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- I didn’t panic. Panic gets you killed. Instead I turned smoothly on one heel and slipped into a short hallway leading to a small restroom. I went inside, shut the door behind me, and drew my wands from my hip pocket. I checked the energy level on my bracelets. Both of them were ready to go. My rings were all full up, too, which was about as ideal as things could get.
- So I ordered my thoughts, made a small effort of will, whispered a word, and vanished.
- Veils were complex magic, but I had a knack for them. Becoming truly and completely invisible was a real pain in the neck: Passing light completely through you was a literal stone-cold bitch, because it left you freezing cold and blind as a bat to boot. Becoming unseen, though, was a different proposition entirely. A good veil would reduce your visibility to little more than a few flickers in the air, to a few vague shadows where they shouldn’t be, but it did more than that. It created a sense of ordinariness in the air around you, an aura of boring unremarkability that you usually only felt in a job you didn’t like, around three thirty in the afternoon. Once you combined that suggestion with a greatly reduced visible profile, remaining unnoticed was at least as easy as breathing.
- As I vanished into that veil, I also called up an image, another combination of illusion and suggestion. This one was simple: me, as I’d appeared in the mirror a moment before, clean and seemingly perky and toting a fresh cup of creamy goodness. The sensation that went with it was just a kind of heavy dose of me: the sound of my steps and movement, the scent of Butters’s shampoo, the aroma of my cup of coffee. I tied the image to one of the rings on my fingers and left it there, drawing from the energy I’d stored in a moonstone. Then I turned around, with my image layered over my actual body like a suit made of light, and walked out of the coffee shop.
- Once outside, the evasion was a simple maneuver, the way all the good ones are. My image turned left and I turned right.
- To anyone watching, a young woman had just come out of the store and gone sauntering down the street with her coffee. She was obviously enjoying her day. I’d put a little extra bounce and sway into the image’s movements, to make her that much more noticeable (and therefore a better distraction). She’d go on walking down that street for a mile or more before she simply vanished.
- Brief Cases, Bombshells, Page 230-231
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