Advertisement
Strong_Anon

Up to Bat

Nov 24th, 2017
3,625
0
Never
Not a member of Pastebin yet? Sign Up, it unlocks many cool features!
text 23.14 KB | None | 0 0
  1. >Your computer monitor flickers lazily as you watch a documentary on bats
  2. >Not the small insect eating buggers, but the walking 'feral' ones
  3. >Somewhere down the line Anthros decided city life and English just wasn't for them, and took to the woods to do who knows what
  4. >Doesn't make them any less cuter though, especially the North American ones
  5. >Smol, plush NA bats
  6. >Not the flying fox anthros though
  7. >Those look like fucking ptterodactyles
  8. >No, you want a cute little bat Anthro to call your own
  9. >Preferably a fruit bat one
  10. >And really, who wouldn't want one?!
  11. >You cannot overstate how small and light they are, or how incredibly fluffy to an absurd degree
  12. >Bonus points for their ability to fly!
  13. >Imagine needing something while you're away or at work, and having her flying it to you
  14. >Amazon should have fought harder to employ them
  15. >Much better than those creepy ass drones that require a gigantic 'rob me!' mat plastered all over your lawn
  16. >Now, you could try dating
  17. >COULD
  18. >But why would you?
  19. >You already know you wanted a little tribal one
  20. >One where you could teach her about the world, and stuff
  21. >But how would you ever find a bat?
  22. >And even then, convince her to join you after
  23. >Your mental green fic writing is interrupted by a line a British man said in the documentary
  24. >You had to rewind it to hear it right
  25. >"Sometimes feral bat Antthros are a nuisence; destroying crops, making nests in people's attics, and being incredibly noisy at night"
  26. >That's not what you're looking for
  27. >"...The 'Easy Peezy Teeny Screetchy Method,' which was quickly renamed, is a strategy experts use to-"
  28. >Well, you aren't an expert so no use in that
  29. >"These feral Anthros are often captured and given homes, to domesticate them into society. This is a favorable alternative to extermination"
  30. >You pause the documentary right at the time where the dry narrator now has a bit standing under his petting hand
  31. >Which, by the looks of it, means there's a chance
  32. >With a few clicks and a small toll to Cablevision you look up the process for getting a little bat girl to live with you
  33. >It's mostly charities that pop up
  34. >They require a ton of paperwork and someone to dig through your closet before you can even be considered
  35. >Others are shelters, but with how you aren't exactly in flying puffball territory, they're a few hundred miles out in every direction
  36. >But one link catches your eye
  37. >'Rakeman Enterprises: We sell rakes and raking accessories*'
  38. >'*Only rakes'
  39. >You click it, and to your terrible, horrible surprise
  40. >You find a deal on a six prong all black leaf slayer, for $14.99
  41. >At least it's honest
  42. >Googling the words 'Rakeman enterprises'(You had too, the site didn't even have the word bat on it,) brings up a site and a bunch of hippy dippy forums complaining
  43. >"He captures and kills those poor defenseless ferals!"
  44. >"He eats Anthros!"
  45. >"good prices tho"
  46. >Basically a bunch of whining with zero proof
  47. >Something prods your thoughts, something you think you've heard awhile ago
  48. >A small megablok snaps into place in the back of your mind at the answer
  49. >The raider of...wherever, is what you get out of itt
  50. >Forums you often frequented talked of a man who caught and sold feral Anthros
  51. >He would often call himself rakeman
  52. >You dive back to the boards you frequent and start asking around
  53. >Scrolling around and looking for any sign, all you get are mocking tones or a picture of that coveted ocelot you had seen before
  54. >You posted a few more times asking for him
  55. >Just to get the same responses, for hours and hours on end
  56. >Hope was fading, but you have one last ace up your sleeve
  57. >'TFW no smol bat gf :((('
  58. >...
  59. >Just as you were about to give up a flag pops up on your screen
  60. >'>>4042015 holy shIt dude, fine: tinyurl.com/y97va626'
  61. >'now fuck off'
  62. >Someone (you)'d one of your posts to a private website with a picture of a small fruitbat
  63. >A phone number is listed on it also
  64. >With a shaky hand you dial in the digits quickly and wait for whoever it was to pick up
  65. >After about 3 rings, someone does
  66. >"Rakeman enterprises," came a gruff voice, "we sell rakes, only rakes"
  67. >You can't believe it
  68. >It's him
  69. >"Uh hi, uh, I heard you have a bat problem you're trying to get rid of?"
  70. >Some sic metal plays in the background as he answers
  71. >"Yea, 500 bucks. More if I have to deliver her to you"
  72. >Holy fuck only 500 bucks!?"
  73. >Wait, there must be a catch
  74. >"Whats wrong with her if she's only 500? I thought it would be a lot more"
  75. >The man groans, and you can tell he's losing his patience
  76. >"Nothing, not many people want a bat. You gonna take her or not?"
  77. >"Yes! Of course I'll take her! I've always wanted a bat"
  78. >Yeah... you could of left out that last part
  79. >Screw it, you're pacing around excitedly
  80. >He tells you the address and you jot it down quickly
  81. >"When can I pick her up?"
  82. >You hear the man hum and scratch away at some paper
  83. >"Conditioning will be done in 2 days"
  84. >Conditioning?
  85. >"Don't bring any cops"
  86. >Uh, you aren't going to ask
  87. >"Ok, I'll see you then"
  88. >He hangs up half way through
  89.  
  90. >You're driving down a country road on the far outskirts of the city
  91. >The address the man gave you was about 100 miles from your house
  92. >An hour and 45 minute drive was totally worth it though
  93. >You drive as quickly and safely as you can, without even the radio on to distract you
  94. >Soon you arrive at a dusty road that you begin to turn on
  95. >A few minutes of winding through woods and you come up to large house, that looks more like a homestead
  96. >A raven Anthro is perched on the front balcony
  97. >Her eyes never leave you while you carefully make your way to the door
  98. >You give it a few knocks, and a man with piercing blue eyes opens it up
  99. >"You got the cash?" he says
  100. >You fumble for your wallet under the uncomfortable, bored stare he's giving you
  101. >"Uh yeah, one sec"
  102. >Your hand goes to your pocket, and a shotgun cocking sounds behind you
  103. >"Watch the hands asshole," the raven caws
  104. >Your hands shoot up, and you freeze in place
  105. >"Slag you dumb bitch!" He opens the door entirely, "He's clearly not armed, and you-"
  106. >He brushes past you, wrangling the gun from 'Slag'
  107. >Removing the shells he throws it back at the bird who scrambles to catch it
  108. >"Put my damn shotgun away birdbrain!"
  109. >"...Sorry boss, I don't like waiting around," she mumbles
  110. >You hear her walk off, and when you think she's around the corner you go back to fishing out your wallet
  111. >Just, a hell of a lot shakier and slower when you
  112. >You grab 5 crisp Benjamins and hand them over to the still staring man
  113. >His arms look like he lost a fight with a wood chipper, no doubt from all the scratches and bites he must of got from his rake business
  114. >You aren't gonna say anything about it
  115. >He inspects it, then you, then behind you, and does it all again once more
  116. >Satisfied, he walks back into the house with a hand waving you in
  117. >"Stand there, and ONLY there," he tells you, so you do
  118. >You also aren't about to blow this by being a rude guest, too
  119. >The rug you're standing on is rather nice, and it matches well with his very well decorated house
  120. >It's not at all what you expected
  121. >Not from a man who has a reputation for outright brutality
  122. >While you're looking around your eyes make contact on another looking around a wall
  123. >Its- her, face is spotted and feline
  124. >'So that's that coveted Ocelot people keep posting pictures of'
  125. >You give a small wave and a smale
  126. >She in turn disappears behind the wall again
  127. >Guess you spooked her
  128. >The man told you over the phone to wear "friendly attire," so you were dressed up in a button up shirt and a tie
  129. >Jeans too, because comfy is better than class
  130. >A little later and the man returns with a bat girl in his arms
  131. >The second he sets her down, she's now in yours and hugging as if she's always known you
  132. >"Pleasepleaseplease keep me safe!" she was squeaking into your shirt, "don't let the bush monsters get me again!"
  133. >Bush monsters?
  134. >Again, you aren't gonna ask
  135. >You try to not freak out over this furry blob clinging to you
  136. >You manage to get a few light head pats and reassure her with quiet words
  137. >She only snuggles up harder in kind
  138. >You look up at the man and smile
  139. >He made your dream come true, and you're forever greatful
  140. >Not enough to keep yourself, and more importantly her, waiting
  141. >So you're out the door and ushering her into your SUV
  142. >Looking back through the rearview mirror, you spot the man move the rug you were standing on and pick up a.. something
  143. >If you didn't know better that looks like a shaped explosive
  144. >Huh
  145. >Doesn't matter, as it's time to go now
  146. >You reach over and pet the bat one more time, and start up the car
  147. >"Do you have a name?" you ask in a friendly tone while you slowly pull out of the driveway
  148. >She looks at you with big brown eyes
  149. >"My name is Mabel," she's quieter than before
  150. >Your excitement, successfully restrained, allows you to beam the biggest reassuring smile at her
  151. >Only for a second though, this dirt road is pretty curvy and pretty root infested
  152. >"That's a cute name"
  153. >She's bunching the seat belt around her, and she isn't looking at you either
  154. >You can't imagine what she went through back there, and this car for a feral must be just as confusing
  155. >It's a good thing you're pretty great at driving one handed, for when you move your other to her it's quickly snatched up as well
  156. >You let her calm down a bit, saying nothing while you drive through the woods, and when you feel your hands no longer being crushed you try to get her attention again
  157. >"My name is Anon," you slowly say
  158. >You can feel her brown eyes are on you again while you still keep yours on the road
  159. >"Just know that I'll never let anyone, or anything, hurt you ever again"
  160. >She never said anything after that
  161. >Didn't have too either
  162. >The feeling of fur pressing against your arm with light breaths washing over your hand is the only one you need
  163. >You gladly serve as her safety pillow as she sleeps through the long drive home
  164.  
  165. chapter 2
  166.  
  167. >The car ride home was uneventful at best
  168. >Mabel slept peacefully, holding your arm tight as you drove
  169. >Her gentle breathing and quiet chittering was adorable
  170. >It was during the long straight road stretches that you were really able to get a good look at her
  171. >She was maybe 4 feet tall
  172. >It's hard to tell when she's hunched over and sitting
  173. >Her hair and fur are black, while her tummy, muzzle and wings a light brown
  174. >She sure was cute too
  175. >It has taken you a bit longer than usual with one of your arms being used, but soon you're pulling into your parking spot, and you gently slide your arm out of her grip
  176. >She didn't let go until you bribed her with a few quick pets and scratches on her head to wake her up
  177. >Shaking the feeling back into your arm and unclipping the seatbelt, you hear a long high pitched yawn
  178. >Looking over she's in full stretch mode, with one of her legs kicking out and a hand on full eye rub duty
  179. >Groggily she sees you staring
  180. >"Where are we Anon?"
  181. >You smile and offer her a hand
  182. >"Home"
  183.  
  184. >Your apartment isn't in the country by a long shot, but it is in the suburbs
  185. >It's pretty nice that your town still decided that trees and forests were a pretty neat concept, with both dotting all around
  186. >It didn't help Mabel in the slightest
  187. >She was conflicted about leaving the safety of the metal box to be in the safety of your arms, and it was an awkward struggle to outright pry her off the door frame
  188. >You're carrying her like a fuzzy burlap sack, half worried that she'd bolt away or that her claws would get a good swipe in
  189. >Shamefully, you did have a plan in mind
  190. >"You must be hungry Mabel, let's get some food for us"
  191. >She suddenly stops, going rock solid over your shoulder
  192. >"Food?" her death grip on your side loosens a bit
  193. >"We don't have to go look for it?"
  194. >You lift her off of you, holding her by the shoulders(barely) out in front of you
  195. >Her eyes are about 90% pupiles and darting frantically as they scan your face
  196. >"Nope!" you set her down, confident that she wont dart away
  197. >You slowly take your hand and grasp one of her own as gently as you can, and start to lightly pull her along
  198. >"Well, if I don't have anything you like, then all I have to do is go down to the store and pick something up"
  199. >It suddenly struck you that you're leading a naked female bat Anthro by the hand
  200. >In the open
  201. >You're a bit faster in going up the stairs for her sake more than yours
  202. >She must not have a single thing to her name, and some clothes definitely gets added to the list of things you'd get
  203. >The alternative would be a real uncomfortable explanation to the neighbors
  204. >Making it up the stairs and to your door, you quickly open it and lead her inside
  205. >She takes a few steps, feels the carpet on her clawed toes and digs them in to the floor
  206. >She looks completely confused
  207. >"I...I'm used to being able to fly around everywhere," Mabel said, rubbernecking around the interior
  208. >Not finding a hole or a window her wide eyes are looking at you
  209. >"Where can I fly?"
  210. >It's still a bit hard to believe that all of your careful planning is finally rewarded
  211. >You bought this place to be on the top floor, with the back being totally open to the rolling hills and forests just behind the apartment complex
  212. >"You still can"
  213. >You walk across the carpet over to some closed curtains across the other side of the room, without Mabel in hand
  214. >She has to be trusting enough of you, and you aren't about to force her
  215. >The farther you got the more fidgety she became
  216. >Her time in that house must of really done something to her, and you can finally begin to question it in the safety of your home
  217. >You didn't let those thoughts ruin your encouraging smile as you pulled back the curtains, revealing a nice large balcony with no patio furniture
  218. >It's perfect for her to stretch her wings
  219. >"You can fly anytime you want Mabel," you say, opening the sliding door
  220. >"Just be sure to come back, otherwise I can't protect you"
  221. >She starts shuffling towards you at the word 'protect'
  222. >"Go on, try it," you step outside
  223. >A few hesitant steps outside and shes on the balcony in front of you
  224. >"I'l be right here," you give her a light push towards the railing
  225. >She gives a few more looks, and one back to you
  226. >You give her two thumbs up when she did
  227. >With that she spreads her wings and takes off
  228. >She's graceful in the air and beautiful to watch, turning sharply into loops or gliding down in spirals
  229. >Her laughter on the wind is infectious
  230. >You can easily get used to it
  231. >After a few minutes she lands, happily squeaking and talking
  232. >"This is perfect! I can go fly AND hide from the rain and snow!"
  233. >Straight up viral
  234. >"I'm glad you like it Mabel, now let's get some food why don't we"
  235. >Her large ears perk up
  236. >"Yes! Food!"
  237. >She follows you into the kitchen a little haphazardly, almost tripping over the door frame and with her toes sometimes catching the carpet
  238. >It looks like shes better flying than walking
  239. >You dismiss the thought though, at least for your lamps and light's sake
  240. >Reaching into the fridge you pull out a wrapped spread of various cut and uncut fruits
  241. >The different colors of apples, oranges, bananas, and watermelon completely mesmerize her
  242. >She mostly stared at the strawberries with her little mouth open and her eyes unblinking
  243. >You peel back the plastic and start pointing at fruits
  244. >"Ok, I have apples, bananas, strawberries, some oranges, and a few slices of watermelon all here for you!"
  245. >You made sure these were farmers market fresh, and not that nasty three month frozen crap from a Walmart
  246. >You also decided to shotgun the selection at the time, thinking one of them should be good enough
  247. >She is a fruit bat after all
  248. >Only problem with your infinite wisdom in fruit selection is how puzzled she's looking at you
  249. >"What is banana? And watermelon?"
  250. >'Is,' heh
  251. >But, right, how would she know what those are
  252. >No need to frustrate her though
  253. >"They are different kinds of fruits! I have a bunch of yummy things you can eat here!"
  254. >You open a banana and take a bite out of it
  255. >"See? Tasty!"
  256. >You hold the just bitten banana out in front of her
  257. >You also squeeze it really tightly
  258. >'Shit, wait, she's not a pet.'
  259. >You blink
  260. >'Or...is she?'
  261. >Er
  262. >To your immediate relief she looks at the fruit and then back at you
  263. >You give it a little wiggle
  264. >Hesitantly, she takes a bite
  265. >And according to your 1/12th chomp'd on scale before she did, you can see that an average banana is about the same height as her head
  266. >You see her chewing it before her face lights up
  267. >"OHHHH that's good Anon! What did you say they are called?"
  268. >Woah! Almost lost your fingers there
  269. >"Annnananash?"
  270. >You wish you had your phone with you
  271. >You're praying you'l get another chance to snap pics of the pudge bat
  272. >"Bananas," you say between laughs
  273. >Swallowing it down, she scrunches her little wing paws to her chest and does a little dance
  274. >"Oooh! Those are good, can I have more?!"
  275. >You gesture to the bunch of bananas sitting on your kitchen counter
  276. >"You can have as many as you like Mabel. Just remember there are other fruits here for you too"
  277. >You spend a bit more time showering her the more vanilla fruits
  278. >She loves em all, though the oranges and lemons cause her to scowl
  279. >It's adorable with how aggressive she is to fight through the pain from a large orange stuck in her teeth
  280. >When you pull out the others, some of which you've never had or heard of before, it's just as much an experience for you as it was for her
  281. >Mango, blueberries, dragon fruit, and starfruit to name a few
  282. >She loves those just as well
  283. >Each fruit was potential new food for her to try, and she attacked every one of them just as much as she did to the bananas
  284. >When you thought about it, the only fruit she ate was scavenged berries and applies from 'the bush monster's tree
  285. >And wherever else those were native
  286. >You distinctly remember an apple tree in front of the overly paranoid rake salesman's house
  287. >You mull over these thoughts and more but are brought back to reality by a very loud burp
  288. >Blinking and looking over your shoulder, you find a very empty plate beside a very sticky bat
  289. >An incredibly satisfied one at that
  290. >"Wow! You uh, like those Mabel?"
  291. >She gave a nod and a small wheeze while she leaned against the counter
  292. >It took a bit of effort to wrangle her to the sink at the sound of running water, but a quick wipe down of her muzzle, snout, or whatever and she was back to walking around
  293.  
  294. >As much as you want too, you can't really survive entirely off of plant flesh
  295. >So currently your mixing together some ground beef with taco seasoning and cheese
  296. >Nothing wrong with a few homemade quesadillas
  297. >Mabel has a disturbing ability to put away food
  298. >Even after all that, she's happily munching on a piece of watermelon and casually looking around your sides
  299. >You'd offer some, but, well
  300. >Would she even like it?
  301. >Her general disinterest with it after you stopped making noises gave you a resounding no
  302. >She goes off and does whatever bats do in a house, and you continue to beat the meat into an edible form
  303. >With a few dillas in hand you make your way to the couch, and it wasn't long before Mabel joined in as well
  304. >You put your plate down on the small table and you dig for the remote
  305. >Thinking your sentient sofa having eaten it again, your arm travels behind cushions and under fluffy pillows
  306. >You hear a loud squeak after you brush against a softer than normal one
  307. >Silly you, bats can't be pillows
  308. >...You pretend that didn't happen and decide to check to your left
  309. >It's next to you
  310. >Nice
  311. >Grabbing it with a little more flare than usual, you turn on the TV
  312. >The sudden click and noise causes Mabel to jump
  313. >And body slam you with her fuzzy softness
  314. >You barely know her, with it not even being a day
  315. >It's a confusing mixture of warmth and ice that she already thinks of you as her guardian
  316. >Still, a sad bat is a terrible crime
  317. >"It's ok, it's just the TV," you say, and with one hand your petting the fluff while your other quickly mutes the box
  318. >She's hiding her face in your shoulder, shivering nervously and not making a sound
  319. >"Really, it's fine"
  320. >You somehow manage both Netflix and Mabel, and your choice for the night is Spirited Away
  321. >It starts to play with the sound very low, and with your other hand now free you can fully give safety pats
  322. >Soon she starts to watch carefully over her shoulder, but another loud noise wraps her wings around you too
  323. >You don't mind this new leathery prison
  324. >You just don't want to get hanged for it though
  325. >With a little more low words of encouragement Mabel once again looks back to the screen
  326. >The little human girl Chihiro is quietly walking alone in a vast golden field, and once again to whats new Mabel is slowly captivated
  327. >"What is it all?" she finally asks
  328. >"It's a made up story, animated and turned into a movie"
  329. >She looks back to you, with her everything clinging to your chilled out sitting form
  330. >She raises an eyebrow
  331. >"What is animated?"
  332. >You raise your own
  333. >Then both at the same time
  334. >And after that you mentally facepalm
  335. >She's never been exposed to this kind of stuff
  336. >"Think of a drawing, something you can dig in the dirt or on paper, and then a lot more of the same picture," you begin
  337. >She turns her head back to the screen while you do
  338. >"When you look at the next drawing, it's slightly different than the first. When you put them all together and show them in order, you get what is called animation"
  339. >You see her reel back a bit when the girl falls into the water
  340. >"What?" she's now twice as confused
  341. >Ok, time for a bit of improvization
  342. >It takes some effort, and some strategic fingers near the base of her wings, but you finally manage to remove her death hug and you grab a stack of post-it notes
  343. >You spend the night drawing a man constantly walking into a rake, explaining it as you talk about television and the like
  344. >The movie has long since ended by the time you were done, with Mabel half asleep with her head on your lap
  345. >It's late, really late, and the both of you feel it
  346. >You're sure she passed out once or twice during the slow parts, but always came back with a shriek at loud sounds
  347. >Tossing the pad to the side you give a yawn and a stretch, with Mabel doing the same
  348. >She's still on the couch while you take care of your business, and soon you trudge back out to the living room
  349. >"C'mon Mabel, let's go to sleep"
  350. >Following close behind you, you lead her to your apartment's singular bedroom
  351. >You're pretty tired, and without thinking you get down into your boxers while you stand next to your bed
  352. >She's hesitant again
  353. >You've possibly fucked up again
  354. >"Hey, no, Mabel - it's not like that," you slowly slide your jeans back on
  355. >She hasn't moved from the doorway
  356. >"I won't force you Mabel," you say, sitting on the side of the bed
  357. >"I just can't protect you from the...oh"
  358. >Her wings are wrapped around you
  359. >This...
  360. >It doesn't take you long to figure it out
  361. >That's what Raider meant when he talked about conditioning
  362. >You numbly guide her under the covers, with you yourself sliding in next to her
  363. >The moment youre under the covers she snuggles a bit closer
  364. >They aren't much, but you wrap your arms around her, pulling her close
  365. >She doesn't settle down, still giving a nervous fidget here or there
  366. >"Don't worry Mabel, nothing will ever hurt you again," you whisper
  367. >She gives a soft sigh, though of what you aren't sure
  368. >But you mean every word that you said
  369. >You solidify the promise with another fierce hug, and soon you both fall asleep
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement