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ENG 2B DIA2

May 20th, 2018
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  1.  
  2. Question Number 1   Points: 0.00/1.00
  3. Question Text
  4. Silver
  5. by Walter de la Mare
  6.  
  7. Slowly, silently, now the moon
  8. Walks the night in her silver shoon;
  9.  
  10. This way, and that, she peers, and sees
  11. Silver fruit upon silver trees;
  12. One by one the casements catch
  13. Her beams beneath the silvery thatch:
  14. Couched in his kennel, like a log,
  15. With paws of silver sleeps the dog;
  16. From their shadowy cote the white breasts peep
  17. Of doves in a silver-feathered sleep;
  18. A harvest mouse goes scampering by,
  19. With silver claws and a silver eye;
  20. And moveless fish in the water gleam,
  21. By silver reeds in a silver stream.
  22.  
  23. What seems to be the purpose of the poem?
  24. Your Answer
  25. B. To show that the moon makes all it shines upon creepy and mysterious.
  26. Question Number 2   Points: 1.00/1.00
  27. Question Text
  28. What would best symbolize our republic?
  29. Your Answer
  30. A. flag
  31. Question Number 3   Points: 1.00/1.00
  32. Question Text
  33. A shadow would probably best symbolize what?
  34. Your Answer
  35. D. mystery
  36. Question Number 4   Points: 1.00/1.00
  37. Question Text
  38. Silver
  39. by Walter de la Mare
  40.  
  41. Slowly, silently, now the moon
  42. Walks the night in her silver shoon;
  43.  
  44. This way, and that, she peers, and sees
  45. Silver fruit upon silver trees;
  46. One by one the casements catch
  47. Her beams beneath the silvery thatch:
  48. Couched in his kennel, like a log,
  49. With paws of silver sleeps the dog;
  50. From their shadowy cote the white breasts peep
  51. Of doves in a silver-feathered sleep;
  52. A harvest mouse goes scampering by,
  53. With silver claws and a silver eye;
  54. And moveless fish in the water gleam,
  55. By silver reeds in a silver stream.
  56.  
  57. To what is the moon compared in the first four lines?
  58. Your Answer
  59. D. a person walking around looking at everything
  60. Question Number 5   Points: 1.00/1.00
  61. Question Text
  62. Silver
  63. by Walter de la Mare
  64.  
  65. Slowly, silently, now the moon
  66. Walks the night in her silver shoon;
  67.  
  68. This way, and that, she peers, and sees
  69. Silver fruit upon silver trees;
  70. One by one the casements catch
  71. Her beams beneath the silvery thatch:
  72. Couched in his kennel, like a log,
  73. With paws of silver sleeps the dog;
  74. From their shadowy cote the white breasts peep
  75. Of doves in a silver-feathered sleep;
  76. A harvest mouse goes scampering by,
  77. With silver claws and a silver eye;
  78. And moveless fish in the water gleam,
  79. By silver reeds in a silver stream.
  80.  
  81. The following is a simile:
  82. Your Answer
  83. B. "Couched in his kennel, like a log"
  84. Question Number 6   Points: 1.00/1.00
  85. Question Text
  86. Read the following poem by Siegried Sassoon and answer the question that follows:
  87.  
  88.  
  89. "Base Details"
  90. If I were fierce, and bald, and short of breath,
  91. I’d live with scarlet Majors at the Base,
  92. And speed glum heroes up the line to death.
  93. You’d see me with my puffy petulant face,
  94. Guzzling and gulping in the best hotel,
  95. Reading the Roll of Honour. Poor young chap,
  96. I’d say---I used to know his father well;
  97. Yes, we’ve lost heavily in this last scrap.
  98. And when the war is done and youth stone dead,
  99. I’d toddle safely home and die---in bed.
  100.  
  101. The first sentence in the poem basically says:
  102. Your Answer
  103. B. If I were an older soldier, I'd speed younger, less experienced soldiers off to the battlefield.
  104. Question Number 7   Points: 1.00/1.00
  105. Question Text
  106. Read the following poem by Siegried Sassoon and answer the question that follows:
  107.  
  108.  
  109. "Base Details"
  110. If I were fierce, and bald, and short of breath,
  111. I’d live with scarlet Majors at the Base,
  112. And speed glum heroes up the line to death.
  113. You’d see me with my puffy petulant face,
  114. Guzzling and gulping in the best hotel,
  115. Reading the Roll of Honour. Poor young chap,
  116. I’d say---I used to know his father well;
  117. Yes, we’ve lost heavily in this last scrap.
  118. And when the war is done and youth stone dead,
  119. I’d toddle safely home and die---in bed.
  120.  
  121. The word "toddle" infers that the old men:
  122. Your Answer
  123. D. Are like infants in their lack of interest in anyone except themselves
  124. Question Number 8   Points: 1.00/1.00
  125. Question Text
  126. The most common convention in poetry is _________.
  127. Your Answer
  128. C. rhyme
  129. Question Number 9   Points: 1.00/1.00
  130. Question Text
  131. Read the following poem by Siegried Sassoon and answer the question that follows:
  132.  
  133.  
  134. "Base Details"
  135. If I were fierce, and bald, and short of breath,
  136. I’d live with scarlet Majors at the Base,
  137. And speed glum heroes up the line to death.
  138. You’d see me with my puffy petulant face,
  139. Guzzling and gulping in the best hotel,
  140. Reading the Roll of Honour. Poor young chap,
  141. I’d say---I used to know his father well;
  142. Yes, we’ve lost heavily in this last scrap.
  143. And when the war is done and youth stone dead,
  144. I’d toddle safely home and die---in bed.
  145.  
  146. The word 'details' is ironic (says one thing but means another) because:
  147. Your Answer
  148. B. It trivializes (makes it seem insignificant) the fact that young men are dying
  149. Question Number 10  Points: 1.00/1.00
  150. Question Text
  151. Mother to Son
  152. by Langston Hughes  
  153.  
  154. Well, son, I'll tell you:
  155. Life for me ain't been no crystal stair.
  156. It's had tacks in it,
  157. And splinters,
  158. And boards torn up,
  159. And places with no carpet on the floor-
  160. Bare.
  161. But all the time
  162. I'se been a-climbin' on,
  163. And reachin' landin's,
  164. And turnin' corners,
  165. And sometimes goin' in the dark
  166. Where there ain't been no light.
  167. So, boy, don't you turn back.
  168. Don't you set down on the steps.
  169. 'Cause you finds it's kinder hard.
  170. Don't you fall now-
  171. For I'se still goin', honey,
  172. I'se still climbin',
  173. And life for me ain't been no crystal stair
  174.  
  175. In the first seven lines, to what is Hughes comparing a stairway with "tacks in it, and splinters"?
  176. Your Answer
  177. D. life
  178. Question Number 11  Points: 1.00/1.00
  179. Question Text
  180. Identify the type of rhyme used in the poem.
  181.  
  182. Hope is the thing with feathers
  183. That perches in the soul,
  184. And sings the tune without the words,
  185. And never stops at all.
  186. -"Hope is the thing with feathers,” by Emily Dickinson
  187. Your Answer
  188. C. slant
  189. Question Number 12  Points: 1.00/1.00
  190. Question Text
  191. Identify the type of rhyme used in the poem.
  192.  
  193. Whose woods these are I think I know,
  194. His house is in the village, though;
  195. He will not see me stopping here
  196. To watch his woods fill up with snow.
  197.  
  198. -From “Stopping by Woods on a Snowy Evening,” by Robert Frost
  199. Your Answer
  200. A. end
  201. Question Number 13  Points: 1.00/1.00
  202. Question Text
  203. Read the poem and answer the question that follows.
  204.  
  205.  
  206.  
  207.  
  208. Birches
  209. by Robert Frost
  210.  
  211. When I see birches bend to left and right
  212. Across the lines of straighter darker trees,
  213. I like to think some boy's been swinging them.
  214. But swinging doesn't bend them down to stay
  215. As ice-storms do. Often you must have seen them
  216. Loaded with ice a sunny winter morning
  217. After a rain.  They click upon themselves
  218. As the breeze rises, and turn many-colored
  219. As the stir cracks and crazes their enamel.
  220. Soon the sun's warmth makes them shed crystal shells
  221. Shattering and avalanching on the snow-crust--
  222. Such heaps of broken glass to sweep away
  223. You'd think the inner dome of heaven had fallen.
  224. They are dragged to the withered bracken by the load,
  225. And they seem not to break; though once they are bowed
  226. So low for long, they never right themselves:
  227. You may see their trunks arching in the woods
  228. Years afterwards, trailing their leaves on the ground
  229. Like girls on hands and knees that throw their hair
  230. Before them over their heads to dry in the sun.
  231. But I was going to say when Truth broke in
  232. With all her matter-of-fact about the ice-storm
  233. I should prefer to have some boy bend them
  234. As he went out and in to fetch the cows--
  235. Some boy too far from town to learn baseball,
  236. Whose only play was what he found himself,
  237. Summer or winter, and could play alone.
  238. One by one he subdued his father's trees
  239. By riding them down over and over again
  240. Until he took the stiffness out of them,
  241. And not one but hung limp, not one was left
  242. For him to conquer.  He learned all there was
  243. To learn about not launching out too soon
  244. And so not carrying the tree away
  245. Clear to the ground. He always kept his poise
  246. To the top branches, climbing carefully
  247. With the same pains you use to fill a cup
  248. Up to the brim, and even above the brim.
  249. Then he flung outward, feet first, with a swish,
  250. Kicking his way down through the air to the ground.
  251. So was I once myself a swinger of birches.
  252. And so I dream of going back to be.
  253. It's when I'm weary of considerations,
  254. And life is too much like a pathless wood
  255. Where your face burns and tickles with the cobwebs
  256. Broken across it, and one eye is weeping
  257. From a twig's having lashed across it open.
  258. I'd like to get away from earth awhile
  259. And then come back to it and begin over.
  260. May no fate willfully misunderstand me
  261. And half grant what I wish and snatch me away
  262. Not to return.  Earth's the right place for love:
  263. I don't know where it's likely to go better.
  264. I'd like to go by climbing a birch tree,
  265. And climb black branches up a snow-white trunk
  266. Toward heaven, till the tree could bear no more,
  267. But dipped its top and set me down again.
  268. That would be good both going and coming back.
  269. One could do worse than be a swinger of birches.
  270.  
  271. In the metaphor that begins, "And life is too much like a pathless wood . .", the speaker is stating that "life" is:
  272. Your Answer
  273. A. Often confusing and without direction
  274. Question Number 14  Points: 1.00/1.00
  275. Question Text
  276. The heart asks pleasure first,
  277. And then, excuse from pain;
  278. And then, those little anodynes (a medicine that relieves pain)
  279. That deaden suffering,
  280.  
  281. And then, to go to sleep;
  282. And then, if it should be
  283. The will of its Inquisitor, (a person who investigates in a harsh way)
  284. The liberty to die.
  285.  
  286. Emily Dickinson
  287.  
  288. What is the connotation of the word "liberty" in this poem?
  289. Your Answer
  290. C. the freedom to die to escape pain
  291. Question Number 15  Points: 1.00/1.00
  292. Question Text
  293. The heart asks pleasure first,
  294. And then, excuse from pain;
  295. And then, those little anodynes (a medicine that relieves pain)
  296. That deaden suffering,
  297.  
  298. And then, to go to sleep;
  299. And then, if it should be
  300. The will of its Inquisitor, (a person who investigates in a harsh way)
  301. The liberty to die.
  302.  
  303. Emily Dickinson
  304.  
  305. If nothing else deadens the pain, what is the final solution for getting rid of the pain in the poem?
  306. Your Answer
  307. C. death
  308. Question Number 16  Points: 1.00/1.00
  309. Question Text
  310. Read the poem and answer the question that follows.
  311.  
  312.  
  313.  
  314.  
  315. Birches
  316. by Robert Frost
  317.  
  318. When I see birches bend to left and right
  319. Across the lines of straighter darker trees,
  320. I like to think some boy's been swinging them.
  321. But swinging doesn't bend them down to stay
  322. As ice-storms do. Often you must have seen them
  323. Loaded with ice a sunny winter morning
  324. After a rain.  They click upon themselves
  325. As the breeze rises, and turn many-colored
  326. As the stir cracks and crazes their enamel.
  327. Soon the sun's warmth makes them shed crystal shells
  328. Shattering and avalanching on the snow-crust--
  329. Such heaps of broken glass to sweep away
  330. You'd think the inner dome of heaven had fallen.
  331. They are dragged to the withered bracken by the load,
  332. And they seem not to break; though once they are bowed
  333. So low for long, they never right themselves:
  334. You may see their trunks arching in the woods
  335. Years afterwards, trailing their leaves on the ground
  336. Like girls on hands and knees that throw their hair
  337. Before them over their heads to dry in the sun.
  338. But I was going to say when Truth broke in
  339. With all her matter-of-fact about the ice-storm
  340. I should prefer to have some boy bend them
  341. As he went out and in to fetch the cows--
  342. Some boy too far from town to learn baseball,
  343. Whose only play was what he found himself,
  344. Summer or winter, and could play alone.
  345. One by one he subdued his father's trees
  346. By riding them down over and over again
  347. Until he took the stiffness out of them,
  348. And not one but hung limp, not one was left
  349. For him to conquer.  He learned all there was
  350. To learn about not launching out too soon
  351. And so not carrying the tree away
  352. Clear to the ground. He always kept his poise
  353. To the top branches, climbing carefully
  354. With the same pains you use to fill a cup
  355. Up to the brim, and even above the brim.
  356. Then he flung outward, feet first, with a swish,
  357. Kicking his way down through the air to the ground.
  358. So was I once myself a swinger of birches.
  359. And so I dream of going back to be.
  360. It's when I'm weary of considerations,
  361. And life is too much like a pathless wood
  362. Where your face burns and tickles with the cobwebs
  363. Broken across it, and one eye is weeping
  364. From a twig's having lashed across it open.
  365. I'd like to get away from earth awhile
  366. And then come back to it and begin over.
  367. May no fate willfully misunderstand me
  368. And half grant what I wish and snatch me away
  369. Not to return.  Earth's the right place for love:
  370. I don't know where it's likely to go better.
  371. I'd like to go by climbing a birch tree,
  372. And climb black branches up a snow-white trunk
  373. Toward heaven, till the tree could bear no more,
  374. But dipped its top and set me down again.
  375. That would be good both going and coming back.
  376. One could do worse than be a swinger of birches.
  377.  
  378. Section three of "Birches" begins with:
  379. Your Answer
  380. D. "So was I once myself a swinger of birches."
  381. Question Number 17  Points: 1.00/1.00
  382. Question Text
  383. The heart asks pleasure first,
  384. And then, excuse from pain;
  385. And then, those little anodynes (a medicine that relieves pain)
  386. That deaden suffering,
  387.  
  388. And then, to go to sleep;
  389. And then, if it should be
  390. The will of its Inquisitor, (a person who investigates in a harsh way)
  391. The liberty to die.
  392.  
  393. Emily Dickinson
  394.  
  395. As the poem goes on the requests become more and more:
  396. Your Answer
  397. A. extreme
  398. Question Number 18  Points: 1.00/1.00
  399. Question Text
  400. Mother to Son
  401. by Langston Hughes  
  402.  
  403. Well, son, I'll tell you:
  404. Life for me ain't been no crystal stair.
  405. It's had tacks in it,
  406. And splinters,
  407. And boards torn up,
  408. And places with no carpet on the floor-
  409. Bare.
  410. But all the time
  411. I'se been a-climbin' on,
  412. And reachin' landin's,
  413. And turnin' corners,
  414. And sometimes goin' in the dark
  415. Where there ain't been no light.
  416. So, boy, don't you turn back.
  417. Don't you set down on the steps.
  418. 'Cause you finds it's kinder hard.
  419. Don't you fall now-
  420. For I'se still goin', honey,
  421. I'se still climbin',
  422. And life for me ain't been no crystal stair
  423.  
  424. In this poem, "tacks," and "splinters," and "boards torn up" are all symbols for:
  425. Your Answer
  426. B. a life that has had many difficulties and challenges
  427. Question Number 19  Points: 1.00/1.00
  428. Question Text
  429. Petals falling would best symbolize what?
  430. Your Answer
  431. B. life ending
  432. Question Number 20  Points: 1.00/1.00
  433. Question Text
  434. Read the poem and answer the question that follows.
  435.  
  436.  
  437.  
  438.  
  439. Birches
  440. by Robert Frost
  441.  
  442. When I see birches bend to left and right
  443. Across the lines of straighter darker trees,
  444. I like to think some boy's been swinging them.
  445. But swinging doesn't bend them down to stay
  446. As ice-storms do. Often you must have seen them
  447. Loaded with ice a sunny winter morning
  448. After a rain.  They click upon themselves
  449. As the breeze rises, and turn many-colored
  450. As the stir cracks and crazes their enamel.
  451. Soon the sun's warmth makes them shed crystal shells
  452. Shattering and avalanching on the snow-crust--
  453. Such heaps of broken glass to sweep away
  454. You'd think the inner dome of heaven had fallen.
  455. They are dragged to the withered bracken by the load,
  456. And they seem not to break; though once they are bowed
  457. So low for long, they never right themselves:
  458. You may see their trunks arching in the woods
  459. Years afterwards, trailing their leaves on the ground
  460. Like girls on hands and knees that throw their hair
  461. Before them over their heads to dry in the sun.
  462. But I was going to say when Truth broke in
  463. With all her matter-of-fact about the ice-storm
  464. I should prefer to have some boy bend them
  465. As he went out and in to fetch the cows--
  466. Some boy too far from town to learn baseball,
  467. Whose only play was what he found himself,
  468. Summer or winter, and could play alone.
  469. One by one he subdued his father's trees
  470. By riding them down over and over again
  471. Until he took the stiffness out of them,
  472. And not one but hung limp, not one was left
  473. For him to conquer.  He learned all there was
  474. To learn about not launching out too soon
  475. And so not carrying the tree away
  476. Clear to the ground. He always kept his poise
  477. To the top branches, climbing carefully
  478. With the same pains you use to fill a cup
  479. Up to the brim, and even above the brim.
  480. Then he flung outward, feet first, with a swish,
  481. Kicking his way down through the air to the ground.
  482. So was I once myself a swinger of birches.
  483. And so I dream of going back to be.
  484. It's when I'm weary of considerations,
  485. And life is too much like a pathless wood
  486. Where your face burns and tickles with the cobwebs
  487. Broken across it, and one eye is weeping
  488. From a twig's having lashed across it open.
  489. I'd like to get away from earth awhile
  490. And then come back to it and begin over.
  491. May no fate willfully misunderstand me
  492. And half grant what I wish and snatch me away
  493. Not to return.  Earth's the right place for love:
  494. I don't know where it's likely to go better.
  495. I'd like to go by climbing a birch tree,
  496. And climb black branches up a snow-white trunk
  497. Toward heaven, till the tree could bear no more,
  498. But dipped its top and set me down again.
  499. That would be good both going and coming back.
  500. One could do worse than be a swinger of birches.
  501.  
  502.  
  503. In the first two sentences of the poem, the speaker gives two observations about birches. How do they differ?
  504.  
  505. Your Answer
  506. B. The first is a fantasy but the second is reality (could really happen).
  507. Question Number 21  Points: 1.00/1.00
  508. Question Text
  509. Read the following poem by Siegried Sassoon and answer the question that follows:
  510.  
  511.  
  512. "Base Details"
  513. If I were fierce, and bald, and short of breath,
  514. I’d live with scarlet Majors at the Base,
  515. And speed glum heroes up the line to death.
  516. You’d see me with my puffy petulant face,
  517. Guzzling and gulping in the best hotel,
  518. Reading the Roll of Honour. Poor young chap,
  519. I’d say---I used to know his father well;
  520. Yes, we’ve lost heavily in this last scrap.
  521. And when the war is done and youth stone dead,
  522. I’d toddle safely home and die---in bed.
  523.  
  524. In this poem, the word "base" means both:
  525.  
  526. Your Answer
  527. D. The military installation and the vulgarity of sending young men off to war.
  528. Question Number 22  Points: 1.00/1.00
  529. Question Text
  530. Identify the type of rhyme used in the poem.
  531.  
  532. Once upon a midnight dreary, while I pondered, weak and weary,
  533. Over many a quaint and curious volume of forgotten lore,
  534. While I nodded, nearly napping, suddenly there came a tapping,
  535. As of some one gently rapping, rapping at my chamber door.
  536. "'Tis some visitor," I muttered, "tapping at my chamber door —
  537. Only this, and nothing more."
  538. -From “The Raven,” by Edgar Allen Poe
  539. Your Answer
  540. B. internal
  541. Question Number 23  Points: 1.00/1.00
  542. Question Text
  543. Read the poem and answer the question that follows.
  544.  
  545.  
  546.  
  547.  
  548. Birches
  549. by Robert Frost
  550.  
  551. When I see birches bend to left and right
  552. Across the lines of straighter darker trees,
  553. I like to think some boy's been swinging them.
  554. But swinging doesn't bend them down to stay
  555. As ice-storms do. Often you must have seen them
  556. Loaded with ice a sunny winter morning
  557. After a rain.  They click upon themselves
  558. As the breeze rises, and turn many-colored
  559. As the stir cracks and crazes their enamel.
  560. Soon the sun's warmth makes them shed crystal shells
  561. Shattering and avalanching on the snow-crust--
  562. Such heaps of broken glass to sweep away
  563. You'd think the inner dome of heaven had fallen.
  564. They are dragged to the withered bracken by the load,
  565. And they seem not to break; though once they are bowed
  566. So low for long, they never right themselves:
  567. You may see their trunks arching in the woods
  568. Years afterwards, trailing their leaves on the ground
  569. Like girls on hands and knees that throw their hair
  570. Before them over their heads to dry in the sun.
  571. But I was going to say when Truth broke in
  572. With all her matter-of-fact about the ice-storm
  573. I should prefer to have some boy bend them
  574. As he went out and in to fetch the cows--
  575. Some boy too far from town to learn baseball,
  576. Whose only play was what he found himself,
  577. Summer or winter, and could play alone.
  578. One by one he subdued his father's trees
  579. By riding them down over and over again
  580. Until he took the stiffness out of them,
  581. And not one but hung limp, not one was left
  582. For him to conquer.  He learned all there was
  583. To learn about not launching out too soon
  584. And so not carrying the tree away
  585. Clear to the ground. He always kept his poise
  586. To the top branches, climbing carefully
  587. With the same pains you use to fill a cup
  588. Up to the brim, and even above the brim.
  589. Then he flung outward, feet first, with a swish,
  590. Kicking his way down through the air to the ground.
  591. So was I once myself a swinger of birches.
  592. And so I dream of going back to be.
  593. It's when I'm weary of considerations,
  594. And life is too much like a pathless wood
  595. Where your face burns and tickles with the cobwebs
  596. Broken across it, and one eye is weeping
  597. From a twig's having lashed across it open.
  598. I'd like to get away from earth awhile
  599. And then come back to it and begin over.
  600. May no fate willfully misunderstand me
  601. And half grant what I wish and snatch me away
  602. Not to return.  Earth's the right place for love:
  603. I don't know where it's likely to go better.
  604. I'd like to go by climbing a birch tree,
  605. And climb black branches up a snow-white trunk
  606. Toward heaven, till the tree could bear no more,
  607. But dipped its top and set me down again.
  608. That would be good both going and coming back.
  609. One could do worse than be a swinger of birches.
  610.  
  611. The simile that begins "You may see their trunks arching in the woods . . ." compares:
  612. Your Answer
  613. B. The bent trunks of the birches and girls kneeling drying their hair
  614. Question Number 24  Points: 1.00/1.00
  615. Question Text
  616. Mother to Son
  617. by Langston Hughes  
  618.  
  619. Well, son, I'll tell you:
  620. Life for me ain't been no crystal stair.
  621. It's had tacks in it,
  622. And splinters,
  623. And boards torn up,
  624. And places with no carpet on the floor-
  625. Bare.
  626. But all the time
  627. I'se been a-climbin' on,
  628. And reachin' landin's,
  629. And turnin' corners,
  630. And sometimes goin' in the dark
  631. Where there ain't been no light.
  632. So, boy, don't you turn back.
  633. Don't you set down on the steps.
  634. 'Cause you finds it's kinder hard.
  635. Don't you fall now-
  636. For I'se still goin', honey,
  637. I'se still climbin',
  638. And life for me ain't been no crystal stair
  639.  
  640. What is the most likely meaning for "turnin' corners" in the context of the poem?
  641. Your Answer
  642. A. Places in her life where she set new goals or tried to solve her problems in a new way.
  643. Question Number 25  Points: 1.00/1.00
  644. Question Text
  645. Read the following poem by Siegried Sassoon and answer the question that follows:
  646.  
  647.  
  648. "Base Details"
  649. If I were fierce, and bald, and short of breath,
  650. I’d live with scarlet Majors at the Base,
  651. And speed glum heroes up the line to death.
  652. You’d see me with my puffy petulant face,
  653. Guzzling and gulping in the best hotel,
  654. Reading the Roll of Honour. Poor young chap,
  655. I’d say---I used to know his father well;
  656. Yes, we’ve lost heavily in this last scrap.
  657. And when the war is done and youth stone dead,
  658. I’d toddle safely home and die---in bed.
  659.  
  660. The connotation of "the last scrap" in the eighth line of the poem is:
  661. Your Answer
  662. A. That the last battle wasn't very important
  663. Question Number 26  Points: 1.00/1.00
  664. Question Text
  665. Measured flow or movement in a poem is called_________.
  666. Your Answer
  667. C. rhythm
  668. Question Number 27  Points: 1.00/1.00
  669. Question Text
  670. Read the poem and answer the question that follows.
  671.  
  672.  
  673.  
  674.  
  675. Birches
  676. by Robert Frost
  677.  
  678. When I see birches bend to left and right
  679. Across the lines of straighter darker trees,
  680. I like to think some boy's been swinging them.
  681. But swinging doesn't bend them down to stay
  682. As ice-storms do. Often you must have seen them
  683. Loaded with ice a sunny winter morning
  684. After a rain.  They click upon themselves
  685. As the breeze rises, and turn many-colored
  686. As the stir cracks and crazes their enamel.
  687. Soon the sun's warmth makes them shed crystal shells
  688. Shattering and avalanching on the snow-crust--
  689. Such heaps of broken glass to sweep away
  690. You'd think the inner dome of heaven had fallen.
  691. They are dragged to the withered bracken by the load,
  692. And they seem not to break; though once they are bowed
  693. So low for long, they never right themselves:
  694. You may see their trunks arching in the woods
  695. Years afterwards, trailing their leaves on the ground
  696. Like girls on hands and knees that throw their hair
  697. Before them over their heads to dry in the sun.
  698. But I was going to say when Truth broke in
  699. With all her matter-of-fact about the ice-storm
  700. I should prefer to have some boy bend them
  701. As he went out and in to fetch the cows--
  702. Some boy too far from town to learn baseball,
  703. Whose only play was what he found himself,
  704. Summer or winter, and could play alone.
  705. One by one he subdued his father's trees
  706. By riding them down over and over again
  707. Until he took the stiffness out of them,
  708. And not one but hung limp, not one was left
  709. For him to conquer.  He learned all there was
  710. To learn about not launching out too soon
  711. And so not carrying the tree away
  712. Clear to the ground. He always kept his poise
  713. To the top branches, climbing carefully
  714. With the same pains you use to fill a cup
  715. Up to the brim, and even above the brim.
  716. Then he flung outward, feet first, with a swish,
  717. Kicking his way down through the air to the ground.
  718. So was I once myself a swinger of birches.
  719. And so I dream of going back to be.
  720. It's when I'm weary of considerations,
  721. And life is too much like a pathless wood
  722. Where your face burns and tickles with the cobwebs
  723. Broken across it, and one eye is weeping
  724. From a twig's having lashed across it open.
  725. I'd like to get away from earth awhile
  726. And then come back to it and begin over.
  727. May no fate willfully misunderstand me
  728. And half grant what I wish and snatch me away
  729. Not to return.  Earth's the right place for love:
  730. I don't know where it's likely to go better.
  731. I'd like to go by climbing a birch tree,
  732. And climb black branches up a snow-white trunk
  733. Toward heaven, till the tree could bear no more,
  734. But dipped its top and set me down again.
  735. That would be good both going and coming back.
  736. One could do worse than be a swinger of birches.
  737.  
  738. The speaker uses the metaphor, "And life is too much like a pathless wood where your face burns and tickles with the cobwebs broken across it . . ." to imply that he would like to get rid of his cares and problems when:
  739. Your Answer
  740. C. His problems are not devastating but irritating and confusing
  741. Question Number 28  Points: 1.00/1.00
  742. Question Text
  743. Mother to Son
  744. by Langston Hughes  
  745.  
  746. Well, son, I'll tell you:
  747. Life for me ain't been no crystal stair.
  748. It's had tacks in it,
  749. And splinters,
  750. And boards torn up,
  751. And places with no carpet on the floor-
  752. Bare.
  753. But all the time
  754. I'se been a-climbin' on,
  755. And reachin' landin's,
  756. And turnin' corners,
  757. And sometimes goin' in the dark
  758. Where there ain't been no light.
  759. So, boy, don't you turn back.
  760. Don't you set down on the steps.
  761. 'Cause you finds it's kinder hard.
  762. Don't you fall now-
  763. For I'se still goin', honey,
  764. I'se still climbin',
  765. And life for me ain't been no crystal stair
  766.  
  767. What is the most likely age for the son to whom the mother is talking?
  768. Your Answer
  769. C. young man
  770. Question Number 29  Points: 1.00/1.00
  771. Question Text
  772. Read the poem and answer the question that follows.
  773.  
  774.  
  775.  
  776.  
  777. Birches
  778. by Robert Frost
  779.  
  780. When I see birches bend to left and right
  781. Across the lines of straighter darker trees,
  782. I like to think some boy's been swinging them.
  783. But swinging doesn't bend them down to stay
  784. As ice-storms do. Often you must have seen them
  785. Loaded with ice a sunny winter morning
  786. After a rain.  They click upon themselves
  787. As the breeze rises, and turn many-colored
  788. As the stir cracks and crazes their enamel.
  789. Soon the sun's warmth makes them shed crystal shells
  790. Shattering and avalanching on the snow-crust--
  791. Such heaps of broken glass to sweep away
  792. You'd think the inner dome of heaven had fallen.
  793. They are dragged to the withered bracken by the load,
  794. And they seem not to break; though once they are bowed
  795. So low for long, they never right themselves:
  796. You may see their trunks arching in the woods
  797. Years afterwards, trailing their leaves on the ground
  798. Like girls on hands and knees that throw their hair
  799. Before them over their heads to dry in the sun.
  800. But I was going to say when Truth broke in
  801. With all her matter-of-fact about the ice-storm
  802. I should prefer to have some boy bend them
  803. As he went out and in to fetch the cows--
  804. Some boy too far from town to learn baseball,
  805. Whose only play was what he found himself,
  806. Summer or winter, and could play alone.
  807. One by one he subdued his father's trees
  808. By riding them down over and over again
  809. Until he took the stiffness out of them,
  810. And not one but hung limp, not one was left
  811. For him to conquer.  He learned all there was
  812. To learn about not launching out too soon
  813. And so not carrying the tree away
  814. Clear to the ground. He always kept his poise
  815. To the top branches, climbing carefully
  816. With the same pains you use to fill a cup
  817. Up to the brim, and even above the brim.
  818. Then he flung outward, feet first, with a swish,
  819. Kicking his way down through the air to the ground.
  820. So was I once myself a swinger of birches.
  821. And so I dream of going back to be.
  822. It's when I'm weary of considerations,
  823. And life is too much like a pathless wood
  824. Where your face burns and tickles with the cobwebs
  825. Broken across it, and one eye is weeping
  826. From a twig's having lashed across it open.
  827. I'd like to get away from earth awhile
  828. And then come back to it and begin over.
  829. May no fate willfully misunderstand me
  830. And half grant what I wish and snatch me away
  831. Not to return.  Earth's the right place for love:
  832. I don't know where it's likely to go better.
  833. I'd like to go by climbing a birch tree,
  834. And climb black branches up a snow-white trunk
  835. Toward heaven, till the tree could bear no more,
  836. But dipped its top and set me down again.
  837. That would be good both going and coming back.
  838. One could do worse than be a swinger of birches.
  839.  
  840. What does the simile [highlighted in bold above] refer to in the context of this poem?
  841. Your Answer
  842. C. The bent trunks of the trees that trail their leaves on the ground
  843. Question Number 30  Points: 1.00/1.00
  844. Question Text
  845. Read the poem and answer the question that follows.
  846.  
  847.  
  848.  
  849.  
  850. Birches
  851. by Robert Frost
  852.  
  853. When I see birches bend to left and right
  854. Across the lines of straighter darker trees,
  855. I like to think some boy's been swinging them.
  856. But swinging doesn't bend them down to stay
  857. As ice-storms do. Often you must have seen them
  858. Loaded with ice a sunny winter morning
  859. After a rain.  They click upon themselves
  860. As the breeze rises, and turn many-colored
  861. As the stir cracks and crazes their enamel.
  862. Soon the sun's warmth makes them shed crystal shells
  863. Shattering and avalanching on the snow-crust--
  864. Such heaps of broken glass to sweep away
  865. You'd think the inner dome of heaven had fallen.
  866. They are dragged to the withered bracken by the load,
  867. And they seem not to break; though once they are bowed
  868. So low for long, they never right themselves:
  869. You may see their trunks arching in the woods
  870. Years afterwards, trailing their leaves on the ground
  871. Like girls on hands and knees that throw their hair
  872. Before them over their heads to dry in the sun.
  873. But I was going to say when Truth broke in
  874. With all her matter-of-fact about the ice-storm
  875. I should prefer to have some boy bend them
  876. As he went out and in to fetch the cows--
  877. Some boy too far from town to learn baseball,
  878. Whose only play was what he found himself,
  879. Summer or winter, and could play alone.
  880. One by one he subdued his father's trees
  881. By riding them down over and over again
  882. Until he took the stiffness out of them,
  883. And not one but hung limp, not one was left
  884. For him to conquer.  He learned all there was
  885. To learn about not launching out too soon
  886. And so not carrying the tree away
  887. Clear to the ground. He always kept his poise
  888. To the top branches, climbing carefully
  889. With the same pains you use to fill a cup
  890. Up to the brim, and even above the brim.
  891. Then he flung outward, feet first, with a swish,
  892. Kicking his way down through the air to the ground.
  893. So was I once myself a swinger of birches.
  894. And so I dream of going back to be.
  895. It's when I'm weary of considerations,
  896. And life is too much like a pathless wood
  897. Where your face burns and tickles with the cobwebs
  898. Broken across it, and one eye is weeping
  899. From a twig's having lashed across it open.
  900. I'd like to get away from earth awhile
  901. And then come back to it and begin over.
  902. May no fate willfully misunderstand me
  903. And half grant what I wish and snatch me away
  904. Not to return.  Earth's the right place for love:
  905. I don't know where it's likely to go better.
  906. I'd like to go by climbing a birch tree,
  907. And climb black branches up a snow-white trunk
  908. Toward heaven, till the tree could bear no more,
  909. But dipped its top and set me down again.
  910. That would be good both going and coming back.
  911. One could do worse than be a swinger of birches.
  912.  
  913. It becomes apparent in the lines that begin, "One by one he subdued his father's trees . . ." that the boy swinging on birches is a symbol for something bigger and more meaningful. Read the lines that are in bold print after the above line and determine that the boy and his swinging are symbols for:
  914. Your Answer
  915. B. Childhood innocence and the accomplishing of tasks that help one mature
  916. Question Number 31  Points: 1.00/1.00
  917. Question Text
  918. Life would best be symbolized by what?
  919. Your Answer
  920. C. tree
  921. Question Number 32  Points: 1.00/1.00
  922. Question Text
  923. Silver
  924. by Walter de la Mare
  925.  
  926. Slowly, silently, now the moon
  927. Walks the night in her silver shoon;
  928.  
  929. This way, and that, she peers, and sees
  930. Silver fruit upon silver trees;
  931. One by one the casements catch
  932. Her beams beneath the silvery thatch:
  933. Couched in his kennel, like a log,
  934. With paws of silver sleeps the dog;
  935. From their shadowy cote the white breasts peep
  936. Of doves in a silver-feathered sleep;
  937. A harvest mouse goes scampering by,
  938. With silver claws and a silver eye;
  939. And moveless fish in the water gleam,
  940. By silver reeds in a silver stream.
  941.  
  942. The author uses many "s" sounds in his alliteration because:
  943. Your Answer
  944. D. The moon moves "slowly, silently" in a soft manner and "s" has a soft sound.
  945. Question Number 33  Points: 1.00/1.00
  946. Question Text
  947. Mother to Son
  948. by Langston Hughes  
  949.  
  950. Well, son, I'll tell you:
  951. Life for me ain't been no crystal stair.
  952. It's had tacks in it,
  953. And splinters,
  954. And boards torn up,
  955. And places with no carpet on the floor-
  956. Bare.
  957. But all the time
  958. I'se been a-climbin' on,
  959. And reachin' landin's,
  960. And turnin' corners,
  961. And sometimes goin' in the dark
  962. Where there ain't been no light.
  963. So, boy, don't you turn back.
  964. Don't you set down on the steps.
  965. 'Cause you finds it's kinder hard.
  966. Don't you fall now-
  967. For I'se still goin', honey,
  968. I'se still climbin',
  969. And life for me ain't been no crystal stair
  970.  
  971. Why do you think the word "Bare" is on a line all alone?
  972. Your Answer
  973. C. To emphasize how difficult and "bare" of luxuries the mother's life was
  974. Question Number 34  Points: 1.00/1.00
  975. Question Text
  976. Read the following poem by Siegried Sassoon and answer the question that follows:
  977.  
  978.  
  979. "Base Details"
  980. If I were fierce, and bald, and short of breath,
  981. I’d live with scarlet Majors at the Base,
  982. And speed glum heroes up the line to death.
  983. You’d see me with my puffy petulant face,
  984. Guzzling and gulping in the best hotel,
  985. Reading the Roll of Honour. Poor young chap,
  986. I’d say---I used to know his father well;
  987. Yes, we’ve lost heavily in this last scrap.
  988. And when the war is done and youth stone dead,
  989. I’d toddle safely home and die---in bed.
  990.  
  991. Who is it that will "toddle" home when the war is done?
  992. Your Answer
  993. D. All the older soldiers who stayed safe and away from the battlefield.
  994. Question Number 35  Points: 1.00/1.00
  995. Question Text
  996. Read the following poem by Siegried Sassoon and answer the question that follows:
  997.  
  998.  
  999. "Base Details"
  1000. If I were fierce, and bald, and short of breath,
  1001. I’d live with scarlet Majors at the Base,
  1002. And speed glum heroes up the line to death.
  1003. You’d see me with my puffy petulant face,
  1004. Guzzling and gulping in the best hotel,
  1005. Reading the Roll of Honour. Poor young chap,
  1006. I’d say---I used to know his father well;
  1007. Yes, we’ve lost heavily in this last scrap.
  1008. And when the war is done and youth stone dead,
  1009. I’d toddle safely home and die---in bed.
  1010.  
  1011. The poem is criticizing:
  1012. Your Answer
  1013. C. Older soldiers who send young men off to be killed but stay safe themselves
  1014. Question Number 36  Points: 1.00/1.00
  1015. Question Text
  1016. Read the poem and answer the question that follows.
  1017.  
  1018.  
  1019.  
  1020.  
  1021. Birches
  1022. by Robert Frost
  1023.  
  1024. When I see birches bend to left and right
  1025. Across the lines of straighter darker trees,
  1026. I like to think some boy's been swinging them.
  1027. But swinging doesn't bend them down to stay
  1028. As ice-storms do. Often you must have seen them
  1029. Loaded with ice a sunny winter morning
  1030. After a rain.  They click upon themselves
  1031. As the breeze rises, and turn many-colored
  1032. As the stir cracks and crazes their enamel.
  1033. Soon the sun's warmth makes them shed crystal shells
  1034. Shattering and avalanching on the snow-crust--
  1035. Such heaps of broken glass to sweep away
  1036. You'd think the inner dome of heaven had fallen.
  1037. They are dragged to the withered bracken by the load,
  1038. And they seem not to break; though once they are bowed
  1039. So low for long, they never right themselves:
  1040. You may see their trunks arching in the woods
  1041. Years afterwards, trailing their leaves on the ground
  1042. Like girls on hands and knees that throw their hair
  1043. Before them over their heads to dry in the sun.
  1044. But I was going to say when Truth broke in
  1045. With all her matter-of-fact about the ice-storm
  1046. I should prefer to have some boy bend them
  1047. As he went out and in to fetch the cows--
  1048. Some boy too far from town to learn baseball,
  1049. Whose only play was what he found himself,
  1050. Summer or winter, and could play alone.
  1051. One by one he subdued his father's trees
  1052. By riding them down over and over again
  1053. Until he took the stiffness out of them,
  1054. And not one but hung limp, not one was left
  1055. For him to conquer.  He learned all there was
  1056. To learn about not launching out too soon
  1057. And so not carrying the tree away
  1058. Clear to the ground. He always kept his poise
  1059. To the top branches, climbing carefully
  1060. With the same pains you use to fill a cup
  1061. Up to the brim, and even above the brim.
  1062. Then he flung outward, feet first, with a swish,
  1063. Kicking his way down through the air to the ground.
  1064. So was I once myself a swinger of birches.
  1065. And so I dream of going back to be.
  1066. It's when I'm weary of considerations,
  1067. And life is too much like a pathless wood
  1068. Where your face burns and tickles with the cobwebs
  1069. Broken across it, and one eye is weeping
  1070. From a twig's having lashed across it open.
  1071. I'd like to get away from earth awhile
  1072. And then come back to it and begin over.
  1073. May no fate willfully misunderstand me
  1074. And half grant what I wish and snatch me away
  1075. Not to return.  Earth's the right place for love:
  1076. I don't know where it's likely to go better.
  1077. I'd like to go by climbing a birch tree,
  1078. And climb black branches up a snow-white trunk
  1079. Toward heaven, till the tree could bear no more,
  1080. But dipped its top and set me down again.
  1081. That would be good both going and coming back.
  1082. One could do worse than be a swinger of birches.
  1083.  
  1084. The line "He learned all there was to learn about launching out too soon And so not carrying the tree away clear to the ground," is a metaphor for:
  1085. Your Answer
  1086. C. Learning not attempt a goal until you have the resources to accomplish it
  1087. Question Number 37  Points: 1.00/1.00
  1088. Question Text
  1089. Read the following poem by Siegried Sassoon and answer the question that follows:
  1090.  
  1091.  
  1092. "Base Details"
  1093. If I were fierce, and bald, and short of breath,
  1094. I’d live with scarlet Majors at the Base,
  1095. And speed glum heroes up the line to death.
  1096. You’d see me with my puffy petulant face,
  1097. Guzzling and gulping in the best hotel,
  1098. Reading the Roll of Honour. Poor young chap,
  1099. I’d say---I used to know his father well;
  1100. Yes, we’ve lost heavily in this last scrap.
  1101. And when the war is done and youth stone dead,
  1102. I’d toddle safely home and die---in bed.
  1103.  
  1104. The speaker in the poem is speaking about:
  1105. Your Answer
  1106. C. What he would do if he were like the older officers that command him
  1107. Question Number 38  Points: 1.00/1.00
  1108. Question Text
  1109. “Peter Piper Picked a Peck of Pickled Peppers” is an example of__________.
  1110. Your Answer
  1111. B. alliteration
  1112. Question Number 39  Points: 1.00/1.00
  1113. Question Text
  1114. Read the following poem by Siegried Sassoon and answer the question that follows:
  1115.  
  1116.  
  1117. "Base Details"
  1118. If I were fierce, and bald, and short of breath,
  1119. I’d live with scarlet Majors at the Base,
  1120. And speed glum heroes up the line to death.
  1121. You’d see me with my puffy petulant face,
  1122. Guzzling and gulping in the best hotel,
  1123. Reading the Roll of Honour. Poor young chap,
  1124. I’d say---I used to know his father well;
  1125. Yes, we’ve lost heavily in this last scrap.
  1126. And when the war is done and youth stone dead,
  1127. I’d toddle safely home and die---in bed.
  1128.  
  1129. What do the following images infer about the older soldiers: "puffy, petulant face;" and "guzzling and gulping?"
  1130. Your Answer
  1131. A. Most of them are concerned only with their own comfort and not about the fate of the young men they are sending to war.
  1132. Question Number 40  Points: 1.00/1.00
  1133. Question Text
  1134. A foot in poetry:
  1135. Your Answer
  1136. C. represents a sequence of syllables
  1137. Question Number 41  Points: 1.00/1.00
  1138. Question Text
  1139. Identify the type of rhyme in Rudyard Kipling's poem "The City of Brass":
  1140.  
  1141. Men swift to see done, and outrun, their extremest commanding—
  1142. Of the tribe which describe with a jibe the perversions of Justice—
  1143. Panders avowed to the crowd whatsoever its lust is.
  1144. Your Answer
  1145. C. internal rhyme
  1146. Question Number 42  Points: 1.00/1.00
  1147. Question Text
  1148. Meter is used by poets to create:
  1149. Your Answer
  1150. A. rhythm
  1151. Question Number 43  Points: 1.00/1.00
  1152. Question Text
  1153. Read the following poem by Siegried Sassoon and answer the question that follows:
  1154.  
  1155.  
  1156. "Base Details"
  1157. If I were fierce, and bald, and short of breath,
  1158. I’d live with scarlet Majors at the Base,
  1159. And speed glum heroes up the line to death.
  1160. You’d see me with my puffy petulant face,
  1161. Guzzling and gulping in the best hotel,
  1162. Reading the Roll of Honour. Poor young chap,
  1163. I’d say---I used to know his father well;
  1164. Yes, we’ve lost heavily in this last scrap.
  1165. And when the war is done and youth stone dead,
  1166. I’d toddle safely home and die---in bed.
  1167.  
  1168. The poem contrasts the young soldier with:
  1169. Your Answer
  1170. D. Older soldiers who send young men into the battlefield but who remain safe themselves.
  1171. Question Number 44  Points: 1.00/1.00
  1172. Question Text
  1173. Read the poem and answer the question that follows.
  1174.  
  1175.  
  1176.  
  1177.  
  1178. Birches
  1179. by Robert Frost
  1180.  
  1181. When I see birches bend to left and right
  1182. Across the lines of straighter darker trees,
  1183. I like to think some boy's been swinging them.
  1184. But swinging doesn't bend them down to stay
  1185. As ice-storms do. Often you must have seen them
  1186. Loaded with ice a sunny winter morning
  1187. After a rain.  They click upon themselves
  1188. As the breeze rises, and turn many-colored
  1189. As the stir cracks and crazes their enamel.
  1190. Soon the sun's warmth makes them shed crystal shells
  1191. Shattering and avalanching on the snow-crust--
  1192. Such heaps of broken glass to sweep away
  1193. You'd think the inner dome of heaven had fallen.
  1194. They are dragged to the withered bracken by the load,
  1195. And they seem not to break; though once they are bowed
  1196. So low for long, they never right themselves:
  1197. You may see their trunks arching in the woods
  1198. Years afterwards, trailing their leaves on the ground
  1199. Like girls on hands and knees that throw their hair
  1200. Before them over their heads to dry in the sun.
  1201. But I was going to say when Truth broke in
  1202. With all her matter-of-fact about the ice-storm
  1203. I should prefer to have some boy bend them
  1204. As he went out and in to fetch the cows--
  1205. Some boy too far from town to learn baseball,
  1206. Whose only play was what he found himself,
  1207. Summer or winter, and could play alone.
  1208. One by one he subdued his father's trees
  1209. By riding them down over and over again
  1210. Until he took the stiffness out of them,
  1211. And not one but hung limp, not one was left
  1212. For him to conquer.  He learned all there was
  1213. To learn about not launching out too soon
  1214. And so not carrying the tree away
  1215. Clear to the ground. He always kept his poise
  1216. To the top branches, climbing carefully
  1217. With the same pains you use to fill a cup
  1218. Up to the brim, and even above the brim.
  1219. Then he flung outward, feet first, with a swish,
  1220. Kicking his way down through the air to the ground.
  1221. So was I once myself a swinger of birches.
  1222. And so I dream of going back to be.
  1223. It's when I'm weary of considerations,
  1224. And life is too much like a pathless wood
  1225. Where your face burns and tickles with the cobwebs
  1226. Broken across it, and one eye is weeping
  1227. From a twig's having lashed across it open.
  1228. I'd like to get away from earth awhile
  1229. And then come back to it and begin over.
  1230. May no fate willfully misunderstand me
  1231. And half grant what I wish and snatch me away
  1232. Not to return.  Earth's the right place for love:
  1233. I don't know where it's likely to go better.
  1234. I'd like to go by climbing a birch tree,
  1235. And climb black branches up a snow-white trunk
  1236. Toward heaven, till the tree could bear no more,
  1237. But dipped its top and set me down again.
  1238. That would be good both going and coming back.
  1239. One could do worse than be a swinger of birches.
  1240.  
  1241. The best theme for this poem is:
  1242. Your Answer
  1243. D. Sometimes there needs to be a release of life's problems before you return to reality again.
  1244. Question Number 45  Points: 1.00/1.00
  1245. Question Text
  1246. The basic rhythmic structure of a poem is called________.
  1247. Your Answer
  1248. B. meter
  1249. Question Number 46  Points: 1.00/1.00
  1250. Question Text
  1251. Alliteration is the repetition of __________.
  1252. Your Answer
  1253. C. beginning sounds of words
  1254. Question Number 47  Points: 1.00/1.00
  1255. Question Text
  1256. Silver
  1257. by Walter de la Mare
  1258.  
  1259. Slowly, silently, now the moon
  1260. Walks the night in her silver shoon;
  1261.  
  1262. This way, and that, she peers, and sees
  1263. Silver fruit upon silver trees;
  1264. One by one the casements catch
  1265. Her beams beneath the silvery thatch:
  1266. Couched in his kennel, like a log,
  1267. With paws of silver sleeps the dog;
  1268. From their shadowy cote the white breasts peep
  1269. Of doves in a silver-feathered sleep;
  1270. A harvest mouse goes scampering by,
  1271. With silver claws and a silver eye;
  1272. And moveless fish in the water gleam,
  1273. By silver reeds in a silver stream.
  1274.  
  1275. The simile in line 7 compares:
  1276. Your Answer
  1277. A. the stationary quality of a dog and a log
  1278. Question Number 48  Points: 1.00/1.00
  1279. Question Text
  1280. A rhyme that occurs in the last syllables of verses is called ___________.
  1281. Your Answer
  1282. A. end rhyme
  1283. Question Number 49  Points: 1.00/1.00
  1284. Question Text
  1285. Read the poem and answer the question that follows.
  1286.  
  1287.  
  1288.  
  1289.  
  1290. Birches
  1291. by Robert Frost
  1292.  
  1293. When I see birches bend to left and right
  1294. Across the lines of straighter darker trees,
  1295. I like to think some boy's been swinging them.
  1296. But swinging doesn't bend them down to stay
  1297. As ice-storms do. Often you must have seen them
  1298. Loaded with ice a sunny winter morning
  1299. After a rain.  They click upon themselves
  1300. As the breeze rises, and turn many-colored
  1301. As the stir cracks and crazes their enamel.
  1302. Soon the sun's warmth makes them shed crystal shells
  1303. Shattering and avalanching on the snow-crust--
  1304. Such heaps of broken glass to sweep away
  1305. You'd think the inner dome of heaven had fallen.
  1306. They are dragged to the withered bracken by the load,
  1307. And they seem not to break; though once they are bowed
  1308. So low for long, they never right themselves:
  1309. You may see their trunks arching in the woods
  1310. Years afterwards, trailing their leaves on the ground
  1311. Like girls on hands and knees that throw their hair
  1312. Before them over their heads to dry in the sun.
  1313. But I was going to say when Truth broke in
  1314. With all her matter-of-fact about the ice-storm
  1315. I should prefer to have some boy bend them
  1316. As he went out and in to fetch the cows--
  1317. Some boy too far from town to learn baseball,
  1318. Whose only play was what he found himself,
  1319. Summer or winter, and could play alone.
  1320. One by one he subdued his father's trees
  1321. By riding them down over and over again
  1322. Until he took the stiffness out of them,
  1323. And not one but hung limp, not one was left
  1324. For him to conquer.  He learned all there was
  1325. To learn about not launching out too soon
  1326. And so not carrying the tree away
  1327. Clear to the ground. He always kept his poise
  1328. To the top branches, climbing carefully
  1329. With the same pains you use to fill a cup
  1330. Up to the brim, and even above the brim.
  1331. Then he flung outward, feet first, with a swish,
  1332. Kicking his way down through the air to the ground.
  1333. So was I once myself a swinger of birches.
  1334. And so I dream of going back to be.
  1335. It's when I'm weary of considerations,
  1336. And life is too much like a pathless wood
  1337. Where your face burns and tickles with the cobwebs
  1338. Broken across it, and one eye is weeping
  1339. From a twig's having lashed across it open.
  1340. I'd like to get away from earth awhile
  1341. And then come back to it and begin over.
  1342. May no fate willfully misunderstand me
  1343. And half grant what I wish and snatch me away
  1344. Not to return.  Earth's the right place for love:
  1345. I don't know where it's likely to go better.
  1346. I'd like to go by climbing a birch tree,
  1347. And climb black branches up a snow-white trunk
  1348. Toward heaven, till the tree could bear no more,
  1349. But dipped its top and set me down again.
  1350. That would be good both going and coming back.
  1351. One could do worse than be a swinger of birches.
  1352.  
  1353. "Birches" can be divided into three sections. Section two begins with:
  1354. Your Answer
  1355. D. "But I was going to say when Truth broke in..."
  1356. Question Number 50  Points: 1.00/1.00
  1357. Question Text
  1358. The sun would most likely symbolize what?
  1359. Your Answer
  1360. D. fertility
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