Advertisement
desvoeuxensis

#bookclub 20170603

Jun 3rd, 2017
602
0
Never
Not a member of Pastebin yet? Sign Up, it unlocks many cool features!
text 40.95 KB | None | 0 0
  1. ******************
  2. 11:43:22 ** START OF BOOKCLUB **
  3. 11:43:26 **************************
  4. 11:43:29 oh well
  5. 11:43:33 D<desvoeuxensis> lol
  6. 11:43:39 G<~grokefeller> groke my ascii art keeps degenerating
  7. 11:43:53 D— desvoeuxensis pats grokefeller.
  8. 11:43:59 G<~grokefeller> groke thank you
  9. 11:44:17 so everyone, what did you think of the story briefly?
  10. 11:45:25 H<HeatherRhodes> need for survival makes pretty things ugly
  11. 11:45:30 G<ghost_girl> Ok I just finished :D
  12. 11:46:40 J<jfoifs> i thought it was pretty cute
  13. 11:46:50 G<~grokefeller> groke I don't know about you, but since I started bookclubbing, I've had this standard assumption that most stories are some sort of parable or analogy and in this case I kept wondering what's the analogy here, I guess one could say it stimulated my imagination.
  14. 11:47:13 H<HeatherRhodes> adam and eve
  15. 11:47:16 X<xDominik> i was wondering if i could randomnly go to a dessert
  16. 11:47:23 H<HeatherRhodes> the narrator mentions it in the story
  17. 11:47:40 G<ghost_girl> Well its sort of saying that art is a living thing, open to interpretation and in trying to strictly control it we keep it from evolving
  18. 11:47:49 But it always will evolve
  19. 11:47:52 X<xDominik> and accidently dig out some old ass music records an excentric scientist digged in
  20. 11:48:07 :D
  21. 11:48:18 D<desvoeuxensis> Initially I found it a bit frustrating, because it was so short and the scientific method bothered me and idk how interested I am in the culture vs survival ideas. But then inex got me engaged in the whole idea of how individual our personal perception of music is and that fascinated me more.
  22. 11:48:59 X<xDominik> or old ass books
  23. 11:49:09 D<desvoeuxensis> I agree with that ghost_girl
  24. 11:49:11 X<xDominik> basically anything that you couldnt save 100 hears ago that easily
  25. 11:49:13 H<HeatherRhodes> dick's science fiction doesnt focus at all in the technical aspects of technology
  26. 11:49:20 D<doru> It actually reminded me of myself. I love to improvise on the piano(freestyle it on top of other repertoire pieces) and mom is FOREVER asking me to record my notes so I'll remember them later. But NO, I get so engrossed that I complete my forget about notating. I end up losing so many cool tunes and rhythms. What they're doing here is great in spirit but seems too implausible. The author makes no attempt to make this machine sound
  27. 11:49:20 realistic at all. I believe this is called Deus ex machina - basically a miracle which magically solves the problem at hand and ties all loose ends. And there is no mention of how the animals and their behaviour mimic the subtleties(articulation, dynamics and phrasing) of the original work which make some wonder how helpful this is in safekeeping works of art.
  28. 11:49:31 G<~grokefeller> groke HeatherRhodes, i see no explicit reference to adam and eve
  29. 11:50:08 D<desvoeuxensis> The idea of freezing music in one form seems a bit silly to me, as it is the job of individual musicians to interpret music as they perform it, and then the job of listeners to interpret it some more and etc etc. So how can a machine interpret something into its true form?
  30. 11:50:35 I would have liked the mozart bird to have been dropped right back into the machine immediately to see if it came out the same as its original form. WHo is to say the machine did it right to begin with - evolution aside.
  31. 11:50:41 G<~grokefeller> groke ghost_girl, are you sure it's art and not more generally about culture, norms and so on
  32. 11:50:41 H<HeatherRhodes> grokefeller: yes, my mistake... he just mentions god's frustration at his living things
  33. 11:50:46 D<doru> Music afficionados are always going on about a canon interpretation
  34. 11:50:47 D<desvoeuxensis> This "scientist" was so bad at his job
  35. 11:50:53 D<doru> "Standard"
  36. 11:51:00 X<xDominik> its not freezing but preserving
  37. 11:51:28 D<doru> For example, people regard Rubinstein's interpretation of Chopin's Fantaisie-Impromptu as the THE best one.
  38. 11:52:11 G<~grokefeller> groke yeah doru the details are hand-waved away here heh
  39. 11:52:15 D<doru> So while people might want to play it a different way or create another arrangement, those are all based on the original manuscript
  40. 11:52:23 Lampshaded
  41. 11:53:15 G<~grokefeller> groke doru, do you play classical music on the piano?
  42. 11:53:16 D<doru> All in all, it seems like a very thin plot
  43. 11:53:27 H<HeatherRhodes> i liked the ending
  44. 11:53:30 X<xDominik> but how do you feel if you think you are the last person to ever listen to that sound or see that picture?
  45. 11:53:36 H<HeatherRhodes> the bug is building somethin
  46. 11:53:39 G<~grokefeller> groke ending was good with the beetle
  47. 11:53:46 ⇐ Jam quit (uid95858@truly.outrageous) Quit: Connection closed for inactivity
  48. 11:53:49 D<desvoeuxensis> Your example is really good, doru - of your mom wanting you to keep your notes on your improvisation, but you just feeling too sucked up in creating. I found myself really captivated by the question of how important it was to "preserve" works of genius (as decided by anyone) when the drive to create music is so intrinsic and unkillable in us as a species.
  49. 11:54:07 D<doru> Conflict - Music will be lost forever
  50. 11:54:07 Solution - A machine that prevents it perfectly
  51. 11:54:14 G<ghost_girl> Hmm I guess even if he was talking culture and norms the point is it doesnt make sense to stop things from evolving by trying to freeze them
  52. 11:54:27 G<~grokefeller> groke the ending hinted that from chaos there came something mysterious and novel
  53. 11:54:33 G<ghost_girl> There is no way as long as anything is alive
  54. 11:54:40 To keep things still
  55. 11:54:47 D<desvoeuxensis> I think that speaks to what ghost_girl was saying too - that music is ever-evolving, and so even if we lost all the manuscripts, they would ultimately still be a part of contemporary music... b/c music is always building on itself
  56. 11:54:53 H<HeatherRhodes> ghost_girl: but the things hes trying to preserve are already freezed
  57. 11:55:03 D<doru> Precisely desvoeuxensis
  58. 11:55:13 X<xDominik> i didnt understand the ending with the beetle
  59. 11:55:19 G<~grokefeller> groke yes ghost_girl
  60. 11:55:20 X<xDominik> cause bach is really chaotic
  61. 11:55:20 D<doru> Nothing right now isn't derivates in some form
  62. 11:55:25 *derivative
  63. 11:55:29 X<xDominik> afaik
  64. 11:55:35 D<doru> My music teacher told me this explicitly.
  65. 11:56:08 G<ghost_girl> The ending is a beetle that started making its own art
  66. 11:56:14 D<doru> Music has never really stagnated.
  67. 11:56:15 X<xDominik> oh
  68. 11:56:15 D<desvoeuxensis> lol I really liked that beetle ending. But it was the Beethoven beetle, not the Bach one. The fact that his little house had a door was so ominous. It made me think that the music animals had perhaps a much higher intelligence than natural animal species.
  69. 11:56:20 X<xDominik> i didnt read it so much tbh
  70. 11:56:31 i just flew over it vecause i thought i only had half an hour
  71. 11:56:49 because i forgot about the bookclub again
  72. 11:57:00 D<desvoeuxensis> It was like Dick just gave us one more extra mide game
  73. 11:57:05 mind*
  74. 11:57:12 G<~grokefeller> groke music people, did the animals somehow resemble the music they were representing?
  75. 11:57:30 D<doru> They should have, grokefeller
  76. 11:57:32 H<HeatherRhodes> yes, they somehow did
  77. 11:57:36 G<ghost_girl> The wagner animal made me laugh
  78. 11:57:37 D<doru> But the details weren't made clear
  79. 11:58:04 X<xDominik> till today i never read a single work from that dick
  80. 11:58:11 D<desvoeuxensis> jfoifs and I talked about that a bit - how the Wagner animal was a selfish survivalist like Wagner himself and got into quarrels with other musicians and had an aggressive nature
  81. 11:58:26 J<jfoifs> the brahms animal avoided the wagner animal because brahms and wagner had a really bitter back-and-forth in the music press during their day
  82. 11:58:29 G<~grokefeller> groke first day xDominik got dick
  83. 11:58:42 X<xDominik> ^
  84. 11:58:53 G<~grokefeller> groke and he liked it
  85. 11:58:59 D<doru> And Beethoven was blind in his prime, so perhaps he liked the solitude of his own home
  86. 11:59:02 X<xDominik> would recommend
  87. 11:59:04 H<HeatherRhodes> what about the other dick's story you read, was that one similar to this one?
  88. 11:59:08 G<ghost_girl> Wagner was a pretty huge anti-semite as well, and sort of inspired some nazi ideas
  89. 11:59:21 D<desvoeuxensis> I thought the Mozart bird was a bit pedantic for Mozart
  90. 11:59:28 J<jfoifs> beethoven was deaf, not blind
  91. 11:59:30 G<ghost_girl> Hence his violent nature
  92. 11:59:40 D<desvoeuxensis> His music is so exhuberant and playful - not like a sweet little bird
  93. 11:59:47 G<~grokefeller> groke oh i didnt know that about wagner
  94. 11:59:54 and brahms
  95. 11:59:59 D<doru> Again, I would have preferred a long flrm version of this
  96. 12:00:15 Aren't birds playful too?
  97. 12:00:20 H<HeatherRhodes> desvoeuxensis: maybe the animal just represents one piece, not all his works
  98. 12:00:22 D<doru> The Magic Flute
  99. 12:00:26 G<~grokefeller> groke HeatherRhodes, no i dont think it was very similar really
  100. 12:00:28 D<doru> I doubt it HeatherRhodes
  101. 12:00:31 D<desvoeuxensis> Right, HeatherRhodes - good point.
  102. 12:00:33 X<xDominik> i didnt get any analogys to the artists tbh
  103. 12:01:01 if there were any but im pretty sure there were
  104. 12:01:03 D<doru> No no no eiat
  105. 12:01:04 Wait
  106. 12:01:09 You're absolutely right HeatherRhodes
  107. 12:01:10 D<desvoeuxensis> There is this silly youtube video about this story that plays the pieces referenced in the book with images of the animals described (or similar types of animals) and it's actually kinda fun to watch
  108. 12:01:20 D<doru> The Bach bugs represented a fugue
  109. 12:01:32 You're spot on
  110. 12:01:52 I thought each animal encompassed the overall style of each artist
  111. 12:01:57 What do you think, jfoifs?
  112. 12:02:25 G<~grokefeller> groke oh i missed that video
  113. 12:02:31 D<desvoeuxensis> Well he said that all the Bach beetles were for the 48 preludes and fugues
  114. 12:02:41 → HeatherRhodes1 joined (~qwebirc@B13E81CB.BCD4B8EC.773207BA.IP)
  115. 12:02:43 D<desvoeuxensis> And they were all different sizes and slightly different
  116. 12:02:46 wb HeatherRhodes
  117. 12:02:49 err
  118. 12:02:51 J<jfoifs> well, i didn't think there was any direct resemblance between the animals and works/composers
  119. 12:02:52 D<desvoeuxensis> or additional heather
  120. 12:02:53 G<~grokefeller> groke wb HeatherRhodes1
  121. 12:03:05 H<HeatherRhodes1> thanks
  122. 12:03:21 J<jfoifs> i don't know much about animal behavior though, except for cats
  123. 12:03:44 H<HeatherRhodes1> why did the machine fail?
  124. 12:03:51 D<desvoeuxensis> Yeah, I felt that even if we said it was about a specific prelude, we might all perceive it to be a different animal
  125. 12:04:17 G<ghost_girl> Because its a failed concept :P
  126. 12:04:23 ⇐ HeatherRhodes quit (~qwebirc@B13E81CB.BCD4B8EC.773207BA.IP) Ping timeout: 240 seconds
  127. 12:04:24 D<doru> Sorry yes jfoifs
  128. 12:04:35 I meant to say hearing impaired
  129. 12:04:41 Not visually impaired
  130. 12:05:35 Why couldn't he have charaterized the animals in more detail...
  131. 12:05:43 G<ghost_girl> My brotger sort of studies culture as his work. Mainly he studies subcultures in certain parts of a city
  132. 12:05:47 D<doru> Characterised
  133. 12:05:52 G<ghost_girl> London for a long time
  134. 12:05:55 D<doru> Mhm, ghost_girl
  135. 12:06:12 G<ghost_girl> And one of tge thing he notes is that
  136. 12:06:56 If you took the same exact thing and placed it in different parts of tge world it becomes different in each part
  137. 12:07:20 Like a type of mysic
  138. 12:07:28 *music
  139. 12:07:51 D<desvoeuxensis> Well the question that he proposes in the story is: what is a good survival mechanism for an animal to have? And I think from that leads the question - what survival mechanisms does music have. I think music has pretty good survival ability as a whole - much like a virus that gets into peoples systems. And changes how they think and feel, and that they can't forget.
  140. 12:07:57 D<doru> Just like loanwords, then, ghost_girl
  141. 12:08:01 G<ghost_girl> Because people that band together will change it or themselves
  142. 12:08:02 G<~grokefeller> groke oh so it adapts like in the story
  143. 12:08:13 dick was right again
  144. 12:08:42 G<ghost_girl> Accents of the same language for example
  145. 12:08:47 Or dialects
  146. 12:08:49 D<doru> So do you think that the perceived "distortion" in the music was a metaphor for music to evolve or do you think it was introduced by the machine?
  147. 12:08:59 D<desvoeuxensis> That's interesting, ghost_girl... I was kinda thinking something similar. Because even playing the same piece on a different instrument makes a dramatic change.
  148. 12:09:12 D<doru> Yeag
  149. 12:09:13 Yeah
  150. 12:09:13 G<ghost_girl> Yeah
  151. 12:09:50 D<desvoeuxensis> I think what Dick intended was certainly that music, like all things, is changed by exposure to a different environment, as ghost_girl says
  152. 12:09:51 G<~grokefeller> groke i thought it was metal or such the distortion
  153. 12:10:19 G<ghost_girl> But even just time
  154. 12:10:19 D<doru> Or course, desvoeuxensis, but then we lose track of the original and virus strains(modifications) affect our memory of the original thing.
  155. 12:10:30 G<ghost_girl> Or different people
  156. 12:10:39 H<HeatherRhodes1> i noticed that the story is very pessimistic... about the future, about what life does to pretty things - it makes them ugly
  157. 12:10:58 D<doru> Just like how a remix sometimes becomes even more popular than the original song, which then fades into the background.
  158. 12:11:08 And is soon forgotteb
  159. 12:11:12 G<~grokefeller> groke guys i have the ultimate question
  160. 12:11:12 D<doru> Forgotten
  161. 12:11:17 G<~grokefeller> groke listen guys
  162. 12:11:21 guys
  163. 12:11:26 H<HeatherRhodes1> someone more optimistic could have make the transformation of the animals as something that added to their beauty
  164. 12:11:30 D<doru> HeatherRhodes1: Pooh. Nice catch
  165. 12:11:30 G<~grokefeller> groke what is the oldest known song?
  166. 12:11:34 D<doru> *Oooh
  167. 12:11:39 D<desvoeuxensis> Perhaps we do, doru. But does a different interpretation of a musical piece really lose it. Like when a bit of jazz is incorporated into some industrial music, do we lose our memory of what the original piece was and what it meant? Or is it like a new memory is linked to the original memory?
  168. 12:11:54 D<doru> grokefeller: Define song
  169. 12:12:02 G<ghost_girl> Probably some eastern chant
  170. 12:12:05 H<HeatherRhodes1> some hymn
  171. 12:12:08 D<desvoeuxensis> I feel like musical interpretations are more like a network of ideas than one animal eating another
  172. 12:12:14 D<doru> Most likely religious
  173. 12:12:15 G<~grokefeller> groke HeatherRhodes1, maybe it was that doc and his friend were old and old people always think the new stuff is bad
  174. 12:12:27 doru, the oldest melody
  175. 12:12:28 D<doru> ^^ That happens
  176. 12:12:30 Gen gap
  177. 12:12:33 D<desvoeuxensis> I read that Dick was elitist about music and he himself wasn't into non-classical music
  178. 12:12:33 H<HeatherRhodes1> grokefeller: yes
  179. 12:12:37 you're right
  180. 12:12:44 D<desvoeuxensis> So it's a bit autobiographical in that sense
  181. 12:12:50 J<jfoifs> the epitaph of seikilos is the oldest complete score found
  182. 12:13:00 that we can recognize as music
  183. 12:13:05 D<doru> desvoeuxensis: Perhaps not totally lose it, but over time, you begin to think that the jazz solo was ALWAYS part of the so g
  184. 12:13:08 *song
  185. 12:13:28 Sounds Greek, jfoifs
  186. 12:13:33 J<jfoifs> yes it is
  187. 12:14:03 D<doru> How old is it?
  188. 12:14:08 J<jfoifs> ancient greek
  189. 12:14:11 D<desvoeuxensis> Well the interesting thing was that Labyrinth was able to recognize the animals despite their changes, and I think that's true of musical evolutions. It made less sense to me that when he put it back through the machine it just sounded alien. It should have sounded like a different sort of Bachy thing.
  190. 12:14:12 J<jfoifs> i forget how old it is
  191. 12:14:14 G<ghost_girl> Greek is too new
  192. 12:14:17 G<~grokefeller> groke can one play it jfoifs ?
  193. 12:14:23 like on piano
  194. 12:14:25 J<jfoifs> yeah it's been notated out
  195. 12:14:26 G<ghost_girl> It would have been before then
  196. 12:14:58 D<doru> desvoeuxensis: Correct.
  197. 12:15:32 G<~grokefeller> groke yeah desvoeuxensis
  198. 12:16:03 D<doru> I just googled
  199. 12:16:14 There's a Sumerian hymn from 1400 BC
  200. 12:16:22 Older than ancient Greek apparently
  201. 12:16:45 G<~grokefeller> groke epitah is date from 200 BC to 100 AD
  202. 12:16:48 dated
  203. 12:16:49 D<doru> Anyway - doesn't matter so much
  204. 12:16:51 http://www.openculture.com/2014/07/the-oldest-song-in-the-world.html
  205. 12:17:03 G<ghost_girl> Sumerian sounds about right
  206. 12:17:41 G<~grokefeller> groke The Seikilos epitaph is the oldest surviving complete musical composition, including musical notation, from anywhere in the world
  207. 12:18:17 so to conserve music its best to carve it into stone
  208. 12:18:39 J<jfoifs> lol
  209. 12:18:45 D<doru> Meh
  210. 12:18:55 G<ghost_girl> Or eat it!
  211. 12:19:02 D<doru> I'm sure either isn't one size fits all
  212. 12:19:06 *it isn't
  213. 12:19:09 Forget the either
  214. 12:19:25 D<desvoeuxensis> One thing that interested me is whether the machine might have gotten the interpretation right. Like, maybe the true essence of the musical pieces was honestly revealed in their animal nature - ferocities, tenacities, irritabilities, seductions, that we weren't completely cognizant of. To what degree to we even know the nature of music and its personality and abilities?
  215. 12:19:57 J<jfoifs> that's a good point
  216. 12:20:21 D<desvoeuxensis> Maybe if there was a machine that was super good at its preserving job, we would be surprised by what was revealed, when we saw the music in a different form and light.
  217. 12:20:38 D<doru> Unfortunately we don't know
  218. 12:20:45 J<jfoifs> there are areas of the brain that can be damaged and cause a condition called amusia, which is the inability to process music
  219. 12:20:50 D<doru> They've left it quote abruptly - in the true spirit of a short story
  220. 12:20:52 J<jfoifs> where it just sounds like a terrible din
  221. 12:20:53 D<desvoeuxensis> We think of the songs as pretty noises, sometimes, but they express the intention and nature of the artists behind them.
  222. 12:20:57 D<doru> *quite
  223. 12:21:05 D<desvoeuxensis> Fascinating, jfoifs
  224. 12:21:09 G<~grokefeller> groke never heard of that before jfoifs
  225. 12:21:14 D<doru> Undoubtedly
  226. 12:21:29 It is another form of expression
  227. 12:21:31 D<desvoeuxensis> Kinda like the aphasia except with music
  228. 12:21:40 G<ghost_girl> :(
  229. 12:21:51 D<desvoeuxensis> Music is a language, so that makes sense
  230. 12:21:59 whoops jinx doru
  231. 12:22:07 D<doru> Haha :)
  232. 12:22:10 D<desvoeuxensis> :)
  233. 12:22:16 G<~grokefeller> groke :)
  234. 12:22:30 J<jfoifs> brb
  235. 12:22:36 G<~grokefeller> groke guys listen
  236. 12:22:49 D<doru> We'll miss you jfoifs
  237. 12:22:55 G<~grokefeller> groke if you got to conserve one thing into 2000 years from now
  238. 12:22:59 what would you pick
  239. 12:23:44 D<doru> How about the the wikimedia project
  240. 12:23:52 G<ghost_girl> Smells like teen spirit. Or probably a Cure song.
  241. 12:24:09 D<desvoeuxensis> The Svalbard Global Seed Vault is what is most important to me.
  242. 12:24:13 G<~grokefeller> groke the Brothers Karamazov
  243. 12:24:20 D<doru> Yeah?
  244. 12:24:45 G<~grokefeller> groke why wikimedia and not wikipedia?
  245. 12:24:54 D<doru> Wikipedia is a subset of Wikipedia
  246. 12:25:00 G<~grokefeller> groke oh
  247. 12:25:08 D<doru> Dictionaries, textbooks, encyclopedias and tons more
  248. 12:25:14 G<~grokefeller> groke got it
  249. 12:25:48 D<doru> Basically knowledge
  250. 12:26:14 Knowledge is always useful
  251. 12:26:22 G<~grokefeller> groke crafts
  252. 12:26:37 D<doru> Not trying to argue
  253. 12:26:42 G<~grokefeller> groke yeah
  254. 12:27:01 other thoughts?
  255. 12:27:05 on anything
  256. 12:27:11 D<desvoeuxensis> I also thought his portrayal of Doc Labyrinthe himself was kinda interesting
  257. 12:27:14 D<doru> But we don't know, for example, if there willever be conditions to germinate preserved seeds for example
  258. 12:27:17 D<desvoeuxensis> He went through such pains to describe him as a weirdo
  259. 12:27:22 It was like he was making fun of him teh whole time
  260. 12:27:33 even his basic goal he mocked "like most people who read a great deal and who have too much time on their hands, had become convinced that our civilization was going the way of Rome."
  261. 12:27:58 I think Dick was definitely trying to point out to us how laughable it is for us to exalt "master works of art" and to try and hang onto anything
  262. 12:28:11 And maybe this is because Dick was so interested in perception and illusion
  263. 12:28:35 D<doru> Yeah he was certainly judgy
  264. 12:28:39 D<desvoeuxensis> Maybe to him master works were an illusion but also fatalistic fears were equally a matter of perception
  265. 12:29:08 ⇐ HeatherRhodes1 quit (~qwebirc@B13E81CB.BCD4B8EC.773207BA.IP) Ping timeout: 240 seconds
  266. 12:29:18 D<desvoeuxensis> So it's almost like he is saying that all of reality is just a matter of your perception and who knows what it is best to perceive and we should all just enjoy it as best we can
  267. 12:29:32 D<doru> Is he?
  268. 12:29:38 Then why try to preserve
  269. 12:29:38 D<desvoeuxensis> Idk
  270. 12:29:51 Well I don't think Dick is siding with Labyrinth
  271. 12:29:53 D<doru> Mankind won't die out if all the current music is lost
  272. 12:30:03 We'll start again
  273. 12:30:09 D<desvoeuxensis> I think he sides with the narrator, who is just kinda interested and impartial observer of the whole enterprise
  274. 12:30:20 D<doru> So like a 2nd person narrative?
  275. 12:30:42 Seems a lot like a thought experiment
  276. 12:30:50 Schrödinger's cat
  277. 12:31:15 D<desvoeuxensis> Well I think the real moral of the story was just to get us to think about what we were so worried about and what the value was in what we were trying to protect and whether it was even possible and whether we should worry about it even if it's not
  278. 12:31:46 I mean the little animals didn't turn out as Labyrinth expected and he was all sad but they were kinda fascinating after all
  279. 12:31:51 Like the little house building beetle
  280. 12:32:09 Maybe it's not so bad if everything is evolving and changing all the time
  281. 12:32:27 D<doru> So an experiment - to see did something like this would actually be viable or even necessary
  282. 12:32:31 Yeah
  283. 12:32:38 G<~grokefeller> groke CHAOS REIGNS
  284. 12:32:41 → HeatherRhodes joined (~qwebirc@B13E81CB.BCD4B8EC.773207BA.IP)
  285. 12:32:42 D<doru> Someone will remember and carry it on
  286. 12:32:43 G<~grokefeller> groke hi
  287. 12:32:45 D<desvoeuxensis> I mean he made it a very grim tale, but the character that was most tragic was also just kinda a joke
  288. 12:32:47 D<doru> Like folk songs
  289. 12:32:55 LOL
  290. 12:33:10 It sounded very plain to.me
  291. 12:33:13 Not tragic at all
  292. 12:33:27 They could as easily have been talking about the weather
  293. 12:33:33 D<desvoeuxensis> He's not even competent to build the machine, he doesn't think it through right, he gets too scared to go into the jungle, he gets his hand hurt, he is just basically too chicken to even fish the manuscript out at the end -- Labyrinth has to be representing a foolish kind of thinking
  294. 12:33:45 He's not sympathetic whatsoever
  295. 12:33:45 D<doru> Deadpan is the word
  296. 12:34:30 D<desvoeuxensis> I mean every time I get to the part of the story where he is kicking the Schubert animal I just cringe
  297. 12:34:33 He's not even a man
  298. 12:34:33 D<doru> In other words, he couldn't preserve himself
  299. 12:34:43 D<desvoeuxensis> He's like a little kid, having a meltdown teh whole time
  300. 12:34:52 I just want to shake him and go: get a grip, Labyrinth
  301. 12:34:59 H<HeatherRhodes> i think there is another short story about labyrinth
  302. 12:35:04 D<desvoeuxensis> Is there?
  303. 12:35:05 J<jfoifs> i think he was just a disposable character in the story there to give a reason why the machine was built
  304. 12:36:04 D<doru> Not serious at all
  305. 12:36:13 Yeah, you got it perfectly jfoifs
  306. 12:36:19 D<desvoeuxensis> Maybe but why spend so much time describing him in such loving (silly) detail
  307. 12:36:21 G<~grokefeller> groke no clue desvoeuxensis
  308. 12:36:23 D<desvoeuxensis> I think he goes out of his way
  309. 12:36:27 But it's not really that important
  310. 12:36:28 H<HeatherRhodes> https://en.wikipedia.org/wiki/The_Short_Happy_Life_of_the_Brown_Oxford
  311. 12:36:31 D<desvoeuxensis> Just a throwaway thought of mine
  312. 12:36:35 D<doru> Just a puppet to bring the machine to life and then quietly get out of the way
  313. 12:36:49 D<desvoeuxensis> lol thanks HeatherRhodes
  314. 12:36:52 That's kinda funny
  315. 12:36:57 He invents lots of silly machines apparently
  316. 12:36:59 G<~grokefeller> groke chime, say something
  317. 12:37:09 D<doru> I'm not giving up on you
  318. 12:37:18 D<desvoeuxensis> Be careful groke - chime has developed poisonous spines
  319. 12:37:26 G<~grokefeller> groke Av0 also
  320. 12:37:39 D<desvoeuxensis> They will evolve away again though as soon as we move him
  321. 12:37:45 into a new story
  322. 12:37:56 G<~grokefeller> groke chime isnt allowed to evolve
  323. 12:37:58 D<doru> Who knows
  324. 12:38:00 D<desvoeuxensis> LOL
  325. 12:38:01 G<~grokefeller> groke he's our angela merkel
  326. 12:38:08 D<desvoeuxensis> Are you the God of this bookclub of Eden?
  327. 12:38:13 G<~grokefeller> groke yes
  328. 12:38:25 D<doru> Nonyij are simply facilitating it
  329. 12:38:30 *No you arw
  330. 12:38:49 C<chime> i don't think the story was particularly pessimistic, just a commentary on how attempting to preserve the past statically is a dead end
  331. 12:39:06 D<desvoeuxensis> mm well put
  332. 12:39:06 G<~grokefeller> groke thanks chime
  333. 12:39:39 D<doru> But, on the contrary, isn't it trying to persevere the past dynamically?
  334. 12:39:43 *preserve
  335. 12:39:49 Statically would be a score
  336. 12:39:54 But these are animals
  337. 12:40:06 D<desvoeuxensis> The animal forms are also perhaps kinda a commentary on the war within us between our grubby survivalistic animal nature and our sublime potential?
  338. 12:40:16 C<chime> and similarly, the doc wasn't necessarily a throwaway but maybe criticism of an elitist intellectual attitude towards art. kind of like one of my music teachers: the great composers made true art, it must remain as it is and performed exactly like it was meant to be and nothing else should be considered
  339. 12:40:45 D<desvoeuxensis> I like that, chime
  340. 12:40:49 D<doru> "Canon or nothing"
  341. 12:40:49 C<chime> the animals are supposed to turn back into the exact original score
  342. 12:40:53 D<doru> Yeah
  343. 12:41:21 But did you expect the machine to make changes?
  344. 12:41:32 D<desvoeuxensis> "Labyrinth worried about this, because he loved music, because he hated the idea that some day there would be no more Brahms and Mozart, no more gentle chamber music that he could dreamily associate with powdered wigs and resined bows, with long, slender candles, melting away in the gloom."
  345. 12:41:36 D<doru> It isn't clear what produced the distortion
  346. 12:41:48 G<~grokefeller> groke idolatry i'd say
  347. 12:42:05 D<doru> Or very specific tastes
  348. 12:42:26 If you don't use contrapuntal voices, Bach is ruined
  349. 12:42:32 Forever
  350. 12:43:08 Also seems very quixotic/dream-like
  351. 12:43:13 D<desvoeuxensis> They stepped away from Labyrinth-God and his commandments and entered into idolatry and sin, grokefeller? Or did you mean something different?
  352. 12:43:31 D<doru> Straight out of a movie
  353. 12:44:08 D<desvoeuxensis> Yes I agree doru, chime. He's quite ridiculously fussy about what he expects out of classical music. Certainly a representative of a repressive faction.
  354. 12:44:23 powdered wigs indeed
  355. 12:44:27 G<~grokefeller> groke no i meant the worshipping of specific implementations of music instead of the god of Apollo, the god of music poetry and truth
  356. 12:44:30 D<doru> ^^
  357. 12:45:12 (des)
  358. 12:45:14 G<~grokefeller> groke idolatry is always followed by some kind of fail
  359. 12:45:23 D<doru> How are.music and truth connected?
  360. 12:45:24 C<chime> the idea of preserving things just for the sake of preservation is an interesting one in general
  361. 12:45:27 D<desvoeuxensis> Right, that makes sense grokefeller
  362. 12:45:50 It kinda is, chime. I agree.
  363. 12:45:59 D<doru> But that is not what Labyrinth is hinting at
  364. 12:46:10 He honestly wants to listen to this music in the future
  365. 12:46:15 Not simply hoard it
  366. 12:46:22 C<chime> i once started a debate with my social worker.. given the premise that we can return species from extinction with dna tech, is there a purpose in saving species from extinction as opposed to attempting to improve the lives of individual creatures?
  367. 12:46:45 G<~grokefeller> groke biodiversity maybe
  368. 12:46:51 D<doru> Either that
  369. 12:46:57 Or existential nihilsm
  370. 12:47:09 There is no logical need for any species to exist
  371. 12:47:11 C<chime> there are many close to extinct species that aren't relevant to biodiversity
  372. 12:47:37 G<~grokefeller> groke for the lulz then
  373. 12:47:52 D<doru> If you consider the big big picture
  374. 12:48:00 Why is humanity relevant to the universe?
  375. 12:48:00 C<chime> i think it's interesting because people are uneasy to think about the end of an entire species on such a rational level
  376. 12:48:15 *feel uneasy
  377. 12:48:18 D<doru> In fact, why is there even a universe?
  378. 12:48:35 Who/what are we satisfying?
  379. 12:48:37 G<~grokefeller> groke i need to go.. you keep on chatting if you feel like it.. thanks everyone for coming xDominik jfoifs HeatherRhodes ghost_girl doru desvoeuxensis chime Av0 (hope i didnt forget anyone)
  380. 12:48:46 @desvoeuxensis was opped (+o) by ~grokefeller
  381. 12:48:53 D<doru> See ya grokefeller
  382. 12:49:37 G<ghost_girl> Bye groke
  383. 12:49:50 G<~grokefeller> groke desvoeuxensis takes over the op role
  384. 12:49:53 D<@desvoeuxensis> So the idea chime is we take a big picture view of preserving a habitable biosphere - versus fussing about preserving individual species that are not really super important in the large scheme?
  385. 12:50:08 G<ghost_girl> I'm gonna have to get up soon
  386. 12:50:11 C<chime> yes
  387. 12:50:26 D<@desvoeuxensis> Yeah that's an interesting point, and very relevant to this story
  388. 12:50:26 D<doru> But isnt every species part of the food web?
  389. 12:50:37 Somehow connected
  390. 12:50:40 ?
  391. 12:50:42 D<@desvoeuxensis> We get hyper emotional about what we perceive to be important
  392. 12:51:12 And waste our time and resources on that endeavor versus being logical about what would be most useful for most creatures
  393. 12:51:13 C<chime> well, what changes if elephants disappear?
  394. 12:52:00 G<ghost_girl> The stuff that hunted elephants are hungrier
  395. 12:52:06 D<doru> I'm not a biologist
  396. 12:52:09 But yeah that ^^
  397. 12:52:17 G<ghost_girl> But we're missing elephants
  398. 12:52:27 D<@desvoeuxensis> Well certainly something else would fill in the void left by the elephants
  399. 12:52:41 G<ghost_girl> Who are huge, beautiful, intelligent & emotional creatures
  400. 12:52:46 D<doru> But not again and again
  401. 12:52:53 Nature can heal itself
  402. 12:53:06 But only to a limit
  403. 12:53:07 G<ghost_girl> Thing is
  404. 12:53:19 Nothing will ever be an elephant
  405. 12:53:19 C<chime> i'm not advocating the removal of "unnecessary and unsuccessful" species anyway, i just think it's worthwhile to look at the big picture too
  406. 12:53:30 G<ghost_girl> Never replace an elephant
  407. 12:53:30 D<doru> And we humans are definitely pushing things
  408. 12:53:35 G<ghost_girl> However
  409. 12:53:41 C<chime> because we're used to this "we need to save them all" mindset
  410. 12:53:56 D<doru> Well it is good to question these things
  411. 12:54:02 G<ghost_girl> Do we have to preserve things just because they are unique and beautiful?
  412. 12:54:17 D<doru> I'm not knowledgeable enough to accurately give an answer
  413. 12:54:58 D<@desvoeuxensis> Right, well, it's useful in the sense that people are emotional animals, so we are more likely to feel like doing something if we have a cute face to go along with a cause. But probably the money and effort that results from that are never thereafter channeled in a logical way to logical goals.
  414. 12:55:01 C<chime> it's also worthwhile to look at the individuals of such a preserved species from a moral perspective
  415. 12:55:18 we have several species that exist in zoos only
  416. 12:55:22 D<@desvoeuxensis> Right
  417. 12:55:40 C<chime> preserving nature most unnaturally
  418. 12:56:32 G<ghost_girl> Its kind of a sad world. Every creature is unique and interesting and wonderful. And every creature dies.
  419. 12:56:38 D<@desvoeuxensis> Well I think it's just like the music question, ghost_girl. It's the first thing jfoifs said about the story too. "who determines what is a work of musical genius" -- and who determines what is worth saving and fighting for.
  420. 12:57:01 C<chime> i think every living thing is an individual first, and member of a species second :)
  421. 12:57:16 D<@desvoeuxensis> How well equipped are we to make a rational decision about what to save and preserve when faced with an apocalyptic scenario
  422. 12:57:42 G<ghost_girl> I dont even believe in rationality
  423. 12:57:52 D<doru> Optimal then
  424. 12:58:01 G<ghost_girl> The concept of it
  425. 12:58:02 D<doru> Priorities
  426. 12:58:06 D<@desvoeuxensis> What do you believe in ghost_girl ?
  427. 12:58:14 G<ghost_girl> We would save cows?
  428. 12:58:22 Cos we eat them
  429. 12:58:22 D<@desvoeuxensis> cows are nice
  430. 12:59:15 So if there was an apocalyptic event the ghost_girl scenario would be to just select at random b/c all things are equal?
  431. 12:59:26 love for all, judgement for none
  432. 12:59:34 D<doru> 2012
  433. 12:59:44 G<ghost_girl> I wouldnt try to save anything
  434. 12:59:46 D<doru> They went for all the art first
  435. 12:59:57 Then the intelligentsia
  436. 13:00:25 Why, ghost_girl !
  437. 13:00:27 *?
  438. 13:00:40 G<ghost_girl> Because its all about to burn
  439. 13:00:43 D<@desvoeuxensis> I thought it was kinda interesting that Labyrinth decided he wanted the music to take animal form, because that implies that the apocalypse would preserve humans and animals. Or that if humans were wiped out, music wasn't worth preserving anyway.
  440. 13:01:10 D<doru> Right
  441. 13:01:18 D<@desvoeuxensis> I mean an animal body isn't exactly the most safe form for a Cold War scenario apocalyptic event
  442. 13:01:31 G<ghost_girl> Heh yeah
  443. 13:01:32 D<doru> A bunker would probably do the job
  444. 13:01:47 ISS could try
  445. 13:01:49 D<@desvoeuxensis> Then the animals would turn radioactive and evolve anyway :P
  446. 13:02:05 C<chime> our government runs a bunker with information on a huge amount of art and history
  447. 13:02:08 D<@desvoeuxensis> well change anyway
  448. 13:02:08 D<doru> *grim laughter*
  449. 13:02:09 C<chime> on microfiche
  450. 13:02:22 D<@desvoeuxensis> Germany, our salvation
  451. 13:02:36 G<ghost_girl> Say a real apocalypse goes down
  452. 13:02:41 C<chime> i assume the us has something similar
  453. 13:02:59 kind of par for the course when making plans for nuclear war
  454. 13:03:07 D<doru> What is UNESCO doing?
  455. 13:03:28 D<@desvoeuxensis> Our microfiche just has Hollywood factoids
  456. 13:03:28 D<doru> chime, I would like to meet you one day
  457. 13:03:36 G<ghost_girl> How important is your cultural history or your favourite animals when youre going to gave to try to survive desperately for
  458. 13:03:43 Who knows how long
  459. 13:03:50 C<chime> why would you want to do such a thing :o
  460. 13:04:05 D<doru> Because I think it will be interesring
  461. 13:04:13 D<@desvoeuxensis> Yeah
  462. 13:04:15 D<doru> I interesting
  463. 13:04:30 D— @desvoeuxensis preserves chime for future generations.
  464. 13:04:32 D<doru> Not to alarm you
  465. 13:05:00 What are we saving all of this for?
  466. 13:05:08 (not chime)
  467. 13:05:11 But anything
  468. 13:05:13 C<chime> ghost_girl: i tend to think planning to preserve these things makes us feel better. we want something to survive of us
  469. 13:05:13 G<ghost_girl> Our emotions
  470. 13:05:20 Yeah
  471. 13:05:22 D<@desvoeuxensis> I guess the idea ghost_girl is that we never have any idea what scenario we will be in
  472. 13:05:29 D<doru> ^^
  473. 13:05:36 And we are afraid of the unknown
  474. 13:05:54 I like how the discussion spiralled into survivalism and preppers
  475. 13:06:08 Rather spiralled, in general
  476. 13:06:26 D<@desvoeuxensis> The preservation of music is pretty powerful. There are a lot of historical examples of music being played in scenarios of despair and helping people survive.
  477. 13:07:14 As frivolous as art seems, it is much deeper and more impactful to us as a species, than we always internalize.
  478. 13:07:32 D<doru> Absolutely
  479. 13:07:41 G<ghost_girl> Well I'd know that from experience
  480. 13:07:49 D<@desvoeuxensis> That's one of the things that bothered me a bit about the way the story portrayed it as fragile - because often the best music springs out of periods of great hardship
  481. 13:07:54 G<ghost_girl> But I was thinking total apocalypse
  482. 13:08:34 Like
  483. 13:08:50 Your house is burning down right now
  484. 13:09:03 What do you grab as you run
  485. 13:09:08 → inex joined (sid203510@x.x)
  486. 13:09:11 C<chime> you know they put a record with some information about our history and culture on some of the deep space probes
  487. 13:09:13 D<@desvoeuxensis> lol
  488. 13:09:15 D<doru> Welcome inex
  489. 13:09:28 SETI, chime
  490. 13:09:29 D<@desvoeuxensis> My first thought was "good thing the cats can run by themselves" - so I guess I am like Labyrinth after all
  491. 13:09:31 hey inex :)
  492. 13:09:31 C<chime> and that's generally one of these feel-good stories that give people a warm feeling
  493. 13:09:33 G<ghost_girl> As a metaphor but also truly
  494. 13:09:36 I<inex> hey everyone
  495. 13:09:37 C<chime> hey inex
  496. 13:10:28 G<ghost_girl> Music is maybe the most important thing to me in some ways
  497. 13:10:45 But I still dont think I'd try to save my records
  498. 13:10:54 If my house was burning down
  499. 13:11:07 D<@desvoeuxensis> Yeah but would it be on your desert island scenario?
  500. 13:11:08 D<doru> I WANT to purge my collection every once in a while
  501. 13:11:17 And I do
  502. 13:11:19 C<chime> if you knew you were going to die, would you try to save anything?
  503. 13:11:31 G<ghost_girl> Die... No
  504. 13:11:32 D<@desvoeuxensis> I feel like having some music with me on a desert island would be more imperative to my survival than many other more practical seeming things
  505. 13:11:45 Definitely, chime
  506. 13:11:54 G<ghost_girl> On a dessert island, as much as possible
  507. 13:12:07 D<doru> Not beyond a message containing previously repressed feelings that I felt easy to express at that point
  508. 13:12:14 G<ghost_girl> Music, comics, books, film
  509. 13:12:19 D<@desvoeuxensis> I guess I'm kind of a believer in, even if we don't survive hopefully we created something that will be nice for someone else.
  510. 13:12:28 D<doru> Oh well
  511. 13:12:38 We're doing our best
  512. 13:12:41 D<@desvoeuxensis> To me art would be the thing to send out into the void.
  513. 13:12:49 G<ghost_girl> I dont think anything I've made is worth saving
  514. 13:12:50 D<@desvoeuxensis> It is us.
  515. 13:13:08 D<doru> Sorry des?
  516. 13:13:31 ghost_girl: Well in the larger context, individual things hardly are
  517. 13:13:37 Of anyone
  518. 13:14:17 C<chime> i don't think anything of me is worth saving either. but on the other hand i feel sad about it, because it seems to be a basic human desire to create some kind of meaning - even just a tiny thing left behind after death
  519. 13:14:34 D<@desvoeuxensis> Well in chime's example, of sending stuff out into space that might theoretically outlast our own species and reach other life forms, I think art is the more important inclusion than a story about our history. Because I feel like something like music represents what humans are most truly. Whether the other life form was able to understand it or not, it is us.
  520. 13:14:47 D<doru> Do you mean meaning for others,or for ourselves, chime?
  521. 13:15:13 Truly?
  522. 13:15:16 C<chime> it can be both, but maybe just for ourselves is the more important aspect
  523. 13:15:18 D<doru> Wouldn't it be just a. Subset?
  524. 13:15:29 I agree, chime
  525. 13:16:19 What/who do we live for?
  526. 13:17:15 D<@desvoeuxensis> Yeah, well as you say chime, maybe the act of preservation is more about giving ourselves comfort than it reaching any abstract goal.
  527. 13:17:48 Labyrinth would have been happy if he'd released the animals and they'd wandered off and he'd never really known for sure what happened.
  528. 13:17:55 D<doru> It is our collective being that is the source of our strength
  529. 13:18:03 Lol
  530. 13:18:06 D<@desvoeuxensis> He could have gone about inventing new silly machines imagining that perhaps they were out there saved
  531. 13:18:11 D<doru> Doesn't seem like he actually cared
  532. 13:18:14 D<@desvoeuxensis> Or at least there was a chance of it
  533. 13:18:22 D<doru> Just another lab rat
  534. 13:18:40 D<@desvoeuxensis> What do you mean he didn't care?
  535. 13:19:08 D<doru> He doesn't seem very serious about anything
  536. 13:19:21 Matter of fact, aimlessly doing stuff
  537. 13:19:58 D<@desvoeuxensis> Oh I think he seems quite serious. He's very emotional when looking for the animals.
  538. 13:20:01 D<doru> A lack of gumption, perhaps
  539. 13:20:19 D<@desvoeuxensis> Yes certainly he lacks thoroughness and toughness.
  540. 13:20:41 D<doru> Weak character I would say
  541. 13:21:02 D<@desvoeuxensis> lmao - did you read the other Doc Labyrinth story HeatherRhodes linked?
  542. 13:21:02 D<doru> That's all, folks
  543. 13:21:10 (for me)
  544. 13:21:12 I haven't
  545. 13:21:16 Did you!
  546. 13:21:18 *?
  547. 13:21:26 How did you have the time?
  548. 13:22:00 D<@desvoeuxensis> Just the wiki entry: Doc Labyrinth invents a machine that animates inanimate objects . He gives up right away thinking it didn't work. But his friend puts a shoe in it and then the shoe comes back later and uses the machine to animate another shoe as its mate.
  549. 13:22:19 Apparently Dick likes this whole schtick where at the end of the story the invented object has its own agenda.
  550. 13:22:23 D<doru> I just read that too
  551. 13:22:24 D<@desvoeuxensis> I like his sense of humor.
  552. 13:22:30 D<doru> Hahahaha
  553. 13:22:41 D<@desvoeuxensis> Anyway, does anyone else have anything else to say? Or shall we end discussion?
  554. 13:22:42 D<doru> Frankenstein-inspired, huh?
  555. 13:22:56 D<@desvoeuxensis> I think everyone has hit the mat.
  556. 13:23:03 D<doru> Or the sack
  557. 13:23:17 C<chime> it's too hot to keep thinking for too long :p
  558. 13:23:20 D<@desvoeuxensis> Thanks, HeatherRhodes for the story. It was short but inspired a lot of discussion, which was a great combination.
  559. 13:23:49 I feel inspired to read more Dick short stories.
  560. 13:23:51 D<doru> Thank you, HeatherRhodes - I did not anticipate all this fine discussion.
  561. 13:25:20 G<ghost_girl> Good chat y'awl
  562. 13:25:30 D<doru> Drawl
  563. 13:25:33 D<@desvoeuxensis> *********************

  564. 13:25:33 ** END OF BOOKCLUB **

  565. 13:25:33 *********************
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement