The Belko Experiment Telugu Full Movie Download



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The Belko Experiment Telugu Full Movie Download
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In a twisted social experiment, eighty Americans are locked in their high-rise corporate office in Bogotá, Colombia, and ordered by an unknown voice coming from the company&#39;s intercom system to participate in a deadly game of kill or be killed.
In this grisly horror film, 80 company employees trapped in an office block play a horrifying game of &#39;kill or be killed&#39;. This premise is familiar, but oh boy is it always entertaining. This one carries out the premise with mixed results. In terms of direction, there aren&#39;t many complaints. This is a tense, suspenseful and visceral thrill ride with many scenes of fear and terrifying brutality. As well as this, for a horror film the acting is actually really good. The first half of the film is fabulous. There&#39;s tension, thought-provoking moral questions and the violence genuinely affects you. It becomes more than just a bit of fun and actually really makes you think. In that case, this film does its job too well. Eventually, with its excessive gore and every likable character endlessly dying, it does become highly unpleasant. This is arguably in a good way, but it is just a bit too much and after a while it stops being scary and starts being exhausting. The final half an hour, though effective, is just a bit much. Unfortunately, it doesn&#39;t quite fulfill the promise of the trailers and the first half. Still, as modern horror films go it&#39;s very solid and despite the superficial exploration of morals and ethics, it may get nasty but it never stops being effective. Give this one a look if it&#39;s your thing. If you don&#39;t like blood, stay far away. <br/><br/>6/10
The Belko Experiment is decent entertainment until the final ten minutes or so, with a too-soon ending that (oddly) could have used some more exposition. But overall, it&#39;s vicious in its profile of the human spirit and the evil that men do when confronted with a moral quandary that has no positive outcome.<br/><br/>The Belko Corporation is headquartered in a high rise outside of Bogota, Colombia. It&#39;s not clear what they do, but everyone dresses in business attire, so it must be something important. On this particular day, security seems to be even tighter than usual, with local soldiers asking employees for ID and with temporary workers being unexpectedly turned away.<br/><br/>We meet some of the staff. Mike (John Gallagher, Jr.), an exec; his love interest Leandra (Adria Arjona), the creepy Wendell (John C. McGinley), and the big boss, Barry (Tony Goldwyn), plus many others. Looks like a humdrum day for office drones. That is, until all of the windows - and door - are suddenly covered by thick metallic barriers, and a voice comes over the PA system. The voice tells staff that in thirty minutes, they - the staff - must kill two people, or else more will be killed. Some believe the incident to be one big joke, but about 30 minutes in, the backs of some people&#39;s heads explode. No, not snipers. You see, every employee at Belko has a chip in the back of their head. Because it&#39;s Colombia, you see, and there are always kidnappings (particularly of foreign nationals). Just a way for the fine folks at Belko to keep track of you, should you go missing. But, as you&#39;ve probably guessed, those chips are actually explosives, and that&#39;s how we know the baddies are serious.<br/><br/>Chaos reigns for much of the rest of the film, as people realize there&#39;s no way out of their predicament. A couple of camps emerge, one that wants to kill fellow staff so that they themselves can live, and another that wants no part of the killing. Man versus fellow man. Who will prevail? Probably not man.<br/><br/>For the most part, this is a fine movie. Maybe not one you want to think about too much, but then again there&#39;s not much to think about. We know only enough about the characters to kind of care about their fates. And, for the most part, we don&#39;t know anything about the forces outside the building. True, the internal conflict is what drives the movie, but perhaps a little more about why this is the case would have been helpful. The performances are good, but not exceptional.
The fundamental ironic juxtaposition — ultraviolence meets corporate banality — is a bludgeon that never feels fresh no matter how many times it’s driven into our aching skulls.
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