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GrenadierApple

Casual Date-thing with Octavia

Apr 8th, 2014
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  1. >It is a beautiful evening at the Bannered Mare, perfect for sitting outside and watching the sunset
  2. >So of course you, Anonymous, are inside at your usual table, third from the back on the right, regular as clockwork
  3. >fuck the sun
  4. >you are currently nursing a few scratches from the ferrets and weasels you fed for Fluttershy earlier today
  5. >damn things have razorblades for fingers
  6. >Thank god she thought better of having you feed the bear too
  7. >You hold the beer, your second of the evening, against your scrapes, enjoying the cooling sensation
  8. >the bar is mostly empty
  9. >it's nearly dark outside now
  10. >maybe she won't be coming in today?
  11. >nope, spoke too soon
  12. >a grey mare with conservatively coiffed hair comes trotting in, setting an instrument nearly as big as her in the corner
  13. >the moment it's out of her hooves, she canters up to the bar and sits down on a stool facing toward the liquor bottles
  14. >you've seen her come in like that a few times this week
  15. >and every time...
  16. >yep, a double of gin with just enough tonic to qualify it as "not just straight gin"
  17. >oh, and a lime
  18. >classy
  19. >you polish off your glass and raise your eyebrows as she downs another large gulp
  20. >she's barely halfway through her first when she waves the barkeep over for a second
  21. >that's unusual
  22. >normally you see her nurse a drink and leave after a few hours
  23. >at the rate she's going you'd be amazed if she could stand by that time
  24. >you scratch at a bit of dried blood on your cheek
  25. >maybe you should say something to her?
  26. >You stand up, giving your neck a crack as you wander over in the general direction of the bar
  27. >your glass was empty anyway, and you point at the stool next to the musician while looking in your waitress' direction
  28. >she seems to get the gist of it
  29. >you clear your throat as you approach
  30. "'Scuse me, is this seat taken?"
  31. >the grey mare looks at you sidelong, arching her eyebrow
  32. >then she looks at the entire bar's worth of empty seats
  33. >then back at you
  34. "...Nooo... sit where you like, I s'pose."
  35. >she looks back down into her drink, taking another respectable portion of it
  36. "Awesome! What're you drinking?"
  37. >you give her a smile, which she hesitantly returns
  38. "This would be a gin and tonic."
  39. >You nod, pointing to the fresh mug of beer the bartender puts before you
  40. "Cool. You should try the Spring Pale Ale, it's made out near Appleloosa, they add a little honey in during the brewing process, and then lots of hops to give it that extra bite."
  41. >She nods, pointing to her drink in turn
  42. "Mine's made in the Bannered Mare. Their secret is to add both gin and tonic to it. Trade secret."
  43. >you give her a deadpan stare
  44. >with her Braytish accent and stoic face, you can't tell whether she's being sarcastic or not
  45. >she rolls her eyes, giving you a nudge
  46. "It's a joke, guy. Lighten up!"
  47. >she downs the last of her first drink, pushing it aside and picking up the next one
  48. "Someone ought to be happy around here..."
  49. >she mumbles as she takes a sip
  50. "Sorry, it's been a while since I've heard a joke that didn't start with 'knock knock' around here."
  51. >you explain, blushing but smiling nonetheless
  52. >Ponyville wasn't exactly the stand-up capital of Equestria
  53. >she nods in agreement, and you both take a drink at the same time
  54. "So, you're Anonymous, I take it?"
  55. >you nod
  56. >you'd be surprised she knew your name, but given how many other humans you've seen in Equestria so far, it was an easy guess
  57. "And you are...?"
  58. >you hold out a hand to shake her hoof with
  59. >she blanches momentarily, but puts her hoof in your hand and gives a short, professional shake
  60. "Octavia Melody, a pleasure."
  61. >you commit it to your memory, as best you can with the bit of a buzz you have going
  62. >the two of you go back to your drinks, letting a moment of silence stretch out
  63. "So, erm..."
  64. >you start
  65. >she looks over at you and brushes a few stray hairs from her mane back into place
  66. "What do you call a tiny psychic who's escaped from jail?"
  67. >she blushes a little at the childishness, waiting for you to tell her
  68. >no no, you wait until she asks properly
  69. "I don't know, what?"
  70. >she arches her eyebrow at you again
  71. "A small medium at large. Eh?"
  72. >you give a chuckle
  73. >she rolls her eyes, but it did get her to crack a smile
  74. "Maybe you should stick with knock knock jokes, that was a bit awful,"
  75. >she suggests
  76. "Not my fault all my good jokes can't be told around here,"
  77. >you shoot back
  78. "Oh? Some sort of language barrier?"
  79. "Nah, just don't want to shatter someone's sense of innocence."
  80. "Oh, thank you for sparing my virgin ears,"
  81. >she snarks, taking another sip
  82. >huh
  83. >well let's give this one a try then
  84. "Alright, fine. What's the difference between a prostitute and an onion?"
  85. >she chokes a bit on her drink
  86. >her tail flicks as she recovers
  87. >it takes her a bit to recover, and she holds up a hoof in apology to the barkeep for the mess she makes
  88. "I don't know... what's the difference between a prostitute and an onion?"
  89. "Cutting up onions makes me cry."
  90. >she stares at you, stone faced
  91. >there's a long, drawn out silence
  92. >oops
  93. >too much?
  94. >"Pffffft... Hah! Hahaha!"
  95. >she can't hold her expression any longer, and bursts into a fit of laughter that she tries to subdue quickly
  96. >she covers her mouth with both hooves to muffle the noise
  97. >"Oh... oh you can't tell anyone I laughed at that, that's terrible."
  98. "My fault for telling it,"
  99. >you smirk and polish off your third beer, waving the bored-looking bartender over
  100. >She calms down a bit, taking a deep breath
  101. "Hey, let me buy you a drink as an apology for making your snort that one."
  102. >you order another G&T for her, and a rum & cola for yourself
  103. >the stallion nods curtly, reaching for the glasses
  104. >the two of you sit at the bar together for a while, drinking and swapping jokes
  105. >you nurse your booze, what with the old "beer before liquor" rule
  106. >she manages to put away two more glasses of her favorite poison on top of the two she'd already had
  107. >not bad
  108. >you swap the occasional story, talking about your recent exploits around Ponyville while she explains some of the finer points of the contra-bass
  109. >you manage to get a few more jokes in
  110. >so does she, to your surprise
  111. >"...so then the drummer shouts, 'take away one stick and tell him to wave it around!'"
  112. >you shake your head, laughing more at how funny she finds herself than the actual joke
  113. "Glad to see you're in a better mood now than when you came in"
  114. >you offer, the both of you still chuckling
  115. >"Hah, meeeee too. Who says you can't drink all your troubles away?"
  116. >you raise your glass in a cheers to that sentiment
  117. >she clinks hers against yours, both of you downing the last bit of your respective drinks
  118. "If you don't mind my asking, what did have you so down at the start of the night?"
  119. >you look down to see another full glass each in front of you and your new drinking buddy
  120. >she waves the question off nonchalantly
  121. >"Oh, you know, life's little slings and arrows. Crazy roommates, obnoxious landlord, job hunting..."
  122. >you give her a confused look
  123. >didn't she say she was an orchestra member?
  124. >you ask as much
  125. >"Ex. Ex-bass player for the Canterlot Symphony Orchestra. They suffered a huuuuge blow to the budget after some manic pink mare abs'lutely ruined the Gala last year, so they're 'taking a break' while they recoup some money."
  126. >you wince
  127. >you wince harder once you realize that you probably know where that mare lives
  128. >perhaps you'll leave some details out when it comes to stories about Pinkie
  129. "So... what're you doing until then?"
  130. >you shift uncomfortably in your seat, not wanting to push the issue
  131. >"Working for scale at the commun'ty theater here'n Ponyville,"
  132. >she shrugs, utterly failing to hide her contempt
  133. >all at once her mood shifts, as though she's resolved that she's done feeling that way
  134. >"But! Without the hours of practice I'd normally hafta put in, I c'n do whatever I want after work. I can come to the bar, enjoy not bein' at home, avoid everypony who might recognize me in town, talk with a cute funny gentleman, get thoroughly pickled, embarrass myself n'front of said gentleman, and still make it home in time to sleep and be ready for the next day!"
  135. >if it weren't for the blush creeping across her face, you probably wouldn't even have noticed what she'd said
  136. "Wait... huh?"
  137. >"Right, well, I think I've done everything on that list for today, so--"
  138. >she stands up suddenly, startling you out of your train of thought
  139. >must've startled her too
  140. >you hold out a hand to help her back to her hooves from the floor
  141. "You alright?"
  142. >you can't help the ear-to-ear grin
  143. >"Yes, yes, yes, yes. Yes. Fine. Well, it was a pleasure Anonymous, I'll see if I can handle m'self like less of a dolt next time--"
  144. >you put a hand on her back and stop her from leaning too far over
  145. >you thought it was kind of strange she could drink like a fish without looking destroyed
  146. >turns out she's just the most straight-faced shit-faced pony you've ever met
  147. >still, anyone who can look slightly bored while struggling to stand upright deserves a medal in your book
  148. "You, uh, want me to walk you home?"
  149. >she gives you a look that's somewhere between sultry and patronizing
  150. >"I think I c'n manage. I do thank you though. Sincerely."
  151. >you lift your hand from her back and watch as she lists to her left
  152. >you bring her back to center and shake your head
  153. "I'll rephrase: I'm going to help you walk home. Let me pay the tab real quick."
  154. >she looks almost insulted, but relents after a few seconds of your pro tactic of "not letting a mean look dissuade you"
  155. >nodding, she takes a few steps for the door, before opting for a seat instead.
  156. >the bartender whispers a thanks for helping her get to where she needs to be
  157. >good guy, that one
  158. >collecting the little pony and her massive instrument, the two of you start for the door, her leaning heavily into your side
  159. "So... you wanna talk anymore about that whole 'my life is in a downward spiral' thing?"
  160. >"Do you legitimately want to hear me moan about how unbearable my life is?"
  161. >you accede that point
  162. >but hey, we've already gone this far
  163. >can't hurt
  164. "Eh... if it'll help."
  165. >she bites her lip for a second
  166. >"I just hate that I am where I 'm, I guess,"
  167. >she volunteers, keeping most of the slur out of her voice
  168. >"It's cosmically unfair, y'know? Being taken away from a life you're so familiar with and being forced to make do, hoping one day you'll get back."
  169. >you nod as though considering that for the first time
  170. "Eeyup."
  171. >you give her some time for the realization to sink in
  172. >...
  173. >nothin'
  174. >might be the funniest joke she said all night
  175. "Well, don't worry too much. Things always work out alright, don't they?"
  176. >she gives you a derisive snort
  177. >"Right, right. I've got a party animal roommate--"
  178. "Who pays more than half your rent--"
  179. >"A landlord who hounds me for every cent I make--"
  180. "And lets you live there week-to-week so you can take off easy when you land your big job--"
  181. >"A bunch of incompetents to play in the pit with--"
  182. "That are getting more popular with your name as a draw--"
  183. >"And a drinking problem--"
  184. "That gets you out of the house to socialize--"
  185. >"yes, in a bar with a bunch of strangers--"
  186. "where you met a cute, funny gentleman to walk you home."
  187. >you stick your tongue out at her while she blushes at you calling her on her earlier slip of the tongue
  188. >you're pretty sure the silence means you win that one
  189. >"...Dirty pool, sir."
  190. "Admit it, it could be better, but is this all that bad?"
  191. >she rolls her eyes, but she's still blushing a bit
  192. >she just stays quiet, leaning against you as you make your way towards her place
  193. >you aren't sure how much of that is her using you to keep upright anymore
  194. >you walk in silence, hand on her side, holding her close to you
  195. >you aren't sure how much of that is you trying to keep her upright anymore
  196. >eventually you reach her door
  197. >she seems reluctant to leave your side
  198. >so, wordlessly, she sits down on the steps up and beckons you to join her, her leaning against you, both looking up at the stars
  199. >"Uhm..."
  200. >she starts, not taking her eyes off the sky
  201. >"Thanks, Anonymous. For walking me home. And for listening. And for arguing with me. And making me laugh."
  202. >you shrug
  203. >someone had to do it
  204. >the two of you sit there a bit longer, only moving to point out a shooting star at one point
  205. >she nuzzles against you, sounding a bit sleepy
  206. >"Thanks too, for not pointing out some very unladylike behavior."
  207. >you give her a puzzled look
  208. >she meets you with lidded eyes, suddenly very close to your face
  209. >"You mean you didn't notice?"
  210. >you shake your head, her purple eyes locked on yours
  211. >she leans in, her breath warm on your cheek
  212. >huskily, she whispers
  213. >"I'm not wearing any underwear today."
  214. >your brain takes a full three seconds to process the sheer absurdity of what she just said
  215. >the two of you both burst out laughing at the same time
  216. >it takes a long time to stop
  217. >as you lay there trying to catch your breath, she wraps her hooves around your chest in a warm hug
  218. >you return it happily, the two of you still giggling
  219. >letting you go, she plants a soft kiss on one cheek
  220. "Headed inside?"
  221. >you ask, sad to let the moment pass
  222. >"Yes, afraid I must if I'm going to catch any winks before work..."
  223. "Alright. Think you'll be coming to the Mare for another drink or five tomorrow?"
  224. >she shrugs
  225. >"Maybe. Will you be there if I do?"
  226. "Wouldn't miss it for the world."
  227. >"The beer, or me?"
  228. "Yes."
  229. >she rolls her eyes but smiles at you, leans down and meets your lips with hers, lingering just a second.
  230. >"It's a date."
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