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- Bonnie And Clyde In Hindi Movie Download
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- Bonnie Parker, a bored waitress falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
- Adrift in the Depression-era Southwest, <a href=">Clyde Barrow and <a href=">Bonnie Parker embark on a life of crime. They mean no harm. They crave adventure -- and each other. Soon we start to love them too. But nothing in film history has prepared us for the cascading violence to follow. Bonnie and Clyde turns brutal. We learn they can be hurt -- and dread they can be killed.
- Whether you love or hate it, Bonnie and Clyde was, and remains to this day, a ground-breaking film in the history of American cinema, and should be praised hugely for that alone. Aside from the re-defining techniques of showing violence on-screen and the depiction of main characters who are far from typical heroes, it contains career-boosting roles for many actors, and comes from a very talented director of the time, Arthur Penn.<br/><br/>The story follows the titular real-life bandit couple of Clyde Barrow and Bonnie Parker. The story traces them from first meeting, and follows their crime-spree throughout a Depression-era America with their gang, robbing banks, evading police and creating a notorious reputation for themselves. The film is slightly romanticised, depicting the couple as young, foolish kids who don't really seem to realise what they're getting into, but the violent and unpredictable undertone and the impressive period detail ensures an edge that lifts it above typical gangster movies, and always assures us that what's happening isn't remotely romantic, while granting the characters and events gritty depth.<br/><br/>Penn is on fine form from the beginning, and handles a range of different scenes with ease and a huge amount of skill, from thrilling banks-robberies and shootouts, to the more intimate character scenes, in particular those between Bonnie and Clyde, which depict one of the most interesting and unusual screen couples to date. The cinematography and editing are used to huge effect, and resulted in some of the most ground-breaking scenes of the 60's, while the folk-style soundtrack gives an air of humour.<br/><br/>The film tends to play a bit fast-and-loose with the facts- like condensing several real-life members of the gang into the single character C.W. Moss, and neglecting the fact that for nearly a year, Bonnie was almost unable to walk due to a car crash, but writers David Newman and Robert Benton can be forgiven for these inaccuracies considering they succeeded in crafting a story that is both thrilling and exciting as well as tragic and thought-provoking.<br/><br/>But the story would be nothing without first-rate cast it boasts. Warren Beatty as Clyde excels in the multi-layered, dramatic role that he had sought after for so long, and more than succeeded in his attempt to be taken seriously as an actor. Beatty's depiction of a confident, intelligent, but naive young man looking to make his name and fortune is spot-on, and while romanticised to a certain degree, is never glorified. His Clyde is more than matched by Faye Dunaway's Bonnie, who gives a hugely convincing portrayal of an everyday girl getting caught up in something she should never have become part of. The two have an excellent and very unusual chemistry, even by today's standards, and work together brilliantly as a man not used to such intimacy and a woman desperate to live the romantic life of an outlaw with him.<br/><br/>The supporting players may not be quite as strong as the leads, but hold their own quite well, particularly Gene Hackman as Buck. In my opinion one of the greatest actors of all time, Hackman gives a brilliant performance that's both spirited and grounded as Clyde's brother, expressing the same wide-eyed desire for the life of an outlaw as the others and maintains a hugely convincing brotherly relationship with Beatty throughout. Michael Pollard also performs well as gang member C.W, whose quiet demeanour assures his character stands out, despite being relatively small. Estelle Parsons suffers with Blanche, a supremely annoying character that personally I found too irritating. But in fairness, that's precisely the intention behind the character, and Parsons certainly manages to convey it. Throw in one of Gene Wilder's first screen performances and you have an extremely talented and interesting cast.<br/><br/>But aside from the great cast and direction, the truly ground-breaking, incredibly influential aspect of the film is much simpler and much more important- the depiction of on-screen violence and the impact it makes. For the first time, when people were shot or killed, it looked like it hurt. Bad. Penn and his crew pushed boundaries that before, hadn't even been considered. Suddenly, violence was being portrayed in a gritty, shocking and unsettling way. For the first time, screen violence was truly violent. This is what made the story of a group of young and naive people deciding to become criminals so powerful- the fact that we really saw what that really meant. We see what it's like to be shot, and this helps to drive home their story with such impact and power. This was the first step taken that shaped the entire future of motion-picture, and inspired other films to follow it's example, such as The Wild Bunch, and later films like MASH and Jaws that continued to push the limits of what could be done on screen.<br/><br/>Now, I am definitely NOT a fan of gore or extreme violence. Give me E.T and Toy Story before all the Saws and Texas Chainsaw Massacres in the world. But that doesn't mean violence in films is wrong. Violence can be a means of driving home a point, or setting a film's atmosphere, or at times it can even just be pretty damn satisfying. But whether you're a pacifist or a gore-hound, it can't be denied that violence in films is prominent, and many times it's done well, while other times it's not. This film revolutionised it. And more than that, it gave film-makers the influence to do other new things, and was the perfect film to kick-start the revolutionary era of the late 60's and 70's, and inspired them to use their own ideas rather than what would make money.<br/><br/>This is a very special film. Personally, not one of my favourites, but it deserves a good 8 out of 10 purely for its historical relevance and powerhouse cast. It may not be perfect, but if you haven't seen it, see it, and know that you're watching history being made.
- Bonnie and Clyde is an excellent film that amazingly found a way to reflect the counter- cultural movement of the 1960s even though the film's story took place in the 1930s. Bonnie Parker is an average young woman seeking a more adventurous life than the one she's stuck in for the time being. She meets up with Clyde Barrow one day during his attempt at stealing her mother's car. Bonnie confronts him about it. When she finally finds out that he's a professional thief & bank robber, she finds that she's not scared, but in fact, inspired by the idea. She tags along for the adventure of a lifetime. As the film goes on, the lovely Bonnie & Clyde are paired up with more friends including Gene Hackman as Clyde's brother (Buck), Estelle Parsons as Buck's wife (Blanche), and Michael J. Pollard as C.W. Moss. Even first-time actor, Gene Wilder appears as a silly character, Eugene Grizzard, who gets his car stolen by Bonnie and Clyde. The 1960s were a time of reform. One major reflection of this time period, was the willingness to question & challenge authority. In this movie, the characters of Bonnie & Clyde decided early on that they were no longer going to follow the rules of society. In their minds, they believed they were above the law. Never once did they feel bad about their actions. There's a scene where Clyde Barrow is in the grocery store stealing a bunch of food for the road. While in the store he gets attacked by one of the employees. It's a bit of a struggle but Clyde manages to escape. While riding away from the store, he keeps questioning the fact that he was attacked saying things like, "All I wanted was some food!" It's as if he felt that he was doing absolutely nothing wrong. The violence in this film is noticeably different than films of its time. There were many scenes of people being shot at and killed. There was also a lot of blood, especially during the scene where Gene Hackman gets half of his face blown off in an attempt to escape the police. The 1960s were about discovering who you are as a person in this world. There was a strong fear of the youth during this time period. Many elders even put a label on the young, calling them DOOMED. This 1930s story tells about the risks young people sometimes choose to take. It dives deep into a story about leaving home and changing your whole way of life.
- There is something special about the production, with its brash, vivid style, indelible performances by movie icons, and bold mixture of violence and comedy, romance and tragedy.
- Small-time bank robber Clyde Barrow (<a href="/name/nm0000886/">Warren Beatty</a>), recently out of prison, meets bored West Dallas waitress Bonnie Parker (<a href="/name/nm0001159/">Faye Dunaway</a>), and the two of them, along with Clyde's brother Buck (<a href="/name/nm0000432/">Gene Hackman</a>), Buck's wife Blanche (<a href="/name/nm0663820/">Estelle Parsons</a>), and not-so-bright gas station attendant Clarence "CW" Moss (<a href="/name/nm0689488/">Michael J. Pollard</a>), embark on a legendary crime spree, robbing banks all over the Midwest during the Depression era (early 1930s), all the while pursued by Texas Ranger Frank Hamer (<a href="/name/nm0701500/">Denver Pyle</a>). Bonnie and Clyde was based on a screenplay co-written primarily by American screenwriters-directors David Newman and Robert Benton, with script doctor Robert Towne and principal actor Warren Beatty receiving uncredited contributions. Eugene (<a href="/name/nm0000698/">Gene Wilder</a>) had just let it slip that he was an undertaker. Apparently, Bonnie didn't want to be reminded of her own mortality and the fact that an undertaker's office is where she and Clyde were eventually, maybe soon, going to end up, so she had Clyde kick Eugene and his girlfriend Velma (<a href="/name/nm0262748/">Evans Evans</a>) out of the car. Another possibility, as evidenced by the next scene in which Bonnie is emphatic about seeing her mother again, is that she realizes that her mother is getting older and, like her, is headed for the undertaker. It's also been suggested that this scene introduces the notion that Bonnie isn't entirely happy with her life as a bank robber, which explains why she began writing poetry and why she wanted to have a picnic with her family. Yes, but not immediately. This was confirmed by his sister Marie in an A&E interview that originally aired in 1994. She claimed that Buck was shot through the head—in one temple and out the other—during the shootout at the tourist cabins in Platte City, Missouri. He was further wounded in the back during another shootout four days later in a field near Dexter, Iowa. He died of his injuries at Kings Daughters Hospital in Perry, Iowa five days after his capture on 29 July, 1933. After recuperating from their gunshot wounds at the home of C.W. Moss' father Malcolm (<a href="/name/nm0852305/">Dub Taylor</a>) (Note: in the credits, he is referred to as Ivan), Bonnie, Clyde, and CW go into town. When Bonnie and Clyde are ready to drive home, CW is nowhere to be found, having been warned by his father that he made a deal with Hamer. Clyde notices a police car pulling up beside his car and signals to "Gladys Jean" that it's time to go home. They drive off together, while CW watches, believing that they have outwitted the police yet again. As Clyde and Bonnie head back to Malcolm's house, they encounter him on the side of the road changing the tire on his truck. They stop to help, but Malcolm suddenly dives under his truck and Clyde notices a bunch of birds scattering from a tree. Clyde realizes it's an ambush, but it's too late. He and Bonnie are mercilessly machine-gunned down. In the final scene, Hamer and his deputies come out from the bushes and view their handiwork. They were shot down on 23 May, 1934. Bonnie is buried at the new Crown Hill Cemetery in Dallas. Clyde is buried in Western Heights Cemetery in Dallas. a5c7b9f00b
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