Bruce Springsteen's Letter to You (2020) EN

1
00:00:13,764 --> 00:00:17,309
<i>One, two, three, four.</i>

2
00:01:23,250 --> 00:01:26,920
<i>I'm in the middle
of a 45-year conversation</i>

3
00:01:27,004 --> 00:01:31,091
<i>with these men and women I'm surrounded by
and with some of you.</i>

4
00:01:31,967 --> 00:01:35,762
<i>Now, with some of you, I suppose,
we've only recently started speaking.</i>

5
00:01:37,055 --> 00:01:38,056
<i>But either way,</i>

6
00:01:38,140 --> 00:01:43,020
<i>I've tried to make that conversation
essential, fun and entertaining.</i>

7
00:01:43,729 --> 00:01:46,481
<i>I started playing the guitar</i>

8
00:01:46,565 --> 00:01:50,652
<i>because I was looking for someone
to speak to and correspond with.</i>

9
00:01:51,403 --> 00:01:55,115
<i>I guess that worked out
better than my wildest dreams.</i>

10
00:01:55,657 --> 00:01:59,036
<i>All I know is after all this time,</i>

11
00:01:59,661 --> 00:02:03,498
<i>I still feel that burning need
to communicate.</i>

12
00:02:03,957 --> 00:02:06,502
<i>It's there when I wake every morning.</i>

13
00:02:06,585 --> 00:02:09,755
<i>It walks alongside of me
throughout the day.</i>

14
00:02:10,756 --> 00:02:13,842
<i>And it's there
when I go to sleep each night.</i>

15
00:02:15,093 --> 00:02:19,598
<i>Over the past 50 years,
it's never once ceased.</i>

16
00:02:19,681 --> 00:02:22,267
<i>Owing to what, I don't really know.</i>

17
00:02:22,893 --> 00:02:28,982
<i>Is it loneliness, hunger,
ego, ambition, desire,</i>

18
00:02:29,066 --> 00:02:34,112
<i>a need to be felt and heard, recognized,</i>

19
00:02:34,696 --> 00:02:35,822
<i>all of the above?</i>

20
00:02:36,823 --> 00:02:42,496
<i>All I know is that it's one of
the most consistent impulses in my life.</i>

21
00:02:43,163 --> 00:02:47,876
<i>As reliable as the rhythmic beating
of my own heart</i>

22
00:02:48,669 --> 00:02:50,921
<i>is my need to talk to you.</i>

23
00:02:51,004 --> 00:02:54,383
Gentlemen, congregate.

24
00:02:56,677 --> 00:02:58,846
Get your notepads. Start your notepads.

25
00:02:58,929 --> 00:03:00,806
Get your notepads and congregate.

26
00:03:00,889 --> 00:03:02,266
My notepad. Got it.

27
00:03:02,349 --> 00:03:03,642
Better than yours.

28
00:03:05,060 --> 00:03:07,271
Man, it's snowing.

29
00:03:07,354 --> 00:03:09,314
-It is.
-It's snowing.

30
00:03:09,940 --> 00:03:16,029
Last night I was sitting outside till
nine o'clock in my front yard by the fire.

31
00:03:16,113 --> 00:03:18,198
Today, it's snowing.

32
00:03:18,907 --> 00:03:20,784
That's Jersey weather in the fall.

33
00:03:20,868 --> 00:03:22,119
The end of it, anyway.

34
00:03:22,202 --> 00:03:24,371
-Eight bars of one, right?
-Yes.

35
00:03:24,454 --> 00:03:27,457
Then two bars of six,
two bars of one, two bars of four.

36
00:03:27,541 --> 00:03:30,085
<i>Neath a crowd of mongrel trees</i>

37
00:03:30,169 --> 00:03:32,754
<i>I pulled that bothersome thread</i>

38
00:03:35,716 --> 00:03:41,388
<i>Got down on my knees
Grabbed my pen and bowed my head</i>

39
00:03:44,266 --> 00:03:51,190
<i>Tried to summon
All that my heart finds true</i>

40
00:03:53,233 --> 00:03:59,406
<i>And send it in my letter to you</i>

41
00:04:01,867 --> 00:04:03,118
All right, try it.

42
00:04:03,202 --> 00:04:07,456
One, two. One, two, three, four.

43
00:04:09,166 --> 00:04:10,334
No foot yet.

44
00:04:14,630 --> 00:04:16,964
I think we're going too long there, Roy.

45
00:04:17,048 --> 00:04:21,220
I think it's one, two, three, four.
One chord.

46
00:04:21,928 --> 00:04:24,556
Roy, you're going to the E minor too soon.

47
00:04:24,640 --> 00:04:26,433
-That's the breakdown.
-No--

48
00:04:26,517 --> 00:04:27,351
Not--

49
00:04:27,434 --> 00:04:32,189
Yeah, there--
Yeah, there's... eight bars of one.

50
00:04:32,272 --> 00:04:35,275
<i>The E Street Band
is a finely tuned instrument</i>

51
00:04:35,359 --> 00:04:37,569
<i>of great flexibility and power.</i>

52
00:04:37,653 --> 00:04:39,154
One, two, three. One chord.

53
00:04:41,949 --> 00:04:45,869
<i>They can float like a butterfly
and sting like a bee.</i>

54
00:04:46,620 --> 00:04:48,288
<i>Our years of playing together</i>

55
00:04:48,372 --> 00:04:52,209
<i>have created a shorthand
and an efficiency in the studio</i>

56
00:04:52,292 --> 00:04:55,671
<i>comparable to that
of a finely tuned racing engine.</i>

57
00:04:58,799 --> 00:04:59,842
Foot.

58
00:04:59,925 --> 00:05:05,138
<i>We are a unit 45 years in the making,
decades in the refining,</i>

59
00:05:05,222 --> 00:05:09,268
<i>and we bring that power to bear
when we engage with you.</i>

60
00:05:11,937 --> 00:05:17,359
<i>Neath a crowd of mongrel trees
I pulled that bothersome thread</i>

61
00:05:19,570 --> 00:05:20,696
Wait, wait, wait.

62
00:05:20,779 --> 00:05:24,324
The intro progression
is only the intro progression.

63
00:05:24,408 --> 00:05:27,452
It never happens again.
Then you gotta stick with the song.

64
00:05:27,536 --> 00:05:29,705
<i>We perform in service to our audience.</i>

65
00:05:29,788 --> 00:05:32,833
<i>The pay is great,
but you're the reason we're here.</i>

66
00:05:32,916 --> 00:05:34,626
That's big news.

67
00:05:35,335 --> 00:05:37,212
Now, there's one thing we could try.

68
00:05:37,296 --> 00:05:40,340
<i>In my letter to you</i>

69
00:05:41,049 --> 00:05:44,595
<i>It is our commitment
that hardens our purpose,</i>

70
00:05:44,678 --> 00:05:46,638
<i>our sense of do or die.</i>

71
00:05:46,722 --> 00:05:49,641
It's a little extra riff,
but I don't know if it's in the way.

72
00:05:49,725 --> 00:05:55,189
<i>The E Street Band is not a job.
It is a vocation, a calling.</i>

73
00:05:55,272 --> 00:05:58,984
<i>It is both one of
the most important things in your life,</i>

74
00:05:59,067 --> 00:06:01,987
<i>and, of course, it's only rock and roll.</i>

75
00:06:02,070 --> 00:06:04,656
All right, E Streeters!
Let's do this thing.

76
00:06:22,466 --> 00:06:26,720
<i>These are my friends,
the men and women I work with:</i>

77
00:06:27,554 --> 00:06:29,181
<i>Steve Van Zandt...</i>

78
00:06:30,390 --> 00:06:31,725
<i>Max Weinberg...</i>

79
00:06:33,185 --> 00:06:34,478
<i>Roy Bittan...</i>

80
00:06:35,479 --> 00:06:36,605
<i>Garry Tallent...</i>

81
00:06:38,023 --> 00:06:39,358
<i>Patti Scialfa...</i>

82
00:06:40,359 --> 00:06:41,485
<i>Nils Lofgren...</i>

83
00:06:43,153 --> 00:06:44,363
<i>Charlie Giordano...</i>

84
00:06:45,906 --> 00:06:47,157
<i>Soozie Tyrell...</i>

85
00:06:48,450 --> 00:06:50,202
<i>Jake Clemons.</i>

86
00:06:50,285 --> 00:06:53,038
<i>And there are two members in absentia...</i>

87
00:06:54,164 --> 00:06:57,876
<i>Danny Federici and Clarence Clemons.</i>

88
00:06:59,127 --> 00:07:00,921
<i>This is the E Street Band.</i>

89
00:07:21,567 --> 00:07:27,072
<i>Neath a crowd of mongrel trees
I pulled that bothersome thread</i>

90
00:07:29,950 --> 00:07:35,914
<i>Got down on my knees
Grabbed my pen and bowed my head</i>

91
00:07:37,791 --> 00:07:44,381
<i>Tried to summon
All that my heart finds true</i>

92
00:07:46,466 --> 00:07:51,763
<i>And send it in my letter to you</i>

93
00:07:52,848 --> 00:07:53,849
Oh!

94
00:07:54,683 --> 00:07:59,438
<i>Things I found out
Through hard times and good</i>

95
00:08:02,482 --> 00:08:07,946
<i>I wrote 'em all out in ink and blood</i>

96
00:08:10,407 --> 00:08:17,164
<i>Dug deep in my soul
And signed my name true</i>

97
00:08:18,916 --> 00:08:24,671
<i>And sent it in my letter to you</i>

98
00:08:26,340 --> 00:08:29,676
<i>In my letter to you</i>

99
00:08:29,760 --> 00:08:33,972
<i>I took all my fears and doubts</i>

100
00:08:34,556 --> 00:08:37,142
<i>In my letter to you</i>

101
00:08:38,059 --> 00:08:41,730
<i>All the hard things I found out</i>

102
00:08:42,648 --> 00:08:45,484
<i>In my letter to you</i>

103
00:08:46,485 --> 00:08:49,863
<i>All that I've found true</i>

104
00:08:51,198 --> 00:08:57,079
<i>And I sent it in my letter to you</i>

105
00:09:40,581 --> 00:09:45,544
<i>I took all the sunshine and rain</i>

106
00:09:48,672 --> 00:09:53,719
<i>All my happiness and all my pain</i>

107
00:09:56,013 --> 00:10:02,895
<i>The dark evening stars
And the morning sky of blue</i>

108
00:10:12,613 --> 00:10:18,952
<i>And I sent it in my letter to you</i>

109
00:10:20,329 --> 00:10:23,540
<i>In my letter to you</i>

110
00:10:23,624 --> 00:10:27,920
<i>I took all my fears and doubts</i>

111
00:10:28,462 --> 00:10:31,089
<i>In my letter to you</i>

112
00:10:32,007 --> 00:10:35,552
<i>All the hard things I found out</i>

113
00:10:36,595 --> 00:10:39,431
<i>In my letter to you</i>

114
00:10:40,182 --> 00:10:43,977
<i>All that I've found true</i>

115
00:10:45,229 --> 00:10:51,360
<i>And I sent it in my letter to you</i>

116
00:10:53,612 --> 00:10:59,201
<i>I sent it in my letter to you</i>

117
00:11:11,380 --> 00:11:13,257
<i>Sounds good. Really good.</i>

118
00:11:13,757 --> 00:11:15,050
-Should we listen?
-<i>Yep.</i>

119
00:11:15,133 --> 00:11:17,553
One, two, three, four.

120
00:11:19,179 --> 00:11:21,473
Roy, give it more music box, pal.

121
00:11:22,057 --> 00:11:23,392
E Street, E Street, E Street!

122
00:11:23,475 --> 00:11:25,143
Want me to play it up higher?

123
00:11:25,227 --> 00:11:26,603
-Don't play it up higher.
-Okay.

124
00:11:26,687 --> 00:11:27,980
Just don't play so low.

125
00:11:30,107 --> 00:11:31,817
We're having fun, damn it.

126
00:11:32,442 --> 00:11:34,194
Is there a waiter in this joint?

127
00:11:34,278 --> 00:11:35,195
Nope.

128
00:11:35,279 --> 00:11:37,489
Well, we gotta get back
on our Beatles schedule.

129
00:11:39,157 --> 00:11:41,743
Three hours a song, that's it.
It's what the Beatles did.

130
00:11:42,536 --> 00:11:43,537
That's a good call.

131
00:11:44,913 --> 00:11:47,958
If we work Saturday and Sunday,
we'll get a double album.

132
00:11:49,543 --> 00:11:53,672
<i>My letter to you</i>

133
00:11:55,883 --> 00:11:57,217
All right, hold on.

134
00:11:57,301 --> 00:12:01,263
For some reason my guitar is roaring,
and I have no control over it.

135
00:12:02,806 --> 00:12:06,018
It's just 30 times
the volume of yesterday.

136
00:12:07,102 --> 00:12:08,770
-We lost it.
-All right, hold on.

137
00:12:08,854 --> 00:12:09,855
Garry's got a problem.

138
00:12:09,938 --> 00:12:12,774
All right, well, let's take a few minutes
and work on it.

139
00:12:13,317 --> 00:12:15,444
It's thin today. It sounds thin.

140
00:12:16,778 --> 00:12:19,198
-You can just scoot those over.
-Yeah.

141
00:12:19,281 --> 00:12:21,116
I like it when I "doo" with him,

142
00:12:21,200 --> 00:12:23,785
and then he's alone,
and then I come in on top of him.

143
00:12:23,869 --> 00:12:26,705
Um, was that--
Can I just hear that entrance again?

144
00:12:26,788 --> 00:12:30,292
We wanna hear the harmony that's on
when Bruce sings, um...

145
00:12:30,375 --> 00:12:32,336
<i>I'll see you in my dreams</i>

146
00:12:32,419 --> 00:12:35,464
This is my cousin Frank.
See, make sure we get this.

147
00:12:35,547 --> 00:12:36,798
Hi, guys. How are ya?

148
00:12:36,882 --> 00:12:42,304
Championship jitterbug dancer
of the entire Jersey Shore

149
00:12:42,387 --> 00:12:46,016
and the man who taught me
my first chords on the guitar.

150
00:12:46,099 --> 00:12:47,184
Wow.

151
00:12:50,270 --> 00:12:52,314
These are all my original guitars.

152
00:12:52,397 --> 00:12:54,107
My Kent, first guitar.

153
00:12:54,191 --> 00:12:56,902
You had one of those
Sears and Roebuck ones, didn't you?

154
00:12:56,985 --> 00:12:58,362
Uh...

155
00:12:58,445 --> 00:13:00,322
George Theiss had one in the case.

156
00:13:00,405 --> 00:13:01,823
Yeah. One of the--

157
00:13:01,907 --> 00:13:04,660
George Theiss had one
where the speaker was in the guitar.

158
00:13:04,743 --> 00:13:06,286
Oh, in the guitar?

159
00:13:06,370 --> 00:13:08,705
But we also had one
where it was in the case.

160
00:13:08,789 --> 00:13:10,999
You know, you got
the Sears and Roebuck's old...

161
00:13:11,083 --> 00:13:12,084
Oh, Sears.

162
00:13:14,169 --> 00:13:16,213
Both horrible.
The one in the guitar with--

163
00:13:16,296 --> 00:13:18,298
Look, it's a speaker right here.

164
00:13:18,382 --> 00:13:19,633
Horrible-sounding.

165
00:13:19,716 --> 00:13:21,051
We all had one of those.

166
00:13:50,664 --> 00:13:52,457
<i>On a sunny July day,</i>

167
00:13:52,541 --> 00:13:57,171
<i>there I stood at the bedside
of my old bandmate from the Castiles,</i>

168
00:13:57,254 --> 00:13:58,589
<i>George Theiss.</i>

169
00:13:59,131 --> 00:14:05,095
<i>George, at 68, was in the final stages
of lung cancer and lay very near death.</i>

170
00:14:05,596 --> 00:14:08,223
<i>George was the man
who dated my sister Ginny</i>

171
00:14:08,307 --> 00:14:11,643
<i>and pulled me from my house
on South Street one afternoon,</i>

172
00:14:11,727 --> 00:14:15,606
<i>where I would embark on
one of the greatest adventures of my life.</i>

173
00:14:16,064 --> 00:14:20,527
<i>I'd join my first real band, the Castiles.</i>

174
00:14:21,653 --> 00:14:26,783
<i>The Castiles lasted for three critical,
historically explosive years</i>

175
00:14:27,367 --> 00:14:30,996
<i>from 1965 to 1968,</i>

176
00:14:31,663 --> 00:14:34,166
<i>an eternity in the '60s</i>

177
00:14:34,249 --> 00:14:38,378
<i>and an epic three years
of historical and cultural events.</i>

178
00:14:39,171 --> 00:14:43,509
<i>It was a powder keg of a moment
to be in a young rock and roll band.</i>

179
00:14:44,676 --> 00:14:47,262
<i>That was a long time ago.</i>

180
00:14:48,889 --> 00:14:53,268
<i>But some things imprint themselves on you
and never let you go.</i>

181
00:14:53,894 --> 00:14:55,771
<i>They're a life sentence.</i>

182
00:15:06,490 --> 00:15:08,075
<i>With George's death,</i>

183
00:15:08,158 --> 00:15:13,539
<i>I was the last living member
of the mighty Castiles...</i>

184
00:15:14,581 --> 00:15:17,668
<i>the last living member.</i>

185
00:15:19,753 --> 00:15:23,131
<i>I thought about it... for a long time.</i>

186
00:15:23,215 --> 00:15:28,887
<i>And those meditations ended up being
the songs I've written</i>

187
00:15:28,971 --> 00:15:30,389
<i>for</i> Letter To You<i>.</i>

188
00:15:36,103 --> 00:15:39,189
<i>Music just comes.</i>

189
00:15:39,857 --> 00:15:44,361
<i>Sometimes... and only sometimes,</i>

190
00:15:44,444 --> 00:15:46,154
<i>this is the way it happens.</i>

191
00:15:47,281 --> 00:15:50,409
<i>This music, these songs,</i>

192
00:15:51,285 --> 00:15:57,916
<i>reminded me of the debt that I still owed
my Freehold brothers-in-arms.</i>

193
00:15:59,459 --> 00:16:05,048
<i>So this goes out as a deep and heartfelt
thank you to Diana and George Theiss,</i>

194
00:16:05,132 --> 00:16:09,219
<i>Bart Haynes, Frank Marziotti, Curt Fluhr,</i>

195
00:16:09,303 --> 00:16:13,974
<i>Paul Popkin, Bob Alfano
and Vinny Maniello.</i>

196
00:16:14,057 --> 00:16:18,979
<i>My friends, bandmates and fellow students</i>

197
00:16:19,062 --> 00:16:25,110
<i>in my first and greatest school of rock,
the Castiles.</i>

198
00:16:25,194 --> 00:16:27,529
<i>This is "Last Man Standing."</i>

199
00:16:36,663 --> 00:16:39,708
<i>Faded pictures in an old scrapbook</i>

200
00:16:40,918 --> 00:16:43,962
<i>Faded pictures that somebody took</i>

201
00:16:44,922 --> 00:16:48,383
<i>When you were hard and young and proud</i>

202
00:16:48,759 --> 00:16:52,804
<i>Backed against the wall
Running raw and loud</i>

203
00:16:57,684 --> 00:17:01,146
<i>Snakeskin vest and a sharkskin suit</i>

204
00:17:02,356 --> 00:17:05,567
<i>Cuban heels on your boots</i>

205
00:17:05,651 --> 00:17:09,820
<i>You kick in the band and side by side</i>

206
00:17:10,656 --> 00:17:14,201
<i>You take the crowd on their mystery ride</i>

207
00:17:32,261 --> 00:17:35,430
<i>Knights of Columbus and the Firemen's Ball</i>

208
00:17:36,515 --> 00:17:39,893
<i>Friday night at the Union Hall</i>

209
00:17:40,477 --> 00:17:43,897
<i>Black-leather clubs all along Route 9</i>

210
00:17:43,981 --> 00:17:48,485
<i>You count the names of the missing
As you count off time</i>

211
00:17:53,699 --> 00:17:57,077
<i>Rock of ages lift me somehow</i>

212
00:17:58,120 --> 00:18:01,206
<i>Somewhere high and hard and loud</i>

213
00:18:02,124 --> 00:18:05,752
<i>Somewhere deep
Into the heart of the crowd</i>

214
00:18:10,799 --> 00:18:14,136
<i>I'm the last man standing now</i>

215
00:18:32,446 --> 00:18:35,449
<i>Out of school and out of work</i>

216
00:18:36,325 --> 00:18:40,120
<i>Thrift-store jeans and flannel shirts</i>

217
00:18:40,579 --> 00:18:44,374
<i>The lights go down
As you face the crowd</i>

218
00:18:45,459 --> 00:18:48,462
<i>The last man standing now</i>

219
00:18:53,717 --> 00:18:57,054
<i>Lights come up at the Legion Hall</i>

220
00:18:57,846 --> 00:19:01,475
<i>Pool cues go back up on the wall</i>

221
00:19:02,100 --> 00:19:05,562
<i>Pack your guitar
And have one last beer</i>

222
00:19:06,438 --> 00:19:10,275
<i>With just the ringin' in your ears</i>

223
00:19:15,447 --> 00:19:18,534
<i>Rock of ages lift me somehow</i>

224
00:19:19,576 --> 00:19:22,955
<i>Somewhere high and hard and loud</i>

225
00:19:23,622 --> 00:19:27,209
<i>Somewhere deep into the heart of the crowd</i>

226
00:19:36,677 --> 00:19:40,222
<i>I'm the last man standing now</i>

227
00:19:57,573 --> 00:19:59,658
One, two, three, four!

228
00:20:15,465 --> 00:20:16,466
Hey!

229
00:20:30,689 --> 00:20:32,900
That sounded like a good take.
Yeah, that's good.

230
00:20:34,026 --> 00:20:36,278
What do you say, bro? What do you say?

231
00:20:36,361 --> 00:20:38,530
-Welcome. Welcome!
-Two times was good.

232
00:20:38,614 --> 00:20:42,534
The king, Jonny Boy Landau.

233
00:20:42,618 --> 00:20:43,702
Ah.

234
00:20:44,244 --> 00:20:45,537
Live and in person.

235
00:20:46,872 --> 00:20:50,834
Gentlemen and ladies, here's to the road!

236
00:20:50,918 --> 00:20:52,503
Yeah.

237
00:20:53,295 --> 00:20:55,589
-San Siro!
-San Siro!

238
00:20:55,672 --> 00:20:58,842
-Opening in San Siro.
-Oh, San Siro. Here you go.

239
00:20:58,926 --> 00:21:01,428
-First of four nights.
-First of four nights.

240
00:21:01,512 --> 00:21:03,430
-Oh! I like that.
-Right?

241
00:21:03,514 --> 00:21:05,182
Four nights in San Siro.

242
00:21:06,058 --> 00:21:07,726
-That's half the Italian population.
-Why not?

243
00:21:07,809 --> 00:21:09,019
Whoo!

244
00:21:09,102 --> 00:21:11,897
-It's the entire population--
-And that's just the matinee.

245
00:21:13,106 --> 00:21:14,983
-Here we go, everybody!
-Yeah.

246
00:21:15,067 --> 00:21:18,153
I remember one time they were singing
"Promised Land" when we stopped,

247
00:21:18,237 --> 00:21:20,531
and you had trouble
starting the next song,

248
00:21:20,614 --> 00:21:24,618
because when you hear that all together,
who wants to stop that?

249
00:21:24,701 --> 00:21:26,203
We played in Naples.

250
00:21:26,286 --> 00:21:29,957
They were singing internal riffs
of "Rosalita."

251
00:21:30,040 --> 00:21:34,127
Like, the internal--
little, weird internal earworms.

252
00:21:34,211 --> 00:21:37,047
Not-- You know, not the obvious ones.

253
00:21:37,130 --> 00:21:40,884
Weird little ones inside the song,
you know, you heard people singing.

254
00:21:40,968 --> 00:21:45,097
The entire population down there
is so incredibly musical.

255
00:21:45,681 --> 00:21:49,059
That's where Mom and Dora and Eda and--

256
00:21:49,142 --> 00:21:52,145
We are sitting here today
because those are our people.

257
00:21:52,229 --> 00:21:53,772
Yeah.

258
00:21:53,856 --> 00:21:55,607
Frank, did you play guitar?

259
00:21:55,691 --> 00:21:57,860
Uh, little bit. Not much.
I'm starting back.

260
00:21:57,943 --> 00:22:00,529
He's-- He's got a new guitar.

261
00:22:00,612 --> 00:22:03,782
There'll be a spot for him onstage
with the E Street Band one day.

262
00:22:05,242 --> 00:22:07,035
If I were you,
I would take advantage of that.

263
00:22:07,119 --> 00:22:08,120
I know.

264
00:22:22,801 --> 00:22:28,849
<i>For me, from the beginning,
pop was always a raucous meditation.</i>

265
00:22:29,725 --> 00:22:33,270
<i>We all have our own ways of praying.</i>

266
00:22:34,188 --> 00:22:40,068
<i>I restricted my prayers to three minutes
and a 45-rpm record.</i>

267
00:22:41,028 --> 00:22:45,824
<i>The power of pure pop,
the beautiful simplicity of melody.</i>

268
00:22:46,909 --> 00:22:51,246
<i>A complete character study
in a matter of minutes.</i>

269
00:22:52,080 --> 00:22:57,461
<i>Life in 180 seconds or less.</i>

270
00:22:58,378 --> 00:23:02,341
<i>If you get it right,
it has the power of prayer.</i>

271
00:23:32,913 --> 00:23:36,166
<i>Dreamy afternoon neath the summer sun</i>

272
00:23:37,042 --> 00:23:40,921
<i>We'd lie by the lake
Till the evening comes</i>

273
00:23:41,421 --> 00:23:45,092
<i>I run my fingers
Through your sun-streaked hair</i>

274
00:23:45,175 --> 00:23:49,012
<i>Baby, that's the power of prayer</i>

275
00:23:50,013 --> 00:23:53,433
<i>Summer nights, summer's in the air</i>

276
00:23:54,184 --> 00:23:58,021
<i>I stack the tables with the chairs</i>

277
00:23:58,397 --> 00:24:02,067
<i>It's closing time
Then you're standing there</i>

278
00:24:02,150 --> 00:24:06,113
<i>Baby, that's the power of prayer</i>

279
00:24:07,155 --> 00:24:11,368
<i>It's a fixed game without any rules</i>

280
00:24:11,451 --> 00:24:15,622
<i>An empty table on a ship of fools</i>

281
00:24:15,706 --> 00:24:20,085
<i>I'm holding hearts, I'll play the pair</i>

282
00:24:20,169 --> 00:24:25,674
<i>Darling, it's just the power of prayer</i>

283
00:24:45,485 --> 00:24:49,364
<i>It's a fixed game without any rules</i>

284
00:24:49,781 --> 00:24:53,827
<i>An empty table on a ship of fools</i>

285
00:24:53,911 --> 00:24:58,165
<i>I'm holding hearts, I'll play the pair</i>

286
00:24:58,248 --> 00:25:02,211
<i>I'm going all in 'cause I don't care</i>

287
00:25:02,294 --> 00:25:06,590
<i>They say that love
Love comes and goes</i>

288
00:25:06,673 --> 00:25:10,552
<i>But, darling, what, what do they know?</i>

289
00:25:10,969 --> 00:25:15,307
<i>I'm reaching for heaven
We'll make it there</i>

290
00:25:15,390 --> 00:25:19,394
<i>Darling, it's just the power of prayer</i>

291
00:25:19,478 --> 00:25:23,815
<i>Baby, it's just the power of prayer</i>

292
00:25:23,899 --> 00:25:28,695
<i>Darling, it's just the power of prayer</i>

293
00:25:31,823 --> 00:25:35,410
<i>Last call, the bouncer shuts the door</i>

294
00:25:36,119 --> 00:25:39,706
<i>"This Magic Moment"
Drifts across the floor</i>

295
00:25:40,457 --> 00:25:44,002
<i>As Ben E. King's voice fills the air</i>

296
00:25:44,086 --> 00:25:48,465
<i>Baby, that's the power of prayer</i>

297
00:26:39,600 --> 00:26:41,143
Great work, gents.

298
00:26:42,436 --> 00:26:43,437
E.

299
00:26:44,271 --> 00:26:45,272
A.

300
00:26:46,231 --> 00:26:47,441
C-sharp minor.

301
00:26:48,233 --> 00:26:49,234
G-flat.

302
00:26:49,318 --> 00:26:52,279
I think we should come right out of
the sax solo into the, uh...

303
00:26:52,821 --> 00:26:55,532
the verse where you sing every line.

304
00:26:55,616 --> 00:26:58,410
We got the-- We got the--
a different lick on it, is all.

305
00:26:58,493 --> 00:27:01,371
An opening for "Letter To You,"
we're talking about?

306
00:27:01,914 --> 00:27:03,749
<i>Neath a crowd of mongrel trees</i>

307
00:27:03,832 --> 00:27:06,084
-Like that?
-You can even do it shorter.

308
00:27:06,168 --> 00:27:08,837
It's a build and then a big crescendo.
You know what I mean?

309
00:27:12,132 --> 00:27:14,760
Big crescendo into--
'Cause he's coming in singing hard.

310
00:27:14,843 --> 00:27:16,720
-On the cymbal?
-Yeah, yeah.

311
00:27:21,934 --> 00:27:23,560
Yeah, let it go in. Let it go.

312
00:27:43,830 --> 00:27:49,670
<i>The E Street Band
makes me dream, think and write big.</i>

313
00:27:50,462 --> 00:27:53,006
<i>When I am amongst my friends,</i>

314
00:27:53,090 --> 00:27:59,304
<i>I allow a certain part of my mind
that seems to be reserved for only them</i>

315
00:28:00,055 --> 00:28:01,890
<i>to be set free,</i>

316
00:28:01,974 --> 00:28:06,395
<i>and I dwell in a house
of a thousand dreams.</i>

317
00:28:07,396 --> 00:28:10,566
<i>What happens in this house matters to me.</i>

318
00:28:11,859 --> 00:28:14,361
<i>We've not been made perfect by God,</i>

319
00:28:15,153 --> 00:28:19,324
<i>but here I try to speak
in the voice of my better angels.</i>

320
00:28:20,576 --> 00:28:25,664
<i>We have been given the tools
and the property of the soul</i>

321
00:28:26,248 --> 00:28:28,625
<i>to be attended to and accountable for.</i>

322
00:28:30,085 --> 00:28:31,712
<i>And that takes work.</i>

323
00:28:33,213 --> 00:28:39,928
<i>Work that we might build on the principles
of love, liberty, fraternity,</i>

324
00:28:40,512 --> 00:28:45,893
<i>ancient ideas that still form the basis
for a good life</i>

325
00:28:45,976 --> 00:28:48,020
<i>and a humane society.</i>

326
00:28:48,604 --> 00:28:52,524
<i>What happens in this house matters.</i>

327
00:28:54,067 --> 00:28:57,029
<i>So, brothers and sisters,
wherever you are...</i>

328
00:28:59,489 --> 00:29:01,325
<i>let's light up this house.</i>

329
00:29:22,846 --> 00:29:26,767
<i>The blood moon shines across the vale</i>

330
00:29:28,185 --> 00:29:32,439
<i>Bells ring out
Through churches and jails</i>

331
00:29:32,981 --> 00:29:37,569
<i>I tally my wounds and count the scars</i>

332
00:29:38,362 --> 00:29:42,282
<i>Here in
The house of a thousand guitars</i>

333
00:29:43,158 --> 00:29:47,412
<i>The criminal clown
Has stolen the throne</i>

334
00:29:48,163 --> 00:29:52,417
<i>He steals what he can never own</i>

335
00:29:53,043 --> 00:29:57,506
<i>May the truth ring out
From every small-town bar</i>

336
00:29:58,382 --> 00:30:02,970
<i>We'll light up
The house of a thousand guitars</i>

337
00:30:03,512 --> 00:30:07,349
<i>Well, it's all right
Yeah, it's all right</i>

338
00:30:08,892 --> 00:30:12,771
<i>Meet me, darling, come Saturday night</i>

339
00:30:13,689 --> 00:30:17,818
<i>All good souls from near and far</i>

340
00:30:18,652 --> 00:30:23,156
<i>We'll meet in
The house of a thousand guitars</i>

341
00:30:24,032 --> 00:30:27,953
<i>Here the bitter and the bored</i>

342
00:30:29,371 --> 00:30:33,041
<i>Wake in search of the lost chord</i>

343
00:30:33,709 --> 00:30:38,463
<i>That'll band us together
For as long as there's stars</i>

344
00:30:39,047 --> 00:30:43,594
<i>Here in
The house of a thousand guitars</i>

345
00:30:44,344 --> 00:30:48,265
<i>Yeah, it's all right
Yeah, it's all right</i>

346
00:30:49,474 --> 00:30:53,061
<i>Meet me, darling, come Saturday night</i>

347
00:30:54,438 --> 00:30:58,817
<i>Brother and sister, wherever you are</i>

348
00:30:59,484 --> 00:31:03,780
<i>We'll meet in
The house of a thousand guitars</i>

349
00:31:24,760 --> 00:31:28,972
<i>So wake and shake off
Your troubles, my friend</i>

350
00:31:29,932 --> 00:31:34,394
<i>We'll go where the music never ends</i>

351
00:31:34,937 --> 00:31:39,233
<i>From the stadiums
To the small-town bars</i>

352
00:31:40,025 --> 00:31:44,571
<i>We'll light up
The house of a thousand guitars</i>

353
00:31:44,655 --> 00:31:49,660
<i>House of a thousand guitars
House of a thousand guitars</i>

354
00:31:50,577 --> 00:31:54,414
<i>Brother and sister, wherever you are</i>

355
00:31:55,374 --> 00:31:59,586
<i>We'll rise together
Till we fire the spark</i>

356
00:32:00,170 --> 00:32:04,925
<i>That'll light up
The house of a thousand guitars</i>

357
00:32:05,759 --> 00:32:09,763
<i>Well, it's all right
Yeah, it's all right</i>

358
00:32:10,722 --> 00:32:14,810
<i>Meet me, darling, come Saturday night</i>

359
00:32:15,769 --> 00:32:19,773
<i>All good souls from near and far</i>

360
00:32:20,691 --> 00:32:25,237
<i>We'll meet in
The house of a thousand guitars</i>

361
00:32:46,300 --> 00:32:50,804
<i>La, la, la, la, la, la, la, la</i>

362
00:32:51,513 --> 00:32:55,767
<i>La, la, la, la, la, la, la, la, la</i>

363
00:32:56,685 --> 00:33:00,606
<i>La, la, la, la, la, la, la, la</i>

364
00:33:01,648 --> 00:33:05,694
<i>La, la, la, la, la, la, la, la, la</i>

365
00:33:06,361 --> 00:33:11,200
<i>A thousand guitars
A thousand guitars</i>

366
00:33:11,617 --> 00:33:16,246
<i>A thousand guitars
A thousand guitars</i>

367
00:33:16,788 --> 00:33:21,418
<i>A thousand guitars
A thousand guitars</i>

368
00:33:21,835 --> 00:33:26,798
<i>A thousand guitars
A thousand guitars</i>

369
00:33:31,303 --> 00:33:33,805
-It's good.
-You wanna listen to it?

370
00:33:33,889 --> 00:33:35,516
Yeah, let's listen to it.

371
00:33:37,601 --> 00:33:41,104
What a group sound
we got going here on this stuff.

372
00:33:41,188 --> 00:33:42,272
Just sounds great.

373
00:33:42,356 --> 00:33:44,233
-Thank you.
-Feel like we never left.

374
00:33:44,316 --> 00:33:46,610
Well, we left, but just to get better.
Then we came back.

375
00:33:46,693 --> 00:33:47,694
That's right.

376
00:33:49,821 --> 00:33:53,534
Professor, do what you were born to do.

377
00:33:53,617 --> 00:33:55,285
Play the glockenspiel.

378
00:33:58,121 --> 00:33:59,164
Play that glockenspiel.

379
00:33:59,248 --> 00:34:01,416
I will as soon as I get some headphones.

380
00:34:02,167 --> 00:34:04,837
In the spirit of Dan Federici, please.

381
00:34:07,005 --> 00:34:08,297
Dan Federici.

382
00:34:09,882 --> 00:34:11,385
Ghost is haunting us.

383
00:34:13,303 --> 00:34:16,723
Tomorrow we will be cutting songs
that are 50 years old.

384
00:34:16,806 --> 00:34:21,687
Uh, I recorded them acoustically
at the time for the John Hammond demo,

385
00:34:21,770 --> 00:34:24,022
pre-<i>Greetings from Asbury Park</i>.

386
00:34:24,106 --> 00:34:27,734
-Get ready for some wild lyrics.
-Yeah.

387
00:34:27,818 --> 00:34:30,112
-<i>I got one idea, Bruce, for you.</i>
-Go ahead.

388
00:34:30,195 --> 00:34:33,699
On the chorus where you're going, "And
Papa rode shotgun for the Fargo line,"

389
00:34:33,782 --> 00:34:36,326
<i>then they hold, how about you just play,</i>

390
00:34:36,409 --> 00:34:38,871
"There's still too many bad boys,"
and then they come in on,

391
00:34:38,954 --> 00:34:40,038
"Work the same line."

392
00:34:40,121 --> 00:34:41,581
<i>So it's just you there.</i>

393
00:34:41,665 --> 00:34:44,918
<i>Papa rode shotgun on the Fargo</i>

394
00:34:47,462 --> 00:34:51,925
<i>There's still too many bad boys
Trying to work the same</i>

395
00:34:52,009 --> 00:34:54,178
-<i>Bam. We can do that.</i>
-Exactly.

396
00:34:54,761 --> 00:34:59,600
<i>There's a light on yonder mountain</i>

397
00:35:00,809 --> 00:35:04,771
<i>And it's calling me to shine</i>

398
00:35:06,648 --> 00:35:11,653
<i>There's a girl
O'er by the water fountain</i>

399
00:35:12,654 --> 00:35:17,242
<i>And she's asking to be mine</i>

400
00:35:18,660 --> 00:35:23,707
<i>And Jesus is standing in a doorway</i>

401
00:35:24,208 --> 00:35:28,795
<i>In a buckskin jacket, boots
And spurs so fine</i>

402
00:35:30,339 --> 00:35:34,635
<i>Says, "We need you, son
Tonight up in Dodge City</i>

403
00:35:36,428 --> 00:35:42,351
<i>'Cause there's just too many outlaws
Trying to work the same line"</i>

404
00:35:52,319 --> 00:35:58,867
<i>Now if Jesus was a sheriff
And I was the priest</i>

405
00:35:58,951 --> 00:36:04,039
<i>If my lady was an heiress
And my mama was a thief</i>

406
00:36:04,456 --> 00:36:09,294
<i>If Papa rode shotgun on the Fargo line</i>

407
00:36:10,420 --> 00:36:16,426
<i>There's still too many bad boys
Trying to work the same line</i>

408
00:36:20,848 --> 00:36:26,770
<i>Well, sweet Virgin Mary
Runs the Holy Grail Saloon</i>

409
00:36:26,854 --> 00:36:29,189
<i>Where for a nickel
She'll give you a whiskey</i>

410
00:36:29,815 --> 00:36:32,442
<i>And a personally blessed balloon</i>

411
00:36:32,860 --> 00:36:35,946
<i>And the Holy Ghost
Is the host with the most</i>

412
00:36:36,029 --> 00:36:38,699
<i>He runs the burlesque show</i>

413
00:36:38,782 --> 00:36:41,159
<i>Where they let you in for free</i>

414
00:36:41,577 --> 00:36:43,871
<i>And they hit you when you go</i>

415
00:36:44,288 --> 00:36:47,207
<i>Mary's serving Mass on Sunday</i>

416
00:36:47,291 --> 00:36:50,794
<i>And she sells her body on Monday</i>

417
00:36:50,878 --> 00:36:55,090
<i>To the bootlegger
Who paid the highest price</i>

418
00:36:56,091 --> 00:36:59,052
<i>Well, he don't know
He got stuck with a loser</i>

419
00:36:59,136 --> 00:37:02,806
<i>She's a stone junkie
What's more, she's a user</i>

420
00:37:02,890 --> 00:37:06,894
<i>She's only been made once or twice</i>

421
00:37:07,477 --> 00:37:09,521
<i>By some kind of magic</i>

422
00:37:11,481 --> 00:37:16,778
<i>Yeah, if Jesus was a sheriff
And I was the priest</i>

423
00:37:17,362 --> 00:37:22,492
<i>If my lady was an heiress
And my mama was a thief</i>

424
00:37:23,285 --> 00:37:27,748
<i>If Papa rode shotgun on the Fargo line</i>

425
00:37:28,957 --> 00:37:34,755
<i>There's still too many outlaws
Trying to work the same line</i>

426
00:37:45,474 --> 00:37:48,101
<i>Well, things ain't been the same
In heaven</i>

427
00:37:48,185 --> 00:37:51,104
<i>Since big, bad Bobby came to town</i>

428
00:37:51,647 --> 00:37:56,652
<i>He's been known to down eleven
Then ask for another round</i>

429
00:37:57,694 --> 00:38:02,658
<i>Me, I got scabs on my knees
From kneeling way too long</i>

430
00:38:03,075 --> 00:38:08,580
<i>It's about time I played the man
Took a stand where I belong</i>

431
00:38:08,664 --> 00:38:13,961
<i>Yeah, forget about the old friends
And the old times</i>

432
00:38:14,962 --> 00:38:20,425
<i>There's just too many new boys
Trying to work the same line</i>

433
00:38:24,805 --> 00:38:31,103
<i>Well, if Jesus was a sheriff
And I was the priest</i>

434
00:38:31,436 --> 00:38:36,817
<i>If my lady was an heiress
And my mama was a thief</i>

435
00:38:37,359 --> 00:38:41,780
<i>And if Papa rode shotgun
On the Fargo line</i>

436
00:38:43,031 --> 00:38:49,246
<i>There's just too many outlaws
Trying to work the same line</i>

437
00:38:53,083 --> 00:38:58,547
<i>Well, there's a light on yonder mountain</i>

438
00:38:59,339 --> 00:39:03,677
<i>And it's calling me to shine</i>

439
00:39:05,762 --> 00:39:10,058
<i>There's a girl
O'er by the water fountain</i>

440
00:39:11,185 --> 00:39:15,647
<i>And she's asking to be mine</i>

441
00:39:17,482 --> 00:39:22,154
<i>Jesus is standing in a doorway</i>

442
00:39:22,738 --> 00:39:27,576
<i>Six-gun drawn and ready to fan</i>

443
00:39:29,161 --> 00:39:33,749
<i>Said, "We need you tonight, son
Up in Dodge City"</i>

444
00:39:34,541 --> 00:39:40,339
<i>Told him I was already overdue
For Cheyenne</i>

445
00:39:44,426 --> 00:39:50,307
<i>Yeah, if Jesus was the sheriff
And I was the priest</i>

446
00:39:50,849 --> 00:39:56,021
<i>If my lady was an heiress
And my mama was a thief</i>

447
00:39:56,480 --> 00:40:01,318
<i>And Papa rode shotgun
On the Fargo line</i>

448
00:40:02,402 --> 00:40:07,574
<i>There's still too many bad boys
Trying to work the same line</i>

449
00:40:07,658 --> 00:40:12,538
<i>If Jesus was the sheriff
And I was the priest</i>

450
00:40:13,163 --> 00:40:18,252
<i>If my lady was an heiress
And my mama was a thief</i>

451
00:40:18,669 --> 00:40:23,590
<i>And Papa rode shotgun
On the Fargo line</i>

452
00:40:24,508 --> 00:40:28,762
<i>There's still too many bad boys
Trying to work the same</i>

453
00:40:28,846 --> 00:40:35,060
<i>Yeah, if Jesus was the sheriff
And I was the priest</i>

454
00:41:35,704 --> 00:41:39,583
In the summer, it had an outside patio.
You'd play outside. It was beautiful.

455
00:41:39,666 --> 00:41:43,837
It was the first teenage nightclub
anyone ever heard of.

456
00:41:43,921 --> 00:41:45,881
-Who ever heard of that?
-Unbelievable.

457
00:41:45,964 --> 00:41:48,717
It was like a country club for teenagers.

458
00:41:48,800 --> 00:41:52,596
Kids were all solidly
middle and upper class, you know?

459
00:41:52,679 --> 00:41:53,847
You had rah-rahs.

460
00:41:53,931 --> 00:41:57,893
So if you got a gig,
particularly from where we were from,

461
00:41:57,976 --> 00:41:59,895
it was-- it was a deal.

462
00:41:59,978 --> 00:42:02,397
Freehold band that got into Teendezvous?

463
00:42:03,649 --> 00:42:06,693
You were legit. You were legitimized.

464
00:42:06,777 --> 00:42:09,947
To have that and then six other
hullabaloo clubs you could play at

465
00:42:10,030 --> 00:42:11,114
on the same weekend,

466
00:42:11,198 --> 00:42:14,493
-not to mention the VFW halls...
-The beach clubs.

467
00:42:14,576 --> 00:42:18,956
...the union halls,
the Legion halls, CYOs.

468
00:42:19,039 --> 00:42:23,794
-These were all venues for rock bands.
-Common dances, fraternity dances.

469
00:42:32,302 --> 00:42:33,637
<i>"Ghosts."</i>

470
00:42:34,304 --> 00:42:36,974
<i>A rock band is a social unit</i>

471
00:42:37,057 --> 00:42:39,893
<i>based on the premise
that all of us together</i>

472
00:42:39,977 --> 00:42:43,647
<i>are greater than the sum
of our individual parts,</i>

473
00:42:44,398 --> 00:42:49,194
<i>that we can achieve something
that we could not achieve alone</i>

474
00:42:49,278 --> 00:42:52,990
<i>and that, together, higher ground awaits.</i>

475
00:42:53,740 --> 00:42:58,203
<i>While, in our band,
the songs and individual vision are mine,</i>

476
00:42:58,287 --> 00:43:01,456
<i>the physical creation of that vision</i>

477
00:43:01,540 --> 00:43:07,129
<i>into a real-world presence
belongs to all of us.</i>

478
00:43:08,380 --> 00:43:10,340
<i>We are a band.</i>

479
00:43:10,424 --> 00:43:16,722
<i>The joy I feel when I work with my band
is a hard thing to describe.</i>

480
00:43:16,805 --> 00:43:19,558
<i>Ideas tumble around the room.</i>

481
00:43:19,641 --> 00:43:25,147
<i>People talk over one another.
There are false starts and stops.</i>

482
00:43:25,230 --> 00:43:28,525
<i>Confusion often reigns.</i>

483
00:43:28,609 --> 00:43:29,776
<i>And then suddenly...</i>

484
00:43:31,028 --> 00:43:32,654
<i>dynamite.</i>

485
00:43:33,322 --> 00:43:38,952
<i>"Ghosts" is about the beauty and joy
of being in a band,</i>

486
00:43:39,703 --> 00:43:45,083
<i>and the pain of losing one another
to illness and time.</i>

487
00:43:46,585 --> 00:43:50,756
<i>"Ghosts" tries to speak
to the spirit of the music itself...</i>

488
00:43:52,090 --> 00:43:58,305
<i>something none of us owns
but can only discover and share together.</i>

489
00:43:59,348 --> 00:44:04,603
<i>In the E Street Band,
it resides in our collective soul...</i>

490
00:44:05,771 --> 00:44:06,980
<i>powered by the heart.</i>

491
00:44:10,234 --> 00:44:14,029
<i>I hear the sound of your guitar</i>

492
00:44:17,824 --> 00:44:21,411
<i>Ringing in from the mystic far</i>

493
00:44:25,290 --> 00:44:29,545
<i>Stone and the gravel in your voice</i>

494
00:44:33,173 --> 00:44:37,052
<i>Run through the dreams and I rejoice</i>

495
00:44:39,680 --> 00:44:41,765
<i>It's your ghost</i>

496
00:44:42,766 --> 00:44:45,060
<i>Leading through the night</i>

497
00:44:46,228 --> 00:44:48,981
<i>Spirits filled with light</i>

498
00:44:49,439 --> 00:44:52,693
That chorus before the break
you don't need, I think.

499
00:44:52,776 --> 00:44:55,571
You can go from "ghosts"
right to the break, then the buildup.

500
00:44:55,654 --> 00:44:57,197
You mean that drumbeat buildup.

501
00:44:57,281 --> 00:44:59,199
-Yep.
-You're leaving out this chorus?

502
00:44:59,283 --> 00:45:01,076
Sixteen bars of chorus
to the drumbeat buildup.

503
00:45:01,159 --> 00:45:03,412
-So it goes, A, AB, AB, C.
-B, C.

504
00:45:03,495 --> 00:45:06,999
That's the verse.
B is the ghosts. C is the chorus.

505
00:45:07,082 --> 00:45:08,667
Yes, and again.

506
00:45:08,750 --> 00:45:12,671
A is the verse,
B is the ghost, C is the chorus.

507
00:45:12,754 --> 00:45:15,674
We still have the stop
before the third verse.

508
00:45:15,757 --> 00:45:18,677
-No, we stop before--
-Third verse.

509
00:45:18,760 --> 00:45:21,346
-The third verse is--
-That line alone,

510
00:45:21,430 --> 00:45:23,140
and then the stop at the end there.

511
00:45:23,223 --> 00:45:25,809
There's still a third verse
with those stops.

512
00:45:25,893 --> 00:45:28,562
Anybody wonders where the stop is,
watch me.

513
00:45:28,645 --> 00:45:30,314
I'll give you a cue, all right?

514
00:45:30,939 --> 00:45:32,566
Otherwise, don't stop.

515
00:45:33,025 --> 00:45:36,570
<i>Old buckskin jacket you always wore</i>

516
00:45:36,653 --> 00:45:37,779
Yeah.

517
00:45:38,280 --> 00:45:39,740
Good time there.

518
00:45:41,825 --> 00:45:43,327
There. Now.

519
00:45:45,829 --> 00:45:48,081
-Yeah, so the opposite.
-Yeah.

520
00:45:48,707 --> 00:45:49,750
Take me here.

521
00:45:51,126 --> 00:45:52,211
All right. Try it.

522
00:45:52,294 --> 00:45:54,505
Just to have it.
Then they can **** around with it.

523
00:45:56,298 --> 00:45:57,883
<i>Alive</i>

524
00:46:01,094 --> 00:46:02,095
All right.

525
00:46:03,013 --> 00:46:05,807
<i>I'm alive</i>

526
00:46:05,891 --> 00:46:08,519
<i>And I'm coming home</i>

527
00:46:09,728 --> 00:46:12,731
<i>Yeah, I'm coming home</i>

528
00:46:15,526 --> 00:46:18,070
<i>One, two. One, two--</i>

529
00:46:18,153 --> 00:46:19,404
Clap.

530
00:46:23,075 --> 00:46:26,078
Let's get the claps and get the la-da-das.

531
00:46:33,836 --> 00:46:37,673
<i>I hear the sound of your guitar</i>

532
00:46:41,593 --> 00:46:45,055
<i>Coming from the mystic far</i>

533
00:46:49,017 --> 00:46:53,188
<i>Stone and the gravel in your voice</i>

534
00:46:56,942 --> 00:47:00,904
<i>Come in my dreams and I rejoice</i>

535
00:47:03,407 --> 00:47:05,534
<i>It's your ghost</i>

536
00:47:06,577 --> 00:47:09,162
<i>Moving through the night</i>

537
00:47:10,080 --> 00:47:13,125
<i>Your spirit filled with light</i>

538
00:47:15,460 --> 00:47:16,795
<i>I need</i>

539
00:47:18,088 --> 00:47:20,883
<i>Need you by my side</i>

540
00:47:21,383 --> 00:47:25,012
<i>Your love and I'm alive</i>

541
00:47:25,095 --> 00:47:29,558
<i>I can feel the blood shiver
In my bones</i>

542
00:47:30,601 --> 00:47:33,145
<i>I'm alive</i>

543
00:47:33,228 --> 00:47:36,899
<i>And I'm out here on my own</i>

544
00:47:38,275 --> 00:47:41,069
<i>I'm alive</i>

545
00:47:41,153 --> 00:47:44,031
<i>And I'm coming home</i>

546
00:47:46,867 --> 00:47:50,787
<i>Old buckskin jacket you always wore</i>

547
00:47:54,249 --> 00:47:58,086
<i>Hangs on the back of my bedroom door</i>

548
00:48:02,424 --> 00:48:06,136
<i>Boots and the spurs you used to ride</i>

549
00:48:09,848 --> 00:48:13,435
<i>Click down the hall but never arrive</i>

550
00:48:15,938 --> 00:48:18,732
<i>It's just your ghost</i>

551
00:48:19,441 --> 00:48:21,818
<i>Moving through the night</i>

552
00:48:22,945 --> 00:48:25,906
<i>Your spirit filled with light</i>

553
00:48:28,408 --> 00:48:29,868
<i>I need</i>

554
00:48:30,911 --> 00:48:33,747
<i>Need you by my side</i>

555
00:48:34,331 --> 00:48:38,001
<i>Your love and I'm alive</i>

556
00:48:38,085 --> 00:48:42,422
<i>I can feel the blood shiver
In my bones</i>

557
00:48:43,549 --> 00:48:46,134
<i>I'm alive</i>

558
00:48:46,218 --> 00:48:49,930
<i>And I'm out here on my own</i>

559
00:48:51,223 --> 00:48:53,934
<i>I'm alive</i>

560
00:48:54,017 --> 00:48:56,812
<i>And I'm coming home</i>

561
00:48:59,731 --> 00:49:03,735
<i>Your old Fender Twin
From Johnny's Music downtown</i>

562
00:49:07,239 --> 00:49:11,243
<i>Still set on ten
To burn this house down</i>

563
00:49:14,955 --> 00:49:19,126
<i>Count the band in
Then kick into overdrive</i>

564
00:49:22,379 --> 00:49:26,466
<i>By the end of the set
We leave no one alive</i>

565
00:49:26,550 --> 00:49:31,054
<i>Ghosts running through the night</i>

566
00:49:31,889 --> 00:49:35,100
<i>Our spirits filled with light</i>

567
00:49:37,436 --> 00:49:38,854
<i>I need</i>

568
00:49:40,105 --> 00:49:42,774
<i>Need you by my side</i>

569
00:49:43,400 --> 00:49:47,321
<i>Your love and I'm alive</i>

570
00:49:53,243 --> 00:49:58,415
<i>I shoulder your Les Paul
And finger the fretboard</i>

571
00:50:00,584 --> 00:50:05,005
<i>I make my vows
To those who've come before</i>

572
00:50:08,509 --> 00:50:13,430
<i>I turn up the volume
Let the spirits be my guide</i>

573
00:50:16,016 --> 00:50:20,771
<i>Meet you, brother and sister
On the other side</i>

574
00:50:23,315 --> 00:50:25,817
<i>I'm alive</i>

575
00:50:25,901 --> 00:50:29,571
<i>I can feel the blood shiver
In my bones</i>

576
00:50:31,073 --> 00:50:33,742
<i>I'm alive</i>

577
00:50:33,825 --> 00:50:37,412
<i>And I'm out here on my own</i>

578
00:50:38,914 --> 00:50:41,667
<i>I'm alive</i>

579
00:50:41,750 --> 00:50:44,294
<i>And I'm coming home</i>

580
00:50:45,379 --> 00:50:48,423
<i>Yeah, I'm coming home</i>

581
00:50:51,176 --> 00:50:55,013
<i>One, two
One, two, three, four</i>

582
00:51:25,836 --> 00:51:29,381
<i>La, da, da, da
Da, da, da, da, da</i>

583
00:51:29,464 --> 00:51:33,177
<i>La, da, da, da
Da, da, da, da</i>

584
00:51:33,260 --> 00:51:36,972
<i>La, da, da, da
Da, da, da, da, da</i>

585
00:51:37,055 --> 00:51:40,976
<i>La, da, da, da
Da, da, da, da</i>

586
00:51:41,059 --> 00:51:44,813
<i>La, da, da, da
Da, da, da, da, da</i>

587
00:51:44,897 --> 00:51:48,150
<i>La, da, da, da
Da, da, da, da</i>

588
00:51:48,817 --> 00:51:52,487
<i>La, da, da, da
Da, da, da, da, da</i>

589
00:51:52,571 --> 00:51:56,158
<i>La, da, da, da
Da, da, da, da</i>

590
00:51:56,241 --> 00:52:00,204
<i>La, da, da, da
Da, da, da, da, da</i>

591
00:52:00,287 --> 00:52:03,707
<i>La, da, da, da
Da, da, da, da</i>

592
00:52:04,124 --> 00:52:07,878
<i>La, da, da, da
Da, da, da, da, da</i>

593
00:52:07,961 --> 00:52:12,341
<i>La, da, da, da
Da, da, da, da</i>

594
00:52:13,967 --> 00:52:15,636
Perfect! Perfect!

595
00:52:25,229 --> 00:52:27,856
<i>The songs from 1972...</i>

596
00:52:29,525 --> 00:52:33,153
<i>were and remain a mystery to me.</i>

597
00:52:33,237 --> 00:52:37,991
<i>They were just the way I wrote back then.
A lot of words.</i>

598
00:52:38,075 --> 00:52:40,035
<i>Matter of fact, Clive Davis,</i>

599
00:52:40,118 --> 00:52:44,581
<i>the man who signed me to Columbia Records
with John Hammond,</i>

600
00:52:44,665 --> 00:52:49,586
<i>called me briefly after our record</i>
Greetings from Asbury Park <i>was released</i>

601
00:52:49,670 --> 00:52:53,632
<i>and said someone had called him
and told him if I wasn't careful,</i>

602
00:52:53,715 --> 00:52:57,553
<i>I was going to use up
the entire English language.</i>

603
00:52:58,554 --> 00:53:01,265
<i>And he said that that was Bob Dylan.</i>

604
00:53:01,348 --> 00:53:05,018
<i>Now, Bob was always my mentor
and the brother that I never had,</i>

605
00:53:05,102 --> 00:53:08,230
<i>so I took these words quite seriously.</i>

606
00:53:09,273 --> 00:53:15,863
<i>But all I know is these songs hold
a very warm place in my heart.</i>

607
00:53:16,488 --> 00:53:20,284
<i>"Song for Orphans" is about
someone overcoming their fears,</i>

608
00:53:20,367 --> 00:53:22,911
<i>their doubts, their times.</i>

609
00:53:22,995 --> 00:53:25,747
<i>It's about fighting
for a place of their own.</i>

610
00:53:25,831 --> 00:53:31,461
<i>And, for a kid,
I thought a lot of myself in 1972,</i>

611
00:53:31,545 --> 00:53:34,840
<i>despite my towering insecurities.</i>

612
00:53:36,091 --> 00:53:40,470
<i>I was an experienced
guitar-playing young lion,</i>

613
00:53:40,554 --> 00:53:43,307
<i>and I felt I had a job to do,</i>

614
00:53:43,390 --> 00:53:47,311
<i>demons to vanquish, a world to claim.</i>

615
00:53:47,394 --> 00:53:50,355
<i>My world, whatever that might be.</i>

616
00:53:50,439 --> 00:53:56,945
<i>And that time I felt I was on the Earth
for one thing and one thing only:</i>

617
00:53:57,029 --> 00:54:02,326
<i>to meet, confront and confirm my destiny.</i>

618
00:54:02,409 --> 00:54:07,039
<i>To come out on that stage
and change your life,</i>

619
00:54:07,623 --> 00:54:08,999
<i>if I could.</i>

620
00:54:09,082 --> 00:54:12,211
<i>I'd overcome my own emotional abandonment,</i>

621
00:54:12,294 --> 00:54:14,421
<i>my late teenage orphaning,</i>

622
00:54:14,505 --> 00:54:19,176
<i>and I was building with my own hands,
and some help,</i>

623
00:54:19,259 --> 00:54:21,303
<i>a place that was mine.</i>

624
00:54:22,638 --> 00:54:25,307
<i>The confederacy is in my name now,</i>

625
00:54:25,390 --> 00:54:30,270
<i>and I would take the responsibility
and the accountability for it.</i>

626
00:54:30,354 --> 00:54:32,105
<i>This would be done.</i>

627
00:54:32,731 --> 00:54:39,112
<i>Because I was young and hard and hungry,
and I needed it.</i>

628
00:54:40,322 --> 00:54:41,740
<i>I was 22.</i>

629
00:55:14,439 --> 00:55:17,651
<i>Well, the multitude assembled</i>

630
00:55:17,734 --> 00:55:21,029
<i>And tried to make the noise</i>

631
00:55:21,113 --> 00:55:24,366
<i>And black blind poet generals</i>

632
00:55:24,449 --> 00:55:27,244
<i>And restless loud white boys</i>

633
00:55:28,161 --> 00:55:34,126
<i>Times grew thin
And the axis grew somehow incomplete</i>

634
00:55:34,585 --> 00:55:37,754
<i>Where instead of child lions</i>

635
00:55:37,838 --> 00:55:40,924
<i>We had aging junkie sheep</i>

636
00:55:41,341 --> 00:55:44,678
<i>Well, how many wasted have I seen</i>

637
00:55:44,761 --> 00:55:47,764
<i>Signed "Hollywood or bust"</i>

638
00:55:48,307 --> 00:55:54,771
<i>They're left to ride
Them ever-ghostly Arizona gusts</i>

639
00:55:55,230 --> 00:55:58,609
<i>Cheerleader tramps
And kids with big amps</i>

640
00:55:58,692 --> 00:56:00,903
<i>Sounding in the void</i>

641
00:56:01,612 --> 00:56:05,240
<i>High society vamps
Ex-heavyweight champs</i>

642
00:56:05,908 --> 00:56:08,035
<i>Mistaking soot for soil</i>

643
00:56:08,118 --> 00:56:11,121
<i>So break me now, Big Mama</i>

644
00:56:11,705 --> 00:56:14,499
<i>As Old Faithful breaks the day</i>

645
00:56:15,501 --> 00:56:18,170
<i>Believe me, my good Linda</i>

646
00:56:18,962 --> 00:56:21,924
<i>The aurora will shine your way</i>

647
00:56:22,007 --> 00:56:25,344
<i>The confederacy is in my name now</i>

648
00:56:25,427 --> 00:56:28,555
<i>The hounds are held at bay</i>

649
00:56:29,056 --> 00:56:32,017
<i>The axis needs a stronger arm</i>

650
00:56:32,100 --> 00:56:35,187
<i>Do you feel your muscles play?</i>

651
00:56:40,734 --> 00:56:46,740
<i>Well, the doorstep blanket weaver
Madonna pushes bells</i>

652
00:56:47,449 --> 00:56:49,868
<i>From house to house I see her</i>

653
00:56:49,952 --> 00:56:54,081
<i>Giving last kisses and wishing well</i>

654
00:56:54,164 --> 00:57:00,712
<i>Tell every gypsy mystic hero
That the kids might find a place</i>

655
00:57:00,796 --> 00:57:04,132
<i>Who've been lost forever
To mom and pop</i>

656
00:57:04,216 --> 00:57:07,219
<i>On their weekends out in space</i>

657
00:57:07,302 --> 00:57:10,806
<i>Well, sons, they search for fathers</i>

658
00:57:10,889 --> 00:57:14,101
<i>But the fathers are all gone</i>

659
00:57:14,518 --> 00:57:17,771
<i>The lost souls search for saviors</i>

660
00:57:17,855 --> 00:57:20,566
<i>But saviors don't last long</i>

661
00:57:21,024 --> 00:57:24,695
<i>Those nameless, quest-less
Renegade brats</i>

662
00:57:24,778 --> 00:57:27,948
<i>Who live their lives in song</i>

663
00:57:28,031 --> 00:57:30,409
<i>They run the length of a candle</i>

664
00:57:30,492 --> 00:57:34,246
<i>With a good night whisper
Then they're gone</i>

665
00:57:34,580 --> 00:57:37,416
<i>So break me now, Big Mama</i>

666
00:57:37,958 --> 00:57:40,544
<i>As Old Faithful breaks the day</i>

667
00:57:41,628 --> 00:57:44,464
<i>Believe me, my good Linda</i>

668
00:57:44,923 --> 00:57:47,718
<i>The aurora will shine your way</i>

669
00:57:48,135 --> 00:57:51,555
<i>The confederacy is in my name now</i>

670
00:57:51,638 --> 00:57:54,725
<i>The hounds are held at bay</i>

671
00:57:55,267 --> 00:57:58,312
<i>The axis needs a stronger arm</i>

672
00:57:58,395 --> 00:58:01,315
<i>Do you feel your muscles play?</i>

673
00:58:06,028 --> 00:58:07,029
Whoo!

674
00:58:38,894 --> 00:58:42,022
<i>Well, the missions
Are filled with hermits</i>

675
00:58:42,105 --> 00:58:45,108
<i>They're looking for a friend</i>

676
00:58:45,776 --> 00:58:48,904
<i>The terraces are filled with cat-men</i>

677
00:58:48,987 --> 00:58:51,698
<i>Just looking for a way in</i>

678
00:58:52,449 --> 00:58:55,661
<i>There's orphans
Junked on silver mountains</i>

679
00:58:55,744 --> 00:58:58,539
<i>Lost in celestial alleyways</i>

680
00:58:58,622 --> 00:59:02,417
<i>They wait for that
Old tramp dog man Moses</i>

681
00:59:02,501 --> 00:59:05,712
<i>He takes in all the strays</i>

682
00:59:05,796 --> 00:59:09,299
<i>Now don't you grow on empty legends</i>

683
00:59:09,383 --> 00:59:12,511
<i>Or lonely cradle songs</i>

684
00:59:13,220 --> 00:59:15,806
<i>Billy the Kid was just a Bowery boy</i>

685
00:59:15,889 --> 00:59:18,767
<i>Who made a living twirling his guns</i>

686
00:59:19,518 --> 00:59:22,563
<i>The night, she's long and lanky</i>

687
00:59:22,646 --> 00:59:25,816
<i>And she speaks in a mother tongue</i>

688
00:59:26,316 --> 00:59:32,781
<i>She lullabies her refugees
With an amplifier's hum</i>

689
00:59:32,865 --> 00:59:36,159
<i>So break me now, Big Mama</i>

690
00:59:36,243 --> 00:59:38,996
<i>As Old Faithful breaks the day</i>

691
00:59:40,247 --> 00:59:43,125
<i>Believe me, my good Linda</i>

692
00:59:43,208 --> 00:59:45,794
<i>The aurora will shine your way</i>

693
00:59:46,587 --> 00:59:49,923
<i>The confederacy's in my name now</i>

694
00:59:50,007 --> 00:59:53,093
<i>The hounds are held at bay</i>

695
00:59:53,594 --> 00:59:56,638
<i>The axis needs a stronger arm</i>

696
00:59:56,722 --> 00:59:59,725
<i>Do you feel your muscles play?</i>

697
00:59:59,808 --> 01:00:03,437
<i>The confederacy's in my name now</i>

698
01:00:03,520 --> 01:00:06,231
<i>The hounds are held at bay</i>

699
01:00:07,065 --> 01:00:10,152
<i>The axis needs a stronger arm</i>

700
01:00:10,235 --> 01:00:14,406
<i>Do you feel your muscles play?</i>

701
01:00:53,278 --> 01:00:56,823
Another masterful day in the studio.

702
01:00:57,449 --> 01:00:59,993
Cheers to the mighty E Street Band.

703
01:01:00,077 --> 01:01:01,245
Halfway done.

704
01:01:01,995 --> 01:01:03,205
More, I think.

705
01:01:08,293 --> 01:01:09,711
-Nice.
-Ah.

706
01:01:33,360 --> 01:01:36,738
<i>There were trains, passenger and freight,</i>

707
01:01:37,197 --> 01:01:40,242
<i>that came through Freehold in the '50s.</i>

708
01:01:40,951 --> 01:01:43,954
<i>During long summer afternoons,</i>

709
01:01:44,037 --> 01:01:49,042
<i>we waited for them to jump and ride
from one end of town to the other</i>

710
01:01:49,126 --> 01:01:53,589
<i>or just to lay our pennies
down on the rails</i>

711
01:01:53,672 --> 01:01:56,592
<i>and pick them up hot and flat.</i>

712
01:01:58,552 --> 01:02:02,181
<i>Those trains came and went
as sudden as death.</i>

713
01:02:03,348 --> 01:02:06,310
<i>When I was a child,
I got pretty used to death</i>

714
01:02:06,393 --> 01:02:10,063
<i>due to the many Irish and Italian wakes
in our family.</i>

715
01:02:10,856 --> 01:02:14,735
<i>By six or seven,
you were expected to go with your parents</i>

716
01:02:14,818 --> 01:02:19,156
<i>through the doors of the funeral home
with your hand in theirs,</i>

717
01:02:19,239 --> 01:02:22,826
<i>make your way through the crowded room
to the coffin.</i>

718
01:02:23,535 --> 01:02:28,332
<i>Then kneel at its side
and stare death briefly in the eye.</i>

719
01:02:29,750 --> 01:02:31,960
<i>Your parents would raucously mingle.</i>

720
01:02:32,669 --> 01:02:33,670
<i>Then after a while,</i>

721
01:02:33,754 --> 01:02:39,009
<i>you rode home with a strange sense
of terror-filled accomplishment...</i>

722
01:02:40,010 --> 01:02:41,637
<i>filling your young soul.</i>

723
01:02:43,347 --> 01:02:47,309
<i>Back home,
you knelt at your bedside and recited,</i>

724
01:02:47,935 --> 01:02:53,899
<i>"Now I lay me down to sleep,
I pray to God my soul to keep.</i>

725
01:02:54,399 --> 01:02:57,778
<i>And if I die before I wake,</i>

726
01:02:58,362 --> 01:03:01,740
<i>I pray to God my soul to take."</i>

727
01:03:03,033 --> 01:03:05,786
<i>"For if I die before I wake."</i>

728
01:03:07,621 --> 01:03:09,540
<i>I never cared for that part.</i>

729
01:03:12,125 --> 01:03:15,170
<i>It impressed upon my young mind...</i>

730
01:03:16,380 --> 01:03:19,258
<i>that someday we will close our eyes</i>

731
01:03:19,341 --> 01:03:23,220
<i>and the gray evening sky
will unfold above us...</i>

732
01:03:24,429 --> 01:03:27,015
<i>bringing that long and endless sleep.</i>

733
01:04:12,728 --> 01:04:16,231
<i>Big black train comin' down the track</i>

734
01:04:17,274 --> 01:04:20,903
<i>Blow your whistle long and long</i>

735
01:04:22,738 --> 01:04:24,573
<i>One minute you're here</i>

736
01:04:27,409 --> 01:04:29,286
<i>Next minute you're gone</i>

737
01:04:33,207 --> 01:04:37,211
<i>I lay my penny down on the rails</i>

738
01:04:37,878 --> 01:04:41,965
<i>The summer wind sings its last song</i>

739
01:04:43,509 --> 01:04:45,511
<i>One minute you're here</i>

740
01:04:48,180 --> 01:04:50,098
<i>Next minute you're gone</i>

741
01:04:54,269 --> 01:04:57,189
<i>Baby, baby, baby</i>

742
01:04:57,689 --> 01:05:01,193
<i>I'm so alone</i>

743
01:05:02,861 --> 01:05:06,031
<i>Baby, baby, baby</i>

744
01:05:07,115 --> 01:05:10,327
<i>I'm coming home</i>

745
01:05:12,663 --> 01:05:16,041
<i>Autumn carnival on the edge of town</i>

746
01:05:16,124 --> 01:05:20,921
<i>We walk down the midway arm in arm</i>

747
01:05:22,798 --> 01:05:24,633
<i>One minute you're here</i>

748
01:05:27,386 --> 01:05:29,054
<i>Next minute you're gone</i>

749
01:05:33,225 --> 01:05:37,229
<i>I thought I knew just who I was</i>

750
01:05:37,980 --> 01:05:42,067
<i>And what I'd do, but I was wrong</i>

751
01:05:43,527 --> 01:05:45,529
<i>One minute you're here</i>

752
01:05:48,115 --> 01:05:50,117
<i>Next minute you're gone</i>

753
01:05:54,288 --> 01:06:02,212
<i>Red river runnin' along
The edge of town</i>

754
01:06:04,131 --> 01:06:09,511
<i>On the muddy banks
I lay my body down</i>

755
01:06:09,595 --> 01:06:12,681
<i>This body down</i>

756
01:06:14,933 --> 01:06:18,187
<i>Footsteps crackling on a gravel road</i>

757
01:06:18,270 --> 01:06:23,400
<i>Stars vanish in a sky
As black as stone</i>

758
01:06:25,068 --> 01:06:27,070
<i>One minute you're here</i>

759
01:06:29,698 --> 01:06:31,783
<i>Next minute you're gone</i>

760
01:06:34,328 --> 01:06:36,455
<i>One minute you're here</i>

761
01:06:38,999 --> 01:06:41,001
<i>Next minute you're gone</i>

762
01:06:43,587 --> 01:06:45,422
<i>One minute you're here</i>

763
01:07:19,414 --> 01:07:21,834
We've been here for--
This is our fourth day.

764
01:07:21,917 --> 01:07:23,752
I was gonna come earlier,
but I had a cold.

765
01:07:23,836 --> 01:07:27,714
-Said, "No. Wait, wait, wait."
-No sweat. Anytime is good.

766
01:07:28,590 --> 01:07:32,386
We're just...
recording them and listening to them.

767
01:07:32,886 --> 01:07:33,887
That's good.

768
01:07:39,309 --> 01:07:42,646
Jake Clemons
involved in his first official recording,

769
01:07:43,397 --> 01:07:46,316
-solo with the E Street Band.
-Wow.

770
01:07:46,400 --> 01:07:47,401
No pressure.

771
01:07:49,695 --> 01:07:51,530
You guys played beautifully.

772
01:07:51,613 --> 01:07:54,908
You hear these tracks back,
they sound incredible.

773
01:07:55,534 --> 01:07:58,161
So hopeful. You guys deliver it.

774
01:07:58,996 --> 01:08:00,330
-Yeah.
-Cheers.

775
01:08:00,414 --> 01:08:01,498
To my new boss.

776
01:08:01,582 --> 01:08:03,208
-Yeah, baby.
-Here's to hope.

777
01:08:03,667 --> 01:08:05,502
-Let's not forget The Big Man.
-Big Man.

778
01:08:05,586 --> 01:08:07,087
-To The Big Man.
-The Big Man.

779
01:08:07,171 --> 01:08:08,255
-Danny Federici.
-Danny.

780
01:08:08,338 --> 01:08:10,465
-Danny Federici.
-Danny Federici.

781
01:08:20,893 --> 01:08:22,978
<i>Where do we go when we die?</i>

782
01:08:24,354 --> 01:08:25,772
<i>Maybe we go nowhere...</i>

783
01:08:26,773 --> 01:08:29,109
<i>or maybe everywhere.</i>

784
01:08:30,359 --> 01:08:33,404
<i>Maybe our soul resides in the ether,</i>

785
01:08:33,488 --> 01:08:36,116
<i>in the starless part of the sky</i>

786
01:08:36,742 --> 01:08:41,412
<i>and resonates outward
like a stone dropped into a still lake</i>

787
01:08:41,496 --> 01:08:45,667
<i>whose circles
are the lives of people we've touched</i>

788
01:08:45,751 --> 01:08:48,170
<i>over the course of our lives.</i>

789
01:08:49,505 --> 01:08:56,178
<i>No one knows where or how far
their soul may sound, may travel.</i>

790
01:08:57,595 --> 01:09:04,185
<i>Or maybe it's all just bones, dirt,
clay and turtles all the way down.</i>

791
01:09:05,520 --> 01:09:06,647
<i>I don't know.</i>

792
01:09:07,481 --> 01:09:09,149
<i>But I've grieved at the thought</i>

793
01:09:09,233 --> 01:09:13,487
<i>of never seeing some of those
I've loved and lost again.</i>

794
01:09:14,821 --> 01:09:18,492
<i>But those passed
never completely disappear.</i>

795
01:09:19,326 --> 01:09:21,745
<i>We see them on familiar streets,</i>

796
01:09:22,328 --> 01:09:23,830
<i>in empty clubs...</i>

797
01:09:24,915 --> 01:09:27,334
<i>and in late nights of long ago.</i>

798
01:09:28,210 --> 01:09:33,966
<i>They move in shadow,
glimpsed only from the corner of our eyes.</i>

799
01:09:35,300 --> 01:09:37,594
<i>We see them in our dreams.</i>

800
01:10:00,951 --> 01:10:02,828
<i>See you in my dreams</i>

801
01:10:03,495 --> 01:10:06,874
<i>When all our summers
Have come to an end</i>

802
01:10:08,041 --> 01:10:10,627
<i>I'll see you in my dreams</i>

803
01:10:11,461 --> 01:10:15,215
<i>We'll meet and laugh again, my friend</i>

804
01:10:16,049 --> 01:10:19,052
<i>I'll see you in my dreams</i>

805
01:10:19,511 --> 01:10:22,806
<i>Yeah, up around the river bend</i>

806
01:10:22,890 --> 01:10:25,893
<i>For death is not the end</i>

807
01:10:27,686 --> 01:10:33,692
<i>And I'll see you in my dreams</i>

808
01:11:01,803 --> 01:11:02,846
Chorus.

809
01:11:02,930 --> 01:11:06,433
<i>I'll see you in my dreams</i>

810
01:11:06,517 --> 01:11:10,562
<i>We'll live and laugh again, my friend</i>

811
01:11:11,230 --> 01:11:14,483
<i>I'll see you in my dreams</i>

812
01:11:14,900 --> 01:11:18,278
<i>Yeah, up around the river bend</i>

813
01:11:18,362 --> 01:11:21,532
<i>For death is not the end</i>

814
01:11:23,158 --> 01:11:29,289
<i>And I'll see you in my dreams</i>

815
01:11:31,458 --> 01:11:34,670
That's the whole deal.
Very basic, all right?

816
01:11:34,753 --> 01:11:36,922
<i>The road is long</i>

817
01:11:38,799 --> 01:11:40,801
<i>And seeming without end</i>

818
01:11:43,011 --> 01:11:45,472
<i>The days go on</i>

819
01:11:47,140 --> 01:11:49,476
<i>I remember you, my friend</i>

820
01:11:51,353 --> 01:11:53,438
<i>And though you're gone</i>

821
01:11:53,939 --> 01:11:58,277
<i>And my heart's been emptied it seems</i>

822
01:11:58,360 --> 01:12:01,989
<i>I'll see you in my dreams</i>

823
01:12:03,407 --> 01:12:05,617
<i>I got your guitar</i>

824
01:12:08,078 --> 01:12:10,330
<i>Here by the bed</i>

825
01:12:11,290 --> 01:12:14,334
<i>All your favorite records</i>

826
01:12:15,377 --> 01:12:18,839
<i>And all the books that you read</i>

827
01:12:20,257 --> 01:12:22,759
<i>And though my soul</i>

828
01:12:22,843 --> 01:12:27,055
<i>Feels like it's been split
At the seams</i>

829
01:12:32,186 --> 01:12:35,480
<i>I'll see you in my dreams</i>

830
01:12:35,564 --> 01:12:39,610
<i>When all our summers
Have come to an end</i>

831
01:12:40,485 --> 01:12:43,322
<i>I'll see you in my dreams</i>

832
01:12:43,947 --> 01:12:47,910
<i>We'll meet and live and laugh again</i>

833
01:12:48,619 --> 01:12:51,872
<i>I'll see you in my dreams</i>

834
01:12:52,289 --> 01:12:55,584
<i>Yeah, up around the river bend</i>

835
01:12:55,667 --> 01:12:58,837
<i>For death is not the end</i>

836
01:13:00,547 --> 01:13:06,678
<i>And I'll see you in my dreams</i>

837
01:13:36,250 --> 01:13:39,044
<i>I'll see you in my dreams</i>

838
01:13:39,711 --> 01:13:43,590
<i>When all our summers
Have come to an end</i>

839
01:13:44,550 --> 01:13:47,469
<i>I'll see you in my dreams</i>

840
01:13:48,220 --> 01:13:52,099
<i>We'll meet and live and laugh again</i>

841
01:13:52,808 --> 01:13:55,769
<i>I'll see you in my dreams</i>

842
01:13:55,853 --> 01:13:59,690
<i>Yeah, up around the river bend</i>

843
01:13:59,773 --> 01:14:03,026
<i>For death is not the end</i>

844
01:14:04,611 --> 01:14:09,032
<i>And I'll see you in my</i>

845
01:14:09,116 --> 01:14:13,161
<i>See you in my</i>

846
01:14:13,245 --> 01:14:19,084
<i>See you in my dreams</i>

847
01:14:19,751 --> 01:14:20,752
<i>Oh!</i>

848
01:14:22,838 --> 01:14:27,509
<i>La, da, da, la, la, la, la, la, la</i>

849
01:14:31,180 --> 01:14:35,767
<i>La, la la, la
La, la, la, la, la, la</i>

850
01:14:39,605 --> 01:14:44,318
<i>La, la, la, la, la
La, la, la, la</i>

851
01:14:47,821 --> 01:14:55,579
<i>And I'll see you in my dreams</i>

852
01:15:01,376 --> 01:15:02,377
Nice.

853
01:15:04,213 --> 01:15:05,380
It's, uh...

854
01:15:06,173 --> 01:15:08,217
It's got that magnificence to it.

855
01:15:17,059 --> 01:15:18,352
-Steven?
-I'm good.

856
01:15:18,936 --> 01:15:19,937
-Everybody's good?
-I'm good.

857
01:15:20,020 --> 01:15:23,106
-We're good.
-All right, what can I say?

858
01:15:25,025 --> 01:15:28,028
We're taking this thing
till we're all in the box, boys.

859
01:15:31,490 --> 01:15:33,867
Till the wheels come off.

860
01:15:33,951 --> 01:15:36,328
-There you go.
-Till we're all in the box.

861
01:15:36,411 --> 01:15:41,083
All I can say is the greatest... thrill

862
01:15:41,166 --> 01:15:43,710
continues to be
that the greatest thrills in my life

863
01:15:43,794 --> 01:15:49,049
is standing behind that microphone
with-- with you guys behind me.

864
01:15:49,132 --> 01:15:52,886
This is the best playing on record,
I think--

865
01:15:53,971 --> 01:15:55,931
It's just gotten better. Blows my mind.

866
01:15:56,014 --> 01:15:59,768
To have everybody playing together
at the same time in the same room

867
01:15:59,852 --> 01:16:03,146
and to have it just come out
sounding like that.

868
01:16:03,730 --> 01:16:05,649
You know, uh, it's--

869
01:16:07,901 --> 01:16:11,113
it's just one of the deepest experiences
of my life.

870
01:16:11,196 --> 01:16:14,741
-I love all of you beyond words.
-Thank you.

871
01:16:14,825 --> 01:16:16,702
-Beyond words.
-Starts with the songs.

872
01:16:16,785 --> 01:16:18,787
It's all about the songs. Right?

873
01:16:18,871 --> 01:16:20,622
And the inspiration for those songs

874
01:16:20,706 --> 01:16:23,500
comes from what I know
you guys are gonna be playing.

875
01:16:23,584 --> 01:16:25,544
We're gonna have a lot of fun.

876
01:16:26,128 --> 01:16:29,089
Mr. Landau,
you don't do such a bad job either.

877
01:16:29,756 --> 01:16:30,591
All right.

878
01:16:31,800 --> 01:16:34,094
Sitting here and listening, you know.
It's tough work.

879
01:16:34,178 --> 01:16:35,762
-Let's do it.
-Let's do it.

880
01:16:37,139 --> 01:16:37,973
Mm.

881
01:16:51,069 --> 01:16:52,070
<i>Age.</i>

882
01:16:53,947 --> 01:16:59,620
<i>Age brings perspective
in the fine clarity one gets at midnight</i>

883
01:17:00,412 --> 01:17:05,292
<i>on the tracks looking into the lights
of an oncoming train.</i>

884
01:17:07,294 --> 01:17:09,463
<i>It dawns on you rather quickly...</i>

885
01:17:10,672 --> 01:17:13,258
<i>there's only so much time left.</i>

886
01:17:15,052 --> 01:17:19,473
<i>Only so many star-filled nights,
snowfalls...</i>

887
01:17:20,891 --> 01:17:26,063
<i>brisk fall afternoons,
rainy midsummer days.</i>

888
01:17:27,022 --> 01:17:31,944
<i>So how you conduct yourself
and do your work matters.</i>

889
01:17:33,111 --> 01:17:37,616
<i>How you treat your friends,
your family, your lover.</i>

890
01:17:38,909 --> 01:17:42,538
<i>On good days, a blessing falls over you.</i>

891
01:17:43,205 --> 01:17:45,541
<i>It wraps its arms around you,</i>

892
01:17:45,624 --> 01:17:50,504
<i>and you're free
and deeply in and of this world.</i>

893
01:17:51,213 --> 01:17:55,217
<i>That's your reward: being here.</i>

894
01:17:57,469 --> 01:18:00,305
<i>That's what gets you up
the next morning...</i>

895
01:18:01,306 --> 01:18:04,434
<i>a new chance to receive that benediction.</i>

896
01:18:05,435 --> 01:18:11,650
<i>While you're buttering your toast,
getting dressed or driving home from work,</i>

897
01:18:11,733 --> 01:18:14,361
<i>you stumble into those moments</i>

898
01:18:14,444 --> 01:18:19,700
<i>when you can feel the hand of God
gently rest upon your shoulder.</i>

899
01:18:20,701 --> 01:18:24,329
<i>And you realize how lucky you are.</i>

900
01:18:24,913 --> 01:18:27,040
<i>Lucky to be alive,</i>

901
01:18:27,124 --> 01:18:33,505
<i>lucky to be breathing
in this world of beauty, horror and hope.</i>

902
01:18:34,923 --> 01:18:39,636
<i>Because this is what there is: a chance.</i>

903
01:18:39,720 --> 01:18:44,892
<i>A world where it's lucky to love,
lucky to be loved.</i>

904
01:18:45,893 --> 01:18:49,479
<i>So you go until it fills you,</i>

905
01:18:50,272 --> 01:18:54,359
<i>until the sweat, blood and hard tears
make sense.</i>

906
01:18:54,985 --> 01:18:59,364
<i>You go until the light
from the fading distant stars</i>

907
01:18:59,448 --> 01:19:01,366
<i>fall at your feet.</i>

908
01:19:02,951 --> 01:19:06,079
<i>Go, and may God bless you.</i>

909
01:20:11,854 --> 01:20:13,647
<i>Zero's my number</i>

910
01:20:15,274 --> 01:20:17,276
<i>Time is my hunter</i>

911
01:20:19,653 --> 01:20:24,867
<i>I wanted you to heal me
But instead you set me on fire</i>

912
01:20:25,993 --> 01:20:28,078
<i>We were out over the border</i>

913
01:20:28,954 --> 01:20:31,164
<i>I washed you in holy water</i>

914
01:20:34,209 --> 01:20:38,839
<i>We whispered our black prayers
And rose up in flames</i>

915
01:20:42,551 --> 01:20:45,762
<i>Take me on your burnin' train</i>

916
01:20:47,890 --> 01:20:50,058
<i>White sun burnin'</i>

917
01:20:51,727 --> 01:20:53,187
<i>Black wings beatin'</i>

918
01:20:55,355 --> 01:20:58,859
<i>I ran my fingers 'cross
The hollow of your stomach</i>

919
01:20:58,942 --> 01:21:01,403
<i>As you lay breathing</i>

920
01:21:02,446 --> 01:21:04,448
<i>With our shared faith</i>

921
01:21:05,782 --> 01:21:08,535
<i>Rising dark and decayed</i>

922
01:21:10,746 --> 01:21:15,250
<i>Take me and shake me
From this mortal cage</i>

923
01:21:18,962 --> 01:21:22,549
<i>Take me on your burnin' train</i>

924
01:21:25,636 --> 01:21:29,806
<i>Something's shining
In the light neath your breast</i>

925
01:21:29,890 --> 01:21:34,228
<i>The thick smell of you on my chest</i>

926
01:22:11,765 --> 01:22:14,184
<i>On your bed of thorns</i>

927
01:22:14,768 --> 01:22:17,271
<i>I brought you shining gifts</i>

928
01:22:19,481 --> 01:22:25,320
<i>Wiped the sweat from your brow
And I touched your lips</i>

929
01:22:26,446 --> 01:22:28,532
<i>Sheets stained with sweat</i>

930
01:22:29,032 --> 01:22:31,994
<i>Outside the endless rain</i>

931
01:22:34,496 --> 01:22:38,917
<i>Darling, I'm blessed in your blood
And marked by Cain</i>

932
01:22:46,341 --> 01:22:50,262
<i>Take me on your burnin' train</i>

933
01:24:38,453 --> 01:24:39,621
Yeah.

934
01:24:41,707 --> 01:24:43,125
All right, this was--

935
01:24:43,625 --> 01:24:46,712
this was the first song
George and I wrote, I think,

936
01:24:46,795 --> 01:24:48,463
called "Baby I."

937
01:24:50,048 --> 01:24:53,886
<i>Baby, I don't need your tender kiss</i>

938
01:24:53,969 --> 01:24:57,639
<i>Baby, I you'll never miss</i>

939
01:24:57,723 --> 01:24:59,391
<i>Baby, I</i>

940
01:25:00,684 --> 01:25:01,685
Something.

941
01:25:16,617 --> 01:25:19,161
<i>Baby, I</i>

942
01:25:19,661 --> 01:25:21,288
<i>'Cause I got someone new</i>

943
01:25:23,165 --> 01:25:25,167
<i>Somebody better than you</i>

944
01:25:27,002 --> 01:25:29,171
<i>Somebody who'll be true</i>

945
01:25:30,756 --> 01:25:32,925
<i>Somebody better than you</i>

946
01:25:37,221 --> 01:25:39,223
I'll have to go home and practice that.