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To Be A Star (WiP)

Jan 29th, 2014
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  1. >Night We're Going to Have to Work At This Everyday on Earth
  2. >Be Anonymous the Usher
  3. >You sweep the isle in your usual diligent manner as the sound of hooves stomping about begins to fade
  4. >The film projection disappears from the large screen before you and the lights slowly glow brighter
  5. >By the time you clean the topmost row of seats, the theatre is empty
  6. >You make your way through the seats as you pick up candy wrappers, discarded soft drink cups, and mop up questionable white stains
  7. >It is a thankless job, but you do your damnedest to make sure it is accomplished
  8. >Within the 30 minute window, you see the previews begin to roll on screen again
  9. >The standard commercials roll by that you have seen a million times before
  10. >You finish up as some awful ad featuring talking confectioneries begins playing
  11. >"When your sweet-tooth starts to ache, fix it quick with a malted shake! If your tummy's getting rumbly, grab some crunchy popcorn munchies!"
  12. >You sigh at the very sight of this terrible animation and begin to pack away your cleaning kit
  13. >Stashing all your equipment in a corner, you check the time to see that there is only one more screening for a late night movie
  14. >It is some kind of drama or perhaps a romance movie from the title, but neither one interests you
  15. >The beauty of a late night movie is that no one, pony or person, in this sleepy town ever comes in
  16. >You reserve yourself to sitting in the upper rows and relaxing your feet on the opposite chair
  17. >Tilting your hat downward, you cover your face and attempt to get in a quick nap
  18. >It is easy to filter out the surrounding noise these days as you snore lightly to yourself
  19. >The theatre becomes silent for the moment as the commercials end and you hear the faintest sound of hoof beats in the air
  20. >You quickly look up to see a grey mare trotting up the isle
  21. >There are 109 seats in this movie theatre, but she decides to sit beside you
  22. >For a moment, you just look to the mare with a pleasant smile
  23. >The lights dim and the projector begins rolling again as the movie starts
  24. >You turn your head casually towards the mare to get a better look at her features without attracting too much attention
  25. >She is grey in coat with a sugarplum coloured mane and tail
  26. >Her mane is long and wild as is her tail and her fetlocks are unshorn
  27. >As you continue to study her, the mare shifts her gaze in your direction
  28. >You pull back out of some part fear and another part respect, but you think she still saw you
  29. >"Oh, um, hey? You need something?"
  30. "Hmm, me? No, no, nothing, thanks."
  31. >You take a deep breath and relax as you try to watch the movie
  32. >As the opening credits roll, the name, "The Notebook" appears on screen and the pony beside you wiggles excited
  33. >She whispers aloud to herself as her eyes focus
  34. >"Damn it..."
  35. "I'm sorry, what?"
  36. >The mare looks to you with a little blush on her cheeks
  37. >"Sorry, said that out loud again, sorry."
  38. "No, no, you're fine. Something happen?"
  39. >The mare snaps her attention to you again
  40. >"Hmm? No, everything's fine. I just have to watch this movie -again- for class."
  41. "You're a student?"
  42. >"Yes, at the University of Manehattan. Film student."
  43. >You nod as the pony speaks quickly to you
  44. >Turning back to the movie, you watch what transpires
  45. "So... You've seen this already, but why did you come all the way out here to watch it again?"
  46. >"I like this movie theatre."
  47. >Fair enough, you think, but the travelling alone is not worth the price of admission
  48. >You return to your upright position as you begin to watch the movie
  49. >Events play by of an old man telling a story of a young couple
  50. >It is not too long before the mare beside you starts whispering again
  51. >"This shot's framed weird..."
  52. "What's that?"
  53. >She looks to you as if you were the one to start the conversation
  54. >"What's what?"
  55. "You just said the shot is framed weird, right?"
  56. >"Oh, did I? Sorry, thought bubble."
  57. >She chuckles nervously and fidgets a bit to get comfortable
  58. >The movie plays on as you try to study the mare again
  59. >Her face smirks and frowns at the movie and she occasionally chuckles, but you hardly see her looking at the movie itself
  60. >It is as if her focus is everywhere, but the movie!
  61. >"The lighting's all wrong..."
  62. >You try and see what she is looking at, but finally give up and ask
  63. "Where?"
  64. >She points with a hoof at a corner between a shot of some trees and a house
  65. >"There... It's just too dark."
  66. >You look carefully and finally catch the spot before the scene changes
  67. >The couple begins talking again, or fighting as it were, and you look to the commotion
  68. >"Dialogue's OK... Ryan Gosling at least knows how to act..."
  69. >You stare at the movie for a second and think about it
  70. >For a moment, you see the movie in a new light
  71. >Instead of seeing what the movie presents, you think about how the movie presents it
  72. "Film student, right? That's what you said earlier, yeah?"
  73. >"Hmm? Oh, yes, why?"
  74. "So, can you like watch movies or is it all just sets and lights and cameras for you?"
  75. >"I suppose I might be thinking about the production a bit... I've seen this movie already too, so it's not like the stories gripping me."
  76. "Makes sense. And, hey, I didn't get your name?"
  77. >The pony is silent for a moment before she looks away from you
  78. >"M-me? Heh, my name's Telecast."
  79. >You chuckle at pony naming conventions
  80. "Good name. I'm Anonymous, but everyone just calls me 'Anon'."
  81. >"Oh, yeah, I know."
  82. >You look about in confusion for the moment
  83. "You know? How?"
  84. >Telecast giggles at you for a second before pointing at your vest
  85. >"You're wearing a nametag, silly."
  86. >You are overcome with embarrassment for a brief moment before you let go your own laugh
  87. "I forgot all about that. Nice to meet you still."
  88. >The movie rolls on as Telecast pokes a million or so holes into the film
  89. >Her interpretation of the film leaves you smiling for the first time in a while
  90. >"It's not a bad film, it's just so obvious and predictable. They want the tear-jerker audience."
  91. "Hah, whatever makes money, right?"
  92. >"Eh, they had the star power for it. This movie got really good reviews and it was free for me anyways."
  93. >You grade this for a moment
  94. "Film students get to see movies for free?"
  95. >"Pfft, I wish. My dad owns this movie theatre, so I usually come here when I have an assignment like this."
  96. >She smiles with you as your face turns into panic
  97. >"Hey, Anon, you OK?"
  98. "Your father is Mr. Big Screen?!"
  99. >"Oh, yeah, why?"
  100. >You try to chuckle the fear away with little success
  101. "No reason..."
  102. >You thought this mare was too cute to be true
  103. >"Don't worry, I won't tell him you were slacking off and watching a movie with me."
  104. >A hoof slides over your hand as a pair of big blue eyes looks up at you in the dim light
  105. >"Thanks for letting me complain. It was a fun... date?"
  106. >With a swift motion, Telecast stands and pecks you on the cheek
  107. >She quickly nods to herself and makes haste out of the theatre
  108. >You hold a cool hand to your now warm face and watch the mare disappear into the hallway
  109. >A smile creeps along your mouth until your face begins to hurt
  110. "Yeah, good date."
  111. >You stand in your stupor a while longer until the projector falls silent
  112. >With a weak, barely audible voice, you whisper into the darkness
  113. "S-same time next w-week?"
  114. >Anon, you sly dog, you!
  115.  
  116. ------------------------------------------------------------------------------
  117.  
  118. >Day Source Material on Earth
  119. >Be Anonymous
  120. >It has been nearly a month since you last saw Telecast, but your head still rings with her voice
  121. >Your encounter was short, but you are sure she would be fun to hang out with in the long term
  122. >It helps that she was the first girl to ever kiss you, even if it was just on the cheek!
  123. >You daydream while balancing yourself on your mop before a gruff voice splits the air
  124. >”Anonymous!”
  125. >You turn quickly to see your employer, Mr. Big Screen, standing behind you
  126. >”Get those floors clean before the next screening! I don’t pay you to nap!”
  127. >With a carefully frightened step, you vigorously begin to scrub at the floor
  128. >Mr. Big Screen stands behind you for the moment and you can feel his eyes boring into you
  129. >Before too long, he walks off and you calm down enough to work
  130. >Saturday is always busy at the theatre and your boss hangs around all day to make sure the place runs like clockwork
  131. >You do not care for his micromanaging ways
  132. >The time wanes on, people come and go and, as always, the mess piles up
  133. >It is about 11 o’clock when the final rush of movie-goers ends and you move into the late night crowd
  134. >Nighttime is a strange time for a movie theatre
  135. >The crowds are made up of more relaxed people, be it by virtue of tiredness or drinking, and you enjoy seeing the lot of them amble about
  136. >You wheel your janitorial supplies out into the hallway before opening the doors for the guests
  137. >Being Saturday, certain pony films from their confusing land of Equestria get screened
  138. >While you have never really watched one yourself, you find at least 20% of any crowd is regular people
  139. >A fifth of any viewing population is pretty good, you think, as most Americans hardly find foreign films from other cultures as tolerable
  140. >You can relate; who wants to -read- a movie!?
  141. >As the crowd shuffles in, you notice a grey pony with a large straw hat on her head
  142. >Your heart thumps for the moment and you can already feel your mouth getting dry
  143. >As she approaches, your dreams are realized
  144. >Telecast stands before you in all her glory before proceeding on by without so much as a greeting
  145. >You turn and watch her walk into the dim theatre before the last few ponies enter
  146. >Closing the door, you step inside and see everyone taking their seats and settling in
  147. >A terrible idea crosses your mind to find Telecast and say, “Hello” at the very least
  148. >The previews roll as you begin to creep around the outskirt of the seating
  149. >Looking to the seats, you scan for the straw hat as best you can
  150. >It appears your almost-friend took it off, which is kind of her to other people, but leaves you guessing
  151. >You continue to search as the theatre darkens and the film begins
  152. >If anyone were to find you interrupting guests…
  153. >You shudder at the very thought of it
  154. >Pressing on in your desperation, you try to swiftly move through the aisles
  155. >The sound of music and an introduction emanate from the powerful speakers
  156. >”O’ Masters, O’ Noble Ponies, O’ Brothers! Know you that in the time of Lofty Hooves the Upright, there lived on the golden shore a pony of adventure called Sing Bad the Sailor…”
  157. >You listen only long enough to feel that you recognize this snippet when a pony whispers angrily to you
  158. >”Down in front, we’re trying to watch a movie!”
  159. >You duck out of the way and nearly crawl towards the exit
  160. >Defeated, you take your position outside the door and wait for the movie to end
  161. >Time seems to drag on as you sweep the halls and generally loaf about
  162. >As your watch strikes 12, you hear commotion from the inner chambers
  163. >You open the door and await the flood of guests into the hallway
  164. >Ponies of every colour and size stagger out as their large eyes adjust to the light
  165. >One particular pony stumbles about with their eyes twisted to either side until she knocks over a trash bin
  166. >”Oops, my bad!”
  167. >You sigh lightly and quickly pick it up
  168. >When you look back up, a grey face is set before you
  169. >Blue eyes swirl in the light and widen as they stare at you
  170. >”Hey, Anon.”
  171. >You can hardly move as Telecast holds you in her mesmerizing grip
  172. “Oh, hey! Hey, you…”
  173. >Summoning up your courage, you squeeze out the next line
  174. “What’s happening?”
  175. >Telecast backs up a bit and stands smartly
  176. >Her wide brimmed, straw hat sits to one side of her head as her ear twitches
  177. >”Oh, just watching this movie tonight. I was in town and thought you’d be here.”
  178. “Yeah, hah, I’m always working. Oh, earlier, did you hear me?”
  179. >”Hmm, yes, I did. I just didn’t want you to get in trouble. Dad always tells me not to hassle his employees while they’re working.”
  180. “Hassle? No, never, not you. So, um…”
  181. >You stutter as you try to come up with the right thing to say, but Telecast reads your mind
  182. >”So, you want to do something when you get off?”
  183. “Of course!”
  184. >Telecast cocks her eyebrow at your sudden blast of enthusiasm
  185. “I mean, ahem… Of course, I would.”
  186. >You James Bond impressions are certainly getting better
  187. >A wide grin spreads over Telecast’s face
  188. >”I don’t really have anything in mind. Want to grab some dinner?”
  189. >You have never wanted dinner so badly in your life
  190. >A quick nod and a few minutes later, you find yourself out of work and smelling of chemical cleaners
  191. >The warm night air caresses you as you emerge from the theatre for the first time in hours
  192. >Telecast trots happily beside you and the rhythmic clop of her hooves on concrete rise lightly in the stillness
  193. "So, uh... What do you guys like to eat?"
  194. >Telecast looks up at you for the moment
  195. >"Us -guys-?"
  196. "Sorry, I mean ponies! I mean, I just don't really know what ponies eat. I don't have any friends who are ponies... That's not a bad thing though! I mean, you know? Ponies, they're great! I..."
  197. >Telecast slashes her hoof in front of her mouth before smiling
  198. >"It's OK, I was only joking."
  199. >You chuckle into a downward sigh at your awkwardness
  200. >"I prefer a good salad. Not really a big eater."
  201. >You nod happily, despite having no idea what a "good" salad entitles
  202. >As you cross the parking lot, you reach in your pocket and pull out a single silvery key
  203. >The car before you is a dull orange colour, with a spot of rust or two, mismatched hubcaps, and a crack on the windshield
  204. >"Honda Civic... Nice car."
  205. "I'm saving up for a Maserati someday."
  206. >You know that someday is too distant to pinpoint on your current salary
  207. >You open the door for Telecast and she climbs in quickly
  208. "Do you... Do you ride in cars often?"
  209. >"Hmm? Oh, I suppose not in the front like this. Dad has a driver usually."
  210. >A driver, you think, must be a nice car to need to pay someone else to drive it
  211. >"This is kind of cozy though."
  212. >Your heart flutters for a moment at the compliment as you buckle your friend in
  213. >Ponies look really uncomfortable in seatbelts
  214. >The car starts with only minor coaxing from you and you begin to drive off
  215. >It does not take long until you pass a small pizzeria with their lights on
  216. >Pizza places sell salads and real food, you ponder
  217. >You pull up and free Telecast from your clunker
  218. >"The roads are pretty bumpy down here, yeah?"
  219. >You could blame the roads or the suspension as you shrug silently
  220. >The pizzeria smells heavenly as your empty stomach begins to grumble
  221. >"Oh, I didn't even think about pizza. Do I want a salad or pizza?"
  222. "Why not both?"
  223. >"Would you eat the salad with me? I don't want to waste food."
  224. >You nod at this seemingly reasonable request
  225. >The food comes in short order and you grab drinks for both Telecast and yourself
  226. >Coke, of course, for you, but Telecast requests water
  227. >Salad, water; A cheap date if ever you have heard of one!
  228. "So, um, what's college like?"
  229. >"Hmm? It's OK. A little boring some days."
  230. >Telecast takes a bite of some leafy green thing and chews modestly
  231. >"Whaf about 'oo?"
  232. >You stumble about your words for the moment
  233. "Oh, I'm still applying for college. Haven't found just the right one."
  234. >"Bummer... I'm sure you'll figure it out. I know how hard it can be for humans."
  235. >Instantly, you have your attention focused
  236. "Hard for humans? What does that mean?"
  237. >Telecast clears her mouth with a sip of water before sighing contently
  238. >"Oh, like, it is harder for humans to figure things out. Like what they are good at or even what they should do."
  239. "What's so different for ponies?"
  240. >Telecast glances back and forth for the moment, grading your reaction
  241. >"You are kind of clueless. It's cute."
  242. >You are certainly not cute and perhaps only a little clueless
  243. >The pony stands up on the cushioned seat and proudly displays her rear for you
  244. >"See my cutie mark? Humans don't get these, right?"
  245. >Her butt wags in the air and you turn your face to one side in embarrassment
  246. "Um, no, can't say we do."
  247. >Telecast sits down again and smirks at you from across the table
  248. >"Our cutie marks tell us what we are destined for... In a round about way."
  249. >You sober up and find yourself curious about this
  250. "So, like, you can only be whatever your cutie mark tells you to be?"
  251. >"More or less, but it works well for equinity."
  252. >You recognize that word from Equestria History class
  253. >It suddenly begins to dawn on you why that is mandatory in high school after all
  254. "I suppose I need to do my research better if we're going to keep hanging out."
  255. >You take a nibble at your pizza slice and look across to the intriguing pony before you
  256. >Everything is off about this situation, you think, until you get caught up in her eyes again
  257. >They are so full and vibrant that you can hardly avert your gaze
  258. >Never having grown up around ponies, it seems strange to be so comfortable around this one
  259. >"Eh, I don't really mind. Not like it matters between friends, right?"
  260. >A lump forms in your throat at the word
  261. "Yeah, I suppose you're right. To friends."
  262. >You slide your glass forward
  263. >Telecast response in kind as you toast your new found friendship
  264. >"You're kind of off from most humans I've met."
  265. "Well, I guess..."
  266. >With a sly grin, Telecast interrupts
  267. >"... I kind of like it."
  268. >You do not hesitate to take the compliment from her
  269. >A limousine pulls up outside the shop and you see a wide, tall, and generally unfriendly looking brute step out
  270. >He quickly enters the pizzeria and spots his target
  271. >"Miss Telecast, your father has sent me to take you home... It is -late-."
  272. >She sighs lightly with the chauffer and turns to you
  273. >"I had a good time even if it was short."
  274. >Telecast climbs partway over the table and presses her face into yours
  275. >A warm, fuzzy muzzle pecks your cheek before Telecast pulls back enough to see her eyes
  276. >Like the most marvelous sapphires, her wide eyes shine in the pale lighting
  277. >"Thanks for dinner."
  278. >You stumble in your trance as she separates from you
  279. "Y-you too..."
  280. >Telecast disappears into the night as you sit before a half-eaten bit of cold dough and sauce
  281. >The bliss of Telecast's affection radiates across your face until the bill is brought to you
  282. >"That'll be 8.50 plus tip."
  283. >If you were not so blindly infatuated, you would certainly have something to say
  284. >Instead, you pay the man and head off for home
  285. >As you walk to your car, you phone vibrates in your pocket
  286. >You discover a text message with a smiley face and phone number signed with "TC"
  287. "Do ponies even use phones?"
  288. >Shaking your head, you realize you need to get some professional advice
  289. >Considering the network you have, the most reasonable source for information on both the opposite gender and different species would have to be your father
  290. >This is going to suck
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