pmpt

01 — BIG-WAVE BARREL WITH A DOG ON THE BOARD
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Real surf photograph taken by a water photographer swimming inside a giant turquoise wave barrel, looking toward the opening, as a woman surfs through the tube with a dog standing on the nose of her board. She is an attractive young white woman from Portugal, 22 years old, in a deep crouch, left hand trailing along the wave wall and carving a white line of spray, right arm forward for balance.

Face: a pretty, sun-kissed face with a light scatter of freckles across her nose, wide hazel eyes focused on the exit, full lips parted, salt crystals on her eyelashes, a small faint scar on her chin. Fair, lightly tanned skin with visible pores and a wet sheen, a slight sunburn on her nose. Hair: wet, sun-bleached dark-blonde hair plastered against her neck, a few strands lifted by the wind rushing through the tube.

Outfit: a long-sleeve black springsuit with coral-pink side panels and short legs, the neoprene faded and creased; across the chest in white letters: "SALT & SINEW"; a coiled black leash attached to her right ankle. Tattoos: a thin line of waves circling her left ankle; a small sea turtle on her inner right wrist; the word "mar" in tiny script behind her right ear.

On the nose of the board: a real blue merle Australian cattle dog in a bright yellow canine life vest with a grab handle on its back, all four legs braced, wet fur clumped into spiky tufts, black-and-grey mottled coat with tan eyebrows, ears pinned back, mouth open, tongue out. Board: a 7-foot white surfboard with a red stripe down the centre, a hand-painted lightning bolt and "CARLA" written on the deck, wax bumps and small pressure dents on the deck.

Around them: the curling lip of the wave pouring over the top as a translucent curtain, sunlight shining through it in green-blue; foam, bubbles and churned sand in the water wall; a sea turtle silhouetted inside the face of the wave; a small school of silver fish faintly visible; a jet ski waiting beyond the exit; a drone hovering in the bright opening; spray mist hanging in the air.

Shot on a 14mm fisheye in a water housing, water droplets and a smear of water across the lower-left of the lens dome, 1/2500s, f/5.6. Mid-morning sun backlighting the wave, natural ocean colour, the bright exit slightly overexposed, fine grain. Looks like a real photo from a surf magazine.


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02 — FREEFALL WITH A DOG AND A CAT
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Real, unretouched action photograph taken by a professional skydiving camera flyer in freefall at 12,000 feet, shot on a helmet-mounted full-frame camera from slightly below and in front of the subject. A beautiful young Mexican woman, 24 years old, falls belly-to-earth in a stable arch, four seconds after leaving the plane, arms spread wide, knees bent at 90 degrees. Her parachute is still packed and closed on her back; her right hand reaches toward the pilot-chute handle at her hip but has not pulled it.

Her face: strikingly pretty, with high cheekbones, full lips, dark arched brows, long lashes and warm brown eyes. Warm tan skin with visible pores and a slight cold flush on her nose, fine flyaway hairs whipping across her cheek, cheeks rippling from the 200 km/h wind, mouth open in a wild, delighted laugh. Clear goggles with a blue mirrored tint, reflecting the plane above. Her hair: waist-length dark-brown hair with a single platinum streak on the left side, half of it in a loose braid that is unravelling, every strand whipping straight up and back behind her head.

Her outfit: a full-length, long-sleeved skydiving jumpsuit covering her arms and legs, teal on the torso with black side panels and orange grip pads on the shoulders and thighs, the fabric rippling violently in the wind, slightly worn and scuffed at the knees. Across the chest in bold white capitals: "KESTREL DROPZONE", with a small stitched falcon logo beneath. A sewn name tape on the left shoulder reads "XIMENA". A black harness and container with silver hardware and a red cutaway pad. A wrist altimeter on her left wrist with a large white dial, the needle pointing just under 12. Tattoos: where her right sleeve has ridden up, a fine-line tattoo of a swallow in flight on the inner forearm; behind her left ear, three tiny black dots.

On the left side of the frame, one metre from her: a real golden retriever in freefall wearing a red dog harness clipped to her harness by a short black tether. Ears flapping straight upward, lips peeled back by the wind showing pink gums, long feathery golden coat on the chest, legs and tail rippling in waves, black dog goggles strapped over its eyes. On the right side of the frame, slightly higher: a real ginger tabby cat with white paws and a white chest blaze in a tiny blue harness, also tethered to her harness. The cat wears no goggles. All four legs spread wide like a flying squirrel, short fur flattened and parted by the wind, whiskers bent backward, eyes narrowed, tail stretched straight behind.

Around them: a pair of sunglasses tumbling out of her pocket; a torn bag of gummy bears scattering sweets upward, the nearest ones slightly motion-blurred; a second skydiver in a red-and-white suit diving head-down toward them in the distance, small but anatomically correct; in the upper right, a small white twin-engine jump plane with its side door open and another jumper crouched in the doorway. Below: a patchwork of green and gold fields, a winding river, a small town, softened by blue atmospheric haze that grows paler toward the horizon; scattered cumulus clouds at their altitude, one wisp passing directly behind them.

Bright late-afternoon sun from the upper left, natural rim light on her hair and on the dog's fur, a small lens flare. 16mm wide-angle lens, 1/2000s, f/8, slight barrel distortion and faint colour fringing at the frame edges, mild sensor noise in the shadows, cloud highlights slightly clipped, natural colour straight from the camera. Looks like a real photo published in a skydiving magazine.


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03 — ROOFTOP LEAP IN THE RAIN
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Real night-time press photograph, shot from the floor of a narrow alley looking up, as a woman leaps across a three-metre gap between two old apartment rooftops in heavy rain. She is a beautiful young Chinese woman, 23 years old, with a slim athletic runner's build, caught at the peak of the jump: front leg reaching for the far ledge, back leg trailing straight, arms thrown forward, fingers spread, rain spraying off her shoulders.

Face: striking features, a sharp jawline, full lips pressed in concentration, dark almond-shaped eyes locked on the landing. Fair skin with visible pores and raindrops beaded on her cheeks, wet and catching the pink and white neon. Hair: long straight black hair in a high ponytail tied with an orange scrunchie, the ponytail flung upward and sideways by the jump, wet strands stuck to her cheek, water flicking off the ends.

Outfit: a cropped black windbreaker, unzipped, its back panel showing large reflective silver text "NIGHT SHIFT RUNNERS" catching the light; a charcoal sports top underneath; olive cargo joggers with a torn left knee, soaked dark with rain; fingers wrapped in white athletic tape, grey with grime; worn black trail shoes with neon-green laces, one lace untied and flying. A small black waist pack with a carabiner and a keychain shaped like a rubber duck. Tattoos: fine script across her left collarbone reading "keep moving"; a geometric line-work mandala on her right shoulder, half visible under the jacket.

Leaping alongside her, just ahead and lower: a lean black cat with one white front sock and a notched left ear, body fully stretched mid-jump, wet fur clumped into spiky points, tail straight back for balance, claws out toward the far ledge.

Around them: a dozen startled pigeons bursting upward from the ledge, several wings blurred; a laundry line snapped by her foot, a red shirt and a yellow towel fluttering down into the alley; a rusty rooftop water tank; a satellite dish streaked with grime; a vertical neon sign on the far building reading "HOTEL MERIDIAN" in pink, three letters dark; a police helicopter searchlight cutting a white cone through the rain from the upper right, rain streaks visible in the beam; stained concrete, rust streaks, peeling paint and moss along the ledges; a puddle on the far roof rippling.

Shot on a full-frame camera with a 24mm lens, 1/1000s, f/2, ISO 6400: visible high-ISO grain, slight motion blur on her trailing foot and the falling laundry, a few out-of-focus raindrops on the lens, natural colour from the mixed neon and tungsten light, deep shadows with real noise. Unstyled documentary photojournalism.


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04 — COLOUR FESTIVAL LEAP
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Real photojournalism image from a news agency, taken during a spring colour festival in the crowded plaza of a Mexican colonial town, as a dancer performs a grand-jeté. She is a beautiful young Mexican woman, 23 years old, a professional dancer, her body in a full front split in the air, front leg extended forward, back leg extended behind, arms thrown wide overhead, head tilted back laughing. At the peak of the leap she has just burst through a falling cloud of magenta powder.

Face: a radiant, beautiful face with large dark-brown eyes, thick lashes and a bright open smile, smudged with streaks of green and yellow powder that clings to the fine hairs on her cheeks. Warm tan skin with visible pores and a light sheen of sweat. Hair: long wavy black hair, loose, fanning out behind her with pink powder caught in the strands, a bright pink bougainvillea flower tucked behind her right ear.

Outfit: a white cotton crop top with bold hand-painted black text reading "PURO COLOR" on the first line and "SIN REGLAS" beneath, splattered and stained with powder; a long white tiered skirt with a band of colourful embroidered flowers at the hem, flaring out in a full circle, the hem dusty and creased; bare feet with powder on the soles; a thin silver anklet on each ankle. Tattoos: fine-line wildflowers winding from her left wrist up her forearm; a small sun on the outside of her right ankle.

Below her: a real scruffy tan street dog covered in patches of pink and blue powder, front paws off the ground, barking up at her, tongue out, tail wagging into a blur. Around them: five children aiming plastic water pistols, streams of coloured water arcing through the air; a brass band in red jackets playing in the background, a tuba and a trumpet catching the sun; clouds of orange, magenta, green and violet powder thrown by the crowd, soft and diffuse at their edges; strings of cut-paper banners fluttering overhead; flower petals falling; a balloon of blue water bursting against a wall; painted colonial buildings in yellow, terracotta and cobalt with chipped plaster and wrought-iron balconies crowded with people throwing colour downward; a church bell tower in the background.

24mm lens, 1/2000s, f/5.6, bright midday sun with hard shadows and slightly blown highlights on the white clothing; some powder particles motion-blurred, a haze of coloured dust softening the crowd behind her; natural colour straight from the camera, real skin and fabric texture, fine grain.


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05 — SNOWBOARDING AHEAD OF AN AVALANCHE
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Real action-sports photograph taken by a photographer on the slope below, as a snowboarder launches off a wind lip with an avalanche crashing down the mountain behind her. She is a beautiful young Japanese woman, 24 years old, airborne about two metres high, knees tucked, right hand grabbing the toe edge of her board, left arm flung out, torso twisted to look back over her shoulder at the slide.

Face: delicate features visible below the goggles, cheeks flushed red from the cold, chapped lips in a determined grin, a small beauty mark above her lip, visible pores and a few snow crystals on her skin. Goggles with a gold mirrored lens reflecting the white avalanche cloud. Hair: a long black braid trailing out from under her helmet, flicking upward with ice crystals frozen into it.

Outfit: an oversized burnt-orange shell jacket with grey taped seams, faded and scuffed, the back reading "NO FRIENDS ON POWDER DAYS" in black block letters; navy bib pants with a patched knee; a white helmet covered in scratched stickers, including a red sun, a cartoon rice ball and a sticker reading "FUJI BACKCOUNTRY CLUB"; black mittens; an avalanche backpack with its red trigger handle on the shoulder strap. Snowboard: a matte black board with a white mountain-line graphic, snow spraying off its edge.

Running beside her, half buried in powder: a real grey-and-white Siberian husky with one blue eye and one brown eye, thick double coat dusted with snow, ice balls clumped in the fur on its legs and belly, mouth open, breath steaming, a red avalanche transceiver clipped to its collar.

Behind them: a massive powder cloud billowing down the mountain, soft and diffuse at its edges, chunks of snow slab tumbling, two pine trees snapping under the flow, a black raven flapping away. A rescue helicopter far off against the sky.

35mm lens, 1/3200s, f/8, high-altitude sunlight, a deep blue sky with the slightly uneven darkening a polarising filter gives a wide lens, sun glints in the snow, slight motion blur in the spray off her board, fine grain, natural colour.


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06 — KITCHEN CHAOS WITH A WOK FLAME
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Real editorial photograph taken inside a busy working restaurant kitchen during dinner service, at the instant a young head chef tosses a carbon-steel wok and a one-metre column of orange flame rises. She is a beautiful young Korean woman, 27 years old, standing at the wok station, body twisted, right arm extended as the wok jerks upward. Fried rice, prawns, scallions and egg are airborne in a wide arc above the pan.

Face: striking, with sharp cheekbones, focused dark eyes, dark red lipstick, a thin silver hoop in her left ear, sweat on her forehead and upper lip, visible pores, a little flushed from the heat. Hair: black hair in an undercut, the long top section tied back under a black bandana with a white paisley pattern, one damp strand fallen across her forehead.

Outfit: a white chef jacket with sleeves rolled to the elbows, a few sauce splashes on the front, embroidered in red script on the chest: "Chef Ha-eun · Lantern House"; a dark denim apron with small burn marks and a folded towel tucked into the waist; black non-slip shoes. Tattoos: a full sleeve on her right arm with koi fish, red peonies and waves; on the left forearm, a single green chili pepper and a small kitchen knife.

Chaos around her: a real tabby cat with a striped grey-brown coat and white belly has leapt through the service window onto the counter, paws splayed, knocking over a bag of flour that bursts into a white cloud; an egg falling mid-air, its shell cracking; a chef's knife sliding off the edge of a scarred cutting board; steam rising from a large stockpot; a line cook ducking with a tray of dumplings held high; a rail of order tickets in the background with handwritten tickets, one clearly reading "TABLE 7 — 2 × KIMCHI FRIED RICE, NO PEANUTS"; hanging copper pans swinging; a string of drying red chillies; grease spatter and fingerprints on the stainless steel, worn tiles behind the stove.

Shot handheld at counter height on a full-frame camera, 24mm lens, 1/1000s, f/2.8, ISO 3200: slight motion blur on the outer edge of the flying food and the cat's tail, warm flame light on her face against greenish fluorescent overhead light, steam softening the background, visible grain, natural colour. Unstaged documentary feel.


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07 — ZERO GRAVITY ON A SPACE STATION
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Real onboard photograph taken by a crew member with a handheld camera and flash inside a cluttered, lived-in space station module, as a young astronaut does a forward somersault in zero gravity to catch a floating sphere of water before it drifts into equipment. She is an attractive young white woman from Sweden, 27 years old, body curled mid-rotation, one foot hooked in a handrail strap, both hands reaching forward, lips pursed to blow the water toward her.

Face: attractive, with high cheekbones, clear blue-grey eyes, a light dusting of freckles, full lips and an amused smile, fair skin with visible pores and slight puffiness from weightlessness. Hair: very long platinum-blonde hair floating freely around her head in a wide, slowly swirling fan, individual strands drifting in every direction, a few tiny water droplets caught in it.

Outfit: a navy blue polo shirt, a little creased, with a round mission patch on the left chest reading "ORBITAL HABITAT ARGO · EXPEDITION 14" around a stitched image of a ship; grey cargo pants with velcro pads on the thighs, a tablet strapped to her left thigh showing a checklist; white socks with grip dots; a small silver crescent-moon pendant floating up from her neck on a chain. Tattoo: a constellation of seven stars on her inner left wrist.

Floating beside her: a real large Maine coon cat with brown tabby fur, its long fur fanned out in all directions in weightlessness, tufted ears, a huge plume of a tail drifting, paws batting at a smaller water bubble, eyes wide.

Floating around them: a wobbling water sphere the size of a fist with the module's lights refracted upside down in it; a burrito with a bite taken out of it; a pen, a wrench and a roll of grey duct tape; a cluster of tiny water droplets; a laptop velcroed to the wall; panels covered in bundled cables, switches, handwritten labels and strips of tape, scuffed and fingerprinted from daily use; a cupola window in the background showing the curve of Earth with clouds over a blue ocean and the edge of a sunrise.

16mm lens, f/5.6, on-camera flash: hard flash highlights on her face and the water sphere, flash falling off into shadow toward the back of the module, the window and Earth slightly overexposed, mild grain, natural colour. Looks like real space agency photography of daily life on board.


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08 — DESERT RALLY JUMP WITH A FALCON
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Real rally press photograph taken by a photographer lying at the base of a giant sand dune, as a rally motorcycle flies over the crest at golden hour with a falcon flying alongside. The rider is a beautiful young Mexican woman, 24 years old, standing on the pegs as the bike flies, arms bent, gripping the handlebars, body leaning forward, the bike tilted slightly nose-up.

Face: visible inside an open-face helmet, with warm tan skin, sharp dark brows, large dark-brown eyes and a determined smile, visible pores, sweat and a dusting of sand on her skin, a sand-coloured scarf pulled down to her chin. Goggles with a smoky lens, scratched and dusty. Hair: a long dark-brown braid flying out from under the back of the helmet, dusted with sand.

Outfit: a sand-and-blue rally jersey with the race number "217" printed large on the back and front, sponsor text reading "SAHARA LINE RALLY" across the shoulders, stained with dust; black rally pants with knee armour; tall white motocross boots with buckles, scuffed brown with sand; a hydration pack with a tube clipped to her chest strap; gloves with blue knuckle guards. Tattoos: a fine geometric line pattern on the back of her left hand where the glove has slipped down; a tiny hummingbird under her right ear.

Motorcycle: a white-and-blue rally bike with a tall windscreen, a navigation tower full of screens and a paper roadbook, fuel tanks on both sides, the number "217" on the front plate, dust caked in every crevice, the rear wheel throwing a long arc of sand.

Flying alongside, at the same height: a real peregrine falcon with slate-grey back feathers, a barred cream chest, a dark moustache stripe, yellow cere and feet, wings fully spread, primary feathers fanned out.

Around them: a plume of sand trailing behind the bike, a plastic water bottle flung loose and tumbling; a camel caravan with four camels and two riders in indigo robes in the valley below, softened by dust; a support truck with a roof rack of spare tyres racing along a distant track; a camera drone hovering; dune ridges stretching toward the horizon.

70–200mm lens at 135mm, 1/2000s, f/5.6: slight motion blur on the spinning wheels and the falcon's wingtips, heat haze shimmering along the horizon, a few grains of sand on the lens, low golden sun from behind rim-lighting the sand plume and the falcon's feathers, natural colour, fine grain.


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09 — JAPANESE SCHOOL GIRLS WALKING HOME
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This low quality photo shows three cheerful Japanese high-school girls with a slightly gyaru-influenced appearance. They should look like naturally attractive Japanese high-school students who could genuinely exist in real life.

Give each girl an individual face, hairstyle, and body type. Avoid faces that look excessively model-like or perfected. Avoid similar-looking faces, heavy makeup, or deliberate poses.

The three girls should be naturally walking together, chatting and laughing as they head home from school.

Give each person slightly different expressions and body movements.

Show recognizable details of a Japanese residential school-route environment: residential walls and fences, plants, the fence surrounding school grounds, utility poles, overhead wires, and distant buildings.

Make the photography feel like imperfect smartphone photography.

2005 MySpace photo, cheap digital camera, direct on-camera flash, dark indoor room, red-eye tendency, awkward casual framing, slightly tilted camera, low resolution, heavy JPEG compression, oversharpening, noisy shadows, blown flash highlights, amateur party photo, early social media upload, 600-pixel-wide web image.