Mammon Tamil Dubbed Movie Torrent



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Mammon Tamil Dubbed Movie Torrent
http://urllio.com/r2t1j
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A newspaper journalist revealing fraud in a large multinational company, finds his family involved, ruining his career, family relations, and entangles him in a following mystery.
A convoluted screenplay, ridiculously complex plot with no real clarification till the end, but well acted and exciting, despite the fact that excitement of this order is completely un-Norwegian. In the last scene shot in Norway (outdoors) we see the characters&#39; faces and everything is clearly lit. Then the final scene, in the Caribbean, with clear light, despite the cloudy skies. Whatever prompted the director of this series to imagine that shooting practically everything else in darkness was a good idea? Did he imagine that it added to the darkness of the story? It is totally unauthentic – Norwegians crave light. Homes and offices are well lit and the idiotic feeble wall lights and desk lights we saw, without a main room light switched on, were simply NOT what you see in Norway. My wife is Norwegian and I have spent a lot of time in all the Nordic countries and have never experienced this sort of gloom. Close to the end, Peter is in the hospital and even there the corridors and rooms were not properly lit – impossible. If natural light was entering a room, the director made sure the actors were shot against it, so we couldn&#39;t see their faces. Why? The scene where Peter Verås returns to his apartment, the tiny lights are already on but he walks through the rooms and rolls into bed without turning on a light, was just laughable. I hope no one thinks that Norway is a country robbed of light. It&#39;s true their days are shorter in winter, but not much different (in the south of the country) from Scotland. And then there was the background music – also to add to the dramatic tension? What a nuisance; and where there was no music, there was noise. If there is a sequel to this, I shall not be watching it unless I learn that the director has grown up.
The decade-long international craze for Scandinavian crime thrillers seems to reach a tipping point with this overstuffed and flatulent boondoggle of a mini-series from Norway. &quot;Mammon&quot; would like to be &quot;The Bridge,&quot; leading us down one false path after another to spectacular cliff-hangers and shocking revelations, but the writers are too lazy to come up with plausible reasons for all this frantic action. I hate it when I invest 6 hours in a mini-series, expecting that &quot;all will be revealed&quot; at the end, and the end comes, and I can only shake my head at all the nonsense I&#39;ve watched and all the gaping holes in the plot. It&#39;s almost as if no single person actually read the whole script!<br/><br/>Scene for scene, the show is just engaging enough to watch, but even at this level some of the red herrings are too obvious and the repeated attempts at suspense too repetitious. (OMG! Is that car following us? No, just a false alarm. No, wait, it WAS following us!)<br/><br/>Spoiler: One example of the ludicrous lengths to which the writers will go simply to obtain that spooky &quot;The Bridge&quot; feeling: the package received by the dead man&#39;s brother and his wife seven years after his death, containing directions to a time and place and a wet suit, because the dead man knew that at exactly that place, and exactly that day, another death would occur in exactly that way. Amazing! But in the end, this elaborate plot twist turns out to make NO SENSE WHATSOEVER (like much of the plot); it&#39;s assumed that we viewers are so stupid we will have forgotten this pivotal scene by the end and won&#39;t care that there is no explanation.<br/><br/>They tried to make &quot;The Bridge,&quot; but this bridge went nowhere.

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