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Make A Mistake With Me - Prologue, Part 1: Blue Monday

Apr 22nd, 2015
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  1. >Coffee and cigarettes
  2. >That’s about what you had to your name, at the moment.
  3. >You are Anonymous, and you are stuck in the band room at the moment.
  4. >Well, less “stuck”, more “better here than anywhere else.”
  5. >Your studio flat, quite frankly, reeked like corpses and was covered in trash bags.
  6. >So much for fresh start after juvie.
  7. >Sure enough, you skipped town and arrived to this city.
  8. >Hell, you even enrolled into the local high school (which was a miracle in itself.)
  9. >But it looks like old habits die hard, especially when there’s no motivation for change.
  10. >In just few short weeks, your new apartment started looking like a landfill.
  11. >Thus, there was nothing waiting for you there.
  12. >And it’s not like you had made any friends to hang out with during your time in CHS.
  13. >Really, most of the students avoided you like a plague, and rumors run rampart.
  14. >Which was just fine with you.
  15. >After all, it’s what made your current situation possible.
  16. >Cigarette on the lips, thermos of tar-esque coffee next to you, and an old guitar in your hands.
  17. >You were as close to heaven as you had been in six months.
  18. >You feel a slight tingle as your fingers fly on the neck, sliding up on an open A-string.
  19. >Whorehouse Blues echoes in the silence of the dusk-dyed school.
  20. >Thought you doubted the pair of raspberry-colored eyes looking at you recognizes the song.
  21.  
  22. >You hum to the tune you were playing and act like you didn’t notice.
  23. >Whoever was spying you from behind the door wasn’t exactly Big Boss.
  24. >But other than the occasional hushed whisper, she wasn’t bothering you.
  25. >Still, you couldn’t but to overhear the conversation… or, at least, one side of it.
  26. >Sounded like she was on the phone.
  27. >”T-the band room’s a no-go! Someone’s in there! Someone weeeeeeird!”
  28. >”No, I can’t! He’s, like, three times my height! For realsies!”
  29. >”You do it, Aria!”
  30. >”N-no, but, I---“
  31. >”Nuh-uh! You are!”
  32. >Oh boy. Looks like you had stumbled upon something troublesome.
  33. >You took a drag from your cigarette and heaved the smoke through your teeth.
  34. >This might turn ugly if things went south.
  35. >The only thing you could hope for was that this wasn’t some student-utilizing hunt for delinquents.
  36. >If it was just some idiot looking for a place to stash her booze, that you could cope with.
  37. >Hell, you might have tried to buy a bottle.
  38. >But if this was connected in any way to that Principal…
  39. >Shit, the memory of your first meeting still gave you shivers. That ma’am was not to be messed with.
  40. >But! Back to the present.
  41. >Namely, the door of the band room slamming open.
  42. >”S-smoking on the school’s premises is, like, illegal, you know!?”
  43. >Hoo boy.
  44.  
  45. >Blue and purple. Hair on an energetic ponytail that bounced to the rhythm of her breathing.
  46. >Whoever this girl was, at least she knew how to leave an impression with her style.
  47. >Still, the confident image was marred by how she was shaking.
  48. >Her whole body seemed to scream how confronting you was the last thing that she wanted to do.
  49. >But seeing, and more importantly, smelling her left you relaxed.
  50. >That smell that hung around her… you knew it all too well.
  51. >Small grin forms on your lips.
  52. “I know. I just don’t care. What’cha gonna do, brother?”
  53. >Clearly not the answer she was looking for. The girl tilts her head in confusion.
  54. >However, she recovers just as quickly.
  55. >”I’ll… I’ll report to Principal Celestia! And I’m not a brother, but with the Student Council, you know?”
  56. >Wow. It had been a while since you had heard a lie that bad.
  57. “No you won’t. In fact, you’re not with those goons. From what I can see, you’re just trying to make me leave.”
  58. >Bullseye. The girl recoils in a surprise.
  59. >”H-how did you know!?”
  60. “Mostly judging by the state of your clothes, and your smell. It’s been a while since you showered, huh?”
  61. >Another bullseye. She was now holding onto the door as a support.
  62. >Looks like you had hit closer to home than she wanted.
  63. >“Is it… like, that obvious?”
  64. >She looks rather embarrassed.
  65. >The sight was endearing enough that you have to take another drag just to hide your grin.
  66. “As a former homeless, it strikes a chord with me. Dunno about others.”
  67. >This seems to surprise her in a different way. She leans a bit closer, eyes wide.
  68. >”Wait… you’re homeless, too?”
  69.  
  70. >You shrug and continue strumming the vaguely familiar chords.
  71. “Not anymore. I used to be, though. That’s why it’s easy to spot someone in the same situation.”
  72. >You chuckle a bit.
  73. “Thanks for the confirmation though. Now it’s clear I have nothing to worry about.”
  74. >That made her expression quickly sour.
  75. >It seemed that now that her lie had been busted, she no longer had any idea what to do.
  76. >”Aww, now I went and messed up. Aria’s gonna kill me. For realsies, this time.”
  77. >The sight before you made the old guitar in your hands seem real interesting all of a sudden.
  78. >Damn girl had the perfect “kicked puppy” moment going on.
  79. >You almost felt like Indy before the Arc of Covenant.
  80. >Keep your eyes shut, Anon!
  81. >And so, a moment of awkward silence falls over the room.
  82. >You do your best to fill it with the sound of your guitar, but it’s not really working.
  83. >So, eventually, you succumb. To a degree.
  84. “You know, I’m not moving from this room… but I don’t mind other people here.”
  85. >This catches her attention.
  86. “So if this is your hangout or whatever, I’m not driving you out.”
  87. >”Really? Even if I’m…”
  88. >She left those words hanging in the air stiffly.
  89. >Looks like someone else had their collection of bones in their closet.
  90. “Don’t care, Blue. You don’t pry into my business, I don’t pry into yours. Deal?”
  91. >The girl before you smiles for the first time. She nods enthusiastically.
  92. >With a little bounce in her step now, she enters the band room and looks around.
  93. >However, just as quickly, she looks back at you, a little confused look on her face.
  94. >”I’m Sonata, by the way. Not Blue.”
  95. “Whatever you say, sister.”
  96. >”And I’m not your sister, either. At least I hope I'm not!”
  97. >You heave a heavy sigh and grimace. This was going to be a chore.
  98. “I know that. It’s just… it’s just a saying. Don’t mind me.”
  99. >”Alrighty, then I won’t!”
  100.  
  101. >The blue-haired girl, Sonata, is quick to lose her interest in you.
  102. >Instead, she makes a beeline straight for your thermos, with curious sparkle in her eyes.
  103. >She peers into the container, only to draw immediately away like the sight had burnt her face.
  104. >”W-what’s that!? It looks, like, boiling asphalt!”
  105. >You smile a bit smugly.
  106. “Never seen real coffee before, I take it?”
  107. >”I’ve seen coffee, and that’s not it! That’s… that’s just something evil!”
  108. “Never knock something before you try it. Didn’t your mama ever tell you that?”
  109. >Your lopsided joke has a bit of a surprising effect.
  110. >Sonata’s expression droops, and she shuffles around awkwardly.
  111. >”Umm… I dunno. I don’t remember my mama.”
  112. >Well shit.
  113. >Now you went and made things depressing.
  114. >… Or so you thought, but it looks like the girl’s forgotten about it already.
  115. >Indeed, she’s busying herself by pouring some of your coffee to the cup.
  116. >And, surprisingly enough, she’s humming along with the tune of your instrument.
  117. >Chuckling in relief, you return to strumming your guitar.
  118. >At some point, Whorehouse Blues had morphed into Jessica.
  119. >You hadn’t even really realized it.
  120. >Was it because of this girl’s perky aura? Sure, she still seemed bit uncomfortable around you, but…
  121. >Underneath that shifty way she held herself seemed to shine some sort innocence.
  122. >At least enough to brighten your mood a bit.
  123. >”Eugh! Uagh! G-gaah!”
  124. >You are snapped from your thoughts by sounds of pure disgust.
  125. >Looking at its source, you see that Sonata has already had a taste of the coffee.
  126. >She’s currently writhing on the floor, doing her best cerebral palsy impression.
  127. >”It… It tastes like death! For realsies!”
  128. “And yet it makes you feel alive. Grand are life’s mysteries, huh?”
  129. >Sonata responds by making puking sounds and wiping her tongue with a napkin.
  130.  
  131. >Eventually Sonata seems to calm down, or, at the very least, get the taste out of her mouth.
  132. >She sighs in relief and sits down on one of the amps close by.
  133. >You frown at the sight a bit.
  134. >It’s not like the girl can weigh that lot, but still, that’s just rude.
  135. >She notices your expression, and grins sheepishly.
  136. >”So, umm… what’s your name?”
  137. >Here comes the forced ice-breaker.
  138. “Anon.”
  139. >”Anon? I’m Sonata! Nice to meet’cha!”
  140. “Yeah, I know. You told me already.”
  141. >”Oh! So I did.”
  142. >She giggles in delight.
  143. >Looks like this one’s easy to amuse, at the very least.
  144. >After a moment of silence, she crosses her legs and leans against them.
  145. >”So, like, what are you doing here, Anon?”
  146. >You grimace again. Looks like small-talk is unavoidable.
  147. “What does it look like I’m doing?”
  148. >You try to convey your annoyance with your tone.
  149. >Such subtle message misses her by couple miles and crashes into some runaway big rig out in Nevada.
  150. >”Well, it looks like you’re smoking illegally and hiding away in the band room, playing a guitar.”
  151. >Sonata manages to even look proud at her answer.
  152. >It was just a rhetorical question, you nitwit.
  153. >Don’t look so smug dammit!
  154. “I suppose it does. In other words, I came here to be alone.”
  155. >”Oh! So, how’s that working out for you?”
  156. >If your hands weren’t focused on the strings, you’d have them have a quick pow-wow with your forehead right about now.
  157. “Oh, it’s working out great. Just marvelously, in fact.”
  158. >Even though your voice is dripping with sarcasm like venom from snake’s fangs, it goes unnoticed.
  159. >The blue-haired goof next to you just smiles happily.
  160.  
  161. >You once again focus on the guitar in your hands, trying to ignore the drill-like gaze of the girl.
  162. >If she was really supposed to drive you away from this room, she’s not going that good of a job.
  163. >… Or, maybe she is.
  164. >This silence between you two is getting pretty unbearable.
  165. >You eventually decide to break it.
  166. “So? What are you actually doing here?”
  167. >”Oh, we usually sleep here since the place is unlocked, so Adagio sent me ahead to make sure nobody was here.”
  168. >The girl happily blabs on, without a care in the world.
  169. >”But since it turned out you were here, she and Aria were like: ‘Get rid of him, now!’ and stuff.”
  170. >The happy expression makes way for a pout as Sonata crosses her arms.
  171. >”But, like, how am I supposed to do that? You’re huge! And look scary! And—“
  172. >Suddenly, she clamps her hands over her mouth, looking shocked.
  173. >Well, it was about time she noticed she had just ratted her true intentions.
  174. >You chuckle and turn your attention back to the guitar.
  175. “And you just blew your plan, so I have even less intention of moving from here. Way to go, goof.”
  176. >”Oh no, what’re we gonna do now? I don’t wanna go back to the streets…”
  177. >Ignoring her, you bring the current melody to a close, and let your fingers rest for a moment.
  178.  
  179. >You reach for the still-steaming cup of coffee and take big swig.
  180. >The lava-like substance fills your mouth, and for a moment, you feel at peace.
  181. >Satisfied, you stump your cigarette in the makeshift ashtray.
  182. >All while trying to ignore the girl despairing next to you.
  183. >”See, we got kicked out of home few months ago…”
  184. “Uh huh.”
  185. >You feign disinterest.
  186. >It’s not that you’re totally against talking with Sonata, but her situation is none of your business.
  187. >Therefore, you pluck a few notes instead, fumbling for any melody to fill the silence.
  188. >She simply fidgets her fingers, looking rather downcast.
  189. >You can only hope she’s not the type to confine in total strangers.
  190. >”We… we did something pretty bad.”
  191. >Oy vey.
  192.  
  193. >”We were pretty nasty before. Like, super nasty. And we wanted to use lotsa people for our own gain.”
  194. >You didn’t want to hear this. This had nothing to do with you.
  195. >Couldn’t she seek a counseling session from someone professional?
  196. >You were just a delinquent hiding away in the band room, goddammit!
  197. >”But we got caught and then, um… we were punished. They took away what made so dangerous.”
  198. >”After that, we’ve been scraping by. It’s been super hard. Everyone hates us, after all…”
  199. >You focus on staring at the guitar strings.
  200. >The sight of something glimmering in Sonata’s eyes is not something you want to intrude upon.
  201. >You have that much respect for her.
  202. >”And Adagio and Aria hate everyone else. So nothing’s getting better. Nothing’s fun anymore.”
  203. >”It’s not like I wanna go back to way things were. We were mean to each other back then, too.”
  204. >Sonata sighs and looks down at her hands.
  205. >”I just wish the three of us could still have some fun. Even if it was just us…”
  206. >And with that, she falls silent once more.
  207. >You’re left to fill the room with some notes that sound grating even to your own ear.
  208. >Even if you did tune the guitar before starting.
  209. >Strange, that.
  210. >Eventually you simply give up, and reach in your pocket for another cigarette.
  211. >As you light it up, you glance at Sonata.
  212. >Her eyes are now staring at the floor, and her expression could put a whole dog pound to shame.
  213. >Goddammit, you were not used to dealing with girls like this.
  214. >Why did she just suddenly show a vulnerable side to a guy she barely knew?
  215. >Who does that!?
  216. >You folded your arms and leaned back your chair.
  217. >You stared at the smoke rising from the tip of your cigarette, gilded by the light of the setting sun.
  218. >Strangely enough, the sight makes words form your lips.
  219. “You know… nobody goes through this life and does everything perfectly.”
  220. >Sonata looks at you, surprise written all over her face.
  221. >She really didn’t expect that.
  222.  
  223. >Suddenly, Sonata snorts in amusement, and a hint of a smile rises to her lips.
  224. >”That’s… Brad Paisley, right?”
  225. “Huh?”
  226. >”That’s from Brad Paisley’s song, isn’t it? I thought it sounded familiar.”
  227. >Now that you think about it, yeah, it was.
  228. >You hadn’t even realized that when you spoke it.
  229. >Still, the words had felt fitting considering what you had just heard.
  230. >At the very least, the words had some positive effect on the girl.
  231. >She no longer looked like her pet had been crushed under the body of her dead mother.
  232. “So… you listen to Paisley?”
  233. >Sonata nods after some hesitation.
  234. >”Um, sorta. Adagio wanted us to focus on one genre, but I couldn’t help but to experiment a bit.”
  235. >She scratched her cheek, looking a bit embarrassed.
  236. >”But, like, I wasn’t really good at singing in any other style, so I just listened to CDs.”
  237. >”Since, you know, we were preparing for the competition.”
  238. >Suddenly, something hits you.
  239. >It was like puzzle-pieces that had been nagging in your head were locked in place.
  240. >You had heard about this girl and her friends before.
  241. >When you arrived not too long ago, you heard some rumors.
  242. >About some sort of “Battle of the Bands” that had happened.
  243. >And how some girls participating in it had used some… questionable means.
  244. >You never heard any details, but you could guess that one of those girls was now before you.
  245. >Suddenly their insistence of sleeping in the band room made all too much sense.
  246.  
  247. “So, you sing, huh?”
  248. >To emphasize your actual point, you plucked the first few notes of the song you had just talked about.
  249. >”O-oh, um, not really. Not anymore. I just… I just sound terrible now. For realsies.”
  250. “Hey, it’s not like I’m Setzer or anything, either. You should sing if you want to.”
  251. >Sonata waves her arms hastily.
  252. >”It’s alright, really! I’m… I’m fine.”
  253. “Oh. Well, suit yourself.”
  254. >You shrug and continue playing. It’s a bit of a shame, but you can’t really force the girl.
  255. >You let the melody flow from your fingertips.
  256. >Its hopeful tones fill the band room, mixing with the orange light pouring in from the outside.
  257. >You have to admit, it wasn’t a bad choice at all, considering the atmosphere.
  258. >Of course, it would have been better if there was someone to sing along with it, but alas.
  259. >Even if she had hummed along with you before, if she didn’t want to sing, that was that.
  260. >You just let the first part of the song repeat itself.
  261. >It was relaxing in itself, but it was also an invitation.
  262. >At the very least, you wanted to let her know that skills or no, she was welcome to join in at any time.
  263. >… Even if you didn’t know the reason why you wanted that.
  264.  
  265. >Suddenly, you hear it.
  266. >It starts faint, hesitating, almost too quiet to hear.
  267. >But as you don’t react to it, it gains some strength surprisingly quickly.
  268. >It’s a feminine voice.
  269. >And it’s coming from next to you.
  270. >”Y-you over think things, you say what if w-we’re not meant to be…”
  271. >You glance at Sonata.
  272. >The girl’s hiding her face beneath her bangs, and you see a pink flush on her cheeks.
  273. >Her fingers are fidgeting faster than before, but it’s from excitement, not shame.
  274. >With a faint smile rising to your lips, you take a drag from your cigarette and continue playing.
  275. >Soon enough, the two of you are recreating that song you both knew.
  276. > [YouTube] Brad Paisley - Make A Mistake With Me (embed)
  277. >The further you continue, the more confidence Sonata’s voice gains.
  278. >Sure enough, when she gets enough strength behind it, you can’t help but to wince a bit.
  279. >It’s bad. Really bad.
  280. >You understand why she’d be so hesitant to sing these days.
  281. >But at the same thing, you can’t help but to marvel at the earnest passion behind it.
  282. >She may sing horribly, but she sings straight from her heart.
  283. >It’s been a while since you heard such innocent love towards music itself.
  284. >It’s enough to make you forget the lack of skill as you lead you two into the bridge.
  285. >You lose yourselves into the music, and let the world around you fade away momentarily.
  286.  
  287. >There’s nothing else important at this very moment.
  288. >Just the sound of the old acoustic guitar you’re playing.
  289. >And the untrained voice of Sonata accompanying it.
  290. >The orange-dyed band room in otherwise empty school.
  291. >The smoke of your cigarette slowly rising towards the ceiling.
  292. >The cheerful smile spreading to the lips of the girl next to you.
  293. >The rhythmic tapping of your foot that you barely even realize.
  294. >The soft clapping of Sonata’s hands as she paces herself to the melody.
  295. >It all mixes together to create what you can only describe as a “moment.”
  296. >It doesn’t matter whether either of you is that great at playing or singing.
  297. >What you’re creating right now is still, undoubtedly, music.
  298. >After all, it’s coming from two people enjoying what they are doing.
  299. >It only takes that much.
  300. >Just like that, the awkward pauses and forced conversations are swept aside.
  301. >What is left is understanding.
  302. >In such a simple way, you’ve found the right tune to connect yourself with this girl.
  303. >Human interaction is surprisingly easy, after all.
  304. >It doesn’t need much thought put into it.
  305. >As long as you can find something you both feel is fun, then it’s alright.
  306. >And this song is the discovery you’ve made with Sonata.
  307. >You raise your gaze, and notice that the blue-haired girl is staring straight at you.
  308. >Gone is the sadness that you saw before.
  309. >It has been replaced with, of all things, gratitude.
  310. >You’re a bit surprised.
  311. >You continue playing, but at the same time, you don’t even focus on your hands anymore.
  312. >The same thing seems to happening with her.
  313. >You simply look into each other’s eyes.
  314. >That raspberry-colored stare is drilling itself into your deepest thoughts.
  315. >For some reason, you feel heat overtake your cheeks.
  316. >And yet… you don’t break away.
  317. >After all, it’s just part of this “moment.”
  318. >Nothing needs to be said or done. It’s just the music and the two of you.
  319. >And that, as they, is alright.
  320.  
  321. >”Sonata! Just *what* are you screeching in here?”
  322. >As before, the door of the band room is slammed open with quite the force.
  323. >The sudden interruption makes you strike the wrong chord.
  324. >Just like that, the song comes to a jarring halt.
  325. >The two of you stare at the girls standing in the door way.
  326. >One of them has orange hair the size of the Hindenburg, and a haughty expression.
  327. >The other one could make a lemon tree blush in shame with the sourness of her scowl.
  328. >It seems the Poofy Haired One is about to berate Sonata some more, but jerks back after seeing you.
  329. >”And… who is this?”
  330. >She asks, folding her arms and glaring daggers at you.
  331. >”Oh! That’s Anon! Anon, this is Adagio and Aria!”
  332. >The blue-haired goof next to you has zero ability in reading the mood, it seems.
  333. >”Oh. So this is *him*. Sonata, wasn’t there *something* you were supposed to do about… this?”
  334. >Adagio makes a much-telling gesture with her hand, waving a little towards you.
  335. >This seems to bring Sonata back to the matter at hand, as she grimaces in embarrassment.
  336. >”Oh, right. Umm, well, you see—“
  337. “Nah, that’s alright, Sonata. I was just about to leave after this song, anyhow.”
  338.  
  339. >Your words catch her by surprise.
  340. >”You were? But, you said…”
  341. “I’ve had my coffee and smoked enough to ruin one room. I think that’s a job well done, no?”
  342. >You grin at her as you pack away your thermos, and return the guitar to its stand.
  343. >As you get ready to leave, Sonata gets up from the amp and walks over to you.
  344. >She shuffles a bit awkwardly, but still manages to smile.
  345. >”Umm, Anon? That was, like, super fun. For realsies.”
  346. “Yeah. I suppose it was. It was a welcome break from playing alone.”
  347. >Adagio and Aria look at you two in confusion as you chuckle.
  348. >It seems they have no idea what’s going on.
  349. >After saying goodbye to Sonata, you head out of the band room, brushing past the two who interrupted you.
  350. >Aria merely scoffs at you, but Adagio is giving you a scrutinizing glare.
  351. >To be honest, it unnerves you a bit.
  352. >You knew girls like her. They were seriously nothing but trouble.
  353. >You hurry your steps a bit. The faster you put some distance between you two, the better.
  354.  
  355. >As you are about to exit the band room, you suddenly hear Sonata calling out to you.
  356. >”Thanks, Anon! I’m feeling much better now!”
  357. >You smile back at her, and give her a small wave.
  358. >She enthusiastically waves her hand back.
  359. >”I’ll… I’ll see you tomorrow!”
  360. >Tomorrow, huh?
  361. >That was a bit unexpected.
  362. >But if you were honest with yourself, it wasn’t… unwelcome.
  363. >You hadn’t really made any new acquaintances at the CHS, after all.
  364. >As you walk down the corridor, you can still hear the faint sounds of the trio talking with each other.
  365. >”Okay, Sonata, you were right. That guy was, ugh, super weird.”
  366. >Sounds like you didn’t leave a good impression on Aria.
  367. >”I agree with you there… but I noticed a distinct lack of scorn for us. What was up with that?”
  368. >It was kinda sad that that was what Adagio paid attention to.
  369. >”Oh, I think he, like, transferred here not long ago! He was really fun! Weird… but fun!”
  370. >You really didn’t want to hear that from Sonata, of all people.
  371. >Eventually even their voices faded away as you got closer to the main entrance.
  372. >It was back to the landfill-like apartment with you, but, for some reason, you didn’t mind.
  373. >In fact, you were in a much better mood than you had been in a long while.
  374. >Humming the tune you had been just playing, you threw around the thermos in your hands.
  375. >The smoke on your lips burned with newfound vigor.
  376. >You were Anonymous.
  377. >Cigarettes and coffee were still just about the only things you had to your name.
  378. >But after today… you also had a new friend.
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