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Oneshot: The Glory of the Glistening Oil

Dec 25th, 2012
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  1. *Day of Compleation in Equestria
  2.  
  3. >It's morning
  4. >You wake up, roll out of bed, and shuffle your way to the bathroom to begin your morning routine
  5. >You are Anon, the only human in the world of Equestria
  6. >You've been here for several years now, having been mysteriously transplanted from your home plane as a child
  7. >The last thing you remember from your previous life is your home town being invaded by a dark and sinister force
  8. >An army of flesh and metal horrors swarmed your town, harvesting your friends and neighbors
  9. >Some went willingly, while most were simply murdered and hauled off
  10. >A large resistance formed, and tried to protect the town and it's citizens
  11. >When they failed, they then tried to evacuate everyone and flee into the countryside
  12. >Both attempts were met in a similar manner; any attempt to fight or run was met by a brace of rotting, mechanical horrors
  13. >Those harvested or killed in battle were then assimilated into the collective; used as puppets to instil despair among the remaining population
  14. >Most of the seige has been scabbed over by your memory, but a few things have been seared in forever
  15. >Belching smokestacks raining ash
  16. >The grinding and twanging of oil-soaked springs and gears
  17. >The agonized shrieks of those around you
  18. >The silent efficiency in which the monsters performed their tasks
  19. >The most prominent memory, however, is the symbol this army flew
  20. >It was simply a ragged circle, with a vertical line bisecting it
  21. >This symbol was displayed everywhere, from banners, inscribed in their perverse holy tomes, and even etched in the flesh of their war-beasts
  22.  
  23. >You remember seeing your father try and protect you and your mother from one of these monsters, one they referred to as a 'Negator'
  24. >He fought bravely, managing to strike the oily horror a few times before a hand full of emaciated claws pierced through his chest
  25. >Thus impaled, he was lifted by his sternum and casually tossed at an insectoid machine following the beast, which extended a jointed foreleg and speared him mid-air
  26. >The machine then began to methodically flay him, separating skin from muscle, then muscle from bone, all while you and your mother were forced to watch, cornered
  27. >The horror then set it's sights on you, and your mother huddled over you to act as a shield
  28. >In your mind's eye you can still see her anguished face as the beast sank it's claws into her back and ripped her, screaming, from you
  29. >She was likewise tossed to the following machine, and was separated into neat piles
  30. >The beast then turned to you, a grin forced across it's rows of needle teeth from the skin tightly pulled against its bloated, misshapen frame
  31. >It cocked back an oil and gore soaked claw, and pistoned it forward at you
  32. >You closed your eyes and screamed, and at that moment were engulfed in a flash of white light
  33.  
  34. >When you opened your eyes, what looked like a light purple horse was frozen in place, staring at you
  35. >You stared right back, and you both began screaming
  36. >After the freak-out session that is customary when you accidentally planeswalk away from your own death into a land of magic candy horses
  37. >(And also Cheerilee's freak-out session when she was suddenly faced with a scared, dirty monster in her living room)
  38. >You explained what you remembered, and also it seemed you were an orphan
  39. >She sympathized, and said you could stay with her until you figured out what was going on
  40. >Long story short, you were able to grow up, get a sembalance of an education, land a job and move out before you figured out your situation
  41. >You still don't know why you were brought here, but the fact is you were and you're grateful for that
  42. >You like it here
  43. >It's more or less the only life you've ever known
  44.  
  45. >There's nothing here to remind you of your former life, and this land is more or less always peaceful
  46. >One thing you could do without, though, is Fluttershy's constant sexual advances
  47. >You befriended Fluttershy relatively early on in your stay here, and over time she developed a huge crush on you
  48. >And by 'crush', you mean a creepy, stalker-esque relationship where she tried to force you into loving her
  49. >You go out of your way to not lead her on, but you try to spare her feelings as much as possible
  50. >But as uncomfortable as it makes you, she's not a real danger to you, and you know it's all out of love
  51. >You finish your shower, get dressed, and throw some bread in the toaster for breakfast when you hear a knock at the door
  52. >You look at the clock
  53. >Huh
  54. >It's too early to be Fluttershy; she's always very punctual
  55. >And besides that, she hasn't stopped by in the past few days
  56. >In fact, you haven't seen ANY of the mane six for a few days....
  57. >You can that thought as you answer the door
  58. >You're greeted by... Angel, you think
  59. >It LOOKS like Angel, but something seems off about him
  60. >Even though he's completely clean, he just seems....
  61. >Greasy
  62.  
  63. >You suppress a shudder
  64. How's it going, Angel?
  65. >His head twitches, and he starts to stare you down
  66. >Without warning, he launches himself at your chest
  67. >Surprised, you jump back, and he misses his target
  68. >However, he grabs the bottom of your pants on his descent, pulls himself in, and sinks his teeth into the meat of your calf
  69. THE FUCK!
  70. >You begin violently thrashing your leg, trying to work the little bastard loose, when you feel a sharp pain in the chunk of flesh in Angel's mouth
  71. >It almost feels like a hypodermic needle
  72. >Scratch that
  73. >The warm numbness rapidly spreading from the puncture wound would suggest that it was some sort of needle
  74. >Your leg instantly goes numb, causing you to collapse
  75. >Angel stares dispassionately at you, and the venom works it's way through your bloodstream
  76. >In less than a minute, you're completely paralyzed
  77. >As your vision starts to gray out, you see Angel's head snap around, and faintly hear a scrabbling, clicking sound
  78. >That's all you remember before your vision goes black
  79. -------------------------------------------------------------
  80.  
  81.  
  82.  
  83. >Some time later, you begin to stir
  84. >The first sensation you get is that wherever you are, it's SO WARM
  85. >Uncomfortably, stiflingly warm
  86. >You've been blindfolded, which adds to the creeping sense of claustrophobia you're suddenly experiencing
  87. >The next sensation to register is the smell of hot motor oil
  88. >Wait
  89. >MOTOR OIL
  90. >Your body involuntarily spasms and jerks, and you find yourself vertically crucified to a lab table, arms and legs secured with heavy metal wire
  91. >Every repressed memory floods your panicked mind
  92. >Oh Gods
  93. >The oil
  94. >They found me
  95. >You buck and jerk against your restraints, frantically trying to tear yourself free
  96. <Note: Subject showing signs of agitation, including elevated heart rate and epinephrine release>
  97. >You freeze
  98. >You felt that voice in your mind
  99. <Subject's heart rate remains elevated, but Subject is no longer struggling. Hypothesis: Subject is receptive to short-range telepathy and can thusly hear me>
  100. <Continuation: Subject remains still so as to descern the source of telepathy. Initiate full-body scan to determine reactions to compleated individuals>
  101. >This voice is familliar...
  102. Twilight? Is that you?
  103. <End notes; initiate recording devices. Subject has adressed me verbally>
  104. >You hear another voice come from what sounds like a doorway
  105. >'Has Anon woken up yet, Twilight?'
  106. <Yes, Mistress. What shall you have me do?>
  107. >'Remove his blindfold and aquaint him with his surroundings. I shall fetch the others.'
  108. <As you wish, Mistress>
  109. >The sensation of cold chrome dances across your temples, and you feel a scalpel gently cut the blindfold off your eyes
  110. >You blink hard to adjust your eyes to the sudden rush of hot air, and when you open them, you begin to scream in horror
  111.  
  112. >You find yourself in a grim mockery of Twilight's library
  113. >There's only just enough light for you to be able to see clearly
  114. >Where there was once healthy heartwood, only blackened, blighted wood remains
  115. >There are streaks of bright copper and pale green patina intermingled in the diseased wood, as if it grew with the tree
  116. >The floor is covered in a colorful patchwork quilt, seemingly expertly sewn out of scraps of discarded flesh
  117. >Throughout the macabre design, you notice irregular patches of orange, purple, white, pink, and blue intermingled with the dominant bloodred
  118. >And in the center of the room, seemingly suspended in mid-air above the central table, is the only obvious source of light
  119. >It appears to be a symbol, carved out of black metal and glowing a sickly green
  120. >Upon seeing it you freeze, your suspicions confirmed
  121. >You watched your home and family be consumed by the blight to reality that flew this symbol
  122. >And now it followed you here
  123. >To this defenseless, pastel world
  124. >You shudder to think what these creatures are going to do to Cheerilee, and your friends
  125. >Your friends
  126. >You realize that you could hear Twilight's thoughts; she must be close
  127. >You snap your head around to locate her, and once you do you're chilled to your very core
  128. T..Twilight?
  129.  
  130. >What looks like an elongated chrome spinal column with a head is arched like a cobra in front of you, seemingly examining you
  131. >You say seemingly, because even though the head looks mostly like a unicorn skull, you can't discern any eyes; only flat, polished chrome where the eyes should be
  132. >At the peak of the arch of her back, two large spines growing at a 45 degree angle from each other intermittently have an arc of blue energy run up them
  133. >The portion of her in contact with the floor has rows of multi-jointed insectoid legs
  134. >Upon attracting your attention, the creature scrabbles nervously, its centipede legs puncturing and finding purchase in the soft carpet of discarded flesh
  135. >Its arms, which seem to be larger versions of its walking legs with more joints and various medical examining tools grafted onto them, fold into its chest
  136. >The creature attempts a sembalance of a bow
  137. <Greetings, Father>
  138. >That was definately Twilight's voice
  139. Twilight? Is that you?
  140. >The abomination before you grins, a difficult task considering its cheekless mouth is constantly forced into a humorless rictus
  141. <You could say that>
  142. What happened to you? What's going on?
  143. >Twilight curls her back portion around itself like a snake, keeping her front half elevated
  144. >You assume this is what her version of sitting down and getting comfortable is
  145. <Patience, Father. I was instructed to not give you details until my Mistress returned with my Sisters>
  146. >Your mind is buzzing with fear and frantic questions
  147. Who's your Mistress? And your Sisters? Why do you keep calling me Father?
  148. >Twilight's head cocks slightly, and her metallic horn sparks in irritation
  149. <I repeat: I was instructed to not give you details until my Mistress returned with my Sisters>
  150. >Further questions are ignored, and you finally decide to wait in silence
  151. >It's not like you can escape or anything
  152. >After a few minutes, you hear a cacophony of footsteps coming from the doorway leading to the basement
  153. >You and Twilight turn, and are met by a menagerie of horrors that shuffle their way into the room
  154.  
  155. >First through the doorway is a lanky, spidery figure that appears to be armored in cracked white porcelain
  156. >Its stretched, emaciated frame is accentuated by an obvious lack of skin; its entire form is wanting for it
  157. >Blood slowly oozes out from the gaps and joints in the armor, flowing down and etching red rivulets in the otherwise pristine porcelain
  158. >The creature's thin legs end in sharp, delicate points that sink deep into the flesh carpet
  159. >Its head is adorned with an unbroken, eyeless helm of porcelain that encompasses the head but leaves the the lower jaw exposed
  160. >Attached to where the hips are is a flowing piece of purple fabric, giving the monster a noble, regal appearance
  161. >The impression you get from the creature is that of a beautiful, sad, broken doll
  162. >That is, until it turns to look at you
  163. >Its porcelain helm is only unbroken on one side; the other side having a large triangular chunk missing from the base of the deadly sharp horn down to the base of the mask
  164. >Exposed on the broken side is a large, unblinking, crystal clear purple eye
  165. >The lack of skin makes the eye appear to bulge and plead to be released from the confining mask
  166. >If that sentiment was felt by the being, however, it didn't show; Rarity sauntered over and stood next to the Twilight creature
  167.  
  168. >Next to appear is a being that obviously used to be Pinkie Pie; its profile is that of the mare in her Gala dress
  169. >That's where the similarities end, however
  170. >Her mane, usually vibrantly pink and poofy, hangs in muted, oily strands matted to her face
  171. >The skin on her face and forelegs has begin to decay in places; a strange, leaden metal peeking out from the wounds
  172. >She likewise is sporting a major lack of skin, however it's less noticable; she's at least wearing clothes
  173. >It looks like she's wearing a dress made of a mixture of boiled leather and the carapice of a beetle; it's pliable, but iridescent
  174. >Thin black strands zigzag across the bare, raw flesh of her back, sewing her up in a grim corset
  175. >Her back legs are completely obscured by the 'dress' she's wearing, but you don't see any obvious movement of legs underneath the hard fabric
  176. >However, she's leaving several thousand pinprick footsteps in her wake
  177. >She's giggling constantly, a noxious greenish gas escaping from her mouth, and also from various glowing chartruse vents spaced randomly around her body
  178. >Her eyes are wide and frantic, pupils constricted and darting around the room at anything that catches her attention
  179. >She's also silently weeping oily tears of mirth, the ichor cascading down into her grinning mouth full of pitted, leaden teeth
  180. >Laughing like a maniac, she stumbles her way over to the other two monsters and degenerates into quiet giggles
  181.  
  182. >The next thing to force its way inside was easily three times as big as any of the others
  183. >It had to squeeze itself to fit through the doorframe, and once inside it had to walk softly to avoid knocking anything over
  184. >Its bristled, hunched appearance called to mind the thought of a bear mixed with a boar
  185. >In leiu of hooves, it appeared to have the stealthy pads of some sort of large predatory cat
  186. >In addition, rows of razor sharp teeth lined its drooling mouth
  187. >It also sported a ponytail, braided out of long, thin spines growing out of the back of the beasts head
  188. >Its mottled green/brown flesh was torn in places, exposing wiry bands of steel muscles underneath
  189. >At various points around its massive frame, patches of hard, spiky bristles that served as protection and ornamentation broke through its leathery skin
  190. >All in all, this massive beast was very plain, very practical
  191. >Very deadly
  192. >Very efficient at its prescribed task
  193. >In essence, very Applejack
  194. >She lumbers over to the group and plants her ass on the ground with a *thud* that shakes the room, obviously irritated at the confinement
  195.  
  196.  
  197. >The last of the monstrosities to enter the room seems to be having a difficult time moving at such a slow pace
  198. >It's smaller than the rest, about the size of a normal pegasus
  199. >However, instead of wings, this creature has what appears to be two organic rocket pods growing from where normal wings would connect to the body
  200. >Its body is skeletal and light, an orange-red glow eminating from inside its exposed ribcage
  201. >Its legs were obviously not designed for walking; the back ones extend backwards much too far, assumably to make the creature more aerodynamic
  202. >And its front legs are long, wicked scythes, able to pivot down as rudimentary legs, but more naturally accustomed to spreading wide and acting as rudders
  203. >Or, in a pinch, severing a head at high velocity
  204. >The head looks mostly equine, save for the fact that it looks like it's made of cast iron that's still red-hot in patches
  205. >Its eyes are those of smoldering embers, occasionally hidden by the mane of rainbow fire that dances and flickers in an unfelt breeze
  206. >Upon clearing the doorway, and seeing a straight shot to her seat, Rainbow fires up her engines
  207. >She belches a short burst of fire behind her and effortlessly skids to a halt in front of you, leaving a path of charred skin in her wake
  208.  
  209. >As you stare in horror at the assembled mass, from the back of the group you hear:
  210. >'Do you like them, my love?'
  211. >A jaundiced yellow pegasus floats from the doorway and makes her way up to you
  212. >Your stomach turns as you realize who it is
  213. F-Fluttershy?
  214. >Her eyes are simple black orbs, a shocking parody of their former beautiful teal color
  215. >She also appears to be constantly weeping oil, it running rivulets down her muzzle and neck
  216. >Her wings are ragged and in a desparate need of grooming, and her skin is hanging in bags off her frame
  217. >'In a former life, I was known as Fluttershy, yes. However, names have little meaning in Phyrexia, serving only to identify individuality and thus distance yourself from the collective'
  218. >Phyrexia
  219. >The very name sends waves of revulsion through you
  220. >'My children have no major purpose yet, so we may refer to them as their former selves, but you may refer to me by my title, Mistress of Machines'
  221. >'Mistress, for short'
  222. >Your mind reels and your head goes light, threatening to black out
  223. Fluttershy...
  224. >She interrupts
  225. >'Mistress, if you don't mind'
  226. I DO mind. Fluttershy, what's going on here?
  227. >She scoffs
  228. >'Your impudence and resistance will not bode well for you in the future'
  229. >'At any rate, you do deserve an explaination'
  230. >She bites her lip, and grins seductively
  231. >'Firstly, I'd like to thank you'
  232. >'You have the distinct honor of bringing the glory of the Glistening Oil to this weak, fleshy world'
  233.  
  234. >You choke, and then cough as the weight of the words hit you
  235. This... is MY fault?
  236. >Mistress Fluttershy floats up to you and nuzzles her oil-soaked face into your chest
  237. >'Not FAULT, my love. 'Fault' implies a negative connotation.'
  238. >'You were the glorious vessel in which the perfection of this world came'
  239. >This doesn't make any sense
  240. I-if I really DID bring the oil, wouldn't I have known it by now? I mean, I'm not like you....
  241. >The abomination formerly known as Twilight stiffens at this
  242. <Mistress, if I may, I believe I have an answer>
  243. >Fluttershy turns to the chrome monstrosity
  244. >'Proceed, my child'
  245. >Twilight turns to face you, and begins projecting:
  246. <The Glistening Oil is the proliferation engine in which Phyrexian progress spreads>
  247. <Living organisms exposed to it soon begin to hear whispers of the ancient collective knowledge, and begin to hunger to have their weak, mortal bodies replaced with pristine, beautiful machine>
  248. <Additionally, blueprints of successful creations are stored in the history of the Glistening Oil>
  249. <One of the simplest, but most effective, of Phyrexian creations is the 'sleeper agent', a seemingly normal being immune to the oil, that in fact unintentionally distributes it and lets it fester>
  250. <Occasionally, sleeper agents are made when a being that has come in contact with the oil escapes compleation, and the oil goes into dormancy, covertly spreading and multiplying until such a time in which it can re-assert itself>
  251. <We believe you are a Phyrexian sleeper agent, Anon>
  252. >A feeling of cold dread overcomes you
  253. >Mistress Fluttershy interjects:
  254. >'You may have noticed some strangeness about my beautiful Angel'
  255. >'I expanded on the sleeper idea, and turned him into a covert abduction unit'
  256. >She smiles
  257. >'He's such a good bunny'
  258.  
  259. >Your mouth is dry, and your mind is reeling from this new information
  260. >This is your fault
  261. >You're close to a mental breakdown; not only did your home fall to this plague, but your adoptive home seems to be heading that direction too
  262. >And it seems you're an unintentional agent of everything you hate
  263. >After a second of stunned silence, you finally ask:
  264. Why did you kidnap me? What do you need from me now?
  265. >You hear yourself, and your voice sounds defeated
  266. >Fluttershy continues to nuzzle your chest, looking up at you with those void, soulless eyes
  267. >'That's the best part, my love'
  268. >'The nature of Phyrexia demands that it have a rigid caste system, with a central figurehead serving as Lord and God over all'
  269. >'We yearn for a being to deify and worship, a focal point for our love and adulation'
  270. >'Seeing as you were the progenitor of our Glorious Infection, we thought it fitting that you be our Father of Machines'
  271. >The bottom drops out of your stomach
  272. >Rainbow pipes up, with a voice that sounds like a red-hot sawblade skipping across concrete:
  273. >'No one deserves this title more than you, man'
  274. >Pinkie manages to giggle 'We-hee-hee-hee love you, Anon! Think of how much FUN we could have with you as the Father!'
  275. >Rarity, with a voice like a knife dragging across a plate, whispers:
  276. >'You could unite us, darling. Think of how beautiful it would be.'
  277. >Applejack booms: 'THE WHOLE WORLD, UNDER THE COMFORTING BLANKET OF PHYREXIAN LOVE. YOU COULD DO IT.'
  278. >Twilight interjects:
  279. <This is the ultimate form of friendship and love. A collective conciousness, all helping each other and perfecting itself as a whole>
  280. >Fluttershy grins, and slowly ascends in front of you
  281. >'And you could be the driving force behind it, my love! A new age of unending love is at our fingertips! What do you say?'
  282.  
  283. >What do you say?
  284. >To being the leader and figurehead of this chapter of the blight of the Multiverse?
  285. >To standing for everything that has given you nightmares for most of your life?
  286. >Your heart begins to pound, and your blood begins to boil
  287. >There's a primal energy surging up inside you
  288. What do I SAY?
  289. >Years of fear and anxiety boil down and condense into pure, raw hatred
  290. >You know of their brand of love
  291. >And you want nothing to do with it
  292. I say... FUCK YOU!
  293. >You thrash violently against your restraints, eager to break free and tear these abominations apart
  294. >You lock eyes with Fluttershy, and continue to rage at your bindings
  295. >You're so angry you're actually foaming at the mouth
  296. >You are going to MURDER-FUCK EVERYTHING
  297. >EVERYTHING
  298. >It doesn't matter that it's six-on-one, and that they are perfectly tuned killing machines
  299. >The only thought in your mind is inflicting as much pain and suffering on these THINGS as possible
  300. >With a wrathful surge of strength, your right arm works free of its bindings, and begins to frantically claw at your other hand
  301. >You work your fingers bloody tearing metal cable off your left wrist, but you don't feel it
  302. >Fuck pain, all you feel is RAGE
  303. >And in your mind, you hear
  304. <Fluttershy, I don't think this is working>
  305.  
  306. >You hear Applejack boom:
  307. >'AH AGREE, SUGARCUBE. IT DOESN'T LOOK LIKE HE'S ENJOYING THIS AT ALL.'
  308. >Rainbow agrees: 'He looks more mad than anything else'
  309. >Fluttershy shakes her head, and says:
  310. >'No, you're wrong. I'm sure I've got it this time. Phyretic Compleation just HAS to be his fetish'
  311. >Upon hearing this, you freeze and your head snaps around
  312. ...f..f..fetish?
  313. Fetish?
  314. FETISH?!?!?
  315. >And with that, your mind breaks
  316. >Rage overcomes you, and you begin to frantically swipe at Fluttershy's floating form with a bloodied claw
  317. >You notice that your left shoulder dislocates, and you jerk an extra few inches closer to your target
  318. >Twilight sighs, and the blue arcs of electricity running up her spines cease
  319. >In a blink, Twilight's illusion spell dissolves
  320. >You're in Twilight's library as you remember it, with the mane six standing in the same positions their Phyretic counterparts were
  321. >Fluttershy, still hovering in front of you, asks:
  322. >'So... it's NOT your fetish, then?'
  323. I'LL FUCKING KILL YOU, YOU CRAZY NEON HORSE!
  324. >Rarity scoffs
  325. >How rude! Fluttershy, dear, how did you come to the conclusion that Anon had a fetish for Phyrexia?'
  326. >She blushes, and looks at the ground
  327. >'He, uh, talks in his sleep'
  328.  
  329. >You're still clawing at Fluttershy, determined to choke the life out of her
  330. >There's an awkward silence among the mane six
  331. >That tends to happen when you accidentally collectively expose someone to to their deepest nightmare in an attempt to get your friend laid
  332. >Meanwhile, you're still foaming and snorting, trying to break free
  333. >Twilight says 'You know, Anon, we should let you out, but as it stands right now I think it'd be better for everyone involved if we kept you there'
  334. >'You might accidentally hurt somep0ny if we let you out now'
  335. IT WON'T BE AN ACCIDENT, YOU AUTISTIC PURPLE BITCH!
  336. >She looks awkwardly at the ground, and says 'Yeah, we're just going to go for a while. We'll be back to let you out in a few hours'
  337. >She re-secures your hand with magic, and rotates the table so you're lying on your back
  338. >You hear hoofbeats shuffling toward the door, and the door latch shut
  339. >And you're left strapped to a table, with the rage of a thousand white-hot suns coursing through you
  340. >Fucking Twilight
  341. >Fucking Fluttershy
  342. >Fucking Phyrexia
  343. >Fucking EVERYTHING
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