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mothpone

Nuke-Actias

Dec 5th, 2013
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  1. >Tink.
  2. >Tink tink.
  3. >Tinktinktinktinktinktink.
  4. >The sound of a hard, velvety structure tapping against a thin glass pane echoes through a small, brightly lit room.
  5. "What do you want?"
  6. >"Let me in, I want to get a closer look at your lights!"
  7. >Tink tink tink.
  8. "Aren't there other lights for you to see? You know, street lights, porch lights, flood-lights?"
  9. >"I've already seen all of those in this town."
  10. "Go to another town."
  11. >"No!"
  12. >A very heavy sigh finds its way out of your mouth.
  13. "If I let you in, will you go away as soon as you're done?"
  14. >The odd terror gives a soft nod as she bumps her head into your window.
  15. >Tink.
  16. >She darts into the room almost as soon as the window slides up.
  17. >Her hooves and antennae start tapping against your desk lamp as this curious pony invades your home.
  18. >"What kind of light is this?"
  19. >You shrug and give her an aggravated look.
  20. >"I like it. Can I keep it?"
  21. "Will it make you go away faster?"
  22. >"Yes!"
  23. "Then take it."
  24. >She starts to giggle as she carefully unscrews the lightbulb from your lamp.
  25. >Even as it loses its glow, the mothpony continues tapping on the bulb's glass.
  26. "Has anyone ever told you how obnoxious you are?"
  27. >A bright smile forms across her lips as she nods enthusiastically.
  28. >"I always learned to take it as a compliment! After all, why let someone keep you down when you're enjoying the little things in life?"
  29. >That is oddly... profound.
  30. >Maybe these mothponies aren't only about tapping on glass, admiring lights, and eating cloth.
  31. >Yet, as you contemplate the intelligence of her statement, you hear the soft ripping of fabric behind you.
  32. >"These are gross!"
  33. >She's eating your sheets and blankets.
  34. >Or, less eating, more ripping them apart, chewing on the strands of fabric, and then spitting them out on the floor in disgust.
  35. >"Do you have anything fresher? Maybe a freshly cleaned silk sheet?"
  36. "No."
  37. >Rip.
  38. >Chew.
  39. >Spit.
  40. "Please stop that. I sleep on those, and need them for warmth."
  41. >"Oh, sorry."
  42. >She hops off of your bed and starts scooping the discarded strands of fabric up.
  43. >In a desperate attempt to appease your well-masked anger, she starts wringing the spit from the discarded fabric and lays them upon your bed.
  44. >"I-I'm sorry. I'll be leaving now."
  45. >With the lightbulb shoved into her mouth, she leaps out of your window.
  46. >Once more, you sigh.
  47. >She'll be back tomorrow night.
  48. >And the night after that.
  49. >With this same scenario playing out.
  50. >It's like Hell, except the demon that tortures you is an adorable mothpony.
  51. >But you've gotten used to it, even after the few days that it's occurred.
  52. >Maybe she'll stay a little longer tomorrow night.
  53.  
  54.  
  55. >"Get down from there."
  56. "But you'll grab me and throw me out!"
  57. >"And for good reason."
  58. >He's being mean again.
  59. >He tries so hard to hide his resentment for you.
  60. >It isn't your fault he coaxed you into his living room.
  61. >It isn't your fault he has a lot of really nice lights.
  62. >Ok, so he only has two or three incredibly droll looking lamps with plain, dusty lampshades on them.
  63. >But still, they're lights.
  64. >Well, they used to be.
  65. >You kind of shattered them in your excitement.
  66. >"I'm not going to tell you again. Get down."
  67. >He's pointing that portable light at you.
  68. "But I'm sorry!"
  69. >"I don't care."
  70. >You really are sorry.
  71. >He has the best lights in town.
  72. >Lights on windows that show moving pictures.
  73. >Lights on little screens that also make sounds and music.
  74. >Lights that glow different colors and flash in patterns and sequences.
  75. >His house is so magical!
  76. >"Look, you can either get down off of my ceiling right now, or I can get a broom and start hitting you with it."
  77. >You look up, or down depending on who's looking where.
  78. "I just wanted to be friends with you."
  79. >"I don't need friends. And besides, what do I have to offer you by way of friendship? And don't say lights or cloth."
  80. >You scrunch your face up in thought, that bright portable light shining on your face.
  81. >"That's what I thought. Please leave."
  82. >Defeated, you drop from the ceiling and stand in front of your host.
  83. >As you slowly walk past him, toward the door, you sigh.
  84. "I'm sorry."
  85. >He opens it for you, but just as you take off, you hear his voice.
  86. >"It's okay."
  87. >No animosity, no anger.
  88. >Just a hint of sincerity and loneliness.
  89. >The door closes, leaving you in the dark of the night.
  90. >Alone, with no company but the stars and the moon, and the occasional hoot of an owl.
  91. >You flutter back down to stand on his porch, a small whisper escaping your lips.
  92. "Please, open the door and let me stay the night."
  93. >But as hopeful as you are, the knob does not twist.
  94. >The door does not open.
  95. >And that strange, hairless creature does not welcome you back into his warm home.
  96.  
  97. >It really was okay.
  98. >You didn't even like those lamps.
  99. >She did, you didn't.
  100. >The first day you met her, she tapped on that window for hours.
  101. >You didn't let her in.
  102. >The second day, you just closed the curtains and ignored her.
  103. >The third day, she spoke.
  104. >Her soft voice felt like velvet being rubbed in your ears.
  105. >Even then, you ignored her.
  106. >Last night, you let her into your home through your bedroom window.
  107. >Tonight you let her into more of the house.
  108. >A person can change, given enough incentive.
  109. >That mothpony might have found her way into more than just your home.
  110. "Open the door, Anon. She didn't leave, she's out there waiting."
  111. >The door acts as a brace for your head as you lean upon it.
  112. >Looking back into your living room, the now dark interior seems cold and uninviting.
  113. >A stark contrast to when that little mothpony was in here just a few seconds ago.
  114. >She adds a little bit of excitement to your life, and it's only been five days.
  115. "Just open the door."
  116. >Your hand fondles the doorknob, its cold metal warming to your touch.
  117. >It twists with little resistance.
  118. >The door swings open, revealing the night, as you step back.
  119. "Gone."
  120. >You don't even know her name.
  121. "She'll be back tomorrow. Just like every night."
  122. >The door closes once more as you return to your lonely life in your dark house.
  123.  
  124. >Tink.
  125. >She's late.
  126. >Tink tink.
  127. >But she's back.
  128. >Tinktinktinktinktinktink.
  129. >You rush to the window and open it just before she can tap her head against it again.
  130. >"O-oh! Hello!"
  131. "Hey."
  132. >"Why are you smiling?"
  133. "No reason. Come in."
  134. >She hesitates before fluttering inside.
  135. >"You're kind of scaring me."
  136. "Why?"
  137. >"Well... You've been kind of mean."
  138. >She stays close to the window, obviously wary that you might try something.
  139. >You look away from her, shaking your head softly.
  140. "I'm sorry."
  141. >"What?"
  142. "I'm sorry, for how I've treated you. All you wanted was to see the lights, and I did more damage by trying to keep you away."
  143. >Her antennae droop a little bit, her eyes locking onto you.
  144. >"What are you saying?"
  145. >A hand rubs over your face as you let out an exasperated groan.
  146. "Do you want to go see the lights?"
  147. >She shifts uncomfortably from hoof to hoof, unsure of what your intentions are.
  148. >After a few moments of silent contemplation, she perks up and nods.
  149. >"Yes!"
  150. "Well then, let's go."
  151. >She closes the window before following you out of your bedroom.
  152. >The lights in the hall turn on with a flick of the switch.
  153. >They grab the little mothpony's attention.
  154. >"I like these."
  155. "There are more lights in the room on the left."
  156. >"Can I look at these some more?"
  157. "You'll have plenty of time to look at those later."
  158. >"Later?"
  159. >Without answering her, you walk into the room on the left.
  160. >She bumps into the wall as she follows, her eyes still locked to the hallway lights.
  161. "What's up with you and lights anyway?"
  162. >A shrug is offered.
  163. >"As far as I know, all mothponies are attracted to lights."
  164. "Weird."
  165. >"Can I see the new lights now?"
  166. "Of course."
  167. >With a flick of yet another switch, the entire room lights up.
  168. >Lights of all colors, bulbs of all shapes, and flashing LEDs with an assortment of patterns litter the walls and floor.
  169. >Definitely an epileptic's nightmare.
  170. >"Wow!"
  171. "Do you like it?"
  172. >"I love it!"
  173. >Her soft wings flare out in excitement as she starts cantering all around the room, from the floor to the ceiling, tapping on all of the lights.
  174. >"Have you always had all of these?"
  175. "Some are from the holidays, others I went out and bought."
  176. >"Bought? Why?"
  177. "For you."
  178. >She stares at you from the ceiling, a quizzical look distorting her normally cheery expression.
  179. >"For me?"
  180. "To say I was really sorry about making you leave."
  181. >"You didn't have to."
  182. >You chuckle as you sit down in front of a lava lamp.
  183. "I wanted to."
  184. >"Why?"
  185. "People change, given enough incentive."
  186. >She climbs down from the ceiling and sits beside you, her eyes gluing to the lamp.
  187. >"Do you mind?"
  188. >She points to your lap.
  189. >As you pat your leg, she makes herself comfortable against you.
  190. >Reflexively, be it from crippling loneliness or a sense of security, you hug the mothpony from behind.
  191. "I never got your name."
  192. >"It's Actias."
  193. "I'm Anon. Pleasure to make your acquaintance."
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