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-Browser Pone Opera pt.11-

Mar 20th, 2013
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  1. >The rest of the day goes by without anything big happening
  2. >You and Anon are both exhausted
  3. >But happy
  4. >Cuddles are happening
  5. >As well as you streaming some Deep Space Nine for you both to watch
  6. >Anon was right, it's pretty good
  7. >On a side-note, he did use a mirror to show you just how odd your eyes look when you project
  8. >But hey, sometimes freaky is cool
  9. >Speaking of freaky
  10. >You've promised Anon a roll in the hay with you as a human, as well, after the both of you get used to it
  11. >It'd be less embarrassing to get caught having sex with a gorgeous girl in public than being caught having sex with a horse in public, after all
  12. >You briefly wonder if you can be an ant-eater
  13. >Those look tailored for blowjobs
  14. >...
  15. >What happened to you, you used to be so innocent
  16. >Okay, anyway, enough of that
  17. >At the end of the day, you both snuggle into bed together
  18. >Much as you'd like to enjoy the intimacy with Anon, today's taken a lot out of you, both the transformations and the dicking
  19. >And as such, you're already asleep when your head hits the pillow
  20. >You wake up the next morning
  21. >You have no desire to open your eyes
  22. >Or get out of bed
  23. >So warm
  24. >You feel Anon's arms still embracing you
  25. >And his morning wood
  26. >You feel that too
  27. >You gigglesnort
  28. >You had failed to take that into account
  29. >Anon's still asleep though
  30. >Seems he's a heavy sleeper
  31. >You haven't the heart to wake him
  32. >You are, however, hungry
  33. >Like, starving
  34. >You kiss his cheek, then carefully slip out of his arms
  35. >He makes the most adorable and heartbreaking noise, like a kid who just lost his teddy bear
  36. >Aww
  37. >Your stomach growls and the hunger is now almost physically painful
  38. >You concentrate for a moment, then turn human
  39. >It's hard to cook when you're a little pony in a human world
  40. >Oh and hey, you managed to get clothes this time
  41. >You're not sure how
  42. >Eh, gift horses and all that jazz
  43. >You head into the kitchen, whistling a jaunty little ditty
  44. >What to eat, what to eat
  45. >Toast with jam
  46. >You'd have to be pretty dumb to fuck up toast
  47. >And as luck would have it, the toaster's still on the counter from yesterday
  48. >Plugged out, of course
  49. >You plug it back in and find a loaf of pre-cut bread, grabbing two slices and loading them into the toaster
  50. >You find the jam in the fridge
  51. >And some other toppings, mostly meat and cheese
  52. >As well as fruits and veggies, although anon has admitted those are mainly for you
  53. >You're not sure whether or not you'd be able to stand the smell of meat if you decided to make him some food he'd enjoy
  54. >Although...
  55. >Your train of thought is savagely interrupted by the slight 'ding' of the toaster
  56. >You almost jump out of your skin
  57. "W-whoa! J-jeez, never turning my back on that thing again."
  58. >You scowl at the toaster for a bit
  59. >Then you realize it might have an AI too
  60. >It's kind of like family
  61. >Can't stay mad at family
  62. >You close the fridge door, then withdraw your toast and spread jam on it
  63. >You sit down at the table and eat your toast, thinking about what Anon might like to eat that you would not retch at the smell of
  64. >Thinking of it, maybe he'd enjoy a fruit salad
  65. >It wouldn't hurt to unclog his arteries a bit
  66. >Who knows, he might even enjoy it
  67. >You finish your toast and wash your plate
  68. >You make a note that the time is 07:38
  69. >You just remembered, and it might come in handy to know
  70. >You suppose
  71. >Anywho
  72. >You fetch all the fruits in the fridge - except tomato - as well as a little bowl
  73. >You dice the fruit and put it all in the bowl, then add a fork so he won't have to eat with his fingers
  74. >You head to the bedroom
  75. >You briefly consider turning back into a pony and handing him the bowl with your teeth - it'd be less disconcerting for him to not wake up to you having switched again.
  76. >That's gotta take some getting used to
  77. >You know it's done on your part
  78. >Well..it'd be more disconcerting for him to see you collapse from exhaustion or worse due to the constant shifting
  79. >You bend down and kiss him on the lips
  80. "Morning, Anon."
  81. >You smile at him as he rubs the sleep out of his eyes
  82. >You hold out the bowl
  83. >He gives you a brief thumbs-up, then takes the bowl and starts to dig in
  84.  
  85. -You are Anon-
  86.  
  87. >So today started kind of abruptly
  88. >Suddenly Opera's out of bed, up and running
  89. >Oh and human
  90. >And making fruit salad
  91. >It's pretty good, too
  92. >She sees that you're enjoying it, and smiles
  93. >Holy shit, that smile makes you melt
  94. >You take a piece of apple between your lips and kiss her
  95. >She gives a little giggle as she sucks on it, then uses her tongue to yank it into her mouth
  96. "Heh. That's the second day in a row I wake up like this. Careful, you might just spoil me."
  97. >"I'll make sure I don't"
  98. >She laughs
  99. >"Although I might have trouble finding my inner neglectful bitch."
  100. "Inner female manifestation of emotion...have you been reading that book? The kind of bland one that caused the big porn-rush all those years ago? Fifty shades of green or something, I think. Because if you have, I might have to smack you for having bad taste."
  101. >She sticks out her tongue at you
  102. >"Oh like you've never had a guilty pleasure. Not like you fucked a horse last night or anything."
  103. >Her tone is barbed, but teasing
  104. "Okay, yeah, you got me."
  105. >You shrug and finish the last of your fruit salad, then get dressed
  106. "So...I notice we're lacking in plans for today. Any suggestions?"
  107. >"I was thinking we could go for a walk in the city, if that's alright with you. I mean, now I look, at the weirdest, like a half-hearted cosplayer."
  108. >She chuckles
  109. "Heh. Sounds like an idea to me
  110. >The two of you head out the door
  111. >It's a lovely spring day of the sort there should be more of
  112. >The temperature and humidity are nigh perfect
  113. >There's a cool breeze dancing through the air
  114. >Her hand holds yours
  115. >It's so damn soft
  116. >You walk through the suburbs, occasionally greeting a neighbour or two
  117. >They seem to like Opera
  118. >But they more often than not just fire off some courtesy phrases before going on with what they were doing
  119. >Wilson's mowing the lawn, for example
  120. >That's no lawn
  121. >It's a jungle
  122. >Eventually, you get to a park
  123. >A green little haven wher-
  124. >Opera's running off ahead
  125. >What the...
  126. >Opera, what the fuck, you're not a horse now
  127. >And transforming in public could raise more than a little suspicion
  128. >You hope she knows as much
  129. >You couldn't scream that at her
  130. >You'd look like a raving madman
  131. >And possibly reveal the whole thing
  132. >After a few laps around the park's playground, Opera seems to have gotten out a lot of energy
  133. >No more fresh air for you, missy
  134. >You sit down on a nearby bench, and pat the spot next to you meaningfully
  135. >Opera visibly gulps
  136. >Her cheeks flush
  137. >She comes over, though, and sits on your lap
  138. >"I have an inkling what you're gonna say...I think."
  139. >Goddamnit, she's got that lively glimmer in her eyes
  140. "Opera, I know you get excited easily, at least outdoors, and that running is fun. I'm not against that. I'm just against raising too much attention. You even pointed out yourself that this form is less suspicious than a white and red horse that talks."
  141. >She sighs and nods, pouting
  142. >"I know, I kind of lost control. Sorry."
  143. "Hey, I want nothing more than for you to be able to cut loose and so forth, but as of now, physical AIs are new, scary things that we humans haven't classified and categorized yet. Humans don't like the unknown because it scary. Thus, preemptive attacks. And I don't want to see you hurt."
  144. >You kiss her neck
  145. >She's caught off-guard and involuntarily gives a unladylike gigglesnort
  146. >You grin at her
  147. >"I do get what you're saying, anon, and it's very appreciated. I'm lucky to have someone looking out for me, as much as that makes me sound like a co-dependent little ball-and-chain."
  148. >The kids on the playground, you notice, are giving you weird, disgusted looks. Probably that whole kiss
  149. >One kid laughs
  150. >You can hear some buzzing, from which you can pick out the word 'cooties'
  151. >Your sides are now in orbit
  152. >Metaphorically speaking
  153. >Your laughter is contagious, and Opera joins in
  154. >After you've regained your composure, the two of you get off the bench
  155. "You ready to go somewhere else?"
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