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SomeOtherAnon

Telekinesis Part 5

Nov 24th, 2013
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  1. >"So are you gonna say anything or are you just gonna follow me around silently all day?"
  2. >You are silently following Applejack around. You think she does too much work that could be simplified.
  3. >For example, applebucking.
  4. >To harvest an orchard, Applejack has to:
  5. >Put buckets under a tree.
  6. >Kick the tree.
  7. >Move the apples back to a barn or somewhere.
  8. >Move on to the next tree.
  9. >Repeat ad nauseum.
  10. "Do the roots of the apple trees overlap at all?"
  11. >"What? Yeah, ah guess they do. Why?"
  12. "No reason. Unrelated side note, could you put buckets under all the trees for me?"
  13. >"Ah suppose."
  14. >And she sets off to do what you told her to. What a pleasant fellow.
  15. >You stop being in Sweet Apple Acres
  16. >And start being in the library.
  17. >Twilight is reading some esoteric tome of knowledge. It looks pretty heavy.
  18. "'Sup Twi."
  19. >"Uh huh."
  20. >She isn't even slightly surprised at you being here.
  21. >Then again, you do sleep here, whether she wants you to or not.
  22. "I'm bored."
  23. >"Uh huh."
  24. "When I'm bored, I do things you don't like."
  25. >"Uh huh."
  26. "The gist of this conversation is that I want you to tell me to do something."
  27. >She thinks briefly.
  28. >"Dig a hole and bury yourself."
  29. >Huzzah!
  30. >You slide out a nearby window, wriggling like a gecko's tail that's been cut off.
  31. >You glance around for a spade, and find one leaning against the library.
  32. >Convenient.
  33. >You grasp the handle tightly, and thrust the spade into the soft earth.
  34. >Evidently this shovel is very poorly made, because it just shattered.
  35. >Inconvenient.
  36. >This is the exact sort of situation you want to know how to use telekinesis for.
  37. >You give up on using tools, and start digging with your bare hands.
  38. >In about three hours, you've dug a hole that's deeper than you are tall.
  39. >Now, if you had telekinesis, you'd just use that to drop the soil on you, thereby burying you.
  40. >But no, you have to do this the hard way.
  41. >You punch the wall of your pit hard enough to avalanche the loose dirt around it.
  42. >You are now buried. It's very dark.
  43. >That was fun.
  44. >You consider how you're managing to breathe.
  45. >Dirt has lots of holes in it, because it's made up of loads of dirt particles, so air can get in through there.
  46. >Crisis averted!
  47. >What now?
  48. >You start swimming through the dirt, pushing it behind you as you move, until you are roughly underneath the library.
  49. >Then, you swim up.
  50. >You break through the floor of the library, only mildly shocking Twilight.
  51. >"Why did I expect otherwise?"
  52. >She slumps down, dejected and defeated.
  53. >You dust yourself off.
  54. "Anything else you want me to do?"
  55. >Silence for a short moment.
  56. >"I have some things that need to be delivered to Canterlot. Since you can do the whole 'teleporting without any effort whatsoever' thing, you could do it faster and easier than I could."
  57. >There's a problem with that.
  58. "Don't be silly, I can't just start being wherever I want! I have to figure out how to get there first, or I might get lost on the way, and who knows where I'd end up!"
  59. >More silence.
  60. >"You have to go somewhere before you can teleport there?"
  61. >You nod.
  62. >"Just take these to the Canterlot Royal Archives. I don't care how."
  63. >She passes you a small cardboard box with her damned telekinesis.
  64. >It feels like it's filled with books. Makes sense, even if it is a little mundane.
  65. >You salute her and set off for the train station.
  66. >Arriving at the train station, you consider the best way to get on without paying any money.
  67. >Ditching the idea of a plan, as you do, you stride with purpose towards the carriage you're going to board.
  68. >You smile at the ticket master and give him a quick wave.
  69. >He smiles back, and doesn't suspect a thing.
  70. >Time for a really boring train ride!
  71. >Screw that!
  72. >You climb out the window on the opposite side of the train, and onto the roof.
  73. >You lie down, get comfortable, and go to sleep.
  74. >Time passes, the train barrels along it's tracks at an unreasonable speed.
  75. >You awaken as the train reaches Canterlot Station.
  76. >Falling off the train, you stretch and yawn.
  77. >What a lovely nap.
  78. >But enough about sleep, wonderful as it is. It is time to deliver a package!
  79. >You slide through the streets of Canterlot unabated.
  80. >You walk all the way up to the castle before being stopped by a guardsman.
  81. >"Halt! State your name and intention!"
  82. "Anon Yttri Mous. I'm here to deliver some books to the Royal Canterlot Archives."
  83. >"Go right in, sir!"
  84. >Wow. How very secure.
  85. >You skip and prance through the castle like you own the place before eventually finding yourself in the Royal Canterlot Archives.
  86. >Lacking any knowledge of where to go from here, you sneak up behind a guard and cough.
  87. "Ahem."
  88. >He freaks out a bit.
  89. >"What?! How in blazes did you get here?"
  90. "I got lost on the way to the kitchen. Anyway, do you-"
  91. >"You ended up in the most secure part of the Royal Canterlot Archives on the way to the kitchen?"
  92. "No, I ended up in Ponyville on the way to the kitchen. I just sort of walked in here. Now-"
  93. >"How do you just walk in here?!"
  94. >You give him your most disapproving glare, and lean over him. He looks a bit frightened.
  95. "Shut up, and let me speak. I'm trying to deliver a parcel. Where is this meant to go?"
  96. >He takes the box and inspects it carefully.
  97. >"You have to take this to the pony in reception."
  98. "Thank you!"
  99. >You stop being where you are
  100. >And start being in reception.
  101. "Here, hold this."
  102. >You foist off the box onto the pony at the counter.
  103. >You stop being in Canterlot
  104. >And start being in the library at Ponyville.
  105. >You tap your foot on the wooden floor as loudly as you can.
  106. >Twilight pops her head in from upstairs.
  107. "I sent it."
  108. >You stop being in the library
  109. >And start being in Sweet Apple Acres.
  110. >Trees as far as the eye can see.
  111. >All of them have buckets for catching apples under them.
  112. "Applejack!"
  113. >You see an orange speck in the distance start moving.
  114. >You stop being over here
  115. >And start being over there.
  116. "So, are you ready to buck some apples?!"
  117. >"Actually, ah'm pretty tired, Anon."
  118. "Too bad!"
  119. >You trace a line from apple to tree to earth to tree again.
  120. >Should work.
  121. "And, go!"
  122. >You stomp the ground as hard as you can, and wait.
  123. >Two, three, four-
  124. >And then every tree in the entire orchard starts dropping apples like they're on fire.
  125. >It's quite cacophonous, a whole farms worth of apples falling to the ground at once.
  126. "Well, that went well!"
  127. >Applejack's head droops, and she goes to pick up a bucket of apples.
  128. "Allow me."
  129. >You take a running jump, and stop being where you are
  130. >And start being in line with a bucket of apples
  131. >You grab the bucket, stop being there
  132. >And start being in one of Applejacks cellars, where she stores apples.
  133. >Drop the bucket, stop being there
  134. >Start being in line for another bucket.
  135. >I goes on like that for a while.
  136. >Eventually, you place the last bucket of apples in the cellar, stop being there
  137. >And start being over Twilight's bed.
  138. >You fall onto the bed at roughly terminal velocity.
  139. >Luckily, Twilight was on the opposite side of the bed, and is harmlessly lunched off.
  140. "Evening, Twilight. I'm going to sleep now."
  141. >She grumbles and starts to walk off.
  142. "Hey, maybe if you'd teach me how to use telekinesis, I wouldn't have to do as much heavy lifting, and I wouldn't be so tired."
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