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Industrial Perils: Suicide thread: Explorer Anon.

Jun 27th, 2014
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  1. >When you first got here, things were nice.
  2. >Odd, and alien, but nice all the same.
  3. >All the ponies were very congenial and kind, if a little frightened of you.
  4. >You thought that maybe life here wouldn’t be so bad.
  5. >That was until your first scuffle with some creature from the Everfree.
  6. >That’s when things took a turn south.
  7. >Twilight wrote a letter to Princess Celestia about your fight while getting fire wood.
  8. >Since you didn’t have a ‘cutie mark’ selling fire wood was the only way to make any money.
  9. >But life was good.
  10.  
  11. >You met with Celestia.
  12. >She seems nice, but a little too nice to run a nation. More suited for a classroom maybe.
  13. >She offered you a job mapping out all the uncharted areas of Equestria.
  14. >Offered is the wrong word, it was politely forced on you, seeing as you were the only
  15. >one deemed capable to handle the long periods of stress and loneliness.
  16. >It was months on end outside with not a soul about, but the quiet was welcome.
  17. >You wish you got more time to see your friends.
  18. >But life was bearable.
  19.  
  20. >The second year of mapping was difficult, as you were sent further and further out.
  21. >All your old buddies in Ponyville have been contacting you less and less.
  22. >You’re fine with this; you’re rather hard to get a hold of after all.
  23. >You’ll see them when you get some time off, maybe Pinkie will have something planned.
  24. >But life was no longer an enjoyable experience.
  25.  
  26. >Finally you were cast north, to map the great expanse of arctic tundra.
  27. >You spend the next year north of the crystal empire. Every few weeks, you
  28. >back track to a dead drop point to place the map and receive your rations.
  29. >It was a system you developed, in the name of efficiency.
  30. >But life was no longer worth living.
  31.  
  32. >None of this mattered; you had spent the last two years mapping the northern tundra.
  33. >You finished two months ago, and started heading back immediately once the map was
  34. >finished. Only now were you reaching the edges of the Crystal Empire.
  35. >There’s the odd scattered guard tower, but they know you… Well, they know about you.
  36. >It would be difficult to say anyone knew you anymore, a year alone with minimal contact
  37. >can change a man. You only held on to sanity by your short and sporadic talks with the
  38. >Pegasus drop teams, those randomly selected three that gave you food and supplies.
  39. >You never got to form a relation with any of them; the guard orders were changed up
  40. >Bi-weekly. You should only be a couple miles from the Empires limits, it should get warm soon.
  41.  
  42. >You set down your towing external frame back pack as you begin to strip off your layers.
  43. >With great care you set your Hawken rifle down, it wasn’t a true Hawken rifle, but the
  44. >Canterlot craftsmen got pretty close. Now that your down to just a light shirt and pants.
  45. >You set out for the last mile into town. It’s fairly uneventful, ponies aren’t terribly
  46. >xenophobic, just jumpy is all. By the time you make it into town it’s already gone 8, ponies
  47. >are passing you by left and right around your waist, going home, performing their daily
  48. >rites and rituals. You never carried many bits, on account of the weight they incurred,
  49. >but you did have enough for a cheap pack of smokes.
  50.  
  51. >”Uhhh… I can’t let you in without some sort of clearance.”
  52. >Without saying a word you reach into your pack and withdraw the badge Celestia gave you
  53. >all those years ago when you first started this undertaking. You hold it out to the guards,
  54. >They promptly let you in. It’s gone nine by this point, and the palace is dead quiet.
  55. >You begin your trek downstairs, much like the rest of the last two years, there’s not a soul
  56. >to be seen as you open the door to your temporary basement office. You open the door,
  57. >The magic powered lights come on by themselves. There’s a lone thought that rattles in
  58. >the back of your head, without thinking you say it to yourself.
  59. “I never thought I would miss the hum of a fluorescent…”
  60. >You set the pack down by the door, set the rifle on the hat rack, take off your boots and
  61. >accompanying foot wraps. There’s a small shower and toilet in the back. You make up
  62. >for lost time with both. Finally you sit down on the desk, pull out the pack you bought
  63. >earlier and light one up. You find an ashtray in the desk drawer. It’s your first cigarette in
  64. >just over a year, you can feel the warm smoke moving into your lungs. The toxins and
  65. >carcinogens work their way into your blood stream, and finally the slightly bitter after taste
  66. >on the exhale.
  67.  
  68. >You sit like this for a few more minutes as you smoke calmly, soon you light a second.
  69. >You get up to get your canteen, sit back down. Once the second cigarette is done, you
  70. >realize something. You just spent a couple of years alone, endlessly mapping out the land
  71. >for all these ponies, and not a single one has given you a welcome back. Not one warm
  72. >nod, not one smile, not one wave, not one streamer, not even a nice gift in your office.
  73. >The realization doesn’t come fast, or even dampen your spirits that much. You stand
  74. >Remove the Hawken rifle from the hat rack, cock the hammer back, you always left it primed.
  75.  
  76. >It may be late, and you know he’s been working very hard, but he’s finally back!
  77. >One of the guards at the front woke you up to tell you, as per your request.
  78. >At first you were just down to spend a weekend with Cadence, your sister in law.
  79. >However news came that Anon might be back during your visit! You’re were so excited!
  80. >That job Celestia gave him kept him away for a very long time. You wish you could have
  81. >written more, but thepegasi who took out his supplies already had carefully calculated
  82. >the weight, and all your combined letters weighed too much.
  83. >It’s a shame that the girls were taking tomorrows train to see him
  84.  
  85. >Well, might as well have another cigarette, not like it matters really.
  86. >Because you are a disposable person, and your single use has been used.
  87. >The only thing keeping you tied to this life was your job really, after your friends stopped
  88. >writing you. You sit down and place the barrel under your chin, there’s no sadness or
  89. >trepidation, just resignation. You think you made this choice maybe about four months
  90. >ago. Left hand holds the barrel to your head, as the right holds your cigarette. The room
  91. >has filled with a hazy smoke, the last bit of your cigarette burns your throat. With you put
  92. >the butt in the ashtray and move your thumb to the trigger.
  93. *Taptaptaptaptap!*
  94. >The noise catches you off guard and you flinch, moving your head off the barrel, and
  95. >pulling the trigger.
  96. *BUH-CRACK!*
  97. >Gah, fuck. Your ears are ringing and your face has burns running up the side of it.
  98.  
  99. >”Anon!”
  100. >There’s the familiar high-pitched whine of unicorn cast magic, as the door is removed from
  101. >it’s hinges. It sails through the smoke filled room, it passes you head close enough that you
  102. >can feel it. The small purple princess comes running in, calling your name again.
  103. >You’ve fired without ear protection before, but with the muzzle right next to your head,
  104. >things are in a slight haze. You finally pull your hands off your face, and look up to find
  105. >a kind and worried purple horned face. Without saying a word you grab her for hug.
  106. >There’s no sadness, just relief, that at least one pony came to see you.
  107.  
  108. >You have been avoiding the subject of suicide; it’s getting harder and harder
  109. >to avoid. She finally changes subject while she’s putting the burn ointment on your
  110. >wounds. You know that she’ll bring it up later.
  111. >”So the girls are coming down on tomorrows train.”
  112. “Oh? What time?”
  113. >”They should be here at 11, that is if the train doesn’t run late again.”
  114. “Alright, you guys got anything planned?”
  115. >”I think Pinkie wanted to plan something out for you, needless to say that
  116. >Isn’t happening.”
  117. “Yeah I guess I do walk pretty quickly.”
  118. >”Quickly? You made it back from the edge on of the continent in just two months, if an-
  119. *tap tap tap.*
  120. “It’s open.”
  121. >A crystal guard pony opens the door and magics a letter to you. It’s got a red wax seal.
  122. >”Urgent letter from Princess Celestia sir.”
  123. >You take the letter and the guard lets himself out.
  124. >You have been summoned to go to Canterlot, immediately.
  125.  
  126. “No.”
  127. >You toss the letter onto the desk.
  128. >Without speaking, Twilight magics the note over to herself and reads it.
  129. >She puts down the letter and looks at you, you know that look. The one that
  130. >says you should explain yourself.
  131. “No, I’ve been out in the sticks for the last two years. I wa- no, need some goddamn time
  132. off. God, can I just for a day, go have a nice meal, and sit down to some good company?”
  133. >Twilight looks at the note, then back to you, and sighs.
  134. >”I know Celestia, she wouldn’t call you over after such an project unless it was
  135. >of the upmost importance.”
  136. “I’m not going, at least not right now. I need some time off or I might try to kill myself
  137. All over again.”
  138. >Maybe the suicide jokes aren’t so appropriate right now.
  139.  
  140. >That was easily the best sleep you’ve had in a long time.
  141. >That was the best breakfast you’ve had in a long time.
  142. >You feel great, almost like a perpetual runners high, although, not having your pack on
  143. >does feel a little off, fortunately you still have your Hawken, you couldn’t put it down after
  144. >all it’s been through with you.
  145. >Your thoughts are broken by an approaching train, the platform begins to rattle. You and
  146. >Twilight step forward away from the crowd to get a better look at the cars in the
  147. >approaching train. You see them; all five of them, most are waving enthusiastically. Pinks
  148. >Has her face smashed against the glass, and Flutters waves a little slower than the rest.
  149. >The doors open and a pink blur latches onto your chest, taking you by surprise. Pinkies
  150. >grip begins to constrict around you as she begins her traditional rapid fire speaking.
  151. >You could never keep up, but you catch enough of it to know that she missed you.
  152. >The remaining four depart in a much calmer manner, and with that your first day off began.
  153.  
  154. >It was a very calm day, just quietly catching up with your old friends.
  155. >Pound and Pumpkin cake both started school.
  156. >Spike has grown by nearly a foot since you last saw him.
  157. >The libraries gone, you were surprised to hear this one.
  158. >Twilight now has a castle and such.
  159. >The orchard is now twice as big.
  160. >Everyone seems happy to share their lives with you. You are happy to see this.
  161. >It gives you something to live for, not just yourself, but for them.
  162.  
  163. >It isn’t until around lunch that your first intrusion makes its self-known.
  164. >It was a park side picnic, on the outskirts of the empire. You thought about asking if you
  165. >could eat inside, but they seemed happy out here, so you were content to just sit under
  166. >a tree and calmly eat and chat. You see a pony running towards your group, you simply
  167. >track his motions with your eyes, unknowingly, you right hand begins to inch towards your
  168. >Hawken. As he gets closer you recognize him as the guard from last night. The rest of your
  169. >group turns to look at him; he bows his head, going down on his forelegs. You take the
  170. >letter he’s been carrying. You read it over to yourself.
  171. “Dear Anonymous,
  172. Did you miss the morning train? I can rearrange the schedules if needed, it is imperative that
  173. You get here as soon as you can.
  174. Regards,
  175. -Princess Celestia”
  176. >You run your left hand through your hair when the guard speaks up.
  177. >”Sir, would you like to write a response?”
  178. >You nod, and the guard produces a quill and parchment from his saddle bags.
  179. >You write your letter back
  180. “Dear Princess Celestia,
  181. For all intents and purposes please consider me retired.
  182. Thank you for your time,
  183. -Anonymous”
  184. >You hand the letter back to the guard who nods his head, and heads back to the palace.
  185. >AJ looks back at you,
  186. >”Now what was that about?”
  187.  
  188. “It’s nothing, now, what were you saying about Angel?”
  189. >You turn to Fluttershy while you say this, making your intent to steer the conversation
  190. >clear. You can see Twilights displeasure at you avoiding this. You concede.
  191. “Well alright then, you want to tell them?”
  192. >She gives a small huff before speaking.
  193. >”Celestia requested that Anon make a trip to Canterlot today, but Anon said he needs a
  194. >day off.”
  195. “Damn straight.”
  196. >There’s a few murmurs as the ponies converse amongst themselves. You just take another
  197. >Bite of your sandwich, and enjoy not being alone.
  198. >”So… Anon. You do plan on going to Canterlot soon though? Don’t you dear?”
  199. >You swallow you bit of sandwich before turning your head back to Rarity.
  200. “Yeah, maybe not for another week or so.”
  201. >”But, you do realize that she only se-“
  202. >”Anon’s been mappin’ out this whole bucking continent for the last 3 odd years, ah fer
  203. >one think that taking a week off would be good for him.”
  204. >AJ has no clue how true those words are. Everypony can sense your desire to change
  205. >subjects. They quiet down and continue with the quite camaraderie.
  206.  
  207. >It was a good day, a very quiet day, just what you needed. Some nice relaxing time with
  208. >your friends. Being national heroes and all, they too were staying at the Crystal Palace.
  209. >The guards let you in without second thought. But once you step inside the foyer you
  210. >immediately regret it.
  211. >”Anonymous, why have you been ignoring my summons?”
  212. “Son of a bitch.”
  213. >You couldn’t have stopped yourself if you tried.
  214. >Celestia raises an eyebrow at this. Looks like you’re being put back to work anyways.
  215. “Fine, fuck it, let me get my things and we’ll go.”
  216. >Without head to any of the other ponies you proceed to march down the stairs to your
  217. >basement office. Muttering under your breath.
  218. “Fucking ungrateful swine… no time off… goddamn ancient cock sucking slave driver.”
  219. >You open the door, grab you external frame ruck and head back up the stairs.
  220. >You get back to the foyer to find that the rest of the six have packed their things as well.
  221. “What’s going on?”
  222. >Rainbow drops in from above hovering at about your head height.
  223. >”Well, you’ve had a pretty bad time, you know not getting your free time and all.”
  224. >At this point Flutters pipes up.
  225. >”So, we figured that we would join you, and go to Canterlot.”
  226. “Yeah, but don’t you guys have work or other things back home?”
  227. >”Well, if you must know, all of us took the week off when we heard you were coming back.”
  228. >Well, this is nice. No more suicidal loneliness for the next week.
  229.  
  230. >The train ride is long and uneventful.
  231. >Also empty, Celestia just waved her royalty card and made everything happen.
  232. >It must be nice to be able to do that. Either way you and everyone else spent the whole
  233. >time sleeping. However you woke up about an hour before the train arrived at the station.
  234. >So did Celestia, you watched her raise the sun from the dining car, it was a pretty
  235. >impressive sight. Once she’s done she enters the cart as well, looking directly at you.
  236. >”You never answered my question.”
  237. >You take another sip of your morning coffee.
  238. “And you never told me why I’m coming here.”
  239. >”Fair enough, come with me if you will.”
  240. >You follow Celestia through the train until the both of you are standing on the back portion
  241. >of the caboose, even though it’s outside there’s a whole lot less wind distortion than you
  242. >thought. While she speaks you light a cigarette, nothing like the caffeine nicotine combo.
  243. >”Don’t tell the others, but there’s been a major deterioration in our overseas relations.
  244. >Ever since I sent you out, we have been slowly getting less and less contact from the
  245. >Griffon Kingdom and minotaur tribes. The last communication we had informed us that the
  246. >two nations had declared war on each other. For reasons we still don’t know.”
  247. >Sip, drag, you motion with your cigarette hand to keep going.
  248. >”A few nights ago, an emissary from the Minotaur tribes arrived.”
  249. “and?”
  250. >”He was found dead by some sort of unknown… projectile.”
  251. “… So what does this have to do with me?”
  252. >”You commissioned that… weapon… You’re the only one here who even knew abou-“
  253. “So you want me to look over the crime and see if I can figure anything out, because of my
  254. unique perspective?”
  255. >”Yes.”
  256. “Then I can put this behind me and go back to my life?”
  257. >”Yes.”
  258.  
  259. >Upon arrival you were immediately taken to the scene of the crime, alone.
  260. >everything had been magically preserved for you. It would be hard to call this an
  261. >assassination, or even murder. Massacre is what comes to mind. The room had several
  262. >dead minotaurs, and a couple feathers. Not the short feathers of a Pegasus, but rather the
  263. >long feathers of a Griffon, several colors too. However this isn’t what concerns you.
  264. >There are shell casings everywhere, long straight walled, rimless, brass caseings.
  265. >To make matters worse, a couple of the minotaurs seem to have died holding some sort
  266. >of simple open bolt submachine gun, vaguely reminiscent of a Swedish K.
  267. >You pick up one of the guns, draw the magazine out, and put your pinkie finger in the
  268. >chamber, it’s still wet with lubricating oil. You strip a round from the mag, you can’t
  269. >recognize it, but you compare it to one of the spent casings. One looks close to .30 carbine
  270. >but the other looks a whole lot like .44 or .45 caliber. Two different weapons, two different
  271. >species. Something is going terribly wrong over the pond. You turn to the guard pony.
  272. “No one heard this right?”
  273. >”Uh, no sir. The closest guard at the time of the incident was on the other side of the hall.”
  274. “Fuck.”
  275. >So the griffons and the minotaurs had automatic weapons, supressors, and cartridge
  276. >weapons. You can feel it now, you won’t get to go back to ponyville for a long time.
  277.  
  278. >You sigh, and check the wall clock, it’s about 6:10, soups up in twenty.
  279. >Fuck, the rest of the room held no more surprises, but still. Fuck.
  280. >The industrial revolution has already happened in the other two nations, and for some
  281. >reason they have motive to assassinate each other. Whatever is going on overseas, it’s not
  282. >good, really not good, especially for the ponies. Hell, they were still using crossbows.
  283. >You stand up, rub your face, and turn to go get dinner. The royal dining halls were nothing
  284. >new to you, or the other six for that matter. There’s lively conversation, and a few guests
  285. >from Canterlot proper, but you can’t join in, you’re too caught up in your own thoughts.
  286. >If the Griffons and the Minotaurs had the manufacturing base to produce arms like these,
  287. >Then they most likely had several other treats that you didn’t know about. If they were
  288. >willing to risk the wrath of the Equestrian crown with these rather sloppy hits then they
  289. >must be at odds over something. Question is, how do we keep it out of Equestria? Huh,
  290. >Just two days ago you tried to take the sad way out. What changed? You know what chan-
  291. >”Hey Anon… Anon?”
  292. “hmm, what now?”
  293.  
  294. >You turn to AJ.
  295. >”Whatcha thinkin’ about? Looked really deep like.”
  296. >You decide to skirt the subject of possible impending industrial age warfare, and instead go
  297. >straight to the one that affected you more immediately. Deep breath, and lets roll.
  298. “Two days ago I tried to kill myself in my office. I held the belief that all of you had moved
  299. On with your life and had forgotten about me. I saw that my purpose, my usefulness, in this
  300. world as used up, spent, over. Well it’s a good thing I failed, because: one my usefulness is
  301. not determined by my employer, or employment status, and two, all of you still care.”
  302. >You give a slight little hand gesture around the table.
  303. “Besides, I have decided in the last hour that, my life is not just my own, but also my friends.”
  304. >You look back at AJ with a small smile on your face. She seems to be having trouble
  305. >digesting this new barrage of information, you watch her face change from worry to
  306. >renewed hope and camaraderie, it warms you on the inside.
  307. >”Of course we care about you, ya big dummy!”
  308. >She hits your shoulder playfully. You both smile a little more, contented to see your conclusion.
  309.  
  310. >Once you gave your report to Celestia she was worried, with good reason.
  311. >A diplomatic expedition was immediately marshalled. The six were going, with Twilight
  312. >as the official emissary, a small complement of guards as well, and of course you.
  313. >You got roped into this as sort of a precaution; Celestia obviously didn’t trust her guards
  314. >against such weapons. Rightfully so too. You managed to get one of the minotaurs
  315. >submachine guns out of the evidence locker, as well as five 25 round sticks.
  316. >So here you are, standing on the prow of a three mast wooden hulled ship. Holding a
  317. >weapon of unknown origin… All you wanted was a week off, but no, some assholes had to
  318. >go and kill some other assholes and not tell you why.
  319. >It’s maybe 11 or so, you just came out for a smoke before you turned in for the night.
  320. >You did always find the open ocean to be relaxing, but lo, your reverie is broken by
  321. >hoofsteps coming up from behind you. A voice soon follows.
  322. >”You wouldn’t happen to have another would you?”
  323. >You take out your pack and draw another one out holding it out for her, her horn lights
  324. >up as she takes it from you. You go for your lighter, but Rarity just uses her magic again.
  325. “Your nervous aren’t you.”
  326. >She takes a drag and pauses before responding.
  327. >”Yes, I hope I brought the right line up; I’ve never been to Griffon lands.”
  328. “From what I can tell it’s hot, dry, and windy. Whatever the case, I’m sure you’ll be fine. You
  329. Have a sense for these sort… of… things.”
  330. >Half way through the sentence you started peering over the gunwhale, several small
  331. >floating objects have caught your attention.
  332.  
  333. >”What is it dear?”
  334. >You look a little harder at the floating objects, they seem to be about the size of an
  335. >armchair, they also have several pipe like protrusions… Oh shit. One of the sea mines
  336. >bumps into the side of the ship as you reach this conclusion, there’s a great flash of light
  337. >and the ship rocks about five feet up, throwing both you and Rarity off your feet. A great
  338. >surge of water follows and proceeds to soak the deck and the both of you.
  339. >There’s a great commotion coming from below decks as the crew, guards, and rest of the
  340. >six scramble to get topside. Rarity sputters and asks;
  341. >”Goodness, what was-“
  342. >The ship hits a second mine, it easily tears through the flimsy wooden ship.
  343.  
  344. >Well that went very poorly very quickly, why the hell was there sea mines off the coast?
  345. >Not that it mattered; the ship hit several more mines and broke apart. A great hulk of fire,
  346. >wood, and sail went down into the deep. Leaving debri and ponies everywhere. You
  347. >Assume everywhere, they’re calling out to each other, but you can’t see them.
  348. >Rarity lost cohesion during the blast, she was still awake, but only barely. You threw her on
  349. >a rather large piece of floating debris, you tried to be gentle, but given the situation… a
  350. >couple of bruises might show. You hold on to the piece of drift wood as you call out.
  351. “Anypony alive out there!”
  352. >”M-me! I-I’m still alive!”
  353. >”Hold on there, I got ya. Anon, where yall at?”
  354. “I’ll keep yelling, follow my voice!”
  355. >”There gonna be anymore of those things?”
  356. “We shouldn’t be able to set them off, so no.”
  357. >You were talking out your ass, but it might help AJ and Flutters feel better. You keep yelling
  358. >for about another thirty seconds until you see AJ’s form coming up to you, she’s dragging
  359. >another piece of debris, you can make out the form of another pony on it.
  360. >You wave them over, once they get close enough you begin to speak.
  361. “Either of you hurt?”
  362. >AJ keeps talking as she pushes the floatsam towards you.
  363. >”Ah ain’t, but Fluttershy might have a broken wing.”
  364.  
  365. >Well shit.
  366. “I say we keep pushing east, the ship was supposed to hit land, then travel north up the coast.”
  367. >In the dim moonlight you can see AJ nod. With that you both start kicking east.
  368. >Navigating by the stars is pretty easy once you got the hang of it, good thing you kept
  369. >asking the ships navigator for lessons during your journey.
  370. >You must have been pretty close to land as you make sight of the shore in a couple hours.
  371. >By the time you reach land the suns beginning to rise, and Rarity has come too.
  372. >You expected her to complain about her hair or something, but she understood the gravity
  373. >of the current predicament. Flutters has passed out, weather from exhaustion or pain you
  374. >can’t tell. Either way, you make it to the calm shore, legs burning, throat dry, and belly
  375. >empty. There’s a collective groan as your group stumbles ashore, you pick up Flutters and
  376. >begin to stumble up the shore, if only to figure out where the hell you are.
  377. >”Another step and I’ll put one between your eyes!”
  378. >You stop, quickly followed by AJ and Rarity as several minotaurs holding rifles rise out of
  379. >the ground, having previously been concealed by foxholes.
  380. “God dammit.”
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