suspiria2

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INDOXXI
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Subtitles by explosiveskull

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(RAIN PATTERING)

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(CROWD SHOUTING
AND CHANTING IN GERMAN)

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(SHOUTING AND CHANTING
CONTINUE)

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(CLATTERING)

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♪ 'Cause I'll be leaving
in the... ♪

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(KNOCKING CONTINUES)

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Patricia.

9
00:01:46,655 --> 00:01:51,455
♪ That I'll be leaving in the
fairest of the season ♪

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♪ Should I stay or should I go ♪

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So, I have a patient that is
coming in five minutes.

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I can ask him to come back
later, please.

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♪ 'Cause I'll be leaving in the
fairest of the season ♪

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(CONTINUES SINGING
INDISTINCTLY)

15
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♪ Leaving... In the... ♪

16
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This song, it's stuck
in my head, and it's so loud.

17
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They're going to try and keep
her alive after all.

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Markos?

19
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(PATRICIA PANTING QUIETLY)

20
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(LOUD BANG OUTSIDE,
CROWD SHOUTING)

21
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(CROWD CHANTING IN GERMAN)

22
00:03:36,833 --> 00:03:38,914
I have to tell Sara
to get out of there.

23
00:03:41,794 --> 00:03:44,160
She's the only girl
I actually give a damn about.

24
00:03:49,537 --> 00:03:52,544
If I leave without her they may
pick her next.

25
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Or Olga

26
00:03:54,113 --> 00:03:55,712
I should warn Olga, too.

27
00:03:58,818 --> 00:04:00,607
Olga's already figured out
things.

28
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She saw how they groomed me.
(CHUCKLES)

29
00:04:04,929 --> 00:04:08,193
There's more in that building
than what you can see.

30
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(PATRICIA PANTING QUIETLY)

31
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They've been underground
since the war.

32
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And you think
they can hear you now?

33
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(EERIE VOICES
WHISPERING INDISTINCTLY)

34
00:04:46,818 --> 00:04:52,578
At the beginning they gave me things.
Perfect balance, perfect sleep.

35
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Talking with our minds.

36
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But they took my hair.

37
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They took my urine. They took my
eyes!

38
00:05:04,322 --> 00:05:06,402
Now she can see me.

39
00:05:17,858 --> 00:05:22,018
♪ 'Cause I'll be leaving in the
fairest of the season ♪

40
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♪ I'll be leaving... ♪

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PATRICIA:
Mother Markos.

42
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Oh, she wants
to get inside of me.

43
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I can feel her.

44
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Oh, I thought I wanted it.

45
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I let it happen.

46
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(GASPING)

47
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(EERIE VOICES LAUGHING,
MOANING)

48
00:06:00,899 --> 00:06:03,011
(GRUNTING, PANTING)

49
00:06:14,467 --> 00:06:15,939
(WHIMPERS SOFTLY)

50
00:06:32,739 --> 00:06:35,138
If they find out I was here they
won't hesitate.

51
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(DOOR OPENS)

52
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(DOOR OPENS AND CLOSES)

53
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(SPEAKING GERMAN)

54
00:07:04,548 --> 00:07:06,659
(BIRD SQUAWKING)

55
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♪ ♪

56
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- (WHEEZING QUIETLY)
- (INDISTINCT WHISPERING)

57
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(WATER SPLASHING GENTLY)

58
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(OBJECTS CLATTERING QUIETLY)

59
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(BANGING, CREAKING)

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♪ ♪

61
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(TAKES DEEP BREATH)

62
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♪ ♪

63
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(WHEEZING CONTINUES)

64
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Morning, pastor.

65
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(INDISTINCT VOICES)

66
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♪ ♪

67
00:10:00,678 --> 00:10:02,790
(WHEEZING CONTINUES)

68
00:10:06,278 --> 00:10:08,455
(WHEEZING CONTINUES)

69
00:10:15,047 --> 00:10:18,183
(ANNOUNCEMENT IN GERMAN
OVER P.A.)

70
00:10:34,599 --> 00:10:38,054
(CHATTER IN GERMAN)

71
00:10:48,071 --> 00:10:50,470
(TRAIN RUMBLING AND SCREECHING)

72
00:10:52,936 --> 00:10:55,430
(HEAVY RAIN AND QUIET CHATTER)

73
00:11:09,895 --> 00:11:12,487
(OBJECTS RATTLING AND BANGING)

74
00:11:41,511 --> 00:11:43,624
(DISTANT BANGING)

75
00:11:50,089 --> 00:11:51,048
(CREAKING)

76
00:11:51,592 --> 00:11:53,224
(SPEAKING IN GERMAN)

77
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- You're Miss Tanner.
- Yes, come in.

78
00:11:58,313 --> 00:12:00,200
(PANTING QUIETLY)

79
00:12:06,344 --> 00:12:07,369
TANNER:
Nah?

80
00:12:09,832 --> 00:12:14,345
I tried to call you at your hotel this
morning to ask you if you could reschedule.

81
00:12:15,944 --> 00:12:20,966
- Why?
- Company business. It's not a good time just today.

82
00:12:20,968 --> 00:12:22,504
But here you are.

83
00:12:25,448 --> 00:12:26,409
(SIGHS)

84
00:12:31,465 --> 00:12:33,737
(TAKING DEEP BREATHS)

85
00:12:47,912 --> 00:12:50,058
(CONTINUES BREATHING DEEPLY)

86
00:13:02,633 --> 00:13:07,368
And six, and seven, and eight..

87
00:13:07,370 --> 00:13:09,672
Elbows up. And one...

88
00:13:10,953 --> 00:13:12,105
Come in, Susie.

89
00:13:15,913 --> 00:13:20,167
Miss Millius and Miss Mandel are
the company's apetitas.

90
00:13:20,169 --> 00:13:24,009
And Viva Blanc? I was told she
would be here.

91
00:13:24,425 --> 00:13:29,256
(LAUGHS) Oh dear, you have no
formal training or references.

92
00:13:29,258 --> 00:13:35,018
Your insistence to audition happened
to catch Madame Blanc on a good day.

93
00:13:35,786 --> 00:13:38,345
But you really shouldn't be here
at all.

94
00:13:39,114 --> 00:13:43,752
Do you understand? Yeah? Good.

95
00:13:43,754 --> 00:13:45,129
(SPEAKS GERMAN)

96
00:13:57,673 --> 00:14:01,992
I prefer dancing without music.
Danke shoen. (LAUGHS)

97
00:14:01,994 --> 00:14:04,010
You can keep time
in your head, yes?

98
00:14:09,738 --> 00:14:11,306
(CLEARS THROAT QUIETLY)

99
00:14:19,306 --> 00:14:20,907
(SIGHS)

100
00:14:26,570 --> 00:14:28,746
(LIGHTS BUZZ QUIETLY)

101
00:14:40,267 --> 00:14:40,938
(SHARP EXHALE)

102
00:14:42,379 --> 00:14:49,193
Hypnos. Here we have the line between
the elbows. Face forward. Perfect.

103
00:14:49,195 --> 00:14:54,248
And morphos. Here, not so close
to the face.

104
00:14:54,250 --> 00:14:56,233
More like you're holding
a bird or something.

105
00:14:58,154 --> 00:15:00,427
(PANTING)

106
00:15:05,355 --> 00:15:07,307
(PANTING HEAVILY)

107
00:15:22,763 --> 00:15:25,931
(PANTING CONTINUES IN DISTANCE)

108
00:15:30,059 --> 00:15:32,683
(HEAVY, RAPID PANTING)

109
00:15:37,196 --> 00:15:39,369
♪ ♪

110
00:15:39,371 --> 00:15:41,387
(PANTING)

111
00:15:49,676 --> 00:15:53,897
- (INDISTINCT SPEECH) ..or something.
- They did it when we were in morning rehearsal.

112
00:15:53,899 --> 00:15:55,817
They just put her things in
shipping boxes.

113
00:15:55,819 --> 00:15:58,601
You don't think she had to go
underground, do you?

114
00:15:58,603 --> 00:16:01,545
I don't care what happened. I
just wanted a call.

115
00:16:01,547 --> 00:16:02,604
I'm really worried.

116
00:16:05,548 --> 00:16:08,139
Fraulein Bannion. Kommen Sie.

117
00:16:13,259 --> 00:16:15,849
I've just spoken with Madame
Blanc.

118
00:16:15,851 --> 00:16:16,972
Well done, Miss Bannion.

119
00:16:19,436 --> 00:16:20,780
(LAUGHS)

120
00:16:22,635 --> 00:16:27,626
I imagine you will need to return home to settle
things and make arrangements for moving to Berlin.

121
00:16:27,628 --> 00:16:30,348
No, no, I can start right now.

122
00:16:31,372 --> 00:16:32,332
(LAUGHS) Good!

123
00:16:34,252 --> 00:16:38,634
This is Miss Boutaher, our
technical director.

124
00:16:38,636 --> 00:16:39,980
Guten tag.

125
00:16:41,068 --> 00:16:44,746
And this is Miss Vendegast, she
acts as house mother.

126
00:16:44,748 --> 00:16:47,020
...for our dancers
who reside here.

127
00:16:49,708 --> 00:16:51,499
Where do you come from?

128
00:16:52,077 --> 00:16:53,549
Ohio.

129
00:16:54,861 --> 00:16:56,236
(CHUCKLING)

130
00:16:59,308 --> 00:17:04,266
We operate as sort of a cooperative, as
we cannot pay our dancers a lot of money.

131
00:17:04,268 --> 00:17:07,149
We offer dormatory style homes,
rent free.

132
00:17:07,437 --> 00:17:10,027
You don't charge anything at
all?

133
00:17:10,029 --> 00:17:11,148
Not a mark.

134
00:17:15,117 --> 00:17:21,516
In this company we fully understand the
importance of a woman's financial autonomy.

135
00:17:23,308 --> 00:17:28,109
Normally we would be full at this time
of year, but we have had a room open.

136
00:17:28,812 --> 00:17:30,157
Yeah. Patricia's.

137
00:17:31,149 --> 00:17:33,322
Do you know Patricia?

138
00:17:33,324 --> 00:17:34,509
SUSIE:
Mmm...

139
00:17:36,238 --> 00:17:39,790
No, I heard some girls talking
about her in the hall.

140
00:17:40,750 --> 00:17:42,668
(DOOR SLAMS)

141
00:17:42,670 --> 00:17:50,381
Now that you're one of us, I won't be coy. Patricia
has just left the company under sad circumstances.

142
00:17:51,149 --> 00:17:54,286
We think she won't be back, so
there's room if you want.

143
00:17:54,478 --> 00:17:58,509
We'll send you one of our girls
to help you with your luggage.

144
00:17:59,278 --> 00:18:02,603
After lunch? It's alright for
you?

145
00:18:02,605 --> 00:18:10,347
Yes! It's all... yes. It's
perfect.

146
00:18:10,349 --> 00:18:11,630
(CHUCKLING)

147
00:18:26,062 --> 00:18:28,589
- (THUNDER CRASHES)
- (KNOCKING AT DOOR)

148
00:18:33,390 --> 00:18:36,716
- Hello, hi, I'm sorry I'm late. It's the rain.
- Hi.

149
00:18:36,718 --> 00:18:40,972
Whenever it rains, everyone jumps in a
cab and like an idiot I just let ours go.

150
00:18:40,974 --> 00:18:44,397
Hi, I'm Sara, and we're going to have
to take our chances on the street.

151
00:18:44,399 --> 00:18:45,803
Do you have an umbrella?

152
00:18:45,805 --> 00:18:51,116
Oh, when you weren't here by 6, I had
to take the room for another night.

153
00:18:51,118 --> 00:18:54,412
God, Susie, I'm sorry, everything
was a mess at the company today.

154
00:18:54,414 --> 00:18:56,876
- (LAUGHS)
- Why are you smiling?

155
00:18:56,878 --> 00:19:02,924
I'm sorry, um, when you said Berlin a
second ago you said everyone in Berlin

156
00:19:02,926 --> 00:19:07,821
and I just thought, that includes
me now, I live in Berlin.

157
00:19:08,399 --> 00:19:11,791
Yes, congrats. I heard you were
a sensation today.

158
00:19:12,782 --> 00:19:14,446
Have you called your
family yet, to tell them?

159
00:19:16,334 --> 00:19:18,190
Miss Blanc came
into my audition.

160
00:19:19,919 --> 00:19:23,757
- But she left right after.
- She's incredible.

161
00:19:23,759 --> 00:19:29,806
The way she transmits her work, her energy. When it
shines on you it's addictive is the word for it.

162
00:19:30,031 --> 00:19:33,836
She's tough. She kept the
company alive through the war.

163
00:19:33,838 --> 00:19:37,039
When the right just wanted women to shut off
their minds and keep their uteruses open.

164
00:19:37,999 --> 00:19:39,949
There was Blanc.

165
00:19:39,951 --> 00:19:41,871
Thank you. (SPEAKING IN ANOTHER
LANGUAGE)

166
00:19:43,663 --> 00:19:45,325
What? Was that French?

167
00:19:45,327 --> 00:19:47,982
(LOUD BANG, RATTLING)

168
00:19:53,071 --> 00:19:54,991
(YELLING IN DISTANCE)

169
00:19:55,439 --> 00:19:58,255
It's a bomb! I can smell it.

170
00:19:59,087 --> 00:20:00,175
There's a bank that way.

171
00:20:02,703 --> 00:20:04,623
Don't you know what's happening
here?

172
00:20:05,455 --> 00:20:09,133
The hijackers are negotiating the
release of the prisoners tonight.

173
00:20:09,135 --> 00:20:12,302
The RAF. Baader Meinhoff.

174
00:20:13,584 --> 00:20:17,549
They kidnapped an executive,
during war, the Nazi SS

175
00:20:17,551 --> 00:20:23,853
an officer, and now he run's the
German employer's association.

176
00:20:23,855 --> 00:20:25,647
You don't get how awful that is,
do you?

177
00:20:31,920 --> 00:20:33,071
I'm sorry.

178
00:20:34,319 --> 00:20:36,333
I'm just worried about my
friend.

179
00:20:36,335 --> 00:20:38,927
(ALARM RINGING)

180
00:20:40,528 --> 00:20:42,767
(PANTING QUIETLY)

181
00:20:44,432 --> 00:20:46,799
(VENDEGAST HUMMING A TUNE)

182
00:20:47,984 --> 00:20:50,512
(CONTINUES HUMMING)

183
00:20:54,608 --> 00:20:58,256
(DOOR OPENS, CLOSES)

184
00:21:41,041 --> 00:21:41,872
Danke shoen.

185
00:22:22,257 --> 00:22:24,146
(QUIET, INDISTINCT CHATTER)

186
00:22:26,162 --> 00:22:27,312
(RADIO STATIC)

187
00:22:49,233 --> 00:22:51,378
(INDISTINCT CHATTER)

188
00:23:50,161 --> 00:23:53,106
(PANTING)

189
00:24:08,850 --> 00:24:11,186
(CHATTER IN GERMAN)

190
00:24:20,754 --> 00:24:22,898
(TRAIN WHIRRING AND RATTLING)

191
00:24:38,930 --> 00:24:41,236
(CHATTER)

192
00:24:44,339 --> 00:24:47,506
(BUZZING, DOOR OPENS)

193
00:25:06,067 --> 00:25:07,955
♪ ♪

194
00:25:24,307 --> 00:25:26,196
♪ ♪

195
00:25:28,883 --> 00:25:30,803
(INHALES DEEPLY)

196
00:25:36,244 --> 00:25:38,580
(QUIET CHATTER)

197
00:25:43,283 --> 00:25:45,171
♪ ♪

198
00:25:46,676 --> 00:25:48,596
(KEYS JINGLING)

199
00:26:04,949 --> 00:26:07,380
(BIRDS SQUAWKING AND TWEETING)

200
00:26:38,260 --> 00:26:40,341
(TAKES DEEP BREATH)

201
00:26:42,933 --> 00:26:44,403
Bedrooms are on the second
floor.

202
00:26:44,405 --> 00:26:49,397
(INDISTINCT CHATTER
AND LAUGHTER)

203
00:26:56,565 --> 00:26:59,763
(GERMAN CHATTER AND MUSIC
PLAYING OVER RADIO)

204
00:26:59,765 --> 00:27:02,035
(SIGHS)

205
00:27:02,037 --> 00:27:06,867
Why don't you try speaking to
me like you love me? Hm?

206
00:27:06,869 --> 00:27:10,931
For a change?

207
00:27:10,933 --> 00:27:16,084
This is my room. And here... is
yours!

208
00:27:16,086 --> 00:27:18,869
- (CHATTER AND LAUGHTER CONTINUE IN OTHER ROOMS)
- We're neighbors

209
00:27:20,373 --> 00:27:22,357
You can knock on the wall if you
ever need anything.

210
00:28:04,790 --> 00:28:05,750
(GRUNTS QUIETLY)

211
00:28:11,766 --> 00:28:15,062
(DOOR OPENS AND CLOSES)

212
00:28:46,262 --> 00:28:52,983
- Good morning. Good morning.
- Hello. - Good morning.

213
00:28:54,967 --> 00:28:56,599
How's your knee? Okay?

214
00:28:57,847 --> 00:28:59,636
(INDISTINCT CHATTER, RAIN IN
BACKGROUND)

215
00:28:59,638 --> 00:29:01,622
- Thank you.
- (QUIET CHATTER)

216
00:29:07,766 --> 00:29:13,781
We have some happier company
business today, we have a new dancer.

217
00:29:13,783 --> 00:29:17,301
This is Susie Bannion, who is
joining us from America.

218
00:29:17,303 --> 00:29:22,133
I was privileged to witness her audition
yesterday, we are very lucky to have her.

219
00:29:22,135 --> 00:29:23,735
Would you like
to say something, Susie?

220
00:29:26,199 --> 00:29:29,493
Um, I don't know.

221
00:29:29,495 --> 00:29:33,782
- Hello
- (LAUGHTER)

222
00:29:33,784 --> 00:29:36,245
I feel like I'm not even here
yet, I don't know.

223
00:29:36,247 --> 00:29:43,381
You join in whenever you feel ready, but
there's no rush. Welcome to our little family.

224
00:29:43,383 --> 00:29:45,846
- I'm Susie.
- Hi.

225
00:29:45,848 --> 00:29:50,646
Alright, so for today's rehearsal, I want to
pick up exactly where we left off with Volk.

226
00:29:50,648 --> 00:29:54,261
I've spoken with Olga, and she's
going to dance Patricia's part.

227
00:29:54,263 --> 00:30:00,054
And, Sara, I'd like you to dance
Olga's part.

228
00:30:00,056 --> 00:30:05,333
Is everyone happy with that? Ok,
good.

229
00:30:05,335 --> 00:30:08,119
(MID-TEMPO PIANO MUSIC PLAYING)

230
00:30:17,207 --> 00:30:20,757
No, no no, music off please! One
moment.

231
00:30:20,759 --> 00:30:27,030
Ok, so, and one and two and three.
You pull it from the ground, alright?

232
00:30:27,032 --> 00:30:32,309
Gravity, remember. And everyone
from here, please? And Tanner

233
00:30:32,311 --> 00:30:39,992
One and two and three. And one and two
and three (CONTINUES COUNTING IN GERMAN)

234
00:30:51,160 --> 00:30:56,439
- This is shit. Such shit.
- Ok.

235
00:30:56,441 --> 00:30:58,361
Ok, why don't we all break for
ten minutes.

236
00:30:59,768 --> 00:31:04,246
- You can't even be bothered to respect your lies
- Miss Ivanova!

237
00:31:04,248 --> 00:31:06,359
No no no no no. It's ok.

238
00:31:06,361 --> 00:31:07,832
Let's face this.

239
00:31:09,880 --> 00:31:16,759
Patricia is gone, Olga. We don't know where. If she's
gone into hiding, she wouldn't have told us, would she?

240
00:31:16,761 --> 00:31:22,102
- She was have told someone.
- We know she had dealings with people who were interested in targets.

241
00:31:22,104 --> 00:31:25,527
- We know there was another bomb in Kreuzberg last night.
- She wouldn't do that.

242
00:31:25,529 --> 00:31:31,287
Shhshhshh. She wanted to live her beliefs.
Who doesn't admire that?

243
00:31:31,289 --> 00:31:38,871
There's so much to change in the world. If she wants to live
in a cellar filling bottles with petrol, that's her choice.

244
00:31:38,873 --> 00:31:42,519
And who won't be heartbroken if
she's shot by police.

245
00:31:42,521 --> 00:31:45,272
(SOBBING):
You manipulate everything.

246
00:31:47,769 --> 00:31:50,487
- She didn't trust you because
you are hypocrites!

247
00:31:50,489 --> 00:31:54,295
- Will you take Olga
to her room, please, Tanner?

248
00:31:54,297 --> 00:31:55,993
No, Miss Tanner!

249
00:31:57,306 --> 00:32:00,441
Call Olga a cab. She's had
enough.

250
00:32:01,081 --> 00:32:06,391
And is going to pack her things and
get the fuck out of this box of rabies.

251
00:32:06,393 --> 00:32:09,273
(OLGA SOBBING)

252
00:32:13,017 --> 00:32:16,314
(TANNER LAUGHING)

253
00:32:22,361 --> 00:32:24,793
BLANC:
I'm sorry about that.

254
00:32:26,649 --> 00:32:28,281
It's a hot thing we do.

255
00:32:33,562 --> 00:32:37,688
Ok, so, who will dance the
protagonist?

256
00:32:37,690 --> 00:32:42,040
- Sonja?
- I can't. Not yet.

257
00:32:42,042 --> 00:32:43,321
Caroline?

258
00:32:47,291 --> 00:32:52,792
Very well. We'll manage. I suggest
that we all take it from the top.

259
00:32:52,794 --> 00:32:54,329
SUSIE:
I'll dance.

260
00:33:03,611 --> 00:33:06,136
I know it. It's in the
documentary.

261
00:33:06,138 --> 00:33:08,378
I-I've seen it a hundred times
at the library.

262
00:33:11,290 --> 00:33:13,944
Sweetheart, we rehearsed this
piece

263
00:33:13,946 --> 00:33:16,602
for ten months
before we performed it.

264
00:33:17,882 --> 00:33:23,673
- I've seen it in person too.
- First do it alone, then.

265
00:33:23,675 --> 00:33:26,649
We don't want to put the others
at risk.

266
00:33:26,651 --> 00:33:28,855
The last thing we need

267
00:33:28,857 --> 00:33:32,186
is someone to get kicked
in the ribs.

268
00:33:36,122 --> 00:33:37,722
All right?

269
00:33:45,339 --> 00:33:48,571
♪ ♪

270
00:34:07,323 --> 00:34:09,339
(TAKES DEEP BREATH)

271
00:34:32,763 --> 00:34:35,770
Ok, stop. Stop, stop.

272
00:34:35,772 --> 00:34:43,193
Alright. Clear your head. I want you
to start over. Have you stretched?

273
00:34:43,195 --> 00:34:44,987
This is no joke.

274
00:34:56,763 --> 00:34:58,364
(QUIET CHATTER IN GERMAN)

275
00:35:07,132 --> 00:35:09,244
- (DOOR OPENS)
- (LAUGHTER CONTINUES)

276
00:35:14,460 --> 00:35:16,315
- (LAUGHTER STOPS)
- Olga.

277
00:35:18,651 --> 00:35:21,308
(MUFFLED, DISTORTED WHOOSHING)

278
00:35:29,916 --> 00:35:31,932
(MUFFLED, DISTORTED WHISPERING)

279
00:35:33,628 --> 00:35:35,740
- (WHOOSHING, WHISPERING STOP)
- (LAUGHTER RESUMES)

280
00:35:41,084 --> 00:35:43,325
(LAUGHTER CONTINUES)

281
00:35:44,412 --> 00:35:45,757
(EXHALES)

282
00:35:52,188 --> 00:35:55,036
(GRUNTING, SNIFFING)

283
00:35:57,277 --> 00:35:59,611
(LAUGHTER ECHOING)

284
00:36:13,180 --> 00:36:15,517
(PANTING)

285
00:36:18,173 --> 00:36:19,709
WOMAN:
Olga.

286
00:36:22,141 --> 00:36:26,076
Come over here! Come.

287
00:36:26,078 --> 00:36:27,996
Come to me.

288
00:36:27,998 --> 00:36:29,500
(INDISTINCT VOICE)

289
00:36:33,373 --> 00:36:36,157
(WHIMPERS, SOBS)

290
00:36:37,405 --> 00:36:39,837
(SOBBING,
SPEAKING INDISTINCTLY)

291
00:36:53,053 --> 00:37:00,636
Remember you start on one with the music, and if you
feel ill at any time, just stop. You start here.

292
00:37:00,638 --> 00:37:01,661
And...

293
00:37:03,646 --> 00:37:05,917
(PIANO MUSIC PLAYS)

294
00:37:11,198 --> 00:37:12,158
(GROANS)

295
00:37:13,982 --> 00:37:17,693
(GASPS, COUGHS)

296
00:37:25,214 --> 00:37:27,262
(PAINED GASPING)

297
00:37:36,063 --> 00:37:36,894
(GRUNTS)

298
00:37:37,887 --> 00:37:40,062
(YELLS, COUGHS)

299
00:37:41,918 --> 00:37:43,294
(GASPS, GRUNTS)

300
00:37:45,821 --> 00:37:46,494
(PAINED GRUNT)

301
00:37:50,238 --> 00:37:52,062
- (CRUNCHING)
- (GASPS, SCREAMS)

302
00:37:53,118 --> 00:37:55,870
(PAINED GASPING)

303
00:38:00,254 --> 00:38:02,108
Louder!

304
00:38:02,110 --> 00:38:03,807
(MUSIC VOLUME INCREASES)

305
00:38:09,469 --> 00:38:11,583
Bravo. Bravo, Susie.

306
00:38:12,479 --> 00:38:13,566
(PAINED GASPING)

307
00:38:15,230 --> 00:38:17,791
(GROANS, GASPING)

308
00:38:27,903 --> 00:38:28,863
(PAINED GASPING)

309
00:38:34,303 --> 00:38:36,702
(GASPING WEAKLY)

310
00:38:39,551 --> 00:38:41,279
(SOBBING)

311
00:38:47,679 --> 00:38:49,727
(AGONIZED SCREAMING)

312
00:38:52,383 --> 00:38:54,559
(GASPING)

313
00:38:57,792 --> 00:39:00,607
(BREATHING RHYTHMICALLY)

314
00:39:06,943 --> 00:39:08,767
(PANTING, WHIMPERING)

315
00:39:11,903 --> 00:39:13,855
(SCREAMS, WHIMPERS)

316
00:39:22,591 --> 00:39:24,288
(PAINED SCREAM)

317
00:39:28,447 --> 00:39:29,791
(SCREAMS)

318
00:39:31,839 --> 00:39:32,895
(PAINED GASP)

319
00:39:51,168 --> 00:39:53,504
(WHEEZING)

320
00:39:55,872 --> 00:39:58,592
(BREATHING WEAKLY)

321
00:40:11,489 --> 00:40:13,632
(PANTING, WHIMPERING)

322
00:40:18,497 --> 00:40:19,648
It'll pass.

323
00:40:20,608 --> 00:40:22,016
You're not the first dancer who
lost the room.

324
00:40:23,137 --> 00:40:25,600
(INHALES DEEPLY)

325
00:40:27,519 --> 00:40:29,373
I'm not usually dizzy.

326
00:40:29,375 --> 00:40:32,256
An occasional collapse is a
vocational hazard I'm afraid.

327
00:40:32,832 --> 00:40:35,712
I... I didn't... I
didn't collapse.

328
00:40:36,289 --> 00:40:39,168
You're on the floor and that's
not where the dance ends.

329
00:40:42,497 --> 00:40:45,246
I was trying not to throw up
in your studio.

330
00:40:45,248 --> 00:40:47,809
Susie, it's fine.
It was wonderful.

331
00:40:48,769 --> 00:40:52,127
Sara, could you take her to her
room please?

332
00:40:52,129 --> 00:40:54,464
You can rest
for the rest of the day.

333
00:41:02,016 --> 00:41:04,001
(QUIET CHATTER)

334
00:41:06,305 --> 00:41:09,345
- How unlikely.
- OK, come on girls. Let's go.

335
00:41:10,208 --> 00:41:12,991
And one, and two, and three.

336
00:41:12,993 --> 00:41:14,369
BLANC:
And...

337
00:41:27,969 --> 00:41:29,856
(CLEARS THROAT)

338
00:41:39,490 --> 00:41:41,249
(TRICKLING)

339
00:41:47,425 --> 00:41:50,434
(BIRDS CHIRPING)

340
00:41:53,313 --> 00:41:55,649
(PANTING)

341
00:42:03,010 --> 00:42:05,441
No, Susie. We have to study
America.

342
00:42:07,682 --> 00:42:09,314
I said no.

343
00:42:12,097 --> 00:42:13,313
WOMAN:
Susanna.

344
00:42:19,010 --> 00:42:20,737
(PANTING)

345
00:42:25,794 --> 00:42:27,938
(HUMMING QUIETLY)

346
00:42:43,042 --> 00:42:45,762
♪ ♪

347
00:42:57,571 --> 00:43:00,163
♪ ♪

348
00:43:33,251 --> 00:43:35,843
(WHEEZING QUIETLY)

349
00:43:39,651 --> 00:43:41,859
(WHEEZING)

350
00:43:50,915 --> 00:43:53,219
(INHALES DEEPLY)

351
00:43:56,803 --> 00:43:58,019
(GROANS QUIETLY)

352
00:44:04,772 --> 00:44:06,660
(RASPY GROANING)

353
00:44:14,403 --> 00:44:16,292
(GROANING)

354
00:44:28,419 --> 00:44:29,732
(CHUCKLES QUIETLY)

355
00:44:38,404 --> 00:44:41,253
- (GRUNTS)
- (WHEEZING WEAKLY)

356
00:44:56,805 --> 00:44:58,692
(CLUNKING)

357
00:45:02,052 --> 00:45:04,068
(WHEEZING WEAKLY)

358
00:46:06,725 --> 00:46:08,229
You don't look better.

359
00:46:08,645 --> 00:46:11,013
Or are you this pale
all the time?

360
00:46:12,261 --> 00:46:13,893
I will leave you.

361
00:46:15,237 --> 00:46:16,293
Good night.

362
00:46:25,734 --> 00:46:28,805
The Amish split from the
Mennonites in the 17th century.

363
00:46:29,509 --> 00:46:32,293
They were worried the Mennonites
were becoming too liberal.

364
00:46:33,253 --> 00:46:35,045
"They", not "we"?

365
00:46:35,526 --> 00:46:38,117
You've left religious thinking
behind you then?

366
00:46:38,662 --> 00:46:41,348
Are you not comfortable talking
about these things?

367
00:46:41,350 --> 00:46:43,270
I don't know why we are.

368
00:46:43,462 --> 00:46:45,347
It's difficult not to be curious
about you.

369
00:46:45,349 --> 00:46:49,638
In two days you've auditioned,
been accepted and danced a lead.

370
00:46:51,014 --> 00:46:53,445
How did your journey towards us
begin?

371
00:46:53,990 --> 00:46:56,870
I went to New York, to the
Martha Graham Center.

372
00:46:57,734 --> 00:47:00,166
I saw you there three times.

373
00:47:00,678 --> 00:47:04,868
I went once by bus and I
hitchhiked the other two.

374
00:47:04,870 --> 00:47:06,470
That's risky.

375
00:47:07,781 --> 00:47:09,701
Were you punished?

376
00:47:10,661 --> 00:47:12,038
Yeah.

377
00:47:13,031 --> 00:47:15,430
But I felt I had to see you.

378
00:47:23,783 --> 00:47:29,541
What did it feel today to dance Volk
in front of the one who made it?

379
00:47:29,543 --> 00:47:33,606
I know that's a vain question.
Let me ask you another.

380
00:47:33,895 --> 00:47:38,213
When you were dancing
what did it feel like

381
00:47:38,215 --> 00:47:41,638
inside you, inside your body?

382
00:47:46,823 --> 00:47:51,175
It felt like what I think it
must feel like to fuck.

383
00:47:51,623 --> 00:47:53,412
You mean to fuck a man.

384
00:47:53,414 --> 00:47:57,413
No, I...
was thinking of an animal.

385
00:47:57,415 --> 00:47:59,494
(CHUCKLES)

386
00:48:05,511 --> 00:48:07,239
You looked...

387
00:48:17,544 --> 00:48:20,934
I'm going to ask Caroline to
work on your jumps with you.

388
00:48:20,936 --> 00:48:24,005
Yours are nowhere near good
enough yet.

389
00:48:24,007 --> 00:48:25,703
We'll have to build you up.

390
00:48:27,079 --> 00:48:30,982
So that I can dance the
protagonist when you perform it.

391
00:48:30,984 --> 00:48:34,662
I need to see you dance at this
level time and time again.

392
00:48:34,664 --> 00:48:35,719
I can do it.

393
00:48:41,415 --> 00:48:44,295
Olga made Volk seem like such
heavy lifting.

394
00:48:46,151 --> 00:48:48,487
She never understood the heart
of Vol.

395
00:48:50,695 --> 00:48:52,902
She lacked conviction.

396
00:48:52,904 --> 00:48:54,696
I'm relieved she's gone.

397
00:48:56,552 --> 00:48:59,367
Thank you for your help
with that.

398
00:49:02,503 --> 00:49:05,384
(KNOCKING, DOOR OPENS)

399
00:49:05,863 --> 00:49:12,776
Madame Blanc wants me to dance
the protagonist in Volk.

400
00:49:15,111 --> 00:49:17,543
I didn't think it was going to
be like this.

401
00:49:18,792 --> 00:49:21,702
She's so kind.
(LAUGHS)

402
00:49:21,704 --> 00:49:23,303
That's wonderful.

403
00:49:27,177 --> 00:49:28,456
Are you all right?

404
00:49:30,344 --> 00:49:33,128
I'm fine. I was just...

405
00:49:35,656 --> 00:49:40,360
I was just thinking about what Olga
said in rehearsal... about Patricia.

406
00:49:40,777 --> 00:49:43,238
SUSIE: What do you mean?

407
00:49:43,240 --> 00:49:46,537
SARA: She was active
in some political groups.

408
00:49:48,457 --> 00:49:51,337
No one knows where she is
really, if she's all right.

409
00:49:53,096 --> 00:49:57,321
Was it true... what Olga said?

410
00:49:59,305 --> 00:50:00,616
Yes.

411
00:50:01,800 --> 00:50:04,296
Patricia didn't trust
the matrons.

412
00:50:05,673 --> 00:50:07,753
And I never understood why.

413
00:50:11,497 --> 00:50:14,695
If I asked you for a favor
tomorrow would you do it?

414
00:50:14,697 --> 00:50:15,848
Yes.

415
00:50:22,857 --> 00:50:25,129
- (GRUNTS)
- We might get caught.

416
00:50:26,153 --> 00:50:27,113
Okay.

417
00:50:48,841 --> 00:50:50,954
(HEAVY BREATHING)

418
00:51:05,546 --> 00:51:07,945
(HEAVY BREATHING CONTINUES)

419
00:51:12,106 --> 00:51:13,736
GIRL (WHISPERING):
Mother. Mother.

420
00:51:13,738 --> 00:51:14,698
(INAUDIBLE)

421
00:51:18,698 --> 00:51:20,297
Mother. Mother.

422
00:51:23,690 --> 00:51:24,648
WOMAN (WHISPERING):
Susanna.

423
00:51:24,650 --> 00:51:25,610
(SCREAM)

424
00:51:26,666 --> 00:51:27,624
(OBJECT SHATTERS)

425
00:51:27,626 --> 00:51:32,999
(INDISTINCT VOICES, PANTING)

426
00:51:33,001 --> 00:51:35,593
(GASPING, SHRIEKING)

427
00:51:36,618 --> 00:51:38,505
(DOG BARKING IN DISTANCE)

428
00:52:00,138 --> 00:52:02,410
(DISTANT BARKING CONTINUES)

429
00:52:25,930 --> 00:52:28,330
(PAPER RUSTLING)

430
00:52:34,571 --> 00:52:35,691
(SIGHS)

431
00:52:59,788 --> 00:53:00,939
- Guten Morgen.
- Guten Morgen.

432
00:53:02,539 --> 00:53:04,075
Guten Morgen.

433
00:53:15,883 --> 00:53:17,707
Okay, well, let's meet soon.

434
00:53:18,988 --> 00:53:21,481
- (INDISTINCT CHATTER)
- (CHUCKLING)

435
00:53:21,483 --> 00:53:24,363
(CHATTER CONTINUES)
Yeah, right across from...

436
00:53:24,715 --> 00:53:27,467
Yeah, no, I'm ready. I'm
almost out the door.

437
00:53:30,764 --> 00:53:33,035
- I'll see you soon.
- Marketa.

438
00:53:34,284 --> 00:53:37,611
- Marketa, come on.
- I'll see you soon.

439
00:53:39,499 --> 00:53:40,459
Come on.

440
00:53:41,004 --> 00:53:43,276
(INDISTINCT CHATTER)

441
00:53:58,284 --> 00:53:59,788
(WHISPERS):
Come, come, come.

442
00:54:02,956 --> 00:54:05,260
(DOOR CLOSES)

443
00:54:10,380 --> 00:54:13,129
Are you sure no one's coming?

444
00:54:13,131 --> 00:54:15,274
Oh, I'm sure. Don't worry.

445
00:54:15,276 --> 00:54:17,261
Nobody comes here
during the weekend.

446
00:54:30,989 --> 00:54:32,813
(LAUGHING)

447
00:54:44,429 --> 00:54:45,899
Patricia's isn't here.

448
00:54:45,901 --> 00:54:47,757
Try looking for Olga's.

449
00:54:48,653 --> 00:54:49,964
SARA:
Olga...

450
00:54:50,829 --> 00:54:52,076
She's not here.

451
00:54:54,030 --> 00:54:55,818
I just need a number.

452
00:54:55,820 --> 00:54:57,098
For her parents.

453
00:54:57,100 --> 00:54:59,693
Or someone who can tell me for
sure she is or isn't in Berlin.

454
00:55:21,422 --> 00:55:22,540
How odd.

455
00:55:22,542 --> 00:55:24,525
(RUMMAGING)

456
00:55:25,101 --> 00:55:27,179
(DISTANT LAUGHING)

457
00:55:27,181 --> 00:55:28,395
1961.

458
00:55:28,397 --> 00:55:30,251
(LAUGHING)

459
00:55:30,253 --> 00:55:31,725
1955.

460
00:55:33,422 --> 00:55:35,085
1949.

461
00:55:36,718 --> 00:55:37,869
It's bizarre.

462
00:55:40,462 --> 00:55:44,620
Here kitty, kitty, kitty.
Here kitty, kitty, kitty, kitty.

463
00:55:44,622 --> 00:55:46,798
(LAUGHTER)

464
00:55:52,877 --> 00:55:54,477
(LAUGHTER CONTINUES)

465
00:56:00,045 --> 00:56:01,965
(RAUCOUS LAUGHTER)

466
00:56:06,637 --> 00:56:08,654
(LAUGHTER CONTINUES)

467
00:56:16,078 --> 00:56:18,477
(LAUGHTER CONTINUES)

468
00:56:29,934 --> 00:56:32,366
There's nothing. Come on.

469
00:56:32,910 --> 00:56:34,414
- (DOOR OPENS)
- (GIGGLING)

470
00:56:36,718 --> 00:56:39,022
WOMAN:
Sit down.

471
00:56:43,279 --> 00:56:51,628
This morning we turn our instincts inward. Miss Milius,
Miss Mandel, can you close the mirrors please?

472
00:56:51,630 --> 00:56:52,654
Miss Marks, no music.

473
00:57:01,263 --> 00:57:07,342
I want to start work on a new
piece, a piece about rebirths.

474
00:57:07,758 --> 00:57:13,199
The inevitable pull that they exert,
and our efforts to escape them.

475
00:57:14,702 --> 00:57:20,142
We learn it now, but Susie, you
will improvise freely at its heart.

476
00:57:20,591 --> 00:57:22,383
I'm interested
in your instincts here.

477
00:57:32,240 --> 00:57:37,422
The piece will be called Wieder
Offnen, Open Again.

478
00:57:37,679 --> 00:57:38,927
Allez.

479
00:57:45,679 --> 00:57:53,069
One, two, three, four,
one, two, three, four...

480
00:57:53,071 --> 00:57:54,991
(COUNTING CONTINUES)

481
00:58:18,512 --> 00:58:21,390
(DISTANT COUNTING)

482
00:58:21,392 --> 00:58:24,463
(MUFFLED BREATHING)

483
00:58:27,664 --> 00:58:29,584
(GASPING)

484
00:58:31,952 --> 00:58:33,871
(PANTING)

485
00:58:33,873 --> 00:58:35,983
(COUNTING CONTINUES)

486
00:58:45,296 --> 00:58:46,894
One.

487
00:58:46,896 --> 00:58:51,696
♪ ♪

488
00:58:57,648 --> 00:59:00,465
(PANTING)

489
01:00:26,194 --> 01:00:28,079
Did something happen?

490
01:00:28,081 --> 01:00:30,257
- Hmm?
- To you, during it?

491
01:00:31,954 --> 01:00:33,105
No.

492
01:00:34,546 --> 01:00:36,113
Did you... did you...

493
01:00:37,169 --> 01:00:39,889
Did you feel something there?

494
01:00:41,490 --> 01:00:44,047
- Someone?
- (LAUGHS)

495
01:00:44,049 --> 01:00:45,650
Or just something.

496
01:00:46,929 --> 01:00:48,815
What made you say that?

497
01:00:48,817 --> 01:00:49,938
I don't know.

498
01:00:52,787 --> 01:00:55,506
- Am I confusing you?
- (CHUCKLING)

499
01:00:56,498 --> 01:00:58,225
No, it's, um...

500
01:00:59,218 --> 01:01:01,424
It's odd... It's the...

501
01:01:01,426 --> 01:01:04,306
The sort of thing Patricia would
say. Bizarre.

502
01:01:06,226 --> 01:01:07,186
Come on.

503
01:01:08,209 --> 01:01:09,904
Let's get changed or Sonia will
leave without us.

504
01:01:09,906 --> 01:01:11,152
I've got a dress you can wear.

505
01:01:11,154 --> 01:01:12,465
Double caposhi.

506
01:01:14,546 --> 01:01:16,562
(SINGING IN GERMAN)

507
01:01:19,954 --> 01:01:22,192
(GIGGLING AND SHOUTING)

508
01:01:22,194 --> 01:01:24,082
♪ ♪

509
01:01:27,186 --> 01:01:29,168
Susie!

510
01:01:29,170 --> 01:01:31,059
(INDISTINCT CHATTER
AND LAUGHTER)

511
01:01:40,051 --> 01:01:41,747
Oh, Susie!

512
01:01:48,563 --> 01:01:50,931
(INDISTINCT CHATTER
AND LAUGHTER)

513
01:02:45,875 --> 01:02:47,988
(PANTING)

514
01:02:53,588 --> 01:02:55,251
(SHUDDERING BREATHS)

515
01:03:04,532 --> 01:03:05,461
(OBJECT CLATTERS)

516
01:03:06,388 --> 01:03:08,915
(DISTORTED, ECHOING BREATHS)

517
01:03:09,683 --> 01:03:11,699
(PANTS, GRUNTS)

518
01:03:14,548 --> 01:03:16,820
(GASPING)

519
01:03:18,068 --> 01:03:20,756
(DISTORTED VOICES)

520
01:03:26,677 --> 01:03:28,149
Is it true?

521
01:03:30,069 --> 01:03:31,028
(SHOUTING)

522
01:03:31,796 --> 01:03:34,228
- (PANTING, GASPING)
- (SCREAMING)

523
01:03:40,917 --> 01:03:41,877
(DISTORTED SHOUT)

524
01:03:46,389 --> 01:03:47,509
(DISTORTED, GRUFF GROAN)

525
01:03:52,564 --> 01:03:55,189
(DISTORTED SCREAMS
AND ECHOING VOICES)

526
01:04:00,885 --> 01:04:02,484
SARA (ECHOING):
Is it true?

527
01:04:07,988 --> 01:04:09,748
I know who I am!

528
01:04:11,349 --> 01:04:13,269
I know who I am!

529
01:04:15,220 --> 01:04:17,108
(DANCERS MURMURING QUIETLY)

530
01:04:18,517 --> 01:04:22,067
It's all right. It's OK.

531
01:04:22,069 --> 01:04:24,083
Is she all right?

532
01:04:24,085 --> 01:04:25,010
It's just a nightmare.

533
01:04:25,012 --> 01:04:27,091
Markos company special.

534
01:04:27,093 --> 01:04:28,980
I'm surprised it took this long.

535
01:04:28,982 --> 01:04:31,188
Hey, let me know
if she needs a Valium.

536
01:04:34,164 --> 01:04:35,060
(GROANS)

537
01:04:37,269 --> 01:04:38,675
(LAUGHING)

538
01:04:38,677 --> 01:04:41,363
She's right. I dreamt of
hairballs and toilets

539
01:04:41,365 --> 01:04:44,149
for three weeks before I got
a decent night of sleep here.

540
01:04:46,005 --> 01:04:46,997
Move over.

541
01:04:58,390 --> 01:05:01,652
I've only ever slept in bed with
my sister.

542
01:05:01,654 --> 01:05:03,285
SARA:
We're sisters now.

543
01:05:09,942 --> 01:05:12,149
♪ ♪

544
01:05:26,133 --> 01:05:28,022
♪ ♪

545
01:05:37,239 --> 01:05:39,126
♪ ♪

546
01:05:45,237 --> 01:05:47,094
(BUBBLING)

547
01:05:50,134 --> 01:05:52,150
(TEAKETTLE WHISTLING)

548
01:06:48,823 --> 01:06:50,711
♪ ♪

549
01:06:54,807 --> 01:06:56,759
WOMAN:
Herr Klemperer?

550
01:07:17,847 --> 01:07:20,151
(TYPEWRITER CLACKING
AND DINGING)

551
01:09:05,561 --> 01:09:10,359
And one, and two, and three,
and one, and two, and three...

552
01:09:10,361 --> 01:09:12,473
(COUNTING CONTINUES)

553
01:09:15,162 --> 01:09:19,192
(INDISTINCT CHATTER)

554
01:09:28,921 --> 01:09:30,361
Do you want to do the jumps?

555
01:09:31,482 --> 01:09:32,793
OK

556
01:09:33,945 --> 01:09:40,632
And one, and two, and three,
and one, and two, and three

557
01:09:40,634 --> 01:09:43,258
No, elbows higher.

558
01:09:43,514 --> 01:09:44,951
All right, one moment.

559
01:09:44,953 --> 01:09:48,760
Susie, part of the jump is muscle,
and that will develop as you condition

560
01:09:48,762 --> 01:09:51,991
but you seem to have an aversion
to them and I don't quite see why.

561
01:09:51,993 --> 01:09:54,873
- Are you so happy to be stuck to the earth?
- (LAUGHS)

562
01:09:55,194 --> 01:09:58,872
There's a yield before the push which I
don't think you're quite understanding.

563
01:09:58,874 --> 01:10:02,010
Caroline. Could you come and do
a series for us, please?

564
01:10:17,881 --> 01:10:18,489
Thank you.

565
01:10:19,994 --> 01:10:21,210
And now you.

566
01:10:37,242 --> 01:10:39,579
♪ ♪

567
01:10:46,363 --> 01:10:51,673
What I really want is to be on
the floor right now anyway.

568
01:10:51,675 --> 01:10:57,496
Well, of course. That's because you're mistaking
physical weakness with artistic preference.

569
01:10:57,498 --> 01:10:59,161
And because you're tired.

570
01:11:02,683 --> 01:11:08,441
At this point, the jumps are opposing
the pull of the structure but...

571
01:11:08,443 --> 01:11:11,288
It's soon for that,
don't you think?

572
01:11:11,290 --> 01:11:16,632
The floor work is-is keeping
the other dancers pushed down...

573
01:11:16,634 --> 01:11:21,435
So this-this could echo that.

574
01:11:26,171 --> 01:11:29,850
...on-on a slightly higher
point of elevation.

575
01:11:32,315 --> 01:11:36,956
If I stay close to the ground now, and go
straight into the jumps where you have them later

576
01:11:37,755 --> 01:11:42,041
Then that's more to the point.

577
01:11:42,043 --> 01:11:46,617
The resistance is more emphatic.

578
01:11:46,619 --> 01:11:47,740
Right?

579
01:11:51,035 --> 01:11:56,057
I don't know how aware you are

580
01:11:56,059 --> 01:11:59,195
of what times we lived through
here 40 years ago.

581
01:12:01,916 --> 01:12:03,707
Out of which
this piece was made.

582
01:12:05,275 --> 01:12:10,842
We learned a great cost through those
years, the value of the balance of things.

583
01:12:10,844 --> 01:12:15,961
Every arrow that flies
feels the pull of the earth.

584
01:12:15,963 --> 01:12:17,883
But we must aim upwards.

585
01:12:20,027 --> 01:12:21,755
We need to get you in the air.

586
01:12:33,596 --> 01:12:35,516
(CHATTER)

587
01:12:39,612 --> 01:12:41,562
Leave her, leave her, leave her!

588
01:12:41,564 --> 01:12:43,996
(CHOKING, SHUDDERING)

589
01:12:47,612 --> 01:12:49,563
(GASPING)

590
01:12:51,739 --> 01:12:53,724
(SOBBING)

591
01:13:07,324 --> 01:13:08,188
(CHUCKLES SOFTLY)

592
01:13:15,773 --> 01:13:17,052
I heard it. I hope...

593
01:13:26,685 --> 01:13:30,523
I'm looking for a dancer
from your company.

594
01:13:30,525 --> 01:13:32,157
Who are you looking for?

595
01:13:33,213 --> 01:13:34,813
You are Sara.

596
01:13:37,245 --> 01:13:40,411
Yes. May I help you?

597
01:13:40,413 --> 01:13:43,388
I am a friend from Patricia.

598
01:14:04,508 --> 01:14:06,683
I don't know what to make of
any of this.

599
01:14:06,685 --> 01:14:11,803
I know the kind of thing she was involved with, but I can't
see how any of this woud be happening inside the company.

600
01:14:11,805 --> 01:14:21,371
Well, she describes something like a revolutionary
organization and a crisis of leadership.

601
01:14:21,373 --> 01:14:24,253
With Markos very ill...

602
01:14:26,014 --> 01:14:31,260
I live there. I have friends there.
I don't see any evidence of this at all.

603
01:14:31,262 --> 01:14:34,556
No one has ever approached me or any
of the other girls as far as I know.

604
01:14:34,558 --> 01:14:36,478
Well, read this.

605
01:14:37,277 --> 01:14:38,556
What is this?

606
01:14:38,558 --> 01:14:40,414
This is Patricia's diary.

607
01:14:42,206 --> 01:14:46,364
Mother Markos, mother Meinhof

608
01:14:46,366 --> 01:14:49,948
The dance rehearsal,
polital action

609
01:14:49,950 --> 01:14:54,654
these two areas in Patricia's
life were of equal importance.

610
01:14:55,518 --> 01:14:56,798
This is how transformation
happens.

611
01:14:58,559 --> 01:15:01,724
How delusion is made.

612
01:15:01,726 --> 01:15:05,758
Delusions are lies
that tell the truth.

613
01:15:07,134 --> 01:15:09,150
- This says "witches."
- Mmm.

614
01:15:10,367 --> 01:15:15,516
Maybe Patricia's fantasies
about witches

615
01:15:15,518 --> 01:15:20,766
they are her way of processing
some other form of intrigue.

616
01:15:23,518 --> 01:15:28,316
The company's a family. There's
a lot of love there.

617
01:15:28,318 --> 01:15:36,893
Love and manipulations, they share houses
very often. They're frequent bedfellows.

618
01:15:36,895 --> 01:15:38,654
Sorry, I don't see this.

619
01:15:43,262 --> 01:15:44,222
Eat.

620
01:15:46,334 --> 01:15:47,294
Eat.

621
01:15:52,959 --> 01:15:54,750
(QUIET CHATTER)

622
01:15:55,999 --> 01:15:56,959
Only...

623
01:15:58,783 --> 01:16:01,534
maybe the police,
they missed something.

624
01:16:02,590 --> 01:16:10,141
Our Patricia, she did spoke of
whole hidden areas of the building.

625
01:16:10,143 --> 01:16:13,055
Actual rooms that are secret.

626
01:16:18,399 --> 01:16:22,717
I don't want to be
disrespectful. I don't.

627
01:16:22,719 --> 01:16:25,117
- But you're asking me and I'm telling you.
- Oh, please.

628
01:16:25,119 --> 01:16:27,999
It's a dance company. We're not
talking about anything else.

629
01:16:28,479 --> 01:16:33,597
Sara. Please, only look closer.

630
01:16:33,599 --> 01:16:34,878
Thank you for caring for
Patricia

631
01:16:34,880 --> 01:16:36,576
but I hope
you don't come again.

632
01:16:44,096 --> 01:16:44,991
(DOOR OPENS)

633
01:16:46,911 --> 01:16:47,935
(DOOR CLOSES)

634
01:16:58,143 --> 01:17:00,158
- Good night.
- Good night.

635
01:17:00,160 --> 01:17:01,726
Sara, hurry up.

636
01:17:01,728 --> 01:17:04,064
I'm tired. I need the bathroom.

637
01:17:07,200 --> 01:17:09,087
- Good night, Doll.
- Good night.

638
01:17:10,976 --> 01:17:13,535
(MUSIC PLAYING,
LAUGHTER IN DISTANCE)

639
01:17:18,688 --> 01:17:20,543
WOMAN:
She hasn't come back yet?

640
01:17:25,696 --> 01:17:27,200
Maybe she's seeing somebody.

641
01:17:28,895 --> 01:17:30,911
(INDISTINCT CHATTER, LAUGHTER)

642
01:17:33,280 --> 01:17:37,246
Part of the issue always is not being
able to see your body in the space.

643
01:17:37,248 --> 01:17:41,598
One angle in one mirror or
on film is not enough.

644
01:17:41,600 --> 01:17:44,927
Movement is never mute. It is a
language.

645
01:17:44,929 --> 01:17:51,934
It's a series of energetic shapes written
in the air like words forming sentences.

646
01:17:51,936 --> 01:17:53,216
Like poems.

647
01:17:54,432 --> 01:17:55,905
Like prayers.

648
01:17:58,912 --> 01:18:00,065
Spells?

649
01:18:02,080 --> 01:18:08,735
When you jump it's not the height but
the space beneath you that matters.

650
01:18:08,737 --> 01:18:11,392
Every leap into the air
must be a coup de foudre.

651
01:18:16,385 --> 01:18:21,119
- I don't understand.
- A strike of lightning.

652
01:18:21,121 --> 01:18:23,137
A bolt of love, in fact.

653
01:18:26,017 --> 01:18:27,521
That's beautiful.

654
01:18:29,025 --> 01:18:34,783
There are two things that dance can
never be again: beautiful and cheerful.

655
01:18:34,785 --> 01:18:39,071
Today we need to break the nose
of every beautiful thing.

656
01:18:39,073 --> 01:18:42,817
And if you are going to be a
dancer you must learn French.

657
01:19:18,914 --> 01:19:25,087
When you dance the dance of another, you
make yourself in the image of its creator.

658
01:19:25,089 --> 01:19:28,095
You empty yourself so that her
work can live within you.

659
01:19:28,097 --> 01:19:29,250
Do you understand?

660
01:19:30,338 --> 01:19:31,298
Yeah.

661
01:19:33,474 --> 01:19:40,160
You're in a company now. You have to find your right place.
You have to decide what you want to be for this company.

662
01:19:40,162 --> 01:19:47,360
Is it the head? The spine?
The sex? The heart?

663
01:19:47,362 --> 01:19:48,450
The hands.

664
01:19:50,626 --> 01:19:53,408
I want to be this
company's hands.

665
01:19:53,410 --> 01:19:55,298
♪ ♪

666
01:19:58,371 --> 01:20:02,977
Higher... Higher... Higher...

667
01:20:02,979 --> 01:20:06,624
Higher... Higher! Higher!

668
01:20:06,626 --> 01:20:07,874
- (GRUNTING, PANTING)
- Higher.

669
01:20:09,762 --> 01:20:12,769
Higher! Higher!

670
01:20:12,771 --> 01:20:13,986
Higher!

671
01:20:19,203 --> 01:20:23,168
Higher. Higher! Higher!

672
01:20:23,170 --> 01:20:26,786
Higher! Higher! Higher!

673
01:20:32,514 --> 01:20:35,553
Sometimes I only need
to be told twice.

674
01:20:35,555 --> 01:20:36,962
(CHUCKLES SOFTLY)

675
01:21:24,259 --> 01:21:26,659
(FRANTIC CHATTER IN GERMAN)

676
01:21:37,252 --> 01:21:40,036
(DISTANT CLATTERING, FOOTSTEPS)

677
01:21:44,644 --> 01:21:46,404
(DISTANT FOOTSTEPS,
MUFFLED CHATTER)

678
01:22:04,804 --> 01:22:07,684
(DISTANT, MUFFLED CHATTER)

679
01:22:13,508 --> 01:22:15,908
(DISTANT, MUFFLED CHATTER)

680
01:22:26,052 --> 01:22:28,100
(FOOTSTEPS)

681
01:22:32,420 --> 01:22:39,555
55, 56, 57, 58, 59-

682
01:22:39,557 --> 01:22:41,285
(DISTANT WHIMPER)

683
01:22:46,788 --> 01:22:49,444
60, 61, 62, 63.

684
01:22:58,821 --> 01:23:01,989
65, 64, 63, 62.

685
01:23:10,085 --> 01:23:12,709
23, 22, 21.

686
01:23:25,669 --> 01:23:29,507
10, 9, 8, 7, 6...

687
01:23:29,509 --> 01:23:31,781
Two, one.

688
01:23:38,982 --> 01:23:40,356
(FIRM TAP)

689
01:23:42,662 --> 01:23:43,782
(FIRM TAP)

690
01:23:46,597 --> 01:23:48,133
(HOLLOW THUD)

691
01:23:51,013 --> 01:23:52,582
(HOLLOW THUD)

692
01:24:00,198 --> 01:24:02,022
(CLUNKING)

693
01:24:15,462 --> 01:24:17,350
♪ ♪

694
01:24:26,918 --> 01:24:28,709
(RATTLING)

695
01:24:34,181 --> 01:24:36,646
(CREAKING)

696
01:24:42,214 --> 01:24:44,102
♪ ♪

697
01:25:02,150 --> 01:25:04,038
♪ ♪

698
01:25:18,791 --> 01:25:20,454
(GASPS SOFTLY)

699
01:25:52,199 --> 01:25:54,311
(QUIET CREAKING)

700
01:26:03,815 --> 01:26:05,319
(SHOUT, GROAN NEARBY)

701
01:26:06,920 --> 01:26:08,840
(YELLING NEARBY)

702
01:26:21,416 --> 01:26:25,861
(DISTORTED SCREAMS)

703
01:26:25,863 --> 01:26:27,880
(SCREAMING CONTINUES, MUFFLED)

704
01:26:31,271 --> 01:26:34,566
(CHANTING)

705
01:26:34,568 --> 01:26:36,455
(CHANTING CONTINUES)

706
01:26:41,128 --> 01:26:50,726
Patricia wrote about three mothers, lost
in time, predating all Christian invention.

707
01:26:50,728 --> 01:26:59,398
Pre-god, pre-devil. Mother
Tenebrarum, Mother Lachrymarum

708
01:26:59,400 --> 01:27:01,672
and Mother Suspiriorum.

709
01:27:03,209 --> 01:27:07,209
Darkness, Tears and Sighs.

710
01:27:08,104 --> 01:27:13,062
I saw images of that last night in
porcelain and these very fine things.

711
01:27:13,064 --> 01:27:14,504
You can tell they have money.

712
01:27:18,535 --> 01:27:23,815
Patricia said that Markos claims
to be one of the three.

713
01:27:23,817 --> 01:27:31,527
But there is disent amongst them. She
wrote about Markosites and Blancites.

714
01:27:31,529 --> 01:27:33,321
An internal division.

715
01:27:35,113 --> 01:27:37,065
Madame Blanc's
involved in this?

716
01:27:42,953 --> 01:27:44,745
Do they believe they're witches?

717
01:27:46,728 --> 01:27:52,263
You can give someone your
delusion, Sara.

718
01:27:52,265 --> 01:27:53,417
That's religion.

719
01:27:56,201 --> 01:27:57,705
That was the Reich.

720
01:27:59,177 --> 01:28:00,872
The Reich had these things.

721
01:28:02,536 --> 01:28:07,847
Insignia. Esoteric ritual.

722
01:28:07,849 --> 01:28:17,449
These mothers, yeah, they could be codenames for founding
members with metaphoric histories, I don't know.

723
01:28:18,857 --> 01:28:22,057
But I do know you're living with
dangerous people.

724
01:28:23,370 --> 01:28:25,864
- Patricia could still be in-
- (DOOR OPENS)

725
01:28:25,866 --> 01:28:26,762
...in there.

726
01:28:31,049 --> 01:28:33,481
They could be holding her
in the building.

727
01:28:34,154 --> 01:28:41,288
Well, I can not promise that your searches will
come back to inspect a cabinet full of porcelain

728
01:28:41,290 --> 01:28:46,376
after all that has happened.
But we can try.

729
01:28:46,378 --> 01:28:52,455
And in the meantime you must take care
of yourself. Perhaps you should leave.

730
01:28:52,457 --> 01:28:53,770
You have somewhere you can go?

731
01:28:55,787 --> 01:28:57,707
I'll figure it out.

732
01:28:58,377 --> 01:29:01,352
And I think you should
put this back.

733
01:29:01,354 --> 01:29:03,178
Or better still,
you leave it here.

734
01:29:05,194 --> 01:29:07,178
Not good for them
to know that you have it.

735
01:29:09,130 --> 01:29:11,210
(RATTLING)

736
01:29:15,818 --> 01:29:17,963
♪ ♪

737
01:29:27,338 --> 01:29:30,347
(DOGS BARKING, DISTANT CHATTER)

738
01:29:32,234 --> 01:29:34,987
(WHISTLES BLOWING IN DISTANCE)

739
01:29:40,874 --> 01:29:43,562
- (WHISTLING)
- (SHOUTING IN GERMAN)

740
01:29:47,819 --> 01:29:50,922
(DOG BARKING)

741
01:29:56,938 --> 01:29:58,891
(QUIET CHATTER)

742
01:30:06,410 --> 01:30:07,723
(SPEAKING GERMAN)

743
01:30:16,523 --> 01:30:17,483
(DOOR OPENS)

744
01:30:25,131 --> 01:30:28,491
(QUIET, ECHOING WHEEZING)

745
01:30:31,595 --> 01:30:33,355
(WHEEZING CONTINUES)

746
01:30:36,363 --> 01:30:43,179
Is anyone among you sick? Let him call for the
elders of the church, and let them pray over him

747
01:30:43,467 --> 01:30:46,636
anointing him with oil
in the name of the Lord.

748
01:30:47,339 --> 01:30:52,170
And the prayer of faith shall
save him that is sick.

749
01:30:52,172 --> 01:30:59,115
And the Lord shall raise him up.
And if he has committed sins-

750
01:31:00,075 --> 01:31:01,707
(WHISPERS):
My daughter.

751
01:31:04,555 --> 01:31:06,475
...they shall be forgiven him.

752
01:31:10,412 --> 01:31:12,204
My last one.

753
01:31:14,220 --> 01:31:21,257
She's my sin... She's what I
smear on the world.

754
01:31:21,259 --> 01:31:24,076
(WHEEZING)

755
01:32:00,301 --> 01:32:02,412
You're making some kind
of deal with them.

756
01:32:03,949 --> 01:32:07,691
I don't know what you're
talking about.

757
01:32:07,693 --> 01:32:10,573
How can you know what they're
going to ask you in return?

758
01:32:10,861 --> 01:32:15,373
Sara, whatever you have in your
mind, nothing is wrong.

759
01:32:17,324 --> 01:32:19,084
You just haven't
seen the bill yet.

760
01:32:20,429 --> 01:32:22,891
Nothing's wrong.

761
01:32:22,893 --> 01:32:24,813
♪ ♪

762
01:33:08,173 --> 01:33:10,349
(QUIET, INDISTINCT CHATTER)

763
01:33:19,022 --> 01:33:20,844
What's the matter with you?

764
01:33:20,846 --> 01:33:22,510
Huh?

765
01:33:26,317 --> 01:33:31,276
You don't be so afraid about the
white, Susie.

766
01:33:31,278 --> 01:33:34,573
They need to see you
from the very back row.

767
01:33:42,541 --> 01:33:43,791
Where is Sara?

768
01:33:44,814 --> 01:33:47,724
She came early in the morning

769
01:33:47,726 --> 01:33:49,550
did her makeup and left.

770
01:34:04,047 --> 01:34:06,831
(QUIET CHATTER IN GERMAN)

771
01:34:17,998 --> 01:34:20,399
(CHORUS VOCALIZING)

772
01:34:23,695 --> 01:34:25,646
(CHORUS SINGING IN GERMAN)

773
01:34:28,143 --> 01:34:30,382
(QUIET, INDISTINCT CHATTER)

774
01:34:31,887 --> 01:34:34,094
(BELL RINGING)

775
01:34:38,703 --> 01:34:42,189
Girls, Vier Minuten!

776
01:34:42,191 --> 01:34:43,374
Four minutes!

777
01:34:46,254 --> 01:34:47,759
Vier Minuten!

778
01:34:51,055 --> 01:34:52,943
(QUIET CHATTER CONTINUES)

779
01:35:03,631 --> 01:35:05,520
(DOOR CREAKING OPEN)

780
01:35:10,384 --> 01:35:12,655
(PANTING)

781
01:35:14,671 --> 01:35:17,007
(QUIET CHATTER)

782
01:35:26,671 --> 01:35:29,168
(DANCERS WHISPERING
INDISTINCTLY)

783
01:35:32,751 --> 01:35:35,631
PATRICIA (WHISPERS):
Sara. Sara.

784
01:35:36,847 --> 01:35:39,727
Patricia. Patricia.

785
01:35:40,816 --> 01:35:48,015
Patricia, I knew it! Sorry it
took me so long. I'm so sorry.

786
01:35:48,720 --> 01:35:53,614
- What did they do to you?
- They would come here every day.

787
01:35:53,616 --> 01:35:55,343
It's all over now.
I'll get you out.

788
01:35:56,880 --> 01:36:00,813
The performance is starting upstairs.
Everyone will be looking the other way.

789
01:36:00,815 --> 01:36:03,501
Get up. Get up.

790
01:36:03,503 --> 01:36:04,528
Patricia!

791
01:36:05,136 --> 01:36:06,639
Patricia, get up!

792
01:36:07,888 --> 01:36:09,136
Get up.

793
01:36:16,143 --> 01:36:17,329
(SCREAMS)

794
01:36:20,017 --> 01:36:21,070
(SCREAMS)

795
01:36:21,072 --> 01:36:22,575
Sara!

796
01:36:23,920 --> 01:36:25,136
Sara!

797
01:36:29,679 --> 01:36:32,207
(WHEEZING)

798
01:36:38,544 --> 01:36:42,032
- (BELL RINGING)
- (QUIET CHATTER)

799
01:36:44,816 --> 01:36:46,640
(RINGING STOPS)

800
01:36:54,352 --> 01:36:56,273
(CHANTING)

801
01:36:56,881 --> 01:37:00,337
(CHANTING):
Markos! Markos! Markos! Markos!

802
01:37:05,904 --> 01:37:08,049
(QUIET CHATTER)

803
01:37:20,720 --> 01:37:23,152
(WHISPERING)
Marketa, where is Sara?

804
01:37:24,081 --> 01:37:24,848
(WHISPERING)
Sara!

805
01:37:24,850 --> 01:37:26,575
- I don't know.
- Is she upstairs?

806
01:37:26,577 --> 01:37:27,982
No. I looked.

807
01:37:27,984 --> 01:37:29,937
TANNER: Just dance
as if she's with you.

808
01:37:31,057 --> 01:37:33,137
(GRUNTING, PANTING)

809
01:37:35,121 --> 01:37:37,009
(WHEEZING NEARBY)

810
01:37:38,577 --> 01:37:39,890
Sara!

811
01:37:42,481 --> 01:37:44,594
(SARA GASPING)

812
01:38:01,266 --> 01:38:02,224
Go.

813
01:38:02,226 --> 01:38:04,625
(SPEAKING GERMAN)

814
01:38:27,187 --> 01:38:28,754
(DISTANT SQUEALING)

815
01:38:40,050 --> 01:38:42,258
(SHUDDERING BREATHS)

816
01:38:44,274 --> 01:38:46,961
♪ ♪

817
01:38:54,483 --> 01:38:56,914
(RAPID PANTING)

818
01:39:02,098 --> 01:39:04,178
(AGONIZED SCREAMING)

819
01:39:06,898 --> 01:39:09,106
♪ ♪

820
01:39:15,859 --> 01:39:18,579
(SCREAMS)

821
01:39:20,370 --> 01:39:22,515
(RHYTHMIC BREATHING)

822
01:39:42,354 --> 01:39:43,795
(SCREAMING)

823
01:39:51,668 --> 01:39:52,819
No.

824
01:39:55,059 --> 01:39:56,881
Sara, lie still.

825
01:39:56,883 --> 01:39:58,706
- No! (GASPING)
- Sara.

826
01:40:01,780 --> 01:40:03,091
Please!

827
01:40:05,459 --> 01:40:07,956
(SCREAMS)

828
01:40:09,812 --> 01:40:12,500
No! No!

829
01:40:27,220 --> 01:40:30,451
♪ ♪

830
01:40:43,540 --> 01:40:46,804
(RHYTHMIC BREATHING)

831
01:41:02,196 --> 01:41:04,500
(RHYTHMIC BREATHING CONTINUES)

832
01:41:14,804 --> 01:41:17,013
(RHYTHMIC BREATHING CONTINUES)

833
01:41:28,244 --> 01:41:30,164
♪ ♪

834
01:41:37,620 --> 01:41:40,724
(RHYTHMIC BREATHING CONTINUES)

835
01:42:01,269 --> 01:42:03,829
♪ ♪

836
01:42:13,365 --> 01:42:15,637
(RHYTHMIC BREATHING CONTINUES)

837
01:42:33,781 --> 01:42:37,077
(RHYTHMIC BREATHING CONTINUES)

838
01:42:58,453 --> 01:43:01,718
(RHYTHMIC GRUNTING)

839
01:43:12,342 --> 01:43:15,446
(RHYTHMIC BREATHING
AND GRUNTING)

840
01:43:24,214 --> 01:43:25,718
♪ ♪

841
01:43:38,549 --> 01:43:40,823
(RHYTHMIC BREATHING CONTINUES)

842
01:43:50,038 --> 01:43:51,126
(PANTING)

843
01:44:00,598 --> 01:44:02,710
(SCREAMING)

844
01:44:03,990 --> 01:44:06,646
- (MUSIC STOPS)
- (PEOPLE GASPING)

845
01:44:07,959 --> 01:44:09,206
(SCREAMING)

846
01:44:12,439 --> 01:44:14,647
(SARA PANTING, WHEEZING)

847
01:44:16,471 --> 01:44:19,479
(QUIET CHATTER)

848
01:44:25,590 --> 01:44:27,510
(SARA SCREAMS)

849
01:44:27,767 --> 01:44:28,920
(SPEAKS GERMAN)

850
01:44:29,943 --> 01:44:32,311
(WHEEZING, GASPING)

851
01:44:36,375 --> 01:44:38,616
(CHATTER IN GERMAN)

852
01:44:45,240 --> 01:44:47,191
(SARA CONTINUES WHEEZING
AND GASPING)

853
01:44:59,383 --> 01:45:01,496
(SARA CONTINUES WHEEZING
AND GASPING)

854
01:45:13,527 --> 01:45:15,064
(GASPING QUIETLY)

855
01:45:20,664 --> 01:45:22,552
♪ ♪

856
01:45:37,945 --> 01:45:40,760
- (GASPS)
- (WIND WHISTLING)

857
01:45:51,673 --> 01:45:55,065
(VOICES SCREAMING,
WHISPERING INDISTINCTLY)

858
01:46:03,033 --> 01:46:04,120
(DOOR OPENS)

859
01:46:12,408 --> 01:46:14,232
SUSIE (TELEPATHICALLY):
I'm sorry I went off book.

860
01:46:20,345 --> 01:46:25,464
MADAME BLANC (TELEPATHICALLY): This can't happen
again. You're only just starting to understand, Susie.

861
01:46:26,777 --> 01:46:30,615
We brought Sara back upstairs to try
to complete the performance in time.

862
01:46:30,617 --> 01:46:35,383
- But then you derailed it.
- Did I hurt those people?

863
01:46:35,385 --> 01:46:38,487
Not this time.
They saw her dance.

864
01:46:38,489 --> 01:46:39,417
That's all.

865
01:46:41,402 --> 01:46:46,935
It's all a mess, isn't it?
The one out there...

866
01:46:46,937 --> 01:46:48,280
(SPOKEN ALOUD):
The one in here.

867
01:46:51,194 --> 01:46:52,632
The one that's coming.

868
01:46:56,825 --> 01:46:59,415
Why is everyone

869
01:46:59,417 --> 01:47:02,009
so ready to think
the worst is over?

870
01:47:20,346 --> 01:47:22,297
(TELEPATHICALLY): I could
explain everything to you.

871
01:47:24,569 --> 01:47:26,937
I think it would be wrong,
though.

872
01:47:31,994 --> 01:47:32,954
(GASPS QUIETLY)

873
01:48:02,778 --> 01:48:10,490
One, two, three, four...
(COUNTING CONTINUES)

874
01:48:10,810 --> 01:48:13,690
♪ ♪

875
01:49:12,187 --> 01:49:14,844
♪ ♪

876
01:49:30,300 --> 01:49:31,451
Herr Doktor.

877
01:49:43,451 --> 01:49:45,339
♪ ♪

878
01:49:52,540 --> 01:49:55,324
(LAUGHTER, INDISTINCT CHATTER)

879
01:50:04,700 --> 01:50:06,940
(CHEERING, APPLAUSE,
INDISTINCT CHATTER)

880
01:50:10,395 --> 01:50:12,124
(SPEAKING FRENCH)

881
01:50:19,899 --> 01:50:21,787
(PANTING)

882
01:50:22,972 --> 01:50:24,989
(GRUNTING)

883
01:50:39,581 --> 01:50:41,468
♪ ♪

884
01:50:45,692 --> 01:50:46,876
(GRUNTS)

885
01:50:49,277 --> 01:50:52,348
(QUIET, INDISTINCT CHATTER)

886
01:50:53,661 --> 01:50:56,349
(WAITER SPEAKING FRENCH)

887
01:51:06,940 --> 01:51:09,020
(SONG PLAYING IN FRENCH)

888
01:51:18,013 --> 01:51:20,861
(FESTIVE CHATTER)

889
01:51:33,853 --> 01:51:36,157
(SONG CONTINUES PLAYING
IN FRENCH)

890
01:51:40,476 --> 01:51:42,686
(PANTING QUIETLY)

891
01:52:08,606 --> 01:52:10,493
♪ ♪

892
01:52:24,094 --> 01:52:25,982
(CHUCKLING)

893
01:53:35,199 --> 01:53:36,287
(ANKE WHIMPERS)

894
01:53:44,991 --> 01:53:47,070
♪ ♪

895
01:54:05,471 --> 01:54:07,359
♪ ♪

896
01:54:23,039 --> 01:54:27,743
(SINGING IN GERMAN)

897
01:54:33,504 --> 01:54:36,512
(SINGING CONTINUES)

898
01:54:52,768 --> 01:54:55,808
(SINGING CONTINUES)

899
01:55:08,736 --> 01:55:10,848
(SINGING CONTINUES)

900
01:55:16,193 --> 01:55:18,624
(LAUGHTER)

901
01:55:24,705 --> 01:55:26,592
♪ ♪

902
01:55:41,408 --> 01:55:43,296
♪ ♪

903
01:55:46,689 --> 01:55:48,641
(PANTING QUIETLY)

904
01:56:09,857 --> 01:56:12,577
(GASPING)

905
01:56:13,537 --> 01:56:16,000
(SHRIEKING)

906
01:56:17,025 --> 01:56:18,785
(GROWLING, SHRIEKING)

907
01:56:44,514 --> 01:56:47,202
(SHRIEKING LAUGHTER)

908
01:57:03,522 --> 01:57:06,210
(ECHOING FOOTSTEPS)

909
01:57:34,017 --> 01:57:37,698
(DISTORTED, DISTANT SCREAMS)

910
01:57:39,875 --> 01:57:41,762
♪ ♪

911
01:57:47,522 --> 01:57:49,731
(HEAVY BREATHING)

912
01:57:55,331 --> 01:57:57,698
(DISTORTED, DISTANT SCREAMS
CONTINUE)

913
01:58:07,490 --> 01:58:09,379
♪ ♪

914
01:58:23,364 --> 01:58:25,826
(RHYTHMIC BREATHING)

915
01:58:30,819 --> 01:58:32,771
(WHEEZING, RHYTHMIC BREATHING)

916
01:58:49,636 --> 01:58:51,523
(WHIMPERING)

917
01:58:55,299 --> 01:58:57,443
(SOBBING, MOANING)

918
01:59:05,540 --> 01:59:07,203
(GASPING)

919
01:59:08,963 --> 01:59:10,308
(PAINED WHIMPERING)

920
01:59:33,923 --> 01:59:34,851
(KLEMPERER WHIMPERING)

921
01:59:50,083 --> 01:59:51,397
I'm ready, Madame.

922
01:59:54,916 --> 01:59:57,093
(CHORAL SINGING)

923
02:00:00,868 --> 02:00:02,917
(SOBBING)

924
02:00:16,997 --> 02:00:18,211
You look afraid.

925
02:00:18,213 --> 02:00:19,268
(LAUGHS)

926
02:00:20,293 --> 02:00:22,117
She's afraid for you.

927
02:00:26,149 --> 02:00:29,380
(CHORAL SINGING CONTINUES)

928
02:00:33,381 --> 02:00:35,493
(HISSING, CHATTERING)

929
02:00:37,766 --> 02:00:43,716
There will be nothing of
you left inside.

930
02:00:45,254 --> 02:00:49,604
Only space... for me.

931
02:00:50,597 --> 02:00:52,677
I came here for this.

932
02:00:55,717 --> 02:00:57,509
You've all waited long enough.

933
02:00:59,461 --> 02:01:02,213
It is happening.

934
02:01:02,469 --> 02:01:05,381
It is happening!

935
02:01:09,733 --> 02:01:11,875
(SINGING)

936
02:01:11,877 --> 02:01:14,661
(RHYTHMIC GRUNTING
AND MOANING CONTINUE)

937
02:01:37,126 --> 02:01:38,213
(SHRIEKS)

938
02:01:46,438 --> 02:01:48,358
You come here.

939
02:01:50,439 --> 02:01:52,134
Hmm?

940
02:01:54,054 --> 02:02:00,518
You must have no doubts, Susie. If you do, I can take
you back. I can take all of this from your head.

941
02:02:00,998 --> 02:02:02,502
You can forget everything.

942
02:02:05,127 --> 02:02:07,237
I want this to be pure.

943
02:02:08,775 --> 02:02:12,676
We all know what you want.

944
02:02:12,678 --> 02:02:14,502
(STRAINING GRUNT)

945
02:02:16,647 --> 02:02:22,723
This isn't for vanity.
This isn't

946
02:02:22,725 --> 02:02:24,549
art!

947
02:02:26,311 --> 02:02:33,477
There's something wrong here. Can you not feel
it? This isn't right. We have to stop this now.

948
02:02:33,479 --> 02:02:39,878
We've been on two sides of this
for too long now.

949
02:02:41,958 --> 02:02:44,839
(CHANTING)

950
02:02:55,334 --> 02:02:57,575
(SQUISHING, CRUNCHING)

951
02:03:10,855 --> 02:03:12,806
(WHEEZING)

952
02:03:24,808 --> 02:03:28,517
If you accept me

953
02:03:28,519 --> 02:03:33,352
you must put down
the woman who bore you.

954
02:03:35,784 --> 02:03:38,791
Think of that false mother now.

955
02:03:42,920 --> 02:03:44,647
(LABORED BREATHING)

956
02:03:52,040 --> 02:03:53,352
Reject her.

957
02:03:54,408 --> 02:03:56,232
Expel her.

958
02:03:59,720 --> 02:04:09,320
You have the only mother you need here.
Death to any other mother. Say it.

959
02:04:09,800 --> 02:04:10,694
(SCREAMING)

960
02:04:10,696 --> 02:04:13,576
Death to any other mother.

961
02:04:19,080 --> 02:04:21,735
(WHIMPERING)

962
02:04:27,048 --> 02:04:30,440
(SHRIEKING CONTINUES)

963
02:04:34,568 --> 02:04:37,513
(TAKING DEEP BREATHS)

964
02:04:43,848 --> 02:04:45,320
Who are you?

965
02:04:51,560 --> 02:04:56,967
For whom were you anointed,
which of the three mothers?

966
02:04:56,969 --> 02:04:59,174
Mother death.

967
02:04:59,176 --> 02:05:01,065
(WHEEZING, WHIMPERING)

968
02:05:03,624 --> 02:05:06,505
Mother Suspiriorum.

969
02:05:09,193 --> 02:05:10,696
I am she.

970
02:05:11,977 --> 02:05:14,536
(WHEEZING, WHIMPERING)

971
02:05:20,649 --> 02:05:23,657
(CHOKING, GASPING)

972
02:05:29,992 --> 02:05:33,769
(MATRONS SHRIEKING)

973
02:05:40,041 --> 02:05:42,281
(DEEP GROWL)

974
02:05:48,714 --> 02:05:49,674
Markos.

975
02:05:54,057 --> 02:05:56,041
(SHRIEKING CONTINUES)

976
02:06:03,978 --> 02:06:04,842
Markos!

977
02:06:12,458 --> 02:06:14,409
(MOANS SOFTLY)

978
02:06:16,137 --> 02:06:18,250
(GROANING)

979
02:06:24,649 --> 02:06:26,729
(GASPING, SOBBING)

980
02:06:28,682 --> 02:06:30,665
(PANTING)

981
02:06:39,626 --> 02:06:40,586
Markos!

982
02:06:42,826 --> 02:06:43,786
Markos.

983
02:06:45,866 --> 02:06:48,649
(PANTING)

984
02:06:50,602 --> 02:06:53,737
Death to any other mother.

985
02:06:53,739 --> 02:06:54,795
Markos.

986
02:07:01,642 --> 02:07:02,538
Markos!

987
02:07:14,187 --> 02:07:15,146
Markos!

988
02:07:22,603 --> 02:07:23,660
Markos!

989
02:07:28,618 --> 02:07:34,634
♪ Unmade ♪

990
02:07:35,754 --> 02:07:39,498
♪ Unmade ♪

991
02:07:41,739 --> 02:07:46,348
♪ I swear
that there's nothing ♪

992
02:07:52,363 --> 02:07:54,955
(DISTORTED VOICES
HISSING AND SCREAMING)

993
02:08:02,924 --> 02:08:07,947
♪ I swear there's nothing... ♪

994
02:08:10,892 --> 02:08:15,209
I am the mother.

995
02:08:15,211 --> 02:08:17,483
(DISTORTED VOICES SCREAMING
AND GROANING)

996
02:08:24,236 --> 02:08:26,795
♪ ♪

997
02:08:35,564 --> 02:08:38,987
- What do you ask?
- To die.

998
02:08:45,708 --> 02:08:47,147
Mother, we're so tired.

999
02:08:51,499 --> 02:08:53,548
(SOBBING, MOANING)

1000
02:08:54,956 --> 02:08:59,306
- What do you ask?
- To die.

1001
02:08:59,308 --> 02:09:00,556
I want to die.

1002
02:09:09,996 --> 02:09:11,308
Sweet girl.

1003
02:09:13,676 --> 02:09:15,116
What do you ask?

1004
02:09:18,380 --> 02:09:19,754
Tired.

1005
02:09:19,756 --> 02:09:22,829
♪ Come under my wings ♪

1006
02:09:26,541 --> 02:09:31,308
♪ Come under my wings ♪

1007
02:09:33,804 --> 02:09:38,157
♪ Come under my wings ♪

1008
02:09:40,877 --> 02:09:44,557
- ♪ Under my wings. ♪
- SUSIE: Yes.

1009
02:09:45,933 --> 02:09:51,147
Dance. Dance. Keep dancing.

1010
02:09:51,149 --> 02:09:52,557
It's beautiful.

1011
02:09:53,900 --> 02:09:55,373
It's beautiful.

1012
02:09:56,812 --> 02:09:58,700
It's beautiful.

1013
02:10:00,781 --> 02:10:03,149
(ECHOING DEEP BREATHS)

1014
02:10:16,366 --> 02:10:18,892
(ECHOING GASPS)

1015
02:10:26,893 --> 02:10:28,813
(GASPING)

1016
02:11:04,301 --> 02:11:06,382
(QUIET CHATTER IN GERMAN)

1017
02:11:24,205 --> 02:11:25,997
Good. Good.

1018
02:11:32,142 --> 02:11:33,070
(SIGHS)

1019
02:12:04,718 --> 02:12:07,920
(SINGING IN GERMAN)

1020
02:12:25,934 --> 02:12:27,984
(GASPING, PANTING)

1021
02:12:33,903 --> 02:12:35,759
(GRUNTING)

1022
02:12:46,095 --> 02:12:48,687
(WHIMPERING)

1023
02:12:52,815 --> 02:12:55,759
(BIRDS CAWING)

1024
02:13:03,504 --> 02:13:06,032
(PANTING)

1025
02:13:16,848 --> 02:13:18,798
My god, what a night.

1026
02:13:18,800 --> 02:13:21,327
I definitely drank
too much wine.

1027
02:13:32,304 --> 02:13:36,781
(SPEAKING FRENCH)

1028
02:13:36,783 --> 02:13:38,575
(CHATTER CONTINUES IN FRENCH)

1029
02:13:40,176 --> 02:13:42,542
Guten Morgen.

1030
02:13:42,544 --> 02:13:43,600
Good morning.

1031
02:13:54,352 --> 02:13:56,976
- (GRUNTING)
- (HUMMING A TUNE)

1032
02:14:00,880 --> 02:14:03,760
(WHIMPERING)

1033
02:14:08,400 --> 02:14:10,128
(GASPING WEAKLY)

1034
02:14:11,152 --> 02:14:13,392
(GASPS, GRUNTS)

1035
02:14:15,185 --> 02:14:17,392
(QUIET CHATTER IN DISTANCE)

1036
02:14:26,193 --> 02:14:28,753
(QUIET, SHUDDERING BREATHS)

1037
02:14:47,921 --> 02:14:49,809
♪ ♪

1038
02:15:06,513 --> 02:15:08,401
♪ ♪

1039
02:15:10,097 --> 02:15:11,857
(DOOR OPENS)

1040
02:15:54,386 --> 02:15:56,850
I regret what my daughters
did to you.

1041
02:15:59,154 --> 02:16:01,106
I wasn't in a position
to prevent it.

1042
02:16:06,385 --> 02:16:08,627
I believe you deserve
to know the truth.

1043
02:16:17,394 --> 02:16:22,128
Your wife did try to make it
south

1044
02:16:22,130 --> 02:16:23,634
to Teplice.

1045
02:16:25,299 --> 02:16:29,585
She was apprehended by border
guards

1046
02:16:29,587 --> 02:16:32,531
in the woods
just outside of Glashütte.

1047
02:16:35,698 --> 02:16:40,467
She was then taken
to Theresienstadt camp.

1048
02:16:43,154 --> 02:16:45,395
She lived there for 20 days.

1049
02:16:47,379 --> 02:16:52,433
On the 11th of November, 1943

1050
02:16:52,435 --> 02:16:56,435
the commandant of the camp,
a man named Burger...

1051
02:16:56,979 --> 02:17:00,753
ordered all 40,000
detained there

1052
02:17:00,755 --> 02:17:05,267
stand outside in the cold
for a census.

1053
02:17:11,187 --> 02:17:13,108
Hours and hours passed.

1054
02:17:16,883 --> 02:17:18,835
Some hundreds died of exposure.

1055
02:17:27,636 --> 02:17:30,131
Your wife had two women
with her as she died.

1056
02:17:32,212 --> 02:17:36,082
Women she had befriended

1057
02:17:36,084 --> 02:17:38,676
who made her feel
that she was not alone.

1058
02:17:45,812 --> 02:17:55,411
Her final thoughts were of her birthday when
you took her to a concert as a surprise.

1059
02:17:57,012 --> 02:17:59,697
Chopin and Brahms.

1060
02:17:59,699 --> 02:18:02,099
(WHIMPERING, SOBBING)

1061
02:18:03,795 --> 02:18:05,844
It was the first time
you held her hand.

1062
02:18:11,732 --> 02:18:14,388
She was cold when she died.

1063
02:18:17,876 --> 02:18:19,188
But she wasn't afraid.

1064
02:18:23,699 --> 02:18:25,748
She was thinking only of you.

1065
02:18:37,525 --> 02:18:40,052
(KLEMPERER SOBBING SOFTLY)

1066
02:18:44,468 --> 02:18:46,260
Of Anke Meier...

1067
02:18:48,757 --> 02:18:50,228
...of Patricia Hingle...

1068
02:18:51,956 --> 02:18:53,620
...of Sara Simms...

1069
02:18:56,981 --> 02:19:00,819
...of Susanna Bannion...

1070
02:19:00,821 --> 02:19:04,117
of all the women
of your undoing...

1071
02:19:07,060 --> 02:19:09,684
...every memory will vanish.

1072
02:19:13,301 --> 02:19:17,394
They will melt away in the sun

1073
02:19:17,396 --> 02:19:18,485
and be gone.

1074
02:19:39,765 --> 02:19:42,324
(GASPING, CHOKING)

1075
02:19:44,629 --> 02:19:45,654
(DISH SHATTERS)

1076
02:19:49,237 --> 02:19:50,550
Herr Doctor.

1077
02:19:53,557 --> 02:19:56,373
(TAKING DEEP BREATHS)

1078
02:20:06,646 --> 02:20:08,566
- Ja?
- Ja.

1079
02:20:24,246 --> 02:20:26,614
(TRAIN APPROACHING)

1080
02:20:39,029 --> 02:20:41,046
(QUIET, INDISTINCT CHATTER)

1081
02:20:52,470 --> 02:20:54,998
(CHATTER CONTINUES IN GERMAN)

1082
02:21:03,478 --> 02:21:05,366
♪ ♪

1083
02:21:24,598 --> 02:21:26,487
♪ ♪

1084
02:21:39,158 --> 02:21:41,048
♪ ♪

1085
02:21:41,329 --> 02:21:46,329
Subtitles by explosiveskull