Oceans Eight Tamil Dubbed Movie Download

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Ocean's Eight Tamil Dubbed Movie Download
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Debbie Ocean gathers an all-female crew to attempt an impossible heist at New York City's yearly Met Gala.
Danny Ocean's younger sister Debbie attempts to pull off the heist of the century at New York City's star-studded annual Met Gala. Her first stop is to assemble the perfect crew: Lou, Rose, Daphne Kluger, Nine Ball, Tammy, Amita, and Constance.
We get it, women can do what men can....blah blah get over it. What a let down. The end.
"Ocean's Eight", wriitten and directed by 4-time Oscar-nominee Gary Ross, is a new American movie that adds the next chapter to the popular Ocean's franchise and Sandra Bullock takes over from George Clooney here. I was waiting for the Gravoty reunion moment until the very end, but I won't tell you if it happened, even if the ending probably gave away what Bullock's character really thought about the question if Danny Ocean is dead or not. But yeah, for this 2018 release here, it runs for a bit over 1.5 hours, not too long i guess and the cast is spectacular at times. Three Oscar winners plus the likes of Helena Bonham Carter. Well there's also the likes of Rihanna, Awkwafina, Kaling and Corden who add nothing pretty much, but it's okay. They are somewhat memorable for mannerisms, tattooes etc. and not for their performances. As for lead actress Bullock, I am just not convincined and it was a bit cringeworthy how we see her at times as more professional criminal than Blanchett, one of the best (if not the best) actresses from her generation. The moments when Awkwafina steals their stuff is maybe the most cringeworthy. But aside from that and from the ending, I will get to that later, it is a solid film that lives much more through individually spectacular scenes and plot twists than really through the whole story. At the end, they messed things up big style though that I almost have to give a lower rating. What happens with Hathaway's character is really all about who the actress is and not about her character (and I am writing this as a big fan of the actress), the stuff about Corden and Armitage is cringeworthy and here we have a prime example of a film that struggles with very bad writing for the male supporting characters for once. Like Bullock's character says on one occasions, she doesn't want men to be in, not just tha this is forgotten, but that she confesses to a cop eventually and shares the money. And then of course makes up for it all with another plot twist how they stole a great deal more which nobody recognized at the end or paid attention to. But of course they are such sharing personalities that they don't keep it to themselves, Bullock and Blanchett's characters. So it's not a film to be atken particularly seriously, or anywhere near the best of the year in any of its many genres, but pointless fun occasionally and that's how you should approach it from start to finish. Each character has their moments, so Rihanna fans will also enjoy it and even I did surprisingly as I don't have any connection with the singer or her art. Blanchett films probably will not love it that much looking at how her character is written that she plays second fiddle so much and has virtually no chance to shine. They amde sure she won't take any attention away from Bullock, even if she has three times Bullock's talent, probably more. Yeah well, overall a cau´tious thumbs-up and positive recommendation, but I must say I really wish they would not have messed up the ending that heavily because then it could have been a much better watch. This way, it makes little sense, especially with that flexible Asian thief showing his gymnastics skills around the alarm lasers. What the heck? Yeah watch the film, but really keep your expectations low. othing more than guilty pleasure territory we got here. A prime example that regardless of how solid or even great any other area may be and how star-studded the cast, if you don't have the writing talent (too many cooks spoiling the broth here perhaps), then it just cannot become an extraordinary movie.
Despite a cool backdrop and a daring idea, the heist itself feels like a third-tier Soderbergh joint, one that’s temporarily bolstered by the same jazzy music and quick cuts that marked the filmmaker’s trilogy, though carried out with considerably less energy.
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