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- 1
- 00:00:00,769 --> 00:00:02,833
- (dark rock music)
- 2
- 00:00:27,315 --> 00:00:30,075
- ♪ Tell me what to do ♪
- 3
- 00:00:30,075 --> 00:00:32,942
- ♪ Tell me what to do ♪
- 4
- 00:00:32,942 --> 00:00:37,942
- ♪ Tell me what to do ♪
- 5
- 00:00:38,999 --> 00:00:43,999
- ♪ Tell me what to do ♪
- 6
- 00:00:45,145 --> 00:00:47,696
- ♪ Never watched hands
- that moved so slow, ♪
- 7
- 00:00:47,696 --> 00:00:51,060
- ♪ Matters of opinion need to know ♪
- 8
- 00:00:51,060 --> 00:00:53,520
- ♪ Tell me what to do ♪
- 9
- 00:00:53,520 --> 00:00:56,502
- ♪ Tell me what to do ♪
- 10
- 00:00:56,502 --> 00:00:59,335
- ♪ waiting for the enemy,
- waiting for the go ♪
- 11
- 00:00:59,335 --> 00:01:04,335
- ♪ Silent killer don't you know ♪
- 12
- 00:01:05,169 --> 00:01:08,120
- ♪ In my head tonight ♪
- 13
- 00:01:08,120 --> 00:01:11,085
- ♪ Panic done good gonna fight you right ♪
- 14
- 00:01:11,085 --> 00:01:14,026
- ♪ In my head tonight ♪
- 15
- 00:01:14,026 --> 00:01:17,651
- ♪ Panic done good gonna fright you right ♪
- 16
- 00:01:17,651 --> 00:01:22,651
- ♪ Tell me what to do ♪
- 17
- 00:01:25,853 --> 00:01:30,853
- ♪ Tell me what to do ♪
- 18
- 00:01:31,715 --> 00:01:36,715
- ♪ Brain waves pave the path to
- truth, lose your mind in fear ♪
- 19
- 00:01:37,384 --> 00:01:42,384
- ♪ Brain waves pave the path to
- truth, lose your mind in fear ♪
- 20
- 00:02:02,025 --> 00:02:03,879
- ♪ What to do ♪
- ♪ What to do ♪
- 21
- 00:02:03,879 --> 00:02:06,760
- ♪ Tell me what to do ♪
- ♪ Tell me what to do ♪
- 22
- 00:02:06,760 --> 00:02:11,760
- ♪ Lose your mind in fear ♪
- 23
- 00:02:12,588 --> 00:02:16,564
- ♪ Lose your mind, step up a gear ♪
- 24
- 00:02:16,564 --> 00:02:18,789
- ♪ Tell me what to do ♪
- 25
- 00:02:18,789 --> 00:02:22,206
- ♪ Lose your mind in fear ♪
- 26
- 00:02:30,398 --> 00:02:33,212
- ♪ Lose your head when everyone's dead ♪
- 27
- 00:02:33,212 --> 00:02:34,629
- - I'm in trouble.
- 28
- 00:02:35,666 --> 00:02:38,045
- I've been running out of medication
- 29
- 00:02:38,045 --> 00:02:39,574
- For the past few weeks
- 30
- 00:02:39,574 --> 00:02:41,235
- and now I've got nothing
- left in my system at all
- 31
- 00:02:41,235 --> 00:02:44,150
- and I'm going to have a
- psychotic episode or pass out.
- 32
- 00:02:44,150 --> 00:02:47,233
- I don't know but I need an ambulance.
- 33
- 00:02:48,417 --> 00:02:50,917
- (air roaring)
- 34
- 00:02:56,903 --> 00:02:59,605
- (dark rock music)
- 35
- 00:02:59,605 --> 00:03:02,635
- ♪ Tell me what to do ♪
- 36
- 00:03:02,635 --> 00:03:05,420
- ♪ What else can you give ♪
- 37
- 00:03:05,420 --> 00:03:08,292
- ♪ Tell me what to do ♪
- 38
- 00:03:08,292 --> 00:03:13,292
- ♪ What else can you give ♪
- 39
- 00:03:17,181 --> 00:03:20,264
- ♪ Tell me what to do ♪
- 40
- 00:03:21,589 --> 00:03:23,190
- - Set.
- 41
- 00:03:23,190 --> 00:03:24,023
- Roaring.
- 42
- 00:03:24,881 --> 00:03:27,381
- War. (laughs)
- 43
- 00:03:28,680 --> 00:03:31,159
- To th'dread rattlin' thunder.
- 44
- 00:03:31,159 --> 00:03:33,349
- (thunder rumbling)
- 45
- 00:03:33,349 --> 00:03:37,184
- It's Monday, a funday, maybe not a Sunday,
- 46
- 00:03:37,184 --> 00:03:40,184
- but one day, day 78 of the L-O down.
- 47
- 00:03:41,919 --> 00:03:46,801
- I frown and step back, 'cause
- I got a smile and a track.
- 48
- 00:03:46,801 --> 00:03:47,925
- So new.
- 49
- 00:03:47,925 --> 00:03:50,175
- So blue, so down and funky.
- 50
- 00:03:51,304 --> 00:03:52,575
- ♪ Down ♪
- 51
- 00:03:52,575 --> 00:03:54,992
- ♪ Down, down ♪
- 52
- 00:03:55,849 --> 00:03:58,416
- Got a beat, nice and neat,
- and a vocal that's local
- 53
- 00:03:58,416 --> 00:04:02,681
- to those in touch with
- the darker side of life.
- 54
- 00:04:02,681 --> 00:04:04,518
- Press play and watch the
- freshest old wax turn around
- 55
- 00:04:04,518 --> 00:04:09,069
- on the table before I
- mention my number one fan.
- 56
- 00:04:09,069 --> 00:04:14,069
- M-A-D-D-I-E, you're the
- light in these unhappy times.
- 57
- 00:04:14,548 --> 00:04:15,981
- Don't forget the timer.
- 58
- 00:04:15,981 --> 00:04:17,354
- That was your reminder.
- 59
- 00:04:17,354 --> 00:04:20,271
- (woman vocalising)
- 60
- 00:04:27,427 --> 00:04:32,124
- ♪ See you at the ice storm
- at the end of the day ♪
- 61
- 00:04:32,124 --> 00:04:37,124
- ♪ Dangerous conditions
- in which we can play ♪
- 62
- 00:04:37,485 --> 00:04:42,137
- ♪ Cold heart breaking
- don't know what to say ♪
- 63
- 00:04:42,137 --> 00:04:47,137
- ♪ Til the rain drops ice
- and it cuts my head ♪
- 64
- 00:04:48,052 --> 00:04:53,052
- ♪ Better go inside case
- it makes me dead. ♪
- 65
- 00:04:57,730 --> 00:05:02,730
- ♪ It's 10 below, I'm freezing now ♪
- 66
- 00:05:03,092 --> 00:05:06,131
- ♪ Never thought I'd see it right ♪
- 67
- 00:05:06,131 --> 00:05:08,060
- ♪ Eyes wide awake at night ♪
- 68
- 00:05:08,060 --> 00:05:13,060
- ♪ Demons are, demons are ♪
- 69
- 00:05:13,409 --> 00:05:18,398
- ♪ Demons are forever ♪
- 70
- 00:05:18,398 --> 00:05:21,648
- ♪ Demons come whenever ♪
- 71
- 00:05:25,520 --> 00:05:28,103
- (gentle music)
- 72
- 00:05:40,804 --> 00:05:43,471
- (door rattling)
- 73
- 00:06:01,638 --> 00:06:04,055
- - I'm looking for Sarah Cher?
- 74
- 00:06:05,682 --> 00:06:08,925
- - I'd check a list, but,
- I don't have one to check.
- 75
- 00:06:08,925 --> 00:06:13,070
- - Oh, um, maybe I've got the wrong place.
- 76
- 00:06:13,070 --> 00:06:16,808
- - Oh, you can call Maisie and ask her.
- 77
- 00:06:16,808 --> 00:06:18,608
- She might be a bit
- difficult to get hold of,
- 78
- 00:06:18,608 --> 00:06:21,715
- but her mobile's on the wall.
- 79
- 00:06:21,715 --> 00:06:24,382
- - Okay, I'll give her a try her.
- 80
- 00:06:26,985 --> 00:06:30,602
- - Oh, and can you give
- her your details too.
- 81
- 00:06:30,602 --> 00:06:31,435
- - Why?
- 82
- 00:06:32,309 --> 00:06:34,466
- - [Ron] Contact tracing.
- 83
- 00:06:34,466 --> 00:06:35,383
- - I'm fine.
- 84
- 00:06:36,430 --> 00:06:37,763
- - COVID says no.
- 85
- 00:06:39,213 --> 00:06:40,760
- Sorry.
- 86
- 00:06:40,760 --> 00:06:43,624
- We've been in this routine for weeks now.
- 87
- 00:06:43,624 --> 00:06:45,624
- - Look, I know, it's me.
- 88
- 00:06:46,633 --> 00:06:49,716
- I think I've become a bit complacent.
- 89
- 00:06:50,873 --> 00:06:53,943
- - Just give Maisie a call
- and give her your details
- 90
- 00:06:53,943 --> 00:06:55,673
- so you can go into the log.
- 91
- 00:06:55,673 --> 00:06:57,451
- If you do it now and I come across Sarah,
- 92
- 00:06:57,451 --> 00:06:59,486
- I'll let you know.
- 93
- 00:06:59,486 --> 00:07:00,660
- - I've not actually met her,
- 94
- 00:07:00,660 --> 00:07:03,314
- but apparently she's very clever.
- 95
- 00:07:03,314 --> 00:07:07,897
- One of those girls, you know? (laughs)
- 96
- 00:07:09,537 --> 00:07:12,870
- Look, um, this may not actually be true,
- 97
- 00:07:14,312 --> 00:07:17,511
- but she may not be very well.
- 98
- 00:07:17,511 --> 00:07:19,685
- - (sighs) Now, I don't want to come across
- 99
- 00:07:19,685 --> 00:07:21,768
- that I have no compassion
- 100
- 00:07:22,633 --> 00:07:26,216
- but I really don't know
- who this person is.
- 101
- 00:07:27,667 --> 00:07:32,011
- Call Maisie, make her
- aware of the situation.
- 102
- 00:07:32,011 --> 00:07:37,011
- (dramatic music)
- (woman vocalising)
- 103
- 00:07:51,194 --> 00:07:53,361
- - [Marie] Hiya. I'm Marie.
- 104
- 00:07:54,254 --> 00:07:55,587
- - [Ron] I'm Ron.
- 105
- 00:07:57,689 --> 00:07:59,827
- Sorry, who are you exactly again?
- 106
- 00:07:59,827 --> 00:08:01,702
- So many faces in here today.
- 107
- 00:08:01,702 --> 00:08:02,894
- - I'm the ghost. (laughs)
- 108
- 00:08:02,894 --> 00:08:05,031
- In the show, I'm the ghost.
- 109
- 00:08:05,031 --> 00:08:05,864
- I'm Marie.
- 110
- 00:08:07,354 --> 00:08:09,237
- - Right, yeah.
- 111
- 00:08:09,237 --> 00:08:11,447
- You're with the focus group, right?
- 112
- 00:08:11,447 --> 00:08:14,364
- Yeah, I'm Ron, the theatre manager.
- 113
- 00:08:17,589 --> 00:08:21,537
- Your colleagues are just gone
- to the shop for a coffee.
- 114
- 00:08:21,537 --> 00:08:24,368
- - Oh, well, shall I just go through then?
- 115
- 00:08:24,368 --> 00:08:27,478
- - Oh no, the director left
- you some instructions.
- 116
- 00:08:27,478 --> 00:08:29,471
- - Oh, is that Maisie?
- 117
- 00:08:29,471 --> 00:08:31,453
- - Well, yeah, I think so.
- 118
- 00:08:31,453 --> 00:08:32,615
- - Cool.
- 119
- 00:08:32,615 --> 00:08:35,312
- Yean, I've really not been told much.
- 120
- 00:08:35,312 --> 00:08:39,356
- - Neither have I, I only run the place.
- 121
- 00:08:39,356 --> 00:08:42,189
- Hm, yeah, so the email here says,
- 122
- 00:08:45,122 --> 00:08:48,872
- questions and things to
- ask slash tell Marie.
- 123
- 00:08:49,895 --> 00:08:52,566
- Have you got into costume and make-up?
- 124
- 00:08:52,566 --> 00:08:53,399
- - Yes.
- 125
- 00:08:54,253 --> 00:08:56,420
- - Are you wearing it? No.
- 126
- 00:08:59,910 --> 00:09:04,338
- Tell her she can get
- changed in the ladies toilet
- 127
- 00:09:04,338 --> 00:09:06,143
- or on the stage.
- 128
- 00:09:06,143 --> 00:09:07,647
- - Okay, shall I'll just
- go and get organised
- 129
- 00:09:07,647 --> 00:09:09,493
- in the theatre then?
- 130
- 00:09:09,493 --> 00:09:11,604
- - Wait, hang on, there's more.
- 131
- 00:09:11,604 --> 00:09:15,220
- It says, "If you're in your corner,
- 132
- 00:09:15,220 --> 00:09:17,765
- it's marked with a sign
- that says Marie's corner
- 133
- 00:09:17,765 --> 00:09:19,982
- and people when arrive early,
- 134
- 00:09:19,982 --> 00:09:22,600
- just wait until you hear the script,
- 135
- 00:09:22,600 --> 00:09:24,585
- come out on cue when the
- director starts talking
- 136
- 00:09:24,585 --> 00:09:26,319
- about reincarnation.
- 137
- 00:09:26,319 --> 00:09:28,049
- - Yeah, I think I've got it.
- 138
- 00:09:28,049 --> 00:09:32,116
- You know, go out, scream,
- go back to my corner.
- 139
- 00:09:32,116 --> 00:09:35,026
- Wait until the show's over, go home.
- 140
- 00:09:35,026 --> 00:09:37,622
- - Yeah. Yeah, perfect.
- 141
- 00:09:37,622 --> 00:09:40,037
- Just text me if you've got any questions.
- 142
- 00:09:40,037 --> 00:09:42,951
- - Oh, where's your number?
- 143
- 00:09:42,951 --> 00:09:43,951
- - Laminated.
- 144
- 00:09:45,597 --> 00:09:48,113
- In the dressing room, so.
- 145
- 00:09:48,113 --> 00:09:50,661
- Oh, and if you get bored you can sneak out
- 146
- 00:09:50,661 --> 00:09:52,895
- from the stage via the-
- 147
- 00:09:52,895 --> 00:09:53,728
- - [Marie] Right, okay,
- 148
- 00:09:53,728 --> 00:09:56,626
- I think I've got it from there, thank you.
- 149
- 00:09:56,626 --> 00:09:59,376
- (door squeaking)
- 150
- 00:10:03,973 --> 00:10:08,973
- (Marie huffs)
- (quiet eerie music)
- 151
- 00:10:09,549 --> 00:10:10,549
- - Oh, sorry.
- 152
- 00:10:14,548 --> 00:10:18,001
- - So you see the makeup I'm doing now?
- 153
- 00:10:18,001 --> 00:10:18,834
- - Mm-hmm.
- - Right.
- 154
- 00:10:18,834 --> 00:10:21,869
- So this is after like Mary Jane Kelly,
- 155
- 00:10:21,869 --> 00:10:25,775
- you know, Jack the Ripper's final victim.
- 156
- 00:10:25,775 --> 00:10:28,073
- She's my favourite.
- 157
- 00:10:28,073 --> 00:10:30,172
- They play her at the London dungeons.
- 158
- 00:10:30,172 --> 00:10:31,672
- What do you think?
- 159
- 00:10:33,257 --> 00:10:34,409
- - It's alright.
- 160
- 00:10:34,409 --> 00:10:35,826
- - Do I look dead?
- 161
- 00:10:37,712 --> 00:10:39,706
- Like, ghostly?
- 162
- 00:10:39,706 --> 00:10:42,206
- - Well, yeah, I suppose, yeah.
- 163
- 00:10:43,155 --> 00:10:44,424
- - More contour?
- 164
- 00:10:44,424 --> 00:10:45,360
- - More contour.
- 165
- 00:10:45,360 --> 00:10:46,193
- - Yeah.
- 166
- 00:10:46,193 --> 00:10:48,239
- - Yeah, not quite dead yet.
- 167
- 00:10:48,239 --> 00:10:52,898
- - Mm-hmm, good call. (laughs)
- 168
- 00:10:52,898 --> 00:10:56,315
- - So, help yourself to as much sweets or-
- 169
- 00:10:58,517 --> 00:11:01,426
- - Mm-hmm, I found them, thank you.
- 170
- 00:11:01,426 --> 00:11:03,093
- - Right, so you did.
- 171
- 00:11:04,664 --> 00:11:07,378
- The good stuff we keep backstage.
- 172
- 00:11:07,378 --> 00:11:09,015
- - Mm.
- - Yeah.
- 173
- 00:11:09,015 --> 00:11:10,244
- - This is good.
- 174
- 00:11:10,244 --> 00:11:12,599
- - Chocolate, yeah, yeah.
- 175
- 00:11:12,599 --> 00:11:14,925
- Anyway, well, I'll leave you to it.
- 176
- 00:11:14,925 --> 00:11:17,280
- So you know your way around and-
- 177
- 00:11:17,280 --> 00:11:19,322
- - Do you want some?
- 178
- 00:11:19,322 --> 00:11:21,433
- - [Ron] Well, now you've
- eaten my favourite one,
- 179
- 00:11:21,433 --> 00:11:24,350
- so, just. (groans)
- 180
- 00:11:25,994 --> 00:11:28,074
- - [Maddie] Why can't I
- stop watching that film?
- 181
- 00:11:28,074 --> 00:11:30,384
- I've seen it like a hundred times
- 182
- 00:11:30,384 --> 00:11:32,960
- and I can't stop coming back to it.
- 183
- 00:11:32,960 --> 00:11:34,660
- - [Shelby] What are you talking about?
- 184
- 00:11:34,660 --> 00:11:36,016
- - I don't know what's wrong with me.
- 185
- 00:11:36,016 --> 00:11:38,483
- There's just something about that film.
- 186
- 00:11:38,483 --> 00:11:40,220
- - Like what exactly?
- 187
- 00:11:40,220 --> 00:11:42,394
- Come on, I've been travelling for hours,
- 188
- 00:11:42,394 --> 00:11:44,681
- I'm nearly there and I
- don't want to be late.
- 189
- 00:11:44,681 --> 00:11:46,220
- Especially as I'm a gatecrasher.
- 190
- 00:11:46,220 --> 00:11:48,773
- - This film is telling me something.
- 191
- 00:11:48,773 --> 00:11:51,032
- - What? I watched it with you.
- 192
- 00:11:51,032 --> 00:11:51,865
- They go to the woods.
- 193
- 00:11:51,865 --> 00:11:54,243
- The girl gets drunk, she
- flashes back to who she was,
- 194
- 00:11:54,243 --> 00:11:56,499
- she realises she was
- born in Mediaeval times.
- 195
- 00:11:56,499 --> 00:11:57,759
- End of story.
- 196
- 00:11:57,759 --> 00:12:00,796
- - I know all that but
- there's something else.
- 197
- 00:12:00,796 --> 00:12:04,789
- - You drive me nuts when you
- build things up like this.
- 198
- 00:12:04,789 --> 00:12:07,050
- This better be worth it.
- 199
- 00:12:07,050 --> 00:12:09,656
- - I got sent a script.
- 200
- 00:12:09,656 --> 00:12:10,778
- There's a prequel.
- 201
- 00:12:10,778 --> 00:12:11,611
- - You're an actress.
- 202
- 00:12:11,611 --> 00:12:13,052
- You get sent scripts when you audition.
- 203
- 00:12:13,052 --> 00:12:14,690
- I'm not an actress, I don't.
- 204
- 00:12:14,690 --> 00:12:17,851
- - It's the original script of that film.
- 205
- 00:12:17,851 --> 00:12:18,684
- - [Shelby] And?
- 206
- 00:12:18,684 --> 00:12:20,009
- You probably signed up to some film forum
- 207
- 00:12:20,009 --> 00:12:22,954
- and it got sent out because it's cult-
- 208
- 00:12:22,954 --> 00:12:26,532
- - What we watched, was a
- no-budget nothing version.
- 209
- 00:12:26,532 --> 00:12:29,352
- That film is getting made
- properly as a trilogy
- 210
- 00:12:29,352 --> 00:12:32,077
- and they want me in it-
- 211
- 00:12:32,077 --> 00:12:33,407
- - Go back to sleep.
- 212
- 00:12:33,407 --> 00:12:35,235
- I'm on the way to your
- audition that's miles away
- 213
- 00:12:35,235 --> 00:12:37,316
- that you can't be bothered
- to attend, remember.
- 214
- 00:12:37,316 --> 00:12:38,808
- I'm pretending to be you, right?
- 215
- 00:12:38,808 --> 00:12:40,594
- - I know but this one that's come through,
- 216
- 00:12:40,594 --> 00:12:42,983
- it could be massive.
- 217
- 00:12:42,983 --> 00:12:45,948
- There's like a contract and everything.
- 218
- 00:12:45,948 --> 00:12:47,979
- I've gotta discuss with my agent.
- 219
- 00:12:47,979 --> 00:12:49,229
- This is so big!
- 220
- 00:12:50,599 --> 00:12:54,006
- It's gonna make me once this
- stupid lockdown is over.
- 221
- 00:12:54,006 --> 00:12:55,205
- - Have you read the script?
- 222
- 00:12:55,205 --> 00:12:58,604
- - I don't need to read the
- script, it's paid work.
- 223
- 00:12:58,604 --> 00:13:01,430
- Anyway, in the cover
- letter the producer says
- 224
- 00:13:01,430 --> 00:13:04,606
- that the script in the
- original film was just a decoy
- 225
- 00:13:04,606 --> 00:13:06,914
- to test the idea and
- get the money on board.
- 226
- 00:13:06,914 --> 00:13:09,632
- This version is gonna be amazing.
- 227
- 00:13:09,632 --> 00:13:11,229
- - What are you talking about?
- 228
- 00:13:11,229 --> 00:13:12,062
- It's so early.
- 229
- 00:13:12,062 --> 00:13:13,920
- I've come so far to do this for you.
- 230
- 00:13:13,920 --> 00:13:15,933
- - Shelby, that's a paid audition
- 231
- 00:13:15,933 --> 00:13:18,378
- for an advisory panel to government.
- 232
- 00:13:18,378 --> 00:13:21,191
- It's the best focus group you'll ever do.
- 233
- 00:13:21,191 --> 00:13:23,841
- And it's the best work
- out there at the moment.
- 234
- 00:13:23,841 --> 00:13:25,691
- You can thank me for the money later.
- 235
- 00:13:25,691 --> 00:13:27,361
- - Anyway. How can you be so excited?
- 236
- 00:13:27,361 --> 00:13:28,655
- You've only been sent a script.
- 237
- 00:13:28,655 --> 00:13:32,199
- - Yeah, by a courier at
- 7:00 a.m. this morning
- 238
- 00:13:32,199 --> 00:13:34,187
- that I had to sign for.
- 239
- 00:13:34,187 --> 00:13:36,311
- And then some flowers turned up.
- 240
- 00:13:36,311 --> 00:13:37,944
- It was just after you left.
- 241
- 00:13:37,944 --> 00:13:41,006
- - No flowers turned up because
- no one can distribute them.
- 242
- 00:13:41,006 --> 00:13:43,333
- No one is doing signatures at the moment.
- 243
- 00:13:43,333 --> 00:13:46,955
- - Okay, the courier knocked
- and left it at the door
- 244
- 00:13:46,955 --> 00:13:48,962
- but still it was FedEx
- 245
- 00:13:48,962 --> 00:13:53,305
- so it was basically like my
- movie experience is beginning.
- 246
- 00:13:53,305 --> 00:13:54,571
- It's happening.
- 247
- 00:13:54,571 --> 00:13:56,199
- - It's happening again.
- 248
- 00:13:56,199 --> 00:13:59,807
- - Don't Twin Peaks me, that
- freaks the shit out of me.
- 249
- 00:13:59,807 --> 00:14:01,276
- Anyway, look I've got to go.
- 250
- 00:14:01,276 --> 00:14:05,018
- I've got to talk online with
- these people for like 9:15 a.m.
- 251
- 00:14:05,018 --> 00:14:06,910
- Let me know how the focus group goes.
- 252
- 00:14:06,910 --> 00:14:10,045
- It did sound interesting but
- nowhere near as interesting
- 253
- 00:14:10,045 --> 00:14:13,229
- as my life is gonna be
- this time next year.
- 254
- 00:14:13,229 --> 00:14:14,411
- Don't die on me, all right,
- 255
- 00:14:14,411 --> 00:14:17,337
- you're supposed to be cooking dinner.
- 256
- 00:14:17,337 --> 00:14:19,686
- - Right. Don't miss the interview.
- 257
- 00:14:19,686 --> 00:14:21,758
- - See you when your famous.
- 258
- 00:14:21,758 --> 00:14:26,189
- Don't get too bored being Maddie
- Simpson government advisor.
- 259
- 00:14:26,189 --> 00:14:28,189
- - Just get some wine, bitch.
- 260
- 00:14:28,189 --> 00:14:29,736
- You're well enough to do that now, right?
- 261
- 00:14:29,736 --> 00:14:30,903
- - Yeah, bitch.
- 262
- 00:14:36,808 --> 00:14:38,661
- (knuckles rapping)
- 263
- 00:14:38,661 --> 00:14:40,212
- (door squeaking)
- 264
- 00:14:40,212 --> 00:14:42,045
- Hi there, I'm Maisie.
- 265
- 00:14:43,337 --> 00:14:45,748
- You're the first here.
- 266
- 00:14:45,748 --> 00:14:47,592
- Have you come far?
- 267
- 00:14:47,592 --> 00:14:49,148
- - Ealing, if I was driving,
- 268
- 00:14:49,148 --> 00:14:51,340
- it would just be what M25, M2
- 269
- 00:14:51,340 --> 00:14:52,745
- but I've tubed and I've trained.
- 270
- 00:14:52,745 --> 00:14:54,582
- So yeah, I've been on
- public transport all morning
- 271
- 00:14:54,582 --> 00:14:57,550
- and it's not even nine o'clock yet, right?
- 272
- 00:14:57,550 --> 00:14:59,759
- - I'm sorry, I haven't
- even asked your name.
- 273
- 00:14:59,759 --> 00:15:01,831
- - Melody Shelby-Night.
- 274
- 00:15:01,831 --> 00:15:02,753
- It's a mouthful.
- 275
- 00:15:02,753 --> 00:15:05,358
- Double barreled surname.
- 276
- 00:15:05,358 --> 00:15:07,791
- See, I changed names recently.
- 277
- 00:15:07,791 --> 00:15:08,993
- It was Maddie Simpson-Night
- 278
- 00:15:08,993 --> 00:15:11,136
- but that's the name I
- use as my stage name.
- 279
- 00:15:11,136 --> 00:15:13,423
- Melody Shelby-Night is my real name,
- 280
- 00:15:13,423 --> 00:15:15,996
- I just didn't want to use it.
- 281
- 00:15:15,996 --> 00:15:18,210
- - You've come in place of your friend
- 282
- 00:15:18,210 --> 00:15:21,811
- who couldn't make it and
- are winging it a little bit?
- 283
- 00:15:21,811 --> 00:15:23,673
- Is that what's happening here?
- 284
- 00:15:23,673 --> 00:15:25,402
- - Yeah, sorry.
- 285
- 00:15:25,402 --> 00:15:27,608
- I didn't know what to say.
- 286
- 00:15:27,608 --> 00:15:29,334
- - It's fine.
- 287
- 00:15:29,334 --> 00:15:31,107
- We're glad you've turned up.
- 288
- 00:15:31,107 --> 00:15:32,097
- We've had quite a few dropouts
- 289
- 00:15:32,097 --> 00:15:34,455
- and last minute replacements so.
- 290
- 00:15:34,455 --> 00:15:37,581
- Now, don't be offended, the
- director might call you Maddie
- 291
- 00:15:37,581 --> 00:15:41,169
- as he did try and learn
- everyone's names before we begin.
- 292
- 00:15:41,169 --> 00:15:42,335
- Can I be frank?
- 293
- 00:15:42,335 --> 00:15:43,929
- - [Shelby] Of course.
- 294
- 00:15:43,929 --> 00:15:46,883
- - You're really not an actress are you?
- 295
- 00:15:46,883 --> 00:15:47,967
- - You got me twice.
- 296
- 00:15:47,967 --> 00:15:49,134
- No, I'm awful.
- 297
- 00:15:50,881 --> 00:15:52,546
- Is it a problem?
- 298
- 00:15:52,546 --> 00:15:53,956
- - Far from it.
- 299
- 00:15:53,956 --> 00:15:58,956
- We're looking for people who
- can see through the facade.
- 300
- 00:15:59,092 --> 00:16:01,964
- - So this is more than
- just a focus group then?
- 301
- 00:16:01,964 --> 00:16:03,722
- - We're putting together a panel
- 302
- 00:16:03,722 --> 00:16:05,716
- who will advise the government
- 303
- 00:16:05,716 --> 00:16:09,780
- on how the arts community
- will react to the pandemic.
- 304
- 00:16:09,780 --> 00:16:12,482
- We're on topic and we know
- exactly what we're doing
- 305
- 00:16:12,482 --> 00:16:15,001
- but between me and you,
- 306
- 00:16:15,001 --> 00:16:18,253
- we have to put the sewage
- filter on at microscopic.
- 307
- 00:16:18,253 --> 00:16:20,456
- This is "Enemy of the People" stuff.
- 308
- 00:16:20,456 --> 00:16:21,404
- - Ibsen, huh?
- 309
- 00:16:21,404 --> 00:16:24,215
- And I'm Thomas Stockmann
- with microscope on the table,
- 310
- 00:16:24,215 --> 00:16:25,513
- telling everyone there's shit in the water
- 311
- 00:16:25,513 --> 00:16:27,300
- and no one is listening.
- 312
- 00:16:27,300 --> 00:16:30,550
- - For a non-actress, you are on the ball.
- 313
- 00:16:30,550 --> 00:16:33,742
- - My best friend is an actress.
- 314
- 00:16:33,742 --> 00:16:35,541
- I'll be honest, she's really is terrible
- 315
- 00:16:35,541 --> 00:16:38,326
- but I couldn't say that to her face.
- 316
- 00:16:38,326 --> 00:16:40,074
- - [Maisie] We know Maddie.
- 317
- 00:16:40,074 --> 00:16:42,328
- - Wow, she sounds important.
- 318
- 00:16:42,328 --> 00:16:46,589
- - [Maisie] No, lockdown has
- turned her into a prima donna.
- 319
- 00:16:46,589 --> 00:16:50,917
- - Thank God it wasn't just
- me who picked up on that.
- 320
- 00:16:50,917 --> 00:16:54,000
- (footsteps thudding)
- 321
- 00:17:22,479 --> 00:17:24,914
- You know she signed up for cam work?
- 322
- 00:17:24,914 --> 00:17:26,231
- - Interesting.
- 323
- 00:17:26,231 --> 00:17:27,617
- - It's ruined her.
- 324
- 00:17:27,617 --> 00:17:28,617
- All we can hear from her room are
- 325
- 00:17:28,617 --> 00:17:29,940
- the cash register sound effects
- 326
- 00:17:29,940 --> 00:17:32,568
- from her laptop and squealing.
- 327
- 00:17:32,568 --> 00:17:34,718
- She's made an absolute
- fortune these past few months
- 328
- 00:17:34,718 --> 00:17:36,433
- but she's absolutely addicted.
- 329
- 00:17:36,433 --> 00:17:37,745
- These guys send her gifts
- 330
- 00:17:37,745 --> 00:17:40,745
- from her Amazon wish list every day.
- 331
- 00:17:41,871 --> 00:17:45,454
- God, I shouldn't have said any of that.
- 332
- 00:17:45,454 --> 00:17:46,621
- - But you did.
- 333
- 00:17:47,970 --> 00:17:49,465
- Don't worry.
- 334
- 00:17:49,465 --> 00:17:52,908
- This has been weird for everyone.
- 335
- 00:17:52,908 --> 00:17:54,433
- Does she wear a mask?
- 336
- 00:17:54,433 --> 00:17:58,488
- - I don't know, I have
- not seen her perform.
- 337
- 00:17:58,488 --> 00:18:00,491
- - I hope she's been discrete.
- 338
- 00:18:00,491 --> 00:18:02,558
- The media have a way
- of digging up the past
- 339
- 00:18:02,558 --> 00:18:05,058
- and she was getting somewhere.
- 340
- 00:18:06,103 --> 00:18:08,707
- No Disney movies for her, right?
- 341
- 00:18:08,707 --> 00:18:12,041
- - She's done it for 77 days straight.
- 342
- 00:18:12,041 --> 00:18:14,624
- She's now got 49,000 followers.
- 343
- 00:18:15,571 --> 00:18:16,404
- I'll be honest.
- 344
- 00:18:16,404 --> 00:18:18,545
- I think she's given up on
- her proper acting career.
- 345
- 00:18:18,545 --> 00:18:20,371
- The things she does.
- 346
- 00:18:20,371 --> 00:18:23,312
- - [Maisie] Who are we to judge
- our peers in this industry?
- 347
- 00:18:23,312 --> 00:18:24,796
- - I couldn't do it.
- 348
- 00:18:24,796 --> 00:18:28,463
- I'm not very good when
- it comes to intimacy.
- 349
- 00:18:29,917 --> 00:18:32,062
- - Why are you telling me?
- 350
- 00:18:32,062 --> 00:18:37,062
- - Because, I haven't seen
- anyone for about three months.
- 351
- 00:18:37,103 --> 00:18:38,313
- I lost my job.
- 352
- 00:18:38,313 --> 00:18:40,259
- I split-up with my boyfriend
- 353
- 00:18:40,259 --> 00:18:42,383
- and you seem like a really nice person
- 354
- 00:18:42,383 --> 00:18:44,441
- who I'm pretty comfortable talking with
- 355
- 00:18:44,441 --> 00:18:45,908
- and these past few months I've realised
- 356
- 00:18:45,908 --> 00:18:48,839
- how I feel in certain situations.
- 357
- 00:18:48,839 --> 00:18:50,969
- I like scenarios like this.
- 358
- 00:18:50,969 --> 00:18:52,447
- Meeting new people.
- 359
- 00:18:52,447 --> 00:18:54,780
- Meeting intellectual equals.
- 360
- 00:18:56,718 --> 00:18:58,888
- - I can't give you a hug, dear.
- 361
- 00:18:58,888 --> 00:19:00,638
- Two metres, all that.
- 362
- 00:19:02,435 --> 00:19:06,185
- - I know, it's just,
- I've come like 200 miles
- 363
- 00:19:07,077 --> 00:19:08,970
- just so Maddie can save face
- 364
- 00:19:08,970 --> 00:19:10,719
- and not admit to the
- normal crowd of people
- 365
- 00:19:10,719 --> 00:19:13,886
- that she's probably
- never going to act again.
- 366
- 00:19:13,886 --> 00:19:18,163
- (sighs) I'm sorry, I'm insecure.
- 367
- 00:19:18,163 --> 00:19:19,851
- I talk a lot and I latch quickly
- 368
- 00:19:19,851 --> 00:19:22,500
- if you show me the
- slightest bit of interest.
- 369
- 00:19:22,500 --> 00:19:26,063
- - It's Monday, it's not even 9:00 a.m.
- 370
- 00:19:26,063 --> 00:19:27,653
- I get you, Shelby,
- 371
- 00:19:27,653 --> 00:19:30,388
- but the only reason
- you're getting my time is
- 372
- 00:19:30,388 --> 00:19:32,308
- because you're the first here
- 373
- 00:19:32,308 --> 00:19:33,630
- and you're probably the only person
- 374
- 00:19:33,630 --> 00:19:36,487
- I'm actually going to speak to in depth
- 375
- 00:19:36,487 --> 00:19:38,945
- because this morning
- will run like clockwork
- 376
- 00:19:38,945 --> 00:19:42,037
- and my webcam goes live at midday.
- 377
- 00:19:42,037 --> 00:19:42,870
- - [Shelby] You don't-
- 378
- 00:19:42,870 --> 00:19:45,780
- - [Maisie] No, I don't
- but I do get booked.
- 379
- 00:19:45,780 --> 00:19:48,280
- (eerie music)
- 380
- 00:19:53,179 --> 00:19:55,012
- - I'm genuinely weird.
- 381
- 00:19:56,536 --> 00:19:58,556
- You're just trying to be
- weird to make an impression
- 382
- 00:19:58,556 --> 00:19:59,653
- and to keep up with me
- 383
- 00:19:59,653 --> 00:20:02,986
- because you're swimming in the deep end.
- 384
- 00:20:04,244 --> 00:20:05,577
- And I'm a shark.
- 385
- 00:20:07,751 --> 00:20:10,251
- And I bite when I smell blood.
- 386
- 00:20:13,494 --> 00:20:17,577
- But don't worry, I don't
- want to eat you anymore.
- 387
- 00:20:20,928 --> 00:20:23,095
- You're just like the rest.
- 388
- 00:20:24,393 --> 00:20:27,143
- Mocking me because I'm different.
- 389
- 00:20:28,177 --> 00:20:30,927
- (dramatic music)
- 390
- 00:20:43,582 --> 00:20:44,420
- - Don't be alarmed,
- 391
- 00:20:44,420 --> 00:20:48,087
- I just has a sort of
- moment with that girl.
- 392
- 00:20:49,345 --> 00:20:50,200
- I didn't do a very good job
- 393
- 00:20:50,200 --> 00:20:51,855
- with inspiring confidence in her
- 394
- 00:20:51,855 --> 00:20:54,959
- so just build her up as best you can.
- 395
- 00:20:54,959 --> 00:20:57,295
- - Improvise with her a bit more, maybe?
- 396
- 00:20:57,295 --> 00:21:00,628
- - Yeah, play on her friend missing this.
- 397
- 00:21:02,053 --> 00:21:06,840
- I mean I could have just
- asked her to leave but-
- 398
- 00:21:06,840 --> 00:21:09,035
- - She's done something to you?
- 399
- 00:21:09,035 --> 00:21:10,250
- - I'm gonna be frank.
- 400
- 00:21:10,250 --> 00:21:11,653
- She's too smart for this.
- 401
- 00:21:11,653 --> 00:21:12,808
- She shouldn't be here
- 402
- 00:21:12,808 --> 00:21:16,519
- and I think in her Mensa IQ
- way that she's just told me
- 403
- 00:21:16,519 --> 00:21:19,307
- I was the best thing
- that's ever happened to her
- 404
- 00:21:19,307 --> 00:21:24,298
- but because I've so bluntly
- rejected her I'm now her prey.
- 405
- 00:21:24,298 --> 00:21:25,972
- - Why do we get weirdos?
- 406
- 00:21:25,972 --> 00:21:27,370
- This was so simple.
- 407
- 00:21:27,370 --> 00:21:29,843
- - You don't know the half of this fiasco.
- 408
- 00:21:29,843 --> 00:21:31,560
- This was never simple.
- 409
- 00:21:31,560 --> 00:21:32,510
- I'm just having to vent to you
- 410
- 00:21:32,510 --> 00:21:34,008
- because you needed to
- know what just went on.
- 411
- 00:21:34,008 --> 00:21:36,893
- I was not expecting that.
- 412
- 00:21:36,893 --> 00:21:40,776
- - And now we've just
- broken social distancing.
- 413
- 00:21:40,776 --> 00:21:43,927
- - Get through today and
- we can break it properly.
- 414
- 00:21:43,927 --> 00:21:46,544
- - (laughs) You've only just met me.
- 415
- 00:21:46,544 --> 00:21:48,867
- - I haven't seen a soul for 83 days.
- 416
- 00:21:48,867 --> 00:21:50,918
- You appear to have a pulse.
- 417
- 00:21:50,918 --> 00:21:54,217
- And I have no standards left to adhere to.
- 418
- 00:21:54,217 --> 00:21:55,467
- - What if I do?
- 419
- 00:21:56,530 --> 00:21:59,072
- - Then I'll send a message to Shelby,
- 420
- 00:21:59,072 --> 00:22:03,141
- saying her attraction
- should be in your direction.
- 421
- 00:22:03,141 --> 00:22:07,179
- - Ah. Can I retract that last sentence?
- 422
- 00:22:07,179 --> 00:22:10,750
- - Trust me, I've run group workshops
- 423
- 00:22:10,750 --> 00:22:13,493
- and corporate crap like
- this for a long time.
- 424
- 00:22:13,493 --> 00:22:15,160
- That girl is unique.
- 425
- 00:22:16,477 --> 00:22:18,892
- Your audience awaits.
- 426
- 00:22:18,892 --> 00:22:21,892
- (people chattering)
- 427
- 00:22:25,135 --> 00:22:27,626
- Because this morning
- will run like clockwork
- 428
- 00:22:27,626 --> 00:22:30,576
- and my webcam goes live at midday.
- 429
- 00:22:30,576 --> 00:22:33,015
- - You don't-
- - No, but I do get booked
- 430
- 00:22:33,015 --> 00:22:36,614
- on TV shows and news items
- to talk about the industry.
- 431
- 00:22:36,614 --> 00:22:38,792
- - What, like, as an assistant?
- 432
- 00:22:38,792 --> 00:22:41,875
- - Like as producer, casting director,
- 433
- 00:22:42,860 --> 00:22:46,021
- director, bitch who runs the show.
- 434
- 00:22:46,021 --> 00:22:47,022
- - Sorry.
- 435
- 00:22:47,022 --> 00:22:48,930
- - Don't tell me you're sorry.
- 436
- 00:22:48,930 --> 00:22:50,355
- I'm just being straight.
- 437
- 00:22:50,355 --> 00:22:53,605
- You have no idea who I am or what I do.
- 438
- 00:22:55,116 --> 00:22:56,255
- Time is money.
- 439
- 00:22:56,255 --> 00:22:58,240
- This is like a workshop.
- 440
- 00:22:58,240 --> 00:22:59,868
- We're looking for
- performers to participate
- 441
- 00:22:59,868 --> 00:23:02,653
- on our advisory panel
- and come in on our film.
- 442
- 00:23:02,653 --> 00:23:05,048
- - How did you get the contract?
- 443
- 00:23:05,048 --> 00:23:06,932
- - Government put it out for tender,
- 444
- 00:23:06,932 --> 00:23:09,885
- we knew where to look, we applied.
- 445
- 00:23:09,885 --> 00:23:11,622
- We're here.
- 446
- 00:23:11,622 --> 00:23:14,174
- We're just lowest of the low spads.
- 447
- 00:23:14,174 --> 00:23:15,209
- - What are spads?
- 448
- 00:23:15,209 --> 00:23:17,590
- - Specialist advisors.
- 449
- 00:23:17,590 --> 00:23:20,078
- We're Dominic Cummings with permission
- 450
- 00:23:20,078 --> 00:23:20,950
- to break lockdown rules
- 451
- 00:23:20,950 --> 00:23:23,260
- whilst we explore their
- limits of practicality.
- 452
- 00:23:23,260 --> 00:23:25,177
- - It all sounds sneaky.
- 453
- 00:23:26,874 --> 00:23:28,498
- - We just got lucky.
- 454
- 00:23:28,498 --> 00:23:31,098
- For running a few focus groups
- 455
- 00:23:31,098 --> 00:23:32,955
- we've got a budget to make our film.
- 456
- 00:23:32,955 --> 00:23:34,849
- We just have to prepare a localised report
- 457
- 00:23:34,849 --> 00:23:36,260
- considering where everyone involved
- 458
- 00:23:36,260 --> 00:23:39,039
- in the performing arts
- might be going next.
- 459
- 00:23:39,039 --> 00:23:39,872
- - Clever.
- 460
- 00:23:41,114 --> 00:23:43,703
- What else do I need to know?
- 461
- 00:23:43,703 --> 00:23:46,197
- Go upstairs and take a seat.
- 462
- 00:23:46,197 --> 00:23:48,514
- - Maddie said it was an all-day thing.
- 463
- 00:23:48,514 --> 00:23:50,714
- - Maddie didn't read.
- 464
- 00:23:50,714 --> 00:23:53,498
- Nothing is printed, everything is digital,
- 465
- 00:23:53,498 --> 00:23:55,776
- including signatures, and in the show
- 466
- 00:23:55,776 --> 00:23:58,801
- some documents only come through on cue.
- 467
- 00:23:58,801 --> 00:24:00,912
- Now, I can answer the
- most pressing questions.
- 468
- 00:24:00,912 --> 00:24:03,366
- Yes, this is legitimate.
- 469
- 00:24:03,366 --> 00:24:05,377
- No, this isn't sneaky.
- 470
- 00:24:05,377 --> 00:24:07,960
- This, as you put it, is clever.
- 471
- 00:24:09,953 --> 00:24:13,013
- - Can we be friends after this?
- 472
- 00:24:13,013 --> 00:24:14,513
- - [Maisie] Direct.
- 473
- 00:24:15,555 --> 00:24:17,305
- What sort of friends?
- 474
- 00:24:18,710 --> 00:24:20,086
- Why?
- 475
- 00:24:20,086 --> 00:24:21,051
- - I like you.
- 476
- 00:24:21,051 --> 00:24:22,583
- I like your attitude.
- 477
- 00:24:22,583 --> 00:24:26,339
- You're like a super nerd
- who dresses like a bimbo.
- 478
- 00:24:26,339 --> 00:24:28,993
- I could say something crude
- but I won't. (giggles)
- 479
- 00:24:28,993 --> 00:24:30,723
- - [Maisie] Why not?
- 480
- 00:24:30,723 --> 00:24:33,032
- - Sometimes I say things I shouldn't
- 481
- 00:24:33,032 --> 00:24:34,990
- and it gets me in trouble.
- 482
- 00:24:34,990 --> 00:24:36,706
- I tell people I have Tourette syndrome
- 483
- 00:24:36,706 --> 00:24:37,663
- but it's usually deliberate
- 484
- 00:24:37,663 --> 00:24:40,580
- because it buzzes me when I say it.
- 485
- 00:24:42,504 --> 00:24:44,025
- - Okay.
- 486
- 00:24:44,025 --> 00:24:46,630
- I'm being polite because I always think
- 487
- 00:24:46,630 --> 00:24:48,916
- of this cliched old phrase,
- 488
- 00:24:48,916 --> 00:24:52,994
- you attract more flies
- with honey than vinegar.
- 489
- 00:24:52,994 --> 00:24:55,061
- - I just think you're nice.
- 490
- 00:24:55,061 --> 00:24:56,311
- - I'm not nice.
- 491
- 00:24:58,476 --> 00:24:59,825
- - I'm not good with boundaries.
- 492
- 00:24:59,825 --> 00:25:00,825
- - Evidently.
- 493
- 00:25:02,810 --> 00:25:05,188
- (sighs) But it sounds
- as if you've been stuck
- 494
- 00:25:05,188 --> 00:25:09,071
- in a flat with Rampant Maddie
- for the past three months.
- 495
- 00:25:09,071 --> 00:25:11,194
- - Don't say it like that.
- 496
- 00:25:11,194 --> 00:25:12,464
- - Why not?
- 497
- 00:25:12,464 --> 00:25:15,047
- - You make it sound submissive.
- 498
- 00:25:16,688 --> 00:25:18,067
- Like I'm a little girl.
- 499
- 00:25:18,067 --> 00:25:21,939
- - I deal with people all the time, Shelby.
- 500
- 00:25:21,939 --> 00:25:22,939
- I'm a bitch.
- 501
- 00:25:24,087 --> 00:25:27,422
- You're exactly what I say you are.
- 502
- 00:25:27,422 --> 00:25:31,832
- And if you don't like that,
- we can't be friends. Ever.
- 503
- 00:25:31,832 --> 00:25:33,369
- You're a nice girl, Shelby,
- 504
- 00:25:33,369 --> 00:25:35,131
- but you really need to get out more.
- 505
- 00:25:35,131 --> 00:25:36,499
- - Like I've been able to go anywhere
- 506
- 00:25:36,499 --> 00:25:38,094
- in the past three months.
- 507
- 00:25:38,094 --> 00:25:39,095
- - My bad.
- 508
- 00:25:39,095 --> 00:25:41,711
- Lockdown hasn't really
- been a thing for me.
- 509
- 00:25:41,711 --> 00:25:44,838
- Look it up, people likely
- to break lockdown rules,
- 510
- 00:25:44,838 --> 00:25:46,718
- those with psychopathic traits.
- 511
- 00:25:46,718 --> 00:25:48,935
- - [Shelby] Do you have
- psychopathic traits?
- 512
- 00:25:48,935 --> 00:25:50,386
- - Depends.
- 513
- 00:25:50,386 --> 00:25:51,719
- Sadistic, maybe?
- 514
- 00:25:52,865 --> 00:25:55,533
- You see, I'm in the Dark Triad.
- 515
- 00:25:55,533 --> 00:25:58,863
- - You're pretty clever aren't you?
- 516
- 00:25:58,863 --> 00:26:02,897
- - I'm not clever, I just try and be smart.
- 517
- 00:26:02,897 --> 00:26:07,357
- - Narcissism,
- Machiavellianism, psychopathy.
- 518
- 00:26:07,357 --> 00:26:09,774
- That's the Dark Triad, right.
- 519
- 00:26:11,514 --> 00:26:13,849
- - Not bad for a Monday morning.
- 520
- 00:26:13,849 --> 00:26:17,130
- - I just read the same
- article on the train.
- 521
- 00:26:17,130 --> 00:26:20,184
- - So, you don't know anything
- else about the Dark Triad?
- 522
- 00:26:20,184 --> 00:26:22,521
- - I did a Psychology degree.
- 523
- 00:26:22,521 --> 00:26:25,976
- I want to have faith
- in humanity, humanism.
- 524
- 00:26:25,976 --> 00:26:28,559
- I want to align with Kantianism
- 525
- 00:26:29,713 --> 00:26:33,562
- but I'm just not a light triad kinda girl.
- 526
- 00:26:33,562 --> 00:26:35,088
- - Clearly not.
- 527
- 00:26:35,088 --> 00:26:37,791
- - You can call me Melody if you want to?
- 528
- 00:26:37,791 --> 00:26:39,470
- I can be more submissive
- 529
- 00:26:39,470 --> 00:26:40,856
- if that makes it easier for you
- 530
- 00:26:40,856 --> 00:26:43,356
- to feel more dominant over me.
- 531
- 00:26:44,495 --> 00:26:46,777
- - Why don't you like being called Melody?
- 532
- 00:26:46,777 --> 00:26:48,110
- - I'm tone deaf.
- 533
- 00:26:49,756 --> 00:26:51,086
- - Genuinely?
- 534
- 00:26:51,086 --> 00:26:53,253
- - Yeah, congenital amusia.
- 535
- 00:26:54,213 --> 00:26:57,395
- It was all confirmed when I was little.
- 536
- 00:26:57,395 --> 00:27:00,400
- My parents are both music teachers.
- 537
- 00:27:00,400 --> 00:27:01,233
- - Ironic.
- 538
- 00:27:02,342 --> 00:27:04,569
- - [Shelby] Story of my life.
- 539
- 00:27:04,569 --> 00:27:07,319
- I've disappointed lots of people.
- 540
- 00:27:08,681 --> 00:27:11,556
- - What's been your biggest
- disappointment in life?
- 541
- 00:27:11,556 --> 00:27:13,916
- - Opening that door.
- 542
- 00:27:13,916 --> 00:27:15,850
- - Why is that disappointing?
- 543
- 00:27:15,850 --> 00:27:20,355
- - Because nothing else will
- match this moment for months.
- 544
- 00:27:20,355 --> 00:27:24,272
- - Sarcastic banter from
- a cynical cow like me.
- 545
- 00:27:24,272 --> 00:27:26,434
- Is that what you like?
- 546
- 00:27:26,434 --> 00:27:27,267
- - No.
- 547
- 00:27:28,402 --> 00:27:30,594
- I like simple things.
- 548
- 00:27:30,594 --> 00:27:33,094
- I can cope with simple things.
- 549
- 00:27:34,033 --> 00:27:35,950
- This seems complicated.
- 550
- 00:27:40,473 --> 00:27:42,473
- You're out of your depth
- 551
- 00:27:43,389 --> 00:27:45,755
- but it could be that
- your whole company is out
- 552
- 00:27:45,755 --> 00:27:47,838
- of it's respective depth.
- 553
- 00:27:49,928 --> 00:27:51,678
- - Yeah, maybe we are.
- 554
- 00:27:54,399 --> 00:27:57,316
- - No, there's more to it than that.
- 555
- 00:28:00,004 --> 00:28:00,921
- - Is there?
- 556
- 00:28:04,450 --> 00:28:07,545
- (very quiet gentle music)
- 557
- 00:28:07,545 --> 00:28:10,295
- (camera beeping)
- 558
- 00:28:38,701 --> 00:28:41,451
- (dramatic music)
- 559
- 00:28:42,563 --> 00:28:45,146
- (upbeat music)
- 560
- 00:29:05,409 --> 00:29:08,409
- (footsteps tapping)
- 561
- 00:29:14,568 --> 00:29:17,151
- (toy whirring)
- 562
- 00:29:29,778 --> 00:29:33,028
- (quiet dramatic music)
- 563
- 00:30:09,145 --> 00:30:12,062
- - Okay, good morning, everyone!
- 564
- 00:30:12,062 --> 00:30:15,327
- Tell you what, just gonna
- take us out of here like so.
- 565
- 00:30:15,327 --> 00:30:18,410
- Okay, well, thank you all for coming.
- 566
- 00:30:19,711 --> 00:30:21,878
- None of you know who I am.
- 567
- 00:30:23,011 --> 00:30:24,613
- Which is why you've been paid
- 568
- 00:30:24,613 --> 00:30:27,530
- to participate in this masterclass?
- 569
- 00:30:29,587 --> 00:30:31,287
- Here is how this works.
- 570
- 00:30:31,287 --> 00:30:33,787
- We have been contracted by the government
- 571
- 00:30:33,787 --> 00:30:36,856
- to prepare a localised report on the state
- 572
- 00:30:36,856 --> 00:30:38,525
- of the Performing Arts industry
- 573
- 00:30:38,525 --> 00:30:42,219
- as a result of the COVID-19 pandemic.
- 574
- 00:30:42,219 --> 00:30:45,052
- Ultimately, we need your feedback.
- 575
- 00:30:46,802 --> 00:30:49,960
- That is why we are in a theatre.
- 576
- 00:30:49,960 --> 00:30:51,877
- We are in the lifeblood
- 577
- 00:30:52,830 --> 00:30:56,763
- of where the economy of
- production will restart.
- 578
- 00:30:56,763 --> 00:31:00,263
- Now, is that pretentious enough, I wonder?
- 579
- 00:31:02,906 --> 00:31:04,048
- What we're also doing,
- 580
- 00:31:04,048 --> 00:31:07,486
- is using the money we've
- been paid to make a film.
- 581
- 00:31:07,486 --> 00:31:09,403
- You are focus group one
- 582
- 00:31:10,318 --> 00:31:13,351
- and you don't have to do
- much other than to watch
- 583
- 00:31:13,351 --> 00:31:16,768
- and answer some questions when I ask you.
- 584
- 00:31:17,871 --> 00:31:22,292
- Now, before we get in flow of
- things, these are the rules.
- 585
- 00:31:22,292 --> 00:31:23,792
- Do not break them.
- 586
- 00:31:26,438 --> 00:31:29,731
- We are under lockdown
- conditions across the country.
- 587
- 00:31:29,731 --> 00:31:31,148
- We are on day 78.
- 588
- 00:31:31,998 --> 00:31:35,032
- We've been, how should I put this?
- 589
- 00:31:35,032 --> 00:31:37,413
- Very naughty as a production outfit
- 590
- 00:31:37,413 --> 00:31:38,246
- and have got you all here
- 591
- 00:31:38,246 --> 00:31:41,579
- in a very clever and very legal fashion.
- 592
- 00:31:43,366 --> 00:31:46,490
- One, I hope none of you have coronavirus.
- 593
- 00:31:46,490 --> 00:31:49,360
- If you do, then there's
- no point in getting out,
- 594
- 00:31:49,360 --> 00:31:52,046
- you've already infected the room.
- 595
- 00:31:52,046 --> 00:31:54,629
- Two, respect social distancing.
- 596
- 00:31:56,167 --> 00:31:57,936
- Three, if you haven't got the credentials
- 597
- 00:31:57,936 --> 00:32:00,740
- we asked for you don't get paid.
- 598
- 00:32:00,740 --> 00:32:02,907
- Four, today you're working
- 599
- 00:32:04,713 --> 00:32:07,713
- as contributors to an advisory panel
- 600
- 00:32:09,534 --> 00:32:13,300
- on how we, acting as
- agents for government,
- 601
- 00:32:13,300 --> 00:32:17,741
- should move forward after
- the pandemic has peaked.
- 602
- 00:32:17,741 --> 00:32:22,288
- And by we meaning the performing
- arts industry at large.
- 603
- 00:32:22,288 --> 00:32:25,538
- And five, this is a relaxed atmosphere.
- 604
- 00:32:28,754 --> 00:32:31,254
- I want us to keep it that way.
- 605
- 00:32:32,471 --> 00:32:33,638
- Any questions?
- 606
- 00:32:35,568 --> 00:32:37,716
- - How much are we getting paid again?
- 607
- 00:32:37,716 --> 00:32:39,006
- - Whatever it said on the advert.
- 608
- 00:32:39,006 --> 00:32:40,117
- - It didn't.
- 609
- 00:32:40,117 --> 00:32:40,950
- - It did.
- 610
- 00:32:41,972 --> 00:32:42,954
- - I didn't see it.
- 611
- 00:32:42,954 --> 00:32:44,540
- - It's a Spotlight advert.
- 612
- 00:32:44,540 --> 00:32:47,068
- It costs money to place those.
- 613
- 00:32:47,068 --> 00:32:49,222
- We saw all the actors
- moaning and complaining
- 614
- 00:32:49,222 --> 00:32:51,243
- about how Spotlight wasn't helping them,
- 615
- 00:32:51,243 --> 00:32:54,327
- but why, if we weren't
- serious, would we use Spotlight
- 616
- 00:32:54,327 --> 00:32:57,740
- and advertise a fee
- alongside strict conditions.
- 617
- 00:32:57,740 --> 00:32:59,954
- - My agent told me to show up.
- 618
- 00:32:59,954 --> 00:33:02,794
- I genuinely didn't see the advert.
- 619
- 00:33:02,794 --> 00:33:04,502
- - If your agent told you
- to walk off a bridge,
- 620
- 00:33:04,502 --> 00:33:06,098
- would you do it?
- 621
- 00:33:06,098 --> 00:33:09,018
- - It depends if that was
- in the casting brief.
- 622
- 00:33:09,018 --> 00:33:11,518
- - Are you always this logical?
- 623
- 00:33:13,244 --> 00:33:15,540
- - I do what I'm told.
- 624
- 00:33:15,540 --> 00:33:19,663
- And yeah, I'm not good at
- reading between the lines
- 625
- 00:33:19,663 --> 00:33:22,330
- so I just react in a direct way.
- 626
- 00:33:24,098 --> 00:33:28,016
- - Because you're a little bit autistic?
- 627
- 00:33:28,016 --> 00:33:30,601
- - No, I just lack confidence.
- 628
- 00:33:30,601 --> 00:33:34,739
- So I make mistakes and ask dumb questions
- 629
- 00:33:34,739 --> 00:33:37,088
- then beat myself for the rest of the day.
- 630
- 00:33:37,088 --> 00:33:42,088
- - Ah, okay, a nicely
- introverted, extrovert. (laughs)
- 631
- 00:33:44,640 --> 00:33:48,061
- - I was in a few films when I was younger
- 632
- 00:33:48,061 --> 00:33:50,728
- but then I lost body confidence.
- 633
- 00:33:52,378 --> 00:33:55,878
- - Okay, well, step up, we need to move on.
- 634
- 00:33:58,000 --> 00:34:00,333
- - This of this as reality TV
- 635
- 00:34:02,082 --> 00:34:05,135
- which you're part of from the get go.
- 636
- 00:34:05,135 --> 00:34:06,844
- - What's part two?
- 637
- 00:34:06,844 --> 00:34:09,045
- - Listen and learn.
- 638
- 00:34:09,045 --> 00:34:13,129
- Today, I also want to give
- you something a little extra.
- 639
- 00:34:13,129 --> 00:34:15,187
- I want to talk to you
- about my new production.
- 640
- 00:34:15,187 --> 00:34:17,677
- It's called "The Mist."
- 641
- 00:34:17,677 --> 00:34:20,434
- It's about betrayal and treachery
- 642
- 00:34:20,434 --> 00:34:22,851
- within government and law enforcement.
- 643
- 00:34:22,851 --> 00:34:26,164
- But that isn't good entertainment
- for 60 million people
- 644
- 00:34:26,164 --> 00:34:28,381
- in a heatwave who just want
- to get out of the house.
- 645
- 00:34:28,381 --> 00:34:30,714
- No, we need escapist fantasy
- 646
- 00:34:33,682 --> 00:34:37,099
- but that is un-produceable without money.
- 647
- 00:34:38,818 --> 00:34:42,553
- "The Mist" is about all
- the people who I know
- 648
- 00:34:42,553 --> 00:34:45,241
- who've worked against me
- 649
- 00:34:45,241 --> 00:34:48,408
- and who tried to sabotage my progress.
- 650
- 00:34:49,444 --> 00:34:51,460
- It's allegorical.
- 651
- 00:34:51,460 --> 00:34:53,700
- It's metaphorical.
- 652
- 00:34:53,700 --> 00:34:55,033
- It's a parallel.
- 653
- 00:34:56,367 --> 00:34:58,463
- Run with this and you will be rewarded.
- 654
- 00:34:58,463 --> 00:35:01,602
- Mock it and you will be
- immortalised for doing so.
- 655
- 00:35:01,602 --> 00:35:03,818
- Our relationships live and die
- 656
- 00:35:03,818 --> 00:35:07,242
- in this next two hour time frame.
- 657
- 00:35:07,242 --> 00:35:11,242
- The clock's ticking,
- folks, so be on your guard.
- 658
- 00:35:14,364 --> 00:35:15,197
- Scared?
- 659
- 00:35:17,033 --> 00:35:17,866
- Excited?
- 660
- 00:35:23,513 --> 00:35:27,096
- You've all been betrayed
- before, I presume?
- 661
- 00:35:29,338 --> 00:35:30,471
- Come on, wakey, wakey, hands up.
- 662
- 00:35:30,471 --> 00:35:31,411
- Who's been betrayed before
- 663
- 00:35:31,411 --> 00:35:34,244
- by someone they loved and trusted?
- 664
- 00:35:39,058 --> 00:35:40,891
- You, what's your name?
- 665
- 00:35:42,148 --> 00:35:43,490
- - Melody.
- 666
- 00:35:43,490 --> 00:35:44,907
- - Beautiful name.
- 667
- 00:35:46,198 --> 00:35:48,049
- How did you get here, Melody?
- 668
- 00:35:48,049 --> 00:35:50,378
- I'm casting "The Mist" right now
- 669
- 00:35:50,378 --> 00:35:52,414
- and I'm gonna give you a part
- 670
- 00:35:52,414 --> 00:35:54,608
- but the answer you give,
- 671
- 00:35:54,608 --> 00:35:56,618
- dictates the part you're going to get.
- 672
- 00:35:56,618 --> 00:35:58,118
- - I got the train.
- 673
- 00:35:59,029 --> 00:36:00,763
- - From where?
- 674
- 00:36:00,763 --> 00:36:03,858
- - London, Ealing, so tube then train.
- 675
- 00:36:03,858 --> 00:36:06,060
- I had to get up early to make it.
- 676
- 00:36:06,060 --> 00:36:08,219
- - Did I ask for detail?
- 677
- 00:36:08,219 --> 00:36:09,423
- - No.
- 678
- 00:36:09,423 --> 00:36:11,336
- - Then why did you give me detail?
- 679
- 00:36:11,336 --> 00:36:13,463
- - I thought that's what you wanted.
- 680
- 00:36:13,463 --> 00:36:14,596
- - What is this?
- 681
- 00:36:14,596 --> 00:36:16,212
- - An acting class.
- 682
- 00:36:16,212 --> 00:36:18,545
- A government advisory panel?
- 683
- 00:36:19,821 --> 00:36:20,776
- - Better.
- 684
- 00:36:20,776 --> 00:36:21,952
- - Thank you.
- 685
- 00:36:21,952 --> 00:36:23,139
- - You're here to work.
- 686
- 00:36:23,139 --> 00:36:25,055
- Don't thank me.
- 687
- 00:36:25,055 --> 00:36:28,170
- So, Melody, why did you give me detail?
- 688
- 00:36:28,170 --> 00:36:30,986
- - I was trying to indicate
- the effort I made to get here.
- 689
- 00:36:30,986 --> 00:36:31,819
- - Okay.
- 690
- 00:36:32,887 --> 00:36:37,405
- When I ask a question I'm
- looking for direct answers.
- 691
- 00:36:37,405 --> 00:36:38,803
- Yeah?
- 692
- 00:36:38,803 --> 00:36:42,684
- If I want detail I'll
- ask you to elaborate.
- 693
- 00:36:42,684 --> 00:36:43,601
- Understand?
- 694
- 00:36:46,076 --> 00:36:48,021
- Now, Melody, what was
- the last role you played.
- 695
- 00:36:48,021 --> 00:36:48,854
- - I was the narrator
- 696
- 00:36:48,854 --> 00:36:52,139
- in the Christmas play in primary school.
- 697
- 00:36:52,139 --> 00:36:55,972
- - Ah, thrown yourself
- in at the deep end here.
- 698
- 00:36:58,185 --> 00:37:00,935
- (Michael laughs)
- 699
- 00:37:02,181 --> 00:37:04,398
- - I'm here in place of a friend.
- 700
- 00:37:04,398 --> 00:37:07,213
- She had a big audition come
- up and couldn't make it.
- 701
- 00:37:07,213 --> 00:37:09,834
- She didn't want to see the
- train ticket to go to waste.
- 702
- 00:37:09,834 --> 00:37:10,999
- - What was the audition?
- 703
- 00:37:10,999 --> 00:37:11,865
- - Film.
- 704
- 00:37:11,865 --> 00:37:13,698
- - Film. How much for?
- 705
- 00:37:14,625 --> 00:37:16,088
- I'm sure she would've talked about it.
- 706
- 00:37:16,088 --> 00:37:17,243
- - I don't know how much.
- 707
- 00:37:17,243 --> 00:37:19,447
- - And she chose that over today
- 708
- 00:37:19,447 --> 00:37:22,105
- even though she was gonna get paid?
- 709
- 00:37:22,105 --> 00:37:24,479
- Now Melody, the role I'm giving you
- 710
- 00:37:24,479 --> 00:37:28,107
- in "The Mist," it pays 3,350 pounds.
- 711
- 00:37:28,107 --> 00:37:31,204
- It's a flat rate for a few weeks filming.
- 712
- 00:37:31,204 --> 00:37:32,600
- Do you want the job?
- 713
- 00:37:32,600 --> 00:37:34,654
- - I've not acted since primary school.
- 714
- 00:37:34,654 --> 00:37:37,068
- - You made the effort
- to take public transport
- 715
- 00:37:37,068 --> 00:37:38,856
- to get across London to
- get to the back of beyond
- 716
- 00:37:38,856 --> 00:37:41,353
- for 9:00 a.m. during lockdown.
- 717
- 00:37:41,353 --> 00:37:43,020
- You made the effort.
- 718
- 00:37:44,705 --> 00:37:46,700
- Do you want the job?
- 719
- 00:37:46,700 --> 00:37:48,200
- - Yeah, all right.
- 720
- 00:37:49,525 --> 00:37:51,775
- - What did your friend say?
- 721
- 00:37:53,022 --> 00:37:55,022
- - There's been a mix up.
- 722
- 00:37:57,530 --> 00:37:59,557
- They'd already cast the role
- 723
- 00:37:59,557 --> 00:38:02,302
- and then they didn't need
- to see anymore clients.
- 724
- 00:38:02,302 --> 00:38:06,385
- - Right, first rule of
- "The Mist," believe in it.
- 725
- 00:38:08,706 --> 00:38:10,859
- Your friend turned us down
- 726
- 00:38:10,859 --> 00:38:13,269
- for a video conference
- audition that got cancelled,
- 727
- 00:38:13,269 --> 00:38:15,119
- yet you've just landed
- yourself a bigger role
- 728
- 00:38:15,119 --> 00:38:16,462
- than she's ever had
- 729
- 00:38:16,462 --> 00:38:19,841
- and you've not acted since primary school.
- 730
- 00:38:19,841 --> 00:38:22,399
- - Believe it when I see it.
- 731
- 00:38:22,399 --> 00:38:27,232
- - Go and see Maisie next door,
- she'll give you an advance.
- 732
- 00:38:31,888 --> 00:38:33,912
- - I don't want to miss what you do next.
- 733
- 00:38:33,912 --> 00:38:36,082
- - Ah, so you trust me?
- 734
- 00:38:36,082 --> 00:38:36,915
- - Yeah.
- 735
- 00:38:37,792 --> 00:38:42,792
- - Good. All right, so, what's
- the first rule of "The Mist."
- 736
- 00:38:43,448 --> 00:38:45,213
- - Believe in it?
- 737
- 00:38:45,213 --> 00:38:47,375
- - Everybody, come on, what's
- the first rule of "The Mist?"
- 738
- 00:38:47,375 --> 00:38:48,473
- - [All] Believe in it.
- 739
- 00:38:48,473 --> 00:38:50,586
- - Right, thank you.
- 740
- 00:38:50,586 --> 00:38:54,336
- So, do you see, you're
- all here for a reason.
- 741
- 00:38:57,096 --> 00:38:58,429
- You're all cast.
- 742
- 00:38:59,618 --> 00:39:01,761
- Who's up for it?
- 743
- 00:39:01,761 --> 00:39:03,898
- - How do we know it's real?
- 744
- 00:39:03,898 --> 00:39:05,162
- - Ask Maisie or check your phones.
- 745
- 00:39:05,162 --> 00:39:09,515
- It's what you do during these
- workshops anyway, isn't it?
- 746
- 00:39:09,515 --> 00:39:13,263
- All of your agents have contacted you.
- 747
- 00:39:13,263 --> 00:39:14,962
- - Have you got free Wi-Fi?
- 748
- 00:39:14,962 --> 00:39:18,545
- - Do I look like the
- fucking IT department?
- 749
- 00:39:20,106 --> 00:39:24,388
- Yes, look for the cloud and
- use the mist, all lowercase.
- 750
- 00:39:24,388 --> 00:39:26,088
- If you look to the walls
- 751
- 00:39:26,088 --> 00:39:28,700
- you'll find the Wi-Fi
- password on the posters.
- 752
- 00:39:28,700 --> 00:39:33,119
- It is traitor, T-R-A-I-T-O-R.
- 753
- 00:39:33,119 --> 00:39:34,939
- - What time does this finish?
- 754
- 00:39:34,939 --> 00:39:37,780
- - Why are you asking me that question?
- 755
- 00:39:37,780 --> 00:39:39,602
- - It's a long day, man.
- 756
- 00:39:39,602 --> 00:39:41,060
- I'm supposed to be shooting a short film
- 757
- 00:39:41,060 --> 00:39:44,383
- about lockdown in our house this evening
- 758
- 00:39:44,383 --> 00:39:47,246
- and I need to leave by 4:00 p.m.
- 759
- 00:39:47,246 --> 00:39:50,913
- so I might have to skip
- on the last section.
- 760
- 00:39:52,515 --> 00:39:53,552
- - Hey, look, fine by me.
- 761
- 00:39:53,552 --> 00:39:55,787
- It's your career.
- 762
- 00:39:55,787 --> 00:39:56,870
- - Thanks man.
- 763
- 00:39:57,807 --> 00:39:59,248
- - Are you hungover?
- 764
- 00:39:59,248 --> 00:40:00,081
- - No.
- 765
- 00:40:00,081 --> 00:40:01,023
- - Stoned?
- 766
- 00:40:01,023 --> 00:40:02,103
- - I don't get it.
- 767
- 00:40:02,103 --> 00:40:03,903
- - Do you follow instructions?
- 768
- 00:40:03,903 --> 00:40:04,772
- - Yeah.
- 769
- 00:40:04,772 --> 00:40:05,780
- - Then why don't I care
- 770
- 00:40:05,780 --> 00:40:07,680
- if you've got to leave at four o'clock?
- 771
- 00:40:07,680 --> 00:40:09,071
- - Is this an exercise?
- 772
- 00:40:09,071 --> 00:40:11,490
- - Yeah, it's called
- was I paying attention?
- 773
- 00:40:11,490 --> 00:40:12,323
- - Was I?
- 774
- 00:40:12,323 --> 00:40:15,546
- - No. Work it out four o'clock.
- 775
- 00:40:15,546 --> 00:40:19,463
- I'm gonna move on now,
- if that's okay with you.
- 776
- 00:40:20,503 --> 00:40:24,758
- Right, so, now I need
- to tell you all about me
- 777
- 00:40:24,758 --> 00:40:28,465
- before I can bring you up
- to speed with "The Mist."
- 778
- 00:40:28,465 --> 00:40:30,798
- So do I have any volunteers?
- 779
- 00:40:32,360 --> 00:40:33,943
- Who wants to be me?
- 780
- 00:40:35,606 --> 00:40:37,305
- - I'll do it.
- 781
- 00:40:37,305 --> 00:40:39,222
- - Melody, are you sure?
- 782
- 00:40:40,296 --> 00:40:44,084
- You haven't acted since primary school.
- 783
- 00:40:44,084 --> 00:40:46,242
- All right, I'll give you a shot.
- 784
- 00:40:46,242 --> 00:40:47,529
- Sight read this.
- 785
- 00:40:47,529 --> 00:40:50,542
- Check your phone for the pdf.
- 786
- 00:40:50,542 --> 00:40:53,801
- - I've been misunderstood
- for as long as I can remember
- 787
- 00:40:53,801 --> 00:40:55,770
- but as I can brutally attest,
- 788
- 00:40:55,770 --> 00:40:59,206
- the ethos I've worked to
- hasn't reaped any benefits.
- 789
- 00:40:59,206 --> 00:41:01,489
- As I will detail, I've
- helped countless people
- 790
- 00:41:01,489 --> 00:41:04,870
- over the years but I've
- never had this faith repaid.
- 791
- 00:41:04,870 --> 00:41:06,169
- In my entire career,
- 792
- 00:41:06,169 --> 00:41:07,227
- I've never ever had
- 793
- 00:41:07,227 --> 00:41:09,998
- a reciprocated opportunity afforded me.
- 794
- 00:41:09,998 --> 00:41:14,301
- I honestly have no idea how
- I've kept producing but I have.
- 795
- 00:41:14,301 --> 00:41:16,005
- I've literally done everything on nothing
- 796
- 00:41:16,005 --> 00:41:19,633
- and this includes a crippling
- lack of emotional support.
- 797
- 00:41:19,633 --> 00:41:22,231
- In this life, if I do
- get somewhere in film
- 798
- 00:41:22,231 --> 00:41:25,314
- no one will be more shocked than me.
- 799
- 00:41:25,314 --> 00:41:26,814
- - Wow, is that me?
- 800
- 00:41:29,649 --> 00:41:32,856
- Yeah, of course it's me but
- that information is generic.
- 801
- 00:41:32,856 --> 00:41:35,203
- It could be a lot of people.
- 802
- 00:41:35,203 --> 00:41:36,841
- Don't ruin it.
- 803
- 00:41:36,841 --> 00:41:40,341
- This is an Oscar clip and that's personal.
- 804
- 00:41:41,728 --> 00:41:44,728
- - I believe firmly in reincarnation.
- 805
- 00:41:45,837 --> 00:41:47,691
- I'm not a Buddhist nor do I practise any
- 806
- 00:41:47,691 --> 00:41:50,208
- of the world's religions
- but I'm pretty confident
- 807
- 00:41:50,208 --> 00:41:52,447
- I've been in this world before.
- 808
- 00:41:52,447 --> 00:41:54,041
- I was gone before the Second World War
- 809
- 00:41:54,041 --> 00:41:55,628
- but definitely lived through the evolution
- 810
- 00:41:55,628 --> 00:42:00,433
- of the movie business in North
- America and had influence.
- 811
- 00:42:00,433 --> 00:42:02,183
- I'm pretty sure I was born close
- 812
- 00:42:02,183 --> 00:42:05,104
- to the sea near Malibu, California.
- 813
- 00:42:05,104 --> 00:42:07,494
- Presently, I've never
- felt at home in England
- 814
- 00:42:07,494 --> 00:42:10,896
- and I've been a fish out
- of water my whole life.
- 815
- 00:42:10,896 --> 00:42:12,125
- - [Director] Not bored
- 816
- 00:42:12,125 --> 00:42:14,998
- but let's give the rest
- of the group a chance.
- 817
- 00:42:14,998 --> 00:42:15,831
- Next.
- 818
- 00:42:18,464 --> 00:42:20,257
- - Where's the speech?
- 819
- 00:42:20,257 --> 00:42:22,424
- - Delivered to your phone.
- 820
- 00:42:23,381 --> 00:42:27,116
- - Oh, those are the emails
- that have been coming through.
- 821
- 00:42:27,116 --> 00:42:29,116
- I've been deleting them.
- 822
- 00:42:30,168 --> 00:42:34,279
- - (scoffs) Someone else.
- 823
- 00:42:34,279 --> 00:42:37,196
- - I can't sight read from my phone.
- 824
- 00:42:38,878 --> 00:42:41,629
- - I think that girl is
- asleep already, fantastic.
- 825
- 00:42:41,629 --> 00:42:44,602
- Melody, I shouldn't have
- questioned your ability.
- 826
- 00:42:44,602 --> 00:42:46,519
- You're my go to reader.
- 827
- 00:42:47,835 --> 00:42:50,775
- You know, when we organised this
- 828
- 00:42:50,775 --> 00:42:53,805
- we thought this was gonna be simple.
- 829
- 00:42:53,805 --> 00:42:55,555
- Take it away, Melody.
- 830
- 00:42:57,315 --> 00:42:59,006
- - I can give you the finished article
- 831
- 00:42:59,006 --> 00:43:01,068
- but I can't show you my working.
- 832
- 00:43:01,068 --> 00:43:02,800
- It's caused incredible frustration
- 833
- 00:43:02,800 --> 00:43:04,451
- because there has been so much I've wanted
- 834
- 00:43:04,451 --> 00:43:06,830
- to articulate or create that I can't
- 835
- 00:43:06,830 --> 00:43:11,411
- because my body doesn't perform
- what my brain understands.
- 836
- 00:43:11,411 --> 00:43:15,079
- I get crippled with what
- I call logic blocks.
- 837
- 00:43:15,079 --> 00:43:18,021
- This isn't writer's block, or OCD,
- 838
- 00:43:18,021 --> 00:43:21,472
- it is the complete inability
- to get past a simple obstacle,
- 839
- 00:43:21,472 --> 00:43:24,088
- like a computer stuck
- constantly restarting,
- 840
- 00:43:24,088 --> 00:43:27,806
- leading to an entirely
- black thought process.
- 841
- 00:43:27,806 --> 00:43:30,806
- (quiet eerie music)
- 842
- 00:43:32,229 --> 00:43:35,410
- If you've ever felt what I'm
- describing you might relate
- 843
- 00:43:35,410 --> 00:43:37,780
- but two other odd things have stuck out
- 844
- 00:43:37,780 --> 00:43:40,549
- and presented themselves to me.
- 845
- 00:43:40,549 --> 00:43:43,110
- Jean Harlow has been
- something of a fascination
- 846
- 00:43:43,110 --> 00:43:47,268
- but I'm also sure I had
- ties to a French doctor,
- 847
- 00:43:47,268 --> 00:43:49,435
- Marie Curie, for a period.
- 848
- 00:43:51,761 --> 00:43:53,978
- I've crossed paths with her in this life
- 849
- 00:43:53,978 --> 00:43:55,895
- but it didn't end well.
- 850
- 00:44:00,994 --> 00:44:03,124
- - What's your full name, Melody?
- 851
- 00:44:03,124 --> 00:44:04,957
- - Melody Shelby-Night.
- 852
- 00:44:06,353 --> 00:44:07,353
- - Well read.
- 853
- 00:44:08,462 --> 00:44:11,094
- In "The Mist", you can be me.
- 854
- 00:44:11,094 --> 00:44:13,069
- - Is this story true?
- 855
- 00:44:13,069 --> 00:44:15,630
- - Did everyone get the story?
- 856
- 00:44:15,630 --> 00:44:18,899
- I think I've been here before.
- 857
- 00:44:18,899 --> 00:44:20,007
- - What do you mean?
- 858
- 00:44:20,007 --> 00:44:22,840
- For real? Like, can you elaborate?
- 859
- 00:44:23,680 --> 00:44:26,097
- - I believe in reincarnation.
- 860
- 00:44:27,520 --> 00:44:32,520
- In another life I was born
- near Malibu in America in 1900
- 861
- 00:44:33,097 --> 00:44:36,280
- but Malibu back then
- wasn't the place it is now.
- 862
- 00:44:36,280 --> 00:44:38,697
- It was like a private estate,
- 863
- 00:44:40,863 --> 00:44:43,646
- my mother was a Mexican peasant
- 864
- 00:44:43,646 --> 00:44:46,227
- and she was a master of pottery.
- 865
- 00:44:46,227 --> 00:44:49,560
- I was three and I had a little blue suit
- 866
- 00:44:50,630 --> 00:44:53,161
- and I remember looking out to sea
- 867
- 00:44:53,161 --> 00:44:57,325
- and watching as the waves
- crashed in and my feet got wet.
- 868
- 00:44:57,325 --> 00:45:00,242
- - What's the bit about Marie Curie?
- 869
- 00:45:01,718 --> 00:45:03,470
- - It's hazy.
- 870
- 00:45:03,470 --> 00:45:05,252
- I had a relationship with a French doctor
- 871
- 00:45:05,252 --> 00:45:06,285
- who was older than me.
- 872
- 00:45:06,285 --> 00:45:08,552
- And in a regression my mind told me
- 873
- 00:45:08,552 --> 00:45:11,969
- it was Marie Curie or one of her sisters.
- 874
- 00:45:15,896 --> 00:45:19,479
- I'm telling you I
- believe in reincarnation.
- 875
- 00:45:24,554 --> 00:45:27,054
- (eerie music)
- 876
- 00:45:29,252 --> 00:45:32,335
- (ghostly whispering)
- 877
- 00:46:03,106 --> 00:46:04,773
- - Are you all right?
- 878
- 00:46:05,745 --> 00:46:09,328
- What you're talking
- about is a bit surreal.
- 879
- 00:46:11,438 --> 00:46:13,307
- - It is surreal.
- 880
- 00:46:13,307 --> 00:46:15,266
- And it's my life.
- 881
- 00:46:15,266 --> 00:46:16,894
- (ghostly whispering)
- 882
- 00:46:16,894 --> 00:46:17,727
- - Okay.
- 883
- 00:46:18,896 --> 00:46:22,739
- - Look, would you all
- just follow the game here?
- 884
- 00:46:22,739 --> 00:46:25,072
- It's from the script, yeah?.
- 885
- 00:46:26,082 --> 00:46:29,115
- - So, you're not really reincarnated?
- 886
- 00:46:29,115 --> 00:46:31,615
- (eerie music)
- 887
- 00:46:33,926 --> 00:46:35,926
- - I've been here before.
- 888
- 00:46:39,927 --> 00:46:41,010
- I'm tuned in.
- 889
- 00:46:43,912 --> 00:46:47,079
- And you're all buried from the get-go.
- 890
- 00:46:48,135 --> 00:46:49,052
- Who you are
- 891
- 00:46:54,184 --> 00:46:55,924
- who each and everyone of you are,
- 892
- 00:46:55,924 --> 00:46:58,916
- is about 20 layers beneath
- the personality you present
- 893
- 00:46:58,916 --> 00:47:00,433
- to the rest of the world.
- 894
- 00:47:00,433 --> 00:47:02,654
- - Have you got proof
- of your reincarnation?
- 895
- 00:47:02,654 --> 00:47:04,076
- - My old friend behind me is standing
- 896
- 00:47:04,076 --> 00:47:06,020
- at the back of the stage.
- 897
- 00:47:06,020 --> 00:47:08,366
- (eerie music)
- 898
- 00:47:08,366 --> 00:47:11,533
- (footsteps shuffling)
- 899
- 00:47:23,137 --> 00:47:26,503
- (toy whirring)
- 900
- 00:47:26,503 --> 00:47:28,618
- She didn't much like the Marie Curie girl
- 901
- 00:47:28,618 --> 00:47:31,282
- and that's why she jumped in on her.
- 902
- 00:47:31,282 --> 00:47:34,282
- - What do you mean jumped in on her?
- 903
- 00:47:35,314 --> 00:47:37,897
- (toy whirring)
- 904
- 00:47:54,219 --> 00:47:57,052
- - Radio controlled, Maisie's idea.
- 905
- 00:47:59,118 --> 00:48:02,572
- Do you know what happens
- with naive people?
- 906
- 00:48:02,572 --> 00:48:07,142
- They have a glow, an
- aura that surrounds them.
- 907
- 00:48:07,142 --> 00:48:10,185
- They're just innocent because
- they haven't quite worked out
- 908
- 00:48:10,185 --> 00:48:13,392
- how hard this world is to navigate.
- 909
- 00:48:13,392 --> 00:48:16,182
- And everyone on the other side,
- 910
- 00:48:16,182 --> 00:48:18,142
- and this means you have to believe
- 911
- 00:48:18,142 --> 00:48:21,642
- in some kind of the other side, sees this.
- 912
- 00:48:22,827 --> 00:48:24,759
- They know they can jump in
- 913
- 00:48:24,759 --> 00:48:28,509
- and conduct through
- these people, so they do.
- 914
- 00:48:30,676 --> 00:48:34,180
- It doesn't happen for
- long, but it's long enough
- 915
- 00:48:34,180 --> 00:48:38,286
- and then these innocents,
- when they change,
- 916
- 00:48:38,286 --> 00:48:42,036
- and it happens instantly,
- they lose the glow.
- 917
- 00:48:43,346 --> 00:48:47,679
- They stop conducting and
- free fall out of your life.
- 918
- 00:48:48,693 --> 00:48:52,622
- - Wait, that is real for you, isn't it?
- 919
- 00:48:52,622 --> 00:48:55,102
- - This is "The Mist" I'm talking about.
- 920
- 00:48:55,102 --> 00:48:57,049
- And it's why I want to
- make a film about it.
- 921
- 00:48:57,049 --> 00:49:00,966
- You see in here, you're
- in my place of worship.
- 922
- 00:49:02,780 --> 00:49:04,447
- You're in my church.
- 923
- 00:49:06,537 --> 00:49:08,925
- And this is where all my ghosts live.
- 924
- 00:49:08,925 --> 00:49:11,592
- - People don't get you, do they?
- 925
- 00:49:12,531 --> 00:49:14,124
- - Ah no, they get me,
- 926
- 00:49:14,124 --> 00:49:16,892
- they just get out of
- their depth real quick.
- 927
- 00:49:16,892 --> 00:49:18,975
- - What about Marie Curie?
- 928
- 00:49:20,768 --> 00:49:22,314
- Who was she to you?
- 929
- 00:49:22,314 --> 00:49:24,942
- - She come to me again in a dream
- 930
- 00:49:24,942 --> 00:49:28,580
- and I've lost contact with her since.
- 931
- 00:49:28,580 --> 00:49:31,341
- So, really, she's just another ghost.
- 932
- 00:49:31,341 --> 00:49:33,761
- - And a character in "The Mist"?
- 933
- 00:49:33,761 --> 00:49:35,723
- - Yeah, maybe.
- 934
- 00:49:35,723 --> 00:49:39,806
- - What are we really supposed
- to learn from this workshop?
- 935
- 00:49:39,806 --> 00:49:41,749
- This is a bit weird.
- 936
- 00:49:41,749 --> 00:49:43,208
- - Trust me, folks, you're not
- going to like me for this.
- 937
- 00:49:43,208 --> 00:49:45,753
- But I'm gonna make you famous.
- 938
- 00:49:45,753 --> 00:49:47,613
- - How are you going to do that?
- 939
- 00:49:47,613 --> 00:49:51,619
- - By killing one of you
- to wrap up the event.
- 940
- 00:49:51,619 --> 00:49:52,452
- I digress.
- 941
- 00:49:55,528 --> 00:49:57,975
- Whose learnt something today?
- 942
- 00:49:57,975 --> 00:50:02,835
- - This whole thing is about
- creating make-believe, right?
- 943
- 00:50:02,835 --> 00:50:04,772
- - Go on. I'm hearing intelligent thought.
- 944
- 00:50:04,772 --> 00:50:06,607
- - It's about seeing if
- we can be naive enough
- 945
- 00:50:06,607 --> 00:50:08,818
- to be children again.
- 946
- 00:50:08,818 --> 00:50:11,334
- - And we're all going to paint rainbows.
- 947
- 00:50:11,334 --> 00:50:13,966
- (scoffs) You're astute.
- 948
- 00:50:13,966 --> 00:50:18,671
- But what if this experience
- isn't about being naive?
- 949
- 00:50:18,671 --> 00:50:21,564
- - Then you've kind of conned us
- 950
- 00:50:21,564 --> 00:50:23,981
- into a group therapy session?
- 951
- 00:50:25,274 --> 00:50:27,512
- - Another good stance
- but we've paid you all
- 952
- 00:50:27,512 --> 00:50:29,848
- to be here, remember?
- 953
- 00:50:29,848 --> 00:50:32,317
- This is a job and I haven't even begun
- 954
- 00:50:32,317 --> 00:50:34,881
- to explain what your responsibilities are
- 955
- 00:50:34,881 --> 00:50:37,297
- and most of you have forgotten
- that that is why you're here.
- 956
- 00:50:37,297 --> 00:50:39,450
- - What are the responsibilities then?
- 957
- 00:50:39,450 --> 00:50:41,761
- - [Director] Dig deep.
- 958
- 00:50:41,761 --> 00:50:44,521
- Ask questions of yourself.
- 959
- 00:50:44,521 --> 00:50:45,938
- Why are you here?
- 960
- 00:50:47,539 --> 00:50:51,548
- - Is that some ancient
- Greek tragedy method shit?
- 961
- 00:50:51,548 --> 00:50:53,083
- (all laughing)
- 962
- 00:50:53,083 --> 00:50:56,056
- - Fatal flaw, hamartia, all that?
- 963
- 00:50:56,056 --> 00:50:59,936
- - Foreign language man,
- I'm Meisner trained.
- 964
- 00:50:59,936 --> 00:51:02,121
- - So you can recite 80
- pages of your script
- 965
- 00:51:02,121 --> 00:51:04,558
- to the fucking wall with
- the same dull inflexion?
- 966
- 00:51:04,558 --> 00:51:05,391
- Fantastic.
- 967
- 00:51:07,579 --> 00:51:08,911
- Remind me not to give you a big role,
- 968
- 00:51:08,911 --> 00:51:12,092
- 'cause you're wooden as fuck.
- 969
- 00:51:12,092 --> 00:51:13,556
- - I'm not wooden.
- 970
- 00:51:13,556 --> 00:51:15,449
- You should see my reviews.
- 971
- 00:51:15,449 --> 00:51:17,016
- - Oh, I did.
- 972
- 00:51:17,016 --> 00:51:19,334
- Why did I choose you?
- 973
- 00:51:19,334 --> 00:51:21,657
- 23 productions since graduating.
- 974
- 00:51:21,657 --> 00:51:23,909
- Consistently praised for his,
- 975
- 00:51:23,909 --> 00:51:25,715
- "articulation and diction,
- 976
- 00:51:25,715 --> 00:51:28,035
- "this person is truly
- a performer to watch."
- 977
- 00:51:28,035 --> 00:51:30,414
- Is that about right?
- 978
- 00:51:30,414 --> 00:51:32,146
- - They've all been fringe productions.
- 979
- 00:51:32,146 --> 00:51:33,787
- - Who's gonna go one better?
- 980
- 00:51:33,787 --> 00:51:34,986
- - I trolled a production I was in once
- 981
- 00:51:34,986 --> 00:51:37,373
- 'cause I didn't like the director.
- 982
- 00:51:37,373 --> 00:51:40,675
- He was all over this other
- actress in the rehearsal
- 983
- 00:51:40,675 --> 00:51:41,789
- and at the time I was going through
- 984
- 00:51:41,789 --> 00:51:43,302
- some weird religious thing
- 985
- 00:51:43,302 --> 00:51:45,916
- and I'd got ditched by my boyfriend.
- 986
- 00:51:45,916 --> 00:51:46,749
- So to be honest,
- 987
- 00:51:46,749 --> 00:51:48,650
- I was just jealous of any guy
- giving another girl attention.
- 988
- 00:51:48,650 --> 00:51:51,784
- And it just went down hill from there.
- 989
- 00:51:51,784 --> 00:51:54,848
- - Ah, and 'cause said
- director didn't love you,
- 990
- 00:51:54,848 --> 00:51:58,147
- you decided he was a piece of shit.
- 991
- 00:51:58,147 --> 00:51:59,064
- - Probably.
- 992
- 00:52:00,217 --> 00:52:02,901
- - You're doing this for the wrong reason.
- 993
- 00:52:02,901 --> 00:52:07,012
- Just like you thought
- religion was the answer.
- 994
- 00:52:07,012 --> 00:52:10,502
- That script was blasphemous wasn't it?
- 995
- 00:52:10,502 --> 00:52:13,335
- And you wouldn't blaspheme at all.
- 996
- 00:52:14,819 --> 00:52:16,601
- Not once in that rehearsal process
- 997
- 00:52:16,601 --> 00:52:21,601
- could you bring yourself to
- utter the words, Jesus Christ.
- 998
- 00:52:21,970 --> 00:52:22,803
- - Christ.
- 999
- 00:52:24,593 --> 00:52:26,762
- How would you know that?
- 1000
- 00:52:26,762 --> 00:52:28,643
- - It's in the script.
- 1001
- 00:52:28,643 --> 00:52:30,735
- I know the director, don't I?
- 1002
- 00:52:30,735 --> 00:52:32,485
- Why are you all here?
- 1003
- 00:52:33,503 --> 00:52:35,963
- Has none of you picked up on this yet?
- 1004
- 00:52:35,963 --> 00:52:38,490
- You are all connected
- to me by a third party
- 1005
- 00:52:38,490 --> 00:52:41,359
- yet you're so superficial
- and self-absorbed
- 1006
- 00:52:41,359 --> 00:52:44,686
- that not one of you has
- bothered to work out the link.
- 1007
- 00:52:44,686 --> 00:52:47,686
- (quiet eerie music)
- 1008
- 00:52:51,910 --> 00:52:54,493
- (gentle music)
- 1009
- 00:53:31,690 --> 00:53:34,607
- (woman vocalising)
- 1010
- 00:53:35,637 --> 00:53:36,720
- - Hi, Shelby.
- 1011
- 00:53:38,098 --> 00:53:39,431
- Why'd you do it?
- 1012
- 00:53:40,417 --> 00:53:44,878
- Why did you tell everyone that
- I started doing webcam work?
- 1013
- 00:53:44,878 --> 00:53:48,071
- You were the only one
- that knew I was doing it.
- 1014
- 00:53:48,071 --> 00:53:50,234
- I wore a mask, had a persona.
- 1015
- 00:53:50,234 --> 00:53:52,067
- Nobody knew it was me.
- 1016
- 00:53:54,061 --> 00:53:57,135
- But suddenly the comments
- started sounding really familiar
- 1017
- 00:53:57,135 --> 00:54:00,425
- but I didn't care 'cause
- the gifts kept turning up.
- 1018
- 00:54:00,425 --> 00:54:01,963
- The money kept pouring in
- 1019
- 00:54:01,963 --> 00:54:04,130
- and just like me it hasn't stopped coming
- 1020
- 00:54:04,130 --> 00:54:06,297
- for the past three months.
- 1021
- 00:54:07,153 --> 00:54:08,232
- But little by little,
- 1022
- 00:54:08,232 --> 00:54:11,432
- people started treating me differently.
- 1023
- 00:54:11,432 --> 00:54:14,909
- All the guys in my class
- started turning up to watch
- 1024
- 00:54:14,909 --> 00:54:17,316
- and now everyone knows what I've done
- 1025
- 00:54:17,316 --> 00:54:19,964
- just to get through this.
- 1026
- 00:54:19,964 --> 00:54:22,525
- And no one's gonna want to
- hire me as a real actress
- 1027
- 00:54:22,525 --> 00:54:25,447
- because apparently I'm not anymore.
- 1028
- 00:54:25,447 --> 00:54:27,920
- I'm every name under the
- sun and thanks to you,
- 1029
- 00:54:27,920 --> 00:54:30,337
- everyone I know has tuned in.
- 1030
- 00:54:31,891 --> 00:54:33,239
- So I thought I'd pull some strings
- 1031
- 00:54:33,239 --> 00:54:37,982
- and see if I can grab people's
- attention a different way.
- 1032
- 00:54:37,982 --> 00:54:39,302
- Don't come back to the flat.
- 1033
- 00:54:39,302 --> 00:54:42,436
- I've already sent your
- stuff to your parents.
- 1034
- 00:54:42,436 --> 00:54:43,337
- And don't bother playing
- 1035
- 00:54:43,337 --> 00:54:46,670
- that single white female shit on Maisie.
- 1036
- 00:54:47,505 --> 00:54:48,588
- She's clever.
- 1037
- 00:54:49,760 --> 00:54:54,157
- You just wanted to control
- me and I didn't even realise.
- 1038
- 00:54:54,157 --> 00:54:55,490
- I was never ill.
- 1039
- 00:54:56,582 --> 00:54:58,079
- You kept me indoors.
- 1040
- 00:54:58,079 --> 00:54:59,946
- You locked me in my room for two weeks.
- 1041
- 00:54:59,946 --> 00:55:01,386
- You wouldn't even let me use the toilet
- 1042
- 00:55:01,386 --> 00:55:04,165
- and I didn't think anything of it.
- 1043
- 00:55:04,165 --> 00:55:07,950
- It was you who put me
- onto the webcam work.
- 1044
- 00:55:07,950 --> 00:55:10,153
- And you knew I'd go for it
- 1045
- 00:55:10,153 --> 00:55:13,236
- because I'm vain and I like attention
- 1046
- 00:55:14,299 --> 00:55:18,299
- and I can cope with knowing
- that people want me.
- 1047
- 00:55:19,213 --> 00:55:21,963
- (dramatic music)
- 1048
- 00:56:17,740 --> 00:56:21,157
- - I never did anything like that, Maddie.
- 1049
- 00:56:22,451 --> 00:56:24,368
- - Shelby, yes, you did.
- 1050
- 00:56:26,278 --> 00:56:28,316
- You're a freak.
- 1051
- 00:56:28,316 --> 00:56:29,755
- I've been trying to get you out of my flat
- 1052
- 00:56:29,755 --> 00:56:31,505
- for three months now.
- 1053
- 00:56:32,550 --> 00:56:33,883
- You're a psycho.
- 1054
- 00:56:34,843 --> 00:56:37,005
- You let me degrade myself
- because you could watch
- 1055
- 00:56:37,005 --> 00:56:38,603
- from the room next door knowing
- 1056
- 00:56:38,603 --> 00:56:41,848
- that I couldn't make a
- single move to get out.
- 1057
- 00:56:41,848 --> 00:56:44,848
- For all that time you controlled me.
- 1058
- 00:56:46,618 --> 00:56:49,077
- You put me in jail and
- I threw away the key
- 1059
- 00:56:49,077 --> 00:56:52,844
- because that's what you told me to do.
- 1060
- 00:56:52,844 --> 00:56:54,676
- You convinced me I was
- a thousand times worse
- 1061
- 00:56:54,676 --> 00:56:56,901
- than I actually was.
- 1062
- 00:56:56,901 --> 00:56:58,452
- You're the one who is ill.
- 1063
- 00:56:58,452 --> 00:57:01,889
- You're the one who is sick, Shelby.
- 1064
- 00:57:01,889 --> 00:57:04,164
- And you know what you're mistake was?
- 1065
- 00:57:04,164 --> 00:57:08,167
- (laughs) You told me you couldn't
- sing and you couldn't act.
- 1066
- 00:57:08,167 --> 00:57:11,042
- Oh, but I found you in Edinburgh.
- 1067
- 00:57:11,042 --> 00:57:13,792
- What a little performer you were.
- 1068
- 00:57:14,962 --> 00:57:16,744
- You've never stopped.
- 1069
- 00:57:16,744 --> 00:57:18,887
- You just changed your
- name and dyed your hair.
- 1070
- 00:57:18,887 --> 00:57:19,720
- - Stop it.
- 1071
- 00:57:27,391 --> 00:57:30,249
- Who are all these people?
- 1072
- 00:57:30,249 --> 00:57:34,623
- - Sorry, I'm actually just
- an actor hired by her.
- 1073
- 00:57:34,623 --> 00:57:36,540
- I'm part of their show.
- 1074
- 00:57:37,639 --> 00:57:39,177
- She was gonna tour with it
- 1075
- 00:57:39,177 --> 00:57:42,094
- and do some topical bollocks on it.
- 1076
- 00:57:43,797 --> 00:57:45,214
- - This is a show?
- 1077
- 00:57:46,715 --> 00:57:49,820
- But, Maddie, they don't
- even know your real name.
- 1078
- 00:57:49,820 --> 00:57:51,940
- You're MSN Hottie, right.
- 1079
- 00:57:51,940 --> 00:57:55,374
- - [Maddie] Melody Shelby-Night Hottie.
- 1080
- 00:57:55,374 --> 00:57:57,805
- MSN Hottie, right, bitch?
- 1081
- 00:57:57,805 --> 00:57:59,262
- I let them know my real name.
- 1082
- 00:57:59,262 --> 00:58:02,694
- Oh, and my private videos are free now.
- 1083
- 00:58:02,694 --> 00:58:05,284
- - I never did what you do.
- 1084
- 00:58:05,284 --> 00:58:07,284
- - Uh, you re-enacted it.
- 1085
- 00:58:08,470 --> 00:58:12,985
- Pressing record on your
- laptop kinda proves that.
- 1086
- 00:58:12,985 --> 00:58:14,294
- Well, sorry, if I went to an extreme
- 1087
- 00:58:14,294 --> 00:58:18,879
- but you're twisted and
- you really fucked me up.
- 1088
- 00:58:18,879 --> 00:58:23,812
- - I know I've got problems
- but Melody Shelby-Night.
- 1089
- 00:58:23,812 --> 00:58:25,729
- That really is my name.
- 1090
- 00:58:28,036 --> 00:58:31,619
- Whatever I used before,
- that was fake, but,
- 1091
- 00:58:33,539 --> 00:58:36,414
- you've put my name out there like that,
- 1092
- 00:58:36,414 --> 00:58:38,631
- that's my real name.
- 1093
- 00:58:38,631 --> 00:58:41,048
- - It's only what you deserve.
- 1094
- 00:58:42,544 --> 00:58:46,941
- - I did everything for
- you when you were ill.
- 1095
- 00:58:46,941 --> 00:58:50,274
- - Well, then maybe, I'm just ungrateful.
- 1096
- 00:58:53,249 --> 00:58:54,934
- - How did you get here?
- 1097
- 00:58:54,934 --> 00:58:57,434
- - I've got a car. I can drive.
- 1098
- 00:58:59,611 --> 00:59:02,527
- You can't play a Queen Bee, Shelby.
- 1099
- 00:59:02,527 --> 00:59:05,187
- I know every trick in the book.
- 1100
- 00:59:05,187 --> 00:59:07,868
- No one ever has to know
- that I did shit online.
- 1101
- 00:59:07,868 --> 00:59:09,477
- No one even cares
- 1102
- 00:59:09,477 --> 00:59:13,310
- and yeah, I made a
- fuckload so lick it, bitch.
- 1103
- 00:59:15,471 --> 00:59:18,054
- (gentle music)
- 1104
- 00:59:26,986 --> 00:59:29,854
- - You're Maddie's best
- friend from primary school.
- 1105
- 00:59:29,854 --> 00:59:34,854
- (laughs) I recognised you as
- soon as you opened the door.
- 1106
- 00:59:36,024 --> 00:59:38,524
- I can't believe you set me up.
- 1107
- 00:59:40,645 --> 00:59:41,478
- - Wow.
- 1108
- 00:59:42,792 --> 00:59:44,209
- This is dynamite.
- 1109
- 00:59:45,396 --> 00:59:46,891
- It's like a full-on domestic
- 1110
- 00:59:46,891 --> 00:59:49,260
- in the middle of an acting workshop.
- 1111
- 00:59:49,260 --> 00:59:54,110
- - (laughs) You're just an actor then?
- 1112
- 00:59:54,110 --> 00:59:55,443
- Do you know her?
- 1113
- 00:59:59,006 --> 01:00:01,173
- - Not until she turned up.
- 1114
- 01:00:02,307 --> 01:00:04,474
- - And that was all improv?
- 1115
- 01:00:05,600 --> 01:00:06,872
- - Mostly.
- 1116
- 01:00:06,872 --> 01:00:09,455
- (gentle music)
- 1117
- 01:00:11,157 --> 01:00:13,740
- (all laughing)
- 1118
- 01:00:18,839 --> 01:00:21,396
- ♪ Take me to the underworld ♪
- 1119
- 01:00:21,396 --> 01:00:23,788
- ♪ Take me down below ♪
- 1120
- 01:00:23,788 --> 01:00:26,411
- ♪ Take me to the underworld ♪
- 1121
- 01:00:26,411 --> 01:00:28,935
- ♪ Take me down below ♪
- 1122
- 01:00:28,935 --> 01:00:31,581
- ♪ Take me to the underworld ♪
- 1123
- 01:00:31,581 --> 01:00:34,080
- ♪ Take me down below ♪
- 1124
- 01:00:34,080 --> 01:00:37,136
- ♪ Take me to the underworld ♪
- 1125
- 01:00:37,136 --> 01:00:39,779
- ♪ Take me down below ♪
- 1126
- 01:00:39,779 --> 01:00:42,029
- ♪ Ooh, ooh ♪
- 1127
- 01:00:45,014 --> 01:00:47,681
- (woman humming)
- 1128
- 01:00:50,264 --> 01:00:52,089
- ♪ See you at the ice storm ♪
- 1129
- 01:00:52,089 --> 01:00:55,874
- ♪ The end of the day ♪
- 1130
- 01:00:55,874 --> 01:00:58,112
- - I watched her walk away.
- 1131
- 01:00:58,112 --> 01:00:59,540
- She's gone, Maddie.
- 1132
- 01:00:59,540 --> 01:01:00,643
- Sorry, everyone.
- 1133
- 01:01:00,643 --> 01:01:02,819
- The show really is over.
- 1134
- 01:01:02,819 --> 01:01:04,136
- You can all go home now,
- 1135
- 01:01:04,136 --> 01:01:06,512
- the money's already been sent out.
- 1136
- 01:01:06,512 --> 01:01:09,679
- Any questions, sue us, we don't exist.
- 1137
- 01:01:10,974 --> 01:01:12,880
- If you're lucky the press might call you.
- 1138
- 01:01:12,880 --> 01:01:14,602
- They might not.
- 1139
- 01:01:14,602 --> 01:01:15,769
- This was real.
- 1140
- 01:01:17,912 --> 01:01:19,498
- Shelby has basically kept Maddie hostage
- 1141
- 01:01:19,498 --> 01:01:22,998
- in her own flat for the past three months.
- 1142
- 01:01:25,610 --> 01:01:27,413
- - We're actors.
- 1143
- 01:01:27,413 --> 01:01:30,506
- We've done a million
- schlock workshops like this.
- 1144
- 01:01:30,506 --> 01:01:32,839
- I mean, it's a great gimmick
- 1145
- 01:01:34,557 --> 01:01:38,637
- but I want to see where
- you're going to take it.
- 1146
- 01:01:38,637 --> 01:01:41,220
- "The Mist" is gonna be amazing.
- 1147
- 01:01:42,872 --> 01:01:44,872
- - "The Mist" isn't real.
- 1148
- 01:01:49,446 --> 01:01:51,696
- Do I have to say it again?
- 1149
- 01:01:52,720 --> 01:01:55,051
- Maddie had been held hostage
- 1150
- 01:01:55,051 --> 01:01:58,312
- by her psychotic flatmate
- for the past three months.
- 1151
- 01:01:58,312 --> 01:02:00,977
- We came up with this ridiculous situation
- 1152
- 01:02:00,977 --> 01:02:03,999
- to get Shelby out of her life.
- 1153
- 01:02:03,999 --> 01:02:05,506
- - [Eleanor] I really want
- to be part of "The Mist"
- 1154
- 01:02:05,506 --> 01:02:07,125
- but I've gotta go get my train
- 1155
- 01:02:07,125 --> 01:02:09,669
- so I can email you for
- more details, right?
- 1156
- 01:02:09,669 --> 01:02:12,669
- - Yeah, but in the meantime, please.
- 1157
- 01:02:14,077 --> 01:02:14,910
- Fuck off.
- 1158
- 01:02:16,939 --> 01:02:17,947
- Come on.
- 1159
- 01:02:17,947 --> 01:02:19,030
- Off you fuck.
- 1160
- 01:02:34,491 --> 01:02:35,741
- Fucking actors.
- 1161
- 01:02:36,816 --> 01:02:40,566
- Are we not being genuinely
- distraught enough?
- 1162
- 01:02:42,543 --> 01:02:46,285
- (Maddie sobbing)
- (gentle music)
- 1163
- 01:02:46,285 --> 01:02:48,535
- - I'm not sure how to feel.
- 1164
- 01:02:51,592 --> 01:02:52,783
- - How the fuck did you even get involved
- 1165
- 01:02:52,783 --> 01:02:54,913
- with that girl, Maddie?
- 1166
- 01:02:54,913 --> 01:02:56,530
- I mean, I kinda liked her
- 1167
- 01:02:56,530 --> 01:02:59,762
- but I don't think she would've liked me.
- 1168
- 01:02:59,762 --> 01:03:02,264
- - I wish you'd said that three months ago.
- 1169
- 01:03:02,264 --> 01:03:04,847
- All she wanted was a boyfriend.
- 1170
- 01:03:06,628 --> 01:03:09,916
- It was the night you moved
- back in with your parents.
- 1171
- 01:03:09,916 --> 01:03:12,749
- A week and a half before lockdown?
- 1172
- 01:03:13,600 --> 01:03:14,889
- - The argument?
- 1173
- 01:03:14,889 --> 01:03:16,215
- - You moved out, she moved in.
- 1174
- 01:03:16,215 --> 01:03:17,048
- Two years, Ben.
- 1175
- 01:03:17,048 --> 01:03:18,056
- Why did we split up?
- 1176
- 01:03:25,000 --> 01:03:28,487
- - (scoffs) Because I run out of money
- 1177
- 01:03:28,487 --> 01:03:30,987
- and I made an idiot of myself.
- 1178
- 01:03:34,433 --> 01:03:36,803
- Where'd you even meet her?
- 1179
- 01:03:36,803 --> 01:03:38,678
- - Revolution.
- 1180
- 01:03:38,678 --> 01:03:39,940
- Charlie vouched for her.
- 1181
- 01:03:39,940 --> 01:03:42,857
- - Charlie? He vouches for everyone.
- 1182
- 01:03:43,920 --> 01:03:46,773
- - She's done this same thing
- to a lot of other girls before.
- 1183
- 01:03:46,773 --> 01:03:49,175
- - Just be honest,
- Maisie, she did it to you
- 1184
- 01:03:49,175 --> 01:03:52,187
- but it never went further than
- the fucking computer screen.
- 1185
- 01:03:52,187 --> 01:03:54,951
- - (laughs) Jesus.
- 1186
- 01:03:54,951 --> 01:03:57,618
- You all pull me in on some shit.
- 1187
- 01:04:01,542 --> 01:04:06,375
- - Wait, she, she's left her bag. (groans)
- 1188
- 01:04:14,629 --> 01:04:16,462
- What the fuck is that?
- 1189
- 01:04:22,353 --> 01:04:24,650
- No, come on, what the fuck is that?
- 1190
- 01:04:24,650 --> 01:04:27,626
- She leave cakes in the oven?
- 1191
- 01:04:27,626 --> 01:04:30,709
- See what else is in that bitches bag.
- 1192
- 01:04:33,222 --> 01:04:36,139
- (woman vocalising)
- 1193
- 01:04:46,555 --> 01:04:47,972
- - I'm in trouble.
- 1194
- 01:04:48,923 --> 01:04:51,835
- I've been running out
- of medication for weeks
- 1195
- 01:04:51,835 --> 01:04:54,932
- and now there's nothing
- left in my system at all.
- 1196
- 01:04:54,932 --> 01:04:58,403
- I'm gonna have a psychotic episode.
- 1197
- 01:04:58,403 --> 01:05:01,118
- Or pass out or, I don't know.
- 1198
- 01:05:01,118 --> 01:05:03,118
- But I need an ambulance.
- 1199
- 01:05:06,617 --> 01:05:11,617
- ♪ Take me down below ♪
- 1200
- 01:05:14,293 --> 01:05:17,038
- ♪ Demons in my mind tonight ♪
- 1201
- 01:05:17,038 --> 01:05:19,248
- ♪ Pull them back inside the light ♪
- 1202
- 01:05:19,248 --> 01:05:21,675
- ♪ Watch the dark as I see snow ♪
- 1203
- 01:05:21,675 --> 01:05:24,261
- ♪ Watch the dark pull back the glow ♪
- 1204
- 01:05:24,261 --> 01:05:26,916
- ♪ Take me to the underworld ♪
- 1205
- 01:05:26,916 --> 01:05:29,327
- ♪ Take me down below ♪
- 1206
- 01:05:29,327 --> 01:05:31,958
- ♪ Take me to the underworld ♪
- 1207
- 01:05:31,958 --> 01:05:34,533
- ♪ Take me down below ♪
- 1208
- 01:05:34,533 --> 01:05:37,092
- ♪ See that sharpness coming soon ♪
- 1209
- 01:05:37,092 --> 01:05:39,473
- ♪ Take me down below ♪
- 1210
- 01:05:39,473 --> 01:05:42,255
- ♪ Take me down below ♪
- 1211
- 01:05:42,255 --> 01:05:44,627
- ♪ Take me down below ♪
- 1212
- 01:05:44,627 --> 01:05:49,627
- ♪ Oh, oh, down below ♪
- 1213
- 01:05:52,968 --> 01:05:56,400
- ♪ Down below, down below ♪
- 1214
- 01:05:56,400 --> 01:06:01,400
- ♪ Take me down below ♪
- 1215
- 01:06:02,441 --> 01:06:04,982
- ♪ Yeah, yeah ♪
- 1216
- 01:06:04,982 --> 01:06:07,399
- ♪ Down below ♪
- 1217
- 01:06:09,565 --> 01:06:11,572
- - [Maisie] "Dear Maddie,
- thank you for giving me
- 1218
- 01:06:11,572 --> 01:06:14,661
- this opportunity to get back into work.
- 1219
- 01:06:14,661 --> 01:06:17,108
- Lots of love, Shelby.
- 1220
- 01:06:17,108 --> 01:06:18,108
- Kiss, kiss."
- 1221
- 01:06:26,471 --> 01:06:28,338
- "Dear Production Team,
- 1222
- 01:06:28,338 --> 01:06:29,964
- thank you for letting me participate
- 1223
- 01:06:29,964 --> 01:06:32,852
- in your workshop at short notice.
- 1224
- 01:06:32,852 --> 01:06:34,685
- Kind regards, Shelby."
- 1225
- 01:06:39,039 --> 01:06:42,622
- - Why the fuck is there
- a timer in her bag?
- 1226
- 01:06:43,711 --> 01:06:45,416
- - She microdoses her medication
- 1227
- 01:06:45,416 --> 01:06:47,999
- to stay stable through the day.
- 1228
- 01:06:48,922 --> 01:06:53,266
- She told me she was either
- running out of her medication
- 1229
- 01:06:53,266 --> 01:06:55,652
- or someone close to her was stealing it
- 1230
- 01:06:55,652 --> 01:06:59,819
- because they she knew she
- would act up without it.
- 1231
- 01:07:00,753 --> 01:07:03,032
- I'm sorry, Maddie.
- 1232
- 01:07:03,032 --> 01:07:05,163
- I didn't do any of this for you.
- 1233
- 01:07:05,163 --> 01:07:09,913
- I did it so that you would
- stop torturing that poor girl.
- 1234
- 01:07:12,570 --> 01:07:13,820
- You're a bully.
- 1235
- 01:07:15,398 --> 01:07:17,872
- You're not my friend
- 1236
- 01:07:17,872 --> 01:07:19,752
- and I've mocked someone for a long time
- 1237
- 01:07:19,752 --> 01:07:22,419
- who never deserved to be mocked.
- 1238
- 01:07:25,099 --> 01:07:25,932
- It's over.
- 1239
- 01:07:27,966 --> 01:07:31,883
- Finish drama school and
- don't put on this play.
- 1240
- 01:07:35,128 --> 01:07:36,378
- Don't you dare.
- 1241
- 01:07:39,887 --> 01:07:40,720
- Grow up.
- 1242
- 01:07:47,710 --> 01:07:50,293
- (gentle music)
- 1243
- 01:07:52,601 --> 01:07:54,931
- - Hiya, yeah, we've finished.
- 1244
- 01:07:54,931 --> 01:07:57,098
- You can come and clean up.
- 1245
- 01:07:58,183 --> 01:07:59,296
- Ah, yeah, all good thank you.
- 1246
- 01:07:59,296 --> 01:08:01,213
- We were just missing one.
- 1247
- 01:08:03,381 --> 01:08:06,298
- (woman vocalising)
- 1248
- 01:08:22,596 --> 01:08:24,679
- ♪ Ah, ah ♪
- 1249
- 01:08:28,663 --> 01:08:31,246
- (Maddie sighs)
- 1250
- 01:08:37,260 --> 01:08:40,894
- (ghostly whispering)
- 1251
- 01:08:40,894 --> 01:08:43,644
- (dramatic music)
- 1252
- 01:09:15,002 --> 01:09:18,078
- - It's warming up here on the 78.
- 1253
- 01:09:18,078 --> 01:09:22,411
- 78 days of fear and loathing
- in your couped up mind.
- 1254
- 01:09:24,108 --> 01:09:26,860
- I'm doing my best to release the pressure.
- 1255
- 01:09:26,860 --> 01:09:29,527
- Unwind, appreciate your leisure.
- 1256
- 01:09:30,845 --> 01:09:35,049
- Drop a track that clicks
- your mind into gear.
- 1257
- 01:09:35,049 --> 01:09:37,074
- Step up to your thoughts.
- 1258
- 01:09:37,074 --> 01:09:39,226
- Admit you might be wrong.
- 1259
- 01:09:39,226 --> 01:09:44,226
- Admit that maybe our situation
- has been running on too long.
- 1260
- 01:09:47,937 --> 01:09:50,147
- Thoughts brewing insidious.
- 1261
- 01:09:50,147 --> 01:09:51,814
- Rotation continuous.
- 1262
- 01:09:53,155 --> 01:09:54,880
- The time has flown,
- 1263
- 01:09:54,880 --> 01:09:57,598
- ready for me to play what
- I've previously been shown.
- 1264
- 01:09:57,598 --> 01:09:59,046
- - [Man] Ready, ready, ready?
- 1265
- 01:09:59,046 --> 01:10:00,629
- - Music to my ears.
- 1266
- 01:10:03,744 --> 01:10:05,242
- Set.
- 1267
- 01:10:05,242 --> 01:10:06,075
- Roaring.
- 1268
- 01:10:07,030 --> 01:10:07,863
- War.
- 1269
- 01:10:12,523 --> 01:10:15,106
- (gentle music)
- 1270
- 01:10:32,993 --> 01:10:35,412
- ♪ Take me to the underworld ♪
- 1271
- 01:10:35,412 --> 01:10:37,844
- ♪ Take me down below ♪
- 1272
- 01:10:37,844 --> 01:10:40,524
- ♪ Take me to the underworld ♪
- 1273
- 01:10:40,524 --> 01:10:43,050
- ♪ Take me down below ♪
- 1274
- 01:10:43,050 --> 01:10:45,716
- ♪ Take me to the underworld ♪
- 1275
- 01:10:45,716 --> 01:10:48,151
- ♪ Take me down below ♪
- 1276
- 01:10:48,151 --> 01:10:50,951
- ♪ Take me down below ♪
- 1277
- 01:10:50,951 --> 01:10:54,433
- ♪ Take me down below ♪
- 1278
- 01:10:54,433 --> 01:10:58,726
- ♪ Ooh, ooh, ooh, ooh, ooh ♪
- 1279
- 01:10:58,726 --> 01:11:01,393
- (woman humming)
- 1280
- 01:11:03,667 --> 01:11:06,063
- ♪ See you at the ice storm ♪
- 1281
- 01:11:06,063 --> 01:11:08,549
- ♪ At the end of the day ♪
- 1282
- 01:11:08,549 --> 01:11:13,549
- ♪ Dangerous conditions
- in which we can play ♪
- 1283
- 01:11:13,605 --> 01:11:18,445
- ♪ Cold heart breaking,
- don't know what to say ♪
- 1284
- 01:11:18,445 --> 01:11:23,445
- ♪ Til the rain drops ice
- and it cuts my head ♪
- 1285
- 01:11:24,142 --> 01:11:28,892
- ♪ Better go inside case it makes me dead ♪
- 1286
- 01:11:34,418 --> 01:11:36,878
- ♪ Take me to the underworld ♪
- 1287
- 01:11:36,878 --> 01:11:39,275
- ♪ Take me down below ♪
- 1288
- 01:11:39,275 --> 01:11:41,901
- ♪ Take me to the underworld ♪
- 1289
- 01:11:41,901 --> 01:11:44,637
- ♪ Take me down below ♪
- 1290
- 01:11:44,637 --> 01:11:47,014
- ♪ Take me down below ♪
- 1291
- 01:11:47,014 --> 01:11:52,014
- ♪ Take me down below ♪
- 1292
- 01:11:54,708 --> 01:11:57,307
- ♪ Demons in my mind tonight ♪
- 1293
- 01:11:57,307 --> 01:11:59,622
- ♪ Pull them back inside the light ♪
- 1294
- 01:11:59,622 --> 01:12:02,213
- ♪ Watch the dark as I see snow ♪
- 1295
- 01:12:02,213 --> 01:12:04,629
- ♪ Watch the dark pull back the glow ♪
- 1296
- 01:12:04,629 --> 01:12:07,324
- ♪ Take me to the underworld ♪
- 1297
- 01:12:07,324 --> 01:12:09,756
- ♪ Take me down below ♪
- 1298
- 01:12:09,756 --> 01:12:12,435
- ♪ Take me to the underworld ♪
- 1299
- 01:12:12,435 --> 01:12:15,215
- ♪ Take me down below ♪
- 1300
- 01:12:15,215 --> 01:12:17,439
- ♪ See that sharpness cut my soul ♪
- 1301
- 01:12:17,439 --> 01:12:20,080
- ♪ Take me down below ♪
- 1302
- 01:12:20,080 --> 01:12:22,643
- ♪ Take me down below ♪
- 1303
- 01:12:22,643 --> 01:12:27,366
- ♪ Take me down below ♪
- 1304
- 01:12:27,366 --> 01:12:32,366
- ♪ Down below ♪
- 1305
- 01:12:32,869 --> 01:12:36,734
- ♪ Below, down below ♪
- 1306
- 01:12:36,734 --> 01:12:39,196
- ♪ Take me down below ♪
- 1307
- 01:12:39,196 --> 01:12:42,889
- ♪ Oh, oh ♪
- 1308
- 01:12:42,889 --> 01:12:45,512
- ♪ Yeah, yeah, yeah ♪
- 1309
- 01:12:45,512 --> 01:12:47,929
- ♪ Down below ♪
- 1310
- 01:12:51,397 --> 01:12:54,064
- (woman humming)
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