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- 1
- 00:00:29,107 --> 00:00:33,564
- (upbeat music plays)
- 2
- 00:00:36,641 --> 00:00:39,836
- (crowd chattering)
- 3
- 00:00:41,708 --> 00:00:43,766
- (laughter)
- 4
- 00:00:43,942 --> 00:00:46,374
- (cheering)
- 5
- 00:00:50,575 --> 00:00:54,064
- (music grows louder)
- 6
- 00:00:56,207 --> 00:00:58,037
- (music stops)
- 7
- 00:00:58,207 --> 00:01:01,072
- (alarm ringing)
- 8
- 00:01:01,241 --> 00:01:03,071
- (footsteps)
- 9
- 00:01:03,241 --> 00:01:05,140
- (knocking)
- 10
- 00:01:05,274 --> 00:01:06,832
- (woman speaks Swedish)
- Are you awake?
- 11
- 00:01:09,341 --> 00:01:11,535
- - (knocking)
- - Woman: Um, Christian?
- 12
- 00:01:11,708 --> 00:01:13,174
- Uh, what?
- 13
- 00:01:13,341 --> 00:01:14,551
- (in Swedish)
- Do you need anything?
- 14
- 00:01:14,575 --> 00:01:16,166
- It's time for the next one.
- 15
- 00:01:16,341 --> 00:01:18,399
- What?
- 16
- 00:01:18,541 --> 00:01:20,565
- It's time for
- your next interview.
- 17
- 00:01:20,741 --> 00:01:23,298
- - Uh, yeah.
- - Do you need a few minutes?
- 18
- 00:01:24,074 --> 00:01:25,074
- A glass of water?
- 19
- 00:01:25,207 --> 00:01:27,731
- Just give me a couple
- of minutes.
- 20
- 00:01:28,241 --> 00:01:30,936
- - See you in Gallery One.
- - Right.
- 21
- 00:01:36,808 --> 00:01:38,707
- (woman speaks Swedish)
- We need a soundcheck.
- 22
- 00:01:38,875 --> 00:01:41,034
- So, what did you have
- for breakfast?
- 23
- 00:01:42,875 --> 00:01:47,069
- (Swedish) I had some bread,
- cheese and cornflakes.
- 24
- 00:01:48,274 --> 00:01:51,935
- - Uh, an egg.
- - I'll just...
- 25
- 00:01:52,107 --> 00:01:56,507
- Some juice, coffee.
- Are we all set?
- 26
- 00:01:57,741 --> 00:01:58,941
- (in English) Hello. Christian.
- 27
- 00:01:59,074 --> 00:02:00,735
- Hello again.
- 28
- 00:02:01,241 --> 00:02:02,868
- So, is everything all right?
- 29
- 00:02:03,608 --> 00:02:04,734
- - Sure.
- - Good.
- 30
- 00:02:04,942 --> 00:02:06,203
- - And you?
- - Very well.
- 31
- 00:02:06,374 --> 00:02:07,568
- - Wonderful.
- - Yeah.
- 32
- 00:02:07,908 --> 00:02:09,738
- - Um, grab a chair.
- - Yes.
- 33
- 00:02:09,908 --> 00:02:12,500
- - And let's get...
- - Get started.
- 34
- 00:02:14,775 --> 00:02:17,003
- Woman: His checklist
- will be right there?
- 35
- 00:02:17,174 --> 00:02:18,869
- (cell phone rings)
- 36
- 00:02:19,107 --> 00:02:20,699
- Woman: Yeah.
- 37
- 00:02:20,941 --> 00:02:23,999
- - Man: Sorry.
- - Woman: All right.
- 38
- 00:02:28,875 --> 00:02:31,137
- - Interesting. (chuckles)
- - Yeah.
- 39
- 00:02:31,708 --> 00:02:33,708
- - Did you get a level?
- - Woman 2: Yeah, we're good.
- 40
- 00:02:33,808 --> 00:02:35,331
- - And you're comfortable?
- - Mm-hm.
- 41
- 00:02:35,508 --> 00:02:37,031
- Well, that's... Oh, my God.
- 42
- 00:02:37,207 --> 00:02:39,197
- (mutters) That's okay.
- (grunts)
- 43
- 00:02:41,775 --> 00:02:43,901
- No, it's just...
- No, it's...
- 44
- 00:02:46,174 --> 00:02:47,903
- Sorry, just a second.
- 45
- 00:02:50,207 --> 00:02:52,231
- (muttering)
- 46
- 00:02:52,441 --> 00:02:53,772
- Okay.
- 47
- 00:02:54,608 --> 00:02:55,472
- Are you rolling?
- 48
- 00:02:55,575 --> 00:02:56,717
- Woman: Can I start over? Yeah.
- 49
- 00:02:56,741 --> 00:02:59,003
- Yeah, if you can start over.
- 50
- 00:02:59,174 --> 00:03:00,936
- Thanks.
- 51
- 00:03:02,708 --> 00:03:04,231
- - Woman: You're ready?
- - Yeah.
- 52
- 00:03:04,441 --> 00:03:05,617
- - Yeah.
- - Woman: We're rolling.
- 53
- 00:03:05,641 --> 00:03:06,641
- You all set?
- 54
- 00:03:06,708 --> 00:03:08,334
- - Christian: You ready?
- - Yes.
- 55
- 00:03:13,708 --> 00:03:15,004
- Good.
- 56
- 00:03:17,074 --> 00:03:19,337
- Uh, my first, um...
- 57
- 00:03:19,441 --> 00:03:21,237
- question's a broad one.
- 58
- 00:03:21,608 --> 00:03:26,507
- What are the biggest challenges
- in running a museum like this?
- 59
- 00:03:27,541 --> 00:03:30,372
- I hate to say it,
- but it's probably money.
- 60
- 00:03:30,608 --> 00:03:33,404
- Um, raising sufficient funds.
- 61
- 00:03:33,541 --> 00:03:36,508
- We're a museum of modern
- and contemporary art.
- 62
- 00:03:37,174 --> 00:03:40,835
- So we need to present art that
- is absolutely the art of today,
- 63
- 00:03:41,074 --> 00:03:43,303
- the future, art that is
- absolutely cutting edge,
- 64
- 00:03:43,408 --> 00:03:44,500
- and that's expensive.
- 65
- 00:03:44,608 --> 00:03:46,666
- And the competition is fierce,
- 66
- 00:03:46,941 --> 00:03:48,568
- because you've got
- buyers and collectors
- 67
- 00:03:48,708 --> 00:03:50,348
- from all over the world
- with so much money
- 68
- 00:03:50,508 --> 00:03:52,600
- you can't believe it.
- They spend more in an afternoon
- 69
- 00:03:52,808 --> 00:03:54,741
- - than we spend in a year.
- - Mm.
- 70
- 00:03:55,041 --> 00:03:56,770
- Whereas, if we buy
- that piece of art
- 71
- 00:03:56,907 --> 00:03:58,670
- we'll be able
- to present it here.
- 72
- 00:03:58,808 --> 00:04:01,468
- To a large audience, to all
- of Stockholm and Sweden
- 73
- 00:04:01,575 --> 00:04:03,405
- and perhaps even visitors.
- 74
- 00:04:03,941 --> 00:04:07,033
- So I think it's actually
- an obligation for us
- 75
- 00:04:07,575 --> 00:04:10,508
- to, um... to get into
- that competition
- 76
- 00:04:10,641 --> 00:04:13,733
- and present...
- art that is absolutely...
- 77
- 00:04:13,907 --> 00:04:16,306
- Woman: I agree.
- I agree absolutely.
- 78
- 00:04:16,441 --> 00:04:18,533
- - It's key. Yeah.
- - Mm-hm.
- 79
- 00:04:18,708 --> 00:04:20,901
- Well... 'cause I wanted
- to ask you
- 80
- 00:04:21,041 --> 00:04:22,940
- about something that I read
- on your website.
- 81
- 00:04:23,174 --> 00:04:24,936
- - All right.
- - That I didn't understand.
- 82
- 00:04:25,174 --> 00:04:26,983
- And I was hoping that you could
- help me to understand.
- 83
- 00:04:27,007 --> 00:04:28,406
- - Mm-hm.
- - Yeah.
- 84
- 00:04:28,575 --> 00:04:30,337
- Do you mind
- if I read this to you?
- 85
- 00:04:30,575 --> 00:04:32,235
- - Please do.
- - Yeah.
- 86
- 00:04:32,807 --> 00:04:35,036
- Um, May 30-31.
- 87
- 00:04:35,441 --> 00:04:37,567
- "Exhibition/Non-exhibition.
- 88
- 00:04:37,775 --> 00:04:40,173
- An evening conversation
- that explores the dynamics
- 89
- 00:04:40,408 --> 00:04:42,068
- of the 'exhibitable'
- 90
- 00:04:42,207 --> 00:04:43,551
- and the construction
- of public-ness
- 91
- 00:04:43,575 --> 00:04:45,064
- in the spirit of
- Robert Smithson's
- 92
- 00:04:45,207 --> 00:04:46,538
- <i>Site/Non-site.</i>
- 93
- 00:04:46,941 --> 00:04:48,568
- From non-site to site,
- 94
- 00:04:48,708 --> 00:04:50,028
- from non-exhibition
- to exhibition,
- 95
- 00:04:50,174 --> 00:04:53,039
- what is the topos of
- exhibition/ non-exhibition
- 96
- 00:04:53,174 --> 00:04:55,902
- in the crowded moments
- of mega exhibition?"
- 97
- 00:05:00,741 --> 00:05:01,741
- Can I?
- 98
- 00:05:01,807 --> 00:05:03,240
- - Do you want to read it?
- - Yeah.
- 99
- 00:05:03,408 --> 00:05:06,204
- - Um...
- - Yeah, I just don't...
- 100
- 00:05:06,374 --> 00:05:09,466
- I'm sorry, I'm clearly not
- as scholarly as you are.
- 101
- 00:05:11,174 --> 00:05:12,936
- I was just hoping
- that you could...
- 102
- 00:05:13,575 --> 00:05:15,405
- Well, this is, um...
- 103
- 00:05:17,508 --> 00:05:19,940
- This was a couple
- of evenings in May
- 104
- 00:05:20,041 --> 00:05:22,201
- where we discussed, um...
- 105
- 00:05:27,641 --> 00:05:29,903
- When... when...
- 106
- 00:05:30,174 --> 00:05:32,902
- I mean, if you place
- an object in a museum
- 107
- 00:05:33,374 --> 00:05:36,500
- does that make this object
- a piece of art?
- 108
- 00:05:36,641 --> 00:05:37,505
- Hm.
- 109
- 00:05:37,608 --> 00:05:39,472
- For instance,
- if we took your bag,
- 110
- 00:05:39,575 --> 00:05:41,474
- and placed it here...
- 111
- 00:05:43,641 --> 00:05:46,005
- would that make it art?
- 112
- 00:05:46,241 --> 00:05:47,832
- Ah.
- 113
- 00:05:51,608 --> 00:05:53,006
- Okay.
- 114
- 00:05:53,174 --> 00:05:54,573
- Does that answer your question?
- 115
- 00:05:54,740 --> 00:05:57,333
- Yes, it does. I think. Yeah.
- 116
- 00:05:59,241 --> 00:06:03,140
- Well, that is all we have.
- 117
- 00:06:08,074 --> 00:06:10,564
- (mechanical whirring)
- 118
- 00:06:32,807 --> 00:06:34,933
- (loud clank)
- 119
- 00:06:46,041 --> 00:06:48,668
- (men chattering)
- 120
- 00:08:01,441 --> 00:08:04,340
- (speaks in Swedish)
- I need a hand over here...
- 121
- 00:08:13,107 --> 00:08:16,938
- The Square is a sanctuary
- of trust and caring.
- 122
- 00:08:17,074 --> 00:08:19,200
- Within its boundaries,
- we all share
- 123
- 00:08:19,341 --> 00:08:22,069
- equal rights
- and obligations.
- 124
- 00:08:40,341 --> 00:08:43,172
- (people chattering)
- 125
- 00:08:43,607 --> 00:08:46,200
- Woman: Do you want to save
- a human life?
- 126
- 00:08:47,607 --> 00:08:48,938
- Do you want to save
- a human life?
- 127
- 00:08:49,107 --> 00:08:50,937
- Not right now.
- 128
- 00:08:51,807 --> 00:08:54,933
- Do you want to save
- a human life?
- 129
- 00:08:56,074 --> 00:08:58,666
- Do you want to save
- a human life?
- 130
- 00:08:58,874 --> 00:09:00,150
- Do you want to save
- a human life?
- 131
- 00:09:00,174 --> 00:09:03,663
- - Sorry?
- - (asks again)
- 132
- 00:09:18,874 --> 00:09:20,898
- (woman screams) Help!
- 133
- 00:09:26,174 --> 00:09:28,334
- Help!
- 134
- 00:09:30,774 --> 00:09:32,764
- Help!!
- 135
- 00:09:35,408 --> 00:09:36,669
- Help!!!
- 136
- 00:09:36,774 --> 00:09:39,071
- You have to help me,
- he's going to kill me!
- 137
- 00:09:39,241 --> 00:09:41,140
- - Man: Hey, calm down.
- - He's going to kill me.
- 138
- 00:09:41,241 --> 00:09:42,071
- Help! Please!
- 139
- 00:09:42,241 --> 00:09:43,583
- - Man: What's the matter?
- - Help me,
- 140
- 00:09:43,607 --> 00:09:45,904
- he's going to kill me!
- 141
- 00:09:46,041 --> 00:09:48,017
- - Man: Get a grip on yourself!
- - (man screams in distance)
- 142
- 00:09:48,041 --> 00:09:51,372
- - He's going to kill you too!
- - Calm down! Shut up!
- 143
- 00:09:51,540 --> 00:09:56,667
- - (continues shouting)
- - (man screams in distance)
- 144
- 00:09:58,707 --> 00:10:01,538
- - Hey, back me up here!
- - But I don't...
- 145
- 00:10:01,774 --> 00:10:08,470
- - Okay, what's going on?
- - Someone's howling over there.
- 146
- 00:10:08,607 --> 00:10:10,471
- - I can't see anyone.
- - He's going to kill us!
- 147
- 00:10:10,607 --> 00:10:12,938
- - Would you calm down!
- - He's going to kill us!
- 148
- 00:10:17,107 --> 00:10:20,302
- - No, no...!
- - No, don't...
- 149
- 00:10:22,607 --> 00:10:26,132
- - What the hell?!
- - Cool the fuck down!
- 150
- 00:10:26,507 --> 00:10:30,531
- - I wasn't going after you guys!
- - What the hell?
- 151
- 00:10:31,607 --> 00:10:33,699
- Have a nice day, guys.
- 152
- 00:10:37,640 --> 00:10:41,074
- - Bloody idiot!
- - What a bloody idiot!
- 153
- 00:10:42,740 --> 00:10:46,196
- - Bloody idiot!
- - What the hell just happened?
- 154
- 00:10:47,274 --> 00:10:50,002
- That was insane...
- 155
- 00:10:50,640 --> 00:10:54,233
- What a fucking idiot! Jesus...
- 156
- 00:10:54,507 --> 00:10:55,769
- - Are you okay?
- - Yeah.
- 157
- 00:10:55,974 --> 00:10:58,497
- - Is your heart pounding?
- - Yeah.
- 158
- 00:10:59,274 --> 00:11:01,536
- My heart's like...
- 159
- 00:11:01,774 --> 00:11:04,570
- Good thinking,
- getting me in on it.
- 160
- 00:11:04,974 --> 00:11:06,600
- I just reacted.
- 161
- 00:11:08,074 --> 00:11:11,507
- Asking for help,
- that was really smart.
- 162
- 00:11:11,807 --> 00:11:16,070
- - I was scared, how about you?
- - Well...
- 163
- 00:11:16,774 --> 00:11:19,173
- (exhales) Shit.
- 164
- 00:11:21,174 --> 00:11:24,198
- - Right...
- - Yeah, all right.
- 165
- 00:11:25,574 --> 00:11:29,133
- - Take care!
- - Have a nice day.
- 166
- 00:12:04,373 --> 00:12:07,307
- Excuse me, may I please
- borrow your phone?
- 167
- 00:12:07,874 --> 00:12:09,363
- Could you please help me?
- 168
- 00:12:09,507 --> 00:12:11,304
- Could I please borrow
- your phone?
- 169
- 00:12:12,341 --> 00:12:13,898
- I just need some help.
- 170
- 00:12:19,174 --> 00:12:21,232
- (grunts)
- 171
- 00:12:26,174 --> 00:12:29,039
- (panting)
- 172
- 00:12:34,373 --> 00:12:35,567
- Woman: Excuse me. Um...
- 173
- 00:12:35,807 --> 00:12:38,001
- You're on your way to
- the art exhibition now?
- 174
- 00:12:38,907 --> 00:12:41,772
- Yeah, castle is over there.
- 175
- 00:12:42,274 --> 00:12:43,501
- Woman 2: Oh.
- 176
- 00:12:43,640 --> 00:12:46,164
- (chatter in Swedish)
- 177
- 00:12:47,740 --> 00:12:50,764
- (man's voice gibbering)
- 178
- 00:13:03,540 --> 00:13:05,302
- Man: Have you seen
- any of his work before?
- 179
- 00:13:05,440 --> 00:13:07,135
- Man 2: No.
- 180
- 00:13:15,041 --> 00:13:18,303
- Woman (in Swedish): This is
- what "The Square" looks like.
- 181
- 00:13:18,540 --> 00:13:20,007
- Right.
- 182
- 00:13:22,207 --> 00:13:27,469
- And the exhibition
- will open on September 15.
- 183
- 00:13:27,607 --> 00:13:29,665
- Woman 1: That's right.
- I've booked
- 184
- 00:13:29,907 --> 00:13:31,533
- the usual
- billboards,
- 185
- 00:13:31,974 --> 00:13:37,169
- and ad space in two
- of the major daily newspapers.
- 186
- 00:13:37,540 --> 00:13:39,871
- - Okay.
- - (baby crying)
- 187
- 00:13:40,373 --> 00:13:41,653
- So we've done some prep already.
- 188
- 00:13:41,740 --> 00:13:43,366
- Right. You see...
- 189
- 00:13:44,707 --> 00:13:46,697
- (baby cries)
- 190
- 00:13:47,974 --> 00:13:51,668
- Listen, this is
- a very nice project
- 191
- 00:13:51,774 --> 00:13:54,536
- that raises important issues.
- 192
- 00:13:55,440 --> 00:13:58,498
- But, from a communications
- point of view,
- 193
- 00:13:58,907 --> 00:14:01,136
- the values are too general.
- 194
- 00:14:01,607 --> 00:14:03,540
- We need to talk about
- the difference
- 195
- 00:14:03,707 --> 00:14:07,697
- between art and marketing.
- 196
- 00:14:08,540 --> 00:14:09,905
- I totally agree.
- 197
- 00:14:10,174 --> 00:14:15,300
- For every new project, we need
- to assess how newsworthy it is.
- 198
- 00:14:15,440 --> 00:14:16,907
- (baby fusses)
- 199
- 00:14:17,041 --> 00:14:22,565
- What makes this exhibition
- stand out?
- 200
- 00:14:22,740 --> 00:14:24,570
- Does it involve any controversy?
- 201
- 00:14:24,740 --> 00:14:27,207
- Can we tie it to trends
- or current events?
- 202
- 00:14:27,774 --> 00:14:31,003
- If not, you're stuck
- with the billboards.
- 203
- 00:14:31,240 --> 00:14:35,230
- That makes it hard to generate
- any international attention.
- 204
- 00:14:35,640 --> 00:14:37,680
- Then you'll only reach
- the usual "culture vultures".
- 205
- 00:14:37,807 --> 00:14:40,296
- To get journalists
- to write about it,
- 206
- 00:14:40,407 --> 00:14:42,670
- you need some controversy.
- 207
- 00:14:43,373 --> 00:14:48,466
- Only this project doesn't really
- have much of an edge.
- 208
- 00:14:49,206 --> 00:14:53,867
- As a journalist, I want
- to create my own standpoint.
- 209
- 00:14:53,974 --> 00:14:54,872
- (baby cries)
- 210
- 00:14:54,974 --> 00:14:58,532
- Like most people, I want to
- express an opinion
- 211
- 00:14:58,740 --> 00:15:01,400
- that isn't just consensus.
- 212
- 00:15:01,974 --> 00:15:04,236
- I'd never post
- a Facebook status like
- 213
- 00:15:04,373 --> 00:15:06,136
- "Daniel wants peace on Earth."
- 214
- 00:15:07,107 --> 00:15:09,573
- - So...
- - Christian: Hang on.
- 215
- 00:15:09,707 --> 00:15:13,731
- There's more to this exhibition
- than a Facebook update.
- 216
- 00:15:14,273 --> 00:15:15,706
- Of course.
- 217
- 00:15:15,941 --> 00:15:18,237
- Its strength lies
- in its simplicity.
- 218
- 00:15:18,440 --> 00:15:22,168
- That's what we
- should communicate.
- 219
- 00:15:22,640 --> 00:15:25,505
- Reporter 2: Definitely,
- just let me read this.
- 220
- 00:15:25,807 --> 00:15:28,036
- "The Square is a sanctuary
- of trust and caring.
- 221
- 00:15:28,206 --> 00:15:29,901
- Within its boundaries,
- 222
- 00:15:30,041 --> 00:15:32,769
- we all share equal rights
- and obligations."
- 223
- 00:15:34,173 --> 00:15:36,299
- No one would disagree with that.
- 224
- 00:15:36,440 --> 00:15:39,202
- So why should I,
- as a journalist, care?
- 225
- 00:15:39,373 --> 00:15:42,397
- Well... You dropped this.
- 226
- 00:15:42,707 --> 00:15:47,163
- My point is, that this isn't
- about the statement.
- 227
- 00:15:47,340 --> 00:15:48,773
- What's important is...
- 228
- 00:15:48,974 --> 00:15:52,407
- what this square activates
- in its audience.
- 229
- 00:15:52,540 --> 00:15:53,540
- We understand.
- 230
- 00:15:53,607 --> 00:15:55,597
- That's what we want
- to communicate.
- 231
- 00:15:55,807 --> 00:15:57,899
- May I clarify something?
- 232
- 00:15:58,206 --> 00:16:03,230
- The guys aren't disputing
- the legitimacy of the project.
- 233
- 00:16:03,440 --> 00:16:06,202
- As long as we agree
- on the content.
- 234
- 00:16:06,440 --> 00:16:09,498
- And they're not questioning
- what you're trying to explore.
- 235
- 00:16:09,807 --> 00:16:12,672
- They're simply trying to explain
- how the media landscape works,
- 236
- 00:16:13,074 --> 00:16:16,871
- and what it takes
- to make an impact.
- 237
- 00:16:19,106 --> 00:16:22,665
- Woman: I've been thinking...
- 238
- 00:16:23,373 --> 00:16:28,898
- How about doing something
- like the Ice Bucket Challenge?
- 239
- 00:16:29,340 --> 00:16:33,171
- Woman 2: Yeah, that's a good
- idea. Only what was it?
- 240
- 00:16:33,740 --> 00:16:36,502
- It was a viral success...
- 241
- 00:16:36,707 --> 00:16:37,707
- Well,
- 242
- 00:16:37,907 --> 00:16:44,704
- ordinary people, or celebrities,
- filmed themselves
- 243
- 00:16:44,941 --> 00:16:48,772
- getting buckets of ice-water
- poured all over them.
- 244
- 00:16:49,440 --> 00:16:51,771
- Woman 1: And it went viral.
- 245
- 00:16:51,941 --> 00:16:53,771
- It was huge!
- 246
- 00:16:53,907 --> 00:16:55,874
- Woman 3: It was
- all over the place.
- 247
- 00:16:56,106 --> 00:16:58,471
- Woman 2: Sure, but what
- was the point of it all?
- 248
- 00:16:58,707 --> 00:17:00,173
- There was no point.
- 249
- 00:17:00,273 --> 00:17:03,536
- Woman 1: You make it
- sound corny.
- 250
- 00:17:03,974 --> 00:17:08,464
- It was to promote ALS research.
- It generated one billion kronor,
- 251
- 00:17:08,807 --> 00:17:11,899
- so it was a very successful
- campaign,
- 252
- 00:17:12,041 --> 00:17:15,064
- but it wouldn't
- be viable here.
- 253
- 00:17:15,607 --> 00:17:20,007
- Your ambition level is high.
- Our ambition level is high.
- 254
- 00:17:20,707 --> 00:17:24,299
- Together, we should shoot
- for something bold.
- 255
- 00:17:24,740 --> 00:17:26,206
- I agree.
- 256
- 00:17:26,340 --> 00:17:28,001
- That's what we're trying
- to explain.
- 257
- 00:17:28,173 --> 00:17:31,937
- We need to take a leap.
- 258
- 00:17:32,106 --> 00:17:35,596
- Do something fresh.
- And these guys know how.
- 259
- 00:17:35,874 --> 00:17:40,204
- They were born into
- this fast-moving arena.
- 260
- 00:17:40,373 --> 00:17:46,034
- - It's their home turf.
- - Christian: Perfect.
- 261
- 00:17:46,440 --> 00:17:48,930
- Man: We have everything we need,
- 262
- 00:17:49,106 --> 00:17:52,835
- so let's go back
- to the drawing board.
- 263
- 00:17:52,974 --> 00:17:55,463
- Next week
- we'll present our ideas
- 264
- 00:17:55,607 --> 00:17:57,403
- and we'll take it from there.
- 265
- 00:17:57,574 --> 00:17:59,700
- Sounds great.
- 266
- 00:17:59,874 --> 00:18:02,238
- Woman 1: Good,
- sounds exciting.
- 267
- 00:18:02,407 --> 00:18:06,363
- - Can we keep these?
- - Woman 1: Sure.
- 268
- 00:18:06,540 --> 00:18:11,030
- This will be great, Christian.
- So, how are things?
- 269
- 00:18:11,206 --> 00:18:14,230
- The craziest thing
- just happened.
- 270
- 00:18:14,373 --> 00:18:15,373
- What?
- 271
- 00:18:15,540 --> 00:18:17,530
- The craziest thing
- happened to me.
- 272
- 00:18:17,774 --> 00:18:18,774
- Today?
- 273
- 00:18:18,807 --> 00:18:21,467
- Listen, I want you all
- to hear this.
- 274
- 00:18:22,206 --> 00:18:25,139
- (laughs) It's
- un-fucking-believable.
- 275
- 00:18:25,707 --> 00:18:29,401
- And after Christian
- says goodbye to the other guy,
- 276
- 00:18:29,574 --> 00:18:32,405
- he checks his pockets
- and his wallet,
- 277
- 00:18:32,574 --> 00:18:34,837
- his phone and
- his cufflinks are gone.
- 278
- 00:18:34,941 --> 00:18:36,202
- You must be kidding!
- 279
- 00:18:36,340 --> 00:18:39,466
- I don't understand
- how they did it.
- 280
- 00:18:40,073 --> 00:18:43,837
- (all laugh, chatter)
- 281
- 00:18:43,973 --> 00:18:46,372
- And now my phone
- is down there.
- 282
- 00:18:46,540 --> 00:18:49,995
- - It's really close.
- - And we're here.
- 283
- 00:18:50,173 --> 00:18:51,663
- - So surreal...
- - (knocking)
- 284
- 00:18:51,807 --> 00:18:54,239
- Woman: Hello...
- 285
- 00:18:54,407 --> 00:18:56,670
- Elna, check this out.
- 286
- 00:18:56,807 --> 00:18:59,672
- I need a print
- of the press release.
- 287
- 00:18:59,807 --> 00:19:01,398
- Come here.
- 288
- 00:19:03,440 --> 00:19:08,840
- - Can you see what that is?
- - No.
- 289
- 00:19:08,973 --> 00:19:12,407
- Of course you can't.
- Well, it's my phone.
- 290
- 00:19:12,574 --> 00:19:17,667
- On my way to work this morning,
- I was robbed.
- 291
- 00:19:17,807 --> 00:19:21,672
- They took my phone,
- they took my wallet,
- 292
- 00:19:21,807 --> 00:19:26,137
- and they even took my cufflinks!
- 293
- 00:19:26,273 --> 00:19:29,138
- I have no idea how they did it.
- 294
- 00:19:29,273 --> 00:19:31,206
- So what do you say?
- 295
- 00:19:35,273 --> 00:19:37,933
- Is that your work phone?
- 296
- 00:19:39,640 --> 00:19:42,539
- It's the only phone I have.
- 297
- 00:19:42,707 --> 00:19:46,731
- Work or private,
- it's the phone I use.
- 298
- 00:19:50,540 --> 00:19:53,904
- - It's almost time, isn't it?
- - Yes.
- 299
- 00:19:54,073 --> 00:19:57,404
- - See you out there.
- - I'm on my way.
- 300
- 00:19:57,574 --> 00:20:00,473
- - Will you...?
- - Sure.
- 301
- 00:20:00,607 --> 00:20:03,403
- We'll talk about
- the next step later on.
- 302
- 00:20:03,574 --> 00:20:04,904
- Yeah.
- 303
- 00:20:11,906 --> 00:20:15,067
- We will be presenting
- the Argentinean artist
- 304
- 00:20:15,206 --> 00:20:17,764
- and
- sociologist Lola Arias.
- 305
- 00:20:18,640 --> 00:20:21,573
- Lola's art is inspired by
- Nicolas Bourriaud,
- 306
- 00:20:21,740 --> 00:20:25,173
- and his thoughts
- on relational aesthetics.
- 307
- 00:20:25,340 --> 00:20:28,864
- In short, relational
- aesthetics explores
- 308
- 00:20:29,040 --> 00:20:33,167
- how we relate to each other
- in a social context.
- 309
- 00:20:38,507 --> 00:20:40,406
- I'm sorry, this all sounds
- very stiff.
- 310
- 00:20:41,440 --> 00:20:45,464
- May I start over again?
- 311
- 00:20:46,607 --> 00:20:49,199
- Would that be okay?
- Cool.
- 312
- 00:20:51,740 --> 00:20:55,332
- I'll lose the notes...
- I don't need them.
- 313
- 00:20:55,873 --> 00:20:58,840
- Now off with these...
- 314
- 00:21:00,273 --> 00:21:04,138
- Because the project
- I'd like to tell you about...
- 315
- 00:21:05,073 --> 00:21:07,869
- It means so much to me
- that I'd prefer to speak
- 316
- 00:21:07,973 --> 00:21:09,463
- from the heart.
- 317
- 00:21:10,340 --> 00:21:13,535
- This is a very special night.
- 318
- 00:21:13,740 --> 00:21:17,173
- Our museum has
- received a donation
- 319
- 00:21:17,440 --> 00:21:22,339
- from Anna-Stina and Gunnar's
- foundation: 50 million kronor.
- 320
- 00:21:22,906 --> 00:21:25,896
- (applause)
- 321
- 00:21:31,173 --> 00:21:34,299
- Now I'd like to ask
- our chief curator, Christian,
- 322
- 00:21:34,440 --> 00:21:37,305
- to tell you about
- our first acquisition
- 323
- 00:21:37,440 --> 00:21:41,237
- with this donation,
- a piece known as "The Square",
- 324
- 00:21:41,407 --> 00:21:45,204
- which you may
- have seen on your way in.
- 325
- 00:21:45,373 --> 00:21:49,897
- An exhibition will also
- be tied to this artwork.
- 326
- 00:21:50,073 --> 00:21:52,040
- Thank you for joining us,
- Christian.
- 327
- 00:21:52,206 --> 00:21:55,173
- (applause)
- 328
- 00:21:58,040 --> 00:22:00,735
- Um, Dear Friends of the Museum,
- 329
- 00:22:01,906 --> 00:22:04,771
- we will be presenting
- the Argentinean artist
- 330
- 00:22:04,906 --> 00:22:07,237
- and sociologist Lola Arias,
- 331
- 00:22:07,373 --> 00:22:09,363
- and her artwork "The Square".
- 332
- 00:22:09,507 --> 00:22:10,530
- (cell phone ringing)
- 333
- 00:22:10,707 --> 00:22:14,470
- Lola's art is inspired
- by Nicolas Bourriaud,
- 334
- 00:22:14,973 --> 00:22:18,134
- and his thoughts
- on relational aesthetics...
- 335
- 00:22:19,707 --> 00:22:21,571
- - (laughter)
- - What's so funny?
- 336
- 00:22:21,707 --> 00:22:25,504
- Oh, a phone is ringing?
- Is it for me?
- 337
- 00:22:28,707 --> 00:22:30,196
- Let's wait and see.
- 338
- 00:22:31,507 --> 00:22:33,905
- Erik? Is it for me?
- 339
- 00:22:34,440 --> 00:22:38,770
- My mother usually calls
- at this hour.
- 340
- 00:22:39,507 --> 00:22:41,735
- (laughter)
- 341
- 00:22:42,773 --> 00:22:44,070
- Um...
- 342
- 00:22:44,206 --> 00:22:47,367
- May I take this opportunity
- to start over?
- 343
- 00:22:47,940 --> 00:22:54,306
- It all felt a bit too stiff.
- Let me lose the mic.
- 344
- 00:23:01,640 --> 00:23:05,300
- I'd like you to
- do something for me.
- 345
- 00:23:05,773 --> 00:23:07,740
- Are you game? Okay.
- 346
- 00:23:07,906 --> 00:23:12,135
- I'm asking you to imagine
- that you are standing
- 347
- 00:23:12,574 --> 00:23:15,234
- in a public place in town.
- 348
- 00:23:16,106 --> 00:23:17,697
- Such as Odenplan,
- 349
- 00:23:17,873 --> 00:23:22,932
- or any other large city plaza.
- 350
- 00:23:23,607 --> 00:23:25,732
- Are you there now? Okay.
- 351
- 00:23:25,873 --> 00:23:29,772
- It's an ordinary day and
- lots of people are in motion.
- 352
- 00:23:30,106 --> 00:23:31,300
- You look down
- 353
- 00:23:31,407 --> 00:23:34,568
- and see that you are standing
- inside a square,
- 354
- 00:23:35,273 --> 00:23:39,297
- a clearly defined
- 4 x 4 meter square.
- 355
- 00:23:40,706 --> 00:23:44,196
- That's what "The Square"
- is on a physical plane.
- 356
- 00:23:44,607 --> 00:23:49,165
- It's like an empty frame
- waiting for its contents.
- 357
- 00:23:49,340 --> 00:23:53,705
- Lola Arias compares "The Square"
- to a pedestrian crossing.
- 358
- 00:23:53,873 --> 00:24:00,773
- A pedestrian crossing
- involves a clear-cut contract:
- 359
- 00:24:00,940 --> 00:24:03,498
- Drivers are to look out
- for pedestrians.
- 360
- 00:24:03,639 --> 00:24:07,403
- In a similar way,
- there is a contract
- 361
- 00:24:07,574 --> 00:24:11,063
- implied by "The Square",
- to look out for each other.
- 362
- 00:24:12,806 --> 00:24:14,330
- We help each other.
- 363
- 00:24:14,574 --> 00:24:18,836
- If you enter this space
- and ask for help,
- 364
- 00:24:18,973 --> 00:24:21,940
- anyone passing by
- is obligated to help you.
- 365
- 00:24:25,073 --> 00:24:26,370
- "I'm hungry.
- 366
- 00:24:26,873 --> 00:24:30,238
- Can you help me with a meal?"
- 367
- 00:24:32,940 --> 00:24:34,998
- "Can you teach me how to swim?"
- 368
- 00:24:38,340 --> 00:24:42,467
- "My father just died
- and I have no one to talk to.
- 369
- 00:24:42,606 --> 00:24:46,404
- Could you spare me
- 30 minutes of your time?"
- 370
- 00:24:51,106 --> 00:24:55,130
- Some of you may be thinking
- that this sounds naive.
- 371
- 00:24:55,273 --> 00:24:58,001
- Maybe even utopian.
- 372
- 00:24:58,240 --> 00:25:00,706
- (computer beeping)
- 373
- 00:25:15,773 --> 00:25:17,365
- Christian: Thank you.
- 374
- 00:25:20,440 --> 00:25:21,929
- Thank you.
- 375
- 00:25:23,507 --> 00:25:26,905
- The exhibit opens
- in late summer,
- 376
- 00:25:27,073 --> 00:25:29,562
- and you just can't miss it.
- 377
- 00:25:29,739 --> 00:25:35,298
- And now I hope you're hungry.
- We have a treat for you.
- 378
- 00:25:35,440 --> 00:25:39,702
- Jonas, will you
- present the food?
- 379
- 00:25:39,873 --> 00:25:42,500
- I'm sure you'll do that
- better than me.
- 380
- 00:25:44,373 --> 00:25:46,363
- - Hello!
- - Audience: Hello.
- 381
- 00:25:46,539 --> 00:25:49,597
- We've prepared
- a lovely buffet for you.
- 382
- 00:25:49,773 --> 00:25:52,206
- Corn-fed chicken
- smothered in mushrooms,
- 383
- 00:25:52,373 --> 00:25:55,135
- asparagus marinated
- in truffle oil...
- 384
- 00:25:57,340 --> 00:26:00,330
- And celeriac
- roasted to sweet perfection...
- 385
- 00:26:00,706 --> 00:26:03,673
- Please don't rush.
- 386
- 00:26:03,806 --> 00:26:05,568
- (shouts) Slow down!
- 387
- 00:26:10,273 --> 00:26:12,331
- There's a sauce, too.
- 388
- 00:26:12,506 --> 00:26:14,905
- Pan juices refined with
- a touch of balsamic vinegar,
- 389
- 00:26:15,040 --> 00:26:16,666
- honey and sage.
- 390
- 00:26:17,040 --> 00:26:18,473
- Enjoy!
- 391
- 00:26:27,106 --> 00:26:30,561
- Can I ask you something?
- The GPS in my car...
- 392
- 00:26:30,739 --> 00:26:31,739
- Yeah.
- 393
- 00:26:31,873 --> 00:26:34,704
- It's always about 50 meters off.
- 394
- 00:26:34,873 --> 00:26:39,704
- - Is that location reliable?
- - It's right there.
- 395
- 00:26:39,873 --> 00:26:44,034
- - It may be 10 meters off, tops.
- - That's too much.
- 396
- 00:26:44,206 --> 00:26:47,071
- We may not know which flat,
- 397
- 00:26:47,240 --> 00:26:49,366
- but we can be certain
- of the building.
- 398
- 00:26:49,539 --> 00:26:52,472
- Listen, I have an idea.
- 399
- 00:26:52,606 --> 00:26:55,130
- Let's write a threatening letter
- 400
- 00:26:55,273 --> 00:26:58,069
- that we distribute
- in the building,
- 401
- 00:26:58,240 --> 00:27:01,139
- putting it in
- all the letterboxes.
- 402
- 00:27:01,273 --> 00:27:03,933
- That way, we get to
- whoever did this.
- 403
- 00:27:04,106 --> 00:27:05,766
- There could be 15 floors.
- 404
- 00:27:05,940 --> 00:27:09,396
- - So what? It's not a problem.
- - 8 flats on each floor...
- 405
- 00:27:09,573 --> 00:27:12,063
- I'll do it. It's fine.
- 406
- 00:27:12,240 --> 00:27:15,298
- Isn't a threat a bit
- over the top?
- 407
- 00:27:15,440 --> 00:27:18,497
- "To the person who robbed me,
- 408
- 00:27:18,639 --> 00:27:21,072
- I'll bash your head in
- if you don't return my stuff."
- 409
- 00:27:21,240 --> 00:27:25,230
- No, no. Come on,
- that's way too violent.
- 410
- 00:27:25,407 --> 00:27:30,170
- These people are criminals,
- that's how they roll.
- 411
- 00:27:30,340 --> 00:27:33,670
- It doesn't justify
- bad behavior from us.
- 412
- 00:27:33,806 --> 00:27:36,568
- Don't be so Swedish!
- 413
- 00:27:36,739 --> 00:27:38,331
- Ditch the political
- correctness crap.
- 414
- 00:27:38,506 --> 00:27:41,905
- They should fucking
- pay for this.
- 415
- 00:27:46,539 --> 00:27:52,235
- "We know who you are
- and where you live, obviously,
- 416
- 00:27:52,406 --> 00:27:56,863
- or you wouldn't
- be getting this."
- 417
- 00:27:57,040 --> 00:28:00,598
- Good one. (laughs)
- Very good.
- 418
- 00:28:00,773 --> 00:28:05,002
- - And then they...
- - Hang on!
- 419
- 00:28:05,173 --> 00:28:08,765
- "We know who you are
- and obviously where you live,
- 420
- 00:28:08,940 --> 00:28:12,771
- or this would never
- have reached you."
- 421
- 00:28:21,240 --> 00:28:23,173
- New paragraph.
- 422
- 00:28:23,340 --> 00:28:24,772
- Um...
- 423
- 00:28:24,940 --> 00:28:30,396
- "Return my wallet,
- my phone, and the cufflinks
- 424
- 00:28:30,573 --> 00:28:34,029
- that once belonged
- to my grandfather."
- 425
- 00:28:34,206 --> 00:28:36,570
- They were my grandfather's.
- 426
- 00:28:37,206 --> 00:28:40,196
- - I'll type while you eat.
- - Sure.
- 427
- 00:28:41,573 --> 00:28:46,404
- Okay if I ditch Comic Sans?
- Find something less childlike.
- 428
- 00:28:46,573 --> 00:28:51,597
- (laughs) I didn't pick it.
- It's a 90s all-time favorite.
- 429
- 00:28:52,073 --> 00:28:54,131
- Now it won't look like
- 430
- 00:28:54,340 --> 00:28:56,829
- a kid's birthday party
- invitation.
- 431
- 00:28:56,973 --> 00:29:00,202
- - After all, it is a threat!
- - This is insane!
- 432
- 00:29:00,372 --> 00:29:03,238
- (both laughing)
- 433
- 00:29:03,406 --> 00:29:06,373
- - Go on. Continue.
- - Just a second.
- 434
- 00:29:07,040 --> 00:29:08,563
- "My phone"...
- 435
- 00:29:08,739 --> 00:29:12,173
- "...and my grandfather's
- cufflinks within 24 hours"...
- 436
- 00:29:12,339 --> 00:29:17,239
- You missed the "my"
- in front of grandfather.
- 437
- 00:29:17,406 --> 00:29:19,396
- (laughs)
- 438
- 00:29:19,573 --> 00:29:23,007
- "My wallet, my phone,
- and grandfather's cufflinks"...
- 439
- 00:29:24,739 --> 00:29:30,764
- It's getting v-e-r-y personal.
- 440
- 00:29:30,940 --> 00:29:35,203
- "...to the 7-Eleven
- by the Central Station
- 441
- 00:29:35,372 --> 00:29:37,203
- or we'll be back..."
- 442
- 00:29:37,372 --> 00:29:38,703
- Should we add a skull?
- 443
- 00:29:38,873 --> 00:29:43,704
- No emoticons,
- that's for texting.
- 444
- 00:29:43,873 --> 00:29:48,068
- - Right, it's too childish.
- - Let's print this shit!
- 445
- 00:29:48,240 --> 00:29:53,037
- - Let's go!
- - 50 copies.
- 446
- 00:29:53,206 --> 00:29:55,934
- (engines revving)
- 447
- 00:29:56,106 --> 00:29:57,902
- (chattering in Swedish)
- 448
- 00:29:58,206 --> 00:30:02,832
- They're driving
- like bloody maniacs!
- 449
- 00:30:05,639 --> 00:30:07,038
- Man: Could we listen
- to some music?
- 450
- 00:30:07,173 --> 00:30:08,901
- Sure.
- 451
- 00:30:09,073 --> 00:30:12,403
- How about a golden oldie
- from back home...
- 452
- 00:30:12,573 --> 00:30:14,472
- (pop music plays)
- 453
- 00:30:14,606 --> 00:30:15,903
- Gasoline!
- 454
- 00:30:16,073 --> 00:30:20,597
- Don't you have anything
- more upbeat?
- 455
- 00:30:20,773 --> 00:30:22,706
- (music stops)
- 456
- 00:30:22,873 --> 00:30:24,840
- (upbeat pop music plays)
- 457
- 00:30:24,973 --> 00:30:27,202
- This is more upbeat.
- 458
- 00:30:27,806 --> 00:30:32,240
- Cool, you've got Justice.
- Track 5.
- 459
- 00:30:32,406 --> 00:30:37,465
- - What?
- - Justice. Track 5.
- 460
- 00:30:37,606 --> 00:30:39,766
- That's the one.
- It's awesome. Put it on.
- 461
- 00:30:39,940 --> 00:30:42,134
- - (music stops)
- - Okay.
- 462
- 00:30:42,272 --> 00:30:43,534
- (heavier music plays)
- 463
- 00:30:43,706 --> 00:30:47,231
- Man: Yes.
- 464
- 00:30:47,406 --> 00:30:48,998
- Come on, crank it up loud.
- 465
- 00:30:49,173 --> 00:30:51,696
- I haven't listened to Justice
- for ages.
- 466
- 00:30:57,873 --> 00:31:00,601
- The paradox is that
- they're called Justice.
- 467
- 00:31:00,773 --> 00:31:02,364
- And what are we out to get?
- 468
- 00:31:02,539 --> 00:31:08,564
- - That's not a paradox.
- - Well, maybe not...
- 469
- 00:31:08,739 --> 00:31:11,070
- But we're out to get justice,
- aren't we?
- 470
- 00:31:11,239 --> 00:31:12,763
- Christian: Yeah.
- 471
- 00:31:12,940 --> 00:31:17,202
- - That's great timing!
- - It certainly is.
- 472
- 00:31:17,372 --> 00:31:20,396
- Are you ready?
- Turn it up!
- 473
- 00:31:20,573 --> 00:31:22,733
- (beat begins playing)
- 474
- 00:31:22,906 --> 00:31:26,135
- - Isn't this great?
- - (laughs)
- 475
- 00:31:29,173 --> 00:31:35,299
- This is what happens
- when they steal your phone.
- 476
- 00:31:35,439 --> 00:31:39,566
- - We're coming with the cavalry!
- - Coming at them with a hammer.
- 477
- 00:31:39,739 --> 00:31:44,570
- - A great, big hammer.
- - Out for justice...
- 478
- 00:31:44,739 --> 00:31:46,672
- In a Tesla.
- 479
- 00:31:49,773 --> 00:31:54,172
- - The Tesla of Justice!
- - You're crazy.
- 480
- 00:32:05,806 --> 00:32:07,068
- (man laughs)
- 481
- 00:32:07,239 --> 00:32:10,400
- - Okay.
- - Okay.
- 482
- 00:32:27,506 --> 00:32:31,530
- Are you going?
- One of us has to watch the car.
- 483
- 00:32:31,706 --> 00:32:33,138
- Man: I'll do it.
- 484
- 00:32:34,406 --> 00:32:38,396
- - You'll do what?
- - I'll watch the car.
- 485
- 00:32:41,773 --> 00:32:43,831
- I'll watch the car.
- 486
- 00:32:50,106 --> 00:32:56,232
- This is kind of
- embarrassing, but...
- 487
- 00:32:56,406 --> 00:33:00,134
- You are aware that I'm
- sort of a semi-public figure?
- 488
- 00:33:00,272 --> 00:33:02,933
- - Yeah, yeah.
- - People know who I am.
- 489
- 00:33:03,105 --> 00:33:07,903
- There's a good chance
- I'll be recognized.
- 490
- 00:33:08,073 --> 00:33:09,596
- Not here.
- 491
- 00:33:09,773 --> 00:33:12,740
- They wouldn't know
- who you are.
- 492
- 00:33:13,040 --> 00:33:14,506
- True.
- 493
- 00:33:14,639 --> 00:33:18,073
- But I wasn't the one
- who was robbed.
- 494
- 00:33:18,239 --> 00:33:21,331
- But this was your idea.
- Oh, yes, it was.
- 495
- 00:33:21,506 --> 00:33:25,701
- You suggested writing
- a letter. Right?
- 496
- 00:33:25,873 --> 00:33:32,238
- I just wanted to help out.
- So I can't see why...
- 497
- 00:33:32,406 --> 00:33:36,669
- Let's just skip the whole thing,
- it doesn't matter.
- 498
- 00:33:38,072 --> 00:33:40,198
- Let's get out of here.
- 499
- 00:33:49,606 --> 00:33:51,937
- Give me your jacket.
- 500
- 00:33:52,105 --> 00:33:55,732
- I can't go in there
- in this suit.
- 501
- 00:33:55,906 --> 00:33:58,839
- Hand over your jacket,
- you sissy.
- 502
- 00:33:58,973 --> 00:34:02,599
- Being a sissy
- has nothing to do with it.
- 503
- 00:34:02,773 --> 00:34:05,035
- You're a sissy!
- 504
- 00:34:05,205 --> 00:34:07,866
- Hang on. I'm sorry...
- 505
- 00:34:08,039 --> 00:34:09,370
- (door closes)
- 506
- 00:34:13,973 --> 00:34:15,667
- (knocking)
- 507
- 00:34:17,439 --> 00:34:21,998
- Do you remember saying
- you'd run in with the letters?
- 508
- 00:34:22,172 --> 00:34:24,139
- - I never said that.
- - You did.
- 509
- 00:34:24,272 --> 00:34:27,831
- Let me refresh your memory:
- "It's dead easy, you just..."
- 510
- 00:34:27,973 --> 00:34:29,234
- (whistles)
- 511
- 00:34:29,406 --> 00:34:31,566
- - I did say that.
- - You did.
- 512
- 00:34:31,739 --> 00:34:35,331
- But I never said
- I'd do it, personally.
- 513
- 00:34:35,506 --> 00:34:41,337
- As your boss, I'm curious
- to know if I can count on you.
- 514
- 00:34:41,506 --> 00:34:45,735
- If you promise to do something,
- can I count on you?
- 515
- 00:34:45,906 --> 00:34:48,372
- - Of course you can.
- - Really?
- 516
- 00:34:48,539 --> 00:34:52,563
- I'm willing to overlook it
- this time, but in the future?
- 517
- 00:34:52,739 --> 00:34:55,205
- You can count on me.
- Yeah, yeah.
- 518
- 00:34:55,639 --> 00:34:57,037
- That's cool.
- 519
- 00:35:00,506 --> 00:35:04,166
- (elevator beeps)
- 520
- 00:35:11,039 --> 00:35:14,063
- (mutters) Motherfuckers...
- 521
- 00:35:14,239 --> 00:35:16,729
- Elevator: <i>Thirteenth floor.</i>
- 522
- 00:35:31,606 --> 00:35:33,903
- <i>Going down.</i>
- 523
- 00:35:53,439 --> 00:35:55,565
- (baby crying)
- 524
- 00:36:15,739 --> 00:36:17,535
- (door closes)
- 525
- 00:37:03,573 --> 00:37:06,869
- (engine revving outside)
- 526
- 00:37:24,372 --> 00:37:27,362
- (knocks) Hello?!
- 527
- 00:37:56,339 --> 00:37:58,306
- (dog barks)
- 528
- 00:38:05,272 --> 00:38:07,000
- Shit.
- 529
- 00:38:10,439 --> 00:38:12,996
- (dog continues barking)
- 530
- 00:38:16,872 --> 00:38:19,305
- This is totally insane.
- 531
- 00:38:33,039 --> 00:38:34,506
- Come on!
- 532
- 00:38:44,539 --> 00:38:47,028
- Oh, fuck!
- 533
- 00:38:47,205 --> 00:38:51,934
- Yes, this is my car,
- but I'm kind of busy.
- 534
- 00:38:52,105 --> 00:38:55,595
- Man: It's a cool car.
- Could you start it up?
- 535
- 00:38:55,772 --> 00:38:58,296
- - What?
- - Start it up. Drive...
- 536
- 00:38:58,439 --> 00:38:59,701
- (banging)
- 537
- 00:38:59,872 --> 00:39:03,896
- Could you please not touch it?
- 538
- 00:39:04,072 --> 00:39:07,732
- - You might scratch it.
- - Man: I'm not doing anything.
- 539
- 00:39:07,905 --> 00:39:09,838
- I just want you
- to start her up.
- 540
- 00:39:09,972 --> 00:39:12,996
- No, I don't feel like it.
- 541
- 00:39:13,172 --> 00:39:17,935
- Come on, don't be such a drag,
- I've never seen one of these.
- 542
- 00:39:18,105 --> 00:39:23,061
- It's just an ordinary car.
- Nothing special, dead boring.
- 543
- 00:39:23,239 --> 00:39:25,536
- Have a nice evening.
- 544
- 00:39:37,939 --> 00:39:39,167
- - (thud)
- - What the hell?
- 545
- 00:39:39,272 --> 00:39:41,239
- What do you think you're doing?
- 546
- 00:39:42,039 --> 00:39:44,006
- - What are you doing?
- - Man: Whatever I want.
- 547
- 00:39:44,172 --> 00:39:48,367
- Listen, stop this crap...
- 548
- 00:39:48,539 --> 00:39:50,130
- - (shouts) Go! Go!
- - What?
- 549
- 00:39:50,272 --> 00:39:53,932
- - All right! Get in!
- - (music blares)
- 550
- 00:39:54,939 --> 00:39:56,838
- (tires squeal)
- 551
- 00:39:56,972 --> 00:39:58,530
- - (thud)
- - (music stops)
- 552
- 00:39:58,705 --> 00:40:01,138
- (man shouts in distance)
- 553
- 00:40:04,172 --> 00:40:06,036
- (thudding)
- 554
- 00:40:25,239 --> 00:40:28,570
- I think we hit something.
- 555
- 00:40:28,738 --> 00:40:31,296
- Christian: Yeah,
- I guess we did...
- 556
- 00:40:41,705 --> 00:40:46,366
- Could you pull over...
- so I can take a look?
- 557
- 00:41:46,272 --> 00:41:52,297
- Please, I have three children
- and diabetes. One krona?
- 558
- 00:41:54,105 --> 00:41:58,197
- Excuse me...
- Please, one krona?
- 559
- 00:42:00,772 --> 00:42:06,933
- - Thank you, ma'am.
- - A little money? Thank you.
- 560
- 00:42:07,339 --> 00:42:12,204
- Thank you, ma'am.
- Please, kind ma'am.
- 561
- 00:42:14,805 --> 00:42:19,068
- Hello, help me...
- One krona, please.
- 562
- 00:42:20,939 --> 00:42:25,770
- Hello, help me.
- One krona, please.
- 563
- 00:42:25,939 --> 00:42:29,236
- Thank you.
- Help me, please.
- 564
- 00:42:31,072 --> 00:42:33,301
- Woman: Do you want
- to save a human life?
- 565
- 00:42:35,605 --> 00:42:39,164
- Do you want
- to save a human life?
- 566
- 00:42:39,339 --> 00:42:42,306
- Do you want
- to save a human life?
- 567
- 00:42:54,805 --> 00:42:56,829
- - Hello.
- - Hi.
- 568
- 00:42:57,772 --> 00:42:59,034
- How are you today?
- 569
- 00:43:01,306 --> 00:43:02,795
- Money...
- 570
- 00:43:03,505 --> 00:43:06,473
- Sorry, I don't have any cash.
- 571
- 00:43:06,605 --> 00:43:10,039
- But I could buy you
- something to eat.
- 572
- 00:43:10,205 --> 00:43:12,138
- Chicken ciabatta.
- 573
- 00:43:14,372 --> 00:43:18,032
- - What?
- - Chicken ciabatta.
- 574
- 00:43:19,805 --> 00:43:23,204
- - Okay, chicken ciabatta.
- - Yeah.
- 575
- 00:43:24,905 --> 00:43:26,929
- - Hey...
- - Yeah?
- 576
- 00:43:27,072 --> 00:43:28,902
- (speaking indistinctly)
- 577
- 00:43:30,172 --> 00:43:31,729
- What did you say?
- 578
- 00:43:31,872 --> 00:43:33,566
- (speaking indistinctly)
- 579
- 00:43:33,805 --> 00:43:36,034
- - "No onions?"
- - Yeah.
- 580
- 00:43:40,172 --> 00:43:41,536
- Okay.
- 581
- 00:43:44,139 --> 00:43:45,571
- - Hi.
- - Hi.
- 582
- 00:43:45,738 --> 00:43:48,001
- I'd like a pay-as-you-go
- SIM card
- 583
- 00:43:48,172 --> 00:43:50,536
- and one chicken ciabatta.
- 584
- 00:43:55,872 --> 00:43:58,703
- Has anyone dropped off
- a parcel or letter
- 585
- 00:43:58,872 --> 00:44:01,339
- addressed to "Christian"?
- 586
- 00:44:03,172 --> 00:44:04,502
- Peggy?
- 587
- 00:44:06,139 --> 00:44:08,333
- - Peggy?
- - Yes?
- 588
- 00:44:08,505 --> 00:44:10,995
- Has anybody
- dropped off a parcel?
- 589
- 00:44:11,172 --> 00:44:14,003
- A parcel?
- 590
- 00:44:14,172 --> 00:44:17,696
- A parcel or a letter
- for Christian?
- 591
- 00:44:18,572 --> 00:44:21,005
- - No.
- - Nothing?
- 592
- 00:44:23,738 --> 00:44:26,137
- - Sorry.
- - Okay.
- 593
- 00:44:28,005 --> 00:44:29,494
- Have a nice day.
- 594
- 00:44:29,638 --> 00:44:34,503
- Here's your ciabatta.
- Pick the onions out yourself.
- 595
- 00:44:34,638 --> 00:44:36,935
- Hey. Hey!
- 596
- 00:44:40,738 --> 00:44:42,932
- (muttering)
- 597
- 00:45:11,239 --> 00:45:12,398
- Guard: Sir?
- 598
- 00:45:12,572 --> 00:45:15,062
- No picture.
- 599
- 00:45:15,239 --> 00:45:17,865
- Man: <i>My starting point
- with this installation</i>
- 600
- 00:45:18,039 --> 00:45:21,528
- <i>as with probably all
- my art over the last...</i>
- 601
- 00:45:21,705 --> 00:45:23,763
- ...six years, um...
- 602
- 00:45:23,939 --> 00:45:25,065
- (loud click)
- 603
- 00:45:25,239 --> 00:45:26,933
- Uh...
- 604
- 00:45:27,105 --> 00:45:30,731
- My starting point was
- my immediate surroundings
- 605
- 00:45:30,905 --> 00:45:34,168
- and, uh... uh...
- 606
- 00:45:34,339 --> 00:45:36,669
- and uses everyday objects
- 607
- 00:45:36,805 --> 00:45:42,898
- to explore the meaning of one's
- human response to art.
- 608
- 00:45:43,072 --> 00:45:47,005
- By that, I mean
- they are framed instances
- 609
- 00:45:47,172 --> 00:45:51,196
- that would shine a light
- on everyday objects
- 610
- 00:45:51,371 --> 00:45:54,168
- which might normally
- be not noticed
- 611
- 00:45:54,338 --> 00:45:56,362
- in their original context.
- 612
- 00:45:56,538 --> 00:45:58,732
- I was interested,
- for example, in...
- 613
- 00:45:58,905 --> 00:45:59,928
- (loud hissing)
- 614
- 00:46:00,105 --> 00:46:03,697
- What happens when
- a landscape painting
- 615
- 00:46:03,872 --> 00:46:05,203
- is hung in a gallery.
- 616
- 00:46:05,371 --> 00:46:08,861
- How does that landscape
- relate to its...
- 617
- 00:46:09,039 --> 00:46:10,596
- to the space of the gallery,
- 618
- 00:46:10,772 --> 00:46:14,466
- how does that space
- relate to the space
- 619
- 00:46:14,605 --> 00:46:18,766
- inside one's own head?
- Inside one's psyche, so that...
- 620
- 00:46:19,105 --> 00:46:22,038
- Man (in Swedish):
- Cock, goddammit!
- 621
- 00:46:30,105 --> 00:46:31,401
- Um...
- 622
- 00:46:31,572 --> 00:46:33,372
- (in English) You were
- talking about landscape,
- 623
- 00:46:33,405 --> 00:46:37,203
- and that reminds me of
- the late Robert Smithson,
- 624
- 00:46:37,371 --> 00:46:41,066
- who, in the 60s and 70s,
- was very famous for his...
- 625
- 00:46:41,239 --> 00:46:42,671
- Man: Garbage!
- 626
- 00:46:42,805 --> 00:46:47,397
- Um, of photography and, uh...
- and the landscape.
- 627
- 00:46:47,572 --> 00:46:53,403
- And, um, he used material such
- as soil, rock and leaves
- 628
- 00:46:53,572 --> 00:46:55,869
- and mixed it with
- other materials, like...
- 629
- 00:46:56,039 --> 00:46:58,301
- - (loud clap)
- - Man: Show us your boobs!
- 630
- 00:46:58,438 --> 00:47:00,837
- (audience murmurs)
- 631
- 00:47:00,972 --> 00:47:05,337
- Woman: We apologize,
- my husband has Tourette's.
- 632
- 00:47:05,505 --> 00:47:08,870
- - Other materials such as...
- - Tourette's?
- 633
- 00:47:10,405 --> 00:47:12,599
- - Please, carry on.
- - Yeah, um...
- 634
- 00:47:12,772 --> 00:47:14,739
- So the piece of art
- is created,
- 635
- 00:47:14,905 --> 00:47:16,838
- when you're talking
- about earth art...
- 636
- 00:47:16,972 --> 00:47:19,461
- - (loud clap)
- - Man: Whore!
- 637
- 00:47:19,605 --> 00:47:23,504
- By introducing materials
- such as concrete, metal,
- 638
- 00:47:23,638 --> 00:47:27,128
- to rocks and soils and leaves,
- is that something...
- 639
- 00:47:27,271 --> 00:47:31,329
- Is that a headline for
- the work you do? I mean...
- 640
- 00:47:31,505 --> 00:47:34,336
- - Man: Fuck off!
- - Man 2: That's enough.
- 641
- 00:47:34,505 --> 00:47:36,472
- (loud clap)
- 642
- 00:47:36,605 --> 00:47:40,402
- Woman: Sorry. Sorry...
- 643
- 00:47:40,572 --> 00:47:44,528
- Artist: Smithson was a friend
- of mine, in fact, when I was...
- 644
- 00:47:46,405 --> 00:47:48,463
- He was interested
- in the aesthetics
- 645
- 00:47:48,605 --> 00:47:51,868
- of earth and the products
- of the earth,
- 646
- 00:47:52,039 --> 00:47:53,719
- and I'm interested
- in using those products,
- 647
- 00:47:53,805 --> 00:47:55,704
- - but not in their aesthetic.
- - Man: Garbage!
- 648
- 00:47:55,872 --> 00:47:58,805
- - (loud clap)
- - Cocksucker! Whore!
- 649
- 00:47:59,405 --> 00:48:02,463
- - Woman: This is outrageous.
- - I'm sorry.
- 650
- 00:48:02,605 --> 00:48:04,902
- Woman: If everyone
- that can be quiet,
- 651
- 00:48:05,072 --> 00:48:07,130
- please try to be quiet.
- 652
- 00:48:07,271 --> 00:48:10,204
- Shut up!
- Go home! Fuck off!
- 653
- 00:48:10,371 --> 00:48:12,032
- Woman: If the artist
- is okay with it...
- 654
- 00:48:12,204 --> 00:48:14,398
- (in Swedish) We have
- this one opportunity
- 655
- 00:48:14,572 --> 00:48:19,063
- to meet this fantastic artist...
- 656
- 00:48:19,238 --> 00:48:21,501
- Man: Show us your boobs!
- 657
- 00:48:21,638 --> 00:48:25,503
- Let's continue.
- Everyone is welcome,
- 658
- 00:48:25,638 --> 00:48:28,332
- irrespective of views...
- 659
- 00:48:28,505 --> 00:48:29,597
- (loud clap)
- 660
- 00:48:29,772 --> 00:48:32,671
- - Um, yeah...
- - (laughs)
- 661
- 00:48:32,805 --> 00:48:35,772
- (in English) Have you seen
- the exhibition downstairs?
- 662
- 00:48:35,939 --> 00:48:38,405
- You've seen it?
- Did you like it?
- 663
- 00:48:38,572 --> 00:48:40,039
- Man (shouts): Garbage!
- 664
- 00:48:40,204 --> 00:48:41,466
- - (all laugh)
- - Okay.
- 665
- 00:48:41,605 --> 00:48:43,129
- - Man 2: I liked it.
- - Okay.
- 666
- 00:48:43,271 --> 00:48:45,238
- What do you want to say?
- 667
- 00:48:46,438 --> 00:48:47,735
- Go home! Fuck off! Suck cock!
- 668
- 00:48:47,905 --> 00:48:50,667
- (audience chattering)
- 669
- 00:48:50,805 --> 00:48:52,601
- We can't hear a thing.
- 670
- 00:48:52,805 --> 00:48:56,329
- Woman: The atmosphere
- is stressing him out...
- 671
- 00:48:57,705 --> 00:48:59,296
- Shut up! Go home!
- 672
- 00:49:00,338 --> 00:49:02,237
- - Camel toe!
- - (laughter)
- 673
- 00:49:03,072 --> 00:49:05,903
- Try to be a bit tolerant.
- 674
- 00:49:06,638 --> 00:49:08,537
- The man is suffering
- 675
- 00:49:08,705 --> 00:49:10,171
- from a neuropsychiatric
- disorder.
- 676
- 00:49:10,705 --> 00:49:15,161
- This isn't voluntary,
- so show some tolerance.
- 677
- 00:49:17,338 --> 00:49:18,464
- Interviewer: Uh, yeah.
- 678
- 00:49:18,605 --> 00:49:19,902
- Artist:
- You're very welcome here.
- 679
- 00:49:20,072 --> 00:49:22,402
- I don't see any reason
- for any other interruptions.
- 680
- 00:49:30,338 --> 00:49:33,863
- (panting onscreen)
- 681
- 00:49:53,204 --> 00:49:56,535
- (sighs deeply)
- 682
- 00:50:04,972 --> 00:50:07,030
- (camera clicks)
- 683
- 00:50:18,638 --> 00:50:21,070
- (footsteps)
- 684
- 00:50:25,039 --> 00:50:26,300
- Fuck!
- 685
- 00:50:27,338 --> 00:50:29,828
- (footsteps approach)
- 686
- 00:50:35,972 --> 00:50:38,768
- - (cell phone rings)
- - (footsteps stop)
- 687
- 00:50:52,572 --> 00:50:54,869
- (whimpers)
- 688
- 00:50:57,872 --> 00:50:59,702
- Woman: What are you up to?
- 689
- 00:50:59,872 --> 00:51:02,031
- (dog barks)
- 690
- 00:51:04,171 --> 00:51:06,729
- (footsteps)
- 691
- 00:51:06,905 --> 00:51:09,064
- Woman: Algot, come here.
- 692
- 00:51:10,538 --> 00:51:12,869
- - (car door closes)
- - (sighs)
- 693
- 00:51:17,538 --> 00:51:20,198
- She's off her rocker...
- 694
- 00:51:26,605 --> 00:51:28,834
- (exhales)
- 695
- 00:51:32,805 --> 00:51:37,067
- Hello, my name is Christian.
- I believe you called me?
- 696
- 00:52:22,772 --> 00:52:25,705
- Well, I'll be damned!
- 697
- 00:52:30,538 --> 00:52:32,869
- (laughs)
- 698
- 00:52:38,505 --> 00:52:40,665
- Unbelievable.
- 699
- 00:52:54,938 --> 00:52:57,599
- Money?
- 700
- 00:52:57,772 --> 00:53:00,762
- - This is for you.
- - Thank you.
- 701
- 00:53:00,938 --> 00:53:06,565
- - And this...
- - Thank you.
- 702
- 00:53:06,738 --> 00:53:08,227
- Thank you...
- 703
- 00:53:23,572 --> 00:53:26,562
- (loud dance music plays)
- 704
- 00:54:27,038 --> 00:54:30,563
- Attention, people...
- 705
- 00:54:30,738 --> 00:54:34,569
- This is a very special place.
- Right behind here...
- 706
- 00:54:34,738 --> 00:54:38,569
- I'm serious,
- this is the Royal Palace.
- 707
- 00:54:38,738 --> 00:54:43,137
- The former private quarters of
- the king and queen is next door.
- 708
- 00:54:43,271 --> 00:54:46,761
- And one person here tonight
- has the keys...
- 709
- 00:54:46,938 --> 00:54:48,200
- (whoops, cat calls)
- 710
- 00:54:48,371 --> 00:54:55,032
- We thought we'd pop in
- and have a look.
- 711
- 00:54:56,772 --> 00:54:59,500
- Oh, crap! We have...
- 712
- 00:55:00,438 --> 00:55:01,681
- Don't forget to be
- extremely careful
- 713
- 00:55:01,705 --> 00:55:03,467
- with the interiors.
- 714
- 00:55:03,638 --> 00:55:07,765
- (harpsichord music plays)
- 715
- 00:55:23,171 --> 00:55:26,400
- (plays music)
- 716
- 00:55:32,638 --> 00:55:37,900
- - Josefina!
- - Come with us...
- 717
- 00:55:51,071 --> 00:55:52,731
- (music stops)
- 718
- 00:56:01,904 --> 00:56:03,701
- Do you know this one?
- 719
- 00:56:03,871 --> 00:56:06,532
- (begins playing)
- 720
- 00:56:13,371 --> 00:56:14,599
- No.
- 721
- 00:56:16,672 --> 00:56:20,469
- (dance music pounds
- in background)
- 722
- 00:56:31,737 --> 00:56:32,980
- (speaks English)
- Do you want to sit?
- 723
- 00:56:33,004 --> 00:56:34,471
- No, go ahead.
- 724
- 00:57:33,605 --> 00:57:34,696
- (claps)
- 725
- 00:57:34,871 --> 00:57:36,929
- (shouts) Cunt!
- 726
- 00:57:39,204 --> 00:57:41,068
- (laughs)
- 727
- 00:57:42,938 --> 00:57:44,996
- Shh! Cunt!
- 728
- 00:57:50,538 --> 00:57:52,834
- Excuse me?
- 729
- 00:57:52,971 --> 00:57:55,200
- Cunt.
- 730
- 00:57:55,371 --> 00:57:58,338
- Did you say "cunt"?
- 731
- 00:57:58,505 --> 00:57:59,903
- Shh!
- 732
- 00:58:00,071 --> 00:58:02,004
- Cunt.
- 733
- 00:58:05,238 --> 00:58:06,761
- Okay.
- 734
- 00:58:06,938 --> 00:58:08,180
- Yeah, do you remember
- from the...
- 735
- 00:58:08,204 --> 00:58:10,228
- Shh!
- 736
- 00:58:12,038 --> 00:58:13,335
- Um...
- 737
- 00:58:14,737 --> 00:58:16,863
- - You want to go ahead?
- - No.
- 738
- 00:58:43,505 --> 00:58:46,529
- (in Swedish) I am not going
- to sleep with her tonight.
- 739
- 00:58:55,604 --> 00:58:58,833
- (dishes clink)
- 740
- 00:59:07,405 --> 00:59:09,395
- (thudding)
- 741
- 00:59:24,871 --> 00:59:27,531
- (door opens, closes)
- 742
- 00:59:41,938 --> 00:59:45,030
- Um... Ann?
- 743
- 00:59:47,804 --> 00:59:49,362
- Anne.
- 744
- 01:00:24,971 --> 01:00:27,302
- Anne: All right.
- 745
- 01:01:01,238 --> 01:01:02,829
- (door locks)
- 746
- 01:01:13,871 --> 01:01:15,997
- I can take that, yeah.
- 747
- 01:01:48,171 --> 01:01:49,501
- There.
- 748
- 01:01:49,637 --> 01:01:51,161
- - It's on.
- - Okay.
- 749
- 01:01:51,338 --> 01:01:52,736
- Hmm?
- 750
- 01:02:17,437 --> 01:02:20,166
- (panting)
- 751
- 01:03:12,571 --> 01:03:15,333
- (Christian grunts)
- 752
- 01:03:19,571 --> 01:03:21,834
- (Christian moans)
- 753
- 01:03:25,370 --> 01:03:27,201
- (Christian moans loudly)
- 754
- 01:03:27,370 --> 01:03:29,599
- (sighs)
- 755
- 01:03:40,437 --> 01:03:42,836
- Did you come?
- 756
- 01:03:42,938 --> 01:03:45,996
- Oh, yeah. Yeah.
- 757
- 01:03:46,171 --> 01:03:47,933
- (strained) Cool.
- 758
- 01:04:05,571 --> 01:04:07,538
- (Anne whispers) I can take that.
- 759
- 01:04:08,871 --> 01:04:10,770
- - What?
- - I'll take it.
- 760
- 01:04:11,804 --> 01:04:13,236
- No, it's fine. I got it.
- 761
- 01:04:13,404 --> 01:04:15,031
- - Give it to me.
- - No, it's cool.
- 762
- 01:04:15,204 --> 01:04:16,761
- (stutters) I'll...
- 763
- 01:04:16,938 --> 01:04:19,370
- - I'll do it myself.
- - Give it me, Christian.
- 764
- 01:04:23,871 --> 01:04:25,701
- Um... no.
- 765
- 01:04:25,871 --> 01:04:28,861
- No. I'll do it myself.
- 766
- 01:04:31,370 --> 01:04:32,667
- I'm going to the bathroom, so...
- 767
- 01:04:32,804 --> 01:04:35,396
- I'll throw it out myself.
- It's fine.
- 768
- 01:04:35,571 --> 01:04:37,731
- - Okay.
- - Thank you.
- 769
- 01:04:37,904 --> 01:04:40,564
- (Anne walks away)
- 770
- 01:04:43,571 --> 01:04:45,401
- (thudding)
- 771
- 01:04:56,704 --> 01:04:58,568
- Throw it away.
- 772
- 01:05:11,071 --> 01:05:12,503
- (laughs)
- 773
- 01:05:12,637 --> 01:05:14,831
- God, you really...
- 774
- 01:05:14,971 --> 01:05:19,063
- Hmm. You really think highly
- of yourself, don't you?
- 775
- 01:05:22,504 --> 01:05:23,732
- No.
- 776
- 01:05:25,337 --> 01:05:28,202
- I can't believe you think
- I would do that.
- 777
- 01:05:28,370 --> 01:05:30,234
- Do what?
- 778
- 01:05:31,237 --> 01:05:33,137
- You know what I'm talking about.
- 779
- 01:05:33,671 --> 01:05:34,899
- And what would that be?
- 780
- 01:05:35,370 --> 01:05:37,099
- (Anne laughs) You tell me.
- 781
- 01:05:37,237 --> 01:05:38,847
- - I'm not thinking anything.
- - Yes, you are.
- 782
- 01:05:38,871 --> 01:05:40,633
- - No! No.
- - You're lying to me.
- 783
- 01:05:40,771 --> 01:05:42,169
- - I'm not lying.
- - Yes, you are.
- 784
- 01:05:42,337 --> 01:05:44,327
- (mocks) "No, I'm not lying."
- Yes, you are.
- 785
- 01:05:44,837 --> 01:05:47,066
- - I'm not lying.
- - Tell me. What do you think?
- 786
- 01:05:47,470 --> 01:05:49,062
- Oh, my God, you're being
- all weird now.
- 787
- 01:05:49,203 --> 01:05:50,568
- - No, I'm not!
- - Yes, you are.
- 788
- 01:05:50,737 --> 01:05:53,169
- The second we're done you're
- going straight for the condom.
- 789
- 01:05:53,404 --> 01:05:55,166
- - Trying to be nice.
- - "Can I have it?"
- 790
- 01:05:55,337 --> 01:05:56,861
- - What? Do you...
- - Let go of it.
- 791
- 01:05:56,971 --> 01:05:58,232
- - You let go.
- - It's mine.
- 792
- 01:05:58,437 --> 01:06:00,495
- It's not yours. Let go.
- 793
- 01:06:00,637 --> 01:06:01,535
- - No.
- - Yes,
- 794
- 01:06:01,637 --> 01:06:02,695
- you're acting
- like a child.
- 795
- 01:06:02,871 --> 01:06:04,313
- - I'm not letting go.
- - Let go! (laughs)
- 796
- 01:06:04,337 --> 01:06:06,304
- - No!
- - I'm gonna let go if you don't.
- 797
- 01:06:06,504 --> 01:06:07,835
- - Let go then.
- - You let go.
- 798
- 01:06:07,971 --> 01:06:09,631
- - It's gonna break.
- - Yes, it is.
- 799
- 01:06:09,737 --> 01:06:11,135
- - Let go.
- - Give it to me.
- 800
- 01:06:11,304 --> 01:06:12,566
- (both speak)
- 801
- 01:06:16,437 --> 01:06:17,734
- (snaps)
- 802
- 01:07:25,504 --> 01:07:28,232
- (cell phone rings)
- 803
- 01:07:30,504 --> 01:07:32,731
- (sighs)
- 804
- 01:07:37,270 --> 01:07:40,669
- (continues ringing)
- 805
- 01:07:45,404 --> 01:07:46,404
- Hello?
- 806
- 01:07:46,537 --> 01:07:48,504
- Woman: <i>Hello,
- is this Christian?</i>
- 807
- 01:07:48,637 --> 01:07:50,035
- Yeah.
- 808
- 01:07:50,203 --> 01:07:53,227
- <i>This is the Central Station
- 7-Eleven.</i>
- 809
- 01:07:53,704 --> 01:07:56,068
- <i>I'm calling to say that
- there's a parcel here</i>
- 810
- 01:07:56,337 --> 01:07:58,201
- <i>waiting for you.</i>
- 811
- 01:08:00,070 --> 01:08:04,470
- There must be
- a misunderstanding,
- 812
- 01:08:04,571 --> 01:08:05,868
- I picked it up yesterday.
- 813
- 01:08:07,037 --> 01:08:10,129
- <i>This came just
- a little while ago.</i>
- 814
- 01:08:10,504 --> 01:08:11,869
- <i>I'm holding it as we speak.</i>
- 815
- 01:08:12,604 --> 01:08:15,332
- <i>It has "Christian" written
- on it, so it has to be yours.</i>
- 816
- 01:08:15,537 --> 01:08:18,333
- - And it was dropped off today?
- <i>- Yes, today.</i>
- 817
- 01:08:20,604 --> 01:08:24,059
- That's strange...
- Could you open it for me?
- 818
- 01:08:24,737 --> 01:08:28,932
- <i>- You want me to open it?</i>
- - If that's possible, please do.
- 819
- 01:08:32,737 --> 01:08:34,761
- <i>There's a little note inside.</i>
- 820
- 01:08:36,237 --> 01:08:37,295
- Is there a message?
- 821
- 01:08:37,437 --> 01:08:38,802
- <i>Yes, want me
- to read it to you?</i>
- 822
- 01:08:38,970 --> 01:08:39,970
- Yes, please.
- 823
- 01:08:40,604 --> 01:08:42,366
- <i>"You accused me
- of being a thief.</i>
- 824
- 01:08:43,070 --> 01:08:44,867
- <i>Apologize to me
- and my family,</i>
- 825
- 01:08:45,203 --> 01:08:47,193
- <i>or I'll make chaos with you."</i>
- 826
- 01:08:51,537 --> 01:08:54,368
- Oh, I'll be darned...
- "Chaos," you said?
- 827
- 01:08:54,938 --> 01:08:59,337
- <i>Yes."Or I'll make C-H-A-O-S
- with you."</i>
- 828
- 01:08:59,504 --> 01:09:03,562
- Uh-huh, yeah. Well, I'll
- pick it up as soon as I can.
- 829
- 01:09:03,737 --> 01:09:07,329
- <i>There's a phone number here
- too, want me to say it?</i>
- 830
- 01:09:07,504 --> 01:09:11,994
- No, never mind,
- I'll come and get the parcel.
- 831
- 01:09:12,237 --> 01:09:15,033
- - Thank you for calling.
- <i>- Great, bye.</i>
- 832
- 01:09:21,771 --> 01:09:23,738
- Will you be wearing
- your hair up?
- 833
- 01:09:23,970 --> 01:09:25,335
- That's the plan.
- 834
- 01:09:30,237 --> 01:09:32,204
- - Okay
- - Is it time?
- 835
- 01:09:33,604 --> 01:09:35,833
- (together) One, two, three...
- 836
- 01:09:41,103 --> 01:09:42,764
- (whispers) Yes!
- 837
- 01:09:47,937 --> 01:09:49,063
- Man: <i>What's up!</i>
- 838
- 01:09:49,504 --> 01:09:51,300
- How are you feeling
- about this?
- 839
- 01:09:51,404 --> 01:09:52,701
- Great.
- 840
- 01:09:52,970 --> 01:09:55,028
- We're getting closer.
- 841
- 01:09:55,704 --> 01:09:58,466
- I'm excited to hear what
- you've come up with.
- 842
- 01:09:58,771 --> 01:10:02,465
- - Man: Right. Are you all set?
- - Woman: Absolutely.
- 843
- 01:10:03,070 --> 01:10:07,026
- - Man: It's great to be back.
- - Great to have you back.
- 844
- 01:10:07,237 --> 01:10:09,761
- This project raises
- many interesting,
- 845
- 01:10:10,103 --> 01:10:12,934
- topical and
- humanitarian issues.
- 846
- 01:10:14,070 --> 01:10:16,469
- But the challenge here
- 847
- 01:10:16,737 --> 01:10:21,136
- is to cut through
- the media clutter.
- 848
- 01:10:21,270 --> 01:10:24,998
- Your competition
- isn't other museums,
- 849
- 01:10:25,170 --> 01:10:27,831
- it's disasters,
- terrorism,
- 850
- 01:10:28,070 --> 01:10:30,833
- and controversial moves
- by far-right politicians.
- 851
- 01:10:31,103 --> 01:10:34,229
- Keep that at the back
- of your mind, stay calm,
- 852
- 01:10:34,404 --> 01:10:37,859
- and Daniel will
- tell you about our idea.
- 853
- 01:10:38,037 --> 01:10:39,595
- (chuckles) Okay.
- 854
- 01:10:39,771 --> 01:10:41,203
- Daniel: Yes.
- 855
- 01:10:41,903 --> 01:10:45,200
- Moving media,
- that's what we recommend.
- 856
- 01:10:45,637 --> 01:10:48,399
- When making films today,
- you need to be aware
- 857
- 01:10:48,604 --> 01:10:51,594
- that people have
- a very short attention span.
- 858
- 01:10:52,170 --> 01:10:56,830
- If the viewer isn't hooked in
- two seconds, they'll move on.
- 859
- 01:10:57,771 --> 01:11:01,828
- In 10 to 15 seconds, tops,
- we also have to create
- 860
- 01:11:01,937 --> 01:11:04,769
- something so powerful
- or interesting
- 861
- 01:11:04,937 --> 01:11:08,496
- that people want to
- share it on Facebook,
- 862
- 01:11:08,771 --> 01:11:11,862
- social media, to the press,
- thereby creating a viral effect.
- 863
- 01:11:13,803 --> 01:11:15,895
- We conducted market research
- 864
- 01:11:16,070 --> 01:11:20,504
- on what's shared the most
- on social media.
- 865
- 01:11:21,103 --> 01:11:23,366
- It's generally
- vulnerable groups.
- 866
- 01:11:24,270 --> 01:11:28,567
- People post about women,
- the disabled,
- 867
- 01:11:28,737 --> 01:11:33,897
- the racialized, LGBTQ people...
- You can make that list longer,
- 868
- 01:11:34,070 --> 01:11:36,401
- but there is one group
- that affects people
- 869
- 01:11:36,571 --> 01:11:40,527
- even more strongly: beggars.
- 870
- 01:11:40,704 --> 01:11:44,193
- So we'd like to use a beggar
- in this clip,
- 871
- 01:11:44,370 --> 01:11:48,303
- but also turn it up a notch
- by making the beggar a child.
- 872
- 01:11:50,504 --> 01:11:56,335
- In addition to this,
- the beggar will have fair hair.
- 873
- 01:11:56,504 --> 01:11:59,130
- Personify the Swedish...
- 874
- 01:11:59,404 --> 01:12:01,428
- What are you thinking...?
- 875
- 01:12:04,836 --> 01:12:10,827
- We open on the Palace courtyard.
- The Square is visible.
- 876
- 01:12:11,870 --> 01:12:14,996
- So there's product placement
- from frame one.
- 877
- 01:12:16,237 --> 01:12:18,067
- Towards this artwork...
- 878
- 01:12:18,437 --> 01:12:21,029
- is daybreak and the Square
- is shimmering
- 879
- 01:12:21,203 --> 01:12:23,931
- with its promise of trust,
- 880
- 01:12:24,203 --> 01:12:28,660
- caring, moral courage
- and all that good stuff...
- 881
- 01:12:28,803 --> 01:12:31,861
- Then we see a little girl
- approaching the Square.
- 882
- 01:12:32,037 --> 01:12:36,368
- She's shivering.
- She's all alone. She's crying.
- 883
- 01:12:36,537 --> 01:12:38,470
- She's wrapped in a dirty blanket
- 884
- 01:12:38,604 --> 01:12:40,400
- and you sense
- that she's homeless.
- 885
- 01:12:40,571 --> 01:12:44,163
- These are powerful images
- so we've hooked the viewer.
- 886
- 01:12:44,337 --> 01:12:45,668
- (laughing)
- 887
- 01:12:45,803 --> 01:12:47,395
- Daniel: The girl
- keeps on walking...
- 888
- 01:12:51,604 --> 01:12:55,401
- - Excuse me?
- - Sorry, please go on.
- 889
- 01:12:58,437 --> 01:12:59,733
- Powerful images...
- 890
- 01:12:59,937 --> 01:13:01,404
- You wonder where it's
- all heading.
- 891
- 01:13:01,870 --> 01:13:03,996
- She's crying
- as she moves along...
- 892
- 01:13:05,504 --> 01:13:07,732
- (chuckles)
- 893
- 01:13:08,736 --> 01:13:10,067
- She enters the Square...
- 894
- 01:13:16,571 --> 01:13:17,867
- (Daniel claps)
- 895
- 01:13:18,037 --> 01:13:20,731
- And there,
- it's time for the unexpected.
- 896
- 01:13:22,304 --> 01:13:25,567
- The total opposite of everything
- the Square stands for.
- 897
- 01:13:26,537 --> 01:13:31,402
- The surprise effect will
- generate the attention we need,
- 898
- 01:13:31,571 --> 01:13:36,799
- creating the perfect platform
- to express your message.
- 899
- 01:13:37,070 --> 01:13:40,469
- All those values and issues
- your exhibition
- 900
- 01:13:40,604 --> 01:13:42,571
- would like to raise.
- 901
- 01:13:51,103 --> 01:13:52,831
- - Hmm?
- - Exciting...
- 902
- 01:13:52,970 --> 01:13:55,403
- (chuckles) And not at all
- what I expected.
- 903
- 01:13:55,571 --> 01:13:57,901
- - That's good.
- - A novel approach.
- 904
- 01:13:58,070 --> 01:14:01,764
- Woman: That's what we wanted
- to achieve.
- 905
- 01:14:01,937 --> 01:14:06,530
- So, what happens?
- 906
- 01:14:06,703 --> 01:14:09,330
- Exactly what happens?
- 907
- 01:14:09,937 --> 01:14:16,394
- Well, we haven't quite figured
- out exactly what that will be,
- 908
- 01:14:16,903 --> 01:14:19,734
- but in one way or another,
- 909
- 01:14:19,903 --> 01:14:22,699
- the girl will get hurt
- inside the Square.
- 910
- 01:14:25,604 --> 01:14:28,503
- Woman 2: What do you mean
- by "get hurt"?
- 911
- 01:14:28,770 --> 01:14:32,397
- Well, it's the last thing
- viewers expect,
- 912
- 01:14:32,571 --> 01:14:34,197
- - and opposite of...
- - (door opens)
- 913
- 01:14:34,370 --> 01:14:37,360
- - Hello.
- - Great! Come on in.
- 914
- 01:14:37,537 --> 01:14:42,061
- Christian: Michael, can I
- bother you for a sec?
- 915
- 01:14:42,237 --> 01:14:44,897
- Man: Christian, it would
- be great if you could join us.
- 916
- 01:14:45,237 --> 01:14:47,329
- It would be great
- if you could join us.
- 917
- 01:14:50,870 --> 01:14:52,734
- Let's take it from the top.
- 918
- 01:14:52,970 --> 01:14:54,994
- Man: He needs to be
- on board with this.
- 919
- 01:14:55,736 --> 01:14:58,363
- This looks fine.
- 920
- 01:14:58,770 --> 01:15:03,726
- It's the right approach.
- Go ahead, run with it.
- 921
- 01:15:03,870 --> 01:15:05,303
- Daniel: I could
- run through it...
- 922
- 01:15:05,404 --> 01:15:07,200
- Christian: I've got to go.
- 923
- 01:15:07,370 --> 01:15:09,132
- - Bye.
- - But...
- 924
- 01:15:13,037 --> 01:15:16,834
- Okay, we'll do a recap later.
- Let's move on.
- 925
- 01:15:16,970 --> 01:15:19,301
- Woman 1: Explain, please.
- 926
- 01:15:19,437 --> 01:15:21,370
- What's happening here
- 927
- 01:15:21,504 --> 01:15:23,868
- is exactly what we
- want to achieve.
- 928
- 01:15:24,170 --> 01:15:27,762
- Questions like these reflect
- 929
- 01:15:28,537 --> 01:15:31,731
- how the general public
- and the media will react.
- 930
- 01:15:31,970 --> 01:15:33,146
- Woman: That's what
- I'm afraid of.
- 931
- 01:15:33,170 --> 01:15:34,467
- Don't be...
- 932
- 01:15:34,603 --> 01:15:38,764
- Christian: Excuse me...
- What's your name?
- 933
- 01:15:39,270 --> 01:15:40,930
- Hello...
- 934
- 01:15:41,404 --> 01:15:43,132
- - Yes, you.
- - Nicki.
- 935
- 01:15:43,270 --> 01:15:44,861
- Do you have
- a drivers' license?
- 936
- 01:15:45,037 --> 01:15:45,867
- Yes.
- 937
- 01:15:46,037 --> 01:15:47,334
- Come along.
- 938
- 01:15:48,037 --> 01:15:50,470
- - Right now?
- - Yes. Please.
- 939
- 01:15:56,770 --> 01:15:59,397
- Man: We have, of course,
- 940
- 01:15:59,870 --> 01:16:02,860
- prepared for crisis management.
- 941
- 01:16:03,370 --> 01:16:05,394
- That's part of our risk
- analysis,
- 942
- 01:16:05,536 --> 01:16:09,594
- to prepare for
- any external concerns.
- 943
- 01:16:09,770 --> 01:16:12,532
- The same concerns I sense here.
- 944
- 01:16:12,703 --> 01:16:14,727
- - (baby fusses)
- - We can handle them.
- 945
- 01:16:14,903 --> 01:16:16,836
- (door closes)
- 946
- 01:17:01,503 --> 01:17:04,834
- Don't make me angry!
- Don't act stupid!
- 947
- 01:17:04,970 --> 01:17:07,335
- Christian: I don't know
- what you're talking about.
- 948
- 01:17:07,570 --> 01:17:08,696
- It says "Christian" here.
- 949
- 01:17:08,803 --> 01:17:10,929
- - And there.
- - Yes, but...
- 950
- 01:17:11,103 --> 01:17:17,333
- - Oh. Are you Christian?
- - No, he's my boss.
- 951
- 01:17:17,970 --> 01:17:19,335
- - Your boss?
- - Listen...
- 952
- 01:17:19,436 --> 01:17:21,301
- - Where's your stupid boss?
- - Listen...
- 953
- 01:17:21,436 --> 01:17:24,995
- - Where's your stupid boss?
- - Lower your voice.
- 954
- 01:17:25,636 --> 01:17:27,830
- I've got nothing to do
- with all this...
- 955
- 01:17:27,970 --> 01:17:31,698
- - I want his phone number.
- - You can't have it.
- 956
- 01:17:31,870 --> 01:17:36,327
- Why not? Look what he did to me,
- I need to talk to him.
- 957
- 01:17:36,503 --> 01:17:39,766
- I'm really sorry,
- we made a mistake.
- 958
- 01:17:39,937 --> 01:17:45,461
- What? Why did you write this?
- My parents think I'm a thief.
- 959
- 01:17:45,603 --> 01:17:49,661
- They won't let me play ball,
- or anything! All thanks to you!
- 960
- 01:17:49,803 --> 01:17:52,702
- - Hey, listen...
- - You put this in my letterbox.
- 961
- 01:17:52,870 --> 01:17:56,167
- It wasn't me, it was my boss.
- 962
- 01:17:56,337 --> 01:17:59,826
- No, you did this!
- You're lying. You're Christian.
- 963
- 01:17:59,970 --> 01:18:03,994
- - He's lying to me!
- - Calm down.
- 964
- 01:18:04,170 --> 01:18:06,602
- Look what he put
- in our letterbox!
- 965
- 01:18:07,503 --> 01:18:09,232
- Now my parents think
- I'm a thief.
- 966
- 01:18:09,570 --> 01:18:12,163
- My boss was robbed...
- 967
- 01:18:12,270 --> 01:18:14,759
- All I get to do is stay home
- and rot!
- 968
- 01:18:15,370 --> 01:18:18,996
- They took his phone
- and his wallet...
- 969
- 01:18:19,170 --> 01:18:21,228
- So he put a note
- in all the letterboxes.
- 970
- 01:18:21,403 --> 01:18:24,700
- - What are you laughing at?
- - Well, it's...
- 971
- 01:18:24,870 --> 01:18:27,201
- - You bastard! Shut up.
- - Chill...
- 972
- 01:18:27,369 --> 01:18:32,393
- - You can't fight in here.
- - Look at what he wrote.
- 973
- 01:18:32,570 --> 01:18:34,003
- Don't I have the right
- to be angry?
- 974
- 01:18:34,170 --> 01:18:38,228
- Girl: I don't know
- who's right here.
- 975
- 01:18:38,403 --> 01:18:42,598
- He's pretending
- to have a boss called Christian.
- 976
- 01:18:42,770 --> 01:18:47,033
- And he's pretending that he
- can't understand my Swedish...
- 977
- 01:18:47,203 --> 01:18:51,533
- Translate,
- so the idiot understands.
- 978
- 01:18:51,703 --> 01:18:53,863
- Stop calling me an idiot.
- 979
- 01:18:54,037 --> 01:18:56,061
- - (shouts) Give me his number!
- - Shh! Calm down!
- 980
- 01:18:57,536 --> 01:19:01,300
- - Hey, where are you going?
- - Hey! What are you doing?
- 981
- 01:19:01,436 --> 01:19:03,369
- (both chattering)
- 982
- 01:19:03,536 --> 01:19:05,833
- What's wrong with you?
- 983
- 01:19:05,970 --> 01:19:09,835
- What do you expect me to do?
- I didn't do this!
- 984
- 01:19:29,037 --> 01:19:31,129
- (Christian shouts)
- 985
- 01:19:31,270 --> 01:19:33,294
- - Jesus!
- - What the hell are you doing?
- 986
- 01:19:33,436 --> 01:19:35,199
- - I'm so sorry.
- - (pants)
- 987
- 01:19:35,369 --> 01:19:37,132
- - You scared me.
- - You scared me.
- 988
- 01:19:37,270 --> 01:19:39,203
- - Sorry...
- - Christian?
- 989
- 01:19:39,369 --> 01:19:41,734
- - God!
- - I'm sorry, but...
- 990
- 01:19:41,903 --> 01:19:45,301
- - This is not a good time.
- - It's an emergency.
- 991
- 01:19:45,436 --> 01:19:47,528
- - What?
- - Excuse me. Sorry.
- 992
- 01:19:47,703 --> 01:19:51,568
- - It's okay.
- - All right...
- 993
- 01:19:51,970 --> 01:19:55,596
- One of the cleaners
- managed to sweep up
- 994
- 01:19:55,937 --> 01:19:58,699
- parts of the Gijoni exhibit.
- 995
- 01:19:59,270 --> 01:20:03,169
- - The piles don't look the same.
- - Are you pulling my leg?
- 996
- 01:20:03,336 --> 01:20:06,326
- - Hmm.
- - Are the piles gone?
- 997
- 01:20:06,503 --> 01:20:08,868
- No, but they don't
- look the same.
- 998
- 01:20:09,037 --> 01:20:14,198
- And we found
- a bag full of gravel.
- 999
- 01:20:14,369 --> 01:20:15,996
- So I'll call
- the insurance company.
- 1000
- 01:20:16,237 --> 01:20:21,000
- No, no! No, don't do that.
- 1001
- 01:20:21,870 --> 01:20:26,326
- Where's the gravel?
- The gravel that was swept away?
- 1002
- 01:20:26,503 --> 01:20:28,732
- In a bag? Great.
- 1003
- 01:20:28,903 --> 01:20:32,734
- And we have photos, don't we?
- 1004
- 01:20:32,903 --> 01:20:35,836
- - Um-hm.
- - So here's the plan:
- 1005
- 01:20:35,970 --> 01:20:40,994
- Meet me downstairs in 5 minutes,
- with the photos and the gravel,
- 1006
- 01:20:41,170 --> 01:20:45,330
- and we'll fix it.
- Without telling anyone at all.
- 1007
- 01:20:45,503 --> 01:20:47,993
- She doesn't understand a thing,
- she's American.
- 1008
- 01:20:48,170 --> 01:20:51,194
- Are you serious?
- We're going to fix the piles?
- 1009
- 01:20:51,369 --> 01:20:54,530
- Sure, it will be fine. Hm?
- 1010
- 01:20:54,703 --> 01:20:56,670
- We'll sort it out.
- 1011
- 01:20:58,037 --> 01:20:59,731
- - Okay.
- - Mm-hm?
- 1012
- 01:20:59,903 --> 01:21:04,064
- Mm-hm. Yeah. Okay.
- 1013
- 01:21:07,070 --> 01:21:09,003
- (sighs)
- 1014
- 01:21:11,703 --> 01:21:14,898
- Do you remember what happened
- between us the other night?
- 1015
- 01:21:15,070 --> 01:21:16,070
- We were here.
- 1016
- 01:21:16,202 --> 01:21:18,533
- Yeah, no, after that though.
- 1017
- 01:21:18,703 --> 01:21:21,693
- - We left.
- - Yes. And then?
- 1018
- 01:21:21,870 --> 01:21:24,666
- - We got in a car.
- - Mm-hm.
- 1019
- 01:21:25,236 --> 01:21:27,567
- Went back to your place.
- 1020
- 01:21:32,202 --> 01:21:33,635
- No?
- 1021
- 01:21:34,670 --> 01:21:36,933
- - Missing something?
- - Mm-mm.
- 1022
- 01:21:38,269 --> 01:21:40,293
- You opened a bottle of wine,
- we sat down.
- 1023
- 01:21:40,436 --> 01:21:42,528
- We talked, had a great time.
- 1024
- 01:21:42,703 --> 01:21:44,533
- And then what happened?
- 1025
- 01:21:48,503 --> 01:21:50,436
- Are you getting at something
- specific here?
- 1026
- 01:21:50,603 --> 01:21:51,843
- - Yes.
- - You've got something...
- 1027
- 01:21:51,903 --> 01:21:52,903
- Very specific.
- 1028
- 01:21:52,937 --> 01:21:54,379
- Why don't you just come out
- and say it?
- 1029
- 01:21:54,403 --> 01:21:55,563
- Because I want you to say it.
- 1030
- 01:21:55,636 --> 01:21:57,126
- I want you to remember it.
- 1031
- 01:22:03,336 --> 01:22:04,963
- Why is it so hard
- for you to say...
- 1032
- 01:22:05,137 --> 01:22:06,626
- Come.
- 1033
- 01:22:08,736 --> 01:22:10,362
- Why is it so...
- 1034
- 01:22:10,536 --> 01:22:12,935
- I don't understand why it's
- so hard for you to say this.
- 1035
- 01:22:13,103 --> 01:22:16,661
- - We had sex.
- - Great, yes.
- 1036
- 01:22:16,803 --> 01:22:18,497
- Why didn't you just
- say it yourself?
- 1037
- 01:22:18,636 --> 01:22:20,193
- You didn't want to say it.
- 1038
- 01:22:20,369 --> 01:22:23,564
- (loud clattering)
- 1039
- 01:22:24,570 --> 01:22:27,298
- (clattering continues)
- 1040
- 01:22:33,236 --> 01:22:36,169
- Okay, you were inside of me,
- that's what happened.
- 1041
- 01:22:36,336 --> 01:22:38,735
- - Yes, I am...
- - You were inside of me.
- 1042
- 01:22:38,903 --> 01:22:41,335
- - I'm aware of that.
- - Okay, good.
- 1043
- 01:22:41,503 --> 01:22:42,902
- You remember that then.
- 1044
- 01:22:43,070 --> 01:22:45,832
- Listen, that is part of it.
- 1045
- 01:22:45,970 --> 01:22:47,664
- Yes, it's a big part of it.
- 1046
- 01:22:47,803 --> 01:22:49,997
- When a man and a woman,
- you know...
- 1047
- 01:22:50,169 --> 01:22:51,466
- The man is...
- 1048
- 01:22:51,603 --> 01:22:53,399
- - Good.
- - Inside the woman, yeah?
- 1049
- 01:22:53,570 --> 01:22:56,765
- And that meant something,
- did it not?
- 1050
- 01:22:56,937 --> 01:22:58,369
- Absolutely.
- 1051
- 01:22:58,536 --> 01:23:00,833
- Okay. What did it mean to you?
- 1052
- 01:23:06,937 --> 01:23:08,597
- I really enjoyed myself
- that evening.
- 1053
- 01:23:08,770 --> 01:23:11,737
- - I did. I absolutely did.
- - Good, good, and I...
- 1054
- 01:23:11,903 --> 01:23:13,563
- Can you please keep
- your voice down?
- 1055
- 01:23:13,736 --> 01:23:16,328
- It's just there's someone
- right over there.
- 1056
- 01:23:16,503 --> 01:23:19,299
- - Yeah, yeah. I like you.
- - Mm-hm.
- 1057
- 01:23:19,436 --> 01:23:22,232
- And I have an emotional
- connection to you,
- 1058
- 01:23:22,403 --> 01:23:25,893
- and I'd like to explore that
- because it's important to me.
- 1059
- 01:23:26,469 --> 01:23:28,265
- I don't just go have sex
- with anybody.
- 1060
- 01:23:28,403 --> 01:23:30,064
- You know? I have to have that.
- 1061
- 01:23:30,803 --> 01:23:32,770
- Do you just go have sex
- with just anybody?
- 1062
- 01:23:33,037 --> 01:23:34,230
- Excuse me?
- 1063
- 01:23:34,403 --> 01:23:37,199
- Do you just go have sex
- with lots of other women?
- 1064
- 01:23:38,202 --> 01:23:40,226
- Um...
- 1065
- 01:23:42,603 --> 01:23:44,900
- Anne: Is this something
- that you do a lot?
- 1066
- 01:23:47,336 --> 01:23:49,360
- Kind of a private question,
- isn't it?
- 1067
- 01:23:49,570 --> 01:23:53,503
- Uh, well, so it being inside me
- pretty private, so...
- 1068
- 01:23:53,670 --> 01:23:55,967
- But where's
- the connection there?
- 1069
- 01:23:56,202 --> 01:23:57,829
- I'm asking how often
- you do this.
- 1070
- 01:23:57,970 --> 01:24:01,334
- (loud clattering)
- 1071
- 01:24:09,202 --> 01:24:12,829
- How... how often would you say
- that you take women...
- 1072
- 01:24:13,803 --> 01:24:15,531
- that you don't know very well,
- 1073
- 01:24:15,836 --> 01:24:17,735
- and have sex with them
- and be inside them?
- 1074
- 01:24:18,069 --> 01:24:19,400
- I'm not sure... (stutters)
- 1075
- 01:24:19,903 --> 01:24:21,335
- Do you not remember them?
- 1076
- 01:24:21,803 --> 01:24:23,793
- Yeah, sure, I do. Yeah.
- 1077
- 01:24:24,069 --> 01:24:25,866
- You know their names?
- 1078
- 01:24:26,736 --> 01:24:28,168
- - Yeah.
- - Yeah?
- 1079
- 01:24:28,336 --> 01:24:29,633
- - Mm-hm, yeah.
- - Always?
- 1080
- 01:24:29,836 --> 01:24:31,268
- - Always. Yeah.
- - Yeah.
- 1081
- 01:24:31,570 --> 01:24:33,161
- So what's my name?
- 1082
- 01:24:44,336 --> 01:24:45,359
- I know your name.
- 1083
- 01:24:45,536 --> 01:24:47,127
- Okay, then good, what is it?
- 1084
- 01:24:47,269 --> 01:24:49,293
- (laughs) I'm not gonna go
- into this with you.
- 1085
- 01:24:49,436 --> 01:24:50,596
- This is stupid.
- 1086
- 01:24:50,770 --> 01:24:52,361
- Anyone that would know
- somebody's name
- 1087
- 01:24:52,536 --> 01:24:56,196
- would just say, "Of course
- I know your name."
- 1088
- 01:24:56,369 --> 01:24:57,563
- Name.
- 1089
- 01:24:57,736 --> 01:25:00,293
- - I know your name.
- - What is it?
- 1090
- 01:25:00,436 --> 01:25:02,232
- (laughs)
- 1091
- 01:25:02,403 --> 01:25:03,927
- Anne.
- 1092
- 01:25:08,069 --> 01:25:09,536
- Okay.
- 1093
- 01:25:11,436 --> 01:25:13,130
- (whispers) You really
- piss me off.
- 1094
- 01:25:13,269 --> 01:25:14,861
- - Yeah.
- - Yeah.
- 1095
- 01:25:15,036 --> 01:25:16,663
- I think you're fascinating.
- 1096
- 01:25:16,803 --> 01:25:18,770
- Oh, now we're gonna
- get to the... oh.
- 1097
- 01:25:18,937 --> 01:25:21,199
- Yeah, I think you're
- so interesting.
- 1098
- 01:25:21,369 --> 01:25:24,393
- Yes, I really do. I'm really
- starting to figure you out.
- 1099
- 01:25:24,570 --> 01:25:26,537
- - You are?
- - Yeah, yeah.
- 1100
- 01:25:26,636 --> 01:25:27,636
- Let's hear it.
- 1101
- 01:25:27,736 --> 01:25:31,464
- I think you're interested
- in using your position,
- 1102
- 01:25:31,636 --> 01:25:33,466
- which is a position of power,
- 1103
- 01:25:33,603 --> 01:25:36,832
- to attract women
- and to make conquests.
- 1104
- 01:25:36,969 --> 01:25:38,903
- That's what I think.
- 1105
- 01:25:39,069 --> 01:25:41,036
- That's what I think. Sorry.
- 1106
- 01:25:41,636 --> 01:25:44,535
- Mm-hm. Is that how I
- got you into bed?
- 1107
- 01:25:44,703 --> 01:25:46,533
- Well, it didn't work for me
- in that way.
- 1108
- 01:25:46,703 --> 01:25:49,602
- - Oh, no. Absolutely not.
- - Well, you admit it now.
- 1109
- 01:25:50,169 --> 01:25:51,192
- It didn't work for you.
- 1110
- 01:25:51,336 --> 01:25:53,064
- That's not a turn-on for you
- in any way.
- 1111
- 01:25:53,936 --> 01:25:56,062
- It's a lot of things,
- but I don't think it's...
- 1112
- 01:25:56,336 --> 01:25:58,769
- It's nothing to do with
- the fact that I'm...
- 1113
- 01:25:59,102 --> 01:26:00,831
- I... I don't think so.
- 1114
- 01:26:00,969 --> 01:26:05,335
- Why is that so hard to admit,
- that power is a turn-on?
- 1115
- 01:26:05,770 --> 01:26:07,862
- - Admit it.
- - But it's not true for me.
- 1116
- 01:26:08,036 --> 01:26:09,367
- - It's not true. Okay.
- - No.
- 1117
- 01:26:09,536 --> 01:26:11,526
- I'll admit to something else
- as well.
- 1118
- 01:26:11,703 --> 01:26:13,192
- I'm really proud
- that I conquered you.
- 1119
- 01:26:13,369 --> 01:26:14,734
- - Are you?
- - Yeah.
- 1120
- 01:26:15,969 --> 01:26:17,993
- - Proud of having me.
- - Mm-hm.
- 1121
- 01:26:18,770 --> 01:26:20,202
- You. You're quite a catch...
- 1122
- 01:26:20,336 --> 01:26:21,927
- (loud clatter)
- 1123
- 01:26:22,102 --> 01:26:24,069
- Yeah. Huh?
- 1124
- 01:26:24,469 --> 01:26:26,459
- You're quite a catch.
- 1125
- 01:26:38,036 --> 01:26:40,230
- (quietly reads) "You accused me
- of being a thief.
- 1126
- 01:26:40,403 --> 01:26:42,029
- You will apologize to me
- and my family,
- 1127
- 01:26:42,202 --> 01:26:46,158
- or I will make chaos with you."
- 1128
- 01:27:14,102 --> 01:27:16,660
- (sighs deeply)
- 1129
- 01:27:28,703 --> 01:27:30,693
- (distant noise)
- 1130
- 01:27:34,202 --> 01:27:36,135
- (noise repeats)
- 1131
- 01:27:47,703 --> 01:27:49,499
- (noise repeats)
- 1132
- 01:28:01,536 --> 01:28:03,934
- (clicking)
- 1133
- 01:28:11,236 --> 01:28:14,226
- (distant yelling)
- 1134
- 01:28:29,536 --> 01:28:31,764
- (loud clicking)
- 1135
- 01:28:34,169 --> 01:28:36,931
- (pounding)
- 1136
- 01:28:37,102 --> 01:28:38,729
- Hello?
- 1137
- 01:28:42,636 --> 01:28:44,125
- Hello.
- 1138
- 01:28:44,269 --> 01:28:47,532
- (clicking)
- 1139
- 01:28:48,169 --> 01:28:49,169
- Child 1: Daddy!
- 1140
- 01:28:49,236 --> 01:28:50,827
- Child 2: Why didn't you
- open the door?
- 1141
- 01:28:50,969 --> 01:28:53,061
- Child 1: And why didn't you
- pick us up!
- 1142
- 01:28:53,236 --> 01:28:54,726
- Christian: It wasn't
- my turn to do it.
- 1143
- 01:28:54,902 --> 01:28:58,666
- - We had to call Mummy!
- - She didn't tell me...
- 1144
- 01:28:58,802 --> 01:29:01,860
- - Go inside, you idiot!
- - Stop it!
- 1145
- 01:29:04,603 --> 01:29:07,035
- No... What's going on here?
- 1146
- 01:29:07,202 --> 01:29:13,295
- What's wrong?
- Don't fight like that...
- 1147
- 01:29:13,436 --> 01:29:17,062
- - What's wrong with you?
- - (girl screams)
- 1148
- 01:29:17,236 --> 01:29:20,032
- - You twerp!
- - I hate you!
- 1149
- 01:29:20,202 --> 01:29:22,896
- - Let go!
- - Stop it!
- 1150
- 01:29:24,802 --> 01:29:26,769
- Hey, hey...!
- 1151
- 01:29:28,369 --> 01:29:32,859
- What are you doing?
- No, go to your room.
- 1152
- 01:29:33,036 --> 01:29:35,299
- What's the matter, Lise? No!
- 1153
- 01:29:35,436 --> 01:29:37,732
- (door slams)
- 1154
- 01:29:37,902 --> 01:29:41,858
- Lilly? What have I said
- about slamming doors?
- 1155
- 01:29:42,036 --> 01:29:44,594
- (shouts) What have I said
- about that?!
- 1156
- 01:29:48,536 --> 01:29:52,526
- What have I said
- about slamming doors?
- 1157
- 01:29:52,702 --> 01:29:59,466
- We've talked about this.
- What's wrong with you two?
- 1158
- 01:29:59,603 --> 01:30:04,298
- Lise? You're the eldest...
- What's all this?
- 1159
- 01:30:11,169 --> 01:30:12,329
- Hello?
- 1160
- 01:30:23,503 --> 01:30:25,060
- (door opens)
- 1161
- 01:30:25,236 --> 01:30:27,668
- (footsteps)
- 1162
- 01:30:41,802 --> 01:30:43,928
- Why are you fighting like this?
- 1163
- 01:30:46,236 --> 01:30:48,032
- What's the matter?
- 1164
- 01:31:08,436 --> 01:31:11,994
- - I'm sorry, Daddy.
- - No, it was my fault.
- 1165
- 01:31:12,269 --> 01:31:15,134
- I raised my voice.
- 1166
- 01:31:15,269 --> 01:31:17,599
- I shouldn't have
- shouted like that.
- 1167
- 01:31:18,635 --> 01:31:21,727
- I'm sorry. Forgive me.
- 1168
- 01:31:24,202 --> 01:31:29,226
- Do you want to wait here
- while I go get Lise? All right?
- 1169
- 01:31:41,336 --> 01:31:46,598
- Welcome! I'm delighted
- to see such a crowd.
- 1170
- 01:31:46,936 --> 01:31:49,926
- Here are sets for our new
- exhibition,
- 1171
- 01:31:50,069 --> 01:31:53,298
- one that is
- very promising indeed.
- 1172
- 01:31:55,802 --> 01:32:02,134
- To enter, you have to decide
- whether you trust other people,
- 1173
- 01:32:02,269 --> 01:32:06,759
- or that you don't,
- you mistrust them.
- 1174
- 01:32:06,936 --> 01:32:11,336
- This is done by pressing
- the appropriate button.
- 1175
- 01:32:11,503 --> 01:32:14,493
- You're welcome to do that now.
- 1176
- 01:32:21,269 --> 01:32:22,997
- (beeps)
- 1177
- 01:32:26,869 --> 01:32:27,927
- (beeps)
- 1178
- 01:32:30,702 --> 01:32:34,829
- Excited?
- Let's see what happens next.
- 1179
- 01:32:36,069 --> 01:32:38,729
- (man whooping)
- 1180
- 01:32:41,735 --> 01:32:45,566
- (Lise speaks Swedish)
- 1181
- 01:32:45,735 --> 01:32:49,499
- - Lise: Should we?
- - Christian: What do you think?
- 1182
- 01:32:49,635 --> 01:32:54,399
- - Lise: That's what it says.
- - Christian: So, shouldn't we?
- 1183
- 01:32:54,569 --> 01:32:57,036
- - Lise: Here?
- - Christian: Mm-hm.
- 1184
- 01:33:00,169 --> 01:33:03,693
- Christian: Is that okay?
- Does it feel strange?
- 1185
- 01:33:03,869 --> 01:33:06,166
- - Lise: Yes.
- - (Christian laughs)
- 1186
- 01:33:08,403 --> 01:33:10,596
- It'll be interesting to see
- if they're still there
- 1187
- 01:33:10,769 --> 01:33:13,168
- when we get back.
- 1188
- 01:33:13,336 --> 01:33:17,463
- This reminds me of something
- your grandpa told me.
- 1189
- 01:33:17,602 --> 01:33:21,899
- He was a boy, about 6 years old.
- 1190
- 01:33:22,069 --> 01:33:24,366
- And he was about to go out
- and play...
- 1191
- 01:33:24,535 --> 01:33:26,559
- His parents made him a tag
- 1192
- 01:33:26,702 --> 01:33:30,136
- and wrote his name and address
- on it.
- 1193
- 01:33:30,269 --> 01:33:33,861
- They hung it around his neck
- and sent him off to play
- 1194
- 01:33:34,036 --> 01:33:37,162
- all by himself
- in the middle of Copenhagen.
- 1195
- 01:33:37,336 --> 01:33:43,236
- Imagine if I had done that
- to you when you were six.
- 1196
- 01:33:43,403 --> 01:33:47,699
- That never would have happened.
- Attitudes change...
- 1197
- 01:33:47,869 --> 01:33:52,461
- Back then,
- people trusted other grownups
- 1198
- 01:33:52,702 --> 01:33:54,862
- to help their children if they
- 1199
- 01:33:54,969 --> 01:33:57,334
- had problems or had
- lost their way.
- 1200
- 01:33:57,902 --> 01:34:00,664
- But nowadays, you tend to
- regard other adults
- 1201
- 01:34:00,802 --> 01:34:04,735
- as potential threats.
- 1202
- 01:34:06,502 --> 01:34:07,502
- Do you understand?
- 1203
- 01:34:07,535 --> 01:34:09,332
- What's that got to do
- with this?
- 1204
- 01:34:09,569 --> 01:34:13,333
- Everything. Read this again
- and you'll understand.
- 1205
- 01:34:14,602 --> 01:34:17,660
- Read it again. Out loud.
- 1206
- 01:34:18,202 --> 01:34:24,897
- (both) "The Square is
- a sanctuary of trust and caring.
- 1207
- 01:34:25,269 --> 01:34:32,032
- Within it, we all share
- equal rights and obligations."
- 1208
- 01:34:44,036 --> 01:34:49,867
- I don't have any cash.
- Sorry, I don't have any cash.
- 1209
- 01:34:50,969 --> 01:34:52,993
- I don't have any cash.
- 1210
- 01:35:12,402 --> 01:35:15,336
- (cell phone rings)
- 1211
- 01:35:32,102 --> 01:35:33,102
- Hello?
- 1212
- 01:35:33,169 --> 01:35:37,568
- <i>Hello, I'm Pauline
- from YouTube Sweden.</i>
- 1213
- 01:35:37,969 --> 01:35:41,697
- - Oh, hello...
- <i>- Congratulations to 300k.</i>
- 1214
- 01:35:43,502 --> 01:35:44,502
- Excuse me?
- 1215
- 01:35:44,569 --> 01:35:47,331
- <i>Congratulations to
- 300,000 clicks.</i>
- 1216
- 01:35:48,902 --> 01:35:51,562
- - 300,000 views?
- <i>- That's right.</i>
- 1217
- 01:35:51,735 --> 01:35:53,895
- <i>Your video has seen
- a lot of traffic</i>
- 1218
- 01:35:54,069 --> 01:35:56,399
- <i>in just a few hours.</i>
- 1219
- 01:35:57,902 --> 01:36:00,698
- Really? Well, that's nice.
- 1220
- 01:36:00,869 --> 01:36:05,235
- I presume you're referring
- to our artist talk.
- 1221
- 01:36:05,769 --> 01:36:11,169
- <i>No, it's "Blonde Child Beggar
- Gets Blown Into Pieces".</i>
- 1222
- 01:36:11,335 --> 01:36:13,666
- <i>The reason I'm calling
- is to ask</i>
- 1223
- 01:36:13,802 --> 01:36:15,769
- <i>if you are interested
- in any ads,</i>
- 1224
- 01:36:15,936 --> 01:36:20,665
- <i>thereby sharing
- partner revenue.</i>
- 1225
- 01:36:22,702 --> 01:36:23,702
- <i>Hello?</i>
- 1226
- 01:36:23,869 --> 01:36:27,825
- I need to get my head
- around this...
- 1227
- 01:36:28,036 --> 01:36:31,867
- We have a clip on YouTube
- 1228
- 01:36:32,236 --> 01:36:34,226
- that features kids
- being blown up?
- 1229
- 01:36:34,402 --> 01:36:39,029
- <i>I haven't seen
- the clip myself...</i>
- 1230
- 01:36:39,202 --> 01:36:40,930
- <i>I don't work with content.</i>
- 1231
- 01:36:41,102 --> 01:36:44,660
- No, of course not.
- Listen, can I call you back
- 1232
- 01:36:44,802 --> 01:36:48,894
- in ten minutes
- when I know more about this?
- 1233
- 01:36:49,069 --> 01:36:54,525
- <i>- Sure.</i>
- - I'll do that. Great. Bye.
- 1234
- 01:37:00,869 --> 01:37:03,358
- (clip plays)
- 1235
- 01:37:07,535 --> 01:37:11,128
- This so can't be happening.
- 1236
- 01:37:12,936 --> 01:37:15,368
- Unbelievable...
- 1237
- 01:37:58,569 --> 01:38:00,661
- Christian: Excuse me,
- could you help me?
- 1238
- 01:38:00,802 --> 01:38:03,701
- No?
- 1239
- 01:38:03,869 --> 01:38:08,393
- - Could you give me a hand?
- - Sorry...
- 1240
- 01:38:13,201 --> 01:38:14,998
- Christian: Excuse me.
- 1241
- 01:38:15,635 --> 01:38:17,659
- Hi. Can you...
- 1242
- 01:38:17,802 --> 01:38:19,735
- Hey, hey. I need your help.
- 1243
- 01:38:19,902 --> 01:38:21,926
- Can you help me, please.
- 1244
- 01:38:23,702 --> 01:38:25,828
- Can you please help me.
- 1245
- 01:38:27,802 --> 01:38:30,394
- Yes, you.
- Can you help me, please.
- 1246
- 01:38:33,168 --> 01:38:34,294
- Can you please come with me.
- 1247
- 01:38:34,602 --> 01:38:36,126
- Please come.
- 1248
- 01:38:36,268 --> 01:38:38,826
- Come. Come. Come on.
- 1249
- 01:38:38,969 --> 01:38:40,936
- I need help.
- 1250
- 01:38:41,102 --> 01:38:42,227
- Thank you.
- 1251
- 01:38:42,402 --> 01:38:44,063
- Just...
- 1252
- 01:38:44,235 --> 01:38:47,168
- Um, and just wait.
- 1253
- 01:38:47,335 --> 01:38:48,597
- Just wait here.
- 1254
- 01:38:48,769 --> 01:38:50,929
- My daughters are missing.
- 1255
- 01:38:51,102 --> 01:38:52,864
- So I'm gonna go look for them.
- 1256
- 01:38:53,036 --> 01:38:54,468
- If they come back here,
- 1257
- 01:38:54,602 --> 01:38:57,330
- please tell them
- that I will be right back.
- 1258
- 01:38:57,502 --> 01:38:59,731
- And just watch... the bags.
- 1259
- 01:38:59,902 --> 01:39:01,869
- And my daughters,
- if they come,
- 1260
- 01:39:02,036 --> 01:39:03,556
- tell them I'll be here
- in five minutes.
- 1261
- 01:39:03,702 --> 01:39:06,464
- - (speaks Swedish)
- - Yeah. Thank you.
- 1262
- 01:39:13,201 --> 01:39:16,168
- (baby cries)
- 1263
- 01:40:11,869 --> 01:40:14,358
- "These people must die in hell.
- 1264
- 01:40:14,535 --> 01:40:17,297
- If I meet them on the street, I
- will punch them in their faces."
- 1265
- 01:40:17,435 --> 01:40:21,527
- "You make money off of
- scaring people shitless."
- 1266
- 01:40:21,702 --> 01:40:23,532
- (Michael laughs)
- 1267
- 01:40:25,368 --> 01:40:28,563
- "Why aren't these people dead?"
- 1268
- 01:40:29,368 --> 01:40:30,699
- - Well,
- - He's here.
- 1269
- 01:40:30,802 --> 01:40:34,394
- at least
- we got people talking.
- 1270
- 01:40:50,268 --> 01:40:52,428
- (rustling)
- 1271
- 01:40:52,735 --> 01:40:56,634
- (on TV)<i>...have produced this
- video with taxpayers' money...</i>
- 1272
- 01:40:56,802 --> 01:40:58,428
- Hello...
- 1273
- 01:41:00,335 --> 01:41:01,962
- Lise: Hi, Elna.
- 1274
- 01:41:02,869 --> 01:41:03,949
- <i>And the other thing
- they do,</i>
- 1275
- 01:41:04,068 --> 01:41:06,126
- <i>that they are
- clueless about,</i>
- 1276
- 01:41:06,435 --> 01:41:08,698
- <i>is to attack one of Sweden's</i>
- 1277
- 01:41:08,902 --> 01:41:10,892
- <i>most vulnerable groups,
- the beggars.</i>
- 1278
- 01:41:11,068 --> 01:41:15,729
- <i>People who sit day
- and night outside shops.</i>
- 1279
- 01:41:16,502 --> 01:41:20,697
- <i>A video like this is pissing
- them straight in the face.</i>
- 1280
- 01:41:20,869 --> 01:41:23,734
- <i>What's really sick is that
- my 6-year-old daughter...</i>
- 1281
- 01:41:23,902 --> 01:41:27,596
- - Could you turn that off?
- <i>- ...sees body parts flying...</i>
- 1282
- 01:41:27,769 --> 01:41:30,736
- Who's that idiot?
- 1283
- 01:41:31,268 --> 01:41:35,463
- Elna, this is an opportunity
- to take a stand.
- 1284
- 01:41:35,602 --> 01:41:39,501
- We, as a museum, mustn't
- be afraid to push boundaries.
- 1285
- 01:41:39,635 --> 01:41:44,193
- To transcend
- all kinds of taboos.
- 1286
- 01:41:44,368 --> 01:41:47,494
- Nothing should stand in the way
- of freedom of expression.
- 1287
- 01:41:47,635 --> 01:41:51,500
- That's my conviction.
- It's something to stand up for.
- 1288
- 01:41:53,569 --> 01:41:54,695
- Without a doubt.
- 1289
- 01:42:01,402 --> 01:42:03,392
- Elna: BabyBjörn...
- 1290
- 01:42:03,569 --> 01:42:06,832
- Do you think they'll want
- to donate money to this museum?
- 1291
- 01:42:11,235 --> 01:42:13,202
- You do realize
- 1292
- 01:42:13,368 --> 01:42:15,460
- that I didn't have anything
- to do with this video?
- 1293
- 01:42:15,602 --> 01:42:21,331
- - I didn't make it...
- - That's totally irrelevant.
- 1294
- 01:42:21,502 --> 01:42:23,230
- Really.
- 1295
- 01:42:27,535 --> 01:42:31,059
- I have a board meeting
- to attend.
- 1296
- 01:42:31,235 --> 01:42:33,225
- And I want to make sure
- that you will comply
- 1297
- 01:42:33,402 --> 01:42:36,233
- with any decisions we make.
- 1298
- 01:42:36,402 --> 01:42:42,063
- Well, that depends
- on what we're talking about.
- 1299
- 01:42:42,235 --> 01:42:46,692
- That would be decisions related
- to the consequences of all this.
- 1300
- 01:42:50,569 --> 01:42:51,729
- (baby cries)
- 1301
- 01:42:51,902 --> 01:42:55,062
- - Elna: Obviously.
- - Okay.
- 1302
- 01:42:55,235 --> 01:42:57,065
- Good.
- 1303
- 01:42:57,235 --> 01:42:59,327
- (door opens)
- 1304
- 01:42:59,502 --> 01:43:01,900
- (Elna walks out)
- 1305
- 01:43:12,502 --> 01:43:15,560
- Girls, if you want to draw,
- 1306
- 01:43:15,735 --> 01:43:18,861
- there are some crayons
- over there.
- 1307
- 01:43:19,035 --> 01:43:23,560
- - No...
- - You don't want to? Why not?
- 1308
- 01:43:26,502 --> 01:43:30,458
- Elna: One more thing.
- We need new press photos of you.
- 1309
- 01:43:32,901 --> 01:43:33,901
- What for?
- 1310
- 01:43:33,968 --> 01:43:35,731
- On the ones we have,
- you're smiling.
- 1311
- 01:43:40,535 --> 01:43:43,024
- (crowd chatters)
- 1312
- 01:43:49,435 --> 01:43:51,026
- Elna: Welcome.
- 1313
- 01:43:52,935 --> 01:43:54,493
- Christian?
- 1314
- 01:43:58,268 --> 01:44:01,724
- Keep in mind that they
- don't know about the clip.
- 1315
- 01:44:38,168 --> 01:44:40,362
- (thunder over speakers)
- 1316
- 01:44:42,968 --> 01:44:45,328
- Man (over PA in English): <i>I'm
- asking for your utmost caution</i>
- 1317
- 01:44:45,435 --> 01:44:47,368
- <i>during this performance.</i>
- 1318
- 01:44:48,635 --> 01:44:51,500
- (thunder cracks)
- 1319
- 01:44:55,368 --> 01:44:59,529
- - What's happening?
- - This will be exciting!
- 1320
- 01:44:59,702 --> 01:45:01,396
- <i>Welcome to the jungle.</i>
- 1321
- 01:45:01,569 --> 01:45:03,468
- (birds chirping)
- 1322
- 01:45:04,168 --> 01:45:08,693
- <i>Soon you will be confronted
- by a wild animal.</i>
- 1323
- 01:45:08,868 --> 01:45:11,028
- <i>As you all know,
- the hunting instinct</i>
- 1324
- 01:45:11,201 --> 01:45:13,225
- <i>is triggered by weakness.</i>
- 1325
- 01:45:13,402 --> 01:45:17,130
- <i>If you show fear,
- the animal will sense it.</i>
- 1326
- 01:45:17,268 --> 01:45:19,599
- (thunder cracks)
- 1327
- 01:45:19,768 --> 01:45:25,703
- <i>If you try to escape,
- the animal will hunt you down.</i>
- 1328
- 01:45:25,868 --> 01:45:28,358
- (drums playing)
- 1329
- 01:45:28,535 --> 01:45:31,990
- <i>But if you remain
- perfectly still,</i>
- 1330
- 01:45:32,168 --> 01:45:35,294
- <i>without moving a muscle,</i>
- 1331
- 01:45:35,435 --> 01:45:38,231
- <i>the animal
- might not notice you.</i>
- 1332
- 01:45:38,402 --> 01:45:41,164
- <i>And you can hide in the herd,</i>
- 1333
- 01:45:41,335 --> 01:45:45,598
- <i>safe in the knowledge that
- someone else will be the prey.</i>
- 1334
- 01:45:45,768 --> 01:45:48,235
- (insects buzz)
- 1335
- 01:45:55,068 --> 01:45:57,830
- (whooping)
- 1336
- 01:46:07,935 --> 01:46:10,198
- Woman: What's going on?
- 1337
- 01:46:12,502 --> 01:46:15,560
- (crowd chatters)
- 1338
- 01:47:06,868 --> 01:47:08,732
- (makes animal noises)
- 1339
- 01:47:08,901 --> 01:47:10,697
- (crowd laughs)
- 1340
- 01:47:49,435 --> 01:47:51,992
- (applause)
- 1341
- 01:48:03,335 --> 01:48:06,234
- (makes animal noises)
- 1342
- 01:48:10,435 --> 01:48:12,992
- - This is rather fierce.
- - Yes.
- 1343
- 01:48:17,901 --> 01:48:20,391
- (clattering)
- 1344
- 01:48:57,901 --> 01:48:59,493
- (makes animal noises)
- 1345
- 01:49:18,201 --> 01:49:20,997
- (laughter)
- 1346
- 01:49:29,935 --> 01:49:31,697
- Hello.
- 1347
- 01:49:41,901 --> 01:49:43,765
- Stop.
- 1348
- 01:49:43,935 --> 01:49:46,232
- - Stop.
- - (makes soft noises)
- 1349
- 01:49:51,335 --> 01:49:52,995
- (laughter)
- 1350
- 01:49:53,168 --> 01:49:54,828
- Very funny.
- 1351
- 01:50:02,068 --> 01:50:03,728
- (laughs)
- 1352
- 01:50:13,701 --> 01:50:14,998
- (stamps, grunts)
- 1353
- 01:50:15,168 --> 01:50:16,930
- Go on, go away.
- 1354
- 01:50:17,101 --> 01:50:18,499
- (grunts)
- 1355
- 01:50:18,634 --> 01:50:19,692
- Go away.
- 1356
- 01:50:19,868 --> 01:50:22,358
- (whoops loudly)
- 1357
- 01:50:22,534 --> 01:50:24,297
- (stamps loudly)
- 1358
- 01:50:27,068 --> 01:50:28,864
- (scoffs)
- 1359
- 01:50:29,035 --> 01:50:30,729
- (whoops loudly)
- 1360
- 01:50:30,901 --> 01:50:33,458
- (softly gibbers)
- 1361
- 01:50:33,601 --> 01:50:35,000
- (loud animal noises)
- 1362
- 01:50:35,168 --> 01:50:37,828
- - Come on.
- - (stamps loudly)
- 1363
- 01:50:40,568 --> 01:50:43,763
- - Man: Okay...
- - (loud whooping)
- 1364
- 01:51:12,501 --> 01:51:14,059
- (grunts loudly)
- 1365
- 01:51:21,201 --> 01:51:26,600
- Let's have a round of
- applause... for Oleg Rogozjin.
- 1366
- 01:51:26,768 --> 01:51:29,530
- - Amazing!
- - (whoops)
- 1367
- 01:51:29,701 --> 01:51:33,600
- - Great! Thank you very much.
- - (continues whooping)
- 1368
- 01:51:39,534 --> 01:51:41,831
- - Oleg, I just said that...
- - (grunts)
- 1369
- 01:51:41,968 --> 01:51:44,491
- - I'm just saying that...
- - (grunts)
- 1370
- 01:51:46,534 --> 01:51:48,865
- I'm just saying...
- 1371
- 01:51:49,035 --> 01:51:50,729
- (loud clattering)
- 1372
- 01:52:12,268 --> 01:52:15,723
- (cell phone rings)
- 1373
- 01:52:24,734 --> 01:52:27,724
- - Woman: No.
- - (animal noises)
- 1374
- 01:52:30,734 --> 01:52:34,031
- (noises continue)
- 1375
- 01:52:58,968 --> 01:53:02,163
- (huffing)
- 1376
- 01:54:19,501 --> 01:54:21,331
- (pants)
- 1377
- 01:54:35,401 --> 01:54:37,231
- Help... (laughs nervously)
- 1378
- 01:54:44,200 --> 01:54:45,929
- Hey...
- 1379
- 01:54:54,068 --> 01:54:57,058
- That hurts a bit...
- 1380
- 01:54:57,234 --> 01:55:00,360
- Hello? Help...
- 1381
- 01:55:00,534 --> 01:55:03,729
- Fredrik, could you help me?
- 1382
- 01:55:05,401 --> 01:55:08,300
- Okay... Help!
- 1383
- 01:55:24,568 --> 01:55:27,729
- (screams) Stop it! Hey! Stop it!
- 1384
- 01:55:39,534 --> 01:55:41,831
- You bastard!
- 1385
- 01:55:45,035 --> 01:55:47,160
- Kill him, for God's sake!
- 1386
- 01:55:51,234 --> 01:55:53,292
- (rain pours)
- 1387
- 01:56:37,401 --> 01:56:39,334
- Are you Christian?
- 1388
- 01:56:43,267 --> 01:56:46,234
- Are you Christian?
- 1389
- 01:56:46,401 --> 01:56:48,334
- Lise: Daddy?
- 1390
- 01:56:48,501 --> 01:56:52,867
- Why don't you go upstairs?
- This won't take long.
- 1391
- 01:56:54,200 --> 01:56:55,929
- You can wait outside.
- 1392
- 01:56:58,035 --> 01:57:02,297
- - What are you doing here?
- - You put this in our letterbox.
- 1393
- 01:57:02,434 --> 01:57:06,333
- - My parents think I'm a thief.
- - You shouldn't be here.
- 1394
- 01:57:06,501 --> 01:57:09,662
- Yes, I should.
- And you should apologize.
- 1395
- 01:57:09,801 --> 01:57:14,234
- Listen to me,
- you shouldn't be here.
- 1396
- 01:57:14,401 --> 01:57:17,334
- This is just weird.
- You have to leave.
- 1397
- 01:57:17,501 --> 01:57:21,764
- - Stay here. Hey!
- - No.
- 1398
- 01:57:22,901 --> 01:57:24,561
- Hey...
- 1399
- 01:57:25,901 --> 01:57:27,026
- Hey, stop!
- 1400
- 01:57:27,200 --> 01:57:30,861
- Don't shout,
- people are sleeping.
- 1401
- 01:57:31,601 --> 01:57:33,659
- If you apologize, I'll go.
- 1402
- 01:57:33,868 --> 01:57:37,198
- Listen carefully to me...
- 1403
- 01:57:39,034 --> 01:57:42,297
- I'm really sorry
- if my letter caused you trouble.
- 1404
- 01:57:42,601 --> 01:57:49,023
- This has nothing to do with you.
- Please, let me finish...
- 1405
- 01:57:49,200 --> 01:57:52,031
- It was nothing personal.
- 1406
- 01:57:52,200 --> 01:57:56,224
- All I wanted was to
- get my stuff back.
- 1407
- 01:57:56,401 --> 01:58:00,926
- - What are you doing?
- - Good night. Go now.
- 1408
- 01:58:01,100 --> 01:58:02,727
- Stop!
- 1409
- 01:58:05,901 --> 01:58:07,697
- Hey! Stop!
- 1410
- 01:58:09,334 --> 01:58:14,290
- What are you doing?
- Beat it!
- 1411
- 01:58:20,067 --> 01:58:22,296
- - Hey!
- - Stop this.
- 1412
- 01:58:22,434 --> 01:58:25,833
- No. Apologize to me
- and my family!
- 1413
- 01:58:25,967 --> 01:58:31,060
- Stop shouting!
- Stop this and get out!
- 1414
- 01:58:33,100 --> 01:58:37,056
- I will smack you one,
- believe me.
- 1415
- 01:58:37,234 --> 01:58:41,759
- I'm counting to three.
- One, two...
- 1416
- 01:58:41,935 --> 01:58:43,299
- Get out.
- 1417
- 01:58:47,568 --> 01:58:48,865
- Get out!
- 1418
- 01:59:11,434 --> 01:59:13,663
- Let's go inside.
- 1419
- 01:59:13,801 --> 01:59:15,233
- (knocking below)
- 1420
- 01:59:20,401 --> 01:59:24,459
- What are you doing?
- Don't do that!
- 1421
- 01:59:28,267 --> 01:59:30,598
- (knocking)
- 1422
- 01:59:30,768 --> 01:59:32,927
- Stop doing that!
- 1423
- 01:59:33,100 --> 01:59:34,397
- Stop it!
- 1424
- 01:59:34,568 --> 01:59:37,000
- You called me a thief,
- so I'm making chaos with you!
- 1425
- 01:59:39,100 --> 01:59:41,294
- Christian: Stop this...
- 1426
- 01:59:41,434 --> 01:59:44,889
- No! Don't you...
- 1427
- 01:59:45,067 --> 01:59:46,762
- (knocking)
- 1428
- 01:59:46,934 --> 01:59:50,766
- - They're my neighbors! Get out!
- - Boy: Help me!
- 1429
- 01:59:50,934 --> 01:59:54,493
- - Hello? Hello?
- - Beat it!
- 1430
- 02:00:05,734 --> 02:00:08,030
- Why didn't you listen to me?
- 1431
- 02:00:10,267 --> 02:00:12,825
- You should have listened.
- 1432
- 02:00:12,967 --> 02:00:16,833
- Right? Now go home.
- 1433
- 02:00:17,900 --> 02:00:19,992
- (outside) Go home.
- 1434
- 02:00:25,634 --> 02:00:27,692
- (door opens)
- 1435
- 02:00:31,501 --> 02:00:35,662
- All right, go
- and brush your teeth.
- 1436
- 02:00:35,801 --> 02:00:39,858
- Go on, brush your teeth...
- Shoes off first.
- 1437
- 02:01:18,800 --> 02:01:20,597
- Help!
- 1438
- 02:01:37,434 --> 02:01:39,367
- Boy (shouts faintly): Help!
- 1439
- 02:01:39,534 --> 02:01:42,864
- - Hello?
- - Help me...
- 1440
- 02:01:43,800 --> 02:01:45,062
- Is there anyone here?
- 1441
- 02:01:51,501 --> 02:01:53,058
- Hello?
- 1442
- 02:02:20,867 --> 02:02:22,766
- (faint shouting) Help!
- 1443
- 02:02:26,867 --> 02:02:29,766
- Here we go... Yes.
- 1444
- 02:02:37,967 --> 02:02:40,662
- (water runs, clattering)
- 1445
- 02:03:01,334 --> 02:03:03,891
- (faint shouting) Help me!
- 1446
- 02:03:06,733 --> 02:03:08,394
- (faint shout) Help!
- 1447
- 02:03:13,733 --> 02:03:15,496
- Help me...
- 1448
- 02:03:20,900 --> 02:03:22,333
- Help!
- 1449
- 02:03:31,967 --> 02:03:33,661
- (faint shout) Help me...
- 1450
- 02:03:38,234 --> 02:03:39,928
- Help...
- 1451
- 02:04:15,568 --> 02:04:18,194
- (rustling)
- 1452
- 02:06:28,367 --> 02:06:30,231
- (shouts)
- 1453
- 02:06:43,334 --> 02:06:45,698
- (dialing number)
- 1454
- 02:06:55,500 --> 02:06:57,729
- Voicemail: <i>The person
- you're trying to reach</i>
- 1455
- 02:06:57,900 --> 02:06:59,333
- <i>is not available...</i>
- 1456
- 02:07:18,600 --> 02:07:19,999
- (beeps)
- 1457
- 02:07:22,767 --> 02:07:25,030
- Uh, hi...
- 1458
- 02:07:25,200 --> 02:07:28,530
- You can probably
- see who this is.
- 1459
- 02:07:28,700 --> 02:07:31,895
- We just met on my stairwell.
- 1460
- 02:07:32,067 --> 02:07:35,465
- I tried to call,
- but I couldn't get through.
- 1461
- 02:07:35,600 --> 02:07:40,499
- So now I'm making
- this video instead.
- 1462
- 02:07:40,633 --> 02:07:43,930
- Because you're absolutely right.
- 1463
- 02:07:44,100 --> 02:07:47,033
- I apologize for
- the rotten thing I did.
- 1464
- 02:07:47,200 --> 02:07:49,496
- I accused you
- of being a thief.
- 1465
- 02:07:49,633 --> 02:07:54,329
- Please show this
- to your parents,
- 1466
- 02:07:54,500 --> 02:07:56,865
- so they'll know you are
- not a thief.
- 1467
- 02:07:57,034 --> 02:08:00,126
- The note said you stole
- my phone and my wallet,
- 1468
- 02:08:00,267 --> 02:08:03,200
- but that wasn't true.
- 1469
- 02:08:03,367 --> 02:08:07,390
- I want to emphasize
- that this is simply not true.
- 1470
- 02:08:07,567 --> 02:08:11,023
- So I'd like to apologize.
- It was a bad thing to do.
- 1471
- 02:08:15,433 --> 02:08:18,559
- It was so selfish of me.
- 1472
- 02:08:18,733 --> 02:08:21,723
- Careless and prejudiced
- and I'm...
- 1473
- 02:08:21,900 --> 02:08:27,061
- Looking back, I should have
- gone into your building,
- 1474
- 02:08:27,234 --> 02:08:31,133
- knocked on the doors
- and asked a simple question.
- 1475
- 02:08:31,267 --> 02:08:34,495
- But that never
- occurred to me, because...
- 1476
- 02:08:36,167 --> 02:08:38,998
- Well, honestly,
- I was too afraid.
- 1477
- 02:08:39,167 --> 02:08:42,861
- Afraid of the people who live...
- 1478
- 02:08:43,034 --> 02:08:47,229
- Afraid of the people I picture
- living in a building like yours.
- 1479
- 02:08:49,700 --> 02:08:53,827
- Those negative expectations
- say something about me.
- 1480
- 02:08:53,967 --> 02:08:56,763
- They say something
- about our society,
- 1481
- 02:08:56,934 --> 02:09:01,993
- because I'm sure I'm not
- the only one who's prejudiced...
- 1482
- 02:09:03,700 --> 02:09:07,531
- You have preconceptions
- about us too,
- 1483
- 02:09:07,700 --> 02:09:10,462
- probably because
- our lives are so different.
- 1484
- 02:09:10,600 --> 02:09:13,396
- So suddenly,
- it comes down to politics
- 1485
- 02:09:13,567 --> 02:09:16,659
- and the distribution of assets.
- 1486
- 02:09:16,800 --> 02:09:23,030
- Because these problems can't
- be solved by individuals alone.
- 1487
- 02:09:23,200 --> 02:09:27,758
- Society needs to lend a hand
- too. It's not enough
- 1488
- 02:09:27,934 --> 02:09:33,993
- that I admit I was wrong
- and apologize to you in a video.
- 1489
- 02:09:34,167 --> 02:09:37,361
- There are bigger,
- structural problems
- 1490
- 02:09:37,533 --> 02:09:40,329
- involved that society
- needs to deal with.
- 1491
- 02:09:40,500 --> 02:09:46,730
- I actually know
- one of the 291 people
- 1492
- 02:09:46,900 --> 02:09:49,992
- who own more than 50%
- of the world's wealth.
- 1493
- 02:09:50,167 --> 02:09:56,067
- A guy like that could fix
- all this in an instant.
- 1494
- 02:09:56,234 --> 02:09:58,359
- (line ringing)
- 1495
- 02:10:07,567 --> 02:10:09,898
- (line beeping)
- 1496
- 02:10:20,967 --> 02:10:22,558
- Voicemail: <i>Hi, you've
- called Christian.</i>
- 1497
- 02:10:22,733 --> 02:10:24,723
- <i>I can't pick up my phone
- right now,</i>
- 1498
- 02:10:24,900 --> 02:10:28,492
- <i>but please leave a message
- and I'll get back to you.</i>
- 1499
- 02:10:28,633 --> 02:10:31,066
- (crowd chatter)
- 1500
- 02:10:32,234 --> 02:10:33,860
- Woman: Welcome...
- 1501
- 02:10:36,500 --> 02:10:38,161
- We have...
- 1502
- 02:10:42,034 --> 02:10:43,728
- (knocking)
- 1503
- 02:10:47,200 --> 02:10:51,530
- We have called
- this press conference
- 1504
- 02:10:51,700 --> 02:10:56,759
- in response to a certain video
- circulating on the Internet.
- 1505
- 02:10:56,934 --> 02:11:01,560
- We believe that it's the best
- way to deal with your questions.
- 1506
- 02:11:01,733 --> 02:11:05,132
- This session will be led by
- our chief curator,
- 1507
- 02:11:05,266 --> 02:11:06,756
- Christian Juel Nielsen.
- 1508
- 02:11:14,266 --> 02:11:15,927
- Hello.
- 1509
- 02:11:17,867 --> 02:11:22,232
- Well, as previously stated...
- 1510
- 02:11:22,400 --> 02:11:26,731
- We are here
- to discuss the video clip
- 1511
- 02:11:26,900 --> 02:11:33,356
- published on the museum website
- and on our YouTube channel.
- 1512
- 02:11:33,533 --> 02:11:37,023
- We have received a massive
- amount of messages
- 1513
- 02:11:37,199 --> 02:11:39,325
- and indignant responses
- 1514
- 02:11:39,500 --> 02:11:43,558
- with regard to this video,
- and this pains us.
- 1515
- 02:11:43,733 --> 02:11:48,564
- - Could you please speak up?
- - Yes, certainly.
- 1516
- 02:11:48,733 --> 02:11:52,860
- We're very sorry
- to have caused this commotion,
- 1517
- 02:11:53,034 --> 02:11:59,456
- particularly since this clip
- was published by mistake.
- 1518
- 02:12:01,233 --> 02:12:03,757
- This museum has
- clearly defined procedures.
- 1519
- 02:12:03,934 --> 02:12:07,196
- It's my role to supervise
- all our communications
- 1520
- 02:12:07,366 --> 02:12:10,356
- and marketing efforts.
- 1521
- 02:12:10,533 --> 02:12:14,694
- In this particular case, I did
- not fully comply with protocol,
- 1522
- 02:12:14,867 --> 02:12:19,891
- and this video was published
- without my knowledge.
- 1523
- 02:12:20,067 --> 02:12:23,659
- I have acted
- irresponsibly in this matter,
- 1524
- 02:12:23,800 --> 02:12:27,927
- and have therefore,
- in accord with our board,
- 1525
- 02:12:28,100 --> 02:12:30,657
- decided to step down.
- 1526
- 02:12:31,166 --> 02:12:33,066
- Are you saying that
- you're resigning?
- 1527
- 02:12:33,266 --> 02:12:34,324
- Yes.
- 1528
- 02:12:34,433 --> 02:12:37,229
- - When?
- - As soon as possible.
- 1529
- 02:12:37,700 --> 02:12:38,826
- Were you sacked?
- 1530
- 02:12:38,934 --> 02:12:41,594
- No, it was
- a unanimous decision.
- 1531
- 02:12:41,767 --> 02:12:46,826
- We felt that it would be
- the best solution.
- 1532
- 02:12:46,967 --> 02:12:49,297
- Define "we".
- 1533
- 02:12:49,867 --> 02:12:52,732
- That would be myself,
- our management and our board.
- 1534
- 02:12:53,099 --> 02:12:57,556
- Where is your solidarity
- with the voiceless
- 1535
- 02:12:57,733 --> 02:13:00,894
- and the vulnerable
- members of society?
- 1536
- 02:13:07,934 --> 02:13:12,560
- Where is your solidarity
- with the voiceless
- 1537
- 02:13:12,733 --> 02:13:15,461
- and the vulnerable
- members of society?
- 1538
- 02:13:15,600 --> 02:13:18,294
- (applause)
- 1539
- 02:13:18,433 --> 02:13:20,991
- You should be ashamed
- of yourself!
- 1540
- 02:13:24,567 --> 02:13:26,557
- Man: That's total bullshit...
- 1541
- 02:13:26,733 --> 02:13:33,189
- You started out by saying
- that you and the museum board
- 1542
- 02:13:33,366 --> 02:13:37,595
- agreed that you should resign.
- 1543
- 02:13:37,767 --> 02:13:41,165
- Yes, that was our decision.
- 1544
- 02:13:41,333 --> 02:13:45,357
- This is not the image
- we wish to project.
- 1545
- 02:13:45,533 --> 02:13:49,489
- So you've reached the limit
- for how much freedom of speech
- 1546
- 02:13:49,633 --> 02:13:51,327
- you can handle?
- 1547
- 02:13:51,500 --> 02:13:55,866
- You've hit the ceiling
- in terms of communication?
- 1548
- 02:13:56,034 --> 02:13:59,865
- Do you personally believe
- that you crossed a line?
- 1549
- 02:14:02,767 --> 02:14:06,894
- I believe that freedom of speech
- 1550
- 02:14:07,066 --> 02:14:08,658
- comes with certain
- responsibilities.
- 1551
- 02:14:08,800 --> 02:14:11,665
- You must consider
- what you express.
- 1552
- 02:14:11,800 --> 02:14:14,323
- But is it up to you
- to limit free speech?
- 1553
- 02:14:14,500 --> 02:14:21,229
- Isn't such self-censorship
- cause for concern?
- 1554
- 02:14:21,400 --> 02:14:27,231
- - You're in a powerful position.
- - The decision was not all mine.
- 1555
- 02:14:27,400 --> 02:14:30,299
- But you took part
- in this decision.
- 1556
- 02:14:30,433 --> 02:14:33,229
- You have clearly expressed
- that this clip
- 1557
- 02:14:33,400 --> 02:14:38,993
- was so distasteful that you
- feel obligated to resign.
- 1558
- 02:14:39,166 --> 02:14:43,463
- I made a mistake, the clip was
- published without my approval.
- 1559
- 02:14:43,600 --> 02:14:48,659
- So that's where you draw the
- line? A fictional girl gets...
- 1560
- 02:14:48,800 --> 02:14:52,289
- No, it isn't. Like I said,
- this has nothing to do
- 1561
- 02:14:52,433 --> 02:14:54,491
- with my own opinions.
- 1562
- 02:14:54,633 --> 02:14:56,657
- You're putting a cap
- on free speech!
- 1563
- 02:14:56,800 --> 02:14:58,767
- These are not
- my personal opinions.
- 1564
- 02:14:58,934 --> 02:15:03,458
- We're talking about the museum
- and my professional role.
- 1565
- 02:15:03,600 --> 02:15:06,294
- What is it you don't
- understand about that?
- 1566
- 02:15:06,433 --> 02:15:10,298
- This is a highly alarming future
- 1567
- 02:15:10,433 --> 02:15:14,890
- you're creating for our society.
- 1568
- 02:15:15,066 --> 02:15:17,226
- Quite frankly, it sucks!
- 1569
- 02:15:17,400 --> 02:15:19,697
- (applause)
- 1570
- 02:15:28,066 --> 02:15:31,727
- Christian... Christian?
- 1571
- 02:15:31,900 --> 02:15:36,060
- I have questions
- about the content of the clip.
- 1572
- 02:15:39,567 --> 02:15:45,125
- How did the choice fall on
- a blonde beggar girl exploding?
- 1573
- 02:15:45,266 --> 02:15:47,926
- This just came
- from the PR agency.
- 1574
- 02:15:48,099 --> 02:15:51,897
- If you wanted to draw parallels
- to the poverty in the EU,
- 1575
- 02:15:52,066 --> 02:15:54,533
- why not have
- a dark-haired child?
- 1576
- 02:15:58,633 --> 02:16:01,862
- How do you respond to that?
- 1577
- 02:16:02,033 --> 02:16:05,467
- As I was trying to explain,
- 1578
- 02:16:05,600 --> 02:16:08,761
- I have not dealt responsibly...
- 1579
- 02:16:08,933 --> 02:16:13,663
- - Answer the question!
- - I just received a message...
- 1580
- 02:16:13,800 --> 02:16:15,925
- ...that might shed
- some light on this.
- 1581
- 02:16:16,099 --> 02:16:19,828
- I hope so.
- 1582
- 02:16:19,966 --> 02:16:23,730
- It's a statement from
- our marketing department
- 1583
- 02:16:23,899 --> 02:16:27,856
- and the agency we used.
- 1584
- 02:16:28,033 --> 02:16:31,364
- "We want to emphasize
- that the clip
- 1585
- 02:16:31,533 --> 02:16:35,296
- published on the museum's
- website and YouTube channel
- 1586
- 02:16:35,433 --> 02:16:41,162
- in no way expresses
- the standpoint of the museum."
- 1587
- 02:16:41,333 --> 02:16:44,891
- "The clip was produced
- in sheer speculation to generate
- 1588
- 02:16:45,066 --> 02:16:49,466
- attention for
- an upcoming exhibition."
- 1589
- 02:16:49,600 --> 02:16:53,465
- - So it's all speculation?
- - What exhibition is that?
- 1590
- 02:16:53,600 --> 02:16:57,192
- - Will you be blowing up kids?
- - (laughter)
- 1591
- 02:16:57,366 --> 02:17:00,299
- What kind of exhibition is it?
- 1592
- 02:17:00,899 --> 02:17:04,594
- To best explain
- the theme of the exhibition,
- 1593
- 02:17:04,767 --> 02:17:07,461
- I'll quote the artist's
- manifesto,
- 1594
- 02:17:07,567 --> 02:17:09,761
- which goes something
- like this:
- 1595
- 02:17:11,700 --> 02:17:15,326
- "The Square is a sanctuary
- of trust and caring.
- 1596
- 02:17:15,567 --> 02:17:18,534
- Within it, we all share
- equal rights and obligations."
- 1597
- 02:17:18,700 --> 02:17:22,599
- - Could you repeat that?
- - Quiet, let him talk.
- 1598
- 02:17:25,733 --> 02:17:29,598
- "The Square is a sanctuary
- of trust and caring.
- 1599
- 02:17:29,767 --> 02:17:32,734
- Within it, we all share
- equal rights and obligations."
- 1600
- 02:17:39,166 --> 02:17:43,224
- - What's the name of the artist?
- - Lola Arias.
- 1601
- 02:17:43,866 --> 02:17:47,822
- - Repeat her last name, please.
- - A-R-I-A-S.
- 1602
- 02:17:49,166 --> 02:17:52,065
- All the press material
- is on our website.
- 1603
- 02:17:52,933 --> 02:17:54,525
- Including photos
- of Lola Arias?
- 1604
- 02:17:54,866 --> 02:17:56,231
- Yes, in high-resolution.
- 1605
- 02:17:56,400 --> 02:17:59,367
- Both of the artist
- and of some of her work.
- 1606
- 02:17:59,633 --> 02:18:04,225
- There is an extensive press kit
- to download there.
- 1607
- 02:18:13,866 --> 02:18:18,822
- Museum speculates in disgusting
- details to grab attention
- 1608
- 02:18:22,166 --> 02:18:28,327
- Imam, Priest and Rabbi:
- stand united against PR campaign
- 1609
- 02:18:34,733 --> 02:18:38,893
- Here is the exhibition
- they wanted to launch
- 1610
- 02:18:41,433 --> 02:18:42,865
- (TV chatter)
- 1611
- 02:18:47,333 --> 02:18:48,493
- (timer beeping)
- 1612
- 02:18:51,700 --> 02:18:52,996
- (pot timer setting off)
- 1613
- 02:18:53,600 --> 02:18:55,692
- Announcer: <i>The coaches are
- Therese Johansson,</i>
- 1614
- 02:18:55,899 --> 02:18:59,060
- <i>Yasemin Beyasit,
- and Josephine Kalmlund.</i>
- 1615
- 02:18:59,266 --> 02:19:03,029
- <i>And here come the "Bobcats"!</i>
- 1616
- 02:19:03,533 --> 02:19:05,329
- (people cheering)
- 1617
- 02:19:16,033 --> 02:19:17,863
- (music blaring)
- 1618
- 02:19:21,233 --> 02:19:22,824
- (crowd cheering)
- 1619
- 02:20:08,333 --> 02:20:10,527
- Great! Let's go for it!
- 1620
- 02:20:15,933 --> 02:20:18,332
- (inaudible)
- 1621
- 02:20:18,866 --> 02:20:20,662
- Go, girls!
- 1622
- 02:20:22,199 --> 02:20:23,859
- (people cheering)
- 1623
- 02:20:42,266 --> 02:20:43,926
- (crowd applauding)
- 1624
- 02:20:47,766 --> 02:20:49,529
- Girls' Coach: Hey guys,
- great job today.
- 1625
- 02:20:49,732 --> 02:20:52,325
- Good teamwork.
- Way to work together.
- 1626
- 02:20:52,533 --> 02:20:53,999
- Really, really proud
- of you girls.
- 1627
- 02:20:55,799 --> 02:20:57,061
- Hey Elna, listen.
- 1628
- 02:20:57,899 --> 02:20:59,230
- What's with your attitude?
- 1629
- 02:21:00,533 --> 02:21:01,658
- Look at me.
- 1630
- 02:21:02,933 --> 02:21:05,594
- Sitting there feeling sorry
- for yourself isn't gonna help.
- 1631
- 02:21:06,600 --> 02:21:09,828
- Okay? Stop wasting your energy
- on those thoughts.
- 1632
- 02:21:10,600 --> 02:21:12,123
- Use it to help the team.
- 1633
- 02:21:13,099 --> 02:21:17,362
- You guys, if you mess up,
- correct it and move on.
- 1634
- 02:21:18,066 --> 02:21:20,192
- Feeling guilt isn't
- gonna help you.
- 1635
- 02:21:21,333 --> 02:21:23,856
- Okay?
- How do you feel?
- 1636
- 02:21:25,599 --> 02:21:26,998
- How do you feel?
- 1637
- 02:21:27,933 --> 02:21:30,661
- All right.
- Go ahead and take your showers.
- 1638
- 02:21:31,333 --> 02:21:32,493
- Very good.
- 1639
- 02:21:45,933 --> 02:21:48,025
- Hey, where are we going?
- 1640
- 02:21:49,400 --> 02:21:51,593
- Christian:
- I'll explain in a minute.
- 1641
- 02:22:03,566 --> 02:22:05,931
- (car system beeping)
- 1642
- 02:22:14,199 --> 02:22:16,893
- (car door alarm buzzing)
- 1643
- 02:22:19,366 --> 02:22:23,231
- Remember that boy who was
- waiting for us the other night?
- 1644
- 02:22:27,632 --> 02:22:32,328
- He lives over there.
- I need to talk to him.
- 1645
- 02:22:35,166 --> 02:22:37,463
- It will only take ten minutes.
- Twenty, tops.
- 1646
- 02:22:37,632 --> 02:22:39,826
- You don't mind
- waiting in the car, do you?
- 1647
- 02:22:41,732 --> 02:22:43,290
- Is that okay?
- 1648
- 02:23:02,199 --> 02:23:03,722
- Daddy?
- 1649
- 02:23:07,532 --> 02:23:09,056
- Daddy!
- 1650
- 02:23:11,966 --> 02:23:13,592
- What is it?
- 1651
- 02:23:13,799 --> 02:23:16,028
- Could we come along too?
- 1652
- 02:23:19,899 --> 02:23:23,855
- - Well, if she wants to.
- - Do you?
- 1653
- 02:23:28,599 --> 02:23:30,589
- Sure, let's go.
- 1654
- 02:23:31,433 --> 02:23:33,400
- (soothing violin music plays)
- 1655
- 02:23:58,933 --> 02:24:01,900
- - Are you okay?
- - Yeah.
- 1656
- 02:24:15,732 --> 02:24:17,029
- (doorbell ringing)
- 1657
- 02:24:20,966 --> 02:24:22,126
- (dog barking)
- 1658
- 02:24:24,366 --> 02:24:26,333
- (dog howling)
- 1659
- 02:24:36,099 --> 02:24:37,895
- (door unlocking and opening)
- 1660
- 02:24:39,899 --> 02:24:43,764
- Hello... Sorry to bother you.
- My name is Christian.
- 1661
- 02:24:44,799 --> 02:24:48,664
- This may sound a bit crazy,
- but I was hoping...
- 1662
- 02:24:48,933 --> 02:24:53,992
- Did you happen to get a letter
- accusing you of being a thief?
- 1663
- 02:24:57,366 --> 02:25:00,389
- Claiming that you stole
- a phone and a wallet?
- 1664
- 02:25:01,233 --> 02:25:03,825
- - Tenant: Pardon?
- - A letter.
- 1665
- 02:25:04,166 --> 02:25:07,599
- Accusing you of being a thief.
- 1666
- 02:25:12,099 --> 02:25:17,589
- - What did you say I got?
- - A letter with a weird message.
- 1667
- 02:25:21,266 --> 02:25:22,986
- - Tenant: In my letterbox?
- - Christian: Yes.
- 1668
- 02:25:23,166 --> 02:25:25,359
- I put them through
- all the slots in this building.
- 1669
- 02:25:25,566 --> 02:25:26,658
- (door forcibly shutting)
- 1670
- 02:25:27,732 --> 02:25:28,926
- (dog howling)
- 1671
- 02:25:29,399 --> 02:25:31,559
- Tenant: I have no idea
- what you're talking about.
- 1672
- 02:25:32,033 --> 02:25:36,057
- Christian: Could anyone else
- in your household have found it?
- 1673
- 02:25:37,333 --> 02:25:39,856
- My ex-wife comes around
- to clean.
- 1674
- 02:25:40,066 --> 02:25:43,999
- She throws away any mail
- that doesn't have my name on it.
- 1675
- 02:25:47,233 --> 02:25:48,358
- I have one more question...
- 1676
- 02:25:48,599 --> 02:25:53,124
- Are there any kids living
- in this building?
- 1677
- 02:25:54,233 --> 02:25:57,324
- - Sure, why do you ask?
- - I'm looking for a boy.
- 1678
- 02:25:58,399 --> 02:26:03,299
- He's, like, ten or 12...
- Pitch-black hair.
- 1679
- 02:26:06,033 --> 02:26:09,159
- About this tall?
- Really dark hair...
- 1680
- 02:26:09,432 --> 02:26:12,298
- - Ten, 13-years old...
- - That's right.
- 1681
- 02:26:12,432 --> 02:26:13,729
- Does he live here?
- 1682
- 02:26:14,432 --> 02:26:16,456
- Tenant: He used to.
- I haven't seen him around.
- 1683
- 02:26:17,732 --> 02:26:20,858
- - The family used to live here?
- - I think they moved.
- 1684
- 02:26:23,899 --> 02:26:25,331
- I see...
- 1685
- 02:26:25,499 --> 02:26:28,489
- - Do you know where they moved?
- - No, not a clue.
- 1686
- 02:26:35,866 --> 02:26:37,594
- I'm afraid I can't help you.
- 1687
- 02:26:46,066 --> 02:26:48,532
- - Okay.
- - Bye.
- 1688
- 02:26:59,899 --> 02:27:01,559
- (mobile game sound effects)
- 1689
- 02:27:39,866 --> 02:27:41,355
- (soothing music plays)
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