
  1224. >Twilight is perfectly still as she reads, completely absorbed by the words on the page
  1225. >at first glance, this might seem like a moment you could take advantage of
  1226. >in reality, the stillness and silence would work against you
  1227. >any noise or movement within her perception instantly proves to be an intolerable distraction for her
  1228. >thus, she snaps from perfect oblivion to the world into rapt attention as quick as she can think
  1229. >step five: Twilight handles dinner preparations herself, starting at 16:00
  1230. >and she prepares some large dinners
  1231. >Twilight Sparkle eats ravenously at night, taking more servings than even her growing dragon companion
  1232. >after this, she chats with Spike a bit while he does the dishes
  1233. >step six: she retires upstairs promptly at 19:00
  1234. >for a while there are more of the strange noises and laughter which punctuated the morning
  1235. >with each passing night, the noises go on longer and longer
  1236. >last night, she didn't go quiet til 2 in the morning
  1237. >but eventually the sounds die down, and you presume she goes to sleep
  1238. >once you're certain Twilight won't be showing up again til morning, you risk leaving your corner
  1239. >this is when you raid food from the refrigerator
  1240. >take bathroom breaks
  1241. >of course, it's also when you sleep
  1242. >you used to use this time to hunt for exits
  1243. >windows, chimneys, something
  1244. >but there's nothing you're physically capable of reaching
  1245. >and many of these exits are magically tripwired to Twilight somehow
  1246. >so getting too close often brings down "extra play time"
  1247. >it's not possible for you to place "play time" at any definite time within Twilight's daily schedule
  1248. >at some point during the day, she glances in your direction
  1249. >and she scowls
  1250. >next thing you know, you're pinned to the wall
  1251. >the floor
  1252. >the table
  1253. >the ceiling
  1254. >immobilized, silenced, and helpless
  1255. >the only thing more horrifying than the knives themselves?
  1256. >the fact that it's not all that horrifying anymore
  1257.  
  1258. >you are Twilight Sparkle
  1259. >Anon is bound to the kitchen table
  1260. >you swish the knife along one leg of the gradually-deepening X on her abdomen
  1261. >gone are the muffled screams
  1262. >gone are the tears
  1263. >she barely even grunts as her flesh is scored by your blade
  1264. >with another flick of the knife, you even out the X
  1265. >then, you let the knife clatter to the table
  1266. >this isn't satisfying anymore
  1267. >the worst part about it?
  1268. >her eyes
  1269. >with each passing day, Anon's eyes grow harder
  1270. >colder
  1271. >glancing at them now, you feel an intolerable persecution radiating from their dull glare
  1272. "Quit looking at me like that."
  1273. >you puntuate your statement by picking up the knife and burying it in her flank
  1274. >would you believe the gall of this filly?
  1275. >her eyes actually grow narrower at that
  1276. >is that... contempt in her gaze?
  1277. >hypocrite!
  1278. >as though Anon of all ponies has the right to judge you!
  1279. "I said... quit looking at me like that."
  1280. >she doesn't
  1281. >this is a problem
  1282. >she's getting belligerent
  1283. >today she's glaring at you
  1284. >tomorrow, who knows what she might do?
  1285. >it's something you're going to nip in the bud right here and right now
  1286. "You're gonna regret this."
  1287. >you position the knife directly over Anon's eyeball
  1288. >for an instant you hesitate
  1289. >of course, you've made great progress on your healing spell these past few weeks
  1290. >but is it really ready to regenerate entire body parts?
  1291. >Anon glares unwaveringly at the blade hovering less than an inch away from her eye
  1292. >eh
  1293. >it'll probably be fine
  1294. >with surgical precision, you slit Anon's left eye open from top to bottom, being careful to pierce only the outer membrane
  1295. >in spite of herself, Anon lets out a high-pitched whine at that
  1296. >your heart is beating just a little bit faster and you're smiling now
  1297. >gingerly, you place your lips over Anon's ruined eye
  1298. >like a mother kissing her foal all better
  1299. >except you're going to kiss it worse
  1300. >you suck hard through your mouth
  1301. >in spite of her tightly shut eyelid, Anon's eye comes spilling out into you
  1302. >blood and puss and other fluids you can't be bothered to remember right now coat your teeth and your tongue
  1303. >the taste is vile
  1304. >but the noise Anon is making is so...
  1305. >very...
  1306. >sweet
  1307. >you swallow Anon's eye-fluids and stand up straight to examine your hoofwork
  1308. >the way her eyelid is flapping uselessly over its empty socket
  1309. >the way those sounds are erupting from her throat
  1310. >the way she's straining so hard that she actually manages to writhe a bit in spite of her bonds
  1311. >it gets you excited
  1312. >you position the knife over her good eye and she futilely clenches her good eyelid shut against your assault
  1313. >you meant to slit the outer membrane again
  1314. >but you can't control yourself
  1315. >and you jab the knife into her eye and now you're twisting it around like a fork in spaghetti and her lips peel back as far as the clamp on her mouth will allow just so she can finally let out something resembling a proper scream and something warm and fuzzy bubbles up from your stomach and you sigh in ecstasy
  1316. "You know what? I think I was getting bored with our play time, Anon. Worse, I think you were getting bored with it too."
  1317. >you pluck the eye out of its socket and savor it as you slurp it into your mouth
  1318. >once you've properly mashed it into a thick, smooth pulp, you lean over Anon's face
  1319. >Anon's eyeball is dripping from your tongue onto her nostrils and you can see her frantic exhalations spraying droplets of it into the air as she desperately tries not to drown in it
  1320. >once you're finished with that, you lick her cheek to wipe the excess eyeball residue from your tongue so you can finish what you were saying to her
  1321. "But that's all over now, I promise."
  1322. >you doubt she can hear you over her own pathetic whimpering so you make a point of bringing your lips close to her ears so she can relish every word as much as you do
  1323. "Starting tomorrow, we're taking play time to a whole new level."
  1324.  
  1325. >you are Princess Celestia
  1326. >there are two reasons why you take personal proteges
  1327. >one of these is to ensure that powerful unicorns don't stray down dangerous paths
  1328. >you haven't succeeded at this every single time
  1329. >but when you look back at the centuries, you're glad to say that failures have been few and far between
  1330. >the other reason why you take personal students under your wing is to produce heroes
  1331. >it's not that you couldn't do hero-work yourself, of course
  1332. >but in the end, that would do more harm for Equestria than good
  1333. >ordinary ponies shouldn't go through life with an inferiority complex for you
  1334. >mortal heroes are necessary so that Equestria can be inspired by imitatable role models
  1335. >the heroic spirit of Equestrian history is what keeps your little ponies from becoming totally tame
  1336. >after all, if they always relied on you and you alone in times of trouble, what would happen to them if something happened to you?
  1337. >furthermore, you're limited in your capacity as a hero these days
  1338. >ever since you lost her, you haven't been able to perform light magic
  1339. >and the night is fast approaching when light magic will be the only thing that can save Equestria
  1340. >you sigh into your tea
  1341. >you'd hoped to have molded Twilight into a hero by this point
  1342. >but with her recent setback, you're still not sure she won't become a villain
  1343. >of course, you've seen no traces of darkness - magical or otherwise - about her in your periodic observations through Spike's eyes
  1344. >but that won't make her a hero
  1345. >especially not the sort of hero that's going to be needed soon
  1346. >light magic is inherently collaborative
  1347. >it requires strong relationships with other ponies
  1348. >Twilight, much to your worry, has been drifting away from her old school friends
  1349. >that's normal enough, in and of itself
  1350. >but drifting away from foalhood friends is supposed to be followed by drifting toward new friends
  1351. >Twilight doesn't seem to be progressing in that direction
  1352. >she just sits around in that tower all day
  1353. >Twilight's recent near-fall is going to make molding her a very delicate task
  1354. >it's very important to give her space as she recovers from her experiments with dark magic
  1355. >if she thinks you're forcing recovery on her, she might have a relapse
  1356. >a sip from your tea reveals that it's grown cold as you've sat here worrying
  1357. >you don't particularly like taking over Spike's mind
  1358. >but you're going to have to do it more often in these coming weeks
  1359. >you need to start dropping suggestions to goad Twilight in the right direction
  1360. >and perhaps more importantly
  1361. >you need to watch her very...
  1362. >very...
  1363. >closely
  1364.  
  1365. >you are Anon
  1366. >you're not sure how long it took for your eyes to stop burning
  1367. >but once they did, you found that you could see again
  1368. >more importantly, you could think again
  1369. >darkness streams in through the windows and tells you that it's late at night
  1370. >taking "play time" to a whole new level, she said
  1371. >after she fucking ate your eyes or some shit
  1372. >you blink several times and shudder despite the warm spring night
  1373. >you don't want to find out what she meant by that
  1374. >a man is sitting on the floor beside you
  1375. >"They say it's better to be judged by twelve than carried by six."
  1376. "I could be carried by just one."
  1377. >"Judged by one too, considering that Miss Sparkle is close friends with the absolute monarch."
  1378. "Thanks. What's the penalty for mareslaughter in this country again?"
  1379. >he shrugs
  1380. >"Who cares?"
  1381. >with that, the man winks
  1382. >and disappears
  1383. "Good point."
  1384. >Twilight didn't bother to clean up after "play time"
  1385. >you're still lying on the table
  1386. >and the knife she mutilated you with is sitting right next to you
  1387. >you take the handle into your mouth
  1388. >she's always groggy in the morning...
  1389.  
  1390. >you're still Anon
  1391. >the handle of the knife is made of soft wood
  1392. >you can feel the groove your teeth have worn into it after hours of holding it there
  1393. >bits and crumbs of wood soften and fall away to coat your tongue
  1394. >apparently, you've been practically drooling on the thing this whole time
  1395. >orange sunrise shines in through the windows
  1396. >Spike shuffles by you, seeming to take no notice of the flashing metal sticking from your jaw
  1397. >orange sunlight fades to pale morning
  1398. >still you wait
  1399. >the sound of your own heartbeat roars dully in your ears
  1400. >drops of sweat crawl from your brow and slither into your brand new eyes
  1401. >despite the sting, you make no effort to wipe these away
  1402. >pale morning gives way to brilliant noon
  1403. >at last, the doorknob glows
  1404. >rattles
  1405. >and turns
  1406. >the door to Twilight's bedroom swings open
  1407.  
  1408. >you are Twilight
  1409. >still blinking sleep out of your eyes, you make out the monstrous thing writhing in your magical grasp
  1410. >Anonymous
  1411. >she's making motions as though she thinks she can swim through your aura
  1412. >swinging her head around wildly in some sort of vain attempt to scratch you with one of your own knives
  1413. >a part of you is amused at how pathetic it all is
  1414. >another part of you has taken intolerable offense to the fact that a vile little pest like this has dared to raise her hoof against you
  1415. >the offended part of you wins out
  1416. >so much the worse for her
  1417. >the first thing you do is yank the knife from her grasp
  1418. >then, you raise your hoof
  1419. >it is deeply, deeply satisfying to feel her jaw crunch under the weight of your blow
  1420. >but you groan as you remember your plans for play time today
  1421. >you're going to need her jaw intact for this
  1422. >so you slam her into the floor til her gaze fades from hateful to empty
  1423. >satisfied that she's too dazed to struggle anymore, you drop her
  1424. >and you hit her with the slowest, most excruciating variant of the healing spell you've devised to date
  1425. >her mouth is too deformed to hold a proper scream so instead she's just sort of gurgling loudly on the floor
  1426. "When you're done with that, meet me in the kitchen."
  1427. >you're not sure if she's paying attention so you give her a solid kick in the gut just to be sure
  1428. "I said meet me in the kitchen. We'll have breakfast together."
  1429.  
  1430. >you are still Twilight
  1431. >you've got everything set up in the kitchen
  1432. >now just where could that filly be?
  1433. >she should be ready to come down by now
  1434. >go figure, for some reason she hasn't come yet
  1435. >no matter
  1436. >you can just grab her
  1437. >with a flash of your horn, Anon poofs into existence on one of the kitchen chairs
  1438. >she's breathing heavily
  1439. >looking around rapidly
  1440. >probably admiring the layout of blades on the counter
  1441. >but her eyes settle on you
  1442. >and they narrow into tiny slits of hatred
  1443. >this irritates you, and ruins your good mood
  1444. >fortunately, you're going to need a bad mood for what's coming next
  1445. "You know, Anon, you've been living under my roof for over a month now, and I don't think we've ever really had a chance to talk."
  1446. >her nostrils flare, but otherwise she does not respond to your statement
  1447. "What's your favorite food, Anon?"
  1448. >her eyebrow cocks
  1449. >but otherwise she does not react to your question
  1450. >you whip the thin knife out in front of her eye
  1451. "I asked you a question, Anonymous."
  1452. >Anon's dull glare intensifies into a scowl
  1453. >but her face ultimately softens
  1454. >which is good
  1455. >you'd prefer for her to see every second of what you're about to do to her body
  1456. <"Bacon."
  1457. "Bacon, huh? I don't know what that is. Is it a meat dish?"
  1458. <"Yes."
  1459. >you withdraw the knife
  1460. "I thought so. You were a monster before I defeated you, after all. I don't even want to think about how many innocent animals died for your dinner plate."
  1461. >you telekinetically retrieve a broad tome from the library and float it over
  1462. "We have monsters here in Equestria, too. This right here is a griffon cookbook."
  1463. >you make a show of opening the book and flipping around as though you're looking for something
  1464. >but you already decided on your recipe
  1465. >and griffon recipes - even recipes that have been strictly forbidden in Griffonstone for centuries - are famously simple
  1466. "Tell me, Anon. How does... pony rump sound to you?"
  1467. >suddenly, her coat seems just a shade lighter
  1468. "Of course, we'll need a donor for the pony rump."
  1469. >you look around the library as if in search of a raised hoof
  1470. "Anyone? Anyone? Going once?"
  1471. >you give Anon the friendliest smile you can muster while looking at her
  1472. >which probably isn't very friendly
  1473. "Well... I guess there's just you."
  1474.  
  1475. >you are Anon
  1476. >something hoists you into the air by a rear leg
  1477. >and now something with teeth is biting into your ass
  1478. >a long knife with serrated edges
  1479. >she's sawing your fucking asscheek off
  1480. >try as you might to deny her the satisfaction, a long, loud groan erupts from your lungs
  1481. >she saws faster at that
  1482. >the sharp pain is obvious, and need hardly be mentioned
  1483. >the sensation of your flesh flapping against itself nauseates you and you're heaving but all that comes out are stinging, yellow drops of acid
  1484. >for a moment, it feels like it's going to be too much
  1485. >your mind begins to recede into itself like it did when you were on the chains
  1486. >no
  1487. >you won't turn away from this
  1488. >you won't be broken
  1489. >every score of the knife is an entry on your record of her crimes
  1490. >and you will be her accuser
  1491. >at last, your wretching elicits a mouthful of firey choler
  1492. >you spit it out in your tormentor's face but she doesn't react except to throw away the knife and she starts tearing at what's left of your asscheek with her magic
  1493. >the knife was good clean fun compared to this new sensation
  1494. >you feel every doomed muscle fiber screech as they're all torn apart one by one
  1495. >with a savage yank of her head, she succeeds in ripping your flank away from your body, and she casually drops you back into the chair
  1496. >your head is loling off the edge of the seat and you hear a plopping noise from the table and now she's saying something but you're too fucking COLD to pay her any attention
  1497. >her hooves reach down and rougly set you into am upright sitting position but you fall in the direction of your severed asscheek
  1498. <"What's the matter with you? Sit up when I make food for you!"
  1499. >can't sit up without your fucking glutes, you try to tell her
  1500. >but your mouth won't respond to the command to speak except to let out breathy, incoherent gibbering
  1501. >your body is in shock
  1502. >Twilight sets you upright again, this time securing you in place by impaling a foreleg to the table and your good rear leg to the chair with long spikes
  1503. >the sensation of being pierced is distant
  1504. >it's like you're watching someone else getting a flu shot
  1505. >you bite your own tongue to recall yourself to lucid thought
  1506. >you're not going to allow yourself to slip into your head this time
  1507. >that's when you catch sight of the plate in front you
  1508. >and you wonder if perhaps you should try to retreat into that merciful state of quasi-insanity
  1509. >a hunk of filly rump, coated on one side with your own hide, lies on the plate
  1510. <"Well? Arent you gonna eat?"
  1511. >for some reason, the first objection to enter your mind is that the dish is undercooked
  1512. "R... r... r..."
  1513. <"Hm?"
  1514. "It's... raw..."
  1515. <"What? Do they cook the murdered animals where you're from?"
  1516. >a salty strand of drool falls from your mouth as you nod in response
  1517. <"Well, the recipe says to serve it raw. If it's good enough for ancient griffon warriors, it's good enough for you. Now eat it!"
  1518. >and it's today
  1519. >today, as you stare at your own raw asscheek bleeding on a crystal plate
  1520. >a book called "Anonymous A. Faget" closes
  1521. >and a new book opens
  1522. >you're not sure what it's called yet
  1523. >but its opening paragraph is as follows:
  1524. >this, too, shall come to pass
  1525. >someday, you'll be big again
  1526. >someday, she'll be old
  1527. >then, you'll claim your revenge
  1528. >in the meanwhile, resistance of every kind has proven utterly futile
  1529. >so for now, you need to cope
  1530. >yes
  1531. >for now, just survive
  1532. >but someday...
  1533. >vengeance
  1534. >the words are written in the pages of your mind
  1535. >you lean forward
  1536. >and take a bite
  1537.  
  1538. Part 5:
  1539.  
  1540. >you are Twilight
  1541. >Anon ended up eating her own flank without complaint
  1542. >no protests
  1543. >no crying
  1544. >no squeamishness
  1545. >it's as though the instant she tasted flesh, she became a whole new pony
  1546. >she's a monster
  1547. >more than you ever knew, Anonymous is a monster
  1548. >you didn't bother casting the healing spell on her
  1549. >you haven't done so in weeks
  1550. >instead, you cauterized the wound with a hot frying pan
  1551. >infuriatingly, she didn't so much as squeak at the burning metal's touch
  1552. >she's been caged in your study ever since
  1553. >though, to be honest, she probably doesn't need the cage at this point
  1554. >after all, you did hack off her legs the other day
  1555. >by hack, by whack, by slice, by score, by saw
  1556. >each blow meticulously timed to make the procedure last about 12 hours
  1557. >it was the first time you'd drawn screams out of her since you sawed off her flank
  1558. >you'd think that a good day like that would have been almost satisfying enough to put you in a coma
  1559. >but it wasn't
  1560. >somehow, it just wasn't
  1561. >you need catharsis
  1562. >you need relief
  1563. >Anon hears you fumbling around with your desk, and turns her head to look at you
  1564. >of course, she can't actually look at you
  1565. >gouging out her eyes was one of the first things you did after putting her in the cage
  1566. >somehow, that's only served to make her gaze more hateful
  1567. >her blackened-reddish eye sockets are unnerving in the extreme
  1568. >and the sense of persecution you feel from them is ten times worse than it was when they held eyes
  1569. >still, you refuse to heal her
  1570. >she's going to suffer more before she gets her legs back
  1571. >she's going to give you your release before you give her back her eyes
  1572. >it's a perfectly fair trade
  1573. >since you haven't been testing out the healing spell, you've been faltering in your studies of restricted magic
  1574. >the sweetness its arts once offered you has grown harder and harder to reach every day
  1575. >the world is grey and sensationless
  1576. >even actual colors suddenly seem dull and muted to your eyes now
  1577. >Anon's gaze has grown to be too much
  1578. >you crack
  1579. "What? What do you want?"
  1580. >she doesn't respond
  1581. >she just breathes
  1582. "You want your legs? You want your eyes?"
  1583. >silence
  1584. "Well TAKE them then! Here!"
  1585. >you close your eyes
  1586. >and focus
  1587. >restricted magic flows into your horn
  1588. >no, dark magic flows into your horn
  1589. >it all seems so hateful now
  1590. >you channel that hate into even more dark magic
  1591. >forming it
  1592. >twisting it
  1593. >mutiliating it
  1594. >until it's become the slowest, most painful healing spell ever devised by mare
  1595. >by your estimate, it should be nothing less than 24 hours of unquenchable flame
  1596. >you cast it
  1597. >Anon's face tries to hold its stoic glare
  1598. >but in a few seconds
  1599. >a hairline crack appears in her composure
  1600. >the crack spiderwebs out into a grimace of agony
  1601. >and, finally, Anon shatters
  1602. >oh, how her screams now would have filled you with glee just two short months ago
  1603. >you try plastering a smile onto your face
  1604. >but it falls
  1605. >you feel nothing
  1606. "I'm going out."
  1607. >she doesn't hear you, obviously
  1608. >all the same, you head downstairs to the library
  1609. >grab your reading backlog, which has shrunk to a woefully short stack of just five or so books
  1610. >and you head outside without anything resembling a goal or destination anywhere in your mind
  1611. >about five minutes into your ramble, you realize that you forgot to lock the study behind you
  1612. >but the only one who could stumble into there is Spike
  1613. >and you trust the see no evil spell you cast on him completely by this point
  1614. >so
  1615. >on you ramble
  1616.  
  1617. >you are Princess Celestia
  1618. >tonight is the night
  1619. >you've hesitated too long with Twilight
  1620. >and now the thousandth Summer Sun Celebration is tomorrow at dawn!
  1621. >you just haven't been sure about her
  1622. >but today, you finally made your decision
  1623. >working through Spike, you slipped a book about Nightmare Moon into Twilight's reading backlog
  1624. >she's just left the tower with it
  1625. >even better, she left her study unlocked behind her
  1626. >it's the one part of the tower you haven't seen since the initial intervention
  1627. >once you get in there
  1628. >then surely
  1629. >the last of your doubts will be erased
  1630. >you extend your host's claw to push open the door
  1631. >Spike thinks he's entering Twilight's study to tidy it up
  1632. >in reality, of course, you're piloting his mind to examine the place
  1633. >the first thing you notice is laughter from the edge of the study
  1634. >there lies Anon, writhing with merriment
  1635. >come to think of it, you haven't seen Anon since that bizarre incident when Twilight appeared to tickle her with a frying pan
  1636. >but that was weeks ago…
  1637.  
  1638. >you are Twilight Sparkle
  1639. >you don't remember placing this volume in your backlog
  1640. >but it's affected you deeply
  1641. >on the surface, it appears to be a fairy story about an ancient sorceress named Nightmare Moon
  1642. >of course, you're aware of the tale
  1643. >you're even vaguely aware that there's a kernel of genuine history wrapped in it
  1644. >but never until this very day have you so much as considered that the legend might be nothing less than the absolute truth
  1645. >the tale ends with a prophecy that leaves you feeling uneasy
  1646. >"On the longest night of the thousandth year, the stars will aid in her escape."
  1647. >the thousandth year of the Summer Sun Celebration
  1648. >tonight
  1649. >at long last, catharsis washes over you in an awesome wave
  1650. >the feeling comes not, as you supposed, from hatred
  1651. >but from compassion
  1652. >if there's even a shred of truth to this prophecy, then Princess Celestia is in danger
  1653. >your beloved teacher, in danger
  1654. >some part of you insists that there's no way any of this could be true
  1655. >but the sensation of feeling something again
  1656. >feeling anything
  1657. >you can't resist it
  1658. >the text mentions ancient devices known as the "Elements of Harmony" which were used to seal Nightmare Moon away in the ancient days
  1659. >if you could just find some sort of information on them…
  1660. >you get up
  1661. >and you gallop home to the library
  1662.  
  1663. >you are Princess Celestia
  1664. >a drop of red fluid lies on Twilight's desk
  1665. >Spike's draconic nose picks up a strong scent from it
  1666. >the thought of, "that's not cranberry sauce" wells up naturally from his own mind
  1667. >there is a drop of blood on Twilight's desk
  1668. >what's more, you're beginning to notice that Spike's field of vision shines in a peculiar way every so often
  1669. >back in your own body, your breath becomes shuddery as the most awful suspicions creep into your mind
  1670. >there's no way you've been deceived this whole time
  1671. >is there?
  1672. >delicately, your mind extends its feelers beyond the boundaries of Spike's brain
  1673. >sure enough, there's magic in his eyes
  1674. >though your study in your palace is designed to stay cool into the summer months, a drop of sweat falls into your eye and nearly breaks your concentration
  1675. >but your feelers extend further
  1676. >there's just beyond Anon, you feel…
  1677. >iron bars?
  1678. >finally
  1679. >you feel Anon herself
  1680. >all at once, your mind recoils in horror all the way back to your own senses
  1681. >you scream
  1682. >Equestria is doomed
  1683.  
  1684. >you are still Princess Celestia
  1685. >for a long time, you just sit there at your desk
  1686. >you can't stand up to Luna's hate
  1687. >not without the Elements
  1688. >no…
  1689. >there is another way…
  1690. >the Restricted Archives hold many ways in which you could defeat Nightmare Moon
  1691. >but you won't do that
  1692. >will you?
  1693. >you can't stand up to Luna's hate
  1694. >apparently, neither can Twilight
  1695. >she can't even stand up to her own hate
  1696. >the things you perceived when you felt poor Anon…
  1697. >Twilight has the potential to be one of the worst monsters Equestria has ever seen
  1698. >your sister won't bother to deal with your fallen student til she rises up to challenge her power
  1699. >which she most certainly will
  1700. >Twilight will manage devestate Equestria before Nightmare Moon succeeds in destroying her
  1701. >you won't be there to stop it
  1702. >a drop of sweat splashes onto your desk
  1703. >in your agony, you scarcely even notice that the drop is pink
  1704. >you're going to have to seal away your cherished student
  1705. >and right after that you'll have to fight - and lose to - your beloved sister
  1706. >the only way out is dark magic
  1707. >but where will that leave you?
  1708. >you and your sister, a pair of titanic demons, ravaging the world with deadly hatred?
  1709. >the eternal night would be better for your little ponies than that
  1710. >your face is buried in your hooves
  1711. >a thousand years to prepare for this day
  1712. >and you're no closer to the answer for it than you were on day one
  1713. >maybe you deserve to drown in Luna's hatred
  1714. >but, by your own blazing Sun, why do all the little ponies have to be hurt by it, too?
  1715. >ah, but Princess
  1716. >you've seen it more times than anyone
  1717. >the way that hope comes to shine forth from the bleakest despair
  1718. >a burst of green flame
  1719. >a letter from Twilight
  1720. >you seize it
  1721. >read it hungrily
  1722. >yes…
  1723. >yes!
  1724. >Twilight has just written to you about her "discovery" of Nightmare Moon's imminent return
  1725. >there's concern in her words
  1726. >compassion
  1727. >love, even!
  1728. >it's hope! it's hope!
  1729. >it's all you can do to keep yourself from devouring the letter
  1730. >there is a chance
  1731. >just the barest chance
  1732. >that Twilight might be redeemable
  1733. >why, if she can manage to activate the Elements of Harmony…
  1734. >their powerful light magic will be able to wipe away every trace of her experiments with dark magic
  1735. >her hatred for Anon could be wiped out as well
  1736. >but only if she's willing to let go of it
  1737. >and, of course, she has to manage to forge some friendships if she wants to use the Elements at all
  1738. >it's the barest chance
  1739. >the feeblest hope
  1740. >but you'll take it!
  1741. >your sister
  1742. >your student
  1743. >you'll save them both!
  1744. >now, what to write in response to Twilight's letter?
  1745. >you grab some parchment and a quill
  1746. >and you don't waste much time thinking about it
  1747. "My most faithful student…"
  1748.  
  1749. >you are Nightmare Moon
  1750. >after a thousand years, your return has come to pass
  1751. >you descend from the Moon on ebony wings upon the so-called "Castle of the Two Sisters"
  1752. >but you're surprised to find that the place is only a ruin now
  1753. >the thought of Celestia going and perishing without your being involved in it enrages you
  1754. >but you stay your quivering heart for a moment
  1755. >outside the Everfree, there is now a small village
  1756. >with dark magic, it's simple to creep among its ponies as a hidden miasma
  1757. >your fears are soon to be relieved
  1758. >Celestia has moved the capital to the top of nearby Canterlot Mountain
  1759. >even here in the village, you can see the revoltingly huge palace in which your sister must reside
  1760. >still in the guise of the miasma, you flit up the mountain
  1761. >in the dark of your night, the solar magic of your sister is easy to track
  1762. >she's in what appears to be a hospital wing of her palace
  1763. >she's tucking a filly into bed
  1764. >whispering something to her
  1765. "-been hurting you. That's over now. I promise."
  1766. >it doesn't seem like the ideal moment to reveal yourself
  1767. >but the sight of your hated sister drives your hatred beyond all control
  1768. >Celestia doesn't look up from the child
  1769. <"Luna."
  1770. >you're irritated that your sister isn't begging for mercy
  1771. >or even looking at you
  1772. >you glance at the filly she's standing over
  1773. >the child is horribly wounded
  1774. >her eyes are bleeding and deformed
  1775. >her legs are grotesquely-pulsating stumps
  1776. >the words you'd planned to cry in this moment fall away
  1777. "Who is she?"
  1778. <"A victim of the deadly hatred of a dark sorceress."
  1779. >you start at that
  1780. >yes…
  1781. >the way her limbs are re-generating
  1782. >that could only be a healing spell constructed from dark magic
  1783. >why anyone would write such a spell is beyond you
  1784. <"Take a good look at her. It's what you're about to do to the innocent ponies of this land."
  1785. >oh
  1786. >so she's guilting you
  1787. >your big sister
  1788. >who you once looked up to
  1789. >has stooped to using a wounded child
  1790. >of all things
  1791. >to shame you into canceling her night of reckoning
  1792. >she likely mutilated the poor thing herself
  1793. >your hatred shines bright like your full Moon once more
  1794. "No."
  1795. >your horn glows from blue to black as you prepare Celestia's punishment
  1796. "It's only what I'm going to do to you."
  1797.  
  1798. >you are Twilight Sparkle
  1799. >the night you've just had was almost incomprehensible
  1800. >the depth of what you've felt
  1801. >it all came from a form of love you never really valued before
  1802. >it all came from friendship
  1803. >and the climax of it all
  1804. >the catharsis
  1805. >real, genuine emotional release
  1806. >the awesome power of the Elements of Harmony surrounds you like a rainbow
  1807. >in the light of the rainbow, you realize something
  1808. >you're not really sure why you were ever angry with Anon
  1809. >everything you've done
  1810. >it was just needless cruelty
  1811. >in the light of the rainbow, there is no room for your anger
  1812. >the rainbow wants to move on to its target
  1813. >but it needs your help to do so
  1814. >it's asking you a question
  1815. >are you willing to let go of your hatred for her?
  1816. >the answer is yes
  1817. >the answer is yes!
  1818. >the whole mental exchange with that force beyond your comprehension lasts less than a second
  1819. >the rainbow homes in on Nightmare Moon
  1820. >you see her struggle at first
  1821. >but strangely
  1822. >near the end
  1823. >you see her relax
  1824. >as though she's letting go of a hatred, too
  1825. >and then
  1826. >everything turns white
  1827.  
  1828. >you are Anon
  1829. >by the time you could see again, you were in a brightly-lit hospital room
  1830. >Twilight came by, and she…
  1831. >cried
  1832. >she cried over you
  1833. >begged your forgiveness
  1834. >you did not speak to her
  1835. >she went away, seemingly satisfied
  1836. >Princess Celestia came by as well
  1837. >she's speaking to you right now
  1838. >it's hard to grasp every word of what she's saying
  1839. >but the gist of it is this:
  1840. >Twilight Sparkle has "changed"
  1841. >the princess thanks you for your role in that
  1842. >the princess is going to ensure that you'll be taken care of from now on
  1843. >on the condition, of course, that you don't tell anyone about the horrific suffering you've endured
  1844. >Twilight Sparkle is to enjoy a new life in Ponyville, in the company of her new friends
  1845. >throughout the princess' explanation, it seems to be implied that Twilight Sparkle will face no punishment for what she's done to you
  1846. >or at least, that's what you get out of what she's saying
  1847. >the sound of rushing blood in your ears does drown out a lot of Princess Celestia's words
  1848. >at some point, she stops talking
  1849. >she goes away, seemingly satisfied
  1850. >and in the silence of that bright hospital room
  1851. >you feel cheated
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