NukePone

(Moth) A Moth's Song - 4

Dec 10th, 2013
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  1. >"I cannot do this."
  2. >The little moth pony buzzes in frustration as you stop the record player.
  3. "Yes you can. You can't just give up, Actias."
  4. >She stomps past you as she leaves the room.
  5. "Actias, come on!"
  6. >"August, please! Let me take a break. We have been at this for the past six hours!"
  7. >Her voice starts to squeak the louder she yells.
  8. >"I am sorry I yelled."
  9. "It's alright. We should take a break for a little bit."
  10. >"Thank you."
  11. >The frustrated mare trots off, into the kitchen.
  12. >You sigh and shake your head.
  13. >It might be a good time to get some piano practice in.
  14. >Crossing the hall and unlocking the door to the room opposite the Light Room, you smile to yourself.
  15. >Ordinarily, the room wouldn't be locked, but since you have what may be a permanent guest living with you, it was better to play things safe.
  16. >As you turn the light on and shut the door behind you, a beautiful grand piano enters your field of vision.
  17. >The rest of the room is almost completely barren, save for a small table with a little picture in a wooden frame sitting on it.
  18. >Pictured are you, a mare, and a filly sitting under a large oak tree, smiling in pure bliss.
  19. >You smile at the picture before sitting down at the piano.
  20. "You two have a song in mind?"
  21. >Complete silence meets your ears.
  22. "Nocturne Op. 72 No. 1 by Chopin? Again?"
  23. >As you shake your head and chuckle a little bit, you start to play.
  24. "I don't mind playing it, but you could request something different once in a while."
  25. >Your cheeks burn and your throat tightens as you play.
  26. >A tear rolls from your eye as you finish the piece.
  27. "I shouldn't be dwelling on this."
  28. >"August?"
  29. >Startled, you stand and run to the door.
  30. >Actias slips inside before you can close it.
  31. >"I heard you playing, so I came to watch."
  32. "I don't want you in here. You can't be in here."
  33. >"Why not?"
  34. >She sits down on the piano bench and looks up at you.
  35. "It's a long story."
  36. >You make the mistake of glancing over at the picture.
  37.  
  38. >Actias follows your gaze, her eyes locking to the frame.
  39. >Everything slows down as she reaches over to it.
  40. >You rush over and take it out of her hooves.
  41. >"What is that?"
  42. "It's a picture."
  43. >"Who are the ponies in it?"
  44. "It's a long story."
  45. >"We have time."
  46. "No we don't. We have to practice for those auditions."
  47. >"Oh, come on! We have been practicing all day!"
  48. >Two hooves press against your chest as she stands up and stares into your eyes.
  49. >"Please? If you tell me, I promise I will not ask for a break tomorrow."
  50. "It isn't important, but since you're going to promise that, I'll give you the short answer."
  51. >You set the picture back down on the table and pick the moth pony up.
  52. >As you walk out of the room, you begin to speak.
  53. "They were friends of mine, a long time ago."
  54. >"How long ago?"
  55. "I don't remember."
  56. >"Oh. What happened to them?"
  57. "Shenanigans."
  58. >"You won't tell me?"
  59. "No, because it isn't important."
  60. >"It is important."
  61. >You sigh and walk toward the kitchen.
  62. "Actias, please. Just drop it."
  63. >She nuzzles your neck and buzzes.
  64. >"Sorry."
  65. >A jar of nectar sits on the counter, unopened.
  66. "Couldn't get this open?"
  67. >"No. I came to ask you for help, but I got distracted by you playing."
  68. "Oh. Well, then. Let's get this open so you can eat."
  69. >Actias hops down and sits on a stool beside the counter.
  70. >You open the jar and pass it to her before turning to prepare your own lunch.
  71. >Bread, veggies, meat.
  72. >Meat.
  73. >You look down at your meatless sandwich.
  74. "Don't cry, August."
  75. >Even though you've gone a very long time without meat, its delicious flavor still haunts your memories.
  76. >"August, are you okay?"
  77. "Yeah. Yeah, I'm fine. Just missing something that use to be in my life."
  78. >"Those ponies?"
  79. "No! For the love of all that's good, no! It isn't them, it will never be them, they are gone, I've moved on."
  80. >Shaking your head, you turn to her and walk over to the counter.
  81. "Please don't bring them up anymore."
  82.  
  83. >She nods and goes back to drinking the nectar.
  84. >That long tongue of hers dips into the jar as she holds it up to her mouth.
  85. >It's a horrific sight.
  86. >You cringe and stare at your sandwich.
  87. "I don't want this anymore."
  88. >"I will eat it!"
  89. >The moth mare slurps her tongue out of the jar and then flutters over to you.
  90. >Almost as soon as you hand her the sandwich, her tongue wraps all around it before pulling it into her mouth.
  91. >She keeps eye contact with you the entire time she chews.
  92. >It is one of the most disturbing displays you have ever seen.
  93. >Unblinking, ever-staring, rhythmic chewing.
  94. "Please stop."
  95. >"Stop what?"
  96. >Bits of sandwich fall from her mouth.
  97. "One, talking when you have food in your mouth, and two, staring at me while you eat."
  98. >"But I like how you look."
  99. >More food falls out of her mouth.
  100. "What'd I just say?"
  101. >She swallows the sandwich and takes a sip of nectar.
  102. >"Sorry."
  103. "Are you done? We need to practice."
  104. >"Actually, I want to listen to you play the piano some more."
  105. "You aren't allowed in there."
  106. >"Oh come on! You cannot be serious!"
  107. "I'm very serious."
  108. >"I won't ask about the picture, I won't say anything, I will sit perfectly still and listen to you play!"
  109. "No."
  110. >"Please!"
  111. >You brush your hand over your face and look into her eyes.
  112. "Fine."
  113. >"Really?!"
  114. "Yes, but you're going to do exactly what you said you would."
  115. >"I will!"
  116. >Actias latches onto you with a big grin slapped onto her face.
  117. >The rest of the day was going to be absolutely wonderful.
  118.  
  119. >"What do you want me to play?"
  120. >You look around the room and smile softly before tilting your head.
  121. "I don't know, what can you play?"
  122. >August slowly turns his head to glare at you.
  123. >"Wasn't talking to you."
  124. >Hooves over your mouth in embarrassment, you squeak softly.
  125. "Sorry."
  126. >August shakes his head and ignores you as he nods softly.
  127. >"Ah, some Rimsky-Korsakov. You challenge me."
  128. >He is not right in the head.
  129. >Talking to himself?
  130. >Answering himself?
  131. >He is definitely a strange one, but he is kind when he wants to be.
  132. >Plus he has nice lights and music.
  133. >He starts to play an incredibly fast piece, his fingers flying over the keys faster than you can keep up with.
  134. >A feeling of awe comes over you as you approach him and sit beside the piano bench.
  135. >The rapidity of the notes makes the piece feel like it passes quickly.
  136. >Maybe a minute, two tops, pass before August finishes playing.
  137. "What was that one called?"
  138. >"Flight of the Bumblebee."
  139. "Is that supposed to be an insult?!"
  140. >"No? That's the name of the piece. Flight of the Bumblebee, by Nikolai Rimsky-Korsakov."
  141. "It sounds like an insult. Can we call it Flight of the Mothpony from now on?"
  142. >"No. I don't see how it's insulting."
  143. "I do not like bees."
  144. >"What does that even have to do with the piece?"
  145. "The piece itself? Nothing. I just do not like the name."
  146. >August sneers at you and rolls his eyes.
  147. >"I won't tolerate such Philestinian thoughts in my house. It's Flight of the Bumblebee."
  148. "Fine! I just won't practice for the rest of the day."
  149. >He waves his hand and stares down at the keys.
  150. >His cheeks turn red as he swallows.
  151. >You climb into his lap and hug him around the neck.
  152. "I am sorry, August."
  153. >August wraps his arms around you and buries his face into your neck fluff.
  154. >"You didn't do anything, Actias."
  155. "Are we still going to practice?"
  156. >"No, no. I think we're done for the day."
  157. >You pat his back with a hoof.
  158. "I will practice all day tomorrow. No complaints."
  159.  
  160. >He smiles against your fluff.
  161. >"We'll decide on an audition song and practice that, alright?"
  162. "Alright."
  163. >"In the meantime, you've been up all day and need to sleep."
  164. >His fingers brush over your feelers as he strokes your mane.
  165. "I will sleep through the night, with you. Then we can practice together for a longer amount of time."
  166. >August laughs softly as he hugs you tighter.
  167. >"Well, you can have the bed you and your friends decided to tear up. I'll take the couch."
  168. "Hey! Do not blame that on me, I tried to fix it!"
  169. >You squeak angrily and buzz your wings a little bit.
  170. >"Calm down. You can have the couch if you want."
  171. "But you will be cold if you are alone."
  172. >"I can cover up with blankets."
  173. "We can cover up with blankets."
  174. >You put a little bit of emphasis on the "we."
  175. >"I guess I can get behind that idea."
  176. >He pinches your nose gently as he stands with you in his arms.
  177. >"We can listen to more music and play with whatever lights you haven't turned into a drumset. Alright?"
  178. "Sounds good to me!"
  179. >August carries you out of the piano room.
  180. >You smile softly at the picture frame.
  181. "I will take care of him for you."
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