The Vigil (2019) EN

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(EERIE MUSIC)

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(EERIE MUSIC CONTINUES)

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Subtitles by explosiveskull
akumenang.com
M_I_SForEver

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- For thousands of years, religious Jews have praticed the ritual of "the vigil"-
- (MAN CHANTS SOFTLY)

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When a member of the
community dies, the body is

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watched round-the-clock
in shofts by a Shomer, or

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watchamn, who recites the
Psalms to comfort the

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- deceased's soul and protect it from unseen evil.
- (MAN CHANTS)

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This watchman is typically a family member
or friend, but there are paid Shomers...

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- Hired to sit the vigil when no one else can.
- (PANICKED SHOUTING AND SCREAMING)

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(MAN CONTINUES CHANTING)

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(DOG BARKS)

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(WOMEN SCREAM, BABY CRIES)

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(MAN SHOUTS)

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(FOOTSTEPS)

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(GUNFIRE)

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(SCREAMING)

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(GUNFIRE AND SCREAMING CONTINUE)

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(CHANTING CONTINUES)

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(CHANTING BECOMES LOUDER)

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(GUNFIRE AND SCREAMING FADE)

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(MAN CHANTS)

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(MAN CHANTS)

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(EERIE MUSIC)

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(CHANTING)

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(CHANTING)

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(CHANTING)

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(HEARTBEAT THUDS)

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(MUFFLED SHOUTING)

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(CHANTING)

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(HEARTBEAT INCREASES)

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(CHANTING)

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(MUFFLED SHOUTING)

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(MAN SPEAKS FOREIGN LANGUAGE)

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(GUNSHOT REVERBERATES)

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(MUFFLED SPEECH)

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(INHALES DEEPLY)

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(GULPS AUDIBLY, BREATHES DEEPLY)

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MAN: This is about
giving you the tools

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to make new lives
for yourselves.

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(DISTANT SIREN WAILS)

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And like anything else, it takes
time. It's not always easy.

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(INHALES DEEPLY, THEN SIGHS)

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(DISTANT SIREN WAILS)

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MAN: Hey, Adinah.

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- You wanted to tell the group...
- (DOOR OPENS)

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..about something
you experienced recently?

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- (ADINAH SIGHS)
- Oh, this is gonna be good.

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- WOMAN: Oh, wait.
- Um, yeah.

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Uh, so, uh, I was
on the subway going to work

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and this man approached me
in such a way.

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You know, like making small
talk, commenting on my skirt.

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It was obvious what he wanted.

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And I don't know,
I was just like...

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(SPEAKS YIDDISH)
Stop acting crazy!

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He was hitting on you.

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(SPEAKS YIDDISH)
I wish that'd happen to me.

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(ALL LAUGH)

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Yeah, but this guy, he looked

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like a person on TV looks like.

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- WOMAN: Ohh.
- You know, the jaw, so perfect.

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- Like so... Whatever.
- (DISTANT CAR HORN HONKS)

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What I'm saying is

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he wasn't even trying
to hide his intentions.

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MAN: That's how it is -
they see a shaina maidel,

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and they just can't help
themselves, right?

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Hmm. That's just...
That's the culture.

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(SPEAKS YIDDISH)
You know what I mean?

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Yeah. It's crude.

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- MAN: It's different.
- Exactly.

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I mean, life's different
out here. It's, uh... This is...

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This is exactly what the rabbis
try to protect us from. Right?

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- I mean...
- WOMAN: Not protect us from.

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To keep us from.

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ADINAH: I'm saying
maybe they're...

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Some things they're right
to keep us from.

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- No?
- WOMAN: Yeah, like what?

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(WOMAN SPEAKS YIDDISH)
An old, fat Goy with terrible teeth?

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(MAN SPEAKS YIDDISH)
Drunk on the street.

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(OTHERS CHUCKLE)

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(MAN CLEARS THROAT)

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So, tell us. How was last week?

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The job interview.

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Oh. Um, I didn't...
I didn't get the job. (CHUCKLES)

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Oh, sorry to hear that, Yacov.
Can we talk about it?

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I did the interview.

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I thought it went pretty well.

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Um... they were wanting me to
bring in a resume and I... I...

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(CLEARS THROAT)

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I was writing the resume
on a piece of loose paper.

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(OTHERS LAUGH)

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That's what I've been saying.

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We need more classes on this,
you know?

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- WOMAN: And basic living.
- Yeah.

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And your rent?

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Uh... I mean, I'm struggling.

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I don't... know what to say.
Um...

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The money's never enough. Uh...

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I'm having to choose
between medication and meals.

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It's not so easy.

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MAN: I guess it's a journey.

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And being here struggling,
the way you are,

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is only one stop
on that journey.

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If we get bogged down
and see this as the destination,

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we lose hope.

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I... just want to be normal.

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MAN: And a big part of that
is letting go.

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Letting go of the pain.

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The trauma that holds you back.

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What matters is we left. Right?

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MAN: No. What matters is
we're moving forward.

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- WOMAN: Yeah.
- MAN: Yeah?

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- (LAUGHS)
- Oh, OK, be good.

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(CHATTER CONTINUES)

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(DISTANT SIREN WAILS)

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(DISTANT HORN HONKS)

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(YACOV SPEAKS YIDDISH)
Oh, great...

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- WOMAN: Are you OK?
- Yeah.

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Yeah, yeah, yeah.
I'm good. I'm good, I'm good.

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- Want to go out for coffee?
- I don't drink coffee.

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Tea?

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- Um...
- One hot chocolate?

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- Right now?
- No.

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Tomorrow or...

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OK.

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- Yeah?
- Yeah.

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- You sure?
- Yeah, absolutely.

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Good. Wanna take my number?

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Oh! Um...

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Take my number.

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It's 917...

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Wait, I just got the phone.

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It's OK. The green... Yeah.

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And then Contacts.

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No, no. (LAUGHS) Can I?

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- Oh, please.
- (CHUCKLES)

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It's so cool, though, 'cause
I was looking around on the net

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and I found a flashlight.

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And it's, like,
it's my favourite. (LAUGHS)

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And, I mean, having anything
you find, it's unbelievable.

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- WOMAN: You get text, right?
- Yes. Yes.

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OK, cool. Text me tomorrow.

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And then we'll just take it
from there, yeah?

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OK.

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- Cool. 'Bye.
- Cool. OK.

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- Oh. Good.
- It's al... It's OK. Alright.

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Sorry, I'm still
learning the rules.

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It's OK. We all are. It's good.

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- Good.
- Alright.

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- 'Bye.
- 'Bye.

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- See you next week.
- Yeah, it looks so natural.

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- (WOMAN LAUGHS)
- One day...

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He's here again?

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Ah...

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(EERIE MUSIC)

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MAN: Hey!

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Hey, excuse me!

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Excuse me.

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I thought we discussed this.

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You coming here
and harassing our membership.

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I don't wanna call
the police again.

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It's OK, Lane. It's fine.

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(SPEAKS YIDDISH)
I want to talk to him for just a minute.

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If Yacov wants to talk,
he knows where to find you.

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It's OK, really.
It'll be OK.

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I only want to ask him something.

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Yacov, you come and get me

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if this turns into
something uncomfortable.

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Thank you, Lane.
Tonight was great. OK?

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Yeah. I'll see you.
Call me, yeah?

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Yeah.

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(SPEAKS YIDDISH)

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How are you?

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You look a little exhausted...

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I'm good.

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How are things going
with this new lifestyle?

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I'm OK. I made my choice.

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Really, OK? I have my reasons
for leaving, and that's it.

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Listen, I didn't...

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I didn't want to push you away or anything.

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I'm not trying to pry or get
into your business either.

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It's just that I think about you
all the time. You understand?

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You said you had a question.

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I need you to be a Shomer. Tonight.

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Ah, no.

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I will pay you.

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No.

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- Hmm?
- No. I don't think I will.

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I know you could use the money.

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And I know you have trouble with rent...

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- And I know you have trouble with rent...
- How do you know that?

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How do you know that?

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Why's it matter? I'll give
you $200 dollars, cash.

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Right now.

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For how long?

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For how long?
Five hours.

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From now until the morning.

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We had someone.

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But he changed his mind and left suddenly.

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200?

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I'll do it for 5.

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$300.

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00:10:30,968 --> 00:10:32,344
You came to me?

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Right?

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00:10:33,512 --> 00:10:34,513
Right?
Yeah.

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You're desperate, right? You need me.

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00:10:36,307 --> 00:10:37,308
Right?

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Ok. So $500.

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00:10:42,313 --> 00:10:43,914
I used to do this all the time.

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People in the community
that don't have any family,

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and no friends.

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It's me, OK?
I'm watching the body.

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I'll give you $400. Not a dollar more.

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- OK.
- Yeah?

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00:11:00,975 --> 00:11:04,550
- A deal?
- OK. Yeah, a deal. Deal.

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00:11:09,625 --> 00:11:11,963
(TRAIN SCREECHES,
CAR HORN HONKS)

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00:11:11,996 --> 00:11:14,302
(DISTURBING MUSIC)

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I knew right away you'd take this job.

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00:11:22,311 --> 00:11:27,899
And I know you're doing it for the money
but it's nothing to be ashamed of.

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I honestly wanted to ask
you because sitting the

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vigil, it brings you
closer to the community.

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00:11:36,575 --> 00:11:38,452
Wow. This is...

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It is truly God's plan.

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Oh, I'm sorry.

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00:11:45,876 --> 00:11:50,922
It's just that when you sit the vigil,
it's holy. It brings you back to us.

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You've been feeling down.
We can talk things

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through. Maybe tonight
will even help a bit...

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(YACOV SPEAKS YIDDISH)
So Shulem, who is the deceased?

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He's Rubin Litvak, did you know him?

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00:12:06,480 --> 00:12:08,149
- He's Rubin Litvak, did you know him?
- No.

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He was a good man, a little weird.

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He was a Holocaust survivor
who made it through

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the war but lost his
entire family there.

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00:12:15,781 --> 00:12:18,697
- After the war, he started a family here...
- (CAR HORN HONKS LOUDLY)

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But then he became a recluse,
estranged from his kids and grandchildren.

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00:12:23,122 --> 00:12:24,683
He hadn't left his home in years.

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- It's a really sad story.
- I never saw him out.

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He used to say that
whenever he stepped out of

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his house, it was like he
was in absolute agony.

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And the other Shomer,
why was he leaving?

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00:12:33,840 --> 00:12:36,343
The other Shomer just ran out.
I trusted him, he's

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family, but he left the job
because he was afraid...

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Afraid?

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00:12:40,097 --> 00:12:41,265
Afraid?
That's what he said.

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Why was he afraid?

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SHULEM: Mr. Litvak's wife suffers
from Alzheimer's and is quite frail.

247
00:12:55,112 --> 00:12:58,407
She'll likely sleep through the night.

248
00:13:01,743 --> 00:13:03,412
It'll be quiet.

249
00:13:06,957 --> 00:13:08,584
Here we are.

250
00:13:09,766 --> 00:13:11,937
(DISTURBING MUSIC)

251
00:13:31,040 --> 00:13:32,745
(DOOR CLICKS OPEN)

252
00:13:34,281 --> 00:13:35,985
(LOCK OPENS)

253
00:13:41,227 --> 00:13:42,898
(DOOR SHUTS)

254
00:13:50,713 --> 00:13:51,950
Mrs Litvak?

255
00:13:55,357 --> 00:13:56,660
Reb?

256
00:13:56,693 --> 00:13:58,397
(YACOV CLEARS THROAT)
Hello, Mrs Litvak.

257
00:13:58,430 --> 00:14:00,166
I'm extremely sorry
for your loss.

258
00:14:00,198 --> 00:14:01,869
(SPEAKS YIDDISH)

259
00:14:05,043 --> 00:14:09,852
Who is this man? I thought
you were getting a Shomer.

260
00:14:11,522 --> 00:14:12,955
He will be the Shomer tonight.

261
00:14:13,002 --> 00:14:13,597
No.

262
00:14:13,690 --> 00:14:17,361
He's an experienced Shomer. He sat the
vigil for Moshe Kellner, Chaim Sturman...

263
00:14:18,370 --> 00:14:20,039
He won't work.

264
00:14:23,074 --> 00:14:27,371
I know that you had a very
difficult and upsetting day.

265
00:14:28,217 --> 00:14:29,651
But this will be good, it'll be good...

266
00:14:29,701 --> 00:14:31,228
He needs to leave now!

267
00:14:31,261 --> 00:14:33,634
(MUFFLED CLANKING)

268
00:14:37,307 --> 00:14:39,145
You have to leave now.

269
00:14:44,020 --> 00:14:45,892
(SINGS YIDDISH SONG)

270
00:14:54,975 --> 00:14:57,046
(CONTINUES SINGING)

271
00:15:03,058 --> 00:15:05,665
(CONTINUES SINGING)

272
00:15:12,076 --> 00:15:14,148
(SINGING FADES)

273
00:15:24,534 --> 00:15:26,204
(DOOR CLOSES)

274
00:15:30,058 --> 00:15:32,811
She'll sleep, don't worry about it.

275
00:15:36,189 --> 00:15:38,900
The mortuary guys will be here at dawn.

276
00:15:46,846 --> 00:15:49,018
(RECITES PSALMS)

277
00:16:06,928 --> 00:16:09,139
The mortuary men will be here in...

278
00:16:09,515 --> 00:16:11,725
...five hours.

279
00:16:12,309 --> 00:16:14,796
If you have any problems, my house...

280
00:16:14,890 --> 00:16:16,247
There's not going to be
any problem.

281
00:16:16,313 --> 00:16:18,649
I'm saying that if there is
a problem, I'm close by.

282
00:16:18,732 --> 00:16:21,192
It'd be nice if you'd join
us for the morning prayers.

283
00:16:21,315 --> 00:16:24,358
Rebie, I'm coming here because I
need a little bit of money, OK?

284
00:16:24,420 --> 00:16:26,821
I'm agreeing to that and let's
just leave it at that. Please.

285
00:16:26,915 --> 00:16:29,410
Look I'm not trying to push you.
All I'm saying is

286
00:16:29,493 --> 00:16:32,203
that it might be difficult
being here all night and...

287
00:16:32,329 --> 00:16:33,484
...if you want to chat about it later,

288
00:16:33,547 --> 00:16:35,142
- come to synagogue.
- (YACOV TUTS)

289
00:16:36,041 --> 00:16:38,480
Okay. No problem. I hope
everything goes well.

290
00:16:38,704 --> 00:16:40,720
- Um... OK.
- OK.

291
00:16:40,753 --> 00:16:42,490
- Oh, yeah?
- OK.

292
00:16:42,524 --> 00:16:44,193
OK.

293
00:16:45,195 --> 00:16:46,832
(DOOR OPENS)

294
00:16:48,429 --> 00:16:50,261
- See ya later.
- (DOOR SHUTS)

295
00:16:53,044 --> 00:16:54,682
(EXHALES)

296
00:17:00,926 --> 00:17:02,264
OK.

297
00:18:29,572 --> 00:18:31,275
(SIGHS)

298
00:18:49,378 --> 00:18:52,017
(ELECTRONIC MUSIC PLAYS)

299
00:19:01,066 --> 00:19:02,771
(FAINT THUMPING)

300
00:19:24,042 --> 00:19:25,210
How to talk to women

301
00:19:25,335 --> 00:19:26,435
- Top 10 Ways to Start Talking to Women

302
00:19:26,584 --> 00:19:28,762
(FAINT THUMPING)

303
00:19:33,510 --> 00:19:35,180
- 8 Successful Ways to Talk to Women
SONG: ♪ And I like it

304
00:19:35,258 --> 00:19:37,982
- How to have an actual
conversation with a woman

305
00:19:38,060 --> 00:19:40,941
♪ When you smile

306
00:19:41,042 --> 00:19:44,914
- Step-by-Step: How to Talk to Women
♪ And you got real cool style

307
00:19:44,980 --> 00:19:46,191
- The Art of Talking to Women

308
00:19:46,270 --> 00:19:47,693
- ♪ And I don't mind... ♪
- (FAINT THUMPING)

309
00:19:49,229 --> 00:19:51,735
(MUSIC CONTINUES SOFTLY
OVER EARPHONES)

310
00:19:53,572 --> 00:19:55,275
(LOUD THUMP)

311
00:19:57,613 --> 00:19:59,518
(LOUD THUMP)

312
00:19:59,550 --> 00:20:01,956
(RUMBLING AND THUMPING)

313
00:20:02,791 --> 00:20:08,370
(LOUD THUMPING AND CREAKING)

314
00:20:22,997 --> 00:20:25,268
(THUMPING AND CREAKING)

315
00:20:42,870 --> 00:20:45,709
(READS ALOUD IN YIDDISH)

316
00:20:45,742 --> 00:20:48,482
(SOFT CREAKING)

317
00:20:54,092 --> 00:20:56,432
(CONTINUES SPEAKING IN YIDDISH)

318
00:20:56,464 --> 00:20:58,436
(SOFT CREAKING)

319
00:21:03,411 --> 00:21:04,815
(YACOV SIGHS)

320
00:21:04,847 --> 00:21:07,153
(CLOCK TICKS)

321
00:22:05,670 --> 00:22:07,975
(SUSPENSEFUL MUSIC)

322
00:22:16,057 --> 00:22:17,994
(GASPS SHARPLY)

323
00:22:26,412 --> 00:22:28,082
Ugh!

324
00:22:34,828 --> 00:22:36,398
(SIGHS)

325
00:22:41,207 --> 00:22:43,211
Hmm.

326
00:22:46,351 --> 00:22:47,553
(INHALES)

327
00:22:47,587 --> 00:22:48,690
(THUMPING)

328
00:22:54,800 --> 00:22:56,571
YACOV: Mrs Litvak?

329
00:23:04,887 --> 00:23:06,591
Is anyone there?

330
00:23:26,326 --> 00:23:28,244
Is anyone here?

331
00:23:31,575 --> 00:23:32,978
(EXHALES)

332
00:23:33,011 --> 00:23:37,219
(BREATHES HEAVILY)

333
00:23:39,324 --> 00:23:41,094
(SIGHS)

334
00:23:43,566 --> 00:23:45,336
(SIGHS)

335
00:23:45,369 --> 00:23:47,273
(CLOCK TICKS)

336
00:23:51,414 --> 00:23:52,650
(SIGHS HEAVILY)

337
00:24:28,513 --> 00:24:32,017
Mazzik July 271979

338
00:24:56,577 --> 00:24:58,383
(YACOV YAWNS)

339
00:25:01,888 --> 00:25:05,129
(EERIE MUSIC)

340
00:25:12,109 --> 00:25:13,813
(EXHALES DEEPLY)

341
00:25:13,845 --> 00:25:16,751
(SIREN WAILS)

342
00:25:20,773 --> 00:25:23,776
(BOY SPEAKS YIDDISH)
You told me Lieb could do magic.

343
00:25:24,485 --> 00:25:25,486
He couldn't do anything!

344
00:25:25,570 --> 00:25:28,698
- He couldn't do anything!
- I never said he could really do magic!

345
00:25:28,781 --> 00:25:29,473
Yes, you did!

346
00:25:29,527 --> 00:25:30,787
No, no, no. They're only tricks.

347
00:25:30,867 --> 00:25:32,785
I'll show you someday.

348
00:25:32,869 --> 00:25:34,370
Promise?

349
00:25:34,454 --> 00:25:35,997
God willing.

350
00:25:37,192 --> 00:25:38,863
(YOYO WHIRRS)

351
00:25:40,866 --> 00:25:42,537
(YACOV CHUCKLES)

352
00:25:43,305 --> 00:25:45,275
- (METAL CLANGS)
- Boing!

353
00:25:46,176 --> 00:25:47,780
- (METAL CLANGS)
- Oh!

354
00:25:47,813 --> 00:25:49,850
(YACOV GROANS DRAMATICALLY)

355
00:25:49,884 --> 00:25:51,254
(YACOV CHUCKLES)

356
00:25:51,286 --> 00:25:55,362
(MEN SPEAK INDISTINCTLY)

357
00:25:55,395 --> 00:25:58,835
MAN: Hey! Hey, little man!

358
00:25:58,868 --> 00:26:01,608
- MAN 2: A little Jew boy.
- MAN 3: Look at this asshole.

359
00:26:01,640 --> 00:26:03,578
What the hell
you're ignoring me, man?

360
00:26:03,612 --> 00:26:07,153
I'm just trying to ask you
a question. Slow down.

361
00:26:08,589 --> 00:26:10,257
(DRAMATIC MUSIC)

362
00:26:10,291 --> 00:26:13,163
(MEN SPEAK INDISTINCTLY)

363
00:26:13,197 --> 00:26:14,366
(MAN SPITS)

364
00:26:14,400 --> 00:26:17,607
(MEN SPEAK INDISTINCTLY)

365
00:26:20,078 --> 00:26:23,151
(SUSPENSEFUL MUSIC)

366
00:26:28,695 --> 00:26:30,766
(CLOCK TICKS)

367
00:26:35,943 --> 00:26:38,248
(PHONE VIBRATES)

368
00:26:43,692 --> 00:26:44,693
(CRUNCHING)

369
00:26:44,726 --> 00:26:45,796
(YACOV GROANS)

370
00:26:45,829 --> 00:26:47,600
(CRUNCHING)

371
00:26:48,401 --> 00:26:50,271
- (CRUNCHING)
- Ouch!

372
00:27:02,762 --> 00:27:04,700
(CLOCK TICKS)

373
00:27:13,918 --> 00:27:16,424
(SUSPENSEFUL MUSIC)

374
00:27:22,636 --> 00:27:26,066
- (PHONE VIBRATES)
- Sarah Hi

375
00:27:33,906 --> 00:27:39,412
Hey.

376
00:27:39,836 --> 00:27:41,642
(INHALES DEEPLY)

377
00:27:44,178 --> 00:27:46,684
(EERIE SOUNDSCAPE)

378
00:27:51,331 --> 00:27:55,056
- (PHONE VIBRATES)
- New message from Sarah

379
00:27:55,936 --> 00:27:58,342
(DRAGGING NOISE)

380
00:28:00,945 --> 00:28:03,652
(SOFT CREAKING)

381
00:28:14,907 --> 00:28:16,712
(CREAKING AND SQUEAKING)

382
00:28:26,797 --> 00:28:30,505
- (PHONE VIBRATES)
- Sarah What're you doing?

383
00:28:30,972 --> 00:28:32,676
Working.

384
00:28:32,715 --> 00:28:40,591
Working.
(ALSO MURMURS) I'm Shomer for the night.

385
00:28:45,561 --> 00:28:53,569
I should not be on my phone.

386
00:28:54,653 --> 00:28:55,867
- (PHONE VIBRATES)
- Sarah Ok. Sorry :(

387
00:28:55,922 --> 00:28:57,789
(GROANS SOFTLY)

388
00:29:13,056 --> 00:29:14,760
(MOANS SOFTLY)

389
00:29:14,834 --> 00:29:18,553
No. It's ok.

390
00:29:20,839 --> 00:29:23,978
(LIGHT BUZZES)

391
00:29:26,436 --> 00:29:34,444
What are you...

392
00:29:34,734 --> 00:29:38,364
- (PHONE VIBRATES)
- Sarah It's a pretty night.

393
00:29:38,489 --> 00:29:39,769
The moon is out.
You ever see the rabbit in it?

394
00:29:39,824 --> 00:29:41,348
What?

395
00:29:42,618 --> 00:29:45,913
Rabbit?

396
00:29:46,758 --> 00:29:49,564
(LIGHT BUZZES)

397
00:29:50,732 --> 00:29:53,379
- (PHONE VIBRATES)
- Sarah The nose is facing up,

398
00:29:53,504 --> 00:29:55,881
little tail at the bottom.

399
00:29:55,965 --> 00:29:58,134
It's silly.
I should let you go.

400
00:29:58,380 --> 00:30:01,688
(ELECTRICITY BUZZES)

401
00:30:01,720 --> 00:30:03,825
(UNEASY MUSIC)

402
00:30:22,262 --> 00:30:24,033
(BUZZING CONTINUES)

403
00:30:29,624 --> 00:30:36,964
Not silly.

404
00:30:38,258 --> 00:30:43,804
Talk soon.

405
00:30:45,273 --> 00:30:46,741
(PHONE VIBRATES)

406
00:30:46,807 --> 00:30:49,769
Sarah
Call me or FaceTime if you get bored ;)

407
00:30:51,152 --> 00:30:53,190
(BUZZING CONTINUES)

408
00:30:53,222 --> 00:30:55,595
(SUSPENSEFUL MUSIC)

409
00:31:04,446 --> 00:31:06,149
(LIGHT GLOBE POPS AND SHATTERS)

410
00:31:06,183 --> 00:31:07,954
(RUMBLING)

411
00:31:11,493 --> 00:31:14,733
(INHALES AND EXHALES)

412
00:31:15,569 --> 00:31:16,937
(PHONE VIBRATES)

413
00:31:24,762 --> 00:31:29,033
- New Message From Uknown Number
- (SUSPENSEFUL MUSIC)

414
00:31:29,094 --> 00:31:30,766
What the heck?

415
00:31:34,607 --> 00:31:36,543
(EERIE VOICE ECHOES)

416
00:31:36,577 --> 00:31:38,882
(FOOTSTEPS SHUFFLE)

417
00:31:58,120 --> 00:32:00,359
(EERIE CHANTING)

418
00:32:00,392 --> 00:32:03,732
(DISTURBING MUSIC)

419
00:32:15,855 --> 00:32:17,526
(GROANS)

420
00:32:21,367 --> 00:32:23,037
Mrs Litvak?

421
00:32:40,905 --> 00:32:42,342
Mrs Litvak?

422
00:32:42,376 --> 00:32:44,245
Are you down here?

423
00:32:55,102 --> 00:32:59,343
media file not found

424
00:32:59,410 --> 00:33:01,113
(TAPS PHONE)

425
00:33:03,116 --> 00:33:04,520
(INHALES DEEPLY)

426
00:33:04,553 --> 00:33:06,525
It's deleted.

427
00:33:07,326 --> 00:33:10,164
(SIGHS, THEN MUTTERS)

428
00:33:10,196 --> 00:33:12,067
(CLEARS THROAT, INHALES)

429
00:33:12,100 --> 00:33:15,474
(SUSPENSEFUL MUSIC BUILDS)

430
00:33:15,507 --> 00:33:17,879
(EXHALES)

431
00:33:19,582 --> 00:33:21,252
(LOUD CLICK)

432
00:33:25,227 --> 00:33:27,065
(GASPS)

433
00:33:27,097 --> 00:33:29,337
(RAPID CLICKING)

434
00:33:29,369 --> 00:33:31,807
(BREATHES HEAVILY)

435
00:33:32,575 --> 00:33:35,280
(CLICKING AND CRUNCHING)

436
00:33:37,318 --> 00:33:39,389
(CLICKS)

437
00:33:39,423 --> 00:33:42,563
(CLICKING CONTINUES)

438
00:33:45,735 --> 00:33:47,105
(INHALES SHARPLY)

439
00:33:48,272 --> 00:33:50,143
(SCRAPES LOUDLY)

440
00:33:52,618 --> 00:33:54,161
Pull yourself together.

441
00:33:56,356 --> 00:33:58,762
(DRAMATIC MUSIC)

442
00:34:03,629 --> 00:34:06,674
I'm losing my mind.

443
00:34:10,217 --> 00:34:13,157
(BREATHES RAGGEDLY)

444
00:34:16,163 --> 00:34:18,518
- (PHONE LINE RINGS)
- I'm going crazy.

445
00:34:21,239 --> 00:34:23,076
(PHONE LINE RINGS)

446
00:34:24,144 --> 00:34:25,414
MAN ON RECORDING: Hello.

447
00:34:25,449 --> 00:34:27,519
You've reached the voicemail
of Dr Marvin Kohlberg.

448
00:34:27,552 --> 00:34:29,490
I can't take your call
at the moment,

449
00:34:29,522 --> 00:34:30,925
but please leave a message,

450
00:34:30,959 --> 00:34:32,696
including your name
and phone number,

451
00:34:32,729 --> 00:34:35,134
and I'll call you back
as soon as possible.

452
00:34:35,166 --> 00:34:39,342
If this is a medical emergency,
please hang up and dial 911.

453
00:34:39,376 --> 00:34:40,378
Thank you.

454
00:34:40,411 --> 00:34:42,014
- (BEEP!)
- Hi, Dr Kohlberg.

455
00:34:42,046 --> 00:34:45,755
Um, this is Yacov Ronen
and, um...

456
00:34:45,788 --> 00:34:48,360
..I'm sorry to call you
in the middle of the night.

457
00:34:48,394 --> 00:34:51,166
I don't want to bother you,
but I...

458
00:34:52,167 --> 00:34:53,805
(EXHALES DEEPLY)

459
00:34:54,605 --> 00:34:56,910
I'm having a little bit
of trouble right now.

460
00:34:56,944 --> 00:34:59,114
Um... I'm seeing things...

461
00:34:59,147 --> 00:35:02,087
- (OBJECT CLUNKS)
- ..and... and I'm hearing things.

462
00:35:02,121 --> 00:35:05,060
Um, it's... it's worse
than it's ever been before.

463
00:35:05,093 --> 00:35:06,830
And, um...

464
00:35:08,098 --> 00:35:09,469
I, uh...

465
00:35:09,502 --> 00:35:11,540
..I'm... I'm almost
out of the pills.

466
00:35:11,573 --> 00:35:15,046
So, I... was really hoping
to talk to you.

467
00:35:15,079 --> 00:35:18,987
I don't think that I need
to go back into the hospital.

468
00:35:19,020 --> 00:35:20,491
Um...

469
00:35:20,524 --> 00:35:23,530
But... I would like to talk
to you as soon as possible.

470
00:35:23,563 --> 00:35:25,668
So if you please could
just get back to me,

471
00:35:25,701 --> 00:35:27,772
I'd really appreciate it,
thank you.

472
00:35:36,991 --> 00:35:39,094
(RUMBLING)

473
00:35:40,732 --> 00:35:45,141
(MUFFLED RAPID TAPPING)

474
00:35:54,057 --> 00:35:56,697
(CREAKING)

475
00:36:12,494 --> 00:36:14,198
(CLEARS THROAT)

476
00:36:16,569 --> 00:36:18,239
Ahhhh.

477
00:36:18,273 --> 00:36:20,244
(EXHALES)

478
00:36:25,520 --> 00:36:26,790
(INHALES SHARPLY)

479
00:36:29,495 --> 00:36:30,597
(SPITS)

480
00:36:30,630 --> 00:36:31,700
(GLASS SMASHES)

481
00:36:31,734 --> 00:36:33,438
(RETCHES)

482
00:36:34,438 --> 00:36:36,108
Argh!

483
00:36:39,349 --> 00:36:40,485
Ahh...

484
00:36:40,517 --> 00:36:42,922
(COUGHS)

485
00:36:47,399 --> 00:36:50,270
(COUGHS AND GAGS)

486
00:36:53,343 --> 00:36:55,013
(GAGS)

487
00:36:56,282 --> 00:36:58,587
(SQUELCHING)

488
00:36:58,620 --> 00:37:01,291
(GAGS)

489
00:37:01,326 --> 00:37:04,499
(WHIMPERS)

490
00:37:04,532 --> 00:37:06,169
(SPITS)

491
00:37:07,772 --> 00:37:09,443
(SPITS)

492
00:37:10,445 --> 00:37:14,920
(SCRAPING)

493
00:37:28,011 --> 00:37:29,950
(LIGHT SWITCH CLICKS)

494
00:37:31,820 --> 00:37:33,557
They're not nightmares.

495
00:37:33,590 --> 00:37:35,828
Oh.

496
00:37:39,402 --> 00:37:41,073
They're memories.

497
00:37:42,474 --> 00:37:44,512
Not your memories, but...

498
00:37:45,680 --> 00:37:47,918
Sorry about the mess,
Mrs Litvak.

499
00:37:47,952 --> 00:37:50,057
I'm gonna clean this up
right now.

500
00:37:50,958 --> 00:37:53,430
(DRAWER SLIDES)

501
00:37:54,533 --> 00:37:56,604
Why did you come here?

502
00:37:56,636 --> 00:37:59,509
I'm Yacov, Mrs Litvak.
I'm the Shomer.

503
00:37:59,543 --> 00:38:01,380
(GLASS PIECES CLINK)

504
00:38:01,413 --> 00:38:03,951
I'm here to protect
and comfort your husband's soul.

505
00:38:03,984 --> 00:38:06,022
Protect it against what?

506
00:38:12,301 --> 00:38:14,572
(SINGS YIDDISH SONG)

507
00:38:18,847 --> 00:38:22,020
(CONTINUES SINGING)

508
00:38:34,077 --> 00:38:35,614
Do you know my children?

509
00:38:39,287 --> 00:38:42,160
I drove them away
as far as they could go.

510
00:38:42,996 --> 00:38:44,934
They think they left...

511
00:38:46,837 --> 00:38:48,708
..on their own accord.

512
00:38:48,741 --> 00:38:51,581
That it was their choice.

513
00:38:52,582 --> 00:38:54,018
Hmm. (CHUCKLES)

514
00:38:54,050 --> 00:38:56,557
But I drove them away.

515
00:39:01,466 --> 00:39:04,974
I drove them away.

516
00:39:12,888 --> 00:39:14,959
You know why...

517
00:39:16,696 --> 00:39:18,434
..I made them leave?

518
00:39:23,242 --> 00:39:25,548
This is not a place
for children.

519
00:39:27,352 --> 00:39:30,157
It was a... bunker.

520
00:39:31,492 --> 00:39:32,895
In a wilderness.

521
00:39:32,928 --> 00:39:39,309
A place that you go to,
but never return from.

522
00:39:46,088 --> 00:39:48,260
Do you know my husband?

523
00:39:49,996 --> 00:39:53,169
He was broken by memories.

524
00:39:53,202 --> 00:39:55,240
- Hmm. (CHUCKLES SOFTLY)
- (GLASS PIECES CLINK)

525
00:39:55,272 --> 00:39:57,578
Those kind of memories
that you saw.

526
00:39:59,681 --> 00:40:01,152
They bite.

527
00:40:01,184 --> 00:40:03,657
They bite
and the biting never stops.

528
00:40:11,373 --> 00:40:14,412
He was so lost,
he didn't know what to do.

529
00:40:16,416 --> 00:40:19,255
Mrs Litvak, I'm very sorry
for waking you up.

530
00:40:19,287 --> 00:40:22,429
We should get you
back to sleep now.

531
00:40:24,531 --> 00:40:26,335
(GLASS CRUNCHES)

532
00:40:26,368 --> 00:40:28,238
- Mrs Litvak, your hand.
- Ah! Ah! Ah!

533
00:40:28,271 --> 00:40:30,076
- You've got to let me help you.
- No!

534
00:40:30,108 --> 00:40:31,946
You're bleeding. Please. Wait.

535
00:40:31,980 --> 00:40:36,188
MRS LITVAK: No, no. No.

536
00:40:37,924 --> 00:40:40,664
Wait, Mrs Litvak,
let me help you.

537
00:40:40,697 --> 00:40:44,104
(DOOR CREAKS)

538
00:40:45,807 --> 00:40:51,719
(MAN SPEAKS INDISTINCTLY)

539
00:40:53,389 --> 00:40:56,062
(MAN CONTINUES
SPEAKING INDISTINCTLY)

540
00:41:05,447 --> 00:41:07,851
(MAN CONTINUES
SPEAKING INDISTINCTLY)

541
00:41:07,885 --> 00:41:10,090
(SUSPENSEFUL MUSIC)

542
00:41:14,263 --> 00:41:16,134
(MAN SPEAKS INDISTINCTLY)

543
00:41:17,837 --> 00:41:19,475
MAN: ..once told me...

544
00:41:21,646 --> 00:41:26,422
..that these demons
who destroy us...

545
00:41:27,657 --> 00:41:33,202
..who are born
between the days of creation...

546
00:41:34,606 --> 00:41:36,343
..given life...

547
00:41:37,345 --> 00:41:41,320
..but no soul and no form.

548
00:41:48,533 --> 00:41:53,444
These are not beings
in the true sense of the word.

549
00:41:54,210 --> 00:41:57,417
They do not have a... a will,

550
00:41:57,450 --> 00:42:01,057
a connection
to the higher power,

551
00:42:01,090 --> 00:42:03,831
but they are animalistic.

552
00:42:03,863 --> 00:42:06,068
These demons...

553
00:42:06,870 --> 00:42:10,611
..they are parasites.

554
00:42:12,847 --> 00:42:17,791
In tractates Berakhot...

555
00:42:19,194 --> 00:42:21,232
..the Mazzikim
are interchangeable

556
00:42:21,264 --> 00:42:22,902
with the shedim.

557
00:42:23,670 --> 00:42:28,379
But I've spent
the last five decades

558
00:42:28,412 --> 00:42:34,525
studying the one who followed me
home from Buchenwald.

559
00:42:34,559 --> 00:42:37,498
I do not know
where it came from originally,

560
00:42:37,530 --> 00:42:43,242
but what it has shown me,
it is very, very old.

561
00:42:44,177 --> 00:42:47,216
I suppose it was lying in wait,

562
00:42:47,249 --> 00:42:49,087
hibernating in its way,

563
00:42:49,120 --> 00:42:50,457
in the forest.

564
00:42:50,490 --> 00:42:56,435
Dormant until my pain
awakened it.

565
00:42:56,469 --> 00:43:00,878
The Mazzik appears as a figure

566
00:43:00,911 --> 00:43:03,450
with its head turned

567
00:43:03,483 --> 00:43:05,186
like so.

568
00:43:05,218 --> 00:43:08,225
But all the way around.

569
00:43:08,259 --> 00:43:11,632
It is damned to look backwards

570
00:43:11,665 --> 00:43:15,473
to stare in the past.

571
00:43:15,506 --> 00:43:16,942
This demon,

572
00:43:16,976 --> 00:43:20,752
it showed me dreadful things.

573
00:43:22,587 --> 00:43:23,956
10 years ago,

574
00:43:23,989 --> 00:43:30,102
I found an inscription
in a text by Moses ben Shem-Tov.

575
00:43:30,136 --> 00:43:34,979
It says the only way
to escape the Mazzik

576
00:43:35,012 --> 00:43:38,453
is to burn its true face

577
00:43:38,486 --> 00:43:41,192
the first night it appears.

578
00:43:41,225 --> 00:43:44,566
But if you do not do this
by dawn...

579
00:43:45,366 --> 00:43:47,638
..it will never leave you.

580
00:43:50,109 --> 00:43:51,779
For me...

581
00:43:52,581 --> 00:43:55,721
..this time has long passed.

582
00:43:59,327 --> 00:44:01,265
When I am gone...

583
00:44:02,667 --> 00:44:08,646
..the Mazzik will
find another broken person.

584
00:44:09,781 --> 00:44:11,318
Someone else chained

585
00:44:11,352 --> 00:44:14,993
to some terrible pain
they cannot let go.

586
00:44:15,025 --> 00:44:18,265
When it finds its next host...

587
00:44:19,067 --> 00:44:22,441
..it will slowly
consume their soul

588
00:44:22,473 --> 00:44:25,146
just as it did to me.

589
00:44:25,178 --> 00:44:26,782
(MRS LITVAK MOUTHS SILENTLY)

590
00:44:26,816 --> 00:44:28,252
MR LITVAK: Chewing.

591
00:44:28,285 --> 00:44:32,227
Gnawing down
through the spiritual aspects.

592
00:44:33,262 --> 00:44:36,436
The five essences of us all.

593
00:44:37,270 --> 00:44:43,583
It worms its way through
Nefesh, Ruach, Neshamah

594
00:44:43,616 --> 00:44:44,419
and Chayah.

595
00:44:44,452 --> 00:44:45,788
(MRS LITVAK MOUTHS SILENTLY)

596
00:44:45,821 --> 00:44:48,793
MR LITVAK: And finally
to Yechidah.

597
00:44:48,827 --> 00:44:53,235
The direct link to Hashem.

598
00:44:53,268 --> 00:44:55,874
MRS LITVAK: Behind you.

599
00:44:57,210 --> 00:45:00,115
(DRAMATIC MUSIC)

600
00:45:00,148 --> 00:45:02,787
MR LITVAK: And so I make
these tapes,

601
00:45:02,821 --> 00:45:06,663
I write it down,
put it on the walls,

602
00:45:06,695 --> 00:45:09,033
explain it,

603
00:45:09,066 --> 00:45:14,444
in the hopes that whoever
finds the Mazzik next

604
00:45:14,478 --> 00:45:16,616
won't be doomed...

605
00:45:17,418 --> 00:45:22,293
..consumed... as I was.

606
00:45:25,332 --> 00:45:28,271
(PIERCING SCREAM)

607
00:45:34,484 --> 00:45:36,856
(DISTURBING MUSIC)

608
00:45:38,959 --> 00:45:40,664
(GROANS)

609
00:45:45,573 --> 00:45:47,043
(GROANS)

610
00:45:48,145 --> 00:45:49,883
(MUTTERS)

611
00:45:52,987 --> 00:45:54,792
(MUTTERS)

612
00:46:05,246 --> 00:46:07,685
(PHONE VIBRATES)

613
00:46:10,690 --> 00:46:12,093
Hello?

614
00:46:12,126 --> 00:46:14,197
MAN: Yacov.

615
00:46:14,229 --> 00:46:16,201
It's Dr Kohlberg.

616
00:46:16,233 --> 00:46:19,375
Dr Kohlberg! Baruch Hashem.

617
00:46:19,407 --> 00:46:23,315
I'm, uh...
I'm not doing so great.

618
00:46:23,348 --> 00:46:26,489
Why? What's wrong?

619
00:46:28,091 --> 00:46:31,366
I'm seeing things

620
00:46:31,398 --> 00:46:35,540
and I'm hearing, um...

621
00:46:35,574 --> 00:46:38,212
It's a lot. It's a lot.

622
00:46:38,244 --> 00:46:41,852
And I, uh... I took a tablet,

623
00:46:41,886 --> 00:46:45,327
one of the Ativan,
a little while ago, but I...

624
00:46:45,359 --> 00:46:46,962
Seeing who, Yacov?

625
00:46:46,996 --> 00:46:48,734
Who are you seeing?

626
00:46:52,106 --> 00:46:54,244
I don't know.

627
00:46:54,277 --> 00:46:56,850
Where are you right now?

628
00:46:58,986 --> 00:47:01,692
I'm in Boro Park. I, uh...

629
00:47:01,725 --> 00:47:06,569
I took a job as a Shomer
for the night.

630
00:47:06,601 --> 00:47:08,839
Reb Shulem is paying me, so...

631
00:47:11,143 --> 00:47:12,948
Are you safe?

632
00:47:12,980 --> 00:47:15,420
I don't know. I think so.

633
00:47:17,122 --> 00:47:21,798
These things you're seeing,
do you think that they're real?

634
00:47:21,832 --> 00:47:23,937
No, they can't be.

635
00:47:29,381 --> 00:47:34,224
Dr Kohlberg, the... the man
who was living here,

636
00:47:34,257 --> 00:47:36,094
um, and his wife,

637
00:47:36,127 --> 00:47:40,369
I think that they went crazy
together, living in the house.

638
00:47:40,403 --> 00:47:41,706
Um...

639
00:47:41,739 --> 00:47:45,314
She's...
She's got very bad dementia.

640
00:47:45,347 --> 00:47:46,949
It's very sad.

641
00:47:46,982 --> 00:47:48,654
And he...

642
00:47:49,588 --> 00:47:52,928
..um... was obsessed with demons.

643
00:47:52,961 --> 00:47:54,365
Demons?

644
00:47:54,397 --> 00:47:56,167
Something called a Mazzik.

645
00:47:56,201 --> 00:48:01,479
And is this what you think
you've been seeing? A demon?

646
00:48:02,414 --> 00:48:03,850
Shadows, shadows.

647
00:48:03,883 --> 00:48:07,056
Yacov, we talked about what
happened to your little brother,

648
00:48:07,089 --> 00:48:11,165
about post-traumatic stress
and your fears.

649
00:48:14,604 --> 00:48:16,641
I know. I know.

650
00:48:16,675 --> 00:48:19,781
Tell me, Yacov,
is your heart racing?

651
00:48:19,814 --> 00:48:22,954
Ferocious?
Like it's gonna break your ribs?

652
00:48:23,955 --> 00:48:25,327
Yes.

653
00:48:25,359 --> 00:48:26,996
And you're sweating?

654
00:48:27,997 --> 00:48:30,604
Uh... Uh-uh.

655
00:48:31,539 --> 00:48:33,142
You are shaking?

656
00:48:33,174 --> 00:48:35,012
I'm trying to calm down.

657
00:48:38,885 --> 00:48:42,594
Yacov, tell me what it is
that you're seeing.

658
00:48:44,498 --> 00:48:46,835
I... um...

659
00:48:50,509 --> 00:48:52,881
You said that it's a person.

660
00:48:52,914 --> 00:48:56,154
It's shadows. Like someone
in... in the shadows.

661
00:48:56,187 --> 00:48:57,591
I've... I've... I don't...

662
00:48:57,623 --> 00:48:59,293
The person that you're seeing,

663
00:48:59,328 --> 00:49:01,231
this one
that's in the shadows...

664
00:49:03,134 --> 00:49:06,342
..do you think that he's
really there, watching you?

665
00:49:06,375 --> 00:49:08,680
No, of course not.
I know he's not.

666
00:49:08,712 --> 00:49:11,384
Excellent. Excellent.
That's good.

667
00:49:11,418 --> 00:49:13,187
Now, Yacov, I want you to...

668
00:49:13,220 --> 00:49:16,762
I want you to take your time
and think about this.

669
00:49:18,331 --> 00:49:21,606
Can you describe this person?

670
00:49:23,074 --> 00:49:25,279
Blurry. It's...

671
00:49:26,381 --> 00:49:28,051
It's always...

672
00:49:29,185 --> 00:49:33,160
I... I don't... I don't...

673
00:49:33,193 --> 00:49:35,065
It's blurry.

674
00:49:35,832 --> 00:49:37,937
I understand. That's fine.

675
00:49:37,971 --> 00:49:41,546
Is his head turned backwards?
Can you tell me?

676
00:49:41,579 --> 00:49:43,615
- What?
- (CRACKING)

677
00:49:43,648 --> 00:49:46,220
Is his head turned around,
Yacov?

678
00:49:46,253 --> 00:49:49,126
(CRACKING CONTINUES)

679
00:49:49,160 --> 00:49:51,733
(SUSPENSEFUL MUSIC)

680
00:49:54,805 --> 00:49:55,640
(CRACK!)

681
00:49:55,672 --> 00:49:57,944
Yacov, what do you see?

682
00:50:02,319 --> 00:50:04,557
Yacov, what do you see?

683
00:50:04,591 --> 00:50:06,596
- Uh...
- (INCOMING CALL BEEP)

684
00:50:06,629 --> 00:50:08,399
What? What?

685
00:50:08,432 --> 00:50:09,735
(PHONE BEEPS)

686
00:50:09,768 --> 00:50:12,239
Dr Kohlberg, can you hold on
for one second, please?

687
00:50:20,222 --> 00:50:21,425
Hello?

688
00:50:21,457 --> 00:50:22,928
MAN: Yacov, hi.
It's Dr Kohlberg.

689
00:50:22,960 --> 00:50:24,430
Look, I just got your message

690
00:50:24,464 --> 00:50:27,404
and I'm sorry it's taken me
a little bit to call you back.

691
00:50:27,436 --> 00:50:29,173
I hope everything's alright.

692
00:50:32,914 --> 00:50:34,585
Yacov?

693
00:50:36,722 --> 00:50:39,729
Dr Kohlberg, can you hold on
for one second, please?

694
00:50:44,170 --> 00:50:45,440
Hello?

695
00:50:45,472 --> 00:50:47,176
BOY: Yacov.

696
00:50:48,244 --> 00:50:49,982
Who is this?

697
00:50:52,018 --> 00:50:53,689
Yacov.

698
00:50:54,490 --> 00:50:57,029
I need you to leave me alone.

699
00:50:58,164 --> 00:51:00,837
Why did you let me die?

700
00:51:02,741 --> 00:51:05,613
(PIERCING SCREAM OVER PHONE)

701
00:51:05,646 --> 00:51:07,384
(RAPID THUMPING)

702
00:51:07,416 --> 00:51:09,086
Mrs Litvak.

703
00:51:10,154 --> 00:51:12,025
Mrs Litvak?

704
00:51:12,058 --> 00:51:13,528
Mrs Litvak!

705
00:51:13,562 --> 00:51:15,901
(DISTURBING MUSIC)

706
00:51:17,870 --> 00:51:19,441
(SILENCE)

707
00:51:19,474 --> 00:51:21,076
MRS LITVAK:
Do you want some tea?

708
00:51:21,109 --> 00:51:23,081
(CHILLING MUSIC)

709
00:51:24,083 --> 00:51:26,154
(PANTS)

710
00:51:30,729 --> 00:51:32,700
It won't let you leave.

711
00:51:32,733 --> 00:51:35,271
We have to go. Now.

712
00:51:41,450 --> 00:51:43,523
I've left many times.

713
00:51:43,556 --> 00:51:45,826
But where is there for me to go?

714
00:51:45,860 --> 00:51:49,967
My obligation is to my home,
my Rubin.

715
00:51:50,000 --> 00:51:52,406
I can suffer.

716
00:51:52,440 --> 00:51:55,647
My pain was not his.

717
00:51:55,680 --> 00:52:00,323
Mrs Litvak,
what won't let me leave?

718
00:52:02,526 --> 00:52:04,731
The Mazzik.

719
00:52:08,372 --> 00:52:10,242
It's playing with you.

720
00:52:11,444 --> 00:52:14,184
The way a cat
plays with a mouse.

721
00:52:18,893 --> 00:52:21,031
It wants your pain.

722
00:52:21,798 --> 00:52:23,803
And it will make you see things.

723
00:52:24,604 --> 00:52:26,709
Terrible things.

724
00:52:27,509 --> 00:52:30,114
Me, I am not enough for it.

725
00:52:32,252 --> 00:52:34,425
But your agony...

726
00:52:45,679 --> 00:52:47,850
We're leaving.

727
00:52:48,686 --> 00:52:50,956
We have to go now.

728
00:52:51,792 --> 00:52:55,734
There is something
very, very wrong here.

729
00:53:00,141 --> 00:53:02,580
If you run out,

730
00:53:02,613 --> 00:53:06,956
the Mazzik will make you
crawl right back.

731
00:53:15,338 --> 00:53:16,841
Come on! Let's go!

732
00:53:16,875 --> 00:53:20,015
You've already been
in this house too long.

733
00:53:20,047 --> 00:53:22,619
I'm gonna call Reb Shulem, OK?

734
00:53:22,653 --> 00:53:25,024
We're going to come back
and get you.

735
00:53:25,057 --> 00:53:27,964
Just five minutes.
I'll be back.

736
00:53:35,546 --> 00:53:37,249
(DOG BARKS)

737
00:53:37,281 --> 00:53:39,788
(FAINT TRAFFIC HUBBUB
AND CHATTER)

738
00:53:42,526 --> 00:53:44,831
(UNEASY MUSIC)

739
00:54:07,410 --> 00:54:08,412
(CRACKING)

740
00:54:08,445 --> 00:54:09,515
(GASPS)

741
00:54:23,741 --> 00:54:25,112
(CRACKING)

742
00:54:25,144 --> 00:54:26,247
Ohhh!

743
00:54:27,282 --> 00:54:28,552
Ohh.

744
00:54:29,553 --> 00:54:31,324
Oh!

745
00:54:31,358 --> 00:54:32,360
(LOUD, SICKENING CRACK)

746
00:54:32,393 --> 00:54:34,730
(YACOV GROANS)

747
00:54:34,763 --> 00:54:36,534
(CRACKING)

748
00:54:36,567 --> 00:54:39,140
(DISTURBING MUSIC)

749
00:54:39,173 --> 00:54:40,477
Oh!

750
00:54:41,478 --> 00:54:43,081
(CRACKING)

751
00:54:43,113 --> 00:54:44,851
(GROANS)

752
00:54:50,429 --> 00:54:51,832
(CRACK!)

753
00:54:52,966 --> 00:54:54,803
(DISTANT SIREN WAILS)

754
00:54:54,837 --> 00:54:58,178
(UNEASY MUSIC)

755
00:55:05,593 --> 00:55:07,229
(CRACK!)

756
00:55:08,231 --> 00:55:09,600
(GROANS)

757
00:55:11,570 --> 00:55:13,441
(GROANS)

758
00:55:15,411 --> 00:55:18,083
(CRACKING)

759
00:55:19,487 --> 00:55:20,923
(WHIMPERS)

760
00:55:20,956 --> 00:55:23,260
(LOUD DEMONIC SCREECH)

761
00:55:25,231 --> 00:55:28,806
(LOUD SCREECH)

762
00:55:28,839 --> 00:55:30,643
(GASPS)

763
00:55:38,325 --> 00:55:41,498
(DEMONIC SCREAM)

764
00:55:44,436 --> 00:55:47,609
(DISTURBING MUSIC)

765
00:55:47,642 --> 00:55:49,480
(PANTS)

766
00:55:54,323 --> 00:55:56,059
(CRACKING)

767
00:56:09,286 --> 00:56:11,090
(PANTS)

768
00:56:21,142 --> 00:56:24,650
- (CRACKING)
- (YACOV GROANS)

769
00:56:31,597 --> 00:56:33,200
(PANTS)

770
00:56:33,234 --> 00:56:35,540
(SUSPENSEFUL PERCUSSIVE MUSIC)

771
00:56:43,286 --> 00:56:44,323
(CRACKING)

772
00:56:44,357 --> 00:56:45,560
(GROANS)

773
00:56:47,963 --> 00:56:50,235
(PANTS)

774
00:56:59,553 --> 00:57:01,089
(EXHALES DEEPLY)

775
00:57:01,123 --> 00:57:04,398
(BREATHES RAGGEDLY)

776
00:57:08,672 --> 00:57:11,979
(DISTURBING MUSIC)

777
00:57:17,756 --> 00:57:20,160
(HIGH-PITCHED NOISE)

778
00:57:20,194 --> 00:57:21,832
MAN: Hey, what the hell's
your problem?

779
00:57:21,865 --> 00:57:23,936
Just trying to ask you
a question.

780
00:57:23,968 --> 00:57:26,072
MAN 2: Yo, yo, yo,
stop messing around.

781
00:57:26,106 --> 00:57:28,444
MAN: Relax. (LAUGHS)

782
00:57:28,477 --> 00:57:31,149
MAN 2: Got a tough guy here,
the way he comes off.

783
00:57:31,182 --> 00:57:33,186
MAN: Tough guy, hey. (LAUGHS)

784
00:57:33,220 --> 00:57:37,964
MAN 2: Look at the little
Jew girl. Huh? (LAUGHS)

785
00:57:37,997 --> 00:57:42,037
- (DRAMATIC MUSIC)
- (MEN CONTINUE TALKING)

786
00:57:42,071 --> 00:57:45,613
Relax, you little brat.
We're just messing around.

787
00:57:45,646 --> 00:57:48,719
- Alright, alright, alright...
- YACOV: Burech!

788
00:57:48,752 --> 00:57:50,356
- Burech!
- (TYRES SQUEAL)

789
00:57:53,728 --> 00:57:56,100
(GRIM MUSIC)

790
00:58:23,354 --> 00:58:25,726
(WEEPS)

791
00:58:25,758 --> 00:58:29,098
(SOLEMN MUSIC)

792
00:59:00,895 --> 00:59:02,600
(GASPS)

793
00:59:06,406 --> 00:59:08,110
Oh!

794
00:59:13,488 --> 00:59:15,526
(SOBS)

795
00:59:18,931 --> 00:59:22,104
(YACOV CONTINUES SOBBING)

796
00:59:28,152 --> 00:59:31,530
I let them hurt you...

797
00:59:38,913 --> 00:59:40,664
I couldn't...

798
00:59:41,165 --> 00:59:42,917
I couldn't move.

799
00:59:44,043 --> 00:59:46,670
I couldn't move.

800
00:59:46,921 --> 00:59:50,716
I let them hurt you...

801
00:59:57,876 --> 01:00:00,415
(EERIE MUSIC)

802
01:00:00,448 --> 01:00:02,486
(LAUGHS)

803
01:00:05,314 --> 01:00:06,815
Of course.

804
01:00:21,990 --> 01:00:23,929
(GROANS)

805
01:00:24,930 --> 01:00:26,868
(PHONE LINE RINGS)

806
01:00:26,901 --> 01:00:29,674
(SNIFFS) Ahhh.

807
01:00:32,545 --> 01:00:35,718
VOICEMAIL: Hello.
You've reached Sarah Feldman.

808
01:00:35,751 --> 01:00:39,393
I can't come to the phone.
Please leave...

809
01:00:47,240 --> 01:00:48,677
(PHONE RINGS)

810
01:00:48,711 --> 01:00:50,089
(SNIFFS)

811
01:00:50,151 --> 01:00:53,779
INCOMING FACETIME Sarah

812
01:00:55,392 --> 01:00:59,099
Um... I'm so sorry
to wake you up.

813
01:00:59,131 --> 01:01:01,770
- I'm so sorry.
- What time is it?

814
01:01:04,041 --> 01:01:05,879
4:30.

815
01:01:05,911 --> 01:01:08,116
Where are you, Yacov?

816
01:01:08,149 --> 01:01:10,655
Sarah, I'm, uh...

817
01:01:10,688 --> 01:01:13,427
(SOBS QUIETLY)

818
01:01:14,763 --> 01:01:17,034
There's something evil
in this house.

819
01:01:17,067 --> 01:01:18,638
(SNIFFS) It was...

820
01:01:18,671 --> 01:01:23,715
It was following Mr Litvak and
then it was feeding off of him.

821
01:01:23,748 --> 01:01:25,719
What?

822
01:01:25,752 --> 01:01:27,255
I...

823
01:01:27,287 --> 01:01:29,826
I think it wants me now.

824
01:01:31,195 --> 01:01:33,702
Have you tried to leave?

825
01:01:33,734 --> 01:01:37,207
Um... yeah, I... I...

826
01:01:37,241 --> 01:01:38,845
The house,
have you tried to leave?

827
01:01:38,877 --> 01:01:42,618
Yes. It won't let me.
It won't let me leave. I...

828
01:01:42,651 --> 01:01:43,888
(CREAKING)

829
01:01:43,920 --> 01:01:46,393
You need to go upstairs, Yacov.

830
01:01:51,569 --> 01:01:52,739
What?

831
01:01:53,589 --> 01:01:55,799
You need to go upstairs, Yacov.

832
01:01:56,675 --> 01:02:00,263
There is no point in fighting.

833
01:02:02,325 --> 01:02:04,262
(CREAKING)

834
01:02:04,295 --> 01:02:07,335
Sarah? (SNIFFS)

835
01:02:08,729 --> 01:02:10,731
You watched Burech scream.

836
01:02:11,141 --> 01:02:13,859
- Don't s...
- Watched him cry for you.

837
01:02:14,110 --> 01:02:15,611
And you didn't move.

838
01:02:15,987 --> 01:02:19,177
You just let him die.

839
01:02:19,225 --> 01:02:21,598
(SNIFFS AND PANTS)

840
01:02:23,500 --> 01:02:25,338
Sarah.

841
01:02:33,954 --> 01:02:37,428
You just watched him die!

842
01:02:37,461 --> 01:02:38,832
(DISTURBING MUSIC)

843
01:02:38,865 --> 01:02:40,266
Sarah!

844
01:02:40,299 --> 01:02:43,641
(SUSPENSEFUL MUSIC BUILDS)

845
01:03:17,308 --> 01:03:19,613
BURECH: Yacov.

846
01:03:27,228 --> 01:03:28,898
Yacov.

847
01:03:31,069 --> 01:03:33,608
Why did you let me die?

848
01:03:41,122 --> 01:03:42,959
(YACOV SOBS)

849
01:03:50,414 --> 01:03:53,667
I know.

850
01:03:57,588 --> 01:04:00,841
I was scared...

851
01:04:03,466 --> 01:04:05,136
I wasn't...

852
01:04:06,138 --> 01:04:07,943
I wasn't strong for you, Burech.

853
01:04:07,975 --> 01:04:10,146
I was lost in my weakness.

854
01:04:11,349 --> 01:04:13,019
(SOBS)

855
01:04:13,854 --> 01:04:15,648
Please forgive me.

856
01:04:16,224 --> 01:04:18,062
Please.

857
01:04:18,096 --> 01:04:20,101
I'm so sorry, Burech.

858
01:04:21,445 --> 01:04:24,740
Please forgive me.

859
01:04:29,185 --> 01:04:31,557
I've failed you. I...

860
01:04:32,831 --> 01:04:33,916
I was...

861
01:04:34,875 --> 01:04:36,460
I was...

862
01:04:36,960 --> 01:04:39,422
I was scared.

863
01:04:54,535 --> 01:04:56,840
(FAINT SQUEAKING)

864
01:05:10,535 --> 01:05:13,073
(DISCORDANT MUSIC)

865
01:05:26,064 --> 01:05:28,137
(DOOR CREAKS OPEN)

866
01:05:33,079 --> 01:05:34,749
Mrs Litvak.

867
01:05:36,487 --> 01:05:38,624
Thank you for the bandage.

868
01:05:41,027 --> 01:05:42,398
I didn't do it.

869
01:05:42,431 --> 01:05:44,502
My Rubin did.

870
01:05:44,536 --> 01:05:47,175
Mrs Litvak,
where is your husband now?

871
01:05:48,175 --> 01:05:49,880
He's down the hall.

872
01:05:55,924 --> 01:05:57,662
Wait a minute.

873
01:06:12,325 --> 01:06:13,995
Here.

874
01:06:19,506 --> 01:06:21,209
It may help.

875
01:06:38,109 --> 01:06:40,214
(UNEASY MUSIC)

876
01:06:57,615 --> 01:07:00,053
MRS LITVAK: In 1919,

877
01:07:00,086 --> 01:07:05,999
my grandfather saw his parents
murdered in Kiev.

878
01:07:07,768 --> 01:07:10,641
Neighbours smuggled him out.

879
01:07:14,749 --> 01:07:16,954
I loved my grandfather.

880
01:07:19,023 --> 01:07:20,227
I remember most

881
01:07:20,260 --> 01:07:26,072
that he davened with tallis
and tefillin every day.

882
01:07:28,644 --> 01:07:30,814
It is when he was truly...

883
01:07:32,016 --> 01:07:35,090
..at ease with the world
and himself.

884
01:07:35,123 --> 01:07:36,760
(KISSES)

885
01:07:39,365 --> 01:07:41,303
(SPEAKS QUIETLY)

886
01:07:44,074 --> 01:07:46,347
(INTENSE MUSIC)

887
01:08:57,254 --> 01:08:59,692
If you find my Rubin...

888
01:09:07,642 --> 01:09:09,980
(INTENSE MUSIC CONTINUES)

889
01:09:14,054 --> 01:09:16,226
(MUSIC FADES)

890
01:09:49,826 --> 01:09:52,231
(RECITES PRAYER IN YIDDISH)

891
01:10:26,966 --> 01:10:29,238
(SUSPENSEFUL MUSIC)

892
01:10:43,332 --> 01:10:45,370
(CREAKING)

893
01:10:49,479 --> 01:10:53,118
(WHOOSHING)

894
01:11:04,875 --> 01:11:08,149
(BREATHES FASTER)

895
01:11:33,733 --> 01:11:35,905
(BREATHES RAGGEDLY)

896
01:11:50,766 --> 01:11:53,205
(SUSPENSEFUL MUSIC BUILDS)

897
01:12:01,888 --> 01:12:04,094
(DISTURBING MUSIC)

898
01:12:10,574 --> 01:12:12,879
(YACOV BREATHES HEAVILY)

899
01:12:33,652 --> 01:12:36,392
(CRACKING)

900
01:12:37,695 --> 01:12:39,632
(PANTS)

901
01:12:39,665 --> 01:12:41,937
(YACOV RECITES PRAYER
IN YIDDISH)

902
01:12:51,989 --> 01:12:54,127
(DRAMATIC MUSIC)

903
01:12:58,569 --> 01:13:00,172
(PANTS)

904
01:13:08,957 --> 01:13:11,730
(RECITES PRAYER)

905
01:13:11,762 --> 01:13:13,566
(RECITES LOUDER)

906
01:13:13,599 --> 01:13:16,306
- (SCREAMS)
- (BONE CRACK)

907
01:13:16,338 --> 01:13:18,075
(GASPS)

908
01:13:37,648 --> 01:13:39,986
(BIRD CAWS)

909
01:13:42,757 --> 01:13:44,529
(FOOTSTEPS DESCEND STAIRS)

910
01:13:44,562 --> 01:13:47,200
(SOFT CRUNCHING)

911
01:13:47,233 --> 01:13:48,870
(YACOV BREATHES HEAVILY)

912
01:13:48,902 --> 01:13:51,274
(CRUNCHING CONTINUES)

913
01:13:55,617 --> 01:13:59,993
(LOUD CRUNCHING)

914
01:14:10,513 --> 01:14:11,883
(CRUNCHING CONTINUES)

915
01:14:11,915 --> 01:14:15,524
(YACOV RECITES PRAYER)

916
01:14:23,640 --> 01:14:25,978
(CRUNCHING CONTINUES)

917
01:14:26,010 --> 01:14:28,417
(YACOV CONTINUES PRAYING)

918
01:14:32,858 --> 01:14:35,162
(SOLEMN MUSIC)

919
01:14:51,629 --> 01:14:54,402
(WIND WHISTLES)

920
01:14:54,435 --> 01:14:57,274
(OFFICER SPEAKS INDISTINCTLY)

921
01:15:04,153 --> 01:15:05,824
(OFFICER SPEAKS INDISTINCTLY)

922
01:15:07,793 --> 01:15:09,766
(SUSPENSEFUL MUSIC)

923
01:15:15,009 --> 01:15:16,680
(OFFICER SHOUTS INDISTINCTLY)

924
01:15:18,816 --> 01:15:20,621
(OFFICER SHOUTS INDISTINCTLY)

925
01:15:23,290 --> 01:15:25,497
- (OFFICER SPEAKS INDISTINCTLY)
- (GUN COCKS)

926
01:15:25,529 --> 01:15:27,601
(GUNSHOT)

927
01:15:31,941 --> 01:15:34,381
(YACOV RECITES PRAYER)

928
01:15:37,053 --> 01:15:39,425
(YACOV CONTINUES PRAYER)

929
01:15:45,870 --> 01:15:49,879
(YACOV CONTINUES PRAYER)

930
01:15:49,911 --> 01:15:52,250
(SQUELCHING)

931
01:15:52,282 --> 01:15:55,056
(YACOV RECITES PRAYER)

932
01:15:55,089 --> 01:15:56,559
(YACOV SNIFFS)

933
01:15:56,591 --> 01:15:58,162
YACOV: Let him go.

934
01:15:58,963 --> 01:16:00,701
Let him go.

935
01:16:02,168 --> 01:16:06,110
(YACOV CONTINUES PRAYER)

936
01:16:09,082 --> 01:16:11,221
(CONTINUES PRAYER)

937
01:16:13,893 --> 01:16:15,763
Let him go.

938
01:16:16,965 --> 01:16:18,603
Let him go!

939
01:16:18,635 --> 01:16:21,476
(DRAMATIC MUSIC)

940
01:16:22,644 --> 01:16:24,382
Let him go!

941
01:16:27,753 --> 01:16:29,592
(QUIETLY) Let him go.

942
01:16:29,624 --> 01:16:34,066
(RECITES PRAYER)

943
01:16:34,100 --> 01:16:36,205
(CORPSE STOPS MOVING)

944
01:16:41,147 --> 01:16:43,252
(RECITES PRAYER)

945
01:16:46,792 --> 01:16:49,998
(YACOV CONTINUES PRAYER)

946
01:16:50,032 --> 01:16:53,306
(CONTINUES PRAYER)

947
01:16:53,339 --> 01:16:55,343
(SQUELCHING AND ROARING)

948
01:16:55,376 --> 01:17:00,820
(YACOV RECITES PRAYER)

949
01:17:03,926 --> 01:17:06,399
(RECITES PRAYER)

950
01:17:06,432 --> 01:17:12,778
(YACOV CONTINUES PRAYER)

951
01:17:16,216 --> 01:17:19,659
(YACOV CONTINUES PRAYER)

952
01:17:24,133 --> 01:17:26,573
(YACOV ENDS PRAYER)

953
01:18:05,060 --> 01:18:06,644
Are you ok?

954
01:18:14,333 --> 01:18:16,439
MRS LITVAK: My poor Rubin.

955
01:18:18,309 --> 01:18:21,147
I often wonder
what he would have become.

956
01:18:21,180 --> 01:18:24,555
The father he would have been...

957
01:18:25,455 --> 01:18:28,697
..had life happened differently.

958
01:18:30,833 --> 01:18:33,472
(MRS LITVAK WEEPS)

959
01:18:35,942 --> 01:18:37,715
(SOBS)

960
01:18:42,055 --> 01:18:43,726
Oh.

961
01:18:46,096 --> 01:18:47,900
My dear.

962
01:18:50,973 --> 01:18:53,012
I miss you so.

963
01:18:55,181 --> 01:18:56,852
(CLICKS TONGUE)

964
01:18:58,053 --> 01:19:01,828
(SOLEMN MUSIC)

965
01:19:04,434 --> 01:19:07,441
I'm gonna go out
into the sunlight now.

966
01:19:21,835 --> 01:19:22,838
(SIGHS)

967
01:19:22,870 --> 01:19:24,575
(DOOR OPENS)

968
01:19:26,042 --> 01:19:27,748
(DOOR SHUTS)

969
01:20:07,225 --> 01:20:09,497
(DISTANT DOG BARKS)

970
01:20:12,402 --> 01:20:13,906
(CAR ALARM BEEPS)

971
01:20:13,938 --> 01:20:15,676
(PILLBOX CLICKS OPEN)

972
01:20:18,715 --> 01:20:20,619
(PILLS RATTLE)

973
01:20:23,057 --> 01:20:24,528
(DOOR OPENS)

974
01:20:24,560 --> 01:20:26,865
(FOOTSTEPS APPROACH)

975
01:20:30,205 --> 01:20:31,998
So did you have a good night?

976
01:20:32,207 --> 01:20:34,959
Any problems? Anything come up?

977
01:20:35,080 --> 01:20:36,818
(TUTS)

978
01:20:37,420 --> 01:20:38,421
Sure?

979
01:20:38,838 --> 01:20:39,839
Of course.

980
01:20:41,633 --> 01:20:44,844
Well, let me give you what I promised you.

981
01:20:45,052 --> 01:20:46,888
Mrs. Litvak?

982
01:20:47,407 --> 01:20:49,711
She went out for a morning walk.

983
01:20:52,683 --> 01:20:54,321
Hmm.

984
01:20:54,353 --> 01:20:56,090
OK.

985
01:20:59,025 --> 01:21:01,528
As I mentioned yesterday,
I truly hoped this

986
01:21:01,611 --> 01:21:04,447
experience might give you a
new perspective on life.

987
01:21:04,572 --> 01:21:07,575
I hoped we could talk about it.

988
01:21:07,659 --> 01:21:10,412
Come with me to morning prayers.

989
01:21:10,495 --> 01:21:12,914
Will you come with me to morning prayers?

990
01:21:18,266 --> 01:21:19,872
Look, Shulem...

991
01:21:21,005 --> 01:21:22,587
I know you mean well.

992
01:21:22,673 --> 01:21:25,750
OK? (EXHALES)

993
01:21:25,927 --> 01:21:28,221
I know this.

994
01:21:29,391 --> 01:21:30,992
But not today.

995
01:21:31,026 --> 01:21:33,732
('ASHREI' BY ZUSHA PLAYS)

996
01:21:52,035 --> 01:21:54,273
('ASHREI' CONTINUES)

997
01:21:54,306 --> 01:21:56,009
(PHONE VIBRATES)

998
01:21:58,251 --> 01:22:01,879
Sarah
Ugh, I'm up early. How was your night?

999
01:22:11,408 --> 01:22:13,813
(GASPS) Ah!

1000
01:22:26,069 --> 01:22:27,740
(EXHALES DEEPLY)

1001
01:22:32,619 --> 01:22:36,248
Coffee?

1002
01:23:22,382 --> 01:23:24,721
(INSTRUMENTAL BREAK)

1003
01:23:31,537 --> 01:23:36,537
Subtitles by explosiveskull
akumenang.com

1004
01:23:39,783 --> 01:23:42,923
('ASHREI' CONTINUES)

1005
01:25:32,509 --> 01:25:35,750
(DISTURBING MUSIC)

1006
01:26:48,395 --> 01:26:50,800
(DRAMATIC MUSIC)

1007
01:28:40,784 --> 01:28:43,123
(SOMBRE PIANO MUSIC)