Advertisement
Not a member of Pastebin yet?
Sign Up,
it unlocks many cool features!
- 1
- 00:01:04,120 --> 00:01:06,270
- Bless me, Father,
- for I have sinned.
- 2
- 00:01:08,080 --> 00:01:10,992
- It's been, uh,
- 24 hours since my last confession.
- 3
- 00:01:11,320 --> 00:01:13,675
- Son, it's so late.
- 4
- 00:01:13,800 --> 00:01:16,598
- Yeah, Father.
- Work has just...
- 5
- 00:01:23,520 --> 00:01:26,671
- I lied to Connie.
- Uh, to my wife.
- 6
- 00:01:28,160 --> 00:01:29,434
- This is very serious.
- 7
- 00:01:29,520 --> 00:01:30,669
- I know.
- 8
- 00:01:31,600 --> 00:01:32,919
- I promised her I'd quit smoking.
- 9
- 00:01:33,000 --> 00:01:34,080
- She thinks it's bad for me.
- 10
- 00:01:34,120 --> 00:01:36,315
- And I'm trying, but...
- 11
- 00:01:37,440 --> 00:01:39,908
- I snuck a couple of cigarettes.
- 12
- 00:01:40,520 --> 00:01:41,953
- Maybe three.
- 13
- 00:01:44,520 --> 00:01:45,669
- Yes.
- 14
- 00:01:46,440 --> 00:01:47,668
- It's so hard.
- 15
- 00:01:48,600 --> 00:01:49,794
- Yes.
- 16
- 00:01:51,040 --> 00:01:52,632
- But I'm trying.
- 17
- 00:02:09,200 --> 00:02:11,156
- It is 5:00 a.m.
- 18
- 00:02:11,360 --> 00:02:14,511
- Still shank of night for some.
- 19
- 00:02:16,520 --> 00:02:20,559
- But for Eddie Mannix,
- beginning of a new work day.
- 20
- 00:02:24,400 --> 00:02:28,791
- The movie studio for which he
- works manufactures stories,
- 21
- 00:02:29,560 --> 00:02:33,838
- each its own day-lit drama or
- moonlit dream.
- 22
- 00:02:34,400 --> 00:02:38,029
- But the work of Eddie Mannix
- cares not for day or night.
- 23
- 00:02:40,360 --> 00:02:42,510
- And cares little for his rest.
- 24
- 00:02:43,600 --> 00:02:47,149
- That's right, doll face.
- Churn that butter for me.
- 25
- 00:02:47,240 --> 00:02:48,240
- Atta girl.
- 26
- 00:02:50,160 --> 00:02:52,515
- Oh, Jesus Christ on a scooter!
- 27
- 00:02:52,600 --> 00:02:53,635
- You here?
- 28
- 00:02:54,280 --> 00:02:56,510
- The studio has the rights
- to Gloria's likeness, Falco.
- 29
- 00:02:56,600 --> 00:02:58,336
- Give me the negatives and
- things will go easier on you.
- 30
- 00:02:58,360 --> 00:02:59,759
- These are for
- private use, Eddie.
- 31
- 00:02:59,920 --> 00:03:01,035
- Come on.
- 32
- 00:03:02,800 --> 00:03:03,800
- Oh, boy.
- 33
- 00:03:05,440 --> 00:03:08,113
- Can't a girl take a few pictures,
- have a few laughs?
- 34
- 00:03:08,280 --> 00:03:11,272
- Jeez, Eddie!
- What an old stick in the mud.
- 35
- 00:03:13,520 --> 00:03:14,669
- Now, you listen to me.
- 36
- 00:03:14,880 --> 00:03:16,560
- You were at a party,
- had too much to drink.
- 37
- 00:03:16,640 --> 00:03:18,870
- Somebody brought you here,
- you don't remember who.
- 38
- 00:03:18,960 --> 00:03:20,313
- You're going home now.
- 39
- 00:03:20,400 --> 00:03:22,356
- Your name's
- Mary Jo Scheinbrotte.
- 40
- 00:03:22,480 --> 00:03:24,240
- - Okay, Eddie.
- - So, Eddie Mannix.
- 41
- 00:03:25,280 --> 00:03:26,474
- Saw your heap outside.
- 42
- 00:03:26,680 --> 00:03:29,035
- Got a call.
- Loud, disorderly.
- 43
- 00:03:29,200 --> 00:03:31,270
- Possible French
- postcard situation.
- 44
- 00:03:31,480 --> 00:03:32,754
- Someone was pulling your leg.
- 45
- 00:03:32,840 --> 00:03:34,796
- Mary Jo here was just
- at a costume party.
- 46
- 00:03:34,960 --> 00:03:36,552
- It's not really her dirndl.
- 47
- 00:03:36,720 --> 00:03:38,880
- She wants to contribute
- something to your pension fund.
- 48
- 00:03:39,320 --> 00:03:40,799
- Sorry to drag you
- out in the rain.
- 49
- 00:03:40,960 --> 00:03:42,791
- Well, say, no problem at all.
- 50
- 00:03:43,240 --> 00:03:44,719
- Aren't you Gloria DeLamour?
- 51
- 00:03:44,880 --> 00:03:45,949
- No, no, I'm Mary Jo
- 52
- 00:03:46,160 --> 00:03:47,195
- something.
- 53
- 00:03:47,360 --> 00:03:48,554
- Scheinbrotte.
- 54
- 00:03:51,520 --> 00:03:52,919
- Say, Brian.
- 55
- 00:03:55,800 --> 00:03:57,677
- Can I bum a cigarette?
- 56
- 00:04:01,320 --> 00:04:03,959
- Ancient Rome.
- 57
- 00:04:04,040 --> 00:04:08,875
- Twelve years into the rule
- of Tiberius, Ruler Maximus.
- 58
- 00:04:09,040 --> 00:04:12,828
- Rome's legions are
- masters of the world.
- 59
- 00:04:13,000 --> 00:04:15,389
- The stomp of its
- sandals heard from
- 60
- 00:04:15,520 --> 00:04:17,909
- the Iberian
- Peninsula in the west,
- 61
- 00:04:18,080 --> 00:04:22,358
- through the halls of the great
- library of Alexandria in the east.
- 62
- 00:04:23,200 --> 00:04:27,512
- As oppressed people everywhere
- writhe under the Roman lash,
- 63
- 00:04:27,680 --> 00:04:32,515
- freeman and vassal are united
- in one compulsory worship.
- 64
- 00:04:34,280 --> 00:04:37,556
- The emperor, Caesar, is Godhead.
- 65
- 00:04:37,720 --> 00:04:40,393
- Lord of every man 's
- body and spirit.
- 66
- 00:04:41,600 --> 00:04:43,192
- For those who will not submit,
- 67
- 00:04:43,360 --> 00:04:47,717
- the galleys, the arenas,
- even crucifixion await.
- 68
- 00:04:48,880 --> 00:04:52,316
- But there is a new wind
- blowing from the east,
- 69
- 00:04:52,400 --> 00:04:54,516
- from the dusty streets
- of Bethlehem,
- 70
- 00:04:54,600 --> 00:04:58,275
- that will soon challenge
- the vast house of Caesar,
- 71
- 00:04:58,400 --> 00:05:02,075
- that edifice wrought
- of brick and blood
- 72
- 00:05:02,160 --> 00:05:04,958
- which now seems so secure.
- 73
- 00:05:38,840 --> 00:05:39,840
- Ha!
- 74
- 00:05:44,280 --> 00:05:45,998
- There she is, Gracchus.
- 75
- 00:05:46,640 --> 00:05:48,358
- Ah, what a beauty.
- 76
- 00:05:48,760 --> 00:05:50,830
- Aye,
- Autolochus. Rome.
- 77
- 00:05:51,280 --> 00:05:54,829
- Suckled by a she-wolf and
- nurturing us, her sons, in turn.
- 78
- 00:05:54,920 --> 00:05:56,672
- Tonight I bathe in Caracalla
- 79
- 00:05:56,760 --> 00:06:01,754
- and wash away the dust
- of 300 miles of Frankish road.
- 80
- 00:06:02,280 --> 00:06:03,429
- To Rome.
- 81
- 00:06:04,040 --> 00:06:05,189
- To Rome!
- 82
- 00:06:05,800 --> 00:06:07,631
- Yes, to Rome!
- 83
- 00:06:07,840 --> 00:06:11,150
- Glorious center
- of Caesar's rule.
- 84
- 00:06:12,800 --> 00:06:17,316
- But far away in Palestine,
- another man is coming home.
- 85
- 00:06:17,520 --> 00:06:21,035
- Saul, humble merchant of Tarsus
- 86
- 00:06:21,120 --> 00:06:24,954
- is about to be
- struck down by a vision.
- 87
- 00:06:26,120 --> 00:06:28,793
- What thing is this?
- 88
- 00:06:38,320 --> 00:06:40,151
- Gloria DeLamour
- has been checked into
- 89
- 00:06:40,280 --> 00:06:42,430
- - Our Lady of Perpetual Rest to dry out.
- - Uh-huh.
- 90
- 00:06:42,520 --> 00:06:45,080
- You have a 10:00 a.m.
- with Monsignor O'Reilly
- 91
- 00:06:45,160 --> 00:06:47,037
- at the Wallace
- Beery Conference Room,
- 92
- 00:06:47,640 --> 00:06:48,856
- and he's bringing
- in a Lester Silkwood
- 93
- 00:06:48,880 --> 00:06:50,518
- from the Legion of
- Catholic Decency.
- 94
- 00:06:50,720 --> 00:06:54,076
- And we've also invited Patriarch
- Vlassos for the Eastern view.
- 95
- 00:06:54,240 --> 00:06:55,673
- Have they read the script?
- Roger.
- 96
- 00:06:55,840 --> 00:06:57,976
- Let's also invite a rabbi and a
- Protestant padre of some sort
- 97
- 00:06:58,000 --> 00:06:59,256
- so we can get
- everybody's two cents.
- 98
- 00:06:59,280 --> 00:07:00,280
- Check.
- 99
- 00:07:00,360 --> 00:07:01,873
- How's production on Tucumcari?
- 100
- 00:07:02,040 --> 00:07:03,598
- Principal is on schedule,
- 101
- 00:07:03,760 --> 00:07:05,034
- but second unit has been idle
- 102
- 00:07:05,120 --> 00:07:06,633
- in Gallup, New Mexico
- for four days.
- 103
- 00:07:06,720 --> 00:07:07,789
- Heavy rain.
- 104
- 00:07:07,880 --> 00:07:09,472
- Forecast?
- Not good.
- 105
- 00:07:09,560 --> 00:07:10,560
- Send an insert truck,
- 106
- 00:07:10,640 --> 00:07:12,056
- have them shoot driving
- plates for Came the Rain.
- 107
- 00:07:12,080 --> 00:07:13,195
- Check.
- 108
- 00:07:13,280 --> 00:07:14,679
- Jonah's Daughter still behind?
- 109
- 00:07:14,760 --> 00:07:16,910
- Yes. Uh, director says
- the problem is DeeAnna,
- 110
- 00:07:17,040 --> 00:07:18,439
- and she's getting worse.
- 111
- 00:07:18,520 --> 00:07:21,034
- I know what it is.
- I'll drop in on her after my 10 o'clock.
- 112
- 00:07:21,120 --> 00:07:22,439
- All right, let's call New York.
- 113
- 00:07:22,680 --> 00:07:25,280
- NATALIE
- Mr. Schenk's office, line two.
- 114
- 00:07:26,040 --> 00:07:28,349
- Hi, Dorothy. Eddie Mannix.
- The old man in?
- 115
- 00:07:30,080 --> 00:07:31,354
- Natalie, I want the box office
- 116
- 00:07:31,440 --> 00:07:33,635
- on The Debonaires
- and on Blessed Event.
- 117
- 00:07:33,720 --> 00:07:37,076
- Can you also...
- Yes! Good morning, Mr. Schenk.
- 118
- 00:07:37,240 --> 00:07:38,912
- Very well.
- Thank you.
- 119
- 00:07:40,240 --> 00:07:42,196
- Proceeding.
- You know, proceeding.
- 120
- 00:07:42,360 --> 00:07:44,635
- Yeah, Merrily We Dance
- starts shooting today.
- 121
- 00:07:44,800 --> 00:07:46,119
- Beardly Auberon gave us a draft
- 122
- 00:07:46,200 --> 00:07:47,394
- that's extremely classy.
- 123
- 00:07:47,560 --> 00:07:49,039
- Joan Van Vechten's
- playing Dierdre,
- 124
- 00:07:49,120 --> 00:07:50,840
- but we need a male lead
- and we need him now.
- 125
- 00:07:52,040 --> 00:07:54,508
- No, Jack Hogarth is
- drying out at Cedars.
- 126
- 00:07:55,920 --> 00:07:57,239
- Metro won't lend us Gable
- 127
- 00:07:57,320 --> 00:07:58,840
- unless we give them
- the Comiskey twins.
- 128
- 00:07:59,400 --> 00:08:01,470
- Of course not.
- I agree.
- 129
- 00:08:02,720 --> 00:08:04,631
- What?
- 130
- 00:08:04,800 --> 00:08:06,756
- Hobie Doyle? Do you
- really think so?
- 131
- 00:08:06,960 --> 00:08:08,473
- After all, he's a dust actor.
- 132
- 00:08:08,560 --> 00:08:10,915
- The man barely
- knows how to talk.
- 133
- 00:08:12,560 --> 00:08:14,198
- Yes, of course,
- Mr. Schenk, I agree,
- 134
- 00:08:14,280 --> 00:08:16,271
- but I don't know if Hobie Doyle
- 135
- 00:08:16,360 --> 00:08:18,590
- has the poise
- in a dinner jacket.
- 136
- 00:08:20,120 --> 00:08:21,599
- Yes, we do need someone pronto.
- 137
- 00:08:23,440 --> 00:08:24,919
- No, I don't, that's very true.
- 138
- 00:08:25,080 --> 00:08:27,056
- But let me talk to Laurence Laurentz,
- the director.
- 139
- 00:08:27,080 --> 00:08:28,593
- It could work.
- It could work.
- 140
- 00:08:28,760 --> 00:08:30,796
- Hobie Doyle is
- a very promising idea.
- 141
- 00:08:49,840 --> 00:08:51,114
- Whitey!
- 142
- 00:09:23,880 --> 00:09:25,393
- And cut!
- 143
- 00:09:25,560 --> 00:09:26,788
- Great, Hobie.
- 144
- 00:09:27,200 --> 00:09:28,713
- I can do the handstand smoother
- 145
- 00:09:28,800 --> 00:09:30,313
- if you give me
- another shot at her.
- 146
- 00:09:30,480 --> 00:09:33,313
- We got four good ones, Hobie,
- and Whitey's tired.
- 147
- 00:09:33,480 --> 00:09:35,391
- Okay, you're the boss man.
- 148
- 00:09:35,480 --> 00:09:37,550
- If that's lunch, I'm gonna
- grab me a plate of beans.
- 149
- 00:10:05,360 --> 00:10:07,032
- All right, kids, this is Rome.
- 150
- 00:10:07,120 --> 00:10:08,840
- You're over at this
- guy's house for a revel.
- 151
- 00:10:09,040 --> 00:10:10,519
- And in comes Antoninus.
- 152
- 00:10:10,680 --> 00:10:12,636
- Lots of energy.
- 153
- 00:10:14,520 --> 00:10:16,476
- What are you doing at
- the table of viands?
- 154
- 00:10:16,920 --> 00:10:18,496
- Huh? You're supposed to be
- reclining with the lyre.
- 155
- 00:10:18,520 --> 00:10:19,669
- I'm sorry, I was just...
- 156
- 00:10:19,760 --> 00:10:20,829
- Recline with the lyre.
- 157
- 00:10:22,200 --> 00:10:24,350
- Don't sit on the
- pediment. Recline.
- 158
- 00:10:24,560 --> 00:10:25,754
- Relaxed, festive.
- 159
- 00:10:25,920 --> 00:10:27,672
- Extras set?
- Set!
- 160
- 00:10:27,760 --> 00:10:28,829
- Roll sound!
- 161
- 00:10:28,920 --> 00:10:29,955
- I got my eye on you.
- 162
- 00:10:30,040 --> 00:10:31,598
- Roll camera. Fountain!
- 163
- 00:10:33,400 --> 00:10:35,197
- Hail, Caesar!
- Ten-apple, take 10.
- 164
- 00:10:35,720 --> 00:10:37,278
- And action!
- 165
- 00:10:42,800 --> 00:10:44,233
- Autolochus!
- 166
- 00:10:44,320 --> 00:10:47,312
- I had heard rumors
- of your return to Rome.
- 167
- 00:10:48,080 --> 00:10:50,435
- More than rumors, noble Sestimus.
- 168
- 00:10:50,600 --> 00:10:53,319
- I see that you are the same
- worshipper of Bacchus.
- 169
- 00:10:53,560 --> 00:10:54,754
- What gaiety.
- 170
- 00:10:55,120 --> 00:10:57,031
- There is still
- truth in the adage
- 171
- 00:10:57,120 --> 00:10:58,633
- "What pleasures cannot be found
- 172
- 00:10:58,760 --> 00:11:00,239
- "in the villa of
- Sestimus Amydias
- 173
- 00:11:00,400 --> 00:11:01,549
- "cannot be
- found in Rome!"
- 174
- 00:11:03,400 --> 00:11:04,515
- But seriously,
- 175
- 00:11:04,640 --> 00:11:06,949
- there is talk the Senate will
- send our legions out again,
- 176
- 00:11:07,120 --> 00:11:09,953
- and this time not on
- a short march to Gaul.
- 177
- 00:11:10,920 --> 00:11:13,354
- What truth to these
- mutterings, Sestimus?
- 178
- 00:11:13,600 --> 00:11:16,478
- The matter has been
- taken up in the Senate.
- 179
- 00:11:16,920 --> 00:11:20,276
- It seems that there
- is unrest in Palestine.
- 180
- 00:11:20,640 --> 00:11:21,640
- Palestine?
- 181
- 00:11:22,000 --> 00:11:23,000
- That backwater!
- 182
- 00:11:23,760 --> 00:11:25,432
- They'll hardly be
- sending the sixth legion
- 183
- 00:11:25,520 --> 00:11:28,751
- to that godforsaken
- patch of desert!
- 184
- 00:11:31,760 --> 00:11:32,954
- Palestine!
- 185
- 00:11:36,880 --> 00:11:38,199
- Palestine!
- 186
- 00:11:45,160 --> 00:11:46,160
- Ah.
- 187
- 00:11:47,960 --> 00:11:49,712
- Holding for a dissolve...
- 188
- 00:11:50,040 --> 00:11:51,758
- Still laughing...
- 189
- 00:11:52,960 --> 00:11:54,518
- Holding...
- 190
- 00:11:55,520 --> 00:11:56,520
- And cut!
- 191
- 00:11:57,640 --> 00:11:59,119
- Fine, boys.
- That was just fine.
- 192
- 00:11:59,320 --> 00:12:00,469
- Was I okay?
- Was I all right?
- 193
- 00:12:00,640 --> 00:12:01,640
- That's a cut!
- 194
- 00:12:01,720 --> 00:12:03,016
- We're gonna
- move on to the brazier scene.
- 195
- 00:12:03,040 --> 00:12:05,136
- Was I all right with the "mutterings"?
- It felt a little...
- 196
- 00:12:05,160 --> 00:12:06,434
- No, no, no, no, it's fine.
- 197
- 00:12:06,520 --> 00:12:08,158
- Moving on,
- brazier scene, 20 minutes.
- 198
- 00:12:08,240 --> 00:12:09,434
- Popping over to the trailer.
- 199
- 00:12:09,520 --> 00:12:10,669
- Okay. In the
- brazier scene,
- 200
- 00:12:10,760 --> 00:12:13,035
- they changed
- "passion" to "ardor."
- 201
- 00:12:13,200 --> 00:12:15,998
- What? Why?
- I liked "passion."
- 202
- 00:12:16,080 --> 00:12:18,389
- It's strong.
- It's passion!
- 203
- 00:12:22,520 --> 00:12:26,672
- "Such is my greeting after
- three months' sojourn in Gaul?
- 204
- 00:12:27,080 --> 00:12:29,833
- "Not so, Ursulina."
- 205
- 00:12:33,440 --> 00:12:35,158
- "My ardor...
- 206
- 00:12:36,520 --> 00:12:38,988
- "My ardor is yet as warm
- 207
- 00:12:39,080 --> 00:12:41,355
- "as the embers of this brazier.
- 208
- 00:12:41,520 --> 00:12:43,078
- "Embers
- of this brazier."
- 209
- 00:12:44,280 --> 00:12:45,576
- We're ready for you,
- Mr. Whitlock!
- 210
- 00:12:45,600 --> 00:12:47,670
- "Not so,
- Sperm-ulina."
- 211
- 00:12:57,080 --> 00:12:58,760
- Gentlemen,
- thank you all for coming.
- 212
- 00:12:58,880 --> 00:13:00,632
- I know you have parishes,
- flocks and temples
- 213
- 00:13:00,800 --> 00:13:02,518
- making enormous
- demands on your time.
- 214
- 00:13:02,680 --> 00:13:03,856
- But I'm sure you appreciate also
- 215
- 00:13:03,880 --> 00:13:05,359
- that great masses of humanity
- 216
- 00:13:05,520 --> 00:13:08,273
- look to pictures for
- information and uplift
- 217
- 00:13:08,440 --> 00:13:10,556
- and, yes, entertainment.
- 218
- 00:13:11,040 --> 00:13:13,110
- Now, here at Capitol Pictures,
- as you know,
- 219
- 00:13:13,280 --> 00:13:16,795
- an army of technicians and actors
- and top-notch artistic people
- 220
- 00:13:16,960 --> 00:13:20,191
- are working hard to bring to the
- screen the story of the Christ.
- 221
- 00:13:20,400 --> 00:13:21,719
- It's a swell story.
- 222
- 00:13:21,880 --> 00:13:23,472
- A story told before, yes,
- 223
- 00:13:23,640 --> 00:13:24,816
- but we like to flatter ourselves
- 224
- 00:13:24,840 --> 00:13:25,875
- that it's never been told
- 225
- 00:13:26,040 --> 00:13:27,917
- with this kind of
- distinction and panache.
- 226
- 00:13:28,080 --> 00:13:31,390
- Perhaps, sir, you forget its
- telling in the Holy Bible.
- 227
- 00:13:31,560 --> 00:13:34,028
- Quite right, Patriarch.
- The Bible, of course, is terrific.
- 228
- 00:13:34,120 --> 00:13:35,712
- But for millions of people,
- 229
- 00:13:35,880 --> 00:13:38,758
- pictures will be their
- reference point for the story.
- 230
- 00:13:38,880 --> 00:13:42,236
- The story's embodiment,
- the story's, uh...
- 231
- 00:13:42,320 --> 00:13:45,073
- Realization.
- 232
- 00:13:45,160 --> 00:13:48,311
- You "realize," of course,
- that for we Jews,
- 233
- 00:13:48,400 --> 00:13:52,234
- any visual depiction of the Godhead
- is most strictly prohibited.
- 234
- 00:13:52,640 --> 00:13:53,640
- Oh.
- 235
- 00:13:54,320 --> 00:13:57,756
- But, of course, for us, the man
- Jesus Nazarene is not God.
- 236
- 00:13:57,920 --> 00:13:58,920
- A-ha!
- 237
- 00:13:59,240 --> 00:14:00,753
- Who plays Christ?
- 238
- 00:14:00,920 --> 00:14:02,638
- Oh, a kid we're all
- very excited about.
- 239
- 00:14:02,720 --> 00:14:03,835
- Todd Hocheiser.
- 240
- 00:14:03,920 --> 00:14:07,469
- Wonderful young actor we found in Akron,
- Ohio, in a nationwide talent hunt.
- 241
- 00:14:07,640 --> 00:14:09,551
- But Hocheiser is
- seen only fleetingly
- 242
- 00:14:09,640 --> 00:14:11,198
- and with extreme taste.
- 243
- 00:14:11,360 --> 00:14:14,511
- Our story is told through the
- eyes of a Roman tribune.
- 244
- 00:14:14,680 --> 00:14:16,750
- Autolochus Antoninus.
- 245
- 00:14:16,960 --> 00:14:19,269
- Ordinary man,
- skeptical at first,
- 246
- 00:14:19,440 --> 00:14:21,112
- but who comes to
- a grudging respect
- 247
- 00:14:21,280 --> 00:14:22,952
- for this swell
- figure from the East.
- 248
- 00:14:23,280 --> 00:14:25,635
- And Autolochus is played by
- 249
- 00:14:26,360 --> 00:14:27,952
- Baird Whitlock.
- 250
- 00:14:28,440 --> 00:14:29,440
- Oh, my.
- 251
- 00:14:30,000 --> 00:14:32,434
- Well, he is certainly
- a great talent.
- 252
- 00:14:32,640 --> 00:14:34,240
- Now, Hail, Caesar!
- Is a prestige picture,
- 253
- 00:14:34,320 --> 00:14:35,799
- our biggest release of the year,
- 254
- 00:14:35,960 --> 00:14:38,235
- and we're devoting huge
- resources to its production
- 255
- 00:14:38,320 --> 00:14:39,594
- in order to
- make it first-class
- 256
- 00:14:39,680 --> 00:14:40,715
- in every respect.
- 257
- 00:14:40,880 --> 00:14:43,189
- Gentlemen, given
- its enormous expense,
- 258
- 00:14:43,400 --> 00:14:45,456
- we don't wanna send it to
- market except in the certainty
- 259
- 00:14:45,480 --> 00:14:47,914
- that it will not offend
- any reasonable American
- 260
- 00:14:48,000 --> 00:14:50,389
- regardless of faith or creed.
- 261
- 00:14:50,480 --> 00:14:52,789
- Now that's where you come in.
- You've read the script.
- 262
- 00:14:52,880 --> 00:14:54,960
- I wanna know if the theological
- elements of the story
- 263
- 00:14:55,080 --> 00:14:56,080
- are up to snuff.
- 264
- 00:14:56,240 --> 00:14:58,310
- I thought the
- chariot scene was fakey.
- 265
- 00:14:58,480 --> 00:15:00,560
- How is he going to jump from
- one chariot to the other
- 266
- 00:15:00,640 --> 00:15:02,312
- going full speed?
- 267
- 00:15:04,640 --> 00:15:05,640
- Uh-huh.
- 268
- 00:15:05,680 --> 00:15:07,796
- Well, we can look at that.
- 269
- 00:15:08,160 --> 00:15:10,913
- But as for the religious aspect,
- 270
- 00:15:11,000 --> 00:15:13,594
- does the depiction of Christ
- Jesus cut the mustard?
- 271
- 00:15:14,320 --> 00:15:16,216
- Well, the nature of Christ
- is not quite as simple
- 272
- 00:15:16,240 --> 00:15:17,719
- as your photoplay would have it.
- 273
- 00:15:17,880 --> 00:15:18,915
- How so, Father?
- 274
- 00:15:19,000 --> 00:15:22,231
- It's not the case simply
- that Christ is God, or God Christ.
- 275
- 00:15:22,440 --> 00:15:23,509
- You can say that again.
- 276
- 00:15:23,600 --> 00:15:25,033
- The Nazarene was not God.
- 277
- 00:15:25,200 --> 00:15:26,349
- He was not not-God.
- 278
- 00:15:26,440 --> 00:15:27,600
- He was a man.
- Part God.
- 279
- 00:15:27,680 --> 00:15:28,749
- No, sir.
- 280
- 00:15:28,840 --> 00:15:30,896
- But, Rabbi, all of us have a
- little bit of God in us, don't we?
- 281
- 00:15:30,920 --> 00:15:31,920
- Well...
- 282
- 00:15:32,000 --> 00:15:33,752
- It's the foundation
- of our belief
- 283
- 00:15:33,840 --> 00:15:37,674
- that Christ is most properly
- referred to as the Son of God.
- 284
- 00:15:37,920 --> 00:15:41,515
- It's the Son of God who takes the
- sins of the world upon himself
- 285
- 00:15:42,200 --> 00:15:46,955
- so that the rest of God's children,
- we imperfect beings,
- 286
- 00:15:47,120 --> 00:15:50,430
- through faith, may enter
- the Kingdom of heaven.
- 287
- 00:15:51,720 --> 00:15:54,188
- - So God is split?
- - Yes.
- 288
- 00:15:54,880 --> 00:15:56,029
- And no.
- 289
- 00:15:56,120 --> 00:15:57,678
- There is unity in division.
- 290
- 00:15:57,760 --> 00:15:59,113
- And division in unity.
- 291
- 00:15:59,280 --> 00:16:00,554
- I'm not sure I follow, Padre.
- 292
- 00:16:00,720 --> 00:16:02,800
- Young man, you don't follow
- for a very simple reason.
- 293
- 00:16:02,960 --> 00:16:04,109
- These men are screwballs.
- 294
- 00:16:04,280 --> 00:16:06,271
- God has children?
- What, and a dog?
- 295
- 00:16:06,800 --> 00:16:08,028
- A collie, maybe?
- 296
- 00:16:08,120 --> 00:16:09,314
- God doesn't have children.
- 297
- 00:16:09,400 --> 00:16:11,118
- He's a bachelor.
- And very angry.
- 298
- 00:16:11,240 --> 00:16:12,360
- No, no, he used to be angry.
- 299
- 00:16:12,400 --> 00:16:13,400
- What?
- He got over it?
- 300
- 00:16:13,560 --> 00:16:14,920
- You worship the God
- of another age.
- 301
- 00:16:15,080 --> 00:16:16,229
- Who has no love.
- 302
- 00:16:16,400 --> 00:16:17,879
- Not true.
- He likes Jews.
- 303
- 00:16:18,080 --> 00:16:19,149
- God loves everyone.
- 304
- 00:16:19,240 --> 00:16:20,355
- God is love!
- 305
- 00:16:21,080 --> 00:16:22,195
- God is who he is.
- 306
- 00:16:22,280 --> 00:16:24,032
- This is special?
- Who isn't who is?
- 307
- 00:16:24,120 --> 00:16:27,078
- But how should God be
- rendered in a motion picture?
- 308
- 00:16:27,240 --> 00:16:28,559
- God isn't in the motion picture!
- 309
- 00:16:28,720 --> 00:16:30,073
- Then who is Todd Hocheiser?
- 310
- 00:16:30,240 --> 00:16:32,754
- Gentlemen, maybe we're biting off
- more than we can chew.
- 311
- 00:16:32,920 --> 00:16:35,150
- We don't need to agree on
- the nature of the deity here,
- 312
- 00:16:35,320 --> 00:16:38,995
- if we could focus on the Christ,
- whatever his parentage.
- 313
- 00:16:39,160 --> 00:16:42,391
- My question is,
- is our depiction fair?
- 314
- 00:16:42,600 --> 00:16:43,794
- I have seen worse.
- 315
- 00:16:43,880 --> 00:16:44,915
- Reverend?
- 316
- 00:16:45,160 --> 00:16:47,958
- There is nothing to
- offend a reasonable man.
- 317
- 00:16:48,040 --> 00:16:49,075
- Father.
- 318
- 00:16:49,160 --> 00:16:51,958
- The motion picture
- teleplay was respectful
- 319
- 00:16:52,040 --> 00:16:54,873
- and exhibited
- tastefulness and class.
- 320
- 00:16:54,960 --> 00:16:56,678
- Who made you an expert
- all of a sudden?
- 321
- 00:16:58,520 --> 00:17:00,112
- And what do you think, Rabbi?
- 322
- 00:17:00,440 --> 00:17:01,440
- Eh...
- 323
- 00:17:01,640 --> 00:17:03,437
- I haven't an opinion.
- 324
- 00:17:03,960 --> 00:17:05,393
- How did we do?
- I don't...
- 325
- 00:17:05,480 --> 00:17:06,959
- Fine. What's up?
- 326
- 00:17:07,120 --> 00:17:09,031
- Can't find Baird Whitlock.
- 327
- 00:17:09,200 --> 00:17:10,296
- He left the set
- over an hour ago,
- 328
- 00:17:10,320 --> 00:17:11,958
- said he was going
- to his dressing room,
- 329
- 00:17:12,040 --> 00:17:13,189
- but he isn't there.
- 330
- 00:17:13,280 --> 00:17:15,350
- Out on a bender? Middle of the day?
- Am I crazy?
- 331
- 00:17:15,440 --> 00:17:17,192
- You're not crazy, but, no.
- 332
- 00:17:17,360 --> 00:17:20,716
- I checked the Til Two, Dan Tana's,
- Rusty Scupper. No soap.
- 333
- 00:17:20,800 --> 00:17:22,279
- Home, maybe? Called his wife?
- Yep.
- 334
- 00:17:22,440 --> 00:17:23,440
- What did Laura say?
- 335
- 00:17:23,560 --> 00:17:24,840
- "He's not home, he's never home.
- 336
- 00:17:24,880 --> 00:17:26,296
- "He's a louse.
- Try one of his chippies."
- 337
- 00:17:26,320 --> 00:17:27,816
- Called that script girl,
- what's her name, Francie?
- 338
- 00:17:27,840 --> 00:17:28,875
- Uh, check.
- 339
- 00:17:28,960 --> 00:17:30,056
- Any of the gals
- missing from the set?
- 340
- 00:17:30,080 --> 00:17:31,080
- Nope.
- 341
- 00:17:31,240 --> 00:17:34,118
- All right, gone an hour?
- We won't worry yet.
- 342
- 00:17:40,400 --> 00:17:41,435
- Hobie?
- 343
- 00:17:42,200 --> 00:17:44,031
- The studio says
- you're finished here,
- 344
- 00:17:44,120 --> 00:17:45,838
- and you're to report
- back to the lot.
- 345
- 00:17:45,960 --> 00:17:46,995
- How come?
- 346
- 00:17:47,160 --> 00:17:48,513
- They're changing your image.
- 347
- 00:17:48,680 --> 00:17:49,715
- Okay.
- 348
- 00:17:49,920 --> 00:17:52,275
- And the studio says you're
- escorting Carlotta Valdez
- 349
- 00:17:52,360 --> 00:17:53,759
- to your premiere tonight.
- 350
- 00:17:54,480 --> 00:17:55,913
- How come?
- I don't know her.
- 351
- 00:17:56,000 --> 00:17:58,798
- The studio's arranging it.
- They're changing your image.
- 352
- 00:20:46,920 --> 00:20:48,114
- Damn it!
- 353
- 00:21:03,120 --> 00:21:04,951
- You have gas again, ma'am?
- 354
- 00:21:05,120 --> 00:21:07,236
- Ma'am? Miss.
- Do I look married?
- 355
- 00:21:07,400 --> 00:21:09,516
- No, miss.
- No! Yeah, "Gas again."
- 356
- 00:21:10,000 --> 00:21:11,399
- Ask him. He knows.
- 357
- 00:21:11,560 --> 00:21:12,913
- All right. Scram.
- 358
- 00:21:13,840 --> 00:21:15,193
- How are you, DeeAnna?
- 359
- 00:21:15,920 --> 00:21:17,990
- How am I? Wet.
- 360
- 00:21:18,080 --> 00:21:20,480
- I don't think I'm gonna fit in
- that fish-ass after this week.
- 361
- 00:21:20,560 --> 00:21:22,656
- Oh, we should have the water
- ballet in the can after tomorrow.
- 362
- 00:21:22,680 --> 00:21:23,795
- In the nightclub scene,
- 363
- 00:21:23,880 --> 00:21:26,440
- wardrobe will have a gown for
- you that's more forgiving.
- 364
- 00:21:28,280 --> 00:21:30,000
- Any more thoughts about
- who you might marry?
- 365
- 00:21:31,080 --> 00:21:32,957
- I ain't doing that again.
- I had two marriages.
- 366
- 00:21:33,040 --> 00:21:35,315
- It just cost the studio a lot
- of money to bust them up.
- 367
- 00:21:35,400 --> 00:21:36,736
- Well, we had to
- have those annulled.
- 368
- 00:21:36,760 --> 00:21:38,040
- One was to a minor mob figure...
- 369
- 00:21:38,080 --> 00:21:39,798
- Vince was not minor.
- 370
- 00:21:39,960 --> 00:21:41,016
- And Buddy Flynn was a bandleader
- 371
- 00:21:41,040 --> 00:21:42,837
- with a long history
- of narcotic use.
- 372
- 00:21:43,000 --> 00:21:44,856
- Yeah, yeah, that's what I'm saying.
- They were both louses.
- 373
- 00:21:44,880 --> 00:21:46,916
- Marrying a third louse
- ain't gonna do me no good.
- 374
- 00:21:47,080 --> 00:21:49,176
- We've offered you some very
- suitable, clean young men.
- 375
- 00:21:49,200 --> 00:21:50,918
- Pretty boys, saps and swishes!
- 376
- 00:21:51,000 --> 00:21:53,195
- What, you think if there
- wasn't a good, reliable man,
- 377
- 00:21:53,280 --> 00:21:54,400
- I wouldn't have grabbed him?
- 378
- 00:21:54,440 --> 00:21:56,556
- What about Arne Seslum?
- He is the father, isn't he?
- 379
- 00:21:56,760 --> 00:21:57,909
- Yeah, yeah.
- 380
- 00:21:58,000 --> 00:21:59,877
- The marriage doesn't
- have to last forever.
- 381
- 00:22:00,040 --> 00:22:01,837
- But, DeeAnna,
- having a child without a father
- 382
- 00:22:02,000 --> 00:22:04,200
- would present a public-relations
- problem for the studio.
- 383
- 00:22:04,240 --> 00:22:06,310
- The aquatic pictures
- do very nicely for us.
- 384
- 00:22:06,880 --> 00:22:09,519
- So you go and strap on a
- fish-ass and marry Arne Seslum.
- 385
- 00:22:09,720 --> 00:22:11,233
- The pictures do well
- for all of us,
- 386
- 00:22:11,320 --> 00:22:12,799
- and it's a tribute to you.
- 387
- 00:22:12,880 --> 00:22:15,314
- The public loves you because
- they know how innocent you are.
- 388
- 00:22:15,680 --> 00:22:17,113
- That's true.
- 389
- 00:22:17,200 --> 00:22:18,736
- Let me see if Arne
- is open to matrimony.
- 390
- 00:22:18,760 --> 00:22:19,880
- You're sure he's the father?
- 391
- 00:22:19,920 --> 00:22:22,639
- Yeah, yeah. Absolutely,
- he's the father, yes!
- 392
- 00:22:23,000 --> 00:22:24,069
- Pretty sure.
- 393
- 00:22:24,960 --> 00:22:26,678
- Hey, Maxie,
- bring me my ass back.
- 394
- 00:22:27,560 --> 00:22:29,039
- Hey, hey, buddy, come here!
- 395
- 00:22:44,320 --> 00:22:45,435
- How you doing, Hobie?
- 396
- 00:22:45,600 --> 00:22:46,794
- Hello there, Scotty.
- 397
- 00:22:46,880 --> 00:22:48,598
- They got you
- shooting on the lot?
- 398
- 00:22:48,720 --> 00:22:51,154
- Uh, well, Mr. Mannix
- pulled me off the western.
- 399
- 00:22:51,320 --> 00:22:53,390
- Says I'm doing
- a movie on a sound stage.
- 400
- 00:22:53,480 --> 00:22:55,675
- They built a drawing room.
- 401
- 00:23:30,800 --> 00:23:31,800
- He's here.
- 402
- 00:23:33,720 --> 00:23:36,234
- Oh, my dear boy.
- Welcome.
- 403
- 00:23:36,560 --> 00:23:38,198
- Laurence Laurentz.
- 404
- 00:23:38,360 --> 00:23:41,079
- And you look wonderful, wonderful.
- How do you feel?
- 405
- 00:23:41,600 --> 00:23:44,512
- Uh, well, this here
- collar is a little tight.
- 406
- 00:23:44,680 --> 00:23:46,591
- No, no, no.
- It's nicely fit, looks a marvel.
- 407
- 00:23:46,680 --> 00:23:48,557
- Oh.
- Just takes a little getting used to.
- 408
- 00:23:49,400 --> 00:23:51,755
- Now, Hobie, here is our set.
- 409
- 00:23:51,920 --> 00:23:54,559
- And, in fact, that's right, yes,
- you enter from there,
- 410
- 00:23:54,720 --> 00:23:56,995
- having just seen
- Biff's valise in the foyer,
- 411
- 00:23:57,200 --> 00:24:00,749
- in spite of Allegra's claim that
- he hasn't been to the house.
- 412
- 00:24:00,960 --> 00:24:02,916
- I'm sweet on Allegra.
- Indeed you are.
- 413
- 00:24:03,080 --> 00:24:04,354
- But I seen Biff's grip.
- 414
- 00:24:04,440 --> 00:24:05,668
- Indeed you have.
- 415
- 00:24:05,880 --> 00:24:08,110
- And so here we
- find you, Hobie...
- 416
- 00:24:08,200 --> 00:24:10,555
- We find you haunted
- by unspoken suspicions.
- 417
- 00:24:10,760 --> 00:24:12,273
- Haunted.
- By Biff's grip.
- 418
- 00:24:12,440 --> 00:24:14,317
- By his valise, yes.
- 419
- 00:24:14,480 --> 00:24:17,711
- But here is Dierdre
- 420
- 00:24:17,800 --> 00:24:19,791
- harboring deep feelings for you,
- 421
- 00:24:19,880 --> 00:24:21,199
- and sensing opportunity.
- 422
- 00:24:21,360 --> 00:24:22,634
- Dierdre.
- Dierdre, yes.
- 423
- 00:24:22,720 --> 00:24:25,109
- So at her importuning,
- you join her on the couch
- 424
- 00:24:25,280 --> 00:24:27,350
- and conversation ensues.
- 425
- 00:24:28,360 --> 00:24:29,360
- Um...
- 426
- 00:24:30,760 --> 00:24:33,194
- So, she's gonna
- importune, Mr. Laurence?
- 427
- 00:24:33,360 --> 00:24:34,429
- Laurentz.
- 428
- 00:24:34,520 --> 00:24:35,794
- Oh, I'm sorry.
- 429
- 00:24:35,880 --> 00:24:37,916
- She's gonna importune,
- Mr. Laurentz?
- 430
- 00:24:38,000 --> 00:24:39,776
- Is that something
- I should be concerned about?
- 431
- 00:24:39,800 --> 00:24:41,136
- No, she'll simply
- ask you to join her
- 432
- 00:24:41,160 --> 00:24:42,416
- on the couch,
- is all I mean to say,
- 433
- 00:24:42,440 --> 00:24:43,496
- and then conversation ensues.
- 434
- 00:24:43,520 --> 00:24:44,520
- Okay. Okay.
- I gotcha.
- 435
- 00:24:44,640 --> 00:24:46,440
- Very good, very good.
- Let's try one, shall we?
- 436
- 00:24:46,520 --> 00:24:47,953
- Sure.
- I'll give it a go.
- 437
- 00:24:48,120 --> 00:24:49,712
- Wonderful, splendid.
- 438
- 00:24:49,920 --> 00:24:52,150
- Now, the only thing
- I would suggest is,
- 439
- 00:24:53,600 --> 00:24:56,353
- before your first line,
- you respond to her line
- 440
- 00:24:56,440 --> 00:24:59,477
- with a mirthless chuckle.
- 441
- 00:25:00,960 --> 00:25:02,109
- A mirthless chuckle.
- 442
- 00:25:02,280 --> 00:25:03,960
- Yes, I think given your
- unspoken suspicions
- 443
- 00:25:04,040 --> 00:25:05,553
- about Allegra,
- 444
- 00:25:06,120 --> 00:25:07,553
- a mirthless chuckle.
- 445
- 00:25:07,640 --> 00:25:09,756
- Uh-huh. Okay, Mr. Laurence,
- I'll give it a shot.
- 446
- 00:25:09,920 --> 00:25:10,989
- Laurentz.
- 447
- 00:25:11,080 --> 00:25:13,469
- Oh, gosh, I'm so sorry,
- Mr. Laurentz.
- 448
- 00:25:13,560 --> 00:25:14,675
- I'll give it a shot.
- 449
- 00:25:25,080 --> 00:25:27,040
- Merrily We Dance.
- 27-apple, take one.
- 450
- 00:25:30,080 --> 00:25:31,308
- Action.
- 451
- 00:25:36,560 --> 00:25:37,560
- Oh, Monty.
- 452
- 00:25:38,200 --> 00:25:39,872
- Come join me on the divan.
- 453
- 00:25:58,040 --> 00:25:59,553
- It seems
- Allegra's a no-show,
- 454
- 00:25:59,640 --> 00:26:01,312
- which is simply a bore.
- 455
- 00:26:01,480 --> 00:26:03,391
- But I'll partner you in bridge.
- 456
- 00:26:04,480 --> 00:26:05,993
- Why the pout?
- 457
- 00:26:06,480 --> 00:26:07,480
- Ha!
- 458
- 00:26:08,040 --> 00:26:10,156
- Would that it were so simple.
- 459
- 00:26:16,480 --> 00:26:17,549
- Uh, cut.
- 460
- 00:26:18,160 --> 00:26:20,280
- That's a cut. Back to one.
- 461
- 00:26:21,360 --> 00:26:24,238
- Very good.
- Wonderful, in fact.
- 462
- 00:26:26,040 --> 00:26:27,976
- But, um, let's try it
- a little differently this time.
- 463
- 00:26:28,000 --> 00:26:29,149
- Sure.
- Let's try...
- 464
- 00:26:30,200 --> 00:26:31,952
- Let's see, first of all,
- why don't we
- 465
- 00:26:32,040 --> 00:26:33,758
- dispense with
- the mirthless chuckle?
- 466
- 00:26:33,920 --> 00:26:35,353
- No mirthless chuckle.
- 467
- 00:26:35,680 --> 00:26:38,672
- No, no need, really. It was a bad idea.
- It was bad directorial.
- 468
- 00:26:38,840 --> 00:26:40,432
- My fault overthinking the thing.
- 469
- 00:26:40,600 --> 00:26:42,477
- If you say so,
- but I'm happy to do another,
- 470
- 00:26:42,560 --> 00:26:43,754
- maybe try her one more time.
- 471
- 00:26:43,920 --> 00:26:46,400
- I mean, if you want that chuckle,
- I sure wanna give her to you.
- 472
- 00:26:46,520 --> 00:26:48,536
- No, no, no. Completely unnecessary
- under the circumstances.
- 473
- 00:26:48,560 --> 00:26:50,136
- I think the audience can,
- to that extent,
- 474
- 00:26:50,160 --> 00:26:51,280
- they can read your thoughts,
- 475
- 00:26:51,320 --> 00:26:53,675
- and they will assume
- your mirthlessness.
- 476
- 00:26:53,880 --> 00:26:55,440
- Okay, you're the boss man,
- Mr. Laurence.
- 477
- 00:26:55,520 --> 00:26:56,555
- Laurentz.
- 478
- 00:26:56,760 --> 00:26:59,593
- Oh, gosh.
- I am so sorry, Mr. Laurentz.
- 479
- 00:26:59,800 --> 00:27:01,518
- Also, this time,
- let's try actually
- 480
- 00:27:01,640 --> 00:27:03,596
- looking at Dierdre as we speak.
- 481
- 00:27:03,760 --> 00:27:05,637
- Looking into her eyes
- and speaking our line
- 482
- 00:27:05,720 --> 00:27:07,597
- with a certain ruefulness.
- 483
- 00:27:08,960 --> 00:27:10,279
- Ruefulness, okay.
- 484
- 00:27:10,480 --> 00:27:12,596
- Yes. Because it's
- not so simple, you see.
- 485
- 00:27:12,760 --> 00:27:14,557
- Not so simple as she suggests.
- 486
- 00:27:14,720 --> 00:27:15,869
- Okay.
- 487
- 00:27:16,640 --> 00:27:19,108
- Your feelings are not so simple.
- 488
- 00:27:19,320 --> 00:27:20,992
- No, sir. Okay.
- 489
- 00:27:22,480 --> 00:27:23,515
- Roll camera.
- 490
- 00:27:23,680 --> 00:27:25,511
- Merrily We Dance.
- 27-apple, take two.
- 491
- 00:27:31,560 --> 00:27:33,391
- Action.
- 492
- 00:27:37,920 --> 00:27:38,989
- Oh, Monty.
- 493
- 00:27:39,280 --> 00:27:41,510
- Come join me on the divan.
- 494
- 00:27:50,400 --> 00:27:53,392
- Seems Allegra's a no-show,
- which is simply a bore.
- 495
- 00:27:53,560 --> 00:27:55,437
- But I'll partner you in bridge.
- 496
- 00:27:55,600 --> 00:27:56,999
- Why the pout?
- 497
- 00:27:59,600 --> 00:28:03,388
- Would that it were so simple.
- 498
- 00:28:07,400 --> 00:28:08,469
- Cut.
- 499
- 00:28:13,160 --> 00:28:14,912
- Very good, very good.
- 500
- 00:28:15,600 --> 00:28:17,591
- Um...
- 501
- 00:28:20,640 --> 00:28:21,709
- Come, come.
- 502
- 00:28:23,400 --> 00:28:24,628
- All right.
- 503
- 00:28:27,520 --> 00:28:29,192
- All right, let's try this.
- 504
- 00:28:29,600 --> 00:28:32,398
- Your line, just say it
- as I say it.
- 505
- 00:28:32,600 --> 00:28:34,591
- Say your line exactly
- as I'm about to.
- 506
- 00:28:34,760 --> 00:28:36,034
- Just as I'm about to do.
- 507
- 00:28:36,200 --> 00:28:37,553
- Sure, okay.
- 508
- 00:28:39,480 --> 00:28:41,118
- Would that it were so simple.
- 509
- 00:28:41,840 --> 00:28:42,840
- Um...
- 510
- 00:28:43,120 --> 00:28:44,678
- Would that ih
- twuuuuuuh so simple.
- 511
- 00:28:44,840 --> 00:28:46,193
- Would that it were so simple.
- 512
- 00:28:46,360 --> 00:28:48,157
- Would that ih
- twuuuuuuh so simple.
- 513
- 00:28:48,320 --> 00:28:49,416
- My dear boy,
- why do you say that?
- 514
- 00:28:49,440 --> 00:28:50,668
- Why do you say "twuuuuuuh"?
- 515
- 00:28:51,160 --> 00:28:53,071
- You said, "Say it like I said it."
- Yes.
- 516
- 00:28:53,240 --> 00:28:55,196
- Would that ih
- twuuuuuuh so simple.
- 517
- 00:28:55,360 --> 00:28:56,496
- Would that it were so simple.
- 518
- 00:28:56,520 --> 00:28:58,272
- Would that ih
- twuuuuuuh so simple.
- 519
- 00:28:58,440 --> 00:29:00,256
- Would that it...
- Would that ih twuuuuuuh so simple?
- 520
- 00:29:00,280 --> 00:29:02,360
- No, no, watch my mouth.
- Would that it were so simple.
- 521
- 00:29:02,400 --> 00:29:03,616
- Would that ih
- twuuuuuuh so simple.
- 522
- 00:29:03,640 --> 00:29:05,376
- Keep your head still.
- Would that it were so simple.
- 523
- 00:29:05,400 --> 00:29:06,696
- Would that ih
- twuuuuuuh so simple.
- 524
- 00:29:06,720 --> 00:29:07,880
- Would that it were so simple.
- 525
- 00:29:08,040 --> 00:29:09,792
- I'm trying to
- say that, Mr. Laurentz.
- 526
- 00:29:09,880 --> 00:29:10,915
- Laurence. Mmm.
- 527
- 00:29:12,280 --> 00:29:13,280
- I thought...
- 528
- 00:29:13,960 --> 00:29:15,712
- A minute ago it was Laurentz.
- 529
- 00:29:15,880 --> 00:29:17,616
- No, we can use Christian names,
- my good dear boy.
- 530
- 00:29:17,640 --> 00:29:19,320
- Laurence is fine,
- just as I call you Hobie.
- 531
- 00:29:19,400 --> 00:29:20,435
- Okay.
- 532
- 00:29:20,520 --> 00:29:22,158
- So, would that
- it were so simple.
- 533
- 00:29:22,320 --> 00:29:23,480
- Would that ih twuuuuuuh so...
- 534
- 00:29:23,600 --> 00:29:25,896
- Keep your hand down, now!
- Would that it were so simple. Trippingly.
- 535
- 00:29:25,920 --> 00:29:27,720
- Would that ih twuuuuuuh
- so simple. Trippingly.
- 536
- 00:29:27,880 --> 00:29:29,656
- No, don't say "trippingly,"
- say the line trippingly.
- 537
- 00:29:29,680 --> 00:29:31,360
- Would that ih twuuuuuuh...
- Would that it...
- 538
- 00:29:31,440 --> 00:29:32,496
- Would that it were so simple.
- 539
- 00:29:32,520 --> 00:29:33,576
- Would that ih
- twuuuuuuh so simple.
- 540
- 00:29:33,600 --> 00:29:34,656
- Would that it were so simple.
- 541
- 00:29:34,680 --> 00:29:35,736
- Would that ih
- twuuuuuuh so simple.
- 542
- 00:29:35,760 --> 00:29:36,816
- Would that it were so simple.
- 543
- 00:29:36,840 --> 00:29:37,936
- Would that ih
- twuuuuuuh so simple.
- 544
- 00:29:37,960 --> 00:29:39,016
- Would that it were so simple.
- 545
- 00:29:39,040 --> 00:29:41,016
- Would that ih twuuuuuuh so simple.
- Rueful, rueful, rueful.
- 546
- 00:29:41,040 --> 00:29:42,336
- Would that ih twuuuuuuh so simple.
- Rueful.
- 547
- 00:29:42,360 --> 00:29:43,520
- Would that it were so simple.
- 548
- 00:29:43,640 --> 00:29:44,976
- Rueful "simple."
- Would that ih twuuuuuuh...
- 549
- 00:29:45,000 --> 00:29:46,656
- Soulful "simple."
- Would that ih twuuuuuuh so simple.
- 550
- 00:29:46,680 --> 00:29:48,159
- Or soulful.
- You could say soulful.
- 551
- 00:29:48,320 --> 00:29:50,096
- Rueful, soulful.
- Would that it were so simple.
- 552
- 00:29:50,120 --> 00:29:51,553
- Would that ih
- twuuuuuuh so simple.
- 553
- 00:29:51,720 --> 00:29:52,776
- What are you doing this for?
- 554
- 00:29:52,800 --> 00:29:53,936
- Would that ih twuuuuuuh so...
- 555
- 00:29:53,960 --> 00:29:55,837
- Your hands!
- Just keep still!
- 556
- 00:30:21,720 --> 00:30:23,438
- Stall?
- For how long?
- 557
- 00:30:23,520 --> 00:30:24,536
- What do I tell the director?
- 558
- 00:30:24,560 --> 00:30:25,640
- That we're looking for him.
- 559
- 00:30:25,760 --> 00:30:27,176
- But we don't want it
- in the gossip columns.
- 560
- 00:30:27,200 --> 00:30:28,599
- Baird on a bender,
- in a love nest,
- 561
- 00:30:28,720 --> 00:30:30,040
- or wherever we
- end up finding him.
- 562
- 00:30:30,200 --> 00:30:32,634
- And as far as the set is concerned,
- it's business as usual.
- 563
- 00:30:32,800 --> 00:30:35,712
- Tell the ADs Baird is out briefly
- with a high ankle sprain.
- 564
- 00:30:35,880 --> 00:30:37,400
- Fine, but what do
- we shoot without him?
- 565
- 00:30:37,480 --> 00:30:39,160
- We got the brazier
- scene up this afternoon.
- 566
- 00:30:39,320 --> 00:30:40,816
- Could you get through it
- shooting around him?
- 567
- 00:30:40,840 --> 00:30:42,520
- Maybe use his stunt double,
- Chunk Mulligan?
- 568
- 00:30:43,040 --> 00:30:44,314
- Chunk can't act.
- 569
- 00:30:44,480 --> 00:30:46,038
- Get the writer to
- trim his speeches.
- 570
- 00:30:46,240 --> 00:30:47,416
- Well, maybe,
- but then what do we do?
- 571
- 00:30:47,440 --> 00:30:48,919
- All we got left
- is the final scene.
- 572
- 00:30:49,000 --> 00:30:51,514
- Autolochus' speech
- at the feet of the penitent thief.
- 573
- 00:30:51,800 --> 00:30:54,394
- It's the emotional climax
- of the entire picture.
- 574
- 00:30:54,480 --> 00:30:57,950
- We gotta see Autolochus has
- absorbed the message of the Christ.
- 575
- 00:30:58,120 --> 00:30:59,189
- Yeah, I can see that.
- 576
- 00:30:59,280 --> 00:31:01,032
- We need Baird's
- star power, his charisma.
- 577
- 00:31:01,120 --> 00:31:02,394
- Sure, his emotional, uh...
- 578
- 00:31:02,560 --> 00:31:04,536
- This can't be faked!
- It's the heart and soul of the picture.
- 579
- 00:31:04,560 --> 00:31:06,516
- I understand.
- End of the film!
- 580
- 00:31:06,840 --> 00:31:09,354
- We can't just give
- the speech to some...
- 581
- 00:31:09,600 --> 00:31:10,999
- Some
- 582
- 00:31:11,080 --> 00:31:12,433
- Roman schmo!
- 583
- 00:31:12,640 --> 00:31:14,000
- No, no. Yeah, yeah,
- yeah, I got it.
- 584
- 00:31:14,080 --> 00:31:16,196
- But his benders can
- last a day or two.
- 585
- 00:31:17,000 --> 00:31:18,513
- What does it cost to shut down?
- 586
- 00:31:18,680 --> 00:31:20,280
- Plenty. You know how
- big this picture is?
- 587
- 00:31:20,320 --> 00:31:22,151
- We're on Stages 5 and 14.
- 588
- 00:31:22,320 --> 00:31:24,515
- If we're carrying everybody
- in the final scene
- 589
- 00:31:24,600 --> 00:31:25,953
- who's up on crucifixes
- 590
- 00:31:26,120 --> 00:31:29,237
- that's $3.40 an hour hardship pay,
- eight hour minimum.
- 591
- 00:31:29,400 --> 00:31:30,549
- Yeah.
- Plus we lose...
- 592
- 00:31:30,640 --> 00:31:32,073
- Mr. Mannix, I'm sorry... Not now.
- 593
- 00:31:32,200 --> 00:31:34,634
- We lose Todd Hocheiser to Fox
- at the end of the week.
- 594
- 00:31:34,720 --> 00:31:35,776
- We should have
- made him exclusive.
- 595
- 00:31:35,800 --> 00:31:36,800
- Who knew?
- 596
- 00:31:36,840 --> 00:31:38,120
- I'm sorry, sir.
- Not now!
- 597
- 00:31:38,160 --> 00:31:40,879
- It's Mr. Laurentz.
- I can't stop him!
- 598
- 00:31:41,280 --> 00:31:42,918
- - Mannix, I won't have it!
- - No! No!
- 599
- 00:31:43,000 --> 00:31:45,309
- For two decades the words
- "Laurence Laurentz Presents"
- 600
- 00:31:45,400 --> 00:31:46,696
- have meant something
- to the public.
- 601
- 00:31:46,720 --> 00:31:48,676
- It's all right, Natalie.
- Okay, Walt, let me know.
- 602
- 00:31:50,200 --> 00:31:52,350
- What's on your mind, Laurence?
- 603
- 00:31:52,520 --> 00:31:54,476
- Hobie Doyle cannot act!
- 604
- 00:31:55,000 --> 00:31:56,558
- Hobart Doyle is
- one of the biggest
- 605
- 00:31:56,640 --> 00:31:57,993
- movie stars in the world.
- 606
- 00:31:58,160 --> 00:31:59,229
- On horseback.
- 607
- 00:31:59,320 --> 00:32:00,992
- But this is a drama,
- Mannix, a real drama.
- 608
- 00:32:01,160 --> 00:32:02,912
- It's an adaptation
- of a Broadway smash!
- 609
- 00:32:03,080 --> 00:32:05,275
- It requires the skills
- of a trained thespian,
- 610
- 00:32:05,480 --> 00:32:07,198
- not a rodeo clown!
- 611
- 00:32:07,400 --> 00:32:08,628
- I begged you for Lunt!
- 612
- 00:32:08,800 --> 00:32:10,736
- Mr. Mannix, I'm sorry,
- but you wanted me to make sure
- 613
- 00:32:10,760 --> 00:32:12,910
- you didn't miss your lunch
- at the Imperial Gardens.
- 614
- 00:32:13,080 --> 00:32:14,354
- You never told me who with.
- 615
- 00:32:14,520 --> 00:32:15,589
- Nuts.
- 616
- 00:32:15,680 --> 00:32:17,636
- Look, no one wants to see Lunt.
- 617
- 00:32:17,720 --> 00:32:20,075
- We're not recasting.
- This came from Mr. Schenk himself.
- 618
- 00:32:20,160 --> 00:32:22,196
- It's Hobie Doyle.
- Is the boy game?
- 619
- 00:32:22,360 --> 00:32:24,590
- No, he's game.
- And gamey!
- 620
- 00:32:24,760 --> 00:32:26,720
- Well, if he needs help,
- it's your job to help him.
- 621
- 00:32:26,840 --> 00:32:29,256
- I'll have a talk with Hobie and
- take a look at what you've shot,
- 622
- 00:32:29,280 --> 00:32:31,157
- but right now I've got a lunch.
- 623
- 00:32:39,680 --> 00:32:43,992
- "Truth to these
- mutterings, Sestimus."
- 624
- 00:33:08,240 --> 00:33:09,468
- Quiet, Engels!
- 625
- 00:33:16,000 --> 00:33:17,911
- How pleasant to
- see you, Mr. Mannix.
- 626
- 00:33:18,000 --> 00:33:19,718
- Your table is right over here.
- 627
- 00:33:19,880 --> 00:33:21,279
- Thank you, Arthur.
- 628
- 00:33:24,600 --> 00:33:25,953
- How you doing, Mannix?
- 629
- 00:33:26,120 --> 00:33:27,439
- Mr. Cuddahy.
- 630
- 00:33:27,600 --> 00:33:30,319
- They mix a hell of a Mai Tai.
- I like this place.
- 631
- 00:33:30,480 --> 00:33:33,631
- Sorry to keep you hanging.
- It's a tough decision.
- 632
- 00:33:33,800 --> 00:33:37,395
- Nothing to apologize for. We said the
- deal was on the table for a week.
- 633
- 00:33:37,920 --> 00:33:38,920
- Oh.
- 634
- 00:33:39,480 --> 00:33:40,629
- Go ahead.
- 635
- 00:33:41,840 --> 00:33:43,671
- No, I'm trying to quit.
- 636
- 00:33:44,400 --> 00:33:45,674
- I just wanted to visit again
- 637
- 00:33:45,760 --> 00:33:47,736
- to see if there was some
- impediment we could help with,
- 638
- 00:33:47,760 --> 00:33:49,336
- or if something in
- the offer isn't clear?
- 639
- 00:33:49,360 --> 00:33:51,396
- No, the offer's very clear.
- And very generous.
- 640
- 00:33:51,560 --> 00:33:53,755
- We want to make it easy
- for you to say yes.
- 641
- 00:33:55,480 --> 00:33:57,136
- Mannix, we need a guy with
- your talents in management,
- 642
- 00:33:57,160 --> 00:33:58,673
- problem-solving.
- 643
- 00:33:58,840 --> 00:34:00,876
- And you need to
- think about the future.
- 644
- 00:34:01,040 --> 00:34:02,758
- Lockheed is booming.
- 645
- 00:34:02,920 --> 00:34:04,160
- Everyone's riding in airplanes,
- 646
- 00:34:04,200 --> 00:34:06,111
- and we're moving
- into jet airplanes.
- 647
- 00:34:06,280 --> 00:34:08,669
- It's a new age, Mannix,
- and we're part of it.
- 648
- 00:34:08,840 --> 00:34:11,798
- The industry you're in,
- what's the future there?
- 649
- 00:34:12,000 --> 00:34:14,116
- What happens when everybody
- owns a television set?
- 650
- 00:34:14,200 --> 00:34:16,111
- Will they still be going
- to pictures every week?
- 651
- 00:34:16,320 --> 00:34:17,840
- Well, we like to
- think that families...
- 652
- 00:34:17,960 --> 00:34:19,154
- I don't mean to denigrate.
- 653
- 00:34:19,240 --> 00:34:21,834
- I'm sure the picture business
- is pretty damned interesting.
- 654
- 00:34:22,000 --> 00:34:25,072
- But it's also pretty
- frivolous, isn't it?
- 655
- 00:34:25,440 --> 00:34:29,319
- Aviation is serious.
- Serious business, serious people.
- 656
- 00:34:29,480 --> 00:34:32,358
- You won't be babysitting a
- lot of oddballs and misfits,
- 657
- 00:34:32,520 --> 00:34:34,280
- shouldering a lot of
- crackpot problems for...
- 658
- 00:34:34,320 --> 00:34:36,038
- We have some kooks, sure, but...
- 659
- 00:34:36,200 --> 00:34:38,839
- Of course they're kooks!
- It's all make-believe.
- 660
- 00:34:42,080 --> 00:34:43,229
- I told myself I wasn't gonna
- 661
- 00:34:43,320 --> 00:34:45,151
- badmouth the competition,
- and look at me.
- 662
- 00:34:45,320 --> 00:34:47,788
- Sorry, Mannix.
- I'll stick with what we're about.
- 663
- 00:34:47,960 --> 00:34:49,188
- Let me show you something.
- 664
- 00:34:49,840 --> 00:34:51,751
- Ever heard of the Bikini Atoll?
- 665
- 00:34:51,920 --> 00:34:52,955
- No.
- 666
- 00:34:53,800 --> 00:34:54,835
- Test site.
- 667
- 00:34:55,000 --> 00:34:56,536
- Just couple of rocks in the
- middle of the Pacific,
- 668
- 00:34:56,560 --> 00:34:58,312
- until a few weeks ago,
- 669
- 00:34:58,480 --> 00:35:00,198
- when we blew
- the H-erino.
- 670
- 00:35:00,760 --> 00:35:02,273
- I shouldn't be telling you this.
- 671
- 00:35:03,480 --> 00:35:05,072
- It's the real world.
- 672
- 00:35:05,280 --> 00:35:06,508
- Hydrogen bomb.
- 673
- 00:35:07,480 --> 00:35:08,879
- Fusion device.
- 674
- 00:35:10,480 --> 00:35:11,708
- Armageddon.
- 675
- 00:35:11,800 --> 00:35:13,840
- And Lockheed was there.
- We had a...
- 676
- 00:35:13,880 --> 00:35:15,199
- Call for you,
- Mr. Mannix.
- 677
- 00:35:15,880 --> 00:35:16,880
- Oh, thank you.
- 678
- 00:35:19,120 --> 00:35:20,235
- Hello?
- 679
- 00:35:22,280 --> 00:35:23,599
- Yeah, he has it now?
- 680
- 00:35:24,520 --> 00:35:26,750
- No, have him stay on set,
- I'll go to him.
- 681
- 00:35:28,360 --> 00:35:30,510
- Sorry, Cuddahy, work emergency.
- 682
- 00:35:30,600 --> 00:35:32,750
- Still do work there,
- for the day anyway.
- 683
- 00:35:32,920 --> 00:35:35,309
- You make a good case.
- I'll let you know.
- 684
- 00:36:43,800 --> 00:36:44,800
- Uh...
- 685
- 00:36:44,880 --> 00:36:46,393
- You one of the Hollywood people?
- 686
- 00:36:49,800 --> 00:36:51,119
- Maybe.
- 687
- 00:36:51,640 --> 00:36:52,868
- They're in there.
- 688
- 00:37:22,480 --> 00:37:26,553
- Please, enter.
- All are welcome.
- 689
- 00:37:50,640 --> 00:37:51,914
- Those things are a nuisance.
- 690
- 00:37:54,120 --> 00:37:55,189
- Thank you.
- 691
- 00:37:58,520 --> 00:38:00,670
- We'll have sandwiches
- in a minute.
- 692
- 00:38:01,520 --> 00:38:03,636
- Tea?
- 693
- 00:38:05,280 --> 00:38:07,157
- Uh, okay.
- 694
- 00:38:07,320 --> 00:38:09,197
- Yeah.
- And, uh...
- 695
- 00:38:09,360 --> 00:38:11,669
- And what's going on?
- 696
- 00:38:11,760 --> 00:38:12,875
- Yeah.
- 697
- 00:38:13,040 --> 00:38:14,712
- Well, we've just
- read the minutes.
- 698
- 00:38:14,880 --> 00:38:16,871
- And Alan was about to
- bring up new business.
- 699
- 00:38:20,720 --> 00:38:22,711
- Well, I missed the minutes.
- 700
- 00:38:23,200 --> 00:38:24,394
- I wouldn't worry about it.
- 701
- 00:38:24,560 --> 00:38:26,630
- They're usually pretty boring.
- 702
- 00:38:32,880 --> 00:38:34,677
- What kind of a meeting is this?
- 703
- 00:38:34,840 --> 00:38:36,319
- Well, it's not a meeting
- 704
- 00:38:36,480 --> 00:38:37,993
- so much as a...
- 705
- 00:38:38,680 --> 00:38:42,912
- It's, uh, more of a study group.
- 706
- 00:38:43,080 --> 00:38:44,513
- And you're studying?
- 707
- 00:38:45,000 --> 00:38:46,399
- All sorts of jolly stuff.
- 708
- 00:38:46,560 --> 00:38:48,152
- History.
- Economics.
- 709
- 00:38:48,320 --> 00:38:49,753
- Same thing, isn't it?
- 710
- 00:38:49,920 --> 00:38:52,150
- History, economics.
- 711
- 00:38:52,320 --> 00:38:53,753
- Don't you agree?
- 712
- 00:38:56,920 --> 00:39:01,198
- I'm not really
- a student of history.
- 713
- 00:39:06,720 --> 00:39:07,720
- Quiet, Engels!
- 714
- 00:39:08,520 --> 00:39:09,520
- Thank you.
- 715
- 00:39:09,880 --> 00:39:11,757
- Man is split?
- 716
- 00:39:11,920 --> 00:39:13,433
- Well, Man's functions are split.
- 717
- 00:39:13,600 --> 00:39:17,149
- There's the little guy, the regular
- Joe who works for a living.
- 718
- 00:39:17,240 --> 00:39:19,549
- He's the body, body politic.
- 719
- 00:39:19,720 --> 00:39:22,075
- Then there's the brain,
- the boss, the owner.
- 720
- 00:39:22,240 --> 00:39:23,559
- The boss is not the brain.
- 721
- 00:39:23,720 --> 00:39:25,233
- No, no!
- The boss is parasite!
- 722
- 00:39:25,680 --> 00:39:29,116
- Well, it's true that the
- boss doesn't work, but he has a function.
- 723
- 00:39:29,280 --> 00:39:30,599
- He controls the means of...
- 724
- 00:39:30,800 --> 00:39:33,598
- Production. Sure,
- but that's not a function, that's...
- 725
- 00:39:33,760 --> 00:39:35,796
- Parasitism!
- On the... Shut up!
- 726
- 00:39:35,960 --> 00:39:38,793
- - On the body politic. Of the regular Joe!
- - Shut up!
- 727
- 00:39:45,480 --> 00:39:48,313
- Man is unitary.
- 728
- 00:39:48,480 --> 00:39:50,869
- A simple economic agent.
- 729
- 00:39:51,040 --> 00:39:53,474
- Man's institutions are split,
- 730
- 00:39:53,640 --> 00:39:57,155
- expressing contradictions
- that must be worked through.
- 731
- 00:39:57,560 --> 00:40:03,237
- And they are worked through in
- a causative, predictable way.
- 732
- 00:40:04,320 --> 00:40:06,151
- History is science.
- 733
- 00:40:06,640 --> 00:40:09,632
- This is the essence of the dialectic.
- 734
- 00:40:10,480 --> 00:40:12,277
- You see, if you
- understand economics,
- 735
- 00:40:12,480 --> 00:40:15,233
- you can actually write down
- what will happen in the future.
- 736
- 00:40:15,400 --> 00:40:18,233
- With as much confidence as you write
- down the history of the past.
- 737
- 00:40:18,320 --> 00:40:21,756
- Because it's science.
- It's not make believe.
- 738
- 00:40:21,920 --> 00:40:23,831
- We don't believe in Santa Claus.
- 739
- 00:40:25,240 --> 00:40:26,593
- Another finger sandwich?
- 740
- 00:40:26,760 --> 00:40:29,479
- Thank you. Now if I follow this
- correctly...
- 741
- 00:40:30,680 --> 00:40:31,680
- Who's that guy?
- 742
- 00:40:33,280 --> 00:40:37,114
- Uh, Mr. Smitrovich takes
- pictures for our newsletter.
- 743
- 00:40:38,120 --> 00:40:41,317
- Our understanding of the
- true workings of history
- 744
- 00:40:41,480 --> 00:40:44,233
- gives us access to
- the levers of power.
- 745
- 00:40:44,320 --> 00:40:48,950
- Your studio, for instance,
- is a pure instrument of capitalism.
- 746
- 00:40:49,120 --> 00:40:53,875
- As such, it expresses the
- contradictions of capitalism
- 747
- 00:40:54,040 --> 00:40:59,717
- and can be enlisted to
- finance its own destruction.
- 748
- 00:41:00,200 --> 00:41:01,428
- Which is exciting.
- 749
- 00:41:01,640 --> 00:41:04,871
- It can be made to help the
- little guy, the regular Joe.
- 750
- 00:41:05,040 --> 00:41:06,553
- The body politic!
- Shut up!
- 751
- 00:41:06,720 --> 00:41:09,188
- Even though its purpose
- is to exploit the little guy.
- 752
- 00:41:09,400 --> 00:41:10,719
- And the body politic.
- 753
- 00:41:10,880 --> 00:41:12,520
- You're for the little guy?
- 754
- 00:41:12,600 --> 00:41:14,376
- For the little guy or against,
- it doesn't matter.
- 755
- 00:41:14,400 --> 00:41:15,913
- History will be what it will be,
- 756
- 00:41:16,000 --> 00:41:17,216
- and we already
- know what it'll be.
- 757
- 00:41:17,240 --> 00:41:18,673
- But yes, we're
- for the little guy.
- 758
- 00:41:18,840 --> 00:41:20,558
- Aren't you?
- Shut up!
- 759
- 00:41:20,720 --> 00:41:23,188
- Are you joking?
- Me, for the little guy?
- 760
- 00:41:23,280 --> 00:41:24,560
- Of course I'm for
- the little guy.
- 761
- 00:41:24,680 --> 00:41:26,238
- What, is this guy a comedian?
- 762
- 00:41:30,080 --> 00:41:33,390
- Listen, I better get back.
- The studio's gotta be going nuts.
- 763
- 00:41:33,480 --> 00:41:35,216
- Can we cut it off now and
- pick it up right here
- 764
- 00:41:35,240 --> 00:41:37,435
- at the next study session?
- 765
- 00:41:39,600 --> 00:41:43,070
- Okay, well, see...
- 766
- 00:41:45,560 --> 00:41:47,676
- I'm afraid it's not that simple.
- 767
- 00:41:50,440 --> 00:41:56,436
- And so, Baird Whitlock found
- himself in the hands of communists.
- 768
- 00:41:56,600 --> 00:42:00,434
- Meanwhile, far from
- the crashing surf of Malibu,
- 769
- 00:42:00,600 --> 00:42:04,593
- Eddie Mannix, torn from his lunch
- with a Lockheed man,
- 770
- 00:42:04,760 --> 00:42:07,832
- hurries back to the vastness
- of Capitol Pictures,
- 771
- 00:42:08,040 --> 00:42:10,600
- whose tireless
- machinery clanks on,
- 772
- 00:42:10,760 --> 00:42:13,354
- producing this year's
- ration of dreams
- 773
- 00:42:13,480 --> 00:42:16,119
- for all the weary
- peoples of the world.
- 774
- 00:42:16,280 --> 00:42:19,078
- Hey, numbskull. Didn't you
- see the rolling light was on?
- 775
- 00:42:19,240 --> 00:42:21,800
- Oh, I'm sorry, Mr. Mannix.
- Can I help you find someone?
- 776
- 00:42:21,960 --> 00:42:23,109
- No.
- 777
- 00:42:23,200 --> 00:42:24,792
- - Autolochus!
- - Yes?
- 778
- 00:42:25,560 --> 00:42:28,916
- Why do you present yourself in my
- chambers in such humble fashion?
- 779
- 00:42:29,080 --> 00:42:31,275
- Do not look upon me, Ursulina.
- 780
- 00:42:31,480 --> 00:42:33,357
- The fires of the
- brazier of Sestimus
- 781
- 00:42:33,440 --> 00:42:35,476
- have latterly burned my face!
- 782
- 00:42:35,640 --> 00:42:36,920
- Though the unguents
- of Arkimideus
- 783
- 00:42:37,000 --> 00:42:39,150
- promise shortly
- to undo the damage.
- 784
- 00:42:39,320 --> 00:42:42,392
- Autolochus, you know
- that my love is for you,
- 785
- 00:42:42,480 --> 00:42:43,549
- not for your station.
- 786
- 00:42:44,480 --> 00:42:50,157
- And my ardor for you...
- 787
- 00:42:50,240 --> 00:42:52,117
- I'm sorry. I'm sorry.
- 788
- 00:42:55,920 --> 00:42:57,478
- "We are the Future."
- 789
- 00:42:58,400 --> 00:42:59,549
- What does that mean?
- 790
- 00:42:59,760 --> 00:43:00,909
- Beats me.
- 791
- 00:43:01,640 --> 00:43:02,920
- Somebody slipped
- it under my door
- 792
- 00:43:03,000 --> 00:43:04,672
- sometime after we
- broke this morning.
- 793
- 00:43:04,840 --> 00:43:06,068
- Mention it to anyone?
- 794
- 00:43:06,160 --> 00:43:07,229
- Nope.
- 795
- 00:43:07,320 --> 00:43:09,151
- Okay, well, let's
- keep it that way.
- 796
- 00:43:11,520 --> 00:43:14,751
- Hey, by the way,
- Chunk sounded good in there.
- 797
- 00:43:17,080 --> 00:43:19,514
- Natalie, could you please get
- me Stu Schwartz, Accounting?
- 798
- 00:43:20,680 --> 00:43:22,830
- Stu Schwartz on two.
- 799
- 00:43:23,840 --> 00:43:26,638
- Stu, how are ya?
- I need some petty cash.
- 800
- 00:43:26,800 --> 00:43:28,199
- $100,000.
- 801
- 00:43:28,360 --> 00:43:29,839
- I'm sorry, did I say petty?
- 802
- 00:43:30,040 --> 00:43:32,016
- Well, it's a long story,
- and I'll tell it to you some time.
- 803
- 00:43:32,040 --> 00:43:33,678
- You have that much
- in the office?
- 804
- 00:43:33,880 --> 00:43:35,950
- Yeah, how much space
- will that take up?
- 805
- 00:43:36,200 --> 00:43:37,235
- Uh, Mr. Mannix?
- 806
- 00:43:37,320 --> 00:43:38,514
- All right, this might do it.
- 807
- 00:43:39,360 --> 00:43:41,032
- Uh, Thora Thacker just came in.
- 808
- 00:43:41,200 --> 00:43:42,519
- Wonders if you have a moment.
- 809
- 00:43:43,520 --> 00:43:45,636
- Thora Thacker.
- 810
- 00:43:45,720 --> 00:43:47,199
- Tell her I'm stuck on a call.
- 811
- 00:43:47,440 --> 00:43:48,998
- I'll leave through the patio.
- 812
- 00:43:51,200 --> 00:43:53,077
- Call didn't take so long then.
- 813
- 00:43:53,160 --> 00:43:55,151
- Yes. No.
- Fast talkers.
- 814
- 00:43:55,360 --> 00:43:56,554
- What can I do for you, Thora?
- 815
- 00:43:56,720 --> 00:43:57,948
- Well, I'll be fast, too.
- 816
- 00:43:58,040 --> 00:43:59,837
- I only wanted to
- notify you as a courtesy
- 817
- 00:43:59,920 --> 00:44:02,229
- that I am running my
- Baird Whitlock story.
- 818
- 00:44:02,400 --> 00:44:03,628
- Yeah?
- What's the story?
- 819
- 00:44:03,720 --> 00:44:07,076
- The story. I have a credible
- source and I am going to run it,
- 820
- 00:44:07,240 --> 00:44:08,798
- and I think you know
- what story I mean.
- 821
- 00:44:09,000 --> 00:44:10,115
- I have no idea.
- 822
- 00:44:10,200 --> 00:44:12,176
- There's nothing going on with Baird.
- I would know, wouldn't I?
- 823
- 00:44:12,200 --> 00:44:13,428
- Don't play dumb, Eddie.
- 824
- 00:44:13,520 --> 00:44:14,794
- I am talking about
- 825
- 00:44:15,840 --> 00:44:18,070
- On Wings as Eagles.
- 826
- 00:44:20,040 --> 00:44:21,109
- What?
- 827
- 00:44:21,200 --> 00:44:22,349
- Running it tomorrow.
- 828
- 00:44:23,160 --> 00:44:24,388
- First of all...
- 829
- 00:44:25,720 --> 00:44:27,597
- First of all, there's
- nothing to that story.
- 830
- 00:44:27,680 --> 00:44:28,976
- I've heard it,
- it's been around forever,
- 831
- 00:44:29,000 --> 00:44:30,228
- and it's never been confirmed.
- 832
- 00:44:30,320 --> 00:44:31,753
- And secondly,
- you can't print that.
- 833
- 00:44:31,920 --> 00:44:33,536
- Even if you could print it,
- you couldn't print it.
- 834
- 00:44:33,560 --> 00:44:35,136
- And you wouldn't want to, Thora.
- It's beneath you.
- 835
- 00:44:35,160 --> 00:44:36,513
- The facts are never beneath me.
- 836
- 00:44:36,680 --> 00:44:38,910
- People don't want the facts,
- they wanna believe!
- 837
- 00:44:39,080 --> 00:44:41,674
- That's our great industry,
- mine and yours, too.
- 838
- 00:44:41,760 --> 00:44:43,016
- They wanna believe
- that Baird Whitlock
- 839
- 00:44:43,040 --> 00:44:44,758
- is a great star and a good man.
- 840
- 00:44:44,920 --> 00:44:45,989
- You're admitting he isn't.
- 841
- 00:44:46,120 --> 00:44:48,190
- No, I'm saying he is,
- though it's beside the point.
- 842
- 00:44:48,360 --> 00:44:50,237
- There's nothing to it,
- nothing to the gossip.
- 843
- 00:44:50,400 --> 00:44:52,516
- I am not a gossip columnist!
- 844
- 00:44:52,680 --> 00:44:53,795
- No, no, no, of course not.
- 845
- 00:44:53,920 --> 00:44:55,717
- Don't confuse me with my sister!
- 846
- 00:44:55,920 --> 00:44:58,275
- Hardly. But look, do you
- have to run it tomorrow?
- 847
- 00:44:58,680 --> 00:44:59,999
- It's my entire column.
- 848
- 00:45:00,080 --> 00:45:01,600
- I'm happy to talk
- to Baird for comment,
- 849
- 00:45:01,640 --> 00:45:03,120
- but it will have to
- be this afternoon.
- 850
- 00:45:03,280 --> 00:45:04,856
- Baird's unavailable
- right now. Wait one day.
- 851
- 00:45:04,880 --> 00:45:05,880
- Ha!
- 852
- 00:45:05,960 --> 00:45:07,473
- Thora, wait one
- day and I'll give you
- 853
- 00:45:07,600 --> 00:45:09,272
- a true story for
- tomorrow's column.
- 854
- 00:45:09,360 --> 00:45:11,271
- A little something
- 855
- 00:45:11,400 --> 00:45:12,799
- about Hobie Doyle.
- 856
- 00:45:12,960 --> 00:45:14,416
- My readers don't
- care about Hobie Doyle.
- 857
- 00:45:14,440 --> 00:45:15,475
- He wears chaps!
- 858
- 00:45:15,640 --> 00:45:16,856
- Do they care about
- Carlotta Valdez?
- 859
- 00:45:16,880 --> 00:45:18,000
- They're sweet on each other.
- 860
- 00:45:18,040 --> 00:45:20,400
- You should see the two of them together.
- Like peas in a pod.
- 861
- 00:45:20,920 --> 00:45:23,096
- Trade the story of my career for
- a puff piece on Hobie Doyle?
- 862
- 00:45:23,120 --> 00:45:24,553
- I don't think so.
- 863
- 00:45:24,640 --> 00:45:26,176
- You're not trading anything,
- you're waiting one day
- 864
- 00:45:26,200 --> 00:45:27,599
- on a story that's years old.
- 865
- 00:45:27,680 --> 00:45:29,432
- Wait one day.
- I can let you talk to Baird,
- 866
- 00:45:29,520 --> 00:45:30,656
- show you your story's the bunk.
- 867
- 00:45:30,680 --> 00:45:33,148
- If I'm wrong, no skin off your nose.
- You run the column.
- 868
- 00:45:33,240 --> 00:45:34,760
- In the meantime,
- you have an exclusive.
- 869
- 00:45:34,960 --> 00:45:36,951
- No one else knows
- about Hobie and Carlotta.
- 870
- 00:45:37,120 --> 00:45:38,838
- No kidding.
- You're it.
- 871
- 00:45:39,720 --> 00:45:41,233
- What kind of name
- is Thora, anyway?
- 872
- 00:45:41,320 --> 00:45:43,754
- It's a name that 19
- million readers trust.
- 873
- 00:45:43,920 --> 00:45:45,478
- Don't play games
- with them, Eddie.
- 874
- 00:45:45,680 --> 00:45:47,557
- Oh, nobody's playing games here.
- 875
- 00:45:51,480 --> 00:45:52,833
- Is that big enough?
- 876
- 00:45:56,160 --> 00:45:58,310
- Hello, Eddie.
- I'm notifying you as a courtesy
- 877
- 00:45:58,440 --> 00:46:00,237
- before I run tomorrow's story.
- 878
- 00:46:00,440 --> 00:46:02,510
- Thessaly? Yeah,
- I just saw your...
- 879
- 00:46:02,680 --> 00:46:04,671
- Ah, never mind. How you doing?
- What's the story?
- 880
- 00:46:04,840 --> 00:46:06,193
- It's about Baird Whitlock.
- 881
- 00:46:06,280 --> 00:46:08,561
- There's absolutely no truth to
- that old story, believe me.
- 882
- 00:46:08,640 --> 00:46:09,834
- Old?
- Old, stale, rotten and...
- 883
- 00:46:09,920 --> 00:46:11,831
- I'm talking about today.
- 884
- 00:46:11,920 --> 00:46:13,239
- What?
- 885
- 00:46:13,320 --> 00:46:15,959
- A little bird told me that he
- disappeared from the set today.
- 886
- 00:46:16,040 --> 00:46:17,598
- Oh, that! No, no.
- 887
- 00:46:17,760 --> 00:46:19,273
- Yes, he did
- have to take a break.
- 888
- 00:46:19,360 --> 00:46:20,839
- Minor injury.
- High ankle sprain.
- 889
- 00:46:21,000 --> 00:46:22,080
- What did you think I meant?
- 890
- 00:46:22,160 --> 00:46:23,878
- No, nothing. I saw
- your sister earlier.
- 891
- 00:46:24,040 --> 00:46:26,016
- She was trying to resurrect
- some old gossip about Baird.
- 892
- 00:46:26,040 --> 00:46:28,110
- Oh, I'm sure she was, that cow!
- 893
- 00:46:28,200 --> 00:46:30,640
- She wouldn't know a news story
- if it bit her on the posterior.
- 894
- 00:46:30,680 --> 00:46:32,200
- Yeah, well, she's...
- High ankle sprain?
- 895
- 00:46:32,280 --> 00:46:34,120
- Is that really the best
- you could come up with?
- 896
- 00:46:34,200 --> 00:46:36,953
- We all know about the womanizing
- and the drinking jags
- 897
- 00:46:37,120 --> 00:46:38,473
- and those trips to San Berdoo.
- 898
- 00:46:38,560 --> 00:46:39,640
- Baird is a good family man.
- 899
- 00:46:39,800 --> 00:46:41,870
- He has a high ankle sprain.
- 900
- 00:46:42,040 --> 00:46:43,314
- Mr. Mannix?
- 901
- 00:46:43,480 --> 00:46:44,549
- What's up, Peanut?
- 902
- 00:46:44,640 --> 00:46:46,710
- Natalie told me to find you PDQ.
- 903
- 00:46:46,880 --> 00:46:48,096
- I know it sounds screwy,
- but she said
- 904
- 00:46:48,120 --> 00:46:49,553
- someone's calling
- from the future.
- 905
- 00:46:50,240 --> 00:46:52,629
- Good Lord! Thessaly,
- I have to run.
- 906
- 00:46:52,720 --> 00:46:55,234
- If you do know where Baird is,
- you must let me talk to him.
- 907
- 00:46:55,400 --> 00:46:57,376
- Sure. I'll find out where
- he is right away, Thessaly,
- 908
- 00:46:57,400 --> 00:46:58,515
- and I'm sure...
- 909
- 00:46:58,680 --> 00:47:00,398
- Say, what kind of
- name is Thessaly, anyway?
- 910
- 00:47:00,560 --> 00:47:02,551
- It's a name that 20
- million readers trust.
- 911
- 00:47:02,720 --> 00:47:04,233
- They want the truth, Eddie.
- 912
- 00:47:04,400 --> 00:47:06,516
- The truth, yes.
- Mmm-hmm.
- 913
- 00:47:07,240 --> 00:47:09,276
- We're gonna give it to them.
- 914
- 00:47:10,760 --> 00:47:13,149
- On three.
- And Hobie Doyle is in there.
- 915
- 00:47:13,320 --> 00:47:14,992
- - Hey.
- - Hello, Mr. Mannix.
- 916
- 00:47:15,160 --> 00:47:17,390
- Thanks for
- coming, Hobie. One second.
- 917
- 00:47:19,000 --> 00:47:20,080
- Hello, Mannix...
- 918
- 00:47:20,720 --> 00:47:22,073
- Damn.
- 919
- 00:47:22,400 --> 00:47:24,416
- Hung up, Natalie.
- Tell me the second they call back.
- 920
- 00:47:24,440 --> 00:47:25,589
- Yes, sir.
- 921
- 00:47:25,760 --> 00:47:27,056
- What's going
- on there, Mr. Mannix?
- 922
- 00:47:27,080 --> 00:47:28,991
- Looks like you're
- expecting rain.
- 923
- 00:47:29,200 --> 00:47:30,758
- No, it's nothing.
- 924
- 00:47:30,920 --> 00:47:32,433
- How's the first
- day on the picture?
- 925
- 00:47:32,520 --> 00:47:34,112
- You getting comfortable?
- 926
- 00:47:34,760 --> 00:47:36,120
- Oh, I guess it's
- going pretty good.
- 927
- 00:47:36,240 --> 00:47:39,198
- Uh, that Mr. Laurentz,
- he's an awful good man.
- 928
- 00:47:39,280 --> 00:47:40,679
- He's helping me get through it.
- 929
- 00:47:40,840 --> 00:47:42,398
- I give him all the
- credit in the world,
- 930
- 00:47:42,480 --> 00:47:44,516
- me being the new hand
- in the bunkhouse.
- 931
- 00:47:44,680 --> 00:47:46,511
- They got me talking a lot,
- 932
- 00:47:46,600 --> 00:47:47,936
- which takes a little
- getting used to,
- 933
- 00:47:47,960 --> 00:47:51,430
- talking with the camera looking
- at me, but, heck, I enjoy.
- 934
- 00:47:51,600 --> 00:47:52,715
- Oh, good, that's fine.
- 935
- 00:47:52,800 --> 00:47:55,917
- Usually on a picture,
- I just say, "Whitey" or "Whoa, there."
- 936
- 00:47:56,080 --> 00:47:58,275
- But this one here, it's talking.
- 937
- 00:47:58,360 --> 00:47:59,793
- And it's people listening.
- 938
- 00:47:59,960 --> 00:48:01,552
- That threw me a little at first,
- 939
- 00:48:01,640 --> 00:48:03,756
- but I think I got
- my leg up on her now.
- 940
- 00:48:03,920 --> 00:48:05,456
- That's fine.
- Laurentz came by this morning
- 941
- 00:48:05,480 --> 00:48:06,760
- to tell me how
- well you're doing.
- 942
- 00:48:06,800 --> 00:48:08,950
- You just continue to
- do whatever he says.
- 943
- 00:48:09,040 --> 00:48:10,598
- He knows how to make
- a quality picture.
- 944
- 00:48:11,240 --> 00:48:13,754
- That is true. He will not quit
- on a take until it has quality.
- 945
- 00:48:13,840 --> 00:48:15,876
- That them?
- 946
- 00:48:15,960 --> 00:48:17,313
- Sorry, sir, no.
- 947
- 00:48:17,400 --> 00:48:19,550
- Do you want
- Mrs. Mannix on one?
- 948
- 00:48:23,480 --> 00:48:24,629
- Hiya, hon.
- 949
- 00:48:25,480 --> 00:48:27,118
- You know, busy.
- 950
- 00:48:27,440 --> 00:48:28,440
- Uh-huh.
- 951
- 00:48:29,520 --> 00:48:30,520
- Uh-huh.
- 952
- 00:48:32,080 --> 00:48:34,435
- I thought he asked
- to play infield.
- 953
- 00:48:35,840 --> 00:48:36,955
- I see.
- 954
- 00:48:37,120 --> 00:48:38,997
- Maybe we should make him
- honor that commitment.
- 955
- 00:48:41,520 --> 00:48:44,080
- That's true.
- No, of course, you're right.
- 956
- 00:48:44,240 --> 00:48:46,470
- Okay. Okay,
- I'll call the coach.
- 957
- 00:48:46,640 --> 00:48:47,834
- Sure.
- 958
- 00:48:48,960 --> 00:48:50,188
- I love you, too.
- 959
- 00:48:56,360 --> 00:48:57,456
- Mr. Mannix,
- you want me to run out
- 960
- 00:48:57,480 --> 00:48:58,520
- and get you a bigger grip?
- 961
- 00:48:58,680 --> 00:49:00,477
- That one looks
- a little bit snug.
- 962
- 00:49:15,720 --> 00:49:17,119
- Hobie.
- 963
- 00:49:18,040 --> 00:49:20,793
- There's $100,000 in
- that attaché case.
- 964
- 00:49:22,560 --> 00:49:23,879
- Ransom money.
- 965
- 00:49:24,800 --> 00:49:26,995
- Baird Whitlock
- has been kidnapped.
- 966
- 00:49:32,040 --> 00:49:33,553
- This is bad.
- 967
- 00:49:36,160 --> 00:49:38,116
- Bad for movie stars everywhere.
- 968
- 00:49:42,560 --> 00:49:45,074
- And you got no idea who's
- mixed up in this thing?
- 969
- 00:49:49,680 --> 00:49:51,477
- I would look at the extras.
- 970
- 00:49:51,640 --> 00:49:53,915
- The extras? Why?
- 971
- 00:49:55,080 --> 00:49:57,913
- Well, you just never know about an extra.
- They come and go.
- 972
- 00:49:58,080 --> 00:50:00,958
- Everyone else, I'm on the set,
- I see the guy setting the 5K,
- 973
- 00:50:01,040 --> 00:50:03,554
- I think, "Why, there's
- old Bud setting the 5K."
- 974
- 00:50:03,720 --> 00:50:06,029
- Script girl,
- wrangler, same thing.
- 975
- 00:50:06,200 --> 00:50:07,713
- Extras, that's different.
- 976
- 00:50:08,000 --> 00:50:09,831
- Not making a blanket call here.
- 977
- 00:50:09,920 --> 00:50:12,832
- I mean, there's good
- extras and bad extras.
- 978
- 00:50:12,920 --> 00:50:14,751
- All I'm saying
- 979
- 00:50:16,920 --> 00:50:19,514
- you look at an extra,
- 980
- 00:50:19,600 --> 00:50:21,909
- you got no idea
- what he's thinking.
- 981
- 00:50:23,720 --> 00:50:25,438
- He's back! Line two.
- 982
- 00:50:26,280 --> 00:50:27,633
- Hello.
- You have the money?
- 983
- 00:50:27,840 --> 00:50:29,273
- Yes, I have it.
- 984
- 00:50:29,440 --> 00:50:30,714
- Stage 8?
- 985
- 00:50:30,920 --> 00:50:33,354
- Behind the electrical box?
- Just leave it there?
- 986
- 00:50:33,520 --> 00:50:35,511
- And when do I get Baird?
- When we have the money.
- 987
- 00:50:35,600 --> 00:50:37,113
- I'll do it right now.
- 988
- 00:50:39,360 --> 00:50:40,634
- Can I use your belt?
- 989
- 00:50:48,000 --> 00:50:50,195
- The Swingin' Dinghy
- is closing, folks.
- 990
- 00:50:50,280 --> 00:50:53,716
- Time for me to clean up,
- time for you to clear out.
- 991
- 00:50:53,880 --> 00:50:56,314
- So long, fellas.
- See ya in eight months.
- 992
- 00:50:56,480 --> 00:50:57,800
- - Toodle-oo.
- - See ya later, boys.
- 993
- 00:50:57,880 --> 00:50:59,029
- Eight months?
- 994
- 00:50:59,160 --> 00:51:00,798
- Yeah, we're shipping
- out in the morning.
- 995
- 00:51:00,960 --> 00:51:03,872
- Golly!
- Eight months without a dame.
- 996
- 00:51:04,320 --> 00:51:05,469
- Can you beat it?
- 997
- 00:51:05,640 --> 00:51:07,153
- You're gonna have to beat it!
- 998
- 00:51:17,160 --> 00:51:20,596
- We are heading out to sea
- 999
- 00:51:20,800 --> 00:51:24,429
- And however it'll be
- 1000
- 00:51:24,640 --> 00:51:29,111
- It ain't gonna be the same
- 1001
- 00:51:29,280 --> 00:51:31,669
- 'Cause no matter what we see
- 1002
- 00:51:31,840 --> 00:51:35,037
- When we're out there on the sea
- 1003
- 00:51:35,200 --> 00:51:39,352
- We ain't gonna see a dame
- 1004
- 00:51:41,160 --> 00:51:42,957
- We'll be searching high and low
- 1005
- 00:51:43,040 --> 00:51:45,349
- On the deck and down below
- 1006
- 00:51:45,520 --> 00:51:48,751
- But it's a crying shame
- 1007
- 00:51:48,920 --> 00:51:53,436
- We'll see a lot of fish
- But we'll never clock a dish
- 1008
- 00:51:53,600 --> 00:51:56,956
- We ain't gonna see a dame
- 1009
- 00:51:57,120 --> 00:51:58,917
- No dames
- 1010
- 00:51:59,080 --> 00:52:01,036
- We might see some octopuses
- 1011
- 00:52:01,200 --> 00:52:02,838
- No dames
- 1012
- 00:52:03,000 --> 00:52:05,036
- Or a half a dozen clams
- 1013
- 00:52:05,200 --> 00:52:06,872
- No dames
- 1014
- 00:52:07,040 --> 00:52:09,270
- We might even see a mermaid
- 1015
- 00:52:09,480 --> 00:52:14,110
- But mermaids got no gams
- 1016
- 00:52:14,280 --> 00:52:17,317
- No gams
- 1017
- 00:53:05,760 --> 00:53:07,591
- Hey!
- Off of there!
- 1018
- 00:53:07,760 --> 00:53:08,954
- Hey, come on.
- 1019
- 00:53:10,640 --> 00:53:12,312
- Hey! Come on.
- 1020
- 00:53:12,480 --> 00:53:13,480
- Hey!
- 1021
- 00:53:13,960 --> 00:53:15,029
- Oh, come on!
- 1022
- 00:53:15,400 --> 00:53:18,472
- Oh, Christ!
- Climb up and tappin'.
- 1023
- 00:53:25,280 --> 00:53:26,280
- Ah, come on!
- 1024
- 00:54:40,200 --> 00:54:41,952
- Have we got a girl for you!
- 1025
- 00:54:42,640 --> 00:54:45,154
- Out there on the sea
- 1026
- 00:54:45,680 --> 00:54:48,114
- Here's how it will be
- 1027
- 00:54:48,840 --> 00:54:51,673
- I'm gonna dance with you, pal
- 1028
- 00:54:51,760 --> 00:54:54,228
- You're gonna dance with me
- 1029
- 00:54:54,400 --> 00:54:55,992
- When we're out there on the sea
- 1030
- 00:54:56,080 --> 00:54:57,798
- We'll be happy as can be
- 1031
- 00:54:57,960 --> 00:55:00,599
- Or so the captain claims
- 1032
- 00:55:00,760 --> 00:55:03,672
- But we have to disagree
- 'Cause the only guarantee
- 1033
- 00:55:03,840 --> 00:55:06,798
- Is I'll see a lot of you
- And you'll see a lot of me
- 1034
- 00:55:06,960 --> 00:55:11,829
- And it's absolutely certain
- that we'll see a lot of sea
- 1035
- 00:55:12,240 --> 00:55:15,471
- But we ain't gonna see no dames
- 1036
- 00:55:15,640 --> 00:55:16,755
- No dames!
- 1037
- 00:55:16,880 --> 00:55:18,096
- We're gonna see How will it be?
- 1038
- 00:55:18,120 --> 00:55:19,712
- No dames!
- With no dames!
- 1039
- 00:55:19,920 --> 00:55:21,160
- We're gonna see How will it be?
- 1040
- 00:55:21,200 --> 00:55:22,872
- No dames!
- No dames!
- 1041
- 00:55:23,040 --> 00:55:24,519
- We're gonna see
- And how will it be?
- 1042
- 00:55:24,680 --> 00:55:27,148
- We ain't gonna see no...
- 1043
- 00:55:34,240 --> 00:55:35,832
- This place looks open!
- 1044
- 00:55:39,200 --> 00:55:40,235
- What the...
- 1045
- 00:55:49,040 --> 00:55:50,359
- You, out!
- 1046
- 00:55:59,000 --> 00:56:00,149
- Stop it! Hey!
- Hey!
- 1047
- 00:56:00,320 --> 00:56:01,514
- Quit it!
- Cut that out!
- 1048
- 00:56:01,680 --> 00:56:02,960
- This ain't that kind of a place!
- 1049
- 00:56:04,560 --> 00:56:05,595
- Cut!
- 1050
- 00:56:06,680 --> 00:56:08,477
- - Yeah, okay.
- - Okay, kids...
- 1051
- 00:56:08,560 --> 00:56:09,560
- Okay.
- 1052
- 00:56:10,880 --> 00:56:13,440
- Come here, Burt Gurney.
- We go again.
- 1053
- 00:56:13,640 --> 00:56:14,993
- Anything different,
- Mr. Seslum?
- 1054
- 00:56:15,240 --> 00:56:16,559
- Yeah, yeah, yeah.
- No, no, no.
- 1055
- 00:56:16,640 --> 00:56:18,278
- Mostly pretty good,
- but this time
- 1056
- 00:56:18,600 --> 00:56:21,273
- don't put dishrag
- on bartender's head.
- 1057
- 00:56:21,480 --> 00:56:23,277
- You're a big star, Burt Gurney.
- 1058
- 00:56:23,480 --> 00:56:25,152
- Who cares about the bartender?
- 1059
- 00:56:25,360 --> 00:56:26,679
- You are the star.
- 1060
- 00:56:26,760 --> 00:56:28,296
- That's my whole character,
- the slow burn.
- 1061
- 00:56:28,320 --> 00:56:29,776
- Gosh, Mr. Seslum,
- I don't mind if he wants to...
- 1062
- 00:56:29,800 --> 00:56:31,074
- It is decided.
- Hello, Burt.
- 1063
- 00:56:31,640 --> 00:56:32,834
- Hello, Mr. Mannix.
- 1064
- 00:56:33,400 --> 00:56:35,356
- Arne.
- Hello.
- 1065
- 00:56:35,520 --> 00:56:37,816
- Listen, I don't wanna stick my
- nose in other people's business,
- 1066
- 00:56:37,840 --> 00:56:39,239
- but, uh...
- 1067
- 00:56:39,320 --> 00:56:43,108
- Well, I understand you've been
- associating with DeeAnna Moran?
- 1068
- 00:56:43,200 --> 00:56:44,240
- Yeah, yeah, we associated.
- 1069
- 00:56:44,280 --> 00:56:45,280
- Yes.
- 1070
- 00:56:45,360 --> 00:56:48,079
- But no more, no more.
- Don't you worry, Eddie Mannix.
- 1071
- 00:56:48,480 --> 00:56:50,072
- But, Arne, you are
- aware that she's...
- 1072
- 00:56:50,240 --> 00:56:53,152
- This must not be in movie magazines,
- that we are associated.
- 1073
- 00:56:53,320 --> 00:56:54,389
- No, no, of course not.
- 1074
- 00:56:54,480 --> 00:56:55,833
- My wife cannot read this.
- 1075
- 00:56:57,040 --> 00:56:58,109
- Your... Excuse me?
- 1076
- 00:56:58,400 --> 00:56:59,879
- Ilsa Pflug.
- 1077
- 00:57:01,040 --> 00:57:03,235
- Ilsa Pflug-Seslum.
- 1078
- 00:57:04,240 --> 00:57:05,468
- In Malmö.
- 1079
- 00:57:05,560 --> 00:57:06,754
- I was not aware of that.
- 1080
- 00:57:07,040 --> 00:57:08,678
- Yeah, two children.
- 1081
- 00:57:09,160 --> 00:57:10,880
- And a third on the way, apparently.
- Mmm-hmm.
- 1082
- 00:57:11,040 --> 00:57:14,828
- Do you enjoy physical culture,
- Eddie Mannix? Do you ski?
- 1083
- 00:57:15,920 --> 00:57:19,356
- No. I never took it up.
- Seems like a lot of fun, Arne.
- 1084
- 00:57:19,440 --> 00:57:21,431
- I no more associate
- with DeeAnna Moran.
- 1085
- 00:57:21,520 --> 00:57:22,589
- I hug you.
- 1086
- 00:57:23,480 --> 00:57:25,038
- Goodbye.
- 1087
- 00:57:25,840 --> 00:57:27,239
- I spent the night.
- 1088
- 00:57:27,320 --> 00:57:29,993
- So, I feel somebody poking at me,
- and I wake up and it's Clark.
- 1089
- 00:57:30,080 --> 00:57:33,516
- And he says, "Well, your keys aren't
- in there, so I guess we're walking."
- 1090
- 00:57:36,520 --> 00:57:39,751
- This was back before
- Gable was Gable.
- 1091
- 00:57:39,840 --> 00:57:43,230
- Yeah, we used to go up to
- San Berdoo every weekend.
- 1092
- 00:57:43,320 --> 00:57:45,276
- Bob Stack would
- come up sometimes.
- 1093
- 00:57:45,360 --> 00:57:47,271
- Blue Grotto was still open.
- 1094
- 00:57:47,480 --> 00:57:49,869
- Dave Chasen was a busboy.
- 1095
- 00:57:50,600 --> 00:57:52,716
- Quite a place.
- Yours?
- 1096
- 00:57:52,920 --> 00:57:55,309
- Gracious, no. It belongs to
- a member of our study group.
- 1097
- 00:57:55,720 --> 00:57:57,392
- He couldn't be
- here this afternoon.
- 1098
- 00:57:57,560 --> 00:57:58,840
- He'll be sad to have missed you.
- 1099
- 00:57:58,880 --> 00:57:59,915
- He's a fan.
- 1100
- 00:58:00,120 --> 00:58:01,314
- Uh-huh.
- That's swell.
- 1101
- 00:58:01,480 --> 00:58:03,232
- So, I black out,
- I wake up here...
- 1102
- 00:58:05,560 --> 00:58:07,391
- And I say to myself,
- 1103
- 00:58:07,560 --> 00:58:09,835
- "Baird, you gotta stop doing this."
- 1104
- 00:58:11,600 --> 00:58:14,558
- But you're saying, actually,
- technically, I was kidnapped.
- 1105
- 00:58:14,920 --> 00:58:17,036
- Well, technically, yes.
- 1106
- 00:58:17,400 --> 00:58:18,549
- There's gonna be a ransom?
- 1107
- 00:58:18,680 --> 00:58:20,159
- I'd hardly call it a ransom.
- 1108
- 00:58:20,240 --> 00:58:22,913
- Benedict there.
- That's Benedict de Bonaventure.
- 1109
- 00:58:23,000 --> 00:58:24,797
- He wrote The House of Ahasuaris.
- 1110
- 00:58:25,080 --> 00:58:28,675
- Enormous hit. Made the
- studio millions of dollars.
- 1111
- 00:58:28,760 --> 00:58:30,990
- Did you see any of those
- millions of dollars, Ben?
- 1112
- 00:58:31,080 --> 00:58:32,149
- I did not.
- 1113
- 00:58:32,440 --> 00:58:33,555
- Dutch over there.
- 1114
- 00:58:34,000 --> 00:58:36,673
- Dutch Zweistrong wrote
- All The Way To Uruguay.
- 1115
- 00:58:36,840 --> 00:58:38,910
- I wrote all the
- All The Way pictures.
- 1116
- 00:58:39,080 --> 00:58:41,992
- All successful. You see any of
- the profits, Dutch?
- 1117
- 00:58:42,600 --> 00:58:44,591
- See, all of us here are writers.
- 1118
- 00:58:45,440 --> 00:58:48,432
- The pictures originated with us.
- They're our ideas.
- 1119
- 00:58:48,600 --> 00:58:50,079
- But they're owned by the studio.
- 1120
- 00:58:50,960 --> 00:58:53,872
- I'm not saying only writers
- are being exploited.
- 1121
- 00:58:53,960 --> 00:58:55,240
- I mean, look at yourself, Baird.
- 1122
- 00:58:58,440 --> 00:59:00,431
- The studio takes
- pretty good care of me.
- 1123
- 00:59:00,640 --> 00:59:01,868
- What are you, a child?
- 1124
- 00:59:02,800 --> 00:59:05,189
- I think what Herschel's
- trying to say is,
- 1125
- 00:59:05,360 --> 00:59:08,318
- just because the studio owns
- the means of production,
- 1126
- 00:59:08,720 --> 00:59:13,157
- why should it be able to
- take the money, our money,
- 1127
- 00:59:13,240 --> 00:59:15,151
- the value created by our labor,
- 1128
- 00:59:15,280 --> 00:59:17,555
- and dole out what it pleases?
- 1129
- 00:59:17,640 --> 00:59:18,789
- That's not right.
- 1130
- 00:59:18,960 --> 00:59:22,157
- So, no. No.
- I wouldn't call it ransom.
- 1131
- 00:59:22,320 --> 00:59:23,878
- - Payback.
- - That's right.
- 1132
- 00:59:24,080 --> 00:59:28,551
- Now, until quite recently our
- study group had a narrow focus.
- 1133
- 00:59:28,720 --> 00:59:32,395
- We concentrated on getting communist
- content into motion pictures.
- 1134
- 00:59:32,560 --> 00:59:34,676
- Always in a sub
- rosa way, of course.
- 1135
- 00:59:34,880 --> 00:59:37,235
- And we were
- pretty darn successful.
- 1136
- 00:59:37,400 --> 00:59:39,516
- You remember in Kerner's Corner
- 1137
- 00:59:39,720 --> 00:59:40,816
- the town hall scene
- where the alderman
- 1138
- 00:59:40,840 --> 00:59:42,114
- overturned the rotten election
- 1139
- 00:59:42,200 --> 00:59:43,918
- and made Gus the mayor?
- 1140
- 00:59:44,760 --> 00:59:45,829
- Yeah.
- 1141
- 00:59:46,840 --> 00:59:50,515
- Well, I like to think
- we've changed a few minds.
- 1142
- 00:59:51,760 --> 00:59:55,036
- But then Dr. Marcuse came down from
- Stanford, joined the study group
- 1143
- 00:59:55,200 --> 00:59:59,159
- and started teaching
- us about direct action.
- 1144
- 00:59:59,360 --> 01:00:00,918
- Praxis.
- Action.
- 1145
- 01:00:01,000 --> 01:00:05,551
- We each pursue our
- own economic interest.
- 1146
- 01:00:06,200 --> 01:00:09,317
- We ourselves are not above
- the laws of history.
- 1147
- 01:00:09,840 --> 01:00:14,038
- But in pursuing our
- interests with vigor,
- 1148
- 01:00:14,200 --> 01:00:17,431
- we accelerate the dialectic
- 1149
- 01:00:17,520 --> 01:00:22,036
- and hasten the end of history and
- the creation of the New Man.
- 1150
- 01:00:22,400 --> 01:00:24,391
- - Plus, we make a little dough.
- - Shut up!
- 1151
- 01:00:24,720 --> 01:00:26,392
- We're not even
- talking about money!
- 1152
- 01:00:26,480 --> 01:00:28,198
- We're talking about economics.
- 1153
- 01:00:28,800 --> 01:00:30,472
- Sure, good.
- 1154
- 01:00:31,440 --> 01:00:33,078
- Good stuff.
- 1155
- 01:00:35,080 --> 01:00:36,832
- So, now, uh, do I get
- a share of the ransom?
- 1156
- 01:00:36,960 --> 01:00:38,109
- No.
- 1157
- 01:00:38,200 --> 01:00:42,637
- No, Mr. Whitlock, you can hardly
- share in your own ransom.
- 1158
- 01:00:42,720 --> 01:00:44,153
- That would be unethical.
- 1159
- 01:00:44,240 --> 01:00:46,231
- I don't know. That doesn't
- seem fair, fellas.
- 1160
- 01:00:46,880 --> 01:00:49,633
- I mean, the whole setup only
- works if I play along, right?
- 1161
- 01:00:50,080 --> 01:00:52,719
- If I don't let on that I
- know who kidnapped me.
- 1162
- 01:00:52,880 --> 01:00:54,199
- Well, yes, that's right.
- 1163
- 01:00:54,920 --> 01:00:56,239
- What if I name names?
- 1164
- 01:00:57,920 --> 01:01:01,071
- If I just tell the truth.
- 1165
- 01:01:02,920 --> 01:01:03,920
- Uh...
- 1166
- 01:01:04,480 --> 01:01:07,392
- I don't think you'll
- do that, Mr. Whitlock.
- 1167
- 01:01:09,080 --> 01:01:14,438
- What if we told the truth
- about On Wings as Eagles?
- 1168
- 01:01:20,120 --> 01:01:21,553
- Sid.
- 1169
- 01:01:22,960 --> 01:01:24,840
- We have to work something
- out for DeeAnna Moran.
- 1170
- 01:01:25,360 --> 01:01:26,429
- She get married again?
- 1171
- 01:01:26,520 --> 01:01:28,988
- No, that's the problem.
- Having a child, not married.
- 1172
- 01:01:29,120 --> 01:01:30,189
- Whew. Tough.
- 1173
- 01:01:30,280 --> 01:01:31,349
- Yeah, no father.
- 1174
- 01:01:31,440 --> 01:01:32,960
- Well, of course
- there is one somewhere.
- 1175
- 01:01:33,360 --> 01:01:34,554
- But who knows?
- Exactly.
- 1176
- 01:01:34,640 --> 01:01:35,755
- So is there any way...
- 1177
- 01:01:36,120 --> 01:01:37,439
- I'm just spitballing here.
- 1178
- 01:01:37,760 --> 01:01:40,718
- Any way she could
- adopt her own child?
- 1179
- 01:01:43,720 --> 01:01:45,597
- Interesting.
- As a single... Mmm-hmm.
- 1180
- 01:01:46,040 --> 01:01:48,110
- She disappears for a while, reappears.
- Uh-huh.
- 1181
- 01:01:48,280 --> 01:01:50,316
- She wants to share her
- blessings, adopt a child.
- 1182
- 01:01:50,480 --> 01:01:53,313
- Sure. She's always
- yearned to be a mother.
- 1183
- 01:01:53,800 --> 01:01:54,869
- That's it.
- 1184
- 01:01:55,000 --> 01:01:56,558
- Well, I don't see why not.
- 1185
- 01:01:56,640 --> 01:01:57,656
- Nothing in the
- California statute
- 1186
- 01:01:57,680 --> 01:01:59,636
- prohibits adoption by one's own parent.
- Mmm-hmm.
- 1187
- 01:02:00,520 --> 01:02:01,714
- This is new ground.
- 1188
- 01:02:01,800 --> 01:02:03,456
- Technically, she'd have
- to give up the baby
- 1189
- 01:02:03,480 --> 01:02:05,038
- to a third party.
- 1190
- 01:02:05,120 --> 01:02:06,314
- Joe Silverman.
- 1191
- 01:02:06,440 --> 01:02:09,034
- Joe Silverman. Exactly.
- 1192
- 01:02:09,160 --> 01:02:11,799
- He's the foster father
- for a few days.
- 1193
- 01:02:11,880 --> 01:02:14,553
- She hands the kid to Joe,
- he hands it back.
- 1194
- 01:02:14,880 --> 01:02:16,029
- I'll do some research.
- 1195
- 01:02:16,120 --> 01:02:17,120
- All right.
- 1196
- 01:02:17,360 --> 01:02:19,157
- Mr. Mannix, it's 5:30.
- 1197
- 01:02:19,320 --> 01:02:20,514
- This is exciting.
- 1198
- 01:02:20,680 --> 01:02:23,592
- And asked all of the assistant
- directors, and one of them said
- 1199
- 01:02:23,680 --> 01:02:27,195
- that an extra in the courtyard of
- Sestimus Amydias seemed jumpy.
- 1200
- 01:02:27,280 --> 01:02:28,696
- All right. Get Walt
- the name of the extra
- 1201
- 01:02:28,720 --> 01:02:30,160
- so he can bring
- him in and sweat him.
- 1202
- 01:02:30,240 --> 01:02:31,656
- Walt should tell him that
- we won't press charges
- 1203
- 01:02:31,680 --> 01:02:32,696
- if he tells us where
- Baird's been taken.
- 1204
- 01:02:32,720 --> 01:02:33,755
- Check.
- 1205
- 01:02:33,840 --> 01:02:35,896
- And if he plays dumb,
- or the AD's wrong and he is dumb,
- 1206
- 01:02:35,920 --> 01:02:37,148
- check the other extras.
- 1207
- 01:02:37,240 --> 01:02:38,832
- Check. Thessaly Thacker called,
- 1208
- 01:02:39,000 --> 01:02:41,150
- said you promised her an
- interview with Baird today.
- 1209
- 01:02:41,360 --> 01:02:43,078
- Check that. It was
- Thora Thacker.
- 1210
- 01:02:43,160 --> 01:02:44,309
- No, it's Thessaly.
- 1211
- 01:02:44,400 --> 01:02:45,976
- Tell her he was at the
- doctor longer than expected,
- 1212
- 01:02:46,000 --> 01:02:47,856
- and she can see him on the set
- bright and early tomorrow.
- 1213
- 01:02:47,880 --> 01:02:49,996
- Check. And is that
- last part true?
- 1214
- 01:02:50,120 --> 01:02:51,599
- Let's hope so.
- Oh, that reminds me.
- 1215
- 01:02:51,680 --> 01:02:53,096
- I need a list of
- everyone who worked on
- 1216
- 01:02:53,120 --> 01:02:54,917
- On Wings as Eagles
- who's still at the studio.
- 1217
- 01:02:55,040 --> 01:02:57,031
- On Wings as Eagles?
- That's a while ago now.
- 1218
- 01:02:57,120 --> 01:02:59,256
- Aside from Baird and the director,
- it won't be a long list.
- 1219
- 01:02:59,280 --> 01:03:00,759
- Yeah. Get it
- for me. That it?
- 1220
- 01:03:00,880 --> 01:03:02,757
- Uh, no.
- One more thing.
- 1221
- 01:03:02,880 --> 01:03:04,108
- A Mr. Cuddahy called,
- 1222
- 01:03:04,200 --> 01:03:05,792
- said you know him.
- Yeah, yeah.
- 1223
- 01:03:05,880 --> 01:03:08,110
- He said it's urgent,
- he'll see you one last time,
- 1224
- 01:03:08,200 --> 01:03:10,430
- suggested same place,
- 7:00 this evening.
- 1225
- 01:03:10,520 --> 01:03:12,272
- Why? Never mind.
- 1226
- 01:03:12,360 --> 01:03:14,715
- Okay, tell him I'll be there.
- 1227
- 01:03:14,920 --> 01:03:15,989
- Back to your place?
- 1228
- 01:03:16,080 --> 01:03:17,149
- What a bore.
- 1229
- 01:03:17,240 --> 01:03:18,275
- Hello, C.C.
- 1230
- 01:03:18,360 --> 01:03:20,160
- I rather thought
- we might go to Lake...
- 1231
- 01:03:20,760 --> 01:03:21,909
- Oh, hi, Eddie.
- 1232
- 01:03:22,200 --> 01:03:24,040
- Wanna lace up what you got
- on Merrily We Dance?
- 1233
- 01:03:24,200 --> 01:03:26,430
- It's up now.
- I'll put some music on it.
- 1234
- 01:04:08,000 --> 01:04:09,115
- Taxi!
- 1235
- 01:04:17,640 --> 01:04:19,198
- Back to your place?
- 1236
- 01:04:19,280 --> 01:04:20,508
- What a bore.
- 1237
- 01:04:20,600 --> 01:04:23,672
- I rather thought we might go to
- Lake Onondaga for the weekend.
- 1238
- 01:04:23,880 --> 01:04:25,154
- Just the two of us.
- 1239
- 01:04:25,320 --> 01:04:27,595
- Don't have my valise.
- I left it in your foyer.
- 1240
- 01:04:27,800 --> 01:04:29,756
- Oh, you'll get by
- without a change.
- 1241
- 01:04:29,840 --> 01:04:30,955
- Suits me.
- 1242
- 01:04:31,040 --> 01:04:32,936
- If you don't mind skipping out
- on your own party, Allegra.
- 1243
- 01:04:32,960 --> 01:04:33,960
- Suits me.
- 1244
- 01:04:34,000 --> 01:04:35,433
- And skipping out on Monty.
- 1245
- 01:04:35,520 --> 01:04:37,351
- That suits me as well.
- 1246
- 01:04:37,440 --> 01:04:39,396
- Oh, poor Monty.
- 1247
- 01:04:39,520 --> 01:04:40,873
- What Monty doesn't know...
- 1248
- 01:04:40,960 --> 01:04:42,109
- Won 't hurt Monty.
- 1249
- 01:04:56,840 --> 01:04:57,875
- Oh, Monty.
- 1250
- 01:04:58,560 --> 01:05:00,152
- Come join me on the divan.
- 1251
- 01:05:10,200 --> 01:05:13,476
- It seems Allegra's a no-show,
- which is simply a bore.
- 1252
- 01:05:13,680 --> 01:05:14,680
- But I'll...
- 1253
- 01:05:24,160 --> 01:05:25,160
- Reverse.
- 1254
- 01:05:26,760 --> 01:05:28,398
- Reverse! Reverse!
- 1255
- 01:05:32,480 --> 01:05:33,480
- Whoa!
- 1256
- 01:05:35,360 --> 01:05:36,952
- Whoa!
- 1257
- 01:05:42,200 --> 01:05:43,872
- I shouldn't wear scarves.
- 1258
- 01:05:53,600 --> 01:05:56,876
- It seems Allegra's a no-show,
- which is simply a bore.
- 1259
- 01:05:57,200 --> 01:05:59,031
- But I'll partner you in bridge.
- 1260
- 01:05:59,520 --> 01:06:00,953
- Why the pout?
- 1261
- 01:06:09,040 --> 01:06:10,712
- It's complicated.
- 1262
- 01:06:11,720 --> 01:06:13,836
- How pleasant to see
- you again, Mr. Mannix.
- 1263
- 01:06:15,400 --> 01:06:16,833
- Thanks for coming back, Mannix.
- 1264
- 01:06:16,920 --> 01:06:18,239
- Sure.
- 1265
- 01:06:18,320 --> 01:06:20,080
- You're taking us down
- to the wire, aren't ya?
- 1266
- 01:06:21,120 --> 01:06:23,634
- It's not a ploy,
- it's a big decision.
- 1267
- 01:06:23,720 --> 01:06:25,073
- Absolutely. No foul.
- 1268
- 01:06:25,160 --> 01:06:26,216
- But the board was concerned
- 1269
- 01:06:26,240 --> 01:06:27,896
- when I couldn't give them
- a yes this afternoon,
- 1270
- 01:06:27,920 --> 01:06:29,717
- so they authorized me
- to say this.
- 1271
- 01:06:30,840 --> 01:06:34,230
- You sign on, your term
- of contract is 10 years.
- 1272
- 01:06:35,960 --> 01:06:38,155
- Yeah. You get it, right?
- 1273
- 01:06:38,240 --> 01:06:40,674
- That means your stock options
- are guaranteed to vest.
- 1274
- 01:06:40,760 --> 01:06:41,960
- You'd never have to work again
- 1275
- 01:06:42,000 --> 01:06:44,036
- if you chose to retire
- after your term.
- 1276
- 01:06:44,640 --> 01:06:46,392
- Think about it.
- 1277
- 01:06:46,520 --> 01:06:48,511
- Lifetime employment.
- 1278
- 01:06:48,600 --> 01:06:50,736
- You wouldn't be a glorified
- working stiff like you are now,
- 1279
- 01:06:50,760 --> 01:06:52,560
- and you'd be running a business,
- not a circus.
- 1280
- 01:06:55,280 --> 01:06:56,280
- Drink?
- 1281
- 01:06:57,920 --> 01:06:58,920
- Cigarette?
- 1282
- 01:07:03,640 --> 01:07:05,358
- No, no. I gotta run.
- 1283
- 01:07:05,680 --> 01:07:07,272
- I should talk this
- over with my wife.
- 1284
- 01:07:07,360 --> 01:07:09,280
- Of course. Talk it over,
- think about your family,
- 1285
- 01:07:09,600 --> 01:07:10,953
- let us know in the morning.
- 1286
- 01:07:11,040 --> 01:07:12,553
- Oh!
- 1287
- 01:07:12,640 --> 01:07:14,039
- If you think this is a bribe,
- 1288
- 01:07:14,120 --> 01:07:15,519
- you're absolutely right.
- 1289
- 01:07:15,680 --> 01:07:16,896
- You have two kids, right?
- A boy and a girl?
- 1290
- 01:07:16,920 --> 01:07:17,989
- That's right.
- 1291
- 01:07:18,280 --> 01:07:21,670
- They love this stuff.
- Used to be trains.
- 1292
- 01:08:23,360 --> 01:08:24,395
- Hello, Hobie.
- 1293
- 01:08:25,200 --> 01:08:27,031
- Oh, hello, Carlotta.
- 1294
- 01:08:27,120 --> 01:08:28,120
- Am I late?
- 1295
- 01:08:28,520 --> 01:08:29,714
- Oh, no, it ain't nothin'.
- 1296
- 01:08:29,800 --> 01:08:32,109
- Thanks an awful bunch for
- coming to this picture with me.
- 1297
- 01:08:32,200 --> 01:08:33,679
- I don't know if
- you like livestock,
- 1298
- 01:08:33,760 --> 01:08:35,955
- but I think it's got
- moments, I really do.
- 1299
- 01:08:36,040 --> 01:08:37,155
- You look very purty.
- 1300
- 01:08:37,240 --> 01:08:38,355
- Thank you, Hobie!
- 1301
- 01:08:38,440 --> 01:08:39,536
- I'm sure I'll like the picture.
- 1302
- 01:08:39,560 --> 01:08:40,959
- I like all of your pictures.
- 1303
- 01:08:41,040 --> 01:08:42,040
- Well, I like yours, too.
- 1304
- 01:08:42,120 --> 01:08:44,076
- They are just
- the craziest things.
- 1305
- 01:08:44,160 --> 01:08:46,720
- Uh, is it hard to dance with
- all them bananas on your head?
- 1306
- 01:08:46,800 --> 01:08:48,791
- Oh, no.
- Anyone can do it.
- 1307
- 01:08:51,800 --> 01:08:54,240
- It's all in the hips and the lips
- and the eyes and the thighs.
- 1308
- 01:09:23,360 --> 01:09:26,272
- Little Eddie wanted me to tell
- you about his baseball game.
- 1309
- 01:09:26,360 --> 01:09:28,316
- They won.
- 1310
- 01:09:28,400 --> 01:09:29,958
- That is terrific.
- 1311
- 01:09:30,080 --> 01:09:32,150
- Gosh, I never called the coach.
- 1312
- 01:09:32,240 --> 01:09:33,309
- Eddie played at shortstop?
- 1313
- 01:09:33,560 --> 01:09:36,597
- Mmm. And he did so well,
- he wants to stay there now.
- 1314
- 01:09:36,880 --> 01:09:38,438
- That's great.
- 1315
- 01:09:38,720 --> 01:09:39,994
- Took care of itself.
- 1316
- 01:09:40,480 --> 01:09:43,233
- And Darlene did very well
- on her Spanish test.
- 1317
- 01:09:43,320 --> 01:09:45,993
- That's good.
- She was worried about that.
- 1318
- 01:09:46,960 --> 01:09:48,678
- Hey, thanks for heating
- up the roast, hon.
- 1319
- 01:09:48,760 --> 01:09:49,829
- Warm glass of milk?
- 1320
- 01:09:49,920 --> 01:09:51,433
- Uh, no, thanks,
- hon. Coffee.
- 1321
- 01:09:51,920 --> 01:09:53,512
- I gotta run back to the studio.
- 1322
- 01:09:53,600 --> 01:09:54,760
- A few things to take care of.
- 1323
- 01:09:55,520 --> 01:09:58,159
- Gee, another late night.
- Hmm.
- 1324
- 01:10:00,200 --> 01:10:02,998
- You know, Lockheed
- improved their offer.
- 1325
- 01:10:03,560 --> 01:10:04,560
- Darned good money,
- 1326
- 01:10:04,600 --> 01:10:06,955
- and the hours wouldn't be
- crazy like this either.
- 1327
- 01:10:07,120 --> 01:10:08,872
- It's nice to be wanted.
- 1328
- 01:10:09,640 --> 01:10:11,949
- Yeah. Sure, but...
- 1329
- 01:10:13,640 --> 01:10:15,551
- What do you think?
- They wanna know tomorrow.
- 1330
- 01:10:17,480 --> 01:10:19,277
- I like the shorter hours.
- 1331
- 01:10:19,960 --> 01:10:21,996
- But what do you think, honey?
- You know best.
- 1332
- 01:10:22,800 --> 01:10:23,800
- Hmm.
- 1333
- 01:10:25,800 --> 01:10:27,472
- How's it going with
- the smoking, dear?
- 1334
- 01:10:29,240 --> 01:10:30,593
- Oh, you know...
- 1335
- 01:10:34,800 --> 01:10:40,238
- The denizens of Los Angeles
- make ready for nightlife, or for sleep.
- 1336
- 01:10:40,400 --> 01:10:43,073
- But Eddie Mannix
- will have neither.
- 1337
- 01:10:45,480 --> 01:10:49,075
- Even in westerly Malibu,
- the sun has moved on,
- 1338
- 01:10:49,240 --> 01:10:50,912
- leaving the vast
- and tireless sea
- 1339
- 01:10:51,000 --> 01:10:54,515
- to heave itself
- blindly upon the shore.
- 1340
- 01:10:58,280 --> 01:11:00,919
- The communists welcome
- a rare moment of leisure.
- 1341
- 01:11:01,000 --> 01:11:03,355
- Brief surcease from struggle.
- 1342
- 01:11:07,680 --> 01:11:10,478
- Baird Whitlock has
- become their acolyte,
- 1343
- 01:11:10,560 --> 01:11:12,357
- a convert to their cause,
- 1344
- 01:11:12,440 --> 01:11:15,193
- his belief compelled
- but not grudging.
- 1345
- 01:11:16,600 --> 01:11:20,115
- He now seeks to learn more
- from Professor Marcuse
- 1346
- 01:11:20,200 --> 01:11:22,031
- and becomes ever more committed
- 1347
- 01:11:22,120 --> 01:11:24,588
- to the quest to hasten
- an end to history
- 1348
- 01:11:25,640 --> 01:11:27,517
- and bring on the New Man.
- 1349
- 01:11:27,880 --> 01:11:29,496
- Herb, that's exactly
- what I'm talking about.
- 1350
- 01:11:29,520 --> 01:11:31,616
- That's what happened to me when
- I went to Reno with Danny Kaye,
- 1351
- 01:11:31,640 --> 01:11:33,278
- and he asked me
- to shave his back.
- 1352
- 01:11:33,360 --> 01:11:34,634
- The exact same thing.
- 1353
- 01:11:34,720 --> 01:11:36,358
- Because I'm thinking,
- "Who benefits?"
- 1354
- 01:11:36,520 --> 01:11:39,910
- Also, I gotta tell ya, everybody
- thinks that Danny is a jerk.
- 1355
- 01:11:40,000 --> 01:11:41,479
- He's not really a jerk.
- 1356
- 01:11:41,640 --> 01:11:44,837
- It's just the theory generating
- its own anti-theory.
- 1357
- 01:11:45,120 --> 01:11:46,792
- Anyway, there we were,
- it's me and Danny,
- 1358
- 01:11:46,960 --> 01:11:48,336
- and I'm wondering
- what the hell am I doing
- 1359
- 01:11:48,360 --> 01:11:49,554
- with a razor in my hand.
- 1360
- 01:11:49,760 --> 01:11:51,990
- And he says it's for
- a Norman Taurog picture.
- 1361
- 01:11:52,120 --> 01:11:54,429
- But Judy Canova is there,
- and she knows Norman.
- 1362
- 01:11:54,520 --> 01:11:56,600
- She says, "Danny's not doing
- a Norman Taurog picture.
- 1363
- 01:11:56,720 --> 01:11:58,836
- "He just wants you
- to shave his back!"
- 1364
- 01:11:59,320 --> 01:12:00,639
- And that's who benefits.
- 1365
- 01:12:05,040 --> 01:12:06,837
- In livelier precincts,
- 1366
- 01:12:06,920 --> 01:12:09,832
- the swells of Dreamland
- gather to inspect
- 1367
- 01:12:09,920 --> 01:12:12,957
- the completed weave
- of another piece of gossamer.
- 1368
- 01:12:13,040 --> 01:12:14,837
- Another movie,
- 1369
- 01:12:14,920 --> 01:12:17,309
- another portion of balm
- 1370
- 01:12:17,400 --> 01:12:20,915
- for the ache of
- a toiling mankind.
- 1371
- 01:12:26,400 --> 01:12:27,515
- Where is she?
- 1372
- 01:12:27,600 --> 01:12:29,079
- Hold your horses,
- I'm right here.
- 1373
- 01:12:29,160 --> 01:12:30,513
- What's on your mind, Curly?
- 1374
- 01:12:30,600 --> 01:12:32,670
- It's not my fault
- you saw me take
- 1375
- 01:12:32,760 --> 01:12:35,194
- that pie off the sill,
- Ms. McGraw.
- 1376
- 01:12:35,280 --> 01:12:38,272
- Not your fault? Whose
- fault was it, Curly?
- 1377
- 01:12:38,360 --> 01:12:42,672
- Why, that crazy, lazy full moon!
- 1378
- 01:12:43,320 --> 01:12:45,834
- Two weeks ago, you'd
- never seen me take it.
- 1379
- 01:12:49,600 --> 01:12:52,398
- Darn you, moon!
- What good are you anyway?
- 1380
- 01:12:53,080 --> 01:12:54,136
- Don't know about this part.
- 1381
- 01:12:54,160 --> 01:12:56,720
- They only give me
- one shot at the song.
- 1382
- 01:12:56,800 --> 01:12:58,711
- I wish there never was no moon.
- 1383
- 01:12:59,040 --> 01:13:01,793
- I wish there weren't
- no bossy old women!
- 1384
- 01:13:01,960 --> 01:13:06,033
- Don't blame that moon, Curly.
- She can't do nothin' but shine.
- 1385
- 01:13:06,120 --> 01:13:10,796
- Lazy ol' moon, keep shinin'
- 1386
- 01:13:11,240 --> 01:13:12,593
- Darn you.
- 1387
- 01:13:12,880 --> 01:13:14,393
- Shinin' down on me
- 1388
- 01:13:14,480 --> 01:13:18,792
- You turned Curly Strimlin in to the
- authorities for the last time!
- 1389
- 01:13:20,040 --> 01:13:22,156
- Lazy ol' moon, keep shinin'
- 1390
- 01:13:26,040 --> 01:13:30,636
- Shinin'just to be
- 1391
- 01:13:33,240 --> 01:13:39,759
- On that ol' plantation
- where I used to roam
- 1392
- 01:13:39,920 --> 01:13:43,595
- Light my weary way back home
- 1393
- 01:13:46,160 --> 01:13:48,230
- Darn! Where'd she go?
- 1394
- 01:13:48,360 --> 01:13:50,954
- Lazy ol' moon, keep shinin'
- 1395
- 01:13:53,120 --> 01:13:56,476
- Shinin' down for me
- 1396
- 01:14:12,600 --> 01:14:16,309
- Another part of town,
- another cast of characters,
- 1397
- 01:14:18,280 --> 01:14:21,272
- another task for Eddie Mannix.
- 1398
- 01:14:35,960 --> 01:14:37,632
- We're just getting started.
- 1399
- 01:14:37,720 --> 01:14:39,790
- I've been taking
- DeeAnna through this.
- 1400
- 01:14:39,880 --> 01:14:41,791
- So Joe has done
- 1401
- 01:14:41,880 --> 01:14:44,599
- just a whole lot of good
- work for us in the past.
- 1402
- 01:14:44,680 --> 01:14:46,875
- Whenever we've needed a witness
- or a third party for...
- 1403
- 01:14:47,800 --> 01:14:51,190
- I don't know, a petition of grievance
- or alienation of affection.
- 1404
- 01:14:51,640 --> 01:14:52,834
- And he's reliable?
- 1405
- 01:14:52,920 --> 01:14:54,194
- I'm bonded, miss.
- 1406
- 01:14:54,280 --> 01:14:56,056
- Joseph Silverman is the
- most reliable human being
- 1407
- 01:14:56,080 --> 01:14:58,230
- on the planet in our experience.
- 1408
- 01:14:58,440 --> 01:15:00,271
- When Chubby Cregar
- was intoxicated
- 1409
- 01:15:00,360 --> 01:15:02,157
- and hit that
- pedestrian on Gower,
- 1410
- 01:15:02,680 --> 01:15:04,680
- we had the vehicle title
- transferred to Joe's name,
- 1411
- 01:15:05,360 --> 01:15:07,794
- and Joe did six months
- in LA County lockup.
- 1412
- 01:15:08,760 --> 01:15:10,159
- But you're off the sauce now?
- 1413
- 01:15:10,520 --> 01:15:12,590
- I never touch it.
- It was a legal fiction.
- 1414
- 01:15:12,760 --> 01:15:13,909
- That's right.
- 1415
- 01:15:14,000 --> 01:15:15,256
- When the studio needs
- someone who meets
- 1416
- 01:15:15,280 --> 01:15:16,838
- the legal standard of, uh...
- 1417
- 01:15:16,920 --> 01:15:18,069
- How did you put it, Sid?
- 1418
- 01:15:18,680 --> 01:15:19,999
- Personhood.
- 1419
- 01:15:20,080 --> 01:15:23,789
- Joe steps in and
- acts as the person.
- 1420
- 01:15:25,120 --> 01:15:27,873
- So you're a professional person?
- 1421
- 01:15:28,080 --> 01:15:30,913
- That's right, miss.
- Initial here and here.
- 1422
- 01:15:31,080 --> 01:15:33,310
- Joe will be the foster
- parent until such time as
- 1423
- 01:15:33,400 --> 01:15:34,594
- you adopt the child,
- 1424
- 01:15:34,800 --> 01:15:37,951
- which you can do as soon as
- Joe takes possession of it.
- 1425
- 01:15:39,000 --> 01:15:40,274
- And he's reliable?
- 1426
- 01:15:40,400 --> 01:15:41,628
- I'm bonded, miss.
- 1427
- 01:15:42,360 --> 01:15:43,416
- The release papers
- you're signing
- 1428
- 01:15:43,440 --> 01:15:45,192
- will not be a matter
- of public record.
- 1429
- 01:15:45,360 --> 01:15:49,114
- All these documents will be
- sealed until the year 2015.
- 1430
- 01:15:50,240 --> 01:15:51,639
- And no one's the wiser.
- 1431
- 01:15:51,840 --> 01:15:53,034
- No one the wiser.
- 1432
- 01:15:53,240 --> 01:15:57,119
- No fans, no press, no court officials,
- not even a notary public.
- 1433
- 01:15:57,480 --> 01:15:59,311
- Joe himself is the notary.
- 1434
- 01:16:01,560 --> 01:16:03,357
- You must have
- very strong forearms.
- 1435
- 01:16:05,120 --> 01:16:07,076
- Is it hard
- squeezing it like that?
- 1436
- 01:16:12,400 --> 01:16:13,992
- It's part of the job, miss.
- 1437
- 01:16:20,600 --> 01:16:22,397
- Late night, Mr. Mannix?
- 1438
- 01:16:22,480 --> 01:16:23,913
- Late night for both of us.
- 1439
- 01:16:24,000 --> 01:16:25,296
- Will you call Projection
- Seven and have them
- 1440
- 01:16:25,320 --> 01:16:27,550
- lace up yesterday's
- dailies on Hail, Caesar!
- 1441
- 01:16:27,640 --> 01:16:29,392
- Sure thing.
- Yesterday's?
- 1442
- 01:16:29,520 --> 01:16:30,748
- Thanks, Scotty.
- 1443
- 01:16:36,120 --> 01:16:40,352
- Romans before slaves!
- Make room, you fools!
- 1444
- 01:16:41,440 --> 01:16:43,431
- Romans before slaves!
- 1445
- 01:16:44,840 --> 01:16:47,513
- Romans before slaves!
- 1446
- 01:16:49,040 --> 01:16:50,234
- Make room!
- 1447
- 01:17:04,400 --> 01:17:05,992
- - How's that? What do you think?
- - Cut!
- 1448
- 01:17:06,080 --> 01:17:07,195
- 27, Baker two.
- 1449
- 01:17:07,280 --> 01:17:08,315
- Action.
- 1450
- 01:17:08,400 --> 01:17:09,958
- Go ahead, I'm listening.
- 1451
- 01:17:10,240 --> 01:17:12,435
- Walt talked to the
- extra. Right guy.
- 1452
- 01:17:12,720 --> 01:17:14,631
- No info. Doesn't know
- where they took Baird,
- 1453
- 01:17:14,720 --> 01:17:17,518
- but described the truck
- they put him in.
- 1454
- 01:17:17,600 --> 01:17:18,715
- Cut! Good!
- 1455
- 01:17:18,960 --> 01:17:21,679
- Walt found the guy who owns the
- truck and is talking to him.
- 1456
- 01:17:21,840 --> 01:17:22,989
- Baker four.
- 1457
- 01:17:23,080 --> 01:17:25,400
- - Walt's a problem-solver. He's a good man.
- - Action!
- 1458
- 01:17:25,640 --> 01:17:26,789
- What else?
- 1459
- 01:17:26,880 --> 01:17:29,553
- PR just called in their report
- on the Hobie Doyle premiere.
- 1460
- 01:17:29,680 --> 01:17:31,079
- Warm reception.
- 1461
- 01:17:31,160 --> 01:17:32,680
- I got something... I had spittle.
- Good.
- 1462
- 01:17:32,880 --> 01:17:34,552
- - Baker six.
- - Action.
- 1463
- 01:17:34,640 --> 01:17:36,232
- Okay.
- He's terrific.
- 1464
- 01:17:37,040 --> 01:17:39,349
- Squint! Squint
- against the grandeur.
- 1465
- 01:17:39,560 --> 01:17:40,560
- It's blinding! Blinding!
- 1466
- 01:17:50,160 --> 01:17:52,549
- Now, let's see
- what we can do here.
- 1467
- 01:17:53,880 --> 01:17:55,313
- Okay.
- 1468
- 01:17:55,440 --> 01:17:59,513
- Well, I don't think it's regulation size,
- but it'll have to do.
- 1469
- 01:17:59,640 --> 01:18:02,438
- You ever heard of origami,
- what the Japanese do? Uh-huh.
- 1470
- 01:18:03,120 --> 01:18:04,519
- This here's Italian origami.
- 1471
- 01:18:05,080 --> 01:18:06,149
- Yeah?
- 1472
- 01:18:06,240 --> 01:18:07,912
- See, now you just...
- Whoop!
- 1473
- 01:18:08,760 --> 01:18:10,591
- Let's see how she does now.
- 1474
- 01:18:12,760 --> 01:18:14,273
- Oh, she's peekin' back.
- 1475
- 01:18:14,400 --> 01:18:15,833
- Oh! There she goes.
- 1476
- 01:18:17,360 --> 01:18:18,360
- She's bawlin'.
- 1477
- 01:18:20,000 --> 01:18:21,149
- Clear!
- Ah!
- 1478
- 01:18:21,960 --> 01:18:24,793
- This is why I never
- order it with meat sauce.
- 1479
- 01:18:24,960 --> 01:18:26,518
- How'd you get into
- pictures, Hobie?
- 1480
- 01:18:26,720 --> 01:18:27,994
- Got roped into it.
- 1481
- 01:18:30,720 --> 01:18:31,869
- Stop!
- 1482
- 01:18:34,880 --> 01:18:38,429
- Don't play with your food.
- 1483
- 01:18:39,800 --> 01:18:40,835
- Food!
- 1484
- 01:18:41,360 --> 01:18:42,456
- You're the one playing with it.
- 1485
- 01:18:42,480 --> 01:18:43,708
- Stop it!
- 1486
- 01:18:44,120 --> 01:18:45,951
- Pictures. Well,
- I wrangled for a while,
- 1487
- 01:18:46,040 --> 01:18:48,156
- and then they saw I
- could say a line or two,
- 1488
- 01:18:48,320 --> 01:18:50,436
- and I was Bad Clem
- or Deputy Number Two
- 1489
- 01:18:50,520 --> 01:18:52,636
- or a guy's buddy
- for a couple of years,
- 1490
- 01:18:52,800 --> 01:18:56,236
- and then someone heard me sing
- and they made me the guy.
- 1491
- 01:18:56,400 --> 01:18:57,674
- You're awfully cute.
- 1492
- 01:18:57,840 --> 01:19:00,638
- Oh, heck, you ain't seen the half of it.
- I'll show you cute.
- 1493
- 01:19:00,840 --> 01:19:04,310
- Just a second here,
- a little souvenir from my rodeo days.
- 1494
- 01:19:10,200 --> 01:19:12,077
- Tell you what,
- I was steer-bustin',
- 1495
- 01:19:12,160 --> 01:19:13,456
- and I went down and
- the steer went up,
- 1496
- 01:19:13,480 --> 01:19:16,040
- and my teeth headed
- off for east Texas.
- 1497
- 01:19:16,240 --> 01:19:17,992
- Here, it's coming around again.
- 1498
- 01:19:18,800 --> 01:19:19,800
- Whoo!
- 1499
- 01:19:22,560 --> 01:19:24,357
- You gotta give a little
- 1500
- 01:19:24,440 --> 01:19:25,668
- Take a little
- 1501
- 01:19:26,000 --> 01:19:28,673
- And let your poor
- heart break a little
- 1502
- 01:19:28,840 --> 01:19:30,159
- That's the story of...
- 1503
- 01:19:30,360 --> 01:19:31,680
- That's the glory of love
- 1504
- 01:19:34,720 --> 01:19:38,235
- You gotta laugh a little,
- cry a little
- 1505
- 01:19:38,400 --> 01:19:40,118
- And let the clouds roll by a...
- 1506
- 01:19:40,960 --> 01:19:42,518
- Well, now, this is interesting.
- 1507
- 01:19:42,600 --> 01:19:44,238
- I didn't know you
- two were friends.
- 1508
- 01:19:45,280 --> 01:19:46,599
- Oh, heck, yeah.
- 1509
- 01:19:46,800 --> 01:19:49,917
- We just caught my picture Lazy Ol' Moon,
- and I guess we're...
- 1510
- 01:19:50,960 --> 01:19:53,076
- Yes, we're
- friends. We're...
- 1511
- 01:19:53,240 --> 01:19:54,920
- We're fixin' to be friendly,
- tell you that.
- 1512
- 01:19:55,720 --> 01:19:56,994
- That's good.
- 1513
- 01:19:57,080 --> 01:19:58,229
- "Fixin' to be friendly."
- 1514
- 01:19:58,320 --> 01:20:00,197
- That can be my column headline.
- 1515
- 01:20:00,800 --> 01:20:02,153
- Oh, I guess that'd be okay.
- 1516
- 01:20:02,240 --> 01:20:03,434
- Have a good evening.
- 1517
- 01:20:05,400 --> 01:20:06,736
- I mentioned
- the name of my picture.
- 1518
- 01:20:06,760 --> 01:20:08,080
- I think we're
- supposed to do that.
- 1519
- 01:20:08,240 --> 01:20:09,480
- Well, now, this is interesting.
- 1520
- 01:20:12,320 --> 01:20:14,390
- I thought I was getting
- an exclusive on this.
- 1521
- 01:20:14,560 --> 01:20:16,869
- I'd like to know what the
- hell is going on here.
- 1522
- 01:20:17,240 --> 01:20:20,437
- Oh, well, like I said, we just
- saw Lazy Ol' Moon, and...
- 1523
- 01:20:20,600 --> 01:20:23,319
- And Hobie and I are
- fixin' to be friendly.
- 1524
- 01:20:23,800 --> 01:20:25,392
- - What?
- - We're just...
- 1525
- 01:20:25,480 --> 01:20:27,232
- Friends, my foot!
- 1526
- 01:20:36,800 --> 01:20:37,869
- What's the matter, Hobie?
- 1527
- 01:20:40,160 --> 01:20:42,310
- I gotta skedaddle.
- So sorry. Oh!
- 1528
- 01:20:42,520 --> 01:20:43,576
- Have to catch one of
- your pictures next time.
- 1529
- 01:20:43,600 --> 01:20:44,999
- I'm looking forward to it.
- 1530
- 01:20:45,080 --> 01:20:46,229
- Bye, Hobie.
- 1531
- 01:20:58,280 --> 01:20:59,713
- Hey, toss me them keys, pard.
- 1532
- 01:20:59,800 --> 01:21:00,949
- I'm taking the car.
- 1533
- 01:23:00,040 --> 01:23:01,553
- Hobie Doyle?
- 1534
- 01:23:02,120 --> 01:23:03,599
- You're a communist, too?
- 1535
- 01:23:06,960 --> 01:23:08,916
- So, it's commies.
- 1536
- 01:23:09,000 --> 01:23:11,309
- You ever been in this place?
- Pretty nice, huh?
- 1537
- 01:23:11,400 --> 01:23:12,992
- It's Burt Gurney's.
- 1538
- 01:23:13,080 --> 01:23:15,913
- He sings, he dances,
- he's got taste.
- 1539
- 01:23:18,240 --> 01:23:19,753
- You here alone?
- 1540
- 01:23:19,920 --> 01:23:21,672
- Everybody else went
- down to the beach.
- 1541
- 01:23:23,320 --> 01:23:24,799
- Well, all right, pard.
- 1542
- 01:23:26,760 --> 01:23:28,910
- Let's us head on back to town.
- 1543
- 01:23:29,080 --> 01:23:31,435
- You got Mr. Mannix
- worried sick.
- 1544
- 01:23:58,960 --> 01:24:00,109
- Easy.
- 1545
- 01:24:06,320 --> 01:24:07,435
- Easy.
- 1546
- 01:24:12,080 --> 01:24:13,080
- Here!
- 1547
- 01:26:21,600 --> 01:26:23,477
- Take care of him.
- 1548
- 01:26:31,200 --> 01:26:32,758
- Comrade. Comrade!
- 1549
- 01:26:33,160 --> 01:26:35,116
- We salute you.
- 1550
- 01:26:35,480 --> 01:26:38,313
- You are going to Moscow
- to become Soviet Man
- 1551
- 01:26:38,480 --> 01:26:39,959
- and help forge the future.
- 1552
- 01:26:40,600 --> 01:26:44,036
- We stay behind, continuing
- to serve in our disguise
- 1553
- 01:26:44,120 --> 01:26:46,315
- as capitalist handmaidens.
- 1554
- 01:26:46,480 --> 01:26:48,914
- But the money should
- go to the cause,
- 1555
- 01:26:49,000 --> 01:26:50,433
- not to the servants
- of the cause.
- 1556
- 01:26:50,640 --> 01:26:51,868
- Yes!
- That's right.
- 1557
- 01:26:51,960 --> 01:26:53,234
- We... Well...
- 1558
- 01:26:54,040 --> 01:26:57,635
- Our modest contribution
- to the Comintern.
- 1559
- 01:27:04,160 --> 01:27:05,479
- They will be pleased.
- 1560
- 01:27:09,160 --> 01:27:10,354
- No! No!
- 1561
- 01:27:11,200 --> 01:27:12,428
- Engels!
- 1562
- 01:27:18,200 --> 01:27:19,235
- No.
- 1563
- 01:28:16,560 --> 01:28:17,560
- Oh.
- 1564
- 01:28:27,720 --> 01:28:30,234
- Oh, boy! It's late.
- I'm in the doghouse.
- 1565
- 01:28:30,400 --> 01:28:32,277
- Better forget about my place.
- 1566
- 01:28:32,440 --> 01:28:34,396
- Drop me off at the Beverly Hills Hotel.
- 1567
- 01:28:34,560 --> 01:28:35,879
- All righty.
- 1568
- 01:28:50,120 --> 01:28:51,120
- Huh.
- 1569
- 01:29:19,640 --> 01:29:21,039
- Who are you?
- 1570
- 01:29:21,200 --> 01:29:22,349
- Todd.
- 1571
- 01:29:23,120 --> 01:29:24,348
- Todd.
- 1572
- 01:29:25,120 --> 01:29:27,270
- You get a hot breakfast
- or a box breakfast?
- 1573
- 01:29:28,600 --> 01:29:29,874
- I don't know.
- 1574
- 01:29:30,480 --> 01:29:32,436
- Are you a principal or an extra?
- 1575
- 01:29:33,600 --> 01:29:35,272
- I think I'm a principal.
- 1576
- 01:29:35,440 --> 01:29:36,668
- Yeah.
- 1577
- 01:29:37,840 --> 01:29:39,193
- I'm thinking,
- "What the hell?"
- 1578
- 01:29:39,280 --> 01:29:40,800
- Woken up in some
- strange houses before,
- 1579
- 01:29:41,280 --> 01:29:42,793
- but never without
- a broad next to me.
- 1580
- 01:29:43,440 --> 01:29:45,954
- Mmm-hmm. These guys are
- pretty interesting, though.
- 1581
- 01:29:46,040 --> 01:29:49,999
- They've actually figured out the
- laws that dictate everything.
- 1582
- 01:29:50,080 --> 01:29:53,675
- History, sociology, politics,
- morality, everything.
- 1583
- 01:29:53,840 --> 01:29:56,877
- It's all in a book
- called Kapital, with a "K."
- 1584
- 01:29:57,040 --> 01:29:58,314
- That right?
- 1585
- 01:29:58,400 --> 01:29:59,816
- Yeah. And you're not
- gonna believe this.
- 1586
- 01:29:59,840 --> 01:30:01,432
- These guys even figured out
- 1587
- 01:30:01,520 --> 01:30:03,158
- what's going on
- here at the studio,
- 1588
- 01:30:03,320 --> 01:30:05,515
- because the studio
- is nothing more
- 1589
- 01:30:05,600 --> 01:30:08,273
- than an instrument of capitalism.
- Hmm.
- 1590
- 01:30:08,360 --> 01:30:12,672
- Yeah, so we blindly follow these
- laws like any other institution,
- 1591
- 01:30:12,880 --> 01:30:14,757
- laws that these
- guys figured out.
- 1592
- 01:30:14,840 --> 01:30:17,638
- The studio makes pictures
- to serve the system.
- 1593
- 01:30:17,720 --> 01:30:19,073
- That is its function.
- 1594
- 01:30:19,320 --> 01:30:21,151
- That's really what
- we're up to here.
- 1595
- 01:30:21,520 --> 01:30:22,839
- Is it?
- Yeah.
- 1596
- 01:30:23,000 --> 01:30:25,992
- It's just confirming what
- they call the "status quo."
- 1597
- 01:30:26,440 --> 01:30:29,113
- I mean, we may tell ourselves
- that we're creating
- 1598
- 01:30:29,200 --> 01:30:31,156
- something of artistic value,
- 1599
- 01:30:31,360 --> 01:30:35,353
- or there's some sort of spiritual
- dimension to the picture business.
- 1600
- 01:30:35,520 --> 01:30:38,239
- But what it really is,
- is this fat cat,
- 1601
- 01:30:38,360 --> 01:30:39,759
- Nick Schenk, out in New York,
- 1602
- 01:30:39,920 --> 01:30:43,356
- running this factory,
- serving up these lollipops to the...
- 1603
- 01:30:43,520 --> 01:30:45,720
- What they used to call the
- bread and circuses for the...
- 1604
- 01:30:48,600 --> 01:30:49,669
- What...
- 1605
- 01:30:51,440 --> 01:30:52,668
- Now, you listen to me, buster.
- 1606
- 01:30:53,080 --> 01:30:54,856
- Nick Schenk and this studio
- have been good to you
- 1607
- 01:30:54,880 --> 01:30:56,359
- and to everyone else
- who works here.
- 1608
- 01:30:56,520 --> 01:30:58,440
- If I ever hear you bad-mouthing
- Mr. Schenk again,
- 1609
- 01:30:58,560 --> 01:30:59,913
- it will be the last
- thing you say
- 1610
- 01:31:00,000 --> 01:31:01,016
- before I have you tossed in jail
- 1611
- 01:31:01,040 --> 01:31:02,440
- for colluding in
- your own abduction.
- 1612
- 01:31:02,480 --> 01:31:04,160
- Eddie, I wouldn't...
- I would never do that!
- 1613
- 01:31:05,200 --> 01:31:06,235
- Shut up!
- 1614
- 01:31:06,400 --> 01:31:08,536
- You're gonna go out there and
- you're gonna finish Hail, Caesar!
- 1615
- 01:31:08,560 --> 01:31:09,576
- You're gonna give that speech
- 1616
- 01:31:09,600 --> 01:31:10,656
- at the feet of the
- penitent thief,
- 1617
- 01:31:10,680 --> 01:31:12,432
- and you're gonna believe
- every word you say.
- 1618
- 01:31:14,000 --> 01:31:15,216
- You're gonna do it
- because you're an actor
- 1619
- 01:31:15,240 --> 01:31:16,275
- and that's what you do,
- 1620
- 01:31:16,360 --> 01:31:17,998
- just like the director
- does what he does,
- 1621
- 01:31:18,080 --> 01:31:19,176
- and the writer
- and the script girl
- 1622
- 01:31:19,200 --> 01:31:20,456
- and the guy who claps the slate.
- 1623
- 01:31:20,480 --> 01:31:22,400
- You're gonna do it because
- the picture has worth!
- 1624
- 01:31:22,560 --> 01:31:24,216
- And you have worth if
- you serve the picture,
- 1625
- 01:31:24,240 --> 01:31:26,196
- and you're never gonna
- forget that again.
- 1626
- 01:31:29,000 --> 01:31:30,479
- I won't forget, Eddie.
- 1627
- 01:31:31,240 --> 01:31:33,071
- You're damn right you won't.
- 1628
- 01:31:33,240 --> 01:31:35,276
- Not as long as I run this dump.
- 1629
- 01:31:39,600 --> 01:31:41,192
- Baird.
- 1630
- 01:31:45,760 --> 01:31:47,751
- Go out there and be a star.
- 1631
- 01:31:49,240 --> 01:31:50,434
- Mr. Mannix!
- 1632
- 01:31:52,360 --> 01:31:53,536
- Since you're going to your car,
- 1633
- 01:31:53,560 --> 01:31:54,993
- I thought you might
- wanna take this.
- 1634
- 01:31:55,080 --> 01:31:56,195
- What is it?
- 1635
- 01:31:56,320 --> 01:31:57,639
- From DeeAnna Moran.
- 1636
- 01:31:57,800 --> 01:31:59,199
- Thank you, and she
- doesn't need to
- 1637
- 01:31:59,280 --> 01:32:00,998
- adopt her baby after all.
- 1638
- 01:32:01,080 --> 01:32:02,115
- Huh?
- 1639
- 01:32:02,440 --> 01:32:04,510
- She asked Joe Silverman out
- for dinner last night,
- 1640
- 01:32:04,600 --> 01:32:06,033
- and I guess it went well.
- 1641
- 01:32:06,200 --> 01:32:07,269
- They drove to Palm Springs
- 1642
- 01:32:07,360 --> 01:32:09,510
- and were married at
- 3:00 this morning.
- 1643
- 01:32:09,600 --> 01:32:11,192
- Huh.
- 1644
- 01:32:11,280 --> 01:32:13,256
- Will you be gone long?
- Today's call list to go through.
- 1645
- 01:32:13,280 --> 01:32:15,510
- No, less than an hour.
- Personal errand.
- 1646
- 01:32:15,600 --> 01:32:17,113
- It's a nice arrangement.
- 1647
- 01:32:17,280 --> 01:32:18,838
- She charged it to the studio.
- 1648
- 01:32:19,000 --> 01:32:20,513
- Right.
- 1649
- 01:32:21,120 --> 01:32:22,155
- Just coming to see you.
- 1650
- 01:32:22,280 --> 01:32:23,429
- Good morning. Uh...
- 1651
- 01:32:23,640 --> 01:32:26,440
- Sorry about last night, Thora.
- I didn't know your sister would show up.
- 1652
- 01:32:26,880 --> 01:32:29,394
- Well, that's as may be, but I
- certainly learned my lesson.
- 1653
- 01:32:29,680 --> 01:32:31,557
- Whatever you say today,
- Eddie Mannix,
- 1654
- 01:32:31,640 --> 01:32:33,119
- my column tomorrow is about
- 1655
- 01:32:34,120 --> 01:32:36,111
- On Wings as Eagles.
- 1656
- 01:32:36,320 --> 01:32:37,816
- Thora, I wouldn't do
- that if I were you.
- 1657
- 01:32:37,840 --> 01:32:38,989
- I'm sure you wouldn't.
- 1658
- 01:32:39,160 --> 01:32:41,754
- No, no, no, you don't understand.
- Let's sit down.
- 1659
- 01:32:42,160 --> 01:32:44,958
- I'm telling you not to run the column,
- Thora, for your own good.
- 1660
- 01:32:46,280 --> 01:32:47,554
- I can judge my own interest.
- 1661
- 01:32:47,640 --> 01:32:49,471
- This will be
- the story of the year.
- 1662
- 01:32:49,640 --> 01:32:51,232
- And it so happens
- the Hearst syndicate
- 1663
- 01:32:51,320 --> 01:32:53,311
- are looking to pick up
- a Hollywood column.
- 1664
- 01:32:53,480 --> 01:32:54,576
- And you think this
- will cinch it for you?
- 1665
- 01:32:54,600 --> 01:32:55,600
- You know it will.
- 1666
- 01:32:56,120 --> 01:32:58,759
- Baird Whitlock,
- your biggest star,
- 1667
- 01:32:58,880 --> 01:33:01,519
- got his first major part
- in On Wings as Eagles
- 1668
- 01:33:01,600 --> 01:33:03,238
- by engaging in sodomy
- 1669
- 01:33:04,440 --> 01:33:07,273
- with the picture's director,
- Laurence Laurentz.
- 1670
- 01:33:07,360 --> 01:33:08,918
- Oh, we've all heard the story.
- 1671
- 01:33:09,160 --> 01:33:10,991
- But here's something
- you haven't heard.
- 1672
- 01:33:11,160 --> 01:33:13,435
- Your source is a communist.
- 1673
- 01:33:14,200 --> 01:33:15,496
- If you print it,
- it'll be dismissed
- 1674
- 01:33:15,520 --> 01:33:16,555
- as a commie smear tactic,
- 1675
- 01:33:16,720 --> 01:33:19,109
- and you'll be dismissed
- as a commie stooge.
- 1676
- 01:33:19,320 --> 01:33:20,912
- Burt Gurney has
- left the country.
- 1677
- 01:33:21,000 --> 01:33:23,594
- The cell he was part of has
- been smashed by the police.
- 1678
- 01:33:24,200 --> 01:33:25,336
- Might have thought
- he was credible
- 1679
- 01:33:25,360 --> 01:33:27,828
- because he's Mr. Laurentz's
- current protégé,
- 1680
- 01:33:29,040 --> 01:33:32,032
- but you don't want to be seen as
- Burt Gurney's mouthpiece after this.
- 1681
- 01:33:33,080 --> 01:33:35,150
- How did you know
- Burt was my source?
- 1682
- 01:33:35,320 --> 01:33:36,736
- Late last night,
- I talked to Laurence,
- 1683
- 01:33:36,760 --> 01:33:38,557
- put two and two together.
- 1684
- 01:33:38,720 --> 01:33:41,314
- Well, no reason to send this
- since I ran into you.
- 1685
- 01:33:41,640 --> 01:33:44,200
- It's my way of apology for
- Thessaly horning in last night.
- 1686
- 01:33:44,360 --> 01:33:46,157
- I do value
- our friendship, Thora,
- 1687
- 01:33:46,320 --> 01:33:48,151
- but I'm late for
- something important.
- 1688
- 01:34:09,440 --> 01:34:13,353
- Why on your knees before
- this Hebrew, Autolochus?
- 1689
- 01:34:13,520 --> 01:34:16,080
- I encountered him
- before, Gracchus.
- 1690
- 01:34:16,240 --> 01:34:18,549
- Beside the well of Jehosaphat.
- 1691
- 01:34:20,680 --> 01:34:22,557
- And what manner of man.
- 1692
- 01:34:22,760 --> 01:34:24,432
- He's a priest of the Israelites,
- 1693
- 01:34:24,520 --> 01:34:26,511
- despised even by
- the other priests.
- 1694
- 01:34:26,720 --> 01:34:27,869
- No.
- 1695
- 01:34:28,520 --> 01:34:30,351
- On yesterday's march,
- 1696
- 01:34:30,880 --> 01:34:33,075
- punished by the
- dust of the road,
- 1697
- 01:34:33,240 --> 01:34:35,276
- I sought to drink
- first at the well,
- 1698
- 01:34:35,480 --> 01:34:36,993
- before the slaves in my charge,
- 1699
- 01:34:37,080 --> 01:34:39,753
- whose thirst was far
- greater than my own.
- 1700
- 01:34:39,920 --> 01:34:42,070
- A Roman drinks before a slave.
- 1701
- 01:34:42,280 --> 01:34:44,077
- This man was
- giving water to all.
- 1702
- 01:34:44,440 --> 01:34:47,273
- He saw no Roman,
- he saw no slave.
- 1703
- 01:34:47,440 --> 01:34:51,797
- He saw only men, weak men,
- and gave succor.
- 1704
- 01:34:52,920 --> 01:34:56,276
- He saw suffering,
- which he sought to ease.
- 1705
- 01:34:56,440 --> 01:34:58,715
- He saw sin, and gave love.
- 1706
- 01:34:59,320 --> 01:35:01,117
- Love, Autolochus?
- 1707
- 01:35:02,080 --> 01:35:04,514
- He saw my own sin,
- Gracchus, and greed.
- 1708
- 01:35:04,960 --> 01:35:09,112
- But in his eyes, I saw
- no shadow of reproach.
- 1709
- 01:35:10,280 --> 01:35:12,077
- I saw only light.
- 1710
- 01:35:12,920 --> 01:35:14,638
- The light of God.
- 1711
- 01:35:15,160 --> 01:35:17,469
- You mean, of the gods.
- 1712
- 01:35:18,160 --> 01:35:21,197
- I do not, friend Gracchus.
- 1713
- 01:35:21,280 --> 01:35:23,840
- This Hebrew is
- a son of the one God.
- 1714
- 01:35:24,000 --> 01:35:26,468
- The God of this
- far-flung tribe.
- 1715
- 01:35:27,120 --> 01:35:30,157
- And why shouldn't
- God's anointed appear here
- 1716
- 01:35:30,600 --> 01:35:33,751
- among these strange people,
- to shoulder their sins?
- 1717
- 01:35:34,480 --> 01:35:39,554
- Here, Gracchus,
- in this sun-drenched land.
- 1718
- 01:35:40,000 --> 01:35:42,468
- Why should He
- not take this form,
- 1719
- 01:35:43,040 --> 01:35:44,951
- the form of an ordinary man?
- 1720
- 01:35:45,120 --> 01:35:47,315
- A man bringing us
- not the old truths,
- 1721
- 01:35:48,320 --> 01:35:49,799
- but a new one.
- 1722
- 01:35:51,480 --> 01:35:52,993
- A new truth?
- 1723
- 01:35:53,160 --> 01:35:56,357
- A truth beyond
- the truth that we can see.
- 1724
- 01:35:56,880 --> 01:35:59,314
- A truth beyond this world.
- 1725
- 01:35:59,840 --> 01:36:03,992
- A truth told not in words,
- but in light.
- 1726
- 01:36:04,560 --> 01:36:07,950
- A truth that we could see
- if we had but...
- 1727
- 01:36:08,880 --> 01:36:10,996
- If we had but...
- 1728
- 01:36:13,680 --> 01:36:16,194
- Cut! Cut! "Faith!
- Have but faith!"
- 1729
- 01:36:16,360 --> 01:36:18,555
- "Faith."
- 1730
- 01:36:18,720 --> 01:36:20,631
- "Faith. Faith!"
- God damn it!
- 1731
- 01:36:20,800 --> 01:36:21,994
- Go one again.
- Isn't it...
- 1732
- 01:36:22,160 --> 01:36:23,195
- They changed it.
- 1733
- 01:36:23,360 --> 01:36:25,351
- You got most of it, man.
- You're all right.
- 1734
- 01:36:25,680 --> 01:36:27,750
- All right, hang on.
- 1735
- 01:36:27,920 --> 01:36:30,056
- Can I get a pat down?
- I'm sweating like a pig in this thing.
- 1736
- 01:36:30,080 --> 01:36:31,080
- Ah, son of a bitch!
- 1737
- 01:36:38,040 --> 01:36:40,076
- Bless me, Father,
- for I have sinned.
- 1738
- 01:36:40,880 --> 01:36:43,519
- How long since your
- last confession, my son?
- 1739
- 01:36:43,680 --> 01:36:47,036
- It's been, what, 27 hours.
- 1740
- 01:36:49,680 --> 01:36:51,830
- It's really too often, my son.
- 1741
- 01:36:52,000 --> 01:36:53,194
- You're not that bad.
- 1742
- 01:36:53,360 --> 01:36:55,112
- I don't know, Father.
- 1743
- 01:36:55,280 --> 01:36:58,431
- I snuck a cigarette.
- Or two.
- 1744
- 01:36:59,200 --> 01:37:01,555
- I didn't make it home
- in time for dinner.
- 1745
- 01:37:06,120 --> 01:37:08,793
- And I, uh, struck
- a movie star in anger.
- 1746
- 01:37:12,720 --> 01:37:14,073
- All right.
- 1747
- 01:37:14,240 --> 01:37:16,071
- Five Hail Marys.
- 1748
- 01:37:16,920 --> 01:37:18,273
- Okay.
- 1749
- 01:37:19,240 --> 01:37:20,593
- Okay.
- 1750
- 01:37:21,600 --> 01:37:22,919
- Father?
- 1751
- 01:37:23,880 --> 01:37:25,199
- Yes, my son.
- 1752
- 01:37:25,400 --> 01:37:27,550
- May I ask you something, Father?
- 1753
- 01:37:29,800 --> 01:37:31,472
- Of course, my son.
- 1754
- 01:37:35,960 --> 01:37:38,428
- If there's something
- that's easy,
- 1755
- 01:37:39,400 --> 01:37:41,550
- is that wrong?
- 1756
- 01:37:42,280 --> 01:37:43,395
- Easy?
- 1757
- 01:37:43,560 --> 01:37:45,755
- Yeah, easy to do.
- 1758
- 01:37:45,960 --> 01:37:47,632
- Easy to...
- 1759
- 01:37:47,840 --> 01:37:49,239
- Like, an easy job.
- 1760
- 01:37:49,400 --> 01:37:52,233
- No, it's not a bad job.
- It's not bad.
- 1761
- 01:37:55,280 --> 01:38:00,229
- But, then, there's this other
- job that's not so easy.
- 1762
- 01:38:00,400 --> 01:38:03,119
- No, in fact, it's hard.
- 1763
- 01:38:03,280 --> 01:38:04,633
- It's so hard, Father...
- 1764
- 01:38:04,800 --> 01:38:07,473
- Sometimes I don't know
- if I can keep doing it,
- 1765
- 01:38:08,640 --> 01:38:10,471
- but it seems right.
- 1766
- 01:38:12,960 --> 01:38:14,951
- I don't know how to explain.
- 1767
- 01:38:19,800 --> 01:38:22,633
- God wants us to do what's right.
- 1768
- 01:38:27,160 --> 01:38:28,354
- Yeah.
- 1769
- 01:38:30,000 --> 01:38:31,638
- Yeah, of course He does.
- 1770
- 01:38:31,840 --> 01:38:34,718
- The inner voice that
- tells you what's right,
- 1771
- 01:38:34,880 --> 01:38:37,474
- it comes from God, my son.
- 1772
- 01:38:37,680 --> 01:38:38,795
- Yeah, I got it.
- 1773
- 01:38:38,960 --> 01:38:40,313
- That's His way of saying that...
- 1774
- 01:38:40,480 --> 01:38:41,993
- Yeah, yeah, I got it.
- 1775
- 01:38:42,160 --> 01:38:43,673
- Still raining
- in Gallup, New Mexico.
- 1776
- 01:38:43,840 --> 01:38:45,176
- And the Tucumcari crew
- has shot all the plates
- 1777
- 01:38:45,200 --> 01:38:46,474
- we need for Came the Rain.
- 1778
- 01:38:46,640 --> 01:38:49,240
- Well, just shoot the showdown in
- the weather and we'll retitle it.
- 1779
- 01:38:49,280 --> 01:38:52,716
- Tucumcari Tempest,
- Desert Squall, Hold Back The Storm.
- 1780
- 01:38:52,880 --> 01:38:55,235
- The stories begin,
- the stories end.
- 1781
- 01:38:55,400 --> 01:38:56,816
- I don't know,
- bounce it off the writers.
- 1782
- 01:38:56,840 --> 01:38:57,840
- So it has been.
- 1783
- 01:38:57,880 --> 01:38:58,915
- Here's today's call list.
- 1784
- 01:38:59,000 --> 01:39:01,514
- Add a call to a Mr. Cuddahy
- at the Lockheed Corporation.
- 1785
- 01:39:01,680 --> 01:39:03,033
- Long call?
- Short?
- 1786
- 01:39:03,200 --> 01:39:05,077
- "Thanks, but no thanks."
- How long was that?
- 1787
- 01:39:05,240 --> 01:39:06,496
- But the story of Eddie Mannix...
- 1788
- 01:39:06,520 --> 01:39:07,748
- Who do we call first?
- 1789
- 01:39:07,840 --> 01:39:09,193
- Will never end.
- 1790
- 01:39:09,280 --> 01:39:10,429
- New York first.
- 1791
- 01:39:10,520 --> 01:39:11,800
- Time to check in
- with Mr. Schenk.
- 1792
- 01:39:11,920 --> 01:39:16,869
- For his is a tale
- written in light everlasting.
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement