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Djinn-Ifritus

An Affinity With the Sun: Act II: Chapter V

Sep 9th, 2014
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  1. ~An Affinity With the Sun~
  2. {Act II}
  3. [Chapter V]
  4. |Birds Who Prey on Shoes|
  5. ~~~~~~~~~~~~~~~~~~~~~~~~~
  6.  
  7. >You awake with the familiar warmth absent from your side
  8. >It bothered you to not see her off, but she insisted you stay in bed
  9. >The clock above the vanity read 2:55 and the Sun had long since completed it's climb
  10. >It was time for you to remove yourself from bed and try to spend the day however you liked
  11. >Adorning your usual wear, complimented with your favorite red tie you make way for the door
  12. >The door opens with the faintest of creaks as you pace down the steps of Canterlot's tallest spire
  13. >This counted as your days exercise, you found yourself playing games with yourself
  14. >Sometimes skipping the third step, or walking on one side or the other
  15. >These games entertained you long enough for you to reach the bottom, usually
  16. >You exist into Canterlot's palace halls, it seemed almost empty and void
  17. >Though there were plenty of guards and staff, the marble walls seemed to lose their luster in the absence of their princess
  18. >The gloomy halls seemed cramped enough, you spent a month living inside them, you decided to take this rare opportunity to take your first, legal step outside your 'prison' walls
  19. >Maybe you'd visit your old job and help out for the day, maybe you'd visit the vacant lot where your home once stood, who knows what the rest of the day could hold
  20. >You near the draw bridge, passing by workers and guests alike
  21. >You're nearly through the alabaster gates until the combined wingspans of two guards halt you
  22. >"I'm sorry Sir. Anonymous. But by order of the princess you are restricted from leaving the castle grounds until her majesty returns. Please remain inside your chambers until she returns."
  23.  
  24. >The guards look at you stoically
  25. >Unfortunately, you can't say the same
  26. >Your face is switching from various expressions of different emotions
  27. >All you can do is stand there and watch your day of freedom burn to a crisp
  28. >There were no words to describe the immense since of anger you felt
  29. >It was sort of like watching every little achievement you've made with Celestia this month go up in smoke
  30. >It may have actually just been that
  31. >You stand there in shock a little while longer
  32. >The guards remaining as indifferent as before
  33. >The guard on the left repeats himself
  34. >"Sir Anonymous, please return to your chambers until the princesses have returned from the trip abroad."
  35. >There was no point fighting now, you felt utterly hopeless and defeated
  36. "Yeah, alright. I'll do that.."
  37. >Their wings fold inward and they resume their position of attention
  38. >They don't bat an eye as you slowly sulk your way inside
  39. >Not only did she leave you for an entire month, but she locked you up again
  40. >It was the biggest betrayal yet!
  41. >You'd never let her hear the end of it
  42. >Through the door, through the halls, and up the stairs brought you back to your 'cell'
  43. >You nearly hover over to the bed and collapse onto it
  44. >A loud groan escapes your body
  45. >In response to your call of grief you hear a flutter make it's way in from the open balcony
  46. >Philomena perches herself on your head, singing her greeting to you
  47. >But you're hardly in the mood for it and you shake your head, causing her to instead perch on the bed's head rest
  48. >She sits proudly, expecting you to notice and compliment her vibrant feathers, you do no such thing
  49. >But you do sit up, making eye contact with her as she cocks her head to the right
  50. >It seems she can read the sadness on your face and glides a bit closer to offer what little comfort she can
  51.  
  52. >Your extended hand finds itself petting Philomena's heated feathers and she coos in approval but she could tell you weren't in the mood to play
  53. >At least in your isolation you can have some form of companion
  54. "To tell you the truth, I wish I had wings right now. It sucks being locked up in here, and when she gets back I'm gonna tell her off you hear me!?"
  55. >Philomena cranes her neck to the side in response and you find yourself laughing at the fact you're speaking with a Pheonix who may or may not be completely sentient
  56. >You decide not to think about it and begin to remove your shoes
  57. >You weren't going anywhere anyway
  58. >Carefully placing your shoes at the side of the bed you turn back the the flaming bird only to see her absent
  59. "Don't tell me she in ashes..."
  60. >It'd be hell to clean that from the bed spread
  61. >Instead she caws at you from your feet
  62. >You can't help but laugh at the fact that she's snugged happily in your size 10's
  63. "Get out of my shoe, I don't want to make the smell worse."
  64. >Instead she locks her talons on the rim of your loafers and carries it into the air
  65. "God dammit put it down!"
  66. >You reach out for your abducted footwear, but with each reach it rises higher and higher
  67. >You're standing on the bed now, jumping as high as you can to rescue your shoe from it's assailant, you're unsuccessful
  68. >One miscalculated jump and your falling off the bed, in the time between the air and the floor you hear "No more monkeys jumping on the bed!"
  69. >The impact is painful, as well as pride damaging
  70. >You'd be damned if you were outsmarted by a damn bird!
  71. >You spin your head backwards, nearly catching whiplash
  72. >Philomena makes her way out into the hall, carrying your shoe with her
  73. >Without a second thought you give chase
  74.  
  75. >For the second time today you're traveling down these incredibly long stairs
  76. >Philomena's descent is far greater than your own, on account that she isn't limited to the stairs
  77. >You double-time it and hit the bottom just a few seconds after she flies into the halls
  78. >Chasing her proves to be difficult on account of your socks sliding on the polished floor
  79. >You nearly ran into seven ponies so far
  80. >But you were determined to get your shoe from that damn bird!
  81. >You can feel her taunting you as she caws back at you
  82. >She was always a trouble maker but now she's just being an ass
  83. >No one in the halls opt to help you on your wild pheonix chase, instead the stare at the amusement of your pleight
  84. >She's really giving you a run for your money and you soon find yourself chasing her into Canterlot's library
  85. >You only catch a glimpse of her as she ducks behind her desk from Philomena's fiery trail
  86. >All this for a shoe. You though
  87. >She's dodging into corridors of books and shelves evading your pursuit
  88. >Books and pages rustle as she flies past, your tiring body following
  89. >Maybe this was your body's way of telling you to hit the track
  90. >Philomena darts behind a corner and you follow suit
  91. >However, she disappears beyond sight and what greets you is a massive door stricken with runes and enchantments
  92. >You approach it, feeling oddly drawn in
  93. >Without your control your hand moves forward, an ambient feeling overtaking you
  94. >But before you could lay a hand on it your shoe hits the hard floor in front of you, startling your hand away
  95. >Above you see Philomena perched ontop of the arched doorway
  96. >The feeling vanishes as you pick up your shoe, Philomena gliding down to 'congratulate' you for catching her
  97. >Instead of a thank you, she receives a pluck to the head and she caws in disapproval
  98. >You could care less
  99.  
  100. >Right now you're more interested in this thing you've never seen before
  101. >Maybe it was some forbidden archieves, maybe it was some sort of portal to a world where everyone were multicolored humans
  102. >It did intrigue you, like it had some sort of spell over you
  103. >And that was the moment you had an idea
  104. >Celestia once told you that every creature had some form of magical energy in one way or another
  105. >Theories say that animals evolve because of magic
  106. >So far only unicorns have been the only pony race to be able to exploit magic for all it was worth
  107. >Who knows what a human would be able to do?
  108. >You feel a tinge of excitement at the prospect and Philomena looks at you curiously
  109. "Hey Philomena. As a reward for catching you, why don't you show me where I can find books on basic magic."
  110. >She casually preens her feathers, ignoring you
  111. >Again you wonder why you're talking to a bird
  112. >However, she does guide you out of the maze of books and into the main lobby of the library
  113. >At the front desk you ask the librarian about the books in question
  114. >Although surprised and hesitant, she relents and hands over a small book titled "Understanding the Magical Spectrum"
  115. >It was a light book, so you weren't going to be doing any heavy reading
  116. "Thank God.."
  117. >You thank the librarian and check out
  118. >Tonight was going to be long, but you did nothing but sleep in these days anyway
  119. >It's not like you had your old job at the bakery
  120. >Philomena joins you as you walk back to your room, bare foot, with a shoe in one hand, and a book in the other
  121.  
  122.  
  123. >The room is exactly as you left it, now that you put your shoe next to it's twin, making them a pair again
  124. >It was slightly darker than when you left, so you had plenty of time before you'd need to light a candle
  125. >Philomena left your side on your way up the stairs
  126. >Who knows what that bird is doing
  127. >Probably causing trouble with staff
  128. >The first thing on your mind is the book you borrowed
  129. >You immediately crack it open to a random page in the middle
  130. >You read aloud
  131. "Perceiving the mind of another is an odyssey not to be taken lightly. For the mind is a deadly labyrinth. Prod too much in the wrong corners and your drawn down into the repressed. Slack your effort too hard and you'll wander into their process of thought. However, with enough practice you'll be able to master the art of psychonauts."
  132. >It seemed interesting, you'd love to see what goes on in that crazy horse's head
  133. >You make a note to return to that section later
  134. >Skimming through the thin pages you find yourself in the physical side of magic
  135. >A catalog of pyromancies, necromancies, and different variations of the prefix
  136. >The one that draws you in the most is "Holy" magic
  137. >The book says it was once used by paladins, those who gave their lives in the name of the princess
  138. >The field ranged from healing to arrows of light shooting from the Sun itself
  139. >That'd take a lot of mana for sure
  140. "I wonder if mana is an actual thing.." you trail off as you continue reading
  141. "Holy magic is thought to be magic's purist form given shape. The strongest heart could bend light at his will and use it to either smite his enemies, or bless those unfortunate."
  142. >Light magic sounds the most promising and interesting
  143. >You doubt you'd get anything out of it, but you were going to be here for a long time without any supervision
  144.  
  145. "Holy magic being one of the only forms of 'natural' magic we know of. Most species are able to perform with some ease. You must concentrate on a single thought. One that brings you the most intense emotion. It can be something that makes you angry, sad, or stricken with love. So long as you can focus on it. Pinpoint it's exact location within your heart."
  146. >It sounds....'easy' enough
  147. >There's definitely someone who sends you spinning on the emotional wheel
  148. >So you decide to focus on the thought of her
  149. >You recall the moment you first saw her raise the Sun
  150. >The emotion you felt then was ever present now
  151. >You were trying to perform a simple illumination spell
  152. >Starting with the very basic is never a bad idea
  153. >You shut your eyes in concentration
  154. >Imagining everything about Celestia that makes you teem with life, as well as cause you despair
  155. >From behind your eyelids you feel white light breaking through
  156. >But you dare not open your eyes
  157. >As you concentrate on her, the light grows brighter and brighter
  158. >You're sure it's brighter than the Sun
  159. >The light feeds off your heart as emotions sore in your mind
  160. >Happiness, joy, love, and anger course through your mind in an emotional overload causing you to lose control of the spell
  161. >The light is so immense you feel heat singe your finger tips as the spell implodes and propels you backward off of the bed in a loud explosion of sound and light
  162. >Your eyes have remained shut, you doubt you could even open them now
  163. >You feel fatigued, and drained of all energy
  164. >huffing and puffing, you trying to regain your breath
  165. >There is no point to even attempt to make your way into bed
  166. >Sleep is overtaking you for now
  167. >Before you give over to the spirits of the night you look on the 'bright' side
  168. >The fact that actually caused something to happen is enough proof that you're at least capable of using magic
  169. >This month would surely hold new surprises
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