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- Broken Full Movie In Hindi 1080p Download
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- A gun blast, a flash of light, and a young woman awakens to the comfort of her own bed. Bonnie Clayton has it all, a great relationship, a challenging career, and the burden of a dream that grows more vivid and disturbing with each passing night. But when Bonnie is abducted by a sadistic stranger and his colorful entourage, she discovers that the key to her survival lies within the familiar realms of her recurring dream.
- Before we continue to point out all the limitations of "Broken" or any of Mr. Ferrari's (is that his real name?) productions, we must understand the limitations of said video- grapher. First, Mr. Ferrari never attended a real film school where they teach content, story, history or originality. He went to a technical film school called "Full Sail" in Florida, know as the APEX Tec of film schools. His films have a juvenile fascination with technical feats and special effects. Stories, characters and ideas never rise past a 10th grade comic book reading level. Like some one pointed out "Broken' would be cool if a 18 -19 year old made it. Having a lack of education in film and literary history allows him to fall into every cliché and stereotype with out knowing it's already been done. Like a teenager he gravitates to violent action with no story. Everything is a stereotype, nothing is deep. He sites his hero's as Tarrintino and Robert Rodriquez, two supposedly self taught filmmaker. Well, Tarrintino is a film scholar in his own right, and a gifted artist. Mr. Rodriquez did go to film school in Austin and has a sense of humor which Ferrari has none. All Mr. Ferrari and his collaborators do is make inferior hack versions of movies they like. When looking at his reel it feels like a bunch of stunted 30 something year old males got together and made home movies like they are 12 years old. He's more excited about a muzzle flash or squibs then the story. The other thing that is annoying about Ferrari is that he calls himself a filmmaker. The guy has only shot a few feet of film for that abortive film trailer, and a spec spot or two. Now that video is available to everyone, we have to deal with a high volume of garbage. Real film has become the currency of serious filmmakers. Robert Rodriquez makes HD films now, after shooting miles of real film. Ferrari and company should keep their money on shooting a 35mm short that has a story, real actors, a brain, and no cheesy childish gags or gimmicks. Mr. Ferrari's ego dose not allow him to be anything but a "director". But his talents indicate he should be a special effects supervisor. Alex, please leave the directing to those with vision, originality and talent.
- As short films go, "Broken" is a fifteen minute feature that doesn't just pack enough wallop to leave you feeling woozyit's packing enough cinematic DY-NO-MITE to completely blow your ass off! Yes, that's right, after viewing this piece of genius (which is priceless compared to its $8,000 budget), you'll finally know what that large red splatter against the white wall behind you is all about. <br/><br/>"Broken" has a pace that is feverish and unrelenting, and yet maintains a style that allows it to glisten through its foreboding darkness. Watching it play out is like sliding behind the wheel of aoh, let's say (purely for giggles, with absolutely no connection to the name of the film's Director which I will be dropping at some point in the next paragraph) a Ferrari. Sleek, sporty, and very fast, driving one isn't just funit's a little slice of Heaven on Earth. For experienced film fans, and short film enthusiasts, watching "Broken" is a lot like that.<br/><br/>So, is it any surprise that this film was co-created and directed by a Floridian named Alex Ferrari? It shouldn't be. It would, however, be a surprise if the film was co-created and directed by a Floridian named Alex Edsel, or Alex Pinto, or Alex Gremlin, or even Alex Ford Mustang II. Although, I hold out hope that someday, I will see someone with an IMDb profile with the last name, Ford Mustang II. God, make it happen!<br/><br/>For those of you that haven't seen this little movie yet (which I'm going to assume is the vast majority of you), here is a brief description: A young woman named Bonnie (Samantha Jane Polay) is snatched from her life, bound and gagged, and rolled into an Underworld rife with nasty characters that'll shoot you in the face without so much as a second thought. Hell, they might do it without a first thought. Who abducted her? Well, that question is never really answered, but we do meet Duncan (Paul Gordon), and his band of merry-we'll kill you dead- men. Duncan is a snappy dresser who enjoys terrifying his victims with witty monologues, and can't stand being interrupted. Thanks to Duncan's need to talk, and talk, and talk, and talk, we learn that while he's the main bad ass in the room, there is a high power at work here. We also learn that Bonnie isn't just some random target, either.<br/><br/>Due to budgetary constraints, "Broken" spends its time asking questions that are never answered, but that's okay, because the onus of the film is to deliver a skull-shattering array of special effects shots that equals the quality of big budgeted studio flicks, and it does. I, however, found more enjoyment in watching the acting ability of Paul Gordon (who I hope will be given the chance to do more work that I'll be able to see), and the grooving with the vibe set by Alex's brooding vision of this seedy world.<br/><br/>Thankfully, the positive response this little short has managed to drum up thus far has given Alex, and his producer (and "Broken" screenwriter, Jorge F. Rodriguez), a reason to pursue a feature length version of this story, which gives my face reason to be all smiles.<br/><br/>If you run across this little slice of brilliance, watch it. Watch it, and then talk to your friends about it. Watch it, look it up on IMDb, and then follow all of the links provided to its official website, and the websites of those responsible. Email these folks, and let them know how much they kick ass for everything they're doing. While $8,000 is just a drop in the bucket in most film budgets, to everyday people with no studio funding, that is a chunk of change. Now combine that with the time and energy required to see a project like this through, and you've got one hell of a personal sacrifice that, without people like you and I (the viewers and fans) can either be proved to be worth it, or a tragic waste of time.<br/><br/>Guys like Alex Ferrari and Jorge F. Rodriguez deserve our respect, and our kudos. And, for God's sake, somebody clue the casting directors in Hollywood to the talents of Paul Gordon! Please somebody do it for me because I'm worth it, and so is he!
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