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- 1
- 00:00:47,251 --> 00:00:52,251
- Subtitles by explosiveskull
- 2
- 00:01:23,519 --> 00:01:26,559
- ♪ 'Cause I'll be leaving
- in the... ♪
- 3
- 00:01:42,399 --> 00:01:43,552
- Patricia.
- 4
- 00:01:46,655 --> 00:01:51,455
- ♪ That I'll be leaving in the
- fairest of the season ♪
- 5
- 00:01:52,287 --> 00:01:55,167
- ♪ Should I stay or should I go ♪
- 6
- 00:01:55,424 --> 00:01:58,495
- So, I have a patient that is
- coming in five minutes.
- 7
- 00:01:59,264 --> 00:02:01,856
- I can ask him to come back
- later, please.
- 8
- 00:02:04,639 --> 00:02:09,149
- ♪ 'Cause I'll be leaving in the
- fairest of the season ♪
- 9
- 00:02:19,360 --> 00:02:21,280
- ♪ Leaving... In the... ♪
- 10
- 00:02:23,776 --> 00:02:27,969
- This song, it's stuck
- in my head, and it's so loud.
- 11
- 00:02:54,497 --> 00:02:56,606
- They're going to try and keep
- her alive after all.
- 12
- 00:02:56,608 --> 00:02:57,633
- Markos?
- 13
- 00:03:36,833 --> 00:03:38,914
- I have to tell Sara
- to get out of there.
- 14
- 00:03:41,794 --> 00:03:44,160
- She's the only girl
- I actually give a damn about.
- 15
- 00:03:49,537 --> 00:03:52,544
- If I leave without her they may
- pick her next.
- 16
- 00:03:52,546 --> 00:03:54,111
- Or Olga
- 17
- 00:03:54,113 --> 00:03:55,712
- I should warn Olga, too.
- 18
- 00:03:58,818 --> 00:04:00,607
- Olga's already figured out
- things.
- 19
- 00:04:00,609 --> 00:04:02,914
- She saw how they groomed me.
- 20
- 00:04:04,929 --> 00:04:08,193
- There's more in that building
- than what you can see.
- 21
- 00:04:18,466 --> 00:04:20,802
- They've been underground
- since the war.
- 22
- 00:04:25,825 --> 00:04:28,577
- And you think
- they can hear you now?
- 23
- 00:04:46,818 --> 00:04:52,578
- At the beginning they gave me things.
- Perfect balance, perfect sleep.
- 24
- 00:04:53,314 --> 00:04:55,616
- Talking with our minds.
- 25
- 00:04:55,618 --> 00:04:57,634
- But they took my hair.
- 26
- 00:04:59,426 --> 00:05:04,320
- They took my urine. They took my
- eyes!
- 27
- 00:05:04,322 --> 00:05:06,402
- Now she can see me.
- 28
- 00:05:17,858 --> 00:05:22,018
- ♪ 'Cause I'll be leaving in the
- fairest of the season ♪
- 29
- 00:05:22,627 --> 00:05:24,195
- ♪ I'll be leaving... ♪
- 30
- 00:05:26,498 --> 00:05:28,003
- Mother Markos.
- 31
- 00:05:32,130 --> 00:05:34,562
- Oh, she wants
- to get inside of me.
- 32
- 00:05:35,778 --> 00:05:37,185
- I can feel her.
- 33
- 00:05:37,187 --> 00:05:38,659
- Oh, I thought I wanted it.
- 34
- 00:05:43,907 --> 00:05:45,698
- I let it happen.
- 35
- 00:06:32,739 --> 00:06:35,138
- If they find out I was here they
- won't hesitate.
- 36
- 00:09:26,631 --> 00:09:27,782
- Morning, pastor.
- 37
- 00:11:54,984 --> 00:11:58,311
- - You're Miss Tanner.
- - Yes, come in.
- 38
- 00:12:06,344 --> 00:12:07,369
- <i>Nah?</i>
- 39
- 00:12:09,832 --> 00:12:14,345
- I tried to call you at your hotel this
- morning to ask you if you could reschedule.
- 40
- 00:12:15,944 --> 00:12:20,966
- - Why?
- - Company business. It's not a good time just today.
- 41
- 00:12:20,968 --> 00:12:22,504
- But here you are.
- 42
- 00:13:02,633 --> 00:13:07,368
- And six, and seven, and eight..
- 43
- 00:13:07,370 --> 00:13:09,672
- Elbows up. And one...
- 44
- 00:13:10,953 --> 00:13:12,105
- Come in, Susie.
- 45
- 00:13:15,913 --> 00:13:20,167
- <i>Miss Millius and Miss Mandel are
- the company's apetitas.</i>
- 46
- 00:13:20,169 --> 00:13:24,009
- And Viva Blanc? I was told she
- would be here.
- 47
- 00:13:24,425 --> 00:13:29,256
- Oh dear, you have no
- formal training or references.
- 48
- 00:13:29,258 --> 00:13:35,018
- Your insistence to audition happened
- to catch Madame Blanc on a good day.
- 49
- 00:13:35,786 --> 00:13:38,345
- But you really shouldn't be here
- at all.
- 50
- 00:13:39,114 --> 00:13:43,752
- Do you understand? Yeah? Good.
- 51
- 00:13:57,673 --> 00:14:01,992
- I prefer dancing without music.
- <i>Danke shoen.</i>
- 52
- 00:14:01,994 --> 00:14:04,010
- You can keep time
- in your head, yes?
- 53
- 00:14:42,379 --> 00:14:49,193
- Hypnos. Here we have the line between
- the elbows. Face forward. Perfect.
- 54
- 00:14:49,195 --> 00:14:54,248
- And morphos. Here, not so close
- to the face.
- 55
- 00:14:54,250 --> 00:14:56,233
- More like you're holding
- a bird or something.
- 56
- 00:15:49,676 --> 00:15:53,897
- - <i>..or something.</i>
- <i>- They did it when we were in morning rehearsal.</i>
- 57
- 00:15:53,899 --> 00:15:55,817
- <i>They just put her things in
- shipping boxes.</i>
- 58
- 00:15:55,819 --> 00:15:58,601
- <i>You don't think she had to go
- underground, do you?</i>
- 59
- 00:15:58,603 --> 00:16:01,545
- <i>I don't care what happened. I
- just wanted a call.</i>
- 60
- 00:16:01,547 --> 00:16:02,604
- <i>I'm really worried.</i>
- 61
- 00:16:05,548 --> 00:16:08,139
- Fraulein Bannion. <i>Kommen Sie.</i>
- 62
- 00:16:13,259 --> 00:16:15,849
- <i>I've just spoken with Madame
- Blanc.</i>
- 63
- 00:16:15,851 --> 00:16:16,972
- <i>Well done, Miss Bannion.</i>
- 64
- 00:16:22,635 --> 00:16:27,626
- I imagine you will need to return home to settle
- things and make arrangements for moving to Berlin.
- 65
- 00:16:27,628 --> 00:16:30,348
- No, no, I can start right now.
- 66
- 00:16:31,372 --> 00:16:32,332
- Good!
- 67
- 00:16:34,252 --> 00:16:38,634
- This is Miss Boutaher, our
- technical director.
- 68
- 00:16:38,636 --> 00:16:39,980
- <i>Guten tag.</i>
- 69
- 00:16:41,068 --> 00:16:44,746
- And this is Miss Vendegast, she
- acts as house mother.
- 70
- 00:16:44,748 --> 00:16:47,020
- ...for our dancers
- who reside here.
- 71
- 00:16:49,708 --> 00:16:51,499
- Where do you come from?
- 72
- 00:16:52,077 --> 00:16:53,549
- Ohio.
- 73
- 00:16:59,308 --> 00:17:04,266
- We operate as sort of a cooperative, as
- we cannot pay our dancers a lot of money.
- 74
- 00:17:04,268 --> 00:17:07,149
- We offer dormatory style homes,
- rent free.
- 75
- 00:17:07,437 --> 00:17:10,027
- You don't charge anything at
- all?
- 76
- 00:17:10,029 --> 00:17:11,148
- Not a mark.
- 77
- 00:17:15,117 --> 00:17:21,516
- In this company we fully understand the
- importance of a woman's financial autonomy.
- 78
- 00:17:23,308 --> 00:17:28,109
- Normally we would be full at this time
- of year, but we have had a room open.
- 79
- 00:17:28,812 --> 00:17:30,157
- Yeah. Patricia's.
- 80
- 00:17:31,149 --> 00:17:33,322
- Do you know Patricia?
- 81
- 00:17:33,324 --> 00:17:34,509
- Mmm...
- 82
- 00:17:36,238 --> 00:17:39,790
- No, I heard some girls talking
- about her in the hall.
- 83
- 00:17:42,670 --> 00:17:50,381
- Now that you're one of us, I won't be coy. Patricia
- has just left the company under sad circumstances.
- 84
- 00:17:51,149 --> 00:17:54,286
- We think she won't be back, so
- there's room if you want.
- 85
- 00:17:54,478 --> 00:17:58,509
- We'll send you one of our girls
- to help you with your luggage.
- 86
- 00:17:59,278 --> 00:18:02,603
- After lunch? It's alright for
- you?
- 87
- 00:18:02,605 --> 00:18:10,347
- Yes! It's all... yes. It's
- perfect.
- 88
- 00:18:33,390 --> 00:18:36,716
- - Hello, hi, I'm sorry I'm late. It's the rain.
- - Hi.
- 89
- 00:18:36,718 --> 00:18:40,972
- Whenever it rains, everyone jumps in a
- cab and like an idiot I just let ours go.
- 90
- 00:18:40,974 --> 00:18:44,397
- Hi, I'm Sara, and we're going to have
- to take our chances on the street.
- 91
- 00:18:44,399 --> 00:18:45,803
- Do you have an umbrella?
- 92
- 00:18:45,805 --> 00:18:51,116
- Oh, when you weren't here by 6, I had
- to take the room for another night.
- 93
- 00:18:51,118 --> 00:18:54,412
- God, Susie, I'm sorry, everything
- was a mess at the company today.
- 94
- 00:18:54,414 --> 00:18:56,876
- Why are you smiling?
- 95
- 00:18:56,878 --> 00:19:02,924
- I'm sorry, um, when you said Berlin a
- second ago you said everyone in Berlin
- 96
- 00:19:02,926 --> 00:19:07,821
- and I just thought, that includes
- me now, I live in Berlin.
- 97
- 00:19:08,399 --> 00:19:11,791
- Yes, congrats. I heard you were
- a sensation today.
- 98
- 00:19:12,782 --> 00:19:14,446
- Have you called your
- family yet, to tell them?
- 99
- 00:19:16,334 --> 00:19:18,190
- Miss Blanc came
- into my audition.
- 100
- 00:19:19,919 --> 00:19:23,757
- - But she left right after.
- - She's incredible.
- 101
- 00:19:23,759 --> 00:19:29,806
- The way she transmits her work, her energy. When it
- shines on you it's addictive is the word for it.
- 102
- 00:19:30,031 --> 00:19:33,836
- She's tough. She kept the
- company alive through the war.
- 103
- 00:19:33,838 --> 00:19:37,039
- When the right just wanted women to shut off
- their minds and keep their uteruses open.
- 104
- 00:19:37,999 --> 00:19:39,949
- There was Blanc.
- 105
- 00:19:39,951 --> 00:19:41,871
- Thank you.
- 106
- 00:19:43,663 --> 00:19:45,325
- What? Was that French?
- 107
- 00:19:55,439 --> 00:19:58,255
- It's a bomb! I can smell it.
- 108
- 00:19:59,087 --> 00:20:00,175
- There's a bank that way.
- 109
- 00:20:02,703 --> 00:20:04,623
- Don't you know what's happening
- here?
- 110
- 00:20:05,455 --> 00:20:09,133
- The hijackers are negotiating the
- release of the prisoners tonight.
- 111
- 00:20:09,135 --> 00:20:12,302
- The RAF. Baader Meinhoff.
- 112
- 00:20:13,584 --> 00:20:17,549
- They kidnapped an executive,
- during war, the Nazi SS
- 113
- 00:20:17,551 --> 00:20:23,853
- an officer, and now he run's the
- German employer's association.
- 114
- 00:20:23,855 --> 00:20:25,647
- You don't get how awful that is,
- do you?
- 115
- 00:20:31,920 --> 00:20:33,071
- I'm sorry.
- 116
- 00:20:34,319 --> 00:20:36,333
- I'm just worried about my
- friend.
- 117
- 00:21:41,041 --> 00:21:41,872
- <i>Danke shoen.</i>
- 118
- 00:26:42,933 --> 00:26:44,403
- Bedrooms are on the second
- floor.
- 119
- 00:27:02,037 --> 00:27:06,867
- Why don't you try speaking to
- me like you love me? Hm?
- 120
- 00:27:06,869 --> 00:27:10,931
- For a change?
- 121
- 00:27:10,933 --> 00:27:16,084
- This is my room. And here... is
- yours!
- 122
- 00:27:16,086 --> 00:27:18,869
- We're neighbors
- 123
- 00:27:20,373 --> 00:27:22,357
- You can knock on the wall if you
- ever need anything.
- 124
- 00:28:46,262 --> 00:28:52,983
- - Good morning. Good morning.
- - Hello. - Good morning.
- 125
- 00:28:54,967 --> 00:28:56,599
- How's your knee? Okay?
- 126
- 00:28:59,638 --> 00:29:01,622
- Thank you.
- 127
- 00:29:07,766 --> 00:29:13,781
- We have some happier company
- business today, we have a new dancer.
- 128
- 00:29:13,783 --> 00:29:17,301
- This is Susie Bannion, who is
- joining us from America.
- 129
- 00:29:17,303 --> 00:29:22,133
- I was privileged to witness her audition
- yesterday, we are very lucky to have her.
- 130
- 00:29:22,135 --> 00:29:23,735
- Would you like
- to say something, Susie?
- 131
- 00:29:26,199 --> 00:29:29,493
- Um, I don't know.
- 132
- 00:29:29,495 --> 00:29:33,782
- Hello
- 133
- 00:29:33,784 --> 00:29:36,245
- I feel like I'm not even here
- yet, I don't know.
- 134
- 00:29:36,247 --> 00:29:43,381
- You join in whenever you feel ready, but
- there's no rush. Welcome to our little family.
- 135
- 00:29:43,383 --> 00:29:45,846
- - I'm Susie.
- - Hi.
- 136
- 00:29:45,848 --> 00:29:50,646
- Alright, so for today's rehearsal, I want to
- pick up exactly where we left off with Volk.
- 137
- 00:29:50,648 --> 00:29:54,261
- I've spoken with Olga, and she's
- going to dance Patricia's part.
- 138
- 00:29:54,263 --> 00:30:00,054
- And, Sara, I'd like you to dance
- Olga's part.
- 139
- 00:30:00,056 --> 00:30:05,333
- Is everyone happy with that? Ok,
- good.
- 140
- 00:30:17,207 --> 00:30:20,757
- No, no no, music off please! One
- moment.
- 141
- 00:30:20,759 --> 00:30:27,030
- Ok, so, and one and two and three.
- You pull it from the ground, alright?
- 142
- 00:30:27,032 --> 00:30:32,309
- Gravity, remember. And everyone
- from here, please? And Tanner
- 143
- 00:30:32,311 --> 00:30:39,992
- One and two and three. And one and two
- and three
- 144
- 00:30:51,160 --> 00:30:56,439
- - This is shit. Such shit.
- - Ok.
- 145
- 00:30:56,441 --> 00:30:58,361
- Ok, why don't we all break for
- ten minutes.
- 146
- 00:30:59,768 --> 00:31:04,246
- - You can't even be bothered to respect your lies
- - Miss Ivanova!
- 147
- 00:31:04,248 --> 00:31:06,359
- No no no no no. It's ok.
- 148
- 00:31:06,361 --> 00:31:07,832
- Let's face this.
- 149
- 00:31:09,880 --> 00:31:16,759
- Patricia is gone, Olga. We don't know where. If she's
- gone into hiding, she wouldn't have told us, would she?
- 150
- 00:31:16,761 --> 00:31:22,102
- - She was have told someone.
- - We know she had dealings with people who were interested in targets.
- 151
- 00:31:22,104 --> 00:31:25,527
- - We know there was another bomb in Kreuzberg last night.
- - She wouldn't do that.
- 152
- 00:31:25,529 --> 00:31:31,287
- Shhshhshh. She wanted to live her beliefs.
- Who doesn't admire that?
- 153
- 00:31:31,289 --> 00:31:38,871
- There's so much to change in the world. If she wants to live
- in a cellar filling bottles with petrol, that's her choice.
- 154
- 00:31:38,873 --> 00:31:42,519
- And who won't be heartbroken if
- she's shot by police.
- 155
- 00:31:42,521 --> 00:31:45,272
- You manipulate everything.
- 156
- 00:31:47,769 --> 00:31:50,487
- - She didn't trust you because
- you are hypocrites!
- 157
- 00:31:50,489 --> 00:31:54,295
- - Will you take Olga
- to her room, please, Tanner?
- 158
- 00:31:54,297 --> 00:31:55,993
- No, Miss Tanner!
- 159
- 00:31:57,306 --> 00:32:00,441
- Call Olga a cab. She's had
- enough.
- 160
- 00:32:01,081 --> 00:32:06,391
- And is going to pack her things and
- get the fuck out of this box of rabies.
- 161
- 00:32:22,361 --> 00:32:24,793
- I'm sorry about that.
- 162
- 00:32:26,649 --> 00:32:28,281
- It's a hot thing we do.
- 163
- 00:32:33,562 --> 00:32:37,688
- Ok, so, who will dance the
- protagonist?
- 164
- 00:32:37,690 --> 00:32:42,040
- - Sonja?
- - I can't. Not yet.
- 165
- 00:32:42,042 --> 00:32:43,321
- Caroline?
- 166
- 00:32:47,291 --> 00:32:52,792
- Very well. We'll manage. I suggest
- that we all take it from the top.
- 167
- 00:32:52,794 --> 00:32:54,329
- I'll dance.
- 168
- 00:33:03,611 --> 00:33:06,136
- I know it. It's in the
- documentary.
- 169
- 00:33:06,138 --> 00:33:08,378
- I-I've seen it a hundred times
- at the library.
- 170
- 00:33:11,290 --> 00:33:13,944
- Sweetheart, we rehearsed this
- piece
- 171
- 00:33:13,946 --> 00:33:16,602
- for ten months
- before we performed it.
- 172
- 00:33:17,882 --> 00:33:23,673
- - I've seen it in person too.
- - First do it alone, then.
- 173
- 00:33:23,675 --> 00:33:26,649
- We don't want to put the others
- at risk.
- 174
- 00:33:26,651 --> 00:33:28,855
- The last thing we need
- 175
- 00:33:28,857 --> 00:33:32,186
- is someone to get kicked
- in the ribs.
- 176
- 00:33:36,122 --> 00:33:37,722
- All right?
- 177
- 00:34:32,763 --> 00:34:35,770
- Ok, stop. Stop, stop.
- 178
- 00:34:35,772 --> 00:34:43,193
- Alright. Clear your head. I want you
- to start over. Have you stretched?
- 179
- 00:34:43,195 --> 00:34:44,987
- This is no joke.
- 180
- 00:35:14,460 --> 00:35:16,315
- Olga.
- 181
- 00:36:18,173 --> 00:36:19,709
- <i>Olga.</i>
- 182
- 00:36:22,141 --> 00:36:26,076
- <i>Come over here! Come.</i>
- 183
- 00:36:26,078 --> 00:36:27,996
- <i>Come to me.</i>
- 184
- 00:36:53,053 --> 00:37:00,636
- Remember you start on one with the music, and if you
- feel ill at any time, just stop. You start here.
- 185
- 00:37:00,638 --> 00:37:01,661
- And...
- 186
- 00:38:00,254 --> 00:38:02,108
- Louder!
- 187
- 00:38:09,469 --> 00:38:11,583
- Bravo. Bravo, Susie.
- 188
- 00:40:18,497 --> 00:40:19,648
- It'll pass.
- 189
- 00:40:20,608 --> 00:40:22,016
- You're not the first dancer who
- lost the room.
- 190
- 00:40:27,519 --> 00:40:29,373
- I'm not usually dizzy.
- 191
- 00:40:29,375 --> 00:40:32,256
- An occasional collapse is a
- vocational hazard I'm afraid.
- 192
- 00:40:32,832 --> 00:40:35,712
- I... I didn't... I
- didn't collapse.
- 193
- 00:40:36,289 --> 00:40:39,168
- You're on the floor and that's
- not where the dance ends.
- 194
- 00:40:42,497 --> 00:40:45,246
- I was trying not to throw up
- in your studio.
- 195
- 00:40:45,248 --> 00:40:47,809
- Susie, it's fine.
- It was wonderful.
- 196
- 00:40:48,769 --> 00:40:52,127
- Sara, could you take her to her
- room please?
- 197
- 00:40:52,129 --> 00:40:54,464
- You can rest
- for the rest of the day.
- 198
- 00:41:06,305 --> 00:41:09,345
- - How unlikely.
- - <i>OK, come on girls. Let's go.</i>
- 199
- 00:41:10,208 --> 00:41:12,991
- <i>And one, and two, and three.</i>
- 200
- 00:41:12,993 --> 00:41:14,369
- And...
- 201
- 00:42:03,010 --> 00:42:05,441
- No, Susie. We have to study
- America.
- 202
- 00:42:07,682 --> 00:42:09,314
- I said no.
- 203
- 00:42:12,097 --> 00:42:13,313
- Susanna.
- 204
- 00:46:06,725 --> 00:46:08,229
- You don't look better.
- 205
- 00:46:08,645 --> 00:46:11,013
- Or are you this pale
- all the time?
- 206
- 00:46:12,261 --> 00:46:13,893
- I will leave you.
- 207
- 00:46:15,237 --> 00:46:16,293
- Good night.
- 208
- 00:46:25,734 --> 00:46:28,805
- The Amish split from the
- Mennonites in the 17th century.
- 209
- 00:46:29,509 --> 00:46:32,293
- They were worried the Mennonites
- were becoming too liberal.
- 210
- 00:46:33,253 --> 00:46:35,045
- "They", not "we"?
- 211
- 00:46:35,526 --> 00:46:38,117
- You've left religious thinking
- behind you then?
- 212
- 00:46:38,662 --> 00:46:41,348
- Are you not comfortable talking
- about these things?
- 213
- 00:46:41,350 --> 00:46:43,270
- I don't know why we are.
- 214
- 00:46:43,462 --> 00:46:45,347
- It's difficult not to be curious
- about you.
- 215
- 00:46:45,349 --> 00:46:49,638
- In two days you've auditioned,
- been accepted and danced a lead.
- 216
- 00:46:51,014 --> 00:46:53,445
- How did your journey towards us
- begin?
- 217
- 00:46:53,990 --> 00:46:56,870
- I went to New York, to the
- Martha Graham Center.
- 218
- 00:46:57,734 --> 00:47:00,166
- I saw you there three times.
- 219
- 00:47:00,678 --> 00:47:04,868
- I went once by bus and I
- hitchhiked the other two.
- 220
- 00:47:04,870 --> 00:47:06,470
- That's risky.
- 221
- 00:47:07,781 --> 00:47:09,701
- Were you punished?
- 222
- 00:47:10,661 --> 00:47:12,038
- Yeah.
- 223
- 00:47:13,031 --> 00:47:15,430
- But I felt I had to see you.
- 224
- 00:47:23,783 --> 00:47:29,541
- What did it feel today to dance <i>Volk</i>
- in front of the one who made it?
- 225
- 00:47:29,543 --> 00:47:33,606
- I know that's a vain question.
- Let me ask you another.
- 226
- 00:47:33,895 --> 00:47:38,213
- When you were dancing
- what did it feel like
- 227
- 00:47:38,215 --> 00:47:41,638
- inside you, inside your body?
- 228
- 00:47:46,823 --> 00:47:51,175
- It felt like what I think it
- must feel like to fuck.
- 229
- 00:47:51,623 --> 00:47:53,412
- You mean to fuck a man.
- 230
- 00:47:53,414 --> 00:47:57,413
- No, I...
- was thinking of an animal.
- 231
- 00:48:05,511 --> 00:48:07,239
- You looked...
- 232
- 00:48:17,544 --> 00:48:20,934
- I'm going to ask Caroline to
- work on your jumps with you.
- 233
- 00:48:20,936 --> 00:48:24,005
- Yours are nowhere near good
- enough yet.
- 234
- 00:48:24,007 --> 00:48:25,703
- We'll have to build you up.
- 235
- 00:48:27,079 --> 00:48:30,982
- So that I can dance the
- protagonist when you perform it.
- 236
- 00:48:30,984 --> 00:48:34,662
- I need to see you dance at this
- level time and time again.
- 237
- 00:48:34,664 --> 00:48:35,719
- I can do it.
- 238
- 00:48:41,415 --> 00:48:44,295
- Olga made <i>Volk</i> seem like such
- heavy lifting.
- 239
- 00:48:46,151 --> 00:48:48,487
- She never understood the heart
- of <i>Vol</i>.
- 240
- 00:48:50,695 --> 00:48:52,902
- She lacked conviction.
- 241
- 00:48:52,904 --> 00:48:54,696
- I'm relieved she's gone.
- 242
- 00:48:56,552 --> 00:48:59,367
- Thank you for your help
- with that.
- 243
- 00:49:05,863 --> 00:49:12,776
- Madame Blanc wants me to dance
- the protagonist in <i>Volk.</i>
- 244
- 00:49:15,111 --> 00:49:17,543
- I didn't think it was going to
- be like this.
- 245
- 00:49:18,792 --> 00:49:21,702
- She's so kind.
- 246
- 00:49:21,704 --> 00:49:23,303
- That's wonderful.
- 247
- 00:49:27,177 --> 00:49:28,456
- Are you all right?
- 248
- 00:49:30,344 --> 00:49:33,128
- I'm fine. I was just...
- 249
- 00:49:35,656 --> 00:49:40,360
- I was just thinking about what Olga
- said in rehearsal... about Patricia.
- 250
- 00:49:40,777 --> 00:49:43,238
- What do you mean?
- 251
- 00:49:43,240 --> 00:49:46,537
- She was active
- in some political groups.
- 252
- 00:49:48,457 --> 00:49:51,337
- No one knows where she is
- really, if she's all right.
- 253
- 00:49:53,096 --> 00:49:57,321
- Was it true... what Olga said?
- 254
- 00:49:59,305 --> 00:50:00,616
- Yes.
- 255
- 00:50:01,800 --> 00:50:04,296
- Patricia didn't trust
- the matrons.
- 256
- 00:50:05,673 --> 00:50:07,753
- And I never understood why.
- 257
- 00:50:11,497 --> 00:50:14,695
- If I asked you for a favor
- tomorrow would you do it?
- 258
- 00:50:14,697 --> 00:50:15,848
- Yes.
- 259
- 00:50:22,857 --> 00:50:25,129
- We might get caught.
- 260
- 00:50:26,153 --> 00:50:27,113
- Okay.
- 261
- 00:51:12,106 --> 00:51:13,736
- <i>Mother. Mother.</i>
- 262
- 00:51:18,698 --> 00:51:20,297
- <i>Mother. Mother.</i>
- 263
- 00:51:23,690 --> 00:51:24,648
- <i>Susanna.</i>
- 264
- 00:52:59,788 --> 00:53:00,939
- - <i>Guten Morgen.</i>
- - <i>Guten Morgen.</i>
- 265
- 00:53:02,539 --> 00:53:04,075
- <i>Guten Morgen.</i>
- 266
- 00:53:15,883 --> 00:53:17,707
- <i>Okay, well, let's meet soon.</i>
- 267
- 00:53:21,483 --> 00:53:24,363
- <i>Yeah, right across from...</i>
- 268
- 00:53:24,715 --> 00:53:27,467
- <i>Yeah, no, I'm ready. I'm
- almost out the door.</i>
- 269
- 00:53:30,764 --> 00:53:33,035
- - <i>I'll see you soon.</i>
- - <i>Marketa.</i>
- 270
- 00:53:34,284 --> 00:53:37,611
- - Marketa, come on.
- - I'll see you soon.
- 271
- 00:53:39,499 --> 00:53:40,459
- Come on.
- 272
- 00:53:58,284 --> 00:53:59,788
- Come, come, come.
- 273
- 00:54:10,380 --> 00:54:13,129
- Are you sure no one's coming?
- 274
- 00:54:13,131 --> 00:54:15,274
- Oh, I'm sure. Don't worry.
- 275
- 00:54:15,276 --> 00:54:17,261
- Nobody comes here
- during the weekend.
- 276
- 00:54:44,429 --> 00:54:45,899
- Patricia's isn't here.
- 277
- 00:54:45,901 --> 00:54:47,757
- Try looking for Olga's.
- 278
- 00:54:48,653 --> 00:54:49,964
- Olga...
- 279
- 00:54:50,829 --> 00:54:52,076
- She's not here.
- 280
- 00:54:54,030 --> 00:54:55,818
- I just need a number.
- 281
- 00:54:55,820 --> 00:54:57,098
- For her parents.
- 282
- 00:54:57,100 --> 00:54:59,693
- Or someone who can tell me for
- sure she is or isn't in Berlin.
- 283
- 00:55:21,422 --> 00:55:22,540
- How odd.
- 284
- 00:55:27,181 --> 00:55:28,395
- 1961.
- 285
- 00:55:30,253 --> 00:55:31,725
- 1955.
- 286
- 00:55:33,422 --> 00:55:35,085
- 1949.
- 287
- 00:55:36,718 --> 00:55:37,869
- It's bizarre.
- 288
- 00:55:40,462 --> 00:55:44,620
- <i>Here kitty, kitty, kitty.
- Here kitty, kitty, kitty, kitty.</i>
- 289
- 00:56:29,934 --> 00:56:32,366
- There's nothing. Come on.
- 290
- 00:56:36,718 --> 00:56:39,022
- Sit down.
- 291
- 00:56:43,279 --> 00:56:51,628
- This morning we turn our instincts inward. Miss Milius,
- Miss Mandel, can you close the mirrors please?
- 292
- 00:56:51,630 --> 00:56:52,654
- Miss Marks, no music.
- 293
- 00:57:01,263 --> 00:57:07,342
- I want to start work on a new
- piece, a piece about rebirths.
- 294
- 00:57:07,758 --> 00:57:13,199
- The inevitable pull that they exert,
- and our efforts to escape them.
- 295
- 00:57:14,702 --> 00:57:20,142
- We learn it now, but Susie, you
- will improvise freely at its heart.
- 296
- 00:57:20,591 --> 00:57:22,383
- I'm interested
- in your instincts here.
- 297
- 00:57:32,240 --> 00:57:37,422
- The piece will be called <i>Wieder
- Offnen</i>, Open Again.
- 298
- 00:57:37,679 --> 00:57:38,927
- <i>Allez.</i>
- 299
- 00:57:45,679 --> 00:57:53,069
- <i>One, two, three, four,
- one, two, three, four...</i>
- 300
- 00:58:45,296 --> 00:58:46,894
- One.
- 301
- 01:00:26,194 --> 01:00:28,079
- Did something happen?
- 302
- 01:00:28,081 --> 01:00:30,257
- - Hmm?
- - To you, during it?
- 303
- 01:00:31,954 --> 01:00:33,105
- No.
- 304
- 01:00:34,546 --> 01:00:36,113
- Did you... did you...
- 305
- 01:00:37,169 --> 01:00:39,889
- Did you feel something there?
- 306
- 01:00:41,490 --> 01:00:44,047
- Someone?
- 307
- 01:00:44,049 --> 01:00:45,650
- Or just something.
- 308
- 01:00:46,929 --> 01:00:48,815
- What made you say that?
- 309
- 01:00:48,817 --> 01:00:49,938
- I don't know.
- 310
- 01:00:52,787 --> 01:00:55,506
- Am I confusing you?
- 311
- 01:00:56,498 --> 01:00:58,225
- No, it's, um...
- 312
- 01:00:59,218 --> 01:01:01,424
- It's odd... It's the...
- 313
- 01:01:01,426 --> 01:01:04,306
- The sort of thing Patricia would
- say. Bizarre.
- 314
- 01:01:06,226 --> 01:01:07,186
- Come on.
- 315
- 01:01:08,209 --> 01:01:09,904
- Let's get changed or Sonia will
- leave without us.
- 316
- 01:01:09,906 --> 01:01:11,152
- I've got a dress you can wear.
- 317
- 01:01:11,154 --> 01:01:12,465
- Double caposhi.
- 318
- 01:01:27,186 --> 01:01:29,168
- <i>Susie!</i>
- 319
- 01:01:40,051 --> 01:01:41,747
- Oh, Susie!
- 320
- 01:03:26,677 --> 01:03:28,149
- <i>Is it true?</i>
- 321
- 01:04:00,885 --> 01:04:02,484
- Is it true?
- 322
- 01:04:07,988 --> 01:04:09,748
- I know who I am!
- 323
- 01:04:11,349 --> 01:04:13,269
- I know who I am!
- 324
- 01:04:18,517 --> 01:04:22,067
- It's all right. It's OK.
- 325
- 01:04:22,069 --> 01:04:24,083
- Is she all right?
- 326
- 01:04:24,085 --> 01:04:25,010
- It's just a nightmare.
- 327
- 01:04:25,012 --> 01:04:27,091
- Markos company special.
- 328
- 01:04:27,093 --> 01:04:28,980
- I'm surprised it took this long.
- 329
- 01:04:28,982 --> 01:04:31,188
- Hey, let me know
- if she needs a Valium.
- 330
- 01:04:38,677 --> 01:04:41,363
- She's right. I dreamt of
- hairballs and toilets
- 331
- 01:04:41,365 --> 01:04:44,149
- for three weeks before I got
- a decent night of sleep here.
- 332
- 01:04:46,005 --> 01:04:46,997
- Move over.
- 333
- 01:04:58,390 --> 01:05:01,652
- I've only ever slept in bed with
- my sister.
- 334
- 01:05:01,654 --> 01:05:03,285
- We're sisters now.
- 335
- 01:06:54,807 --> 01:06:56,759
- Herr Klemperer?
- 336
- 01:09:05,561 --> 01:09:10,359
- And one, and two, and three,
- and one, and two, and three...
- 337
- 01:09:28,921 --> 01:09:30,361
- Do you want to do the jumps?
- 338
- 01:09:31,482 --> 01:09:32,793
- OK
- 339
- 01:09:33,945 --> 01:09:40,632
- And one, and two, and three,
- and one, and two, and three
- 340
- 01:09:40,634 --> 01:09:43,258
- No, elbows higher.
- 341
- 01:09:43,514 --> 01:09:44,951
- All right, one moment.
- 342
- 01:09:44,953 --> 01:09:48,760
- Susie, part of the jump is muscle,
- and that will develop as you condition
- 343
- 01:09:48,762 --> 01:09:51,991
- but you seem to have an aversion
- to them and I don't quite see why.
- 344
- 01:09:51,993 --> 01:09:54,873
- Are you so happy to be stuck to the earth?
- 345
- 01:09:55,194 --> 01:09:58,872
- There's a yield before the push which I
- don't think you're quite understanding.
- 346
- 01:09:58,874 --> 01:10:02,010
- Caroline. Could you come and do
- a series for us, please?
- 347
- 01:10:17,881 --> 01:10:18,489
- Thank you.
- 348
- 01:10:19,994 --> 01:10:21,210
- And now you.
- 349
- 01:10:46,363 --> 01:10:51,673
- What I really want is to be on
- the floor right now anyway.
- 350
- 01:10:51,675 --> 01:10:57,496
- Well, of course. That's because you're mistaking
- physical weakness with artistic preference.
- 351
- 01:10:57,498 --> 01:10:59,161
- And because you're tired.
- 352
- 01:11:02,683 --> 01:11:08,441
- At this point, the jumps are opposing
- the pull of the structure but...
- 353
- 01:11:08,443 --> 01:11:11,288
- It's soon for that,
- don't you think?
- 354
- 01:11:11,290 --> 01:11:16,632
- The floor work is-is keeping
- the other dancers pushed down...
- 355
- 01:11:16,634 --> 01:11:21,435
- So this-this could echo that.
- 356
- 01:11:26,171 --> 01:11:29,850
- ...on-on a slightly higher
- point of elevation.
- 357
- 01:11:32,315 --> 01:11:36,956
- If I stay close to the ground now, and go
- straight into the jumps where you have them later
- 358
- 01:11:37,755 --> 01:11:42,041
- Then that's more to the point.
- 359
- 01:11:42,043 --> 01:11:46,617
- The resistance is more emphatic.
- 360
- 01:11:46,619 --> 01:11:47,740
- Right?
- 361
- 01:11:51,035 --> 01:11:56,057
- I don't know how aware you are
- 362
- 01:11:56,059 --> 01:11:59,195
- of what times we lived through
- here 40 years ago.
- 363
- 01:12:01,916 --> 01:12:03,707
- Out of which
- this piece was made.
- 364
- 01:12:05,275 --> 01:12:10,842
- We learned a great cost through those
- years, the value of the balance of things.
- 365
- 01:12:10,844 --> 01:12:15,961
- Every arrow that flies
- feels the pull of the earth.
- 366
- 01:12:15,963 --> 01:12:17,883
- But we must aim upwards.
- 367
- 01:12:20,027 --> 01:12:21,755
- We need to get you in the air.
- 368
- 01:12:39,612 --> 01:12:41,562
- Leave her, leave her, leave her!
- 369
- 01:13:15,773 --> 01:13:17,052
- I heard it. I hope...
- 370
- 01:13:26,685 --> 01:13:30,523
- I'm looking for a dancer
- from your company.
- 371
- 01:13:30,525 --> 01:13:32,157
- Who are you looking for?
- 372
- 01:13:33,213 --> 01:13:34,813
- You are Sara.
- 373
- 01:13:37,245 --> 01:13:40,411
- Yes. May I help you?
- 374
- 01:13:40,413 --> 01:13:43,388
- I am a friend from Patricia.
- 375
- 01:14:04,508 --> 01:14:06,683
- I don't know what to make of
- any of this.
- 376
- 01:14:06,685 --> 01:14:11,803
- I know the kind of thing she was involved with, but I can't
- see how any of this woud be happening inside the company.
- 377
- 01:14:11,805 --> 01:14:21,371
- Well, she describes something like a revolutionary
- organization and a crisis of leadership.
- 378
- 01:14:21,373 --> 01:14:24,253
- With Markos very ill...
- 379
- 01:14:26,014 --> 01:14:31,260
- I live there. I have friends there.
- I don't see any evidence of this at all.
- 380
- 01:14:31,262 --> 01:14:34,556
- No one has ever approached me or any
- of the other girls as far as I know.
- 381
- 01:14:34,558 --> 01:14:36,478
- Well, read this.
- 382
- 01:14:37,277 --> 01:14:38,556
- What is this?
- 383
- 01:14:38,558 --> 01:14:40,414
- This is Patricia's diary.
- 384
- 01:14:42,206 --> 01:14:46,364
- Mother Markos, mother Meinhof
- 385
- 01:14:46,366 --> 01:14:49,948
- The dance rehearsal,
- polital action
- 386
- 01:14:49,950 --> 01:14:54,654
- these two areas in Patricia's
- life were of equal importance.
- 387
- 01:14:55,518 --> 01:14:56,798
- This is how transformation
- happens.
- 388
- 01:14:58,559 --> 01:15:01,724
- How delusion is made.
- 389
- 01:15:01,726 --> 01:15:05,758
- Delusions are lies
- that tell the truth.
- 390
- 01:15:07,134 --> 01:15:09,150
- - This says "witches."
- - Mmm.
- 391
- 01:15:10,367 --> 01:15:15,516
- Maybe Patricia's fantasies
- about witches
- 392
- 01:15:15,518 --> 01:15:20,766
- they are her way of processing
- some other form of intrigue.
- 393
- 01:15:23,518 --> 01:15:28,316
- The company's a family. There's
- a lot of love there.
- 394
- 01:15:28,318 --> 01:15:36,893
- Love and manipulations, they share houses
- very often. They're frequent bedfellows.
- 395
- 01:15:36,895 --> 01:15:38,654
- Sorry, I don't see this.
- 396
- 01:15:43,262 --> 01:15:44,222
- Eat.
- 397
- 01:15:46,334 --> 01:15:47,294
- Eat.
- 398
- 01:15:55,999 --> 01:15:56,959
- Only...
- 399
- 01:15:58,783 --> 01:16:01,534
- maybe the police,
- they missed something.
- 400
- 01:16:02,590 --> 01:16:10,141
- Our Patricia, she did spoke of
- whole hidden areas of the building.
- 401
- 01:16:10,143 --> 01:16:13,055
- Actual rooms that are secret.
- 402
- 01:16:18,399 --> 01:16:22,717
- I don't want to be
- disrespectful. I don't.
- 403
- 01:16:22,719 --> 01:16:25,117
- - But you're asking me and I'm telling you.
- - Oh, please.
- 404
- 01:16:25,119 --> 01:16:27,999
- It's a dance company. We're not
- talking about anything else.
- 405
- 01:16:28,479 --> 01:16:33,597
- Sara. Please, only look closer.
- 406
- 01:16:33,599 --> 01:16:34,878
- Thank you for caring for
- Patricia
- 407
- 01:16:34,880 --> 01:16:36,576
- but I hope
- you don't come again.
- 408
- 01:16:58,143 --> 01:17:00,158
- - Good night.
- - Good night.
- 409
- 01:17:00,160 --> 01:17:01,726
- Sara, hurry up.
- 410
- 01:17:01,728 --> 01:17:04,064
- I'm tired. I need the bathroom.
- 411
- 01:17:07,200 --> 01:17:09,087
- - Good night, Doll.
- - Good night.
- 412
- 01:17:18,688 --> 01:17:20,543
- She hasn't come back yet?
- 413
- 01:17:25,696 --> 01:17:27,200
- Maybe she's seeing somebody.
- 414
- 01:17:33,280 --> 01:17:37,246
- <i>Part of the issue always is not being
- able to see your body in the space.</i>
- 415
- 01:17:37,248 --> 01:17:41,598
- <i>One angle in one mirror or
- on film is not enough.</i>
- 416
- 01:17:41,600 --> 01:17:44,927
- <i>Movement is never mute. It is a
- language.</i>
- 417
- 01:17:44,929 --> 01:17:51,934
- <i>It's a series of energetic shapes written
- in the air like words forming sentences.</i>
- 418
- 01:17:51,936 --> 01:17:53,216
- Like poems.
- 419
- 01:17:54,432 --> 01:17:55,905
- Like prayers.
- 420
- 01:17:58,912 --> 01:18:00,065
- Spells?
- 421
- 01:18:02,080 --> 01:18:08,735
- When you jump it's not the height but
- the space beneath you that matters.
- 422
- 01:18:08,737 --> 01:18:11,392
- Every leap into the air
- must be a <i>coup de foudre.</i>
- 423
- 01:18:16,385 --> 01:18:21,119
- - I don't understand.
- - A strike of lightning.
- 424
- 01:18:21,121 --> 01:18:23,137
- A bolt of love, in fact.
- 425
- 01:18:26,017 --> 01:18:27,521
- That's beautiful.
- 426
- 01:18:29,025 --> 01:18:34,783
- There are two things that dance can
- never be again: beautiful and cheerful.
- 427
- 01:18:34,785 --> 01:18:39,071
- Today we need to break the nose
- of every beautiful thing.
- 428
- 01:18:39,073 --> 01:18:42,817
- And if you are going to be a
- dancer you must learn French.
- 429
- 01:19:18,914 --> 01:19:25,087
- When you dance the dance of another, you
- make yourself in the image of its creator.
- 430
- 01:19:25,089 --> 01:19:28,095
- You empty yourself so that her
- work can live within you.
- 431
- 01:19:28,097 --> 01:19:29,250
- Do you understand?
- 432
- 01:19:30,338 --> 01:19:31,298
- Yeah.
- 433
- 01:19:33,474 --> 01:19:40,160
- You're in a company now. You have to find your right place.
- You have to decide what you want to be for this company.
- 434
- 01:19:40,162 --> 01:19:47,360
- Is it the head? The spine?
- The sex? The heart?
- 435
- 01:19:47,362 --> 01:19:48,450
- The hands.
- 436
- 01:19:50,626 --> 01:19:53,408
- I want to be this
- company's hands.
- 437
- 01:19:58,371 --> 01:20:02,977
- Higher... Higher... Higher...
- 438
- 01:20:02,979 --> 01:20:06,624
- Higher... Higher! Higher!
- 439
- 01:20:06,626 --> 01:20:07,874
- Higher.
- 440
- 01:20:09,762 --> 01:20:12,769
- <i>Higher! Higher!</i>
- 441
- 01:20:12,771 --> 01:20:13,986
- <i>Higher!</i>
- 442
- 01:20:19,203 --> 01:20:23,168
- Higher. Higher! Higher!
- 443
- 01:20:23,170 --> 01:20:26,786
- Higher! Higher! Higher!
- 444
- 01:20:32,514 --> 01:20:35,553
- Sometimes I only need
- to be told twice.
- 445
- 01:22:32,420 --> 01:22:39,555
- 55, 56, 57, 58, 59-
- 446
- 01:22:46,788 --> 01:22:49,444
- 60, 61, 62, 63.
- 447
- 01:22:58,821 --> 01:23:01,989
- 65, 64, 63, 62.
- 448
- 01:23:10,085 --> 01:23:12,709
- 23, 22, 21.
- 449
- 01:23:25,669 --> 01:23:29,507
- 10, 9, 8, 7, 6...
- 450
- 01:23:29,509 --> 01:23:31,781
- Two, one.
- 451
- 01:26:41,128 --> 01:26:50,726
- Patricia wrote about three mothers, lost
- in time, predating all Christian invention.
- 452
- 01:26:50,728 --> 01:26:59,398
- Pre-god, pre-devil. Mother
- Tenebrarum, Mother Lachrymarum
- 453
- 01:26:59,400 --> 01:27:01,672
- and Mother Suspiriorum.
- 454
- 01:27:03,209 --> 01:27:07,209
- Darkness, Tears and Sighs.
- 455
- 01:27:08,104 --> 01:27:13,062
- I saw images of that last night in
- porcelain and these very fine things.
- 456
- 01:27:13,064 --> 01:27:14,504
- You can tell they have money.
- 457
- 01:27:18,535 --> 01:27:23,815
- Patricia said that Markos claims
- to be one of the three.
- 458
- 01:27:23,817 --> 01:27:31,527
- But there is disent amongst them. She
- wrote about Markosites and Blancites.
- 459
- 01:27:31,529 --> 01:27:33,321
- An internal division.
- 460
- 01:27:35,113 --> 01:27:37,065
- Madame Blanc's
- involved in this?
- 461
- 01:27:42,953 --> 01:27:44,745
- Do they believe they're witches?
- 462
- 01:27:46,728 --> 01:27:52,263
- You can give someone your
- delusion, Sara.
- 463
- 01:27:52,265 --> 01:27:53,417
- That's religion.
- 464
- 01:27:56,201 --> 01:27:57,705
- That was the Reich.
- 465
- 01:27:59,177 --> 01:28:00,872
- The Reich had these things.
- 466
- 01:28:02,536 --> 01:28:07,847
- Insignia. Esoteric ritual.
- 467
- 01:28:07,849 --> 01:28:17,449
- These mothers, yeah, they could be codenames for founding
- members with metaphoric histories, I don't know.
- 468
- 01:28:18,857 --> 01:28:22,057
- But I do know you're living with
- dangerous people.
- 469
- 01:28:23,370 --> 01:28:25,864
- Patricia could still be in-
- 470
- 01:28:25,866 --> 01:28:26,762
- ...in there.
- 471
- 01:28:31,049 --> 01:28:33,481
- They could be holding her
- in the building.
- 472
- 01:28:34,154 --> 01:28:41,288
- Well, I can not promise that your searches will
- come back to inspect a cabinet full of porcelain
- 473
- 01:28:41,290 --> 01:28:46,376
- after all that has happened.
- But we can try.
- 474
- 01:28:46,378 --> 01:28:52,455
- And in the meantime you must take care
- of yourself. Perhaps you should leave.
- 475
- 01:28:52,457 --> 01:28:53,770
- You have somewhere you can go?
- 476
- 01:28:55,787 --> 01:28:57,707
- I'll figure it out.
- 477
- 01:28:58,377 --> 01:29:01,352
- And I think you should
- put this back.
- 478
- 01:29:01,354 --> 01:29:03,178
- Or better still,
- you leave it here.
- 479
- 01:29:05,194 --> 01:29:07,178
- Not good for them
- to know that you have it.
- 480
- 01:30:36,363 --> 01:30:43,179
- Is anyone among you sick? Let him call for the
- elders of the church, and let them pray over him
- 481
- 01:30:43,467 --> 01:30:46,636
- anointing him with oil
- in the name of the Lord.
- 482
- 01:30:47,339 --> 01:30:52,170
- And the prayer of faith shall
- save him that is sick.
- 483
- 01:30:52,172 --> 01:30:59,115
- And the Lord shall raise him up.
- And if he has committed sins-
- 484
- 01:31:00,075 --> 01:31:01,707
- My daughter.
- 485
- 01:31:04,555 --> 01:31:06,475
- ...they shall be forgiven him.
- 486
- 01:31:10,412 --> 01:31:12,204
- My last one.
- 487
- 01:31:14,220 --> 01:31:21,257
- She's my sin... She's what I
- smear on the world.
- 488
- 01:32:00,301 --> 01:32:02,412
- You're making some kind
- of deal with them.
- 489
- 01:32:03,949 --> 01:32:07,691
- I don't know what you're
- talking about.
- 490
- 01:32:07,693 --> 01:32:10,573
- How can you know what they're
- going to ask you in return?
- 491
- 01:32:10,861 --> 01:32:15,373
- Sara, whatever you have in your
- mind, nothing is wrong.
- 492
- 01:32:17,324 --> 01:32:19,084
- You just haven't
- seen the bill yet.
- 493
- 01:32:20,429 --> 01:32:22,891
- Nothing's wrong.
- 494
- 01:33:19,022 --> 01:33:20,844
- What's the matter with you?
- 495
- 01:33:20,846 --> 01:33:22,510
- Huh?
- 496
- 01:33:26,317 --> 01:33:31,276
- You don't be so afraid about the
- white, Susie.
- 497
- 01:33:31,278 --> 01:33:34,573
- They need to see you
- from the very back row.
- 498
- 01:33:42,541 --> 01:33:43,791
- Where is Sara?
- 499
- 01:33:44,814 --> 01:33:47,724
- She came early in the morning
- 500
- 01:33:47,726 --> 01:33:49,550
- did her makeup and left.
- 501
- 01:34:38,703 --> 01:34:42,189
- Girls, <i>Vier Minuten!</i>
- 502
- 01:34:42,191 --> 01:34:43,374
- Four minutes!
- 503
- 01:34:46,254 --> 01:34:47,759
- <i>Vier Minuten!</i>
- 504
- 01:35:32,751 --> 01:35:35,631
- <i>Sara. Sara.</i>
- 505
- 01:35:36,847 --> 01:35:39,727
- Patricia. Patricia.
- 506
- 01:35:40,816 --> 01:35:48,015
- Patricia, I knew it! Sorry it
- took me so long. I'm so sorry.
- 507
- 01:35:48,720 --> 01:35:53,614
- - What did they do to you?
- - They would come here every day.
- 508
- 01:35:53,616 --> 01:35:55,343
- It's all over now.
- I'll get you out.
- 509
- 01:35:56,880 --> 01:36:00,813
- The performance is starting upstairs.
- Everyone will be looking the other way.
- 510
- 01:36:00,815 --> 01:36:03,501
- Get up. Get up.
- 511
- 01:36:03,503 --> 01:36:04,528
- Patricia!
- 512
- 01:36:05,136 --> 01:36:06,639
- Patricia, get up!
- 513
- 01:36:07,888 --> 01:36:09,136
- Get up.
- 514
- 01:36:21,072 --> 01:36:22,575
- Sara!
- 515
- 01:36:23,920 --> 01:36:25,136
- Sara!
- 516
- 01:36:56,881 --> 01:37:00,337
- Markos! Markos! Markos! Markos!
- 517
- 01:37:20,720 --> 01:37:23,152
- Marketa, where is Sara?
- 518
- 01:37:24,081 --> 01:37:24,848
- Sara!
- 519
- 01:37:24,850 --> 01:37:26,575
- - I don't know.
- - Is she upstairs?
- 520
- 01:37:26,577 --> 01:37:27,982
- No. I looked.
- 521
- 01:37:27,984 --> 01:37:29,937
- Just dance
- as if she's with you.
- 522
- 01:37:38,577 --> 01:37:39,890
- <i>Sara!</i>
- 523
- 01:38:01,266 --> 01:38:02,224
- Go.
- 524
- 01:39:51,668 --> 01:39:52,819
- No.
- 525
- 01:39:55,059 --> 01:39:56,881
- Sara, lie still.
- 526
- 01:39:56,883 --> 01:39:58,706
- - No!
- - Sara.
- 527
- 01:40:01,780 --> 01:40:03,091
- Please!
- 528
- 01:40:09,812 --> 01:40:12,500
- No! No!
- 529
- 01:46:12,408 --> 01:46:14,232
- I'm sorry I went off book.
- 530
- 01:46:20,345 --> 01:46:25,464
- This can't happen
- again. You're only just starting to understand, Susie.
- 531
- 01:46:26,777 --> 01:46:30,615
- We brought Sara back upstairs to try
- to complete the performance in time.
- 532
- 01:46:30,617 --> 01:46:35,383
- - But then you derailed it.
- - Did I hurt those people?
- 533
- 01:46:35,385 --> 01:46:38,487
- Not this time.
- They saw her dance.
- 534
- 01:46:38,489 --> 01:46:39,417
- That's all.
- 535
- 01:46:41,402 --> 01:46:46,935
- It's all a mess, isn't it?
- The one out there...
- 536
- 01:46:46,937 --> 01:46:48,280
- The one in here.
- 537
- 01:46:51,194 --> 01:46:52,632
- The one that's coming.
- 538
- 01:46:56,825 --> 01:46:59,415
- Why is everyone
- 539
- 01:46:59,417 --> 01:47:02,009
- so ready to think
- the worst is over?
- 540
- 01:47:20,346 --> 01:47:22,297
- I could
- explain everything to you.
- 541
- 01:47:24,569 --> 01:47:26,937
- I think it would be wrong,
- though.
- 542
- 01:48:02,778 --> 01:48:10,490
- One, two, three, four...
- 543
- 01:49:30,300 --> 01:49:31,451
- <i>Herr Doktor.</i>
- 544
- 01:59:50,083 --> 01:59:51,397
- I'm ready, Madame.
- 545
- 02:00:16,997 --> 02:00:18,211
- You look afraid.
- 546
- 02:00:20,293 --> 02:00:22,117
- She's afraid for you.
- 547
- 02:00:37,766 --> 02:00:43,716
- There will be nothing of
- you left inside.
- 548
- 02:00:45,254 --> 02:00:49,604
- Only space... for me.
- 549
- 02:00:50,597 --> 02:00:52,677
- I came here for this.
- 550
- 02:00:55,717 --> 02:00:57,509
- You've all waited long enough.
- 551
- 02:00:59,461 --> 02:01:02,213
- It is happening.
- 552
- 02:01:02,469 --> 02:01:05,381
- It is happening!
- 553
- 02:01:46,438 --> 02:01:48,358
- You come here.
- 554
- 02:01:50,439 --> 02:01:52,134
- Hmm?
- 555
- 02:01:54,054 --> 02:02:00,518
- You must have no doubts, Susie. If you do, I can take
- you back. I can take all of this from your head.
- 556
- 02:02:00,998 --> 02:02:02,502
- You can forget everything.
- 557
- 02:02:05,127 --> 02:02:07,237
- I want this to be pure.
- 558
- 02:02:08,775 --> 02:02:12,676
- We all know what you want.
- 559
- 02:02:16,647 --> 02:02:22,723
- This isn't for vanity.
- This isn't
- 560
- 02:02:22,725 --> 02:02:24,549
- art!
- 561
- 02:02:26,311 --> 02:02:33,477
- There's something wrong here. Can you not feel
- it? This isn't right. We have to stop this now.
- 562
- 02:02:33,479 --> 02:02:39,878
- We've been on two sides of this
- for too long now.
- 563
- 02:03:24,808 --> 02:03:28,517
- If you accept me
- 564
- 02:03:28,519 --> 02:03:33,352
- you must put down
- the woman who bore you.
- 565
- 02:03:35,784 --> 02:03:38,791
- Think of that false mother now.
- 566
- 02:03:52,040 --> 02:03:53,352
- Reject her.
- 567
- 02:03:54,408 --> 02:03:56,232
- Expel her.
- 568
- 02:03:59,720 --> 02:04:09,320
- You have the only mother you need here.
- Death to any other mother. Say it.
- 569
- 02:04:10,696 --> 02:04:13,576
- Death to any other mother.
- 570
- 02:04:43,848 --> 02:04:45,320
- Who are you?
- 571
- 02:04:51,560 --> 02:04:56,967
- For whom were you anointed,
- which of the three mothers?
- 572
- 02:04:56,969 --> 02:04:59,174
- Mother death.
- 573
- 02:05:03,624 --> 02:05:06,505
- Mother Suspiriorum.
- 574
- 02:05:09,193 --> 02:05:10,696
- I am she.
- 575
- 02:05:48,714 --> 02:05:49,674
- Markos.
- 576
- 02:06:03,978 --> 02:06:04,842
- Markos!
- 577
- 02:06:39,626 --> 02:06:40,586
- Markos!
- 578
- 02:06:42,826 --> 02:06:43,786
- Markos.
- 579
- 02:06:50,602 --> 02:06:53,737
- Death to any other mother.
- 580
- 02:06:53,739 --> 02:06:54,795
- Markos.
- 581
- 02:07:01,642 --> 02:07:02,538
- Markos!
- 582
- 02:07:14,187 --> 02:07:15,146
- Markos!
- 583
- 02:07:22,603 --> 02:07:23,660
- Markos!
- 584
- 02:07:28,618 --> 02:07:34,634
- ♪ Unmade ♪
- 585
- 02:07:35,754 --> 02:07:39,498
- ♪ Unmade ♪
- 586
- 02:07:41,739 --> 02:07:46,348
- ♪ I swear
- that there's nothing ♪
- 587
- 02:08:02,924 --> 02:08:07,947
- ♪ I swear there's nothing... ♪
- 588
- 02:08:10,892 --> 02:08:15,209
- I am the mother.
- 589
- 02:08:35,564 --> 02:08:38,987
- - What do you ask?
- - To die.
- 590
- 02:08:45,708 --> 02:08:47,147
- Mother, we're so tired.
- 591
- 02:08:54,956 --> 02:08:59,306
- - What do you ask?
- - To die.
- 592
- 02:08:59,308 --> 02:09:00,556
- I want to die.
- 593
- 02:09:09,996 --> 02:09:11,308
- Sweet girl.
- 594
- 02:09:13,676 --> 02:09:15,116
- What do you ask?
- 595
- 02:09:18,380 --> 02:09:19,754
- Tired.
- 596
- 02:09:19,756 --> 02:09:22,829
- ♪ Come under my wings ♪
- 597
- 02:09:26,541 --> 02:09:31,308
- ♪ Come under my wings ♪
- 598
- 02:09:33,804 --> 02:09:38,157
- ♪ Come under my wings ♪
- 599
- 02:09:40,877 --> 02:09:44,557
- - ♪ Under my wings. ♪
- - Yes.
- 600
- 02:09:45,933 --> 02:09:51,147
- Dance. Dance. Keep dancing.
- 601
- 02:09:51,149 --> 02:09:52,557
- It's beautiful.
- 602
- 02:09:53,900 --> 02:09:55,373
- It's beautiful.
- 603
- 02:09:56,812 --> 02:09:58,700
- It's beautiful.
- 604
- 02:11:24,205 --> 02:11:25,997
- Good. Good.
- 605
- 02:13:16,848 --> 02:13:18,798
- My god, what a night.
- 606
- 02:13:18,800 --> 02:13:21,327
- I definitely drank
- too much wine.
- 607
- 02:13:40,176 --> 02:13:42,542
- <i>Guten Morgen.</i>
- 608
- 02:13:42,544 --> 02:13:43,600
- Good morning.
- 609
- 02:15:54,386 --> 02:15:56,850
- I regret what my daughters
- did to you.
- 610
- 02:15:59,154 --> 02:16:01,106
- I wasn't in a position
- to prevent it.
- 611
- 02:16:06,385 --> 02:16:08,627
- I believe you deserve
- to know the truth.
- 612
- 02:16:17,394 --> 02:16:22,128
- Your wife did try to make it
- south
- 613
- 02:16:22,130 --> 02:16:23,634
- to Teplice.
- 614
- 02:16:25,299 --> 02:16:29,585
- She was apprehended by border
- guards
- 615
- 02:16:29,587 --> 02:16:32,531
- in the woods
- just outside of Glashütte.
- 616
- 02:16:35,698 --> 02:16:40,467
- She was then taken
- to Theresienstadt camp.
- 617
- 02:16:43,154 --> 02:16:45,395
- She lived there for 20 days.
- 618
- 02:16:47,379 --> 02:16:52,433
- On the 11th of November, 1943
- 619
- 02:16:52,435 --> 02:16:56,435
- the commandant of the camp,
- a man named Burger...
- 620
- 02:16:56,979 --> 02:17:00,753
- ordered all 40,000
- detained there
- 621
- 02:17:00,755 --> 02:17:05,267
- stand outside in the cold
- for a census.
- 622
- 02:17:11,187 --> 02:17:13,108
- Hours and hours passed.
- 623
- 02:17:16,883 --> 02:17:18,835
- Some hundreds died of exposure.
- 624
- 02:17:27,636 --> 02:17:30,131
- Your wife had two women
- with her as she died.
- 625
- 02:17:32,212 --> 02:17:36,082
- Women she had befriended
- 626
- 02:17:36,084 --> 02:17:38,676
- who made her feel
- that she was not alone.
- 627
- 02:17:45,812 --> 02:17:55,411
- Her final thoughts were of her birthday when
- you took her to a concert as a surprise.
- 628
- 02:17:57,012 --> 02:17:59,697
- Chopin and Brahms.
- 629
- 02:18:03,795 --> 02:18:05,844
- It was the first time
- you held her hand.
- 630
- 02:18:11,732 --> 02:18:14,388
- She was cold when she died.
- 631
- 02:18:17,876 --> 02:18:19,188
- But she wasn't afraid.
- 632
- 02:18:23,699 --> 02:18:25,748
- She was thinking only of you.
- 633
- 02:18:44,468 --> 02:18:46,260
- Of Anke Meier...
- 634
- 02:18:48,757 --> 02:18:50,228
- ...of Patricia Hingle...
- 635
- 02:18:51,956 --> 02:18:53,620
- ...of Sara Simms...
- 636
- 02:18:56,981 --> 02:19:00,819
- ...of Susanna Bannion...
- 637
- 02:19:00,821 --> 02:19:04,117
- of all the women
- of your undoing...
- 638
- 02:19:07,060 --> 02:19:09,684
- ...every memory will vanish.
- 639
- 02:19:13,301 --> 02:19:17,394
- They will melt away in the sun
- 640
- 02:19:17,396 --> 02:19:18,485
- and be gone.
- 641
- 02:19:49,237 --> 02:19:50,550
- Herr Doctor.
- 642
- 02:20:06,646 --> 02:20:08,566
- - <i>Ja?</i>
- - <i>Ja.</i>
- 643
- 02:21:41,329 --> 02:21:46,329
- Subtitles by explosiveskull
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