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- 0
- 00:00:05,000 --> 00:00:15,000
- INDOXXI
- Support dengan like & share :)
- 1
- 00:00:33,916 --> 00:00:35,916
- [music]
- 2
- 00:01:39,916 --> 00:01:41,291
- [man] There's obviously a mistake.
- 3
- 00:01:41,375 --> 00:01:43,791
- We were notified the passes
- would be waiting in our names.
- 4
- 00:01:43,875 --> 00:01:45,625
- [attendant]
- I'm sorry, but that's incorrect.
- 5
- 00:01:45,708 --> 00:01:47,833
- - Morf Vandewalt, Artweb.
- - [lady] No. It's today...
- 6
- 00:01:48,250 --> 00:01:49,333
- [man 2] Hey, Morf.
- 7
- 00:01:50,041 --> 00:01:52,125
- [man] Okay, I wanna speak
- to someone in charge, please.
- 8
- 00:01:52,250 --> 00:01:54,500
- - Lovely to see you again.
- - [lady] This is ridiculous.
- 9
- 00:01:54,583 --> 00:01:57,208
- We bought Shogrun's Ultraworld
- last month in New York.
- 10
- 00:02:15,833 --> 00:02:19,125
- [speaking Chinese]
- 11
- 00:02:20,166 --> 00:02:23,125
- [gear grinding]
- 12
- 00:02:33,250 --> 00:02:35,750
- [robotic voice]
- Have you ever felt invisible?
- 13
- 00:02:36,666 --> 00:02:37,791
- [gear grinding]
- 14
- 00:02:44,083 --> 00:02:46,666
- Once, I built a railroad.
- 15
- 00:02:52,083 --> 00:02:55,833
- - [man] There he is. Morf.
- - Cloudio.
- 16
- 00:02:56,791 --> 00:02:59,375
- It's Kenji, you probably know.
- It's titled Hoboman.
- 17
- 00:02:59,458 --> 00:03:00,833
- The response is amazing.
- 18
- 00:03:00,916 --> 00:03:02,625
- - Arguably, the hit of the show.
- - Hmm.
- 19
- 00:03:03,583 --> 00:03:05,333
- Wolfson, Female Figure, four years ago.
- 20
- 00:03:05,791 --> 00:03:07,750
- [Cloudio] No, it's new.
- Vastly different themes.
- 21
- 00:03:07,833 --> 00:03:09,166
- It's an iteration.
- 22
- 00:03:09,250 --> 00:03:12,000
- No originality. No courage.
- My opinion.
- 23
- 00:03:12,083 --> 00:03:14,750
- [scoffs] Well, I absolutely respect
- the power of your point of view,
- 24
- 00:03:14,833 --> 00:03:16,500
- but this encompasses on a global scale.
- 25
- 00:03:16,583 --> 00:03:18,500
- There's just such a sense of now
- and in your face,
- 26
- 00:03:18,583 --> 00:03:20,666
- which speaks to pop and cinema
- and economics.
- 27
- 00:03:20,750 --> 00:03:22,916
- I mean, you can feel the winds
- of the apocalypse.
- 28
- 00:03:23,541 --> 00:03:25,208
- I can't save you.
- 29
- 00:03:25,291 --> 00:03:28,541
- We have a four-million-dollar hold,
- a major buyer in Shanghai.
- 30
- 00:03:28,625 --> 00:03:30,208
- Will you be running your review today?
- 31
- 00:03:40,583 --> 00:03:41,791
- [phone camera clicks]
- 32
- 00:03:42,500 --> 00:03:44,250
- [phone rings]
- 33
- 00:03:46,083 --> 00:03:47,416
- - Hey.
- - [Coco] Do you have a minute?
- 34
- 00:03:47,500 --> 00:03:49,166
- No, I'm just heading inside now.
- 35
- 00:03:49,250 --> 00:03:51,625
- - I have to tell you something about Ricky.
- - What?
- 36
- 00:03:51,708 --> 00:03:54,375
- - Josephina, he's cheating on you.
- - Are you serious?
- 37
- 00:03:54,458 --> 00:03:56,916
- - I saw him with this girl.
- - When?
- 38
- 00:03:57,000 --> 00:03:58,375
- Last night at a bar.
- 39
- 00:03:58,875 --> 00:04:00,875
- - What?
- - They were both pretty drunk.
- 40
- 00:04:01,041 --> 00:04:03,458
- - Wha... What time?
- - I don't know. Ten?
- 41
- 00:04:03,541 --> 00:04:06,083
- - They were all over each other.
- - Right at the fucking bar.
- 42
- 00:04:06,250 --> 00:04:08,833
- - I'm so sorry, Josephina.
- - Are you sure it was him?
- 43
- 00:04:08,916 --> 00:04:10,416
- They were standing right next to me.
- 44
- 00:04:10,500 --> 00:04:11,541
- I gotta go.
- 45
- 00:04:11,625 --> 00:04:12,916
- - Anything I can do?
- - No.
- 46
- 00:04:13,125 --> 00:04:15,250
- Uh, thank you, seriously. Bye.
- 47
- 00:04:16,041 --> 00:04:18,916
- - [man] Howzit, Morf?
- - Hello, Jon.
- 48
- 00:04:19,916 --> 00:04:21,458
- [Jon] Really something, eh?
- 49
- 00:04:22,125 --> 00:04:23,750
- Is Piers sleeping with Dorothy?
- 50
- 00:04:23,833 --> 00:04:26,166
- Oh, I'm certain
- you'd have to ask him that.
- 51
- 00:04:27,208 --> 00:04:28,875
- - [cell phone ringing]
- - Excuse me.
- 52
- 00:04:32,250 --> 00:04:34,250
- - Morf, love.
- - Oh, Gretchen.
- 53
- 00:04:34,666 --> 00:04:37,125
- We bid on it for the museum.
- Jon wants three point seven.
- 54
- 00:04:37,208 --> 00:04:39,041
- Rhodora would never
- sell a Piers for under five,
- 55
- 00:04:39,125 --> 00:04:40,541
- so it's a nice opportunity for us.
- 56
- 00:04:41,041 --> 00:04:42,916
- I'm quite curious to know what you think.
- 57
- 00:04:43,583 --> 00:04:45,458
- I think sober hasn't been good for him.
- 58
- 00:04:45,541 --> 00:04:47,250
- Well, this was done fifteen years ago.
- 59
- 00:04:47,333 --> 00:04:49,958
- Piers was in the full bloom
- of alcoholism here.
- 60
- 00:04:50,041 --> 00:04:50,958
- Exactly.
- 61
- 00:04:51,041 --> 00:04:53,791
- So, you're saying it is a good buy
- for the museum, then?
- 62
- 00:04:54,166 --> 00:04:55,208
- Excuse me.
- 63
- 00:04:57,250 --> 00:04:58,458
- Josephina.
- 64
- 00:04:59,333 --> 00:05:00,250
- Are you okay?
- 65
- 00:05:00,333 --> 00:05:02,208
- [tearful]
- Literally, the worst fucking day.
- 66
- 00:05:03,291 --> 00:05:05,125
- Ugh, your makeup.
- 67
- 00:05:05,208 --> 00:05:07,916
- God, I'm late.
- They texted, like, twenty times.
- 68
- 00:05:08,000 --> 00:05:09,250
- I'm headed there, too.
- 69
- 00:05:10,041 --> 00:05:11,458
- God, fucking people.
- 70
- 00:05:11,583 --> 00:05:13,333
- - Who?
- - Everyone.
- 71
- 00:05:14,875 --> 00:05:16,750
- Is Piers switching galleries?
- 72
- 00:05:17,250 --> 00:05:20,750
- I answer phones and get coffee.
- I'd literally be, like, the last to know.
- 73
- 00:05:20,833 --> 00:05:22,083
- [clapping]
- 74
- 00:05:22,708 --> 00:05:25,250
- You're too late.
- Rhodora already got her coffee.
- 75
- 00:05:27,833 --> 00:05:29,500
- Are you where you wanna be?
- 76
- 00:05:30,000 --> 00:05:32,333
- I'm not taking shit from the installer.
- 77
- 00:05:35,750 --> 00:05:37,083
- [woman] What did you think?
- 78
- 00:05:37,250 --> 00:05:39,458
- I haven't felt that in years.
- [chuckles]
- 79
- 00:05:39,833 --> 00:05:42,250
- - Morf is here.
- - [woman] Oh, thank you. Excuse me.
- 80
- 00:05:48,166 --> 00:05:49,333
- [woman] Well?
- 81
- 00:05:49,833 --> 00:05:51,500
- Color. Life.
- 82
- 00:05:52,458 --> 00:05:53,833
- - I love it.
- - [chuckles]
- 83
- 00:05:54,000 --> 00:05:55,833
- I'm sick of white spaces.
- 84
- 00:05:55,916 --> 00:05:57,375
- That is so strange.
- 85
- 00:05:57,541 --> 00:06:00,916
- I've been drawn to a bolder booth presence
- in terms of work and palette lately.
- 86
- 00:06:01,083 --> 00:06:04,541
- Mm-hmm. This adherence to showing
- in sterile, monochrome cubes.
- 87
- 00:06:04,625 --> 00:06:08,250
- It's just laziness.
- I wanted to get some juxtaposition going.
- 88
- 00:06:08,333 --> 00:06:11,833
- I'm actually, I mean right now,
- writing something exactly about this.
- 89
- 00:06:14,458 --> 00:06:16,625
- - This wasn't in the catalog.
- - Mm-mm.
- 90
- 00:06:17,541 --> 00:06:18,916
- It's Minkins.
- 91
- 00:06:20,791 --> 00:06:22,333
- It's called Sphere.
- 92
- 00:06:22,833 --> 00:06:26,250
- It creates this unique sensation,
- 93
- 00:06:26,666 --> 00:06:30,416
- depending on each person
- and whatever hole they decide to explore.
- 94
- 00:06:30,916 --> 00:06:32,375
- Just like life.
- 95
- 00:06:32,833 --> 00:06:35,166
- It uses all sorts of sensors and gizmos.
- 96
- 00:06:35,250 --> 00:06:36,291
- Ooh!
- 97
- 00:06:36,416 --> 00:06:39,791
- It's about choice, desire, sex.
- [chuckles]
- 98
- 00:06:40,041 --> 00:06:41,541
- The whole enchilada.
- 99
- 00:06:42,083 --> 00:06:44,458
- - [Morf] It's groundbreaking.
- - Hmm, it's yours to break.
- 100
- 00:06:44,541 --> 00:06:46,250
- Debuted ten minutes ago.
- 101
- 00:06:46,958 --> 00:06:48,958
- I'm posting a review. How much is it?
- 102
- 00:06:49,541 --> 00:06:52,083
- So much easier to talk about
- money than art.
- 103
- 00:06:52,166 --> 00:06:53,000
- [Morf] Funny.
- 104
- 00:06:53,583 --> 00:06:57,208
- Speaking of, is Piers leaving you
- for Jon Dondon?
- 105
- 00:06:57,666 --> 00:07:00,166
- I've represented Piers
- for seventeen years.
- 106
- 00:07:00,708 --> 00:07:01,833
- That's not an answer.
- 107
- 00:07:02,375 --> 00:07:05,208
- Well, why don't you put your hand in?
- 108
- 00:07:05,291 --> 00:07:06,583
- See what you feel.
- 109
- 00:07:17,500 --> 00:07:20,208
- - [lady] It's just not worth my investment.
- - [man] You're mistaken.
- 110
- 00:07:20,291 --> 00:07:22,750
- This is gonna be an uncommon
- event experience,
- 111
- 00:07:22,833 --> 00:07:24,458
- not to mention the tax incentive.
- 112
- 00:07:24,541 --> 00:07:26,791
- - Is there water in Miami?
- - At the bar, sir.
- 113
- 00:07:26,875 --> 00:07:28,500
- - [man 2] I don't know.
- - Fuck.
- 114
- 00:07:28,583 --> 00:07:31,458
- [Jon] I can guarantee your position
- as co-chair-- Oh, excuse me.
- 115
- 00:07:31,666 --> 00:07:32,500
- Piers.
- 116
- 00:07:32,583 --> 00:07:36,541
- [Morf] I was floating in the ocean,
- and, for this incredible moment,
- 117
- 00:07:36,625 --> 00:07:40,583
- it felt like I had tapped into
- a primal consciousness.
- 118
- 00:07:41,875 --> 00:07:45,291
- A connection to the world
- in its purest form.
- 119
- 00:07:45,375 --> 00:07:46,583
- [phone beeps]
- 120
- 00:07:48,041 --> 00:07:49,583
- Ricky's still denying it.
- 121
- 00:07:50,041 --> 00:07:53,250
- "Please, baby, let me explain."
- I swear to God, I want to hurt him.
- 122
- 00:07:53,333 --> 00:07:55,583
- Maybe it will free you up for new things.
- 123
- 00:07:56,125 --> 00:07:58,125
- This was a new thing. He'd just moved in.
- 124
- 00:07:59,041 --> 00:08:04,000
- I have to say, I'm having my own
- major second thoughts about Ed.
- 125
- 00:08:04,791 --> 00:08:07,541
- He actually has some fantasy
- about us getting married.
- 126
- 00:08:08,833 --> 00:08:10,333
- I'm through dating artists.
- 127
- 00:08:10,625 --> 00:08:12,333
- They're already in a relationship.
- 128
- 00:08:12,625 --> 00:08:13,750
- [woman] Look, Damrish,
- 129
- 00:08:13,833 --> 00:08:17,458
- your website doesn't give
- a sense of scale or texture.
- 130
- 00:08:17,541 --> 00:08:20,625
- But seeing your work in person
- at the new-artists fair,
- 131
- 00:08:20,708 --> 00:08:23,916
- I had that "Oh, my God" moment.
- 132
- 00:08:24,416 --> 00:08:28,458
- It charges and mauls and devours.
- 133
- 00:08:28,541 --> 00:08:30,958
- Six months ago,
- I was living on the street,
- 134
- 00:08:31,041 --> 00:08:34,791
- showing on the sidewalk.
- So, that's where I'm coming from, right?
- 135
- 00:08:35,333 --> 00:08:36,291
- Let me fill you in.
- 136
- 00:08:36,875 --> 00:08:41,000
- All this... it's just a safari to hunt
- the next new thing and eat it.
- 137
- 00:08:41,125 --> 00:08:43,000
- I heard you were the one to watch out for.
- 138
- 00:08:43,291 --> 00:08:45,208
- Oh, I'm easy-peasy.
- 139
- 00:08:45,333 --> 00:08:46,666
- Pussycat, really.
- 140
- 00:08:47,083 --> 00:08:50,250
- I know all about you,
- going back to your punk days.
- 141
- 00:08:50,333 --> 00:08:52,083
- Oof, that was many moons ago.
- 142
- 00:08:52,166 --> 00:08:55,208
- - Velvet Buzzsaw.
- - Yeah, well, the name was catchy.
- 143
- 00:08:55,291 --> 00:08:56,916
- Yeah, the early stuff was great.
- 144
- 00:08:57,208 --> 00:08:59,208
- Then it became, what? Like, self-parody?
- 145
- 00:08:59,416 --> 00:09:00,916
- I mean, after Polly left,
- 146
- 00:09:01,750 --> 00:09:02,833
- why'd you split up?
- 147
- 00:09:03,125 --> 00:09:05,708
- Who remembers through
- all the booze and pills.
- 148
- 00:09:05,791 --> 00:09:06,791
- But the point is,
- 149
- 00:09:07,458 --> 00:09:11,541
- I've gone from anarchist
- to purveyor of good taste.
- 150
- 00:09:11,625 --> 00:09:13,750
- - [scoffs]
- - So, I get the joke.
- 151
- 00:09:14,166 --> 00:09:16,708
- None of this is new.
- It's all been done since
- 152
- 00:09:16,916 --> 00:09:19,583
- someone charged a bone
- to see the first cave painting.
- 153
- 00:09:20,416 --> 00:09:21,416
- Here you are.
- 154
- 00:09:22,291 --> 00:09:23,791
- So... Thank you.
- 155
- 00:09:24,125 --> 00:09:25,541
- What cave are you showing in?
- 156
- 00:09:26,000 --> 00:09:27,583
- Me and my dudes started a collective.
- 157
- 00:09:28,333 --> 00:09:29,791
- - Mmm. Well, cheers to that.
- - [clinks]
- 158
- 00:09:34,291 --> 00:09:37,916
- Well, hell knows, I love loyalty,
- 159
- 00:09:39,291 --> 00:09:41,500
- but I would kill to exhibit you.
- 160
- 00:09:42,041 --> 00:09:45,000
- I just turned down an offer
- for a full show from Jon Dondon.
- 161
- 00:09:45,083 --> 00:09:46,541
- Ugh. And on and on.
- 162
- 00:09:46,625 --> 00:09:48,958
- He's inside right now
- trying to poach Piers.
- 163
- 00:09:49,875 --> 00:09:51,250
- You know where I am, Damrish?
- 164
- 00:09:51,791 --> 00:09:54,125
- I'm here doing shots with you.
- 165
- 00:09:56,250 --> 00:09:58,250
- Club soda. Lime.
- 166
- 00:09:58,375 --> 00:10:00,500
- The market always tiers up for you, Piers.
- 167
- 00:10:01,291 --> 00:10:04,416
- Listen, my intolerance
- for your bullshit is zero.
- 168
- 00:10:04,500 --> 00:10:05,875
- Lekker, no bullshit.
- 169
- 00:10:06,208 --> 00:10:08,708
- Look, Rhodora overpriced you.
- 170
- 00:10:08,791 --> 00:10:10,791
- She's lost it.
- She's completely out of touch.
- 171
- 00:10:10,875 --> 00:10:13,166
- I sold Cranial today
- for three point seven,
- 172
- 00:10:13,250 --> 00:10:14,458
- exactly what I said I'd get.
- 173
- 00:10:14,541 --> 00:10:17,583
- If you come with me,
- our gallery has cutting-edge analytics
- 174
- 00:10:17,833 --> 00:10:20,541
- to maximize deal flow and global demand.
- 175
- 00:10:20,625 --> 00:10:23,333
- I am fighting to get back to creation,
- 176
- 00:10:23,416 --> 00:10:27,708
- to revelation, the billion years of energy
- sparking through our brain.
- 177
- 00:10:27,791 --> 00:10:30,958
- I'm not jetting around,
- hawking fucking tickets.
- 178
- 00:10:31,041 --> 00:10:33,458
- In an attention economy,
- celebrity is art form.
- 179
- 00:10:33,541 --> 00:10:35,916
- Do you understand
- that I only commission new work?
- 180
- 00:10:36,000 --> 00:10:39,916
- Repros, prints, replicas are all marketed
- under my own brand.
- 181
- 00:10:40,000 --> 00:10:43,583
- My boet, I'm more than ecstatic to partner
- you exclusively on your future work.
- 182
- 00:10:44,875 --> 00:10:48,750
- I hear Rhodora sold Sphere
- for seven million.
- 183
- 00:10:48,833 --> 00:10:50,833
- Ugh. Man, it's a carnival attraction.
- 184
- 00:10:51,166 --> 00:10:52,458
- It's brilliant.
- 185
- 00:10:53,291 --> 00:10:55,375
- I never should've quit drinking.
- 186
- 00:11:04,291 --> 00:11:05,333
- Josephina.
- 187
- 00:11:06,291 --> 00:11:07,750
- Are you going to SLS?
- 188
- 00:11:08,750 --> 00:11:10,708
- I'm going to a satellite show
- outside of town.
- 189
- 00:11:12,000 --> 00:11:12,875
- Well, I'll come.
- 190
- 00:11:16,750 --> 00:11:18,333
- [Josephina] What's going on with you?
- 191
- 00:11:18,416 --> 00:11:19,375
- What do you mean?
- 192
- 00:11:20,541 --> 00:11:22,250
- You're Morf fucking Vandewalt.
- 193
- 00:11:22,333 --> 00:11:24,333
- What are you doing
- coming to a grant show with me?
- 194
- 00:11:25,250 --> 00:11:26,416
- I like being with you.
- 195
- 00:11:27,125 --> 00:11:28,666
- We have a taste relationship.
- 196
- 00:11:30,750 --> 00:11:31,958
- Is that tobacco?
- 197
- 00:11:33,416 --> 00:11:34,375
- Hash oil.
- 198
- 00:11:35,500 --> 00:11:37,375
- Maybe I'll have one little puff.
- 199
- 00:11:47,916 --> 00:11:48,875
- [coughs]
- 200
- 00:11:50,291 --> 00:11:53,500
- [Morf] Okay, that was the worst show
- I've seen in years.
- 201
- 00:11:54,041 --> 00:11:57,333
- - And who was that angry guy when we left?
- - You don't know?
- 202
- 00:11:58,000 --> 00:12:01,000
- That was Imeldus Vanderhorst.
- You panned him last year.
- 203
- 00:12:02,708 --> 00:12:04,583
- Grab two Tito's from the fridge.
- 204
- 00:12:06,958 --> 00:12:09,458
- You know,
- you're in much better shape than Ricky.
- 205
- 00:12:10,125 --> 00:12:14,583
- I... do a lot of Pilates and Peloton.
- 206
- 00:12:16,333 --> 00:12:17,708
- I remember your body.
- 207
- 00:12:19,750 --> 00:12:21,000
- I remember yours.
- 208
- 00:12:22,291 --> 00:12:25,625
- Ever since Berlin, I find myself
- thinking all the time about you.
- 209
- 00:12:26,458 --> 00:12:27,708
- We were wasted.
- 210
- 00:12:27,791 --> 00:12:29,666
- I keep telling myself that.
- 211
- 00:12:30,541 --> 00:12:31,375
- Your skin.
- 212
- 00:12:32,750 --> 00:12:36,750
- It's the most beautiful cross
- between almond and saddle brown.
- 213
- 00:12:40,500 --> 00:12:41,875
- I make you hard, huh?
- 214
- 00:12:42,708 --> 00:12:44,166
- You make me confused.
- 215
- 00:12:45,375 --> 00:12:47,208
- Tough headspace for a critic.
- 216
- 00:12:56,208 --> 00:12:59,583
- [airplane flying]
- 217
- 00:13:09,041 --> 00:13:12,041
- [Rhodora] Got back to LA late last night
- and looked at the numbers.
- 218
- 00:13:12,750 --> 00:13:13,750
- My God.
- 219
- 00:13:14,041 --> 00:13:16,083
- Aside from the peachy Minkins sale,
- 220
- 00:13:16,208 --> 00:13:19,250
- Miami was really
- not a very great thriving market.
- 221
- 00:13:19,333 --> 00:13:21,750
- Brass tacks, we didn't move one Rubek.
- 222
- 00:13:22,458 --> 00:13:26,541
- I know the London office
- has a hard-on for him, but to my mind,
- 223
- 00:13:26,625 --> 00:13:31,458
- the last thing we need to waste time on
- is trying to flog some pop-art revival.
- 224
- 00:13:31,541 --> 00:13:32,625
- [phone beeps]
- 225
- 00:13:34,250 --> 00:13:35,791
- - Pop-art.
- - [beeps]
- 226
- 00:13:37,041 --> 00:13:38,875
- - [louder] Pop-art.
- - [beeps]
- 227
- 00:13:38,958 --> 00:13:40,208
- Fuck me.
- 228
- 00:13:41,500 --> 00:13:42,583
- [sighs]
- 229
- 00:13:46,791 --> 00:13:48,791
- [mysterious music]
- 230
- 00:14:02,958 --> 00:14:04,625
- Hey. [inhales deeply]
- 231
- 00:14:05,041 --> 00:14:08,458
- "Star of the Nova section
- was Mertilla Splude's Go-Pro Kindergarten,
- 232
- 00:14:09,166 --> 00:14:12,500
- an inspired disquisition
- of early-age experience."
- 233
- 00:14:13,916 --> 00:14:15,708
- Hmm. [inhales deeply]
- 234
- 00:14:16,625 --> 00:14:19,125
- Well, get inspired
- and come join me in the pool.
- 235
- 00:14:53,708 --> 00:14:55,708
- [suspenseful music]
- 236
- 00:15:23,291 --> 00:15:24,708
- [man] Is he all right?
- 237
- 00:15:25,583 --> 00:15:26,625
- Call 911.
- 238
- 00:15:26,708 --> 00:15:28,708
- [man breathes heavily]
- 239
- 00:15:29,541 --> 00:15:30,833
- [cat meows]
- 240
- 00:15:38,625 --> 00:15:40,708
- [phone ringing]
- 241
- 00:15:41,375 --> 00:15:42,708
- Who's supposed to be here?
- 242
- 00:15:42,791 --> 00:15:45,833
- Josephina. She's late... again.
- 243
- 00:15:47,291 --> 00:15:50,166
- You, Rococo.
- Take the reception desk.
- 244
- 00:15:50,250 --> 00:15:54,041
- It's... It's Coco, actually. Um...
- 245
- 00:15:55,166 --> 00:15:57,166
- Haze Gallery. Can I help you?
- 246
- 00:15:58,625 --> 00:15:59,500
- Hello?
- 247
- 00:16:01,375 --> 00:16:02,916
- [man laughs]
- 248
- 00:16:03,416 --> 00:16:06,833
- Hang up, right?
- Yeah, rich people are impatient.
- 249
- 00:16:09,083 --> 00:16:10,791
- I'm really an artist, you know?
- 250
- 00:16:11,791 --> 00:16:16,291
- I did, um, Bandini's Froot Loop Hippo,
- you know that?
- 251
- 00:16:16,958 --> 00:16:19,125
- And I glued on all the Froot Loops.
- 252
- 00:16:19,791 --> 00:16:20,875
- Yeah.
- 253
- 00:16:21,583 --> 00:16:23,500
- It's at The Broad right now.
- 254
- 00:16:23,583 --> 00:16:26,041
- Not broad.
- People confuse it with Broad.
- 255
- 00:16:26,125 --> 00:16:27,625
- - Broad, brode, yeah.
- - Right.
- 256
- 00:16:27,708 --> 00:16:29,666
- But I can get us tickets if you want.
- 257
- 00:16:30,041 --> 00:16:31,125
- They know me there.
- 258
- 00:16:32,458 --> 00:16:34,750
- - When did you get back?
- - [Morf] Last night.
- 259
- 00:16:35,291 --> 00:16:37,958
- I have solid confirmation
- Piers has left you for Jon Dondon.
- 260
- 00:16:38,458 --> 00:16:40,125
- I'm going to get bored now.
- 261
- 00:16:40,208 --> 00:16:42,625
- This feels huge to me.
- Why would he leave?
- 262
- 00:16:42,708 --> 00:16:44,708
- Why, why why. Why anything?
- 263
- 00:16:45,375 --> 00:16:46,666
- Maybe I wanted him to leave.
- 264
- 00:16:47,125 --> 00:16:49,541
- Meanwhile, I'm signing new talent.
- 265
- 00:16:50,000 --> 00:16:52,083
- Heard you got Damrish. He's fierce.
- 266
- 00:16:52,166 --> 00:16:54,625
- And this morning, Mertilla Splude.
- 267
- 00:16:54,708 --> 00:16:57,958
- We are on the same frequency, I swear.
- 268
- 00:16:58,416 --> 00:17:02,000
- - Go-Pro Kindergarten's gonna break big.
- - Your lips, God's ear.
- 269
- 00:17:02,625 --> 00:17:05,333
- Oh, wait. In our world, you are God.
- 270
- 00:17:06,791 --> 00:17:08,416
- And I'm running late. Gotta go.
- 271
- 00:17:08,500 --> 00:17:09,583
- Okay.
- 272
- 00:17:09,666 --> 00:17:10,500
- [kisses]
- 273
- 00:17:11,375 --> 00:17:13,291
- - [sighs] I'm sorry.
- - [phone ringing]
- 274
- 00:17:14,000 --> 00:17:16,916
- Some random guy just, like,
- died in my building.
- 275
- 00:17:17,000 --> 00:17:19,458
- [gasps] I really am so surprised.
- 276
- 00:17:19,833 --> 00:17:20,916
- Rhodora, I'm not kidding.
- 277
- 00:17:21,375 --> 00:17:23,625
- A neighbor actually died.
- I found the body.
- 278
- 00:17:23,708 --> 00:17:26,958
- Bryson keeps me up to speed
- on everything that goes on around here.
- 279
- 00:17:27,041 --> 00:17:28,458
- Your chronic lateness--
- 280
- 00:17:28,541 --> 00:17:29,875
- Bryson's pissed because...
- 281
- 00:17:31,375 --> 00:17:33,833
- he came on to me
- and I shut him down.
- 282
- 00:17:33,916 --> 00:17:35,375
- He's a flat-out creeper.
- 283
- 00:17:35,541 --> 00:17:38,000
- Well, I can say the interest
- I had in you has waned.
- 284
- 00:17:38,500 --> 00:17:40,333
- I thought I was grooming a protégé.
- 285
- 00:17:40,416 --> 00:17:44,666
- All our long talks about your struggles
- and grand ambitions.
- 286
- 00:17:44,750 --> 00:17:48,375
- And then you insult my intelligent mind.
- I'm moving you off the front.
- 287
- 00:17:48,458 --> 00:17:52,458
- No client contact until you raise
- the quality bar in your performance.
- 288
- 00:17:54,208 --> 00:17:55,958
- - Morning.
- - [staffers] Good morning.
- 289
- 00:17:56,041 --> 00:17:59,416
- [Rhodora] Do we have Berlin?
- Singapore? London? Oh, we do.
- 290
- 00:17:59,791 --> 00:18:03,458
- So, I have two new favorite artists
- I am all kinds of happy to tell you about.
- 291
- 00:18:30,416 --> 00:18:31,541
- [man] I'm from Perlack.
- 292
- 00:18:32,750 --> 00:18:33,958
- We own the building.
- 293
- 00:18:36,916 --> 00:18:37,875
- Did you know him?
- 294
- 00:18:38,333 --> 00:18:39,291
- The guy who died?
- 295
- 00:18:40,500 --> 00:18:42,000
- Some sorta artist, I guess.
- 296
- 00:18:43,125 --> 00:18:43,958
- No.
- 297
- 00:18:45,750 --> 00:18:46,791
- I found his body.
- 298
- 00:18:47,625 --> 00:18:48,750
- He liked his privacy.
- 299
- 00:18:49,875 --> 00:18:52,583
- - He had a cat.
- - It's up there. We'll find it tomorrow.
- 300
- 00:18:52,666 --> 00:18:54,166
- Jesus, the stuff inside...
- 301
- 00:18:54,791 --> 00:18:58,208
- And it all gets tossed.
- The old man wanted everything thrown away.
- 302
- 00:18:58,458 --> 00:18:59,958
- No trace, his instructions.
- 303
- 00:19:00,041 --> 00:19:01,916
- Looks like he started to do it himself,
- 304
- 00:19:02,000 --> 00:19:03,833
- but he died
- before he could finish the job.
- 305
- 00:19:04,791 --> 00:19:05,750
- [chuckles]
- 306
- 00:19:07,291 --> 00:19:08,250
- [man] Well, good night.
- 307
- 00:19:16,708 --> 00:19:18,250
- [cat meows]
- 308
- 00:19:40,541 --> 00:19:42,541
- [door creaks]
- 309
- 00:19:42,958 --> 00:19:44,958
- [suspenseful music]
- 310
- 00:19:49,833 --> 00:19:50,958
- Hey, kitty, kitty.
- 311
- 00:19:56,041 --> 00:19:57,208
- [door closes]
- 312
- 00:19:59,083 --> 00:20:01,083
- [floor creaks]
- 313
- 00:20:13,291 --> 00:20:15,333
- [suspenseful music continues]
- 314
- 00:20:55,458 --> 00:20:57,458
- [suspenseful music intensifies]
- 315
- 00:21:42,166 --> 00:21:43,416
- [gasps]
- 316
- 00:21:43,708 --> 00:21:45,916
- - [breathes heavily]
- - [meows]
- 317
- 00:21:47,875 --> 00:21:49,041
- Hey, little guy.
- 318
- 00:21:52,875 --> 00:21:53,708
- Hey.
- 319
- 00:22:10,666 --> 00:22:12,666
- [suspenseful music intensifies]
- 320
- 00:22:21,500 --> 00:22:22,375
- Hey.
- 321
- 00:22:23,125 --> 00:22:24,833
- Ah, so glad you called.
- 322
- 00:22:25,791 --> 00:22:27,416
- I'd hug, but I'm all sweaty.
- 323
- 00:22:27,750 --> 00:22:30,500
- Love the jumper.
- Cornsilk's a great color for you.
- 324
- 00:22:31,708 --> 00:22:33,208
- Miami was a revelation.
- 325
- 00:22:34,000 --> 00:22:35,583
- Let me just start with that.
- 326
- 00:22:37,416 --> 00:22:41,500
- I don't know where I am with anything else
- in my life, other than that I feel...
- 327
- 00:22:42,958 --> 00:22:44,166
- good with you.
- 328
- 00:22:45,208 --> 00:22:48,333
- So much better, and beyond good.
- 329
- 00:22:48,833 --> 00:22:49,958
- I found something.
- 330
- 00:22:50,875 --> 00:22:52,083
- That's what I'm saying.
- 331
- 00:23:26,291 --> 00:23:27,583
- Who did these?
- 332
- 00:23:28,750 --> 00:23:30,083
- What do you think of them?
- 333
- 00:23:32,666 --> 00:23:33,875
- They're visionary.
- 334
- 00:23:34,166 --> 00:23:35,375
- [chuckles]
- 335
- 00:23:38,583 --> 00:23:40,875
- Mesmeric. An absolute incredible...
- 336
- 00:23:43,250 --> 00:23:45,750
- mix of mediums.
- 337
- 00:23:49,000 --> 00:23:50,375
- I'm ensorcelled.
- 338
- 00:23:52,083 --> 00:23:54,708
- - Do you think there's a market for it?
- - Massive.
- 339
- 00:23:56,208 --> 00:23:57,083
- Beyond.
- 340
- 00:24:01,041 --> 00:24:02,541
- Who represents them?
- 341
- 00:24:05,041 --> 00:24:05,875
- I do.
- 342
- 00:24:07,875 --> 00:24:10,750
- [laughs] I'm dying with suspense.
- 343
- 00:24:10,833 --> 00:24:11,833
- Who is it?
- 344
- 00:24:13,416 --> 00:24:16,125
- [TV announcer]
- Tonight's jackpot is 400 million dollars.
- 345
- 00:24:16,541 --> 00:24:19,916
- To win that jackpot,
- you must match these five white balls.
- 346
- 00:24:20,166 --> 00:24:24,875
- The first winning number tonight is 54.
- That's followed by 32.
- 347
- 00:24:24,958 --> 00:24:29,291
- Up next we have 52.
- Your next number is 34.
- 348
- 00:24:29,375 --> 00:24:33,250
- Your final white ball
- for this Friday evening is 25.
- 349
- 00:24:33,416 --> 00:24:35,416
- If no one matches the five numbers--
- 350
- 00:24:35,666 --> 00:24:38,875
- It just seemed edgier at the Biennale.
- 351
- 00:24:41,166 --> 00:24:43,166
- Oh, is this the exact lighting?
- 352
- 00:24:43,541 --> 00:24:44,458
- [tech] I think so.
- 353
- 00:24:45,083 --> 00:24:46,791
- Okay, well, go check the specs.
- 354
- 00:24:47,083 --> 00:24:49,083
- [TV continues playing indistinctly]
- 355
- 00:25:05,791 --> 00:25:08,375
- I run the collective Damrish belongs to.
- 356
- 00:25:08,458 --> 00:25:12,000
- Oh. I didn't think
- collectives had people in charge.
- 357
- 00:25:12,291 --> 00:25:14,291
- Doesn't that defeat the whole purpose?
- 358
- 00:25:14,833 --> 00:25:16,250
- I represent him.
- 359
- 00:25:16,333 --> 00:25:17,250
- Used to.
- 360
- 00:25:17,458 --> 00:25:21,041
- We're building something away
- from all this commercial bullshit.
- 361
- 00:25:21,125 --> 00:25:22,708
- It's not just about the fucking money.
- 362
- 00:25:22,791 --> 00:25:25,375
- Stealing Damrish away would end us.
- 363
- 00:25:25,458 --> 00:25:27,791
- Okay. Well, you know what?
- He's not a child.
- 364
- 00:25:27,875 --> 00:25:29,291
- It's his choice, not mine.
- 365
- 00:25:31,791 --> 00:25:34,500
- - You think this is done?
- - Back the fuck up!
- 366
- 00:25:35,583 --> 00:25:37,625
- I tried to stop him.
- 367
- 00:25:39,000 --> 00:25:40,416
- Okay, well, you failed.
- 368
- 00:25:43,250 --> 00:25:44,333
- Unbelievable.
- 369
- 00:25:46,125 --> 00:25:49,083
- - [Coco] It will... never happen again.
- - Go!
- 370
- 00:25:52,750 --> 00:25:54,750
- [phone ringing]
- 371
- 00:26:03,250 --> 00:26:06,958
- Coco! Didn't you tell me
- you wanted to get a cat?
- 372
- 00:26:07,500 --> 00:26:08,416
- Um...
- 373
- 00:26:09,166 --> 00:26:10,541
- can we talk about it later?
- 374
- 00:26:12,625 --> 00:26:13,541
- Sure.
- 375
- 00:26:16,250 --> 00:26:17,250
- [Josephina] Hey!
- 376
- 00:26:18,708 --> 00:26:21,541
- - What the fuck do you think you're doing?
- - What is this? Who is this?
- 377
- 00:26:21,625 --> 00:26:22,541
- That was under my desk.
- 378
- 00:26:22,625 --> 00:26:25,250
- I was looking for tape and I saw this.
- 379
- 00:26:25,458 --> 00:26:27,708
- - This is harassment.
- - Tell me who the artist is.
- 380
- 00:26:27,791 --> 00:26:31,458
- - What the fuck is wrong with you?
- - I do more than maintenance and packing.
- 381
- 00:26:32,000 --> 00:26:34,000
- I'm not just a man of primitive skills.
- 382
- 00:26:35,750 --> 00:26:38,458
- This shit... talks to me.
- 383
- 00:26:50,583 --> 00:26:52,750
- [Gretchen] Hey, you.
- I heard you were coming by.
- 384
- 00:26:52,833 --> 00:26:54,541
- I'm reviewing your Purlfoy exhibit.
- 385
- 00:26:54,625 --> 00:26:57,041
- Oh, be kind.
- Our membership is plummeting.
- 386
- 00:26:57,750 --> 00:27:01,708
- Tell me something. Have you ever heard
- of an artist named Vetril Dease?
- 387
- 00:27:01,791 --> 00:27:02,625
- D-E-A-S-E.
- 388
- 00:27:04,166 --> 00:27:05,000
- No.
- 389
- 00:27:05,083 --> 00:27:06,166
- Can you check?
- 390
- 00:27:11,458 --> 00:27:14,000
- No. Not in our records,
- and we have everyone.
- 391
- 00:27:16,625 --> 00:27:19,000
- Morf, honey, I, uh...
- 392
- 00:27:20,958 --> 00:27:23,125
- - I need to bend your ear.
- - Mmm?
- 393
- 00:27:23,791 --> 00:27:28,291
- I am leaving to become an art adviser.
- 394
- 00:27:28,375 --> 00:27:31,083
- [squeals] I know, I know.
- I can't say for whom.
- 395
- 00:27:31,250 --> 00:27:35,125
- But I will be making enough to afford
- a terribly lovely car and garden.
- 396
- 00:27:35,208 --> 00:27:36,708
- Oh, hello, Morf.
- 397
- 00:27:37,166 --> 00:27:38,041
- Hello, Jim.
- 398
- 00:27:41,000 --> 00:27:42,666
- Look, I came to the museum
- 399
- 00:27:42,750 --> 00:27:45,666
- because I wanted to change
- the world through art.
- 400
- 00:27:45,750 --> 00:27:48,958
- But the wealthy vacuum up everything,
- except crumbs.
- 401
- 00:27:49,041 --> 00:27:51,625
- The best work is only enjoyed
- by a tiny few.
- 402
- 00:27:51,750 --> 00:27:54,458
- And they buy what they're told.
- So, why not join the party?
- 403
- 00:27:54,541 --> 00:27:56,791
- Mmm. It's everywhere, the money question.
- 404
- 00:27:57,458 --> 00:27:59,041
- In advance of my move, I am...
- 405
- 00:27:59,750 --> 00:28:02,666
- actively looking for purchases
- for my new client.
- 406
- 00:28:02,958 --> 00:28:05,833
- You might be interested to know
- 407
- 00:28:06,041 --> 00:28:09,000
- that I can provide to you a generous,
- 408
- 00:28:09,083 --> 00:28:13,333
- untraceable reward for anything
- you steer me to in the realm of
- 409
- 00:28:13,750 --> 00:28:16,500
- undervalued, pre-review, perhaps.
- 410
- 00:28:18,958 --> 00:28:20,083
- I don't do that.
- 411
- 00:28:21,875 --> 00:28:23,750
- What's your arrangement with Rhodora?
- 412
- 00:28:25,875 --> 00:28:26,833
- None.
- 413
- 00:28:27,583 --> 00:28:32,000
- Then her buys prior to your favorable
- reviews are utterly prescient?
- 414
- 00:28:32,083 --> 00:28:33,041
- This is my life.
- 415
- 00:28:33,625 --> 00:28:37,083
- How I connect with some sort
- of spirituality at actual present.
- 416
- 00:28:37,166 --> 00:28:38,458
- Mm-hmm, of course.
- 417
- 00:28:38,875 --> 00:28:40,625
- I assess out of adoration.
- 418
- 00:28:41,125 --> 00:28:43,041
- I further the realm I analyze.
- 419
- 00:28:44,458 --> 00:28:45,583
- Forgive me, I...
- 420
- 00:28:46,083 --> 00:28:46,916
- Fuck.
- 421
- 00:28:48,125 --> 00:28:49,125
- [scoffs]
- 422
- 00:28:50,291 --> 00:28:51,208
- [Gretchen] Kisses.
- 423
- 00:28:53,458 --> 00:28:55,458
- [sirens in distance]
- 424
- 00:29:02,708 --> 00:29:03,875
- [knock at door]
- 425
- 00:29:15,583 --> 00:29:17,625
- Hey. What's going on?
- 426
- 00:29:18,791 --> 00:29:19,625
- You tell me.
- 427
- 00:29:24,000 --> 00:29:25,250
- What are you doing here?
- 428
- 00:29:28,666 --> 00:29:30,083
- Hell's bells.
- 429
- 00:29:31,041 --> 00:29:31,875
- Bryson.
- 430
- 00:29:33,083 --> 00:29:36,333
- - [Rhodora] Incredible.
- - I'm going to have to ask you to leave.
- 431
- 00:29:37,416 --> 00:29:39,625
- Not if you had a gun.
- 432
- 00:29:39,708 --> 00:29:41,166
- It's none of your business.
- 433
- 00:29:41,250 --> 00:29:43,333
- Oh, actually it is.
- 434
- 00:29:45,041 --> 00:29:49,208
- You signed a non-compete clause,
- which, if you read, you might remember is
- 435
- 00:29:49,916 --> 00:29:52,625
- very much quite a lot broader than that.
- 436
- 00:29:53,291 --> 00:29:56,000
- Tell me all about Vetril Dease.
- 437
- 00:29:58,041 --> 00:30:01,500
- Hmm. [chuckling]
- His name is the tinsel on the tree.
- 438
- 00:30:03,625 --> 00:30:06,541
- Don't make me pull
- some sort of heavy interrogation.
- 439
- 00:30:08,000 --> 00:30:10,000
- Right now, it's just you and me,
- 440
- 00:30:11,250 --> 00:30:14,000
- with all our active friendship
- and love for each other.
- 441
- 00:30:16,458 --> 00:30:19,333
- Now, how did you get all of these?
- 442
- 00:30:21,625 --> 00:30:23,916
- A guy upstairs. He died.
- 443
- 00:30:24,500 --> 00:30:25,916
- And you just took them?
- 444
- 00:30:27,041 --> 00:30:28,583
- He had no family or friends.
- 445
- 00:30:32,000 --> 00:30:34,375
- Well, I won't bother
- with the obvious questions,
- 446
- 00:30:34,458 --> 00:30:36,916
- but, oh, you must have some giant plans.
- 447
- 00:30:38,250 --> 00:30:40,666
- I invented do-it-yourself.
- 448
- 00:30:40,750 --> 00:30:43,541
- And you're in way over your head, babe.
- 449
- 00:30:44,416 --> 00:30:48,375
- You have to archive and catalog
- and establish ownership.
- 450
- 00:30:50,291 --> 00:30:51,583
- And monetize.
- 451
- 00:30:53,916 --> 00:30:58,041
- I'm willing to do all of that
- for... a reasonable percentage.
- 452
- 00:30:59,333 --> 00:31:02,125
- You can engage me
- in an endless lawsuit, or...
- 453
- 00:31:02,833 --> 00:31:04,041
- you can become rich
- 454
- 00:31:04,541 --> 00:31:06,541
- and famous and successful.
- 455
- 00:31:07,291 --> 00:31:09,791
- Which is what we both know
- you've always wanted.
- 456
- 00:31:09,875 --> 00:31:10,708
- Hmm?
- 457
- 00:31:25,125 --> 00:31:28,208
- We can claim the property was abandoned
- if she says she found it in the dumpster.
- 458
- 00:31:28,291 --> 00:31:31,791
- - And took steps to find a rightful owner.
- - Well, first reports are he had no heirs.
- 459
- 00:31:31,875 --> 00:31:34,125
- She's just a tenant.
- Could the building owner make a claim?
- 460
- 00:31:34,333 --> 00:31:36,541
- The salvage guy said
- that they were junking everything.
- 461
- 00:31:36,750 --> 00:31:39,166
- I mean, it took hours to carry it all down
- into my apartment.
- 462
- 00:31:39,250 --> 00:31:40,416
- There was just so much of it.
- 463
- 00:31:40,500 --> 00:31:44,000
- No, you found the art in the trash,
- not in his apartment.
- 464
- 00:31:44,083 --> 00:31:45,333
- This is very important.
- 465
- 00:31:45,416 --> 00:31:49,000
- Now, remembering back,
- you found it in the dumpster.
- 466
- 00:31:49,083 --> 00:31:50,208
- Isn't that what happened?
- 467
- 00:31:52,041 --> 00:31:52,958
- The dumpster.
- 468
- 00:31:54,083 --> 00:31:55,333
- Yeah, I remember now.
- 469
- 00:32:10,541 --> 00:32:13,250
- Critique is so limiting
- and emotionally draining.
- 470
- 00:32:14,833 --> 00:32:18,208
- I've always wanted to do something
- long-form, beyond opinion.
- 471
- 00:32:19,250 --> 00:32:23,083
- Dip my toe into an exploration
- of origin and essence.
- 472
- 00:32:23,916 --> 00:32:26,625
- A metamorphosis of spirit into reality.
- [chuckles]
- 473
- 00:32:28,625 --> 00:32:31,041
- I've... I've never had the vehicle
- until now.
- 474
- 00:32:32,833 --> 00:32:34,583
- An artist toiling in the recesses,
- 475
- 00:32:34,666 --> 00:32:36,958
- discovered in death.
- I wanna start researching immediately.
- 476
- 00:32:37,041 --> 00:32:40,000
- Well, there's timing. Meshing with
- our extensive marketing plans,
- 477
- 00:32:40,083 --> 00:32:41,291
- which we haven't gotten to yet.
- 478
- 00:32:41,375 --> 00:32:43,375
- Well, I'm willing to write
- the exhibit brochure.
- 479
- 00:32:43,500 --> 00:32:45,250
- That will give immediate weight
- to the launch.
- 480
- 00:32:46,041 --> 00:32:48,916
- And in return,
- I want exclusive rights to a book
- 481
- 00:32:49,000 --> 00:32:51,708
- and several pieces.
- 482
- 00:32:54,083 --> 00:32:55,500
- Well, that sounds swell.
- 483
- 00:33:01,750 --> 00:33:03,750
- [tense music]
- 484
- 00:33:09,625 --> 00:33:11,083
- [phone vibrating]
- 485
- 00:33:13,416 --> 00:33:14,375
- Hi, Rhodora.
- 486
- 00:33:16,083 --> 00:33:21,208
- Well, I'm archiving his material,
- then running spectrums on his paint.
- 487
- 00:33:22,333 --> 00:33:24,541
- And it's the damnedest thing.
- 488
- 00:33:24,750 --> 00:33:26,833
- I don't even know how to account for it.
- 489
- 00:33:28,541 --> 00:33:30,000
- I couldn't hazard a guess.
- 490
- 00:33:32,583 --> 00:33:34,083
- [Coco] Haze Gallery, please hold.
- 491
- 00:33:34,875 --> 00:33:36,291
- Haze Gallery, please hold.
- 492
- 00:33:36,791 --> 00:33:38,333
- Haze Gallery, please hold.
- 493
- 00:33:39,458 --> 00:33:42,416
- Yes, Josephina's unavailable right now,
- but I can take a message.
- 494
- 00:33:43,000 --> 00:33:44,541
- Okay, please hold.
- 495
- 00:33:45,166 --> 00:33:46,083
- Haze Gallery.
- 496
- 00:33:46,625 --> 00:33:50,416
- Uh, yes. Rhodora is aware of the meeting,
- but she's on a call right now.
- 497
- 00:33:50,500 --> 00:33:51,625
- [phone rings]
- 498
- 00:33:52,166 --> 00:33:54,291
- [Rhodora]
- You're positive it's the same Dease?
- 499
- 00:33:54,375 --> 00:33:56,416
- - [P.I.] Yeah.
- - Well, how can you be sure?
- 500
- 00:33:56,500 --> 00:33:59,333
- I visited the institution.
- I found his records.
- 501
- 00:33:59,625 --> 00:34:01,791
- - [Rhodora] Dear God.
- - I wouldn't worry.
- 502
- 00:34:02,375 --> 00:34:05,625
- The file's so old, there's no backup.
- I took the only copy.
- 503
- 00:34:05,708 --> 00:34:08,750
- Okay, send it over.
- And wash your hands of it.
- 504
- 00:34:08,833 --> 00:34:11,208
- - And add a zero to your bill.
- - Thanks.
- 505
- 00:34:17,541 --> 00:34:21,791
- [Morf] Vetril Dease first appears
- in a 1930Â Los Angeles census,
- 506
- 00:34:22,375 --> 00:34:25,875
- living in a low-income home with
- his father, mother and younger sister.
- 507
- 00:34:27,416 --> 00:34:30,125
- Nine years later,
- Vetril is listed with his father
- 508
- 00:34:30,208 --> 00:34:33,791
- as the only survivors of a suspicious fire
- which swept their house.
- 509
- 00:34:34,791 --> 00:34:37,791
- Shortly after the fire,
- Vetril's named in a court document.
- 510
- 00:34:37,916 --> 00:34:40,416
- Citing cruelty
- beyond the bounds of humanity,
- 511
- 00:34:40,541 --> 00:34:43,750
- child protection services remove Vetril
- from his abusive father
- 512
- 00:34:43,833 --> 00:34:47,333
- and place him in the Good Templars
- Orphanage in South Vallejo.
- 513
- 00:34:48,125 --> 00:34:50,125
- His time there is a mystery,
- 514
- 00:34:50,791 --> 00:34:53,958
- the only record being his departure at 18.
- 515
- 00:34:55,000 --> 00:34:57,666
- But the real mystery is what follows.
- 516
- 00:34:57,750 --> 00:35:02,375
- Dease disappears for three decades,
- vanishing like a ghost.
- 517
- 00:35:02,625 --> 00:35:07,083
- He suddenly resurfaces on the payroll
- of the Sawtelle veterans administration,
- 518
- 00:35:07,291 --> 00:35:10,916
- where he was employed as a janitor
- for 42 years.
- 519
- 00:35:11,625 --> 00:35:14,375
- Dease lived alone and isolated,
- 520
- 00:35:15,208 --> 00:35:18,708
- using his art to dive deep
- into his own psyche.
- 521
- 00:35:19,958 --> 00:35:22,958
- The artist battled for decades
- with his personal demons.
- 522
- 00:35:23,875 --> 00:35:27,083
- The result is an epic saga
- of violence and madness.
- 523
- 00:35:27,750 --> 00:35:31,250
- A howl for answers
- and a resolution that never comes.
- 524
- 00:35:35,750 --> 00:35:39,291
- My ex-boyfriend, Ricky,
- has an exhibition Friday.
- 525
- 00:35:40,666 --> 00:35:42,250
- - He's a hack.
- - [kisses]
- 526
- 00:35:42,958 --> 00:35:45,416
- A bearded, downtown poser.
- 527
- 00:35:45,666 --> 00:35:46,833
- [breathes heavily]
- 528
- 00:35:47,458 --> 00:35:48,500
- [grunts]
- 529
- 00:35:48,750 --> 00:35:53,583
- You know, he hasn't had, like,
- an original idea in his whole life.
- 530
- 00:35:54,000 --> 00:35:55,375
- [breathes heavily]
- 531
- 00:35:55,458 --> 00:35:58,416
- On top of which, he steals from everyone.
- 532
- 00:35:58,708 --> 00:36:00,125
- But you know that, right?
- 533
- 00:36:00,541 --> 00:36:02,541
- I'm very familiar with his work.
- 534
- 00:36:03,750 --> 00:36:04,833
- [Josephina moans]
- 535
- 00:36:06,666 --> 00:36:08,041
- You should go to his show,
- 536
- 00:36:09,375 --> 00:36:12,666
- see for yourself how much he sucks.
- 537
- 00:36:13,250 --> 00:36:16,958
- - [moans] Then do what you do.
- - Are you serious?
- 538
- 00:36:17,041 --> 00:36:19,541
- [breathes heavily] For me.
- 539
- 00:36:20,416 --> 00:36:21,625
- [moans]
- 540
- 00:36:31,250 --> 00:36:32,166
- Hello, Morf.
- 541
- 00:36:34,916 --> 00:36:35,750
- Right.
- 542
- 00:36:35,833 --> 00:36:36,833
- Is it contemporary?
- 543
- 00:36:36,916 --> 00:36:39,583
- It cuts through the bullshit
- and gives form to true emotion.
- 544
- 00:36:39,708 --> 00:36:42,041
- - What does it say?
- - What do you feel?
- 545
- 00:36:42,458 --> 00:36:45,125
- They're using tech in a whole new way.
- 546
- 00:36:45,500 --> 00:36:48,833
- The idea is aiming for a platform
- that includes all media.
- 547
- 00:36:48,916 --> 00:36:50,791
- Everything's interruptive now.
- 548
- 00:36:51,166 --> 00:36:53,500
- [Rhodora]
- He came from nowhere, knew no one,
- 549
- 00:36:53,791 --> 00:36:57,125
- and if our industrious Josephina here
- hadn't been so observant,
- 550
- 00:36:57,250 --> 00:36:59,583
- his genius work would've been thrown away.
- 551
- 00:36:59,916 --> 00:37:03,708
- And, um, he would've been
- consigned to oblivion.
- 552
- 00:37:04,208 --> 00:37:08,083
- I spotted it by a streetlight
- over a dumpster.
- 553
- 00:37:08,583 --> 00:37:10,666
- [man] Approximately,
- how many pieces are there?
- 554
- 00:37:11,083 --> 00:37:12,250
- Well, unfortunately,
- 555
- 00:37:12,333 --> 00:37:16,583
- Mr. Dease's output was the opposite
- from what one would call prolific.
- 556
- 00:37:17,041 --> 00:37:18,833
- And he's certainly not making any more.
- 557
- 00:37:18,958 --> 00:37:21,708
- [woman]
- There's one we're very interested in.
- 558
- 00:37:21,791 --> 00:37:24,166
- Well, just know demand
- has people ready to kill.
- 559
- 00:37:24,250 --> 00:37:26,041
- - Ya! [chuckles]
- - [kisses]
- 560
- 00:37:26,666 --> 00:37:27,500
- Fetchin'.
- 561
- 00:37:27,583 --> 00:37:29,750
- Before the sublime,
- the whole body quivers.
- 562
- 00:37:29,833 --> 00:37:32,666
- Mm-hmm. Well, at these prices,
- your museum's locked out.
- 563
- 00:37:32,833 --> 00:37:35,833
- Well, I just yesterday left the museum,
- so I can speak freely now.
- 564
- 00:37:36,041 --> 00:37:38,625
- - I'm an adviser for a private buyer.
- - Whom?
- 565
- 00:37:38,916 --> 00:37:40,666
- Our friend who bought Sphere.
- 566
- 00:37:41,000 --> 00:37:42,916
- - Well, how hilarious for you.
- - [chuckles]
- 567
- 00:37:43,000 --> 00:37:44,041
- In that capacity,
- 568
- 00:37:44,125 --> 00:37:47,000
- I do have my eye on several
- of the large-format product for him.
- 569
- 00:37:47,083 --> 00:37:50,333
- Mmm. Well, the sales staff
- have been busy beavers.
- 570
- 00:37:50,541 --> 00:37:51,958
- Everything's on reserve.
- 571
- 00:37:52,458 --> 00:37:53,833
- Perhaps we'd pay a premium.
- 572
- 00:37:54,083 --> 00:37:56,666
- - That doesn't butter the biscuit.
- - Well, what the fuck would?
- 573
- 00:37:57,416 --> 00:37:58,916
- I'll sell you two Dease
- 574
- 00:37:59,000 --> 00:38:01,833
- if you buy three pieces
- at Damrish's opening next month.
- 575
- 00:38:01,916 --> 00:38:04,291
- [chuckles] What if my client
- doesn't respond to Damrish?
- 576
- 00:38:04,375 --> 00:38:06,916
- Well, you're the adviser. Advise.
- 577
- 00:38:08,166 --> 00:38:09,000
- Hey.
- 578
- 00:38:16,375 --> 00:38:18,375
- [mysterious music]
- 579
- 00:38:47,208 --> 00:38:48,041
- [Damrish] Damn.
- 580
- 00:38:54,458 --> 00:38:56,083
- [Rhodora] Next month, it's your show.
- 581
- 00:38:56,666 --> 00:38:58,333
- I gotta-- I gotta go.
- 582
- 00:38:58,416 --> 00:38:59,291
- Okay.
- 583
- 00:39:00,375 --> 00:39:02,375
- [mysterious music continues]
- 584
- 00:39:24,291 --> 00:39:28,583
- Isn't it exhilarating
- to see something substantial?
- 585
- 00:39:29,208 --> 00:39:31,583
- I mean, other than celebrity
- tattoo artists and
- 586
- 00:39:32,500 --> 00:39:35,541
- balloons for painting tools.
- I'm writing a book about him.
- 587
- 00:39:35,916 --> 00:39:38,416
- I just loathed your Ricky Blane
- review yesterday.
- 588
- 00:39:38,500 --> 00:39:40,125
- I thought his show was inspired.
- 589
- 00:39:41,125 --> 00:39:43,333
- Well, I didn't get it, I suppose.
- 590
- 00:39:43,416 --> 00:39:45,708
- I felt that we saw
- totally different exhibits.
- 591
- 00:39:46,500 --> 00:39:50,750
- Mmm. A bad review is better than
- sinking into the great glut of anonymity.
- 592
- 00:39:52,041 --> 00:39:53,166
- Was that a joke?
- 593
- 00:39:54,625 --> 00:39:55,750
- Not that I'm aware of.
- 594
- 00:39:57,083 --> 00:40:00,041
- Ricky got drunk
- and crashed his car last night.
- 595
- 00:40:00,125 --> 00:40:01,458
- He's in coma.
- 596
- 00:40:01,541 --> 00:40:02,916
- I heard he was crushed.
- 597
- 00:40:04,000 --> 00:40:04,958
- By the car?
- 598
- 00:40:05,666 --> 00:40:07,833
- Your review. Arschloch.
- 599
- 00:40:17,916 --> 00:40:20,875
- [Josephina] What do you mean, Bryson's
- moving some of the art to storage?
- 600
- 00:40:20,958 --> 00:40:23,083
- Well, if De Beers released
- all their diamonds,
- 601
- 00:40:23,166 --> 00:40:24,583
- they'd be cheap as cut glass.
- 602
- 00:40:24,833 --> 00:40:26,875
- Didn't they teach
- any of this in art school?
- 603
- 00:40:26,958 --> 00:40:28,708
- How many are we saying he made?
- 604
- 00:40:28,958 --> 00:40:32,875
- Well, their value's their scarcity,
- so it's not what we say. It's the reality.
- 605
- 00:40:32,958 --> 00:40:35,916
- The reality is we have over
- one thousand pieces stored upstairs.
- 606
- 00:40:36,083 --> 00:40:37,750
- Well, that's nonsense.
- [chuckles]
- 607
- 00:40:37,833 --> 00:40:40,083
- Why, I doubt if it's even
- half that number.
- 608
- 00:40:40,166 --> 00:40:41,583
- [Josephina]
- What have you done?
- 609
- 00:40:41,666 --> 00:40:45,750
- [Rhodora] Removed them from circulation.
- Locking them away for a rainy day.
- 610
- 00:41:40,500 --> 00:41:42,500
- [somber music]
- 611
- 00:42:06,208 --> 00:42:08,208
- [truck accelerates]
- 612
- 00:42:12,958 --> 00:42:14,083
- [lighter clicks]
- 613
- 00:42:35,375 --> 00:42:36,208
- Fuck.
- 614
- 00:42:36,875 --> 00:42:37,916
- Fuck! Fuck!
- 615
- 00:42:38,666 --> 00:42:40,458
- [screams] Fuck!
- 616
- 00:42:49,208 --> 00:42:51,166
- [grunts]
- [breathes heavily]
- 617
- 00:42:59,125 --> 00:43:00,500
- [shouts]
- 618
- 00:43:13,541 --> 00:43:16,041
- - [door opens]
- - [grunts]
- 619
- 00:43:21,625 --> 00:43:23,666
- Oh! Shit. Shit!
- 620
- 00:43:33,583 --> 00:43:34,916
- Oh, shit.
- 621
- 00:43:41,500 --> 00:43:42,500
- [yells] Hello?
- 622
- 00:43:45,500 --> 00:43:46,416
- [slams door]
- 623
- 00:43:51,416 --> 00:43:53,416
- [mysterious music]
- 624
- 00:44:09,166 --> 00:44:10,500
- [breathing heavily]
- 625
- 00:44:23,500 --> 00:44:25,500
- [grunts and groans]
- 626
- 00:44:39,750 --> 00:44:42,500
- [screams]
- 627
- 00:44:42,583 --> 00:44:44,583
- [monkey chatters angrily]
- 628
- 00:44:46,458 --> 00:44:48,458
- [screams continue]
- 629
- 00:44:56,541 --> 00:44:58,541
- [door buzzer rings]
- 630
- 00:44:59,125 --> 00:45:00,291
- Howzit? It's Dondon.
- 631
- 00:45:03,166 --> 00:45:04,583
- [door unlocks]
- 632
- 00:45:05,166 --> 00:45:07,166
- [door buzzer rings]
- 633
- 00:45:10,666 --> 00:45:13,750
- - [dog growls]
- - {Piers] Easy, boy. Not yet.
- 634
- 00:45:16,458 --> 00:45:18,458
- Studio visit. I'm excited.
- 635
- 00:45:19,791 --> 00:45:22,458
- I can't stomach cheery or upbeat.
- 636
- 00:45:22,541 --> 00:45:24,541
- I'm not an idiot. Remember that.
- 637
- 00:45:24,625 --> 00:45:26,333
- Hey, I'm honored
- to be your new representative
- 638
- 00:45:26,416 --> 00:45:27,541
- and see what you've been up to.
- 639
- 00:45:27,625 --> 00:45:28,750
- I just bet you are.
- 640
- 00:45:28,833 --> 00:45:31,250
- So, this is where the magic happens?
- 641
- 00:45:32,166 --> 00:45:33,291
- Is that a joke?
- 642
- 00:45:34,416 --> 00:45:35,250
- Sorry?
- 643
- 00:45:36,416 --> 00:45:39,125
- This is repros and replicas.
- 644
- 00:45:39,458 --> 00:45:41,041
- Studio's upstairs.
- 645
- 00:45:41,416 --> 00:45:42,833
- Rupert, up.
- 646
- 00:46:00,458 --> 00:46:02,791
- This is remarkable.
- 647
- 00:46:04,541 --> 00:46:05,500
- It's not art.
- 648
- 00:46:09,000 --> 00:46:10,375
- [Jon mutters]
- 649
- 00:46:19,625 --> 00:46:20,625
- [sighs]
- 650
- 00:46:31,291 --> 00:46:32,125
- [Piers] Well?
- 651
- 00:46:34,208 --> 00:46:35,125
- Well, I...
- 652
- 00:46:35,500 --> 00:46:38,708
- I'm just soaking it in.
- It's thrilling to see a work in progress.
- 653
- 00:46:39,041 --> 00:46:42,875
- Just give me an honest goddamn opinion
- about what you're looking at.
- 654
- 00:46:44,458 --> 00:46:47,166
- I can see a line
- with your body of work. So...
- 655
- 00:46:47,666 --> 00:46:49,416
- So, I'm copying myself?
- 656
- 00:46:49,500 --> 00:46:51,416
- It's not copying if it's your canon.
- 657
- 00:46:53,000 --> 00:46:54,458
- I thought your studio was downtown.
- 658
- 00:46:56,250 --> 00:46:58,208
- Too many addiction triggers.
- 659
- 00:46:59,041 --> 00:47:01,958
- - I worked here the last year.
- - Well, I--Â [chuckles]
- 660
- 00:47:02,041 --> 00:47:04,375
- I'd love to see all the new work
- you've done since moving,
- 661
- 00:47:04,458 --> 00:47:07,708
- because the team is geared up and ready
- to sell every new piece you have.
- 662
- 00:47:21,958 --> 00:47:23,916
- [scoffs]
- Right.
- 663
- 00:47:26,291 --> 00:47:27,375
- Sure, of course.
- 664
- 00:47:29,000 --> 00:47:31,666
- No, you've... you've been gestating.
- 665
- 00:47:32,708 --> 00:47:34,708
- Gestation implies birth.
- 666
- 00:47:35,250 --> 00:47:38,833
- Ideas come, but they kill themselves
- as soon as they appear.
- 667
- 00:47:40,083 --> 00:47:41,541
- This is a slaughterhouse.
- 668
- 00:47:42,666 --> 00:47:43,958
- Welcome aboard.
- 669
- 00:47:53,375 --> 00:47:56,583
- [detective] When we got the call,
- it took us a few days to locate you.
- 670
- 00:47:57,250 --> 00:47:58,375
- We've been busy.
- 671
- 00:47:58,791 --> 00:48:01,458
- Now, it looks he slid
- into the side of a gas station
- 672
- 00:48:01,541 --> 00:48:03,666
- out in Angeles National Forest.
- 673
- 00:48:04,041 --> 00:48:05,791
- Place has been closed for years.
- 674
- 00:48:07,833 --> 00:48:09,250
- What caused the crash?
- 675
- 00:48:09,791 --> 00:48:10,625
- Don't know.
- 676
- 00:48:11,500 --> 00:48:13,625
- Think he may have hit his head
- and wandered off.
- 677
- 00:48:15,208 --> 00:48:16,708
- It's easy to get lost out there.
- 678
- 00:48:18,291 --> 00:48:19,541
- Was anything recovered?
- 679
- 00:48:19,625 --> 00:48:21,250
- Well, we put it in the back here.
- 680
- 00:48:21,333 --> 00:48:24,750
- We think the vehicle may have been
- vandalized before we located it.
- 681
- 00:48:25,291 --> 00:48:27,000
- There's a big homeless camp near there.
- 682
- 00:48:27,208 --> 00:48:29,208
- They would've cleaned it out
- if they found it first.
- 683
- 00:48:29,791 --> 00:48:31,958
- Was there anything of value
- you know was inside?
- 684
- 00:48:33,083 --> 00:48:33,916
- [Rhodora] No.
- 685
- 00:48:34,791 --> 00:48:35,958
- Not that I know of.
- 686
- 00:48:37,208 --> 00:48:38,500
- This is all you found?
- 687
- 00:48:39,208 --> 00:48:40,541
- Uh, no.
- 688
- 00:48:41,166 --> 00:48:42,166
- There was this.
- 689
- 00:48:46,000 --> 00:48:47,125
- [Josephina] Where did he go?
- 690
- 00:48:47,833 --> 00:48:49,000
- Where's the art?
- 691
- 00:48:49,291 --> 00:48:50,916
- Why would you trust him
- in the first place?
- 692
- 00:48:51,000 --> 00:48:52,750
- I didn't tell him what was in the crates.
- 693
- 00:48:52,875 --> 00:48:56,375
- All he had to do was deliver them
- to a warehouse in Lancaster.
- 694
- 00:48:56,458 --> 00:48:58,708
- This shit goes sideways,
- and I'm telling you straight up,
- 695
- 00:48:58,791 --> 00:49:01,958
- I will say this was all your idea.
- I had nothing to do with it.
- 696
- 00:49:05,833 --> 00:49:06,916
- [line ringing]
- 697
- 00:49:07,291 --> 00:49:09,666
- This is Bryson's phone.
- Obviously, I didn't pick up.
- 698
- 00:49:10,708 --> 00:49:13,083
- Bryson, it's me.
- 699
- 00:49:14,041 --> 00:49:15,625
- Where the fuck are you?
- 700
- 00:49:17,250 --> 00:49:20,041
- You trying to strong-arm me,
- cash in on your own? What?
- 701
- 00:49:20,125 --> 00:49:22,125
- [car accelerates]
- 702
- 00:49:24,208 --> 00:49:26,208
- Don't fuck with me, Bryson. Call me.
- 703
- 00:49:29,750 --> 00:49:31,166
- [Morf] I came at the right time.
- 704
- 00:49:31,250 --> 00:49:33,208
- - [chuckles]
- - [chuckles] No, no. Not now.
- 705
- 00:49:33,291 --> 00:49:34,250
- I have a lot to do.
- 706
- 00:49:35,083 --> 00:49:38,958
- - Wha... It's not for three hours.
- - It'll take me that long to get ready.
- 707
- 00:49:39,500 --> 00:49:40,708
- It's just a fundraiser.
- 708
- 00:49:41,666 --> 00:49:43,125
- There's going to be pictures.
- 709
- 00:49:43,625 --> 00:49:46,333
- Our first time out.
- This is super important to me.
- 710
- 00:49:46,916 --> 00:49:48,000
- I wanna look good.
- 711
- 00:49:48,541 --> 00:49:50,250
- Mmm, I found a sick dress.
- 712
- 00:49:51,375 --> 00:49:54,000
- This sofa's completely too small
- for the ceiling height.
- 713
- 00:49:54,500 --> 00:49:55,625
- It swims in here.
- 714
- 00:49:59,750 --> 00:50:02,875
- So, I've been cataloging
- paintings for the book.
- 715
- 00:50:04,666 --> 00:50:06,000
- Something doesn't add up.
- 716
- 00:50:06,833 --> 00:50:07,666
- What's that?
- 717
- 00:50:09,458 --> 00:50:12,583
- There's almost no studies or sketches.
- They seem to be missing.
- 718
- 00:50:13,666 --> 00:50:16,666
- As well as large gaps
- from different periods of his work.
- 719
- 00:50:19,833 --> 00:50:21,125
- He dated them, you know.
- 720
- 00:50:22,000 --> 00:50:24,000
- No, everything I found is there.
- 721
- 00:50:24,291 --> 00:50:25,875
- Trust me, I'd know.
- 722
- 00:50:26,750 --> 00:50:29,875
- Hey, I've got some
- great champagne in the fridge.
- 723
- 00:50:29,958 --> 00:50:31,375
- Open it while we get ready.
- 724
- 00:50:40,333 --> 00:50:42,333
- [woman speaking Italian]
- 725
- 00:50:48,541 --> 00:50:51,416
- [Jon in Italian]
- Stop by before you leave. [kisses]
- 726
- 00:50:52,208 --> 00:50:55,208
- Your three o'clock is here.
- Interview for the archivist opening.
- 727
- 00:50:58,250 --> 00:50:59,250
- You're too young.
- 728
- 00:51:01,750 --> 00:51:02,666
- [Coco] Uh...
- 729
- 00:51:03,458 --> 00:51:04,958
- I'm twenty-two.
- 730
- 00:51:05,416 --> 00:51:08,041
- The position requires someone
- with years of experience.
- 731
- 00:51:08,291 --> 00:51:09,916
- Stop back when you're forty, eh?
- 732
- 00:51:11,333 --> 00:51:12,166
- That's it?
- 733
- 00:51:12,625 --> 00:51:14,041
- That is it.
- 734
- 00:51:21,750 --> 00:51:22,916
- You worked for Rhodora?
- 735
- 00:51:27,666 --> 00:51:29,208
- Just for a few weeks.
- 736
- 00:51:29,291 --> 00:51:31,750
- So, the non-compete clause doesn't apply.
- 737
- 00:51:32,208 --> 00:51:34,375
- - She fired you?
- - I was on a break.
- 738
- 00:51:34,458 --> 00:51:37,041
- A man walked in and talked to her,
- and she never let it go.
- 739
- 00:51:37,125 --> 00:51:38,666
- You were there for the Dease opening?
- 740
- 00:51:40,125 --> 00:51:42,416
- - It was a zoo.
- - You know how much she generated?
- 741
- 00:51:43,458 --> 00:51:45,125
- - I saw the numbers.
- - The buyers list?
- 742
- 00:51:46,416 --> 00:51:47,250
- Every name.
- 743
- 00:51:48,500 --> 00:51:50,416
- - Your client bought two.
- - [chuckles]
- 744
- 00:51:51,083 --> 00:51:52,125
- Very resourceful.
- 745
- 00:51:53,916 --> 00:51:56,125
- I've learned that you have to be.
- 746
- 00:51:59,333 --> 00:52:04,500
- Rhodora had, um, a file on Dease
- that she kept locked away.
- 747
- 00:52:05,875 --> 00:52:08,000
- One day I found the key and...
- 748
- 00:52:09,166 --> 00:52:11,583
- it was a very interesting read.
- 749
- 00:52:11,666 --> 00:52:12,666
- [chuckles]
- 750
- 00:52:13,166 --> 00:52:14,750
- You know what? I might have an opening.
- 751
- 00:52:16,291 --> 00:52:18,583
- Come back to my office
- and tell me what else you heard.
- 752
- 00:52:31,166 --> 00:52:32,625
- [car alarm beep]
- 753
- 00:52:32,875 --> 00:52:36,625
- [Gretchen] Ah, I do miss it here.
- 754
- 00:52:36,708 --> 00:52:40,541
- The camaraderie, the purity of purpose,
- 755
- 00:52:41,083 --> 00:52:44,833
- the Tuesday meatloaf
- as the cafe overlooking the tar pits.
- 756
- 00:52:44,916 --> 00:52:48,666
- - [chuckles]
- - Well, on to Vetril Dease.
- 757
- 00:52:49,083 --> 00:52:52,250
- In the united federation of the universe,
- 758
- 00:52:52,333 --> 00:52:55,875
- I doubt there is a hotter artist
- at the moment.
- 759
- 00:52:56,000 --> 00:52:59,208
- Do you know, since the exhibit opening,
- he's actually trending on Twitter.
- 760
- 00:52:59,291 --> 00:53:00,916
- We're interested in showing him.
- 761
- 00:53:01,000 --> 00:53:02,875
- How many pieces are we talking about?
- 762
- 00:53:02,958 --> 00:53:05,416
- I can supply two owned by my client.
- 763
- 00:53:05,500 --> 00:53:08,125
- And another ten on loan
- from the Haze Gallery.
- 764
- 00:53:09,000 --> 00:53:13,250
- Send dimensions and JPEGs for the group,
- and we'll aim for a spot next season.
- 765
- 00:53:13,333 --> 00:53:14,833
- [chuckles]
- 766
- 00:53:15,291 --> 00:53:17,208
- I want them exhibited ASAP.
- 767
- 00:53:17,708 --> 00:53:19,541
- Main hall, new wing.
- 768
- 00:53:20,125 --> 00:53:22,500
- - Event marketing.
- - You know we have a process, Gretchen.
- 769
- 00:53:22,583 --> 00:53:27,500
- Ooh! I had a glorious concept
- to support my former employer,
- 770
- 00:53:27,583 --> 00:53:30,875
- and supposed premier
- contemporary art museum of Los Angeles,
- 771
- 00:53:30,958 --> 00:53:33,166
- with a first showing of a Dease!
- 772
- 00:53:33,250 --> 00:53:35,500
- We appreciate the significance,
- 773
- 00:53:35,583 --> 00:53:37,333
- but there is the issue of space.
- 774
- 00:53:37,500 --> 00:53:41,500
- Well, move Banyo's Horse Penis
- or the Jeweled Vagina.
- 775
- 00:53:41,583 --> 00:53:43,791
- Put one inside the other for all I care.
- 776
- 00:53:43,875 --> 00:53:47,125
- There is a tax issue, and my client
- wants his Dease exhibited immediately.
- 777
- 00:53:47,208 --> 00:53:51,000
- Now, in return for my very generous offer,
- 778
- 00:53:51,375 --> 00:53:54,041
- I also want Minkins'Â Sphere to be shown.
- 779
- 00:53:54,125 --> 00:53:56,041
- Oh, come on, Gretchen,
- this isn't a rug bazaar.
- 780
- 00:53:56,125 --> 00:53:58,416
- No, it's an equation
- with a solution at the end.
- 781
- 00:53:59,041 --> 00:54:00,250
- And if you can't grasp that,
- 782
- 00:54:00,333 --> 00:54:03,458
- there are other museums,
- I assure you, that will.
- 783
- 00:54:05,000 --> 00:54:05,958
- [Jim] Ah.
- 784
- 00:54:09,083 --> 00:54:10,000
- Kisses.
- 785
- 00:54:30,375 --> 00:54:32,083
- [car alarm beep]
- 786
- 00:54:33,625 --> 00:54:35,666
- [suspenseful music]
- 787
- 00:55:03,458 --> 00:55:04,416
- - [loud bang]
- - Oh!
- 788
- 00:55:06,458 --> 00:55:08,041
- [exhales] Sorry.
- 789
- 00:55:09,083 --> 00:55:10,291
- I didn't see you there.
- 790
- 00:55:13,291 --> 00:55:15,625
- Hi. I'm Morf Vandewalt.
- 791
- 00:55:15,708 --> 00:55:18,375
- I'm here researching Vetril Dease.
- 792
- 00:55:18,958 --> 00:55:22,625
- - I'm... writing a book about him.
- - What for?
- 793
- 00:55:26,291 --> 00:55:30,625
- He's... He's become a prominent artist
- in... in the outsider school.
- 794
- 00:55:30,916 --> 00:55:32,666
- Did... Did you work with him?
- 795
- 00:55:34,041 --> 00:55:35,083
- Eighteen years.
- 796
- 00:55:36,875 --> 00:55:38,500
- [Morf] Well, it would be extremely helpful
- 797
- 00:55:38,583 --> 00:55:40,250
- if we could arrange a time
- to talk in depth.
- 798
- 00:55:40,375 --> 00:55:43,875
- You see, I have so many questions,
- and there's so few people who knew him.
- 799
- 00:55:45,666 --> 00:55:47,333
- There was a vet you could've talked to.
- 800
- 00:55:48,583 --> 00:55:50,958
- He had a few medals and a loud mouth.
- 801
- 00:55:51,041 --> 00:55:54,625
- [grunts] Liked to ride people,
- particularly Dease.
- 802
- 00:55:55,458 --> 00:55:58,000
- [grunts] He wound up dead in a field.
- 803
- 00:55:58,583 --> 00:55:59,791
- Hands tied.
- 804
- 00:56:00,916 --> 00:56:02,416
- Never found who did it.
- 805
- 00:56:03,083 --> 00:56:04,000
- [grunts]
- 806
- 00:56:05,833 --> 00:56:07,541
- So, you're saying it was Dease?
- 807
- 00:56:08,041 --> 00:56:10,000
- - [screams] Damn it!
- - Oh! Jesus.
- 808
- 00:56:12,791 --> 00:56:15,166
- I'm saying you left him the fuck alone.
- 809
- 00:56:17,458 --> 00:56:19,083
- Look, I have nothing more to say.
- 810
- 00:56:19,166 --> 00:56:21,291
- And you can tell
- that other damn fella that, too.
- 811
- 00:56:21,541 --> 00:56:22,583
- Who?
- 812
- 00:56:23,208 --> 00:56:24,833
- The one who came by here yesterday.
- 813
- 00:56:25,375 --> 00:56:26,916
- I don't know who that would be.
- 814
- 00:56:27,666 --> 00:56:28,708
- [exhales]
- 815
- 00:56:29,458 --> 00:56:30,291
- Here.
- 816
- 00:56:37,750 --> 00:56:40,416
- [P.I.] Well, we've corroborated
- Dease's twenty-year incarceration,
- 817
- 00:56:40,541 --> 00:56:43,083
- using court documents, police records,
- 818
- 00:56:43,625 --> 00:56:44,833
- and work history.
- 819
- 00:56:45,791 --> 00:56:48,750
- Dease left
- the Good Templars Orphanage at 18.
- 820
- 00:56:49,666 --> 00:56:52,541
- He was drafted.
- Served two years in the army.
- 821
- 00:56:53,250 --> 00:56:54,416
- And when he got out,
- 822
- 00:56:54,875 --> 00:56:56,875
- he suffered some sort of a breakdown.
- 823
- 00:56:58,166 --> 00:56:59,083
- At that point,
- 824
- 00:56:59,875 --> 00:57:02,875
- he tracked down his abusive father
- and murdered him.
- 825
- 00:57:03,541 --> 00:57:05,083
- He didn't kill him right away, though.
- 826
- 00:57:06,333 --> 00:57:07,875
- He dragged it out for days,
- 827
- 00:57:07,958 --> 00:57:10,750
- torturing him, then burning him alive.
- 828
- 00:57:11,875 --> 00:57:15,958
- Dease spent two decades in a psychiatric
- hospital for the criminally insane.
- 829
- 00:57:16,625 --> 00:57:19,458
- The facility used inmates
- for medical experiments.
- 830
- 00:57:20,750 --> 00:57:22,250
- Injections, shocks.
- 831
- 00:57:22,333 --> 00:57:23,666
- God knows what else.
- 832
- 00:57:24,083 --> 00:57:25,250
- [electricity buzzes]
- 833
- 00:57:26,083 --> 00:57:27,541
- They were human guinea pigs.
- 834
- 00:57:27,833 --> 00:57:29,833
- Dease got released
- when the courts closed it.
- 835
- 00:57:30,041 --> 00:57:31,041
- From there he goes to LA
- 836
- 00:57:31,375 --> 00:57:34,208
- and got a job at the veterans home
- and lived off the grid.
- 837
- 00:57:35,125 --> 00:57:38,333
- No bank account, car, license.
- 838
- 00:57:39,041 --> 00:57:40,541
- Couldn't even find a usable photo.
- 839
- 00:57:41,666 --> 00:57:44,166
- And you verified all this?
- You're sure?
- 840
- 00:57:44,916 --> 00:57:45,958
- It all checked out.
- 841
- 00:57:46,458 --> 00:57:47,458
- Those are the facts.
- 842
- 00:57:48,083 --> 00:57:50,541
- All right, I'm gonna release this
- tomorrow. I'm gonna need you
- 843
- 00:57:50,625 --> 00:57:53,000
- to speak to the press,
- attesting to your credentials,
- 844
- 00:57:53,083 --> 00:57:54,916
- the authenticity
- of what's in the file, and...
- 845
- 00:57:55,000 --> 00:57:59,541
- and the atrocious and disturbing nature
- of what you found, et cetera, et cetera.
- 846
- 00:58:01,291 --> 00:58:04,250
- I thought this kind of stuff
- would raise the value of his work.
- 847
- 00:58:04,333 --> 00:58:05,458
- Oh, no, no.
- 848
- 00:58:06,125 --> 00:58:07,375
- This is another level.
- 849
- 00:58:08,625 --> 00:58:10,791
- - Have a good night.
- - Nighty-night.
- 850
- 00:58:23,166 --> 00:58:25,041
- You've reached Morf. Leave a message.
- 851
- 00:58:25,791 --> 00:58:27,250
- Howzit, Morf? It's Jon.
- 852
- 00:58:27,333 --> 00:58:30,208
- Give me a call back as soon as you can.
- I have something regarding Dease.
- 853
- 00:58:30,291 --> 00:58:31,875
- I think might interest you greatly.
- 854
- 00:58:32,625 --> 00:58:34,625
- [mysterious music]
- 855
- 00:58:41,416 --> 00:58:43,416
- [projector sound in distance]
- 856
- 00:58:45,416 --> 00:58:47,416
- [whirring]
- 857
- 00:58:52,416 --> 00:58:53,250
- Hello?
- 858
- 00:58:54,500 --> 00:58:56,333
- [mysterious music intensifies]
- 859
- 00:59:24,458 --> 00:59:26,583
- [projector continues]
- 860
- 00:59:28,833 --> 00:59:30,041
- [clunks]
- 861
- 00:59:46,250 --> 00:59:47,916
- [rumbling]
- 862
- 00:59:57,125 --> 00:59:59,125
- [mysterious music continues]
- 863
- 01:00:04,000 --> 01:00:05,541
- Hello? [slamming door]
- 864
- 01:00:11,166 --> 01:00:12,416
- What the hell?
- 865
- 01:00:40,416 --> 01:00:42,291
- [projector stops]
- 866
- 01:01:02,791 --> 01:01:04,791
- [mysterious music intensifies]
- 867
- 01:01:08,541 --> 01:01:09,708
- [gasps]
- 868
- 01:01:20,958 --> 01:01:22,958
- [mysterious music ends]
- 869
- 01:01:39,458 --> 01:01:40,458
- Jon?
- 870
- 01:01:47,458 --> 01:01:49,458
- [wind blowing]
- 871
- 01:02:06,833 --> 01:02:07,833
- Jon?
- 872
- 01:02:08,333 --> 01:02:09,875
- [screams]
- 873
- 01:02:13,083 --> 01:02:14,666
- [breathes heavily]
- 874
- 01:02:18,041 --> 01:02:20,041
- [funeral organ music]
- 875
- 01:02:21,250 --> 01:02:23,875
- [Morf] Oh, we are just stuck in here,
- aren't we?
- 876
- 01:02:25,875 --> 01:02:28,166
- What is with that cheesy organ music?
- 877
- 01:02:36,041 --> 01:02:37,875
- And that casket. What color is that?
- 878
- 01:02:37,958 --> 01:02:40,750
- Smog orange? Did he buy it on sale?
- 879
- 01:02:40,833 --> 01:02:42,375
- [chuckles] Not so loud.
- 880
- 01:02:43,416 --> 01:02:47,166
- Seriously, imagine having to spend
- an eternity in that.
- 881
- 01:02:47,250 --> 01:02:50,000
- Jesus.
- Nothing is ever good enough for you.
- 882
- 01:02:51,625 --> 01:02:53,541
- Well, it's my job. I'm selective.
- 883
- 01:02:54,958 --> 01:02:56,250
- What are you even saying?
- 884
- 01:02:56,916 --> 01:02:58,375
- Toss out taste and standards?
- 885
- 01:02:58,708 --> 01:02:59,958
- Whisper the truth?
- 886
- 01:03:01,250 --> 01:03:03,083
- What a tragic world that would be.
- 887
- 01:03:04,791 --> 01:03:05,958
- Oh, hi.
- 888
- 01:03:07,166 --> 01:03:08,125
- I'm Josephina.
- 889
- 01:03:09,041 --> 01:03:11,500
- I work with Rhodora.
- I'm a partner at the gallery.
- 890
- 01:03:11,583 --> 01:03:15,000
- - Oh, yeah. Damrish.
- - Oh, of course. [stammers]
- 891
- 01:03:15,083 --> 01:03:18,833
- - I am just such a huge fan your work.
- - Thank you.
- 892
- 01:03:19,041 --> 01:03:20,708
- I do the Dease collection.
- 893
- 01:03:22,291 --> 01:03:23,625
- It's otherworldly.
- 894
- 01:03:24,208 --> 01:03:26,541
- - Thank you.
- - Your review of Hoboman killed the sale.
- 895
- 01:03:26,666 --> 01:03:29,416
- Instead of being seen,
- it's gathering dust at a storage facility.
- 896
- 01:03:29,958 --> 01:03:31,708
- I am not your mouthpiece.
- 897
- 01:03:33,041 --> 01:03:34,291
- [sighs deeply]
- 898
- 01:03:43,000 --> 01:03:43,958
- God.
- 899
- 01:03:45,500 --> 01:03:47,333
- We competed for everything,
- 900
- 01:03:48,208 --> 01:03:51,208
- but I absolutely despise
- being here for this.
- 901
- 01:03:52,333 --> 01:03:55,125
- I mean, what was he facing,
- to do something like that?
- 902
- 01:03:56,583 --> 01:04:00,166
- He was his usual shallow self
- the last time we spoke.
- 903
- 01:04:03,125 --> 01:04:04,708
- Started drinking again.
- 904
- 01:04:04,791 --> 01:04:06,291
- Ooh, happy days.
- 905
- 01:04:07,375 --> 01:04:11,458
- [clears throat] Um, this here
- is for family and friends only.
- 906
- 01:04:11,958 --> 01:04:12,958
- Mmm.
- 907
- 01:04:13,333 --> 01:04:16,041
- Well, Jon started at my gallery, so...
- 908
- 01:04:16,375 --> 01:04:18,625
- I mean, where the hell else would I sit?
- 909
- 01:04:21,250 --> 01:04:23,541
- [clergyman]
- Ladies and gentleman, if we may begin.
- 910
- 01:04:24,916 --> 01:04:26,666
- - [Josephina breathing heavily]
- - [Morf moaning]
- 911
- 01:04:26,833 --> 01:04:29,958
- - Did you take a Viagra or something?
- - [Morf grunts] I'm almost there.
- 912
- 01:04:31,625 --> 01:04:33,708
- - [Josephina] No. I'm going on my back.
- - [grunts]
- 913
- 01:04:33,875 --> 01:04:36,375
- - [Morf] No.
- - I can't stay like this.
- 914
- 01:04:37,958 --> 01:04:39,166
- [Josephina moans]
- 915
- 01:04:39,666 --> 01:04:43,375
- Yeah, yeah, yeah, yeah!
- [moans]
- 916
- 01:04:44,083 --> 01:04:44,958
- Open your eyes.
- 917
- 01:04:49,250 --> 01:04:51,583
- [grunts] I'm down here.
- 918
- 01:04:53,291 --> 01:04:54,291
- [moans]
- 919
- 01:04:54,375 --> 01:04:55,500
- [gasps]
- 920
- 01:04:55,583 --> 01:04:57,250
- Oh, God damn it.
- 921
- 01:04:59,125 --> 01:05:00,166
- Something's wrong.
- 922
- 01:05:00,625 --> 01:05:03,458
- We've got a fucking problem. Literally.
- 923
- 01:05:03,541 --> 01:05:05,458
- I'm seeing things, um...
- 924
- 01:05:06,666 --> 01:05:07,833
- Things moving.
- 925
- 01:05:09,083 --> 01:05:11,083
- Seriously, I'm really scared.
- 926
- 01:05:11,500 --> 01:05:13,041
- I was turned on by your passion,
- 927
- 01:05:13,125 --> 01:05:14,958
- from listening to your intelligent mind,
- 928
- 01:05:15,041 --> 01:05:17,083
- and now you've turned into
- I don't know what.
- 929
- 01:05:20,333 --> 01:05:22,333
- Your reviews have fallen off,
- 930
- 01:05:23,166 --> 01:05:25,166
- and you still have feelings for Ed,
- admit it.
- 931
- 01:05:25,250 --> 01:05:26,916
- I do not have feelings for Ed.
- 932
- 01:05:27,291 --> 01:05:30,625
- Gretchen ran into him, and he said that
- you two were talking and working it out.
- 933
- 01:05:30,708 --> 01:05:32,166
- Well, Ed is a big liar,
- 934
- 01:05:32,416 --> 01:05:33,750
- and Gretchen is a bitch!
- 935
- 01:05:33,833 --> 01:05:37,541
- - I checked your phone. You made six calls.
- - He was moving out, we were coordinating.
- 936
- 01:05:37,625 --> 01:05:39,458
- What do you mean,
- my reviews have fallen off?
- 937
- 01:05:40,208 --> 01:05:41,500
- You're right.
- 938
- 01:05:41,583 --> 01:05:43,666
- Your edge. Makes sense.
- 939
- 01:05:43,750 --> 01:05:46,750
- You don't know what you like
- or even want.
- 940
- 01:05:47,250 --> 01:05:48,833
- I'll tell you what I did like.
- 941
- 01:05:49,250 --> 01:05:50,916
- [raised voice] Ricky Blane's show.
- 942
- 01:05:51,000 --> 01:05:53,041
- But you jammed me to crush him!
- 943
- 01:05:53,625 --> 01:05:55,083
- Don't lay that on me.
- 944
- 01:05:55,291 --> 01:05:58,166
- Like he was your first bad review.
- Gimme a break.
- 945
- 01:05:59,875 --> 01:06:01,500
- I'm not saying that I blame you.
- 946
- 01:06:01,583 --> 01:06:03,875
- - I'm saying that I regret it.
- - [crying]
- 947
- 01:06:06,500 --> 01:06:07,583
- Hey, uh...
- 948
- 01:06:10,166 --> 01:06:13,000
- I think that I've been staring too long
- 949
- 01:06:13,083 --> 01:06:16,083
- at all this Dease art
- and all his material.
- 950
- 01:06:17,041 --> 01:06:20,250
- I'm... I'm gonna get my vision checked.
- This will pass.
- 951
- 01:06:20,875 --> 01:06:22,333
- - Hey.
- - [breathing heavily]
- 952
- 01:06:24,208 --> 01:06:26,250
- Listen to my intelligent mind.
- 953
- 01:06:36,500 --> 01:06:37,333
- [Piers] Well?
- 954
- 01:06:37,583 --> 01:06:39,000
- I'm not pickled.
- 955
- 01:06:40,583 --> 01:06:43,458
- It's a small step, I suppose,
- toward something, but
- 956
- 01:06:44,000 --> 01:06:45,041
- let's talk turkey.
- 957
- 01:06:45,666 --> 01:06:47,416
- What are you afraid of?
- 958
- 01:06:48,833 --> 01:06:51,041
- We go way, way back.
- 959
- 01:06:53,625 --> 01:06:55,958
- I wanna share with you
- a little somethin' somethin'.
- 960
- 01:07:05,708 --> 01:07:08,291
- "Dependency murders creativity.
- 961
- 01:07:08,791 --> 01:07:11,833
- Creativity plays with the unknown.
- 962
- 01:07:12,791 --> 01:07:17,791
- No strategies exist
- that can enclose the endless realm
- 963
- 01:07:18,458 --> 01:07:19,416
- of the new.
- 964
- 01:07:20,083 --> 01:07:22,208
- Only trust in yourself
- 965
- 01:07:22,291 --> 01:07:24,583
- can carry you past your fears
- 966
- 01:07:25,208 --> 01:07:27,000
- and the already known."
- 967
- 01:07:28,708 --> 01:07:32,083
- That's Polly Anna, 1983.
- 968
- 01:07:32,666 --> 01:07:35,541
- I found it clearing out her apartment
- after she OD'd.
- 969
- 01:07:37,666 --> 01:07:40,416
- I gave up being an artist a long time ago,
- 970
- 01:07:40,958 --> 01:07:42,541
- but I know how this works.
- 971
- 01:07:43,125 --> 01:07:44,625
- Forget about the art world.
- 972
- 01:07:44,708 --> 01:07:47,750
- You need to get away from here,
- from all this. Take a break.
- 973
- 01:07:47,833 --> 01:07:50,500
- Use my beach house and stay there
- 974
- 01:07:50,583 --> 01:07:53,333
- until you do something
- for nobody but yourself.
- 975
- 01:07:59,375 --> 01:08:01,041
- [doctor] Which one's better? One.
- 976
- 01:08:01,958 --> 01:08:03,041
- - Two.
- - [Morf] Two.
- 977
- 01:08:03,125 --> 01:08:06,000
- [doctor] All right. Two.
- One. Better, worse, no different?
- 978
- 01:08:07,875 --> 01:08:08,916
- No different.
- 979
- 01:08:09,666 --> 01:08:11,208
- All right. There we go.
- 980
- 01:08:14,458 --> 01:08:15,833
- All right. Well,
- 981
- 01:08:16,916 --> 01:08:20,458
- your acuity has actually improved
- since your last prescription.
- 982
- 01:08:20,958 --> 01:08:24,000
- I was hoping you'd find something
- to explain what's happening.
- 983
- 01:08:24,166 --> 01:08:26,125
- Mmm. The phantom movements?
- 984
- 01:08:26,625 --> 01:08:28,500
- I think I have Charles Bonnet syndrome.
- 985
- 01:08:28,583 --> 01:08:30,958
- Hallucinations, visions, moving objects.
- 986
- 01:08:31,041 --> 01:08:32,875
- You've been on the Internet. Yeah.
- 987
- 01:08:33,041 --> 01:08:35,791
- [inhales] It's highly doubtful
- in the absence of other factors.
- 988
- 01:08:35,875 --> 01:08:39,416
- But let's make another appointment
- for this week.
- 989
- 01:08:40,083 --> 01:08:43,583
- I dilated your eyes,
- so you have to wear these for a few hours.
- 990
- 01:08:47,125 --> 01:08:48,458
- These are heinous.
- 991
- 01:08:52,375 --> 01:08:53,500
- [car beeps]
- 992
- 01:08:59,250 --> 01:09:00,083
- Shit.
- 993
- 01:09:02,541 --> 01:09:04,541
- - Fuck.
- - [phone rings]
- 994
- 01:09:06,291 --> 01:09:07,625
- Yes, who is this?
- 995
- 01:09:07,708 --> 01:09:10,416
- - It's me.
- - Oh, how clever. You blocked your number.
- 996
- 01:09:10,500 --> 01:09:12,291
- 'Cause you won't answer my calls.
- 997
- 01:09:12,375 --> 01:09:15,791
- Well, after your vile voice message
- yesterday, are you surprised?
- 998
- 01:09:15,875 --> 01:09:17,583
- - Wha-- I-- [grunts]
- - [car approaching]
- 999
- 01:09:19,041 --> 01:09:21,791
- Telling Josephina I am still with Ed?
- 1000
- 01:09:21,875 --> 01:09:24,708
- - Oh! That's my crime?
- - We broke up.
- 1001
- 01:09:24,791 --> 01:09:27,291
- I was coordinating with him moving out.
- 1002
- 01:09:27,833 --> 01:09:30,125
- Honestly, I expected an apology.
- 1003
- 01:09:30,208 --> 01:09:33,958
- Ed said precisely there was more to it
- than that. I merely passed it on.
- 1004
- 01:09:35,541 --> 01:09:37,166
- [muffled shouting] You're a joke!
- 1005
- 01:09:37,875 --> 01:09:40,791
- You have no credibility in any way!
- 1006
- 01:09:40,875 --> 01:09:43,833
- Oh, really? Well, in that case,
- I suppose there's no truth whatsoever
- 1007
- 01:09:43,916 --> 01:09:47,250
- in your little friend Josephina
- sniffing around Damrish, who, might I add,
- 1008
- 01:09:47,333 --> 01:09:50,291
- are literally about to drive off
- into the sunset together.
- 1009
- 01:09:52,541 --> 01:09:53,750
- [car engine starts]
- 1010
- 01:09:55,208 --> 01:09:56,166
- [tires screeching]
- 1011
- 01:10:06,833 --> 01:10:07,666
- [Morf] Gita?
- 1012
- 01:10:09,041 --> 01:10:11,083
- - Yes.
- - Hi.
- 1013
- 01:10:11,208 --> 01:10:13,416
- - I'm Morf Vande--
- - Vandewalt.
- 1014
- 01:10:13,500 --> 01:10:15,875
- - Yes.
- - Of course. I've read you for years.
- 1015
- 01:10:15,958 --> 01:10:17,125
- Yes. [mutters]
- 1016
- 01:10:17,791 --> 01:10:20,333
- Are those the new Persols?
- 1017
- 01:10:21,458 --> 01:10:23,125
- Yeah. That's right.
- 1018
- 01:10:24,041 --> 01:10:24,958
- Mmm.
- 1019
- 01:10:25,833 --> 01:10:27,083
- That's a Freud.
- 1020
- 01:10:27,750 --> 01:10:30,000
- - Yes, it is.
- - I've never seen that one before.
- 1021
- 01:10:30,166 --> 01:10:32,500
- It's been in a crate since '92.
- 1022
- 01:10:32,833 --> 01:10:34,250
- And it's going back in one.
- 1023
- 01:10:35,250 --> 01:10:39,375
- I loved your exhibit brochure
- on Dease, by the way.
- 1024
- 01:10:40,208 --> 01:10:41,083
- Thank you.
- 1025
- 01:10:42,000 --> 01:10:44,875
- As I said on the phone,
- I'm expanding it into a book.
- 1026
- 01:10:45,375 --> 01:10:47,125
- Well, there's enough there for one.
- 1027
- 01:10:48,541 --> 01:10:51,166
- You cataloged the collection presale.
- 1028
- 01:10:51,458 --> 01:10:52,583
- Oh, not cataloged.
- 1029
- 01:10:52,750 --> 01:10:56,958
- My primary focus became
- Dease's distinctive methodology.
- 1030
- 01:10:57,625 --> 01:11:02,166
- I spent three weeks identifying
- conventions, workflow, classifications.
- 1031
- 01:11:02,250 --> 01:11:06,083
- It was almost impossible to delineate
- between working materials and
- 1032
- 01:11:06,791 --> 01:11:08,208
- personal effects.
- 1033
- 01:11:10,000 --> 01:11:12,333
- Frankly, I was glad to finish.
- 1034
- 01:11:12,541 --> 01:11:13,375
- [Morf] Hmm.
- 1035
- 01:11:15,458 --> 01:11:17,500
- Well, I wasn't aware
- there were any personal effects
- 1036
- 01:11:17,583 --> 01:11:19,125
- besides the ones in my possession.
- 1037
- 01:11:20,500 --> 01:11:22,333
- None in a traditional sense.
- 1038
- 01:11:22,416 --> 01:11:24,291
- I mean, as in tissue.
- 1039
- 01:11:24,791 --> 01:11:26,125
- [chuckles]
- 1040
- 01:11:28,458 --> 01:11:29,375
- Paper?
- 1041
- 01:11:30,791 --> 01:11:32,958
- Perhaps you should speak with Rhodora.
- 1042
- 01:11:33,625 --> 01:11:34,958
- Rhodora is...
- 1043
- 01:11:35,833 --> 01:11:37,125
- backing the book.
- 1044
- 01:11:37,458 --> 01:11:41,416
- I have her full support
- and confidence, of course.
- 1045
- 01:11:48,166 --> 01:11:49,958
- Tissue as in blood serum.
- 1046
- 01:11:50,833 --> 01:11:52,791
- The artist's, I assume.
- 1047
- 01:11:52,875 --> 01:11:56,333
- He used it to create
- the reddish blacks and the shadows.
- 1048
- 01:11:57,791 --> 01:11:59,458
- It was in every piece we studied.
- 1049
- 01:12:02,625 --> 01:12:05,583
- [Jim] That is an outrageous request.
- Even coming from you.
- 1050
- 01:12:05,666 --> 01:12:08,083
- I don't get your pushback on a Minkins
- 1051
- 01:12:08,166 --> 01:12:11,583
- retrospective here, in the fall,
- of all his major works.
- 1052
- 01:12:11,666 --> 01:12:13,375
- We already agreed to put up Sphere
- 1053
- 01:12:13,458 --> 01:12:15,375
- in exchange for you
- bringing us twelve Dease.
- 1054
- 01:12:15,458 --> 01:12:19,000
- Seriously, Gretchen, it's rude and dumb.
- If you wanted to ram more
- 1055
- 01:12:19,083 --> 01:12:21,958
- of your collector's hoard down our throats
- to increase their value,
- 1056
- 01:12:22,041 --> 01:12:24,208
- you should have done so
- before the Dease deal was locked,
- 1057
- 01:12:24,291 --> 01:12:26,125
- not the night before the exhibit's open.
- 1058
- 01:12:26,208 --> 01:12:29,416
- I hear marketing has high hopes
- of a traveling Dease collection.
- 1059
- 01:12:29,500 --> 01:12:31,041
- They've even run projections.
- 1060
- 01:12:31,125 --> 01:12:35,208
- [inhales] So, I believe my "leverage"
- looking ahead is considerable.
- 1061
- 01:12:35,291 --> 01:12:36,166
- Mm-mmm.
- 1062
- 01:12:36,250 --> 01:12:38,916
- There's absolutely no space in the fall
- to put on a Minkins show.
- 1063
- 01:12:39,000 --> 01:12:41,250
- Well, I'm going to meet
- with your board tomorrow
- 1064
- 01:12:41,333 --> 01:12:45,166
- and suggest a reduction
- in the emerging artist exhibit.
- 1065
- 01:12:45,958 --> 01:12:47,416
- They don't sell any tickets anyway.
- 1066
- 01:12:48,500 --> 01:12:50,583
- - Over my dead body.
- - [sighs]
- 1067
- 01:12:52,541 --> 01:12:54,541
- [exhales deeply]
- 1068
- 01:12:58,291 --> 01:12:59,708
- [Coco] Um, Gretchen?
- 1069
- 01:13:01,708 --> 01:13:04,291
- The hard copy PR material's been sorted,
- 1070
- 01:13:04,375 --> 01:13:06,666
- and the electronic kits
- get sent at midnight.
- 1071
- 01:13:06,791 --> 01:13:07,708
- Be here early.
- 1072
- 01:13:08,125 --> 01:13:10,458
- And inform me
- of any celebrities or art stars.
- 1073
- 01:13:12,166 --> 01:13:15,291
- Um, if it's all right with you,
- I'd like to go home
- 1074
- 01:13:15,375 --> 01:13:17,000
- and get a few hours of sleep?
- 1075
- 01:13:17,791 --> 01:13:20,458
- Has the lighting been corrected on Sphere?
- 1076
- 01:13:21,166 --> 01:13:23,500
- Oh, the side lights, yes.
- I had them leave it lit,
- 1077
- 01:13:23,583 --> 01:13:25,000
- so you could see it when you leave.
- 1078
- 01:13:26,500 --> 01:13:27,416
- Then run along.
- 1079
- 01:13:30,625 --> 01:13:31,625
- [Coco] Good night.
- 1080
- 01:13:39,958 --> 01:13:41,208
- [door opens]
- 1081
- 01:13:43,916 --> 01:13:45,208
- [door closes]
- 1082
- 01:13:45,666 --> 01:13:47,666
- [ominous music]
- 1083
- 01:14:09,375 --> 01:14:11,375
- [giggles]
- 1084
- 01:14:34,041 --> 01:14:36,041
- [ominous music intensifies]
- 1085
- 01:15:03,458 --> 01:15:04,375
- [scoffs]
- 1086
- 01:15:05,750 --> 01:15:06,875
- [exhales]
- 1087
- 01:15:08,541 --> 01:15:09,791
- [music sting]
- 1088
- 01:15:11,166 --> 01:15:12,333
- [stutters loudly]
- 1089
- 01:15:14,416 --> 01:15:16,625
- [shouting] Help!
- [screams]
- 1090
- 01:15:18,000 --> 01:15:19,083
- Help!
- 1091
- 01:15:20,500 --> 01:15:22,500
- - [arm crunching]
- - [screams]
- 1092
- 01:15:33,750 --> 01:15:38,208
- [“Für Elise†ringtone playing]
- 1093
- 01:15:38,291 --> 01:15:39,208
- Hello.
- 1094
- 01:15:41,875 --> 01:15:42,708
- No.
- 1095
- 01:15:44,583 --> 01:15:45,458
- When?
- 1096
- 01:15:46,500 --> 01:15:47,333
- This morning.
- 1097
- 01:15:49,166 --> 01:15:51,125
- Somehow she got stuck inside of it.
- 1098
- 01:15:53,000 --> 01:15:57,541
- There was some kind of malfunction,
- and I guess it just, like,
- 1099
- 01:15:58,416 --> 01:16:01,041
- completely took her arm off
- and she bled to death.
- 1100
- 01:16:02,333 --> 01:16:03,291
- It was horrible.
- 1101
- 01:16:04,791 --> 01:16:07,291
- Security guards thought
- it was part of a new installation,
- 1102
- 01:16:07,375 --> 01:16:09,208
- so they just opened up and let people in.
- 1103
- 01:16:10,916 --> 01:16:13,333
- The Dease pop-up announcement
- was blasted last night,
- 1104
- 01:16:13,416 --> 01:16:14,791
- so everyone was heading there.
- 1105
- 01:16:16,416 --> 01:16:18,625
- People just walked by
- like she was part of an exhibit.
- 1106
- 01:16:20,458 --> 01:16:22,250
- Then a school tour came along.
- 1107
- 01:16:23,750 --> 01:16:25,666
- The kids thought it was fake blood,
- 1108
- 01:16:25,750 --> 01:16:28,458
- so they just started stepping in it
- and spreading it around and...
- 1109
- 01:16:29,333 --> 01:16:31,625
- Who knows how long
- it would have gone on for
- 1110
- 01:16:31,958 --> 01:16:34,250
- until Coco came in to do press
- for the Dease show,
- 1111
- 01:16:36,000 --> 01:16:38,000
- and she saw Gretchen and just lost it.
- 1112
- 01:16:38,291 --> 01:16:39,458
- [screams]
- 1113
- 01:16:42,458 --> 01:16:43,500
- Are you still there?
- 1114
- 01:16:44,291 --> 01:16:45,375
- Rhodora?
- 1115
- 01:16:45,625 --> 01:16:46,708
- I don't understand.
- 1116
- 01:16:48,458 --> 01:16:50,875
- Bryson, then Jon. Now Gretchen.
- 1117
- 01:16:51,375 --> 01:16:53,375
- What the fuck is going on?
- 1118
- 01:16:53,875 --> 01:16:54,833
- I don't know.
- 1119
- 01:16:56,416 --> 01:16:58,375
- I mean, we just saw her last night.
- 1120
- 01:17:00,000 --> 01:17:02,208
- They closed that wing
- of the museum, but...
- 1121
- 01:17:03,291 --> 01:17:05,375
- I hear the Dease exhibit is mobbed.
- 1122
- 01:17:06,625 --> 01:17:07,833
- [Rhodora shooing]
- 1123
- 01:17:07,916 --> 01:17:09,625
- - Hey. Go.
- - [meows]
- 1124
- 01:17:10,083 --> 01:17:13,041
- We're spiking on Moments and Instagram.
- It's a major hit.
- 1125
- 01:17:13,625 --> 01:17:15,291
- Rhodora, are you still there?
- 1126
- 01:17:15,833 --> 01:17:17,166
- Did you hear what I just said?
- 1127
- 01:17:17,833 --> 01:17:18,666
- Yeah.
- 1128
- 01:17:19,125 --> 01:17:21,250
- The Dease exhibit is booming.
- 1129
- 01:17:22,208 --> 01:17:23,708
- [doorbell rings]
- 1130
- 01:17:25,208 --> 01:17:26,875
- There's someone at my door. I gotta go.
- 1131
- 01:17:31,625 --> 01:17:33,083
- [knock at door]
- 1132
- 01:17:33,958 --> 01:17:34,958
- [sighs]
- 1133
- 01:17:37,791 --> 01:17:38,750
- Did you...
- 1134
- 01:17:39,375 --> 01:17:40,541
- hear about Gretchen?
- 1135
- 01:17:42,708 --> 01:17:43,708
- [crying] Did you?
- 1136
- 01:17:45,458 --> 01:17:47,458
- - Oh, Jesus.
- - [exhales]
- 1137
- 01:17:47,791 --> 01:17:49,875
- - Can you believe it?
- - You have to leave.
- 1138
- 01:17:49,958 --> 01:17:52,125
- [shouts] You just can't,
- well, just walk in like this!
- 1139
- 01:17:52,208 --> 01:17:54,958
- Well, I need to be with someone right now.
- I'd think you would, too.
- 1140
- 01:17:55,041 --> 01:17:56,041
- [tapping]
- 1141
- 01:17:57,083 --> 01:17:58,125
- What's going on?
- 1142
- 01:17:59,583 --> 01:18:01,666
- Are you kidding me?
- 1143
- 01:18:03,458 --> 01:18:05,125
- We're not together. I was clear.
- 1144
- 01:18:06,208 --> 01:18:07,625
- You said, "a break."
- 1145
- 01:18:13,458 --> 01:18:16,333
- The admiration I had for your work
- 1146
- 01:18:16,875 --> 01:18:19,958
- has completely evaporated!
- 1147
- 01:18:20,500 --> 01:18:23,458
- Hey, man,
- I wasn't trying to jump your train, okay?
- 1148
- 01:18:23,666 --> 01:18:24,875
- She said you two were done.
- 1149
- 01:18:24,958 --> 01:18:26,666
- Are we? Are we?
- 1150
- 01:18:28,625 --> 01:18:30,666
- Say we don't share something real.
- 1151
- 01:18:38,000 --> 01:18:41,125
- I was never particularly obsessed.
- 1152
- 01:18:42,083 --> 01:18:43,000
- Oh!
- 1153
- 01:18:49,166 --> 01:18:50,208
- [sniffs]
- 1154
- 01:19:01,000 --> 01:19:03,000
- [sentimental music]
- 1155
- 01:19:22,666 --> 01:19:23,666
- [gasps]
- 1156
- 01:19:33,666 --> 01:19:35,750
- We expected you yesterday.
- 1157
- 01:19:35,833 --> 01:19:39,291
- We closed the exhibit for half a day
- in anticipation, actually.
- 1158
- 01:19:39,375 --> 01:19:41,750
- I thought Artweb were clear on the timing.
- 1159
- 01:19:41,875 --> 01:19:44,333
- I know, I'm sorry. It's my fault.
- 1160
- 01:19:44,416 --> 01:19:45,750
- I know it's pre-debut.
- 1161
- 01:19:46,083 --> 01:19:48,208
- Just been experiencing
- some personal matters.
- 1162
- 01:19:48,833 --> 01:19:51,083
- Then, of course, Gretchen this morning.
- 1163
- 01:19:51,708 --> 01:19:53,916
- - If this isn't a good time...
- - No, it's fine.
- 1164
- 01:19:54,500 --> 01:19:55,333
- It's overdue.
- 1165
- 01:19:56,166 --> 01:19:58,625
- - I'll write my review and file it today.
- - Hmm.
- 1166
- 01:19:59,583 --> 01:20:02,791
- Lillith Vanlandingham
- is storming the world
- 1167
- 01:20:02,875 --> 01:20:04,916
- with her revolutionary
- sound exhibits.
- 1168
- 01:20:05,250 --> 01:20:09,291
- She won the Nam June Paik Award last year.
- Her latest piece is called Mysticete.
- 1169
- 01:20:09,750 --> 01:20:13,416
- As discussed, we have arranged for you
- to experience the exhibit alone.
- 1170
- 01:20:17,083 --> 01:20:18,125
- [sighs]
- 1171
- 01:20:20,500 --> 01:20:21,833
- [inhales deeply]
- 1172
- 01:20:22,416 --> 01:20:24,291
- [Morf] Look at him standing there.
- 1173
- 01:20:24,666 --> 01:20:26,458
- He only embraces what he knows.
- 1174
- 01:20:26,541 --> 01:20:30,583
- [male voice]Â Undoubtedly one of the worst
- exhibits of contemporary art history.
- 1175
- 01:20:30,666 --> 01:20:34,166
- [Morf] Piece for piece, it's the biggest
- waste of steel since the Titanic.
- 1176
- 01:20:34,250 --> 01:20:36,583
- [male voice 2]
- This painful exhibit should be bulldozed.
- 1177
- 01:20:36,666 --> 01:20:40,416
- [Morf] Remove the spotlight of hype
- and his latest work is a snoozefest.
- 1178
- 01:20:40,500 --> 01:20:42,708
- Seriously, Ms. Minati,
- I am talking to you.
- 1179
- 01:20:42,791 --> 01:20:44,125
- [female voice echoing Morf]
- 1180
- 01:20:44,208 --> 01:20:47,291
- [Morf] It seems you have no one
- around you to say this. Stop it.
- 1181
- 01:20:47,416 --> 01:20:49,166
- Shut up the shed.
- 1182
- 01:20:49,250 --> 01:20:51,916
- There are no redeeming qualities
- to the show. Nothing but embarrassed--
- 1183
- 01:20:52,000 --> 01:20:54,500
- [male voice] The best thing about the show
- is the French rosé being offered.
- 1184
- 01:20:54,583 --> 01:20:57,166
- [male voice 3]Â It's an ugly piece
- to look at, and faintly nauseating.
- 1185
- 01:20:57,250 --> 01:20:59,125
- [Morf] It's gone from innocent
- and stupid...
- 1186
- 01:20:59,208 --> 01:21:01,000
- [male voice 4]
- I'll hate you forever for saying that!
- 1187
- 01:21:01,083 --> 01:21:04,291
- - [male voice 5] Lazily concealed.
- - [female voice] Vile. Deceitful!
- 1188
- 01:21:04,666 --> 01:21:07,125
- - [loud screeching]
- - Deceitful!
- 1189
- 01:21:07,750 --> 01:21:08,750
- [male voices] Morf!
- 1190
- 01:21:08,833 --> 01:21:10,916
- [male voice 6]
- Judgment should be judged.
- 1191
- 01:21:12,958 --> 01:21:14,750
- [male voice 7]
- It is a monumental failure.
- 1192
- 01:21:14,833 --> 01:21:16,375
- [voices echoing]
- Morf!
- 1193
- 01:21:17,208 --> 01:21:20,041
- [overlapping voices]
- [indistinct, distorted chatter]
- 1194
- 01:21:20,916 --> 01:21:23,250
- [male voice 8]
- Ricky Blane is the classic case
- 1195
- 01:21:23,333 --> 01:21:25,958
- of presenting a poser as cutting edge.
- 1196
- 01:21:26,125 --> 01:21:29,625
- [indistinct voices shouting]
- 1197
- 01:21:30,416 --> 01:21:32,125
- [car skidding]
- 1198
- 01:21:32,208 --> 01:21:33,125
- [bangs]
- 1199
- 01:21:35,875 --> 01:21:38,500
- [gallery owner]Â Sorry for the delay.
- Our computer crashed.
- 1200
- 01:21:38,583 --> 01:21:40,333
- We're-- We'll start it now.
- 1201
- 01:21:41,000 --> 01:21:43,750
- [whimpering]
- What did I just hear?
- 1202
- 01:21:44,208 --> 01:21:46,583
- Nothing. This is a soundproof room.
- 1203
- 01:21:47,916 --> 01:21:48,750
- Voi...
- 1204
- 01:21:51,041 --> 01:21:52,000
- Voices.
- 1205
- 01:21:53,041 --> 01:21:54,375
- I've no idea.
- 1206
- 01:21:54,958 --> 01:21:58,125
- Mysticete is a symphony
- of whale intonation
- 1207
- 01:21:58,208 --> 01:22:02,375
- recorded 20,000 feet under the sea
- in the Mariana Trench.
- 1208
- 01:22:04,000 --> 01:22:05,416
- You are up for this?
- 1209
- 01:22:14,583 --> 01:22:15,666
- [breathes heavily]
- 1210
- 01:22:22,458 --> 01:22:23,833
- [Morf] I am seeing things.
- 1211
- 01:22:23,916 --> 01:22:28,250
- [breath trembling]
- I'm hearing things.
- 1212
- 01:22:28,333 --> 01:22:29,958
- Unexplainable things.
- 1213
- 01:22:30,875 --> 01:22:32,250
- Impossible things.
- 1214
- 01:22:33,708 --> 01:22:35,125
- And this is hard to admit
- 1215
- 01:22:35,500 --> 01:22:37,500
- as an adherent of the here and now
- 1216
- 01:22:38,166 --> 01:22:40,750
- and a denier of childish belief.
- 1217
- 01:22:40,833 --> 01:22:45,041
- But something truly goddamn strange
- is going on!
- 1218
- 01:22:49,375 --> 01:22:50,666
- What happened to Bryson?
- 1219
- 01:22:50,791 --> 01:22:53,250
- According to the police,
- he had an accident
- 1220
- 01:22:53,333 --> 01:22:54,625
- and he wandered into the desert.
- 1221
- 01:22:54,708 --> 01:22:56,291
- I spoke to the police.
- 1222
- 01:22:56,375 --> 01:22:59,208
- They have video surveillance of the night
- that Bryson went missing.
- 1223
- 01:22:59,291 --> 01:23:01,625
- He was loading crates of art
- into his truck.
- 1224
- 01:23:01,708 --> 01:23:02,541
- Okay.
- 1225
- 01:23:03,375 --> 01:23:05,000
- What was in those crates?
- 1226
- 01:23:05,083 --> 01:23:06,375
- And all this relates how?
- 1227
- 01:23:07,166 --> 01:23:08,208
- Dease!
- 1228
- 01:23:09,750 --> 01:23:13,541
- His altered mental state, tortured soul,
- phases of the goddamn moon!
- 1229
- 01:23:13,625 --> 01:23:14,916
- [shouting] I don't know how!
- 1230
- 01:23:15,333 --> 01:23:16,375
- These deaths.
- 1231
- 01:23:16,833 --> 01:23:18,083
- The disappearance.
- 1232
- 01:23:18,166 --> 01:23:20,375
- Everything that is now happening,
- 1233
- 01:23:20,458 --> 01:23:22,666
- it's all connected to his art.
- 1234
- 01:23:22,750 --> 01:23:26,500
- [breathing heavily]
- Imbued with some spirit...
- 1235
- 01:23:27,416 --> 01:23:31,125
- cr... created out of some vital ideal.
- 1236
- 01:23:31,208 --> 01:23:33,041
- It's a bit Baroque, don't you think?
- 1237
- 01:23:33,125 --> 01:23:35,458
- - I came here to warn you.
- - Okay. [chuckles]
- 1238
- 01:23:36,000 --> 01:23:38,916
- You know what?
- It's been a fucked-up few weeks!
- 1239
- 01:23:39,000 --> 01:23:40,208
- But listen to yourself!
- 1240
- 01:23:40,291 --> 01:23:42,208
- I spoke to the building owners
- doing research.
- 1241
- 01:23:43,416 --> 01:23:44,791
- They were surprised
- 1242
- 01:23:45,250 --> 01:23:47,250
- to hear Dease's art was being sold.
- 1243
- 01:23:47,333 --> 01:23:48,458
- Apparently,
- 1244
- 01:23:48,958 --> 01:23:53,583
- he left explicit instructions
- that it all be destroyed.
- 1245
- 01:23:53,666 --> 01:23:57,625
- - What are you saying?
- - [yelling] Stop selling Dease!
- 1246
- 01:23:58,833 --> 01:24:00,833
- - It's an eight-figure collection...
- - [sighs deeply]
- 1247
- 01:24:00,916 --> 01:24:03,791
- ...and you want me to stop selling
- over some spirit?
- 1248
- 01:24:03,875 --> 01:24:05,875
- I am writing an article about this.
- 1249
- 01:24:06,208 --> 01:24:10,041
- About Dease, his past, his methods,
- everything that has gone down.
- 1250
- 01:24:10,541 --> 01:24:13,000
- - Well, you'll kill your career.
- - Get rid of it.
- 1251
- 01:24:13,458 --> 01:24:15,833
- Box it all, all of it away.
- 1252
- 01:24:18,083 --> 01:24:19,250
- That's what I'm doing.
- 1253
- 01:24:25,250 --> 01:24:27,250
- All art is dangerous, Morf.
- 1254
- 01:24:30,916 --> 01:24:34,000
- [Rhodora] Oh, it's just been
- a feeding frenzy since the debut.
- 1255
- 01:24:35,208 --> 01:24:38,416
- What's changed is we ran new metrics
- and realized that
- 1256
- 01:24:38,916 --> 01:24:41,291
- we've been overly precious with supply.
- 1257
- 01:24:42,666 --> 01:24:44,750
- I sent you six Dease JPEGs,
- 1258
- 01:24:44,833 --> 01:24:48,333
- all available for immediate purchase
- at the quoted price
- 1259
- 01:24:48,791 --> 01:24:52,041
- and destined for significant appreciation.
- 1260
- 01:24:54,875 --> 01:24:56,833
- All of them. Well, that's swell.
- 1261
- 01:24:58,416 --> 01:24:59,708
- I'll send the papers.
- 1262
- 01:25:01,458 --> 01:25:03,083
- Okay. Yeah.
- 1263
- 01:25:03,750 --> 01:25:04,958
- I'll see you in Basel.
- 1264
- 01:25:05,250 --> 01:25:06,625
- [Josephina] What's going on?
- 1265
- 01:25:07,166 --> 01:25:09,916
- We closed the first phase on Dease.
- Why are we selling more?
- 1266
- 01:25:10,000 --> 01:25:12,000
- Morf is hell-bent on writing a story.
- 1267
- 01:25:12,916 --> 01:25:15,125
- He's connecting Bryson's disappearance
- 1268
- 01:25:16,041 --> 01:25:18,333
- and Jon and Gretchen's deaths
- to the Dease art.
- 1269
- 01:25:18,416 --> 01:25:21,208
- He believes they're somehow
- channeling some sort of...
- 1270
- 01:25:22,583 --> 01:25:23,416
- spirit.
- 1271
- 01:25:23,500 --> 01:25:25,166
- Spirit? [stammers]
- 1272
- 01:25:25,708 --> 01:25:27,041
- What kind of spirit?
- 1273
- 01:25:27,125 --> 01:25:28,666
- I don't know the varieties.
- 1274
- 01:25:29,500 --> 01:25:31,625
- So he writes some batshit story.
- Who cares?
- 1275
- 01:25:31,708 --> 01:25:34,833
- We don't sell durable goods,
- we peddle perception.
- 1276
- 01:25:35,000 --> 01:25:36,333
- Thin as a bubble.
- 1277
- 01:25:36,916 --> 01:25:40,333
- Call your buyers, sell as much Dease
- as you can before he posts something.
- 1278
- 01:25:44,666 --> 01:25:45,916
- [door opens]
- 1279
- 01:25:47,333 --> 01:25:48,458
- [door closes]
- 1280
- 01:25:49,083 --> 01:25:51,083
- [ominous music]
- 1281
- 01:25:54,500 --> 01:25:56,500
- - Who's next?
- - You have Roxy on one.
- 1282
- 01:25:58,291 --> 01:26:02,041
- [Rhodora] Hey, babe. Circling back on you
- wanting some museum-quality Dease.
- 1283
- 01:26:12,375 --> 01:26:14,250
- - [phone vibrating]
- - [Morf sighs]
- 1284
- 01:26:32,000 --> 01:26:33,333
- Baby, that's raw silk. Your shoes.
- 1285
- 01:26:35,500 --> 01:26:36,541
- Pop this.
- 1286
- 01:26:40,666 --> 01:26:41,666
- [pops]
- 1287
- 01:26:42,250 --> 01:26:43,750
- You've got strong hands.
- 1288
- 01:26:45,791 --> 01:26:47,375
- You ever look at this painting?
- 1289
- 01:26:47,666 --> 01:26:49,750
- You ever notice anything
- about this painting?
- 1290
- 01:26:52,333 --> 01:26:54,083
- You look at it long enough and it moves.
- 1291
- 01:27:00,041 --> 01:27:01,333
- [Josephina sighs]
- 1292
- 01:27:02,333 --> 01:27:04,333
- - [clinks]
- - [Josephina exhales]
- 1293
- 01:27:06,708 --> 01:27:08,916
- - Mmm.
- - It's alive.
- 1294
- 01:27:11,666 --> 01:27:14,333
- - I've just sold it.
- - What? I would have bought it.
- 1295
- 01:27:15,375 --> 01:27:16,375
- You couldn't afford it.
- 1296
- 01:27:17,833 --> 01:27:20,750
- We don't want it.
- Trust me, I'm doing you a favor.
- 1297
- 01:27:24,875 --> 01:27:27,291
- - [moans]
- - I gotta get down to Traction Avenue.
- 1298
- 01:27:27,375 --> 01:27:29,208
- - I thought we were spending the night in.
- - Yeah.
- 1299
- 01:27:29,291 --> 01:27:31,833
- Something just came up,
- and I gotta take care of it tonight.
- 1300
- 01:27:32,541 --> 01:27:33,875
- You're blowing me off.
- 1301
- 01:27:34,625 --> 01:27:36,958
- - I want you to come.
- - [sighs]
- 1302
- 01:27:38,041 --> 01:27:40,041
- [breathes heavily]
- 1303
- 01:27:41,583 --> 01:27:42,916
- [phone vibrating]
- 1304
- 01:27:49,250 --> 01:27:51,000
- Why do you keep calling me?
- 1305
- 01:27:51,125 --> 01:27:51,958
- [Josephina] Why?
- 1306
- 01:27:52,500 --> 01:27:56,541
- We break up, and you write an article
- to completely destroy my livelihood.
- 1307
- 01:27:56,625 --> 01:27:58,916
- I am not doing this to get back at you.
- 1308
- 01:27:59,000 --> 01:28:03,125
- It's Dease's art. I think any of us
- who profited from it are in danger.
- 1309
- 01:28:03,208 --> 01:28:04,875
- So, you just blasted it out there?
- 1310
- 01:28:05,750 --> 01:28:07,416
- Jesus Christ. I am reading it right now.
- 1311
- 01:28:07,500 --> 01:28:09,958
- Are you aware
- that you've completely lost your mind?
- 1312
- 01:28:10,041 --> 01:28:13,708
- We don't realize the value of friends
- until they're gone.
- 1313
- 01:28:15,625 --> 01:28:17,833
- I still consider you a friend, Josephina.
- 1314
- 01:28:18,833 --> 01:28:21,375
- [shouting]
- Go fuck yourself and lose my number!
- 1315
- 01:28:23,416 --> 01:28:25,416
- Well, fine, then. All right.
- 1316
- 01:28:29,500 --> 01:28:31,500
- [phone dialing and ringing]
- 1317
- 01:28:32,208 --> 01:28:33,083
- [Coco] Hello?
- 1318
- 01:28:33,583 --> 01:28:34,583
- It's Morf.
- 1319
- 01:28:34,666 --> 01:28:35,666
- Oh, hi.
- 1320
- 01:28:35,833 --> 01:28:37,833
- A timetable is moved up.
- 1321
- 01:28:38,583 --> 01:28:41,375
- I'm storing some art
- and I'm leaving immediately.
- 1322
- 01:28:41,458 --> 01:28:43,791
- I need an assistant part-time here
- while I'm gone.
- 1323
- 01:28:43,875 --> 01:28:46,958
- - Well, I'm available.
- - Yeah. Can you start tonight?
- 1324
- 01:28:47,166 --> 01:28:49,416
- Um, I guess so. Sure.
- 1325
- 01:28:49,500 --> 01:28:51,916
- I need to give you the keys to my house
- and my storage space.
- 1326
- 01:28:52,000 --> 01:28:55,875
- There's an overlook on Mulholland,
- right off Cahuenga.
- 1327
- 01:28:56,166 --> 01:28:58,166
- - I know the one.
- - Good. I'll meet you there.
- 1328
- 01:29:03,541 --> 01:29:05,750
- [car door opens and closes]
- 1329
- 01:29:07,375 --> 01:29:09,125
- Mr. Vandewalt. Hi.
- 1330
- 01:29:10,875 --> 01:29:12,458
- I posted it, Coco.
- 1331
- 01:29:14,291 --> 01:29:16,125
- And with this article, I'm... I'm...
- 1332
- 01:29:16,875 --> 01:29:19,125
- I'm pouring gas on myself.
- I'm lighting a match.
- 1333
- 01:29:19,916 --> 01:29:21,125
- I don't have a choice.
- 1334
- 01:29:22,291 --> 01:29:24,291
- It has been revealed to me
- 1335
- 01:29:25,291 --> 01:29:28,375
- that there is some sort of larger power...
- 1336
- 01:29:30,291 --> 01:29:34,500
- some entity invested in our endeavor.
- 1337
- 01:29:36,583 --> 01:29:37,666
- Invested how?
- 1338
- 01:29:38,250 --> 01:29:40,500
- In... [breathes deeply]
- 1339
- 01:29:40,791 --> 01:29:42,166
- the violation
- 1340
- 01:29:44,083 --> 01:29:45,500
- of inviolate rules.
- 1341
- 01:29:48,041 --> 01:29:49,500
- Have I gone mad?
- 1342
- 01:29:50,125 --> 01:29:52,041
- Oh, not to me.
- 1343
- 01:29:52,125 --> 01:29:54,333
- I found both bodies.
- 1344
- 01:29:54,416 --> 01:29:57,000
- [stammers]
- I'm sleeping with my lights on.
- 1345
- 01:29:57,500 --> 01:30:00,333
- On top of which,
- if I don't land a steady job soon,
- 1346
- 01:30:00,416 --> 01:30:02,000
- I'm gonna have to go back to Michigan.
- 1347
- 01:30:08,666 --> 01:30:10,125
- I have to tell you something.
- 1348
- 01:30:11,750 --> 01:30:12,583
- What?
- 1349
- 01:30:13,583 --> 01:30:17,875
- I was Rhodora's personal assistant, right?
- I saw her checks, I rolled calls with her.
- 1350
- 01:30:18,625 --> 01:30:20,666
- I think she sometimes forgot
- when I was on them.
- 1351
- 01:30:20,875 --> 01:30:21,708
- Tell me.
- 1352
- 01:30:23,750 --> 01:30:26,333
- Your ex-boyfriend, Ed, um...
- 1353
- 01:30:27,333 --> 01:30:28,416
- he worked for her.
- 1354
- 01:30:29,375 --> 01:30:31,791
- He worked her out.
- He's a personal trainer.
- 1355
- 01:30:32,291 --> 01:30:33,125
- No.
- 1356
- 01:30:33,958 --> 01:30:35,041
- No, I mean...
- 1357
- 01:30:36,125 --> 01:30:39,500
- Rhodora paid Ed to give her
- advance word on your reviews.
- 1358
- 01:30:40,083 --> 01:30:43,208
- Like, okay... He would tell her
- what you liked before you posted,
- 1359
- 01:30:43,291 --> 01:30:45,250
- and then she'd make buys.
- 1360
- 01:30:47,791 --> 01:30:48,833
- [sighs]
- 1361
- 01:30:51,791 --> 01:30:53,083
- Do I still have the job?
- 1362
- 01:30:58,375 --> 01:31:02,166
- Here are the keys to my storage space.
- I need everything itemized that's there.
- 1363
- 01:31:02,541 --> 01:31:03,541
- Okay.
- 1364
- 01:31:05,125 --> 01:31:06,208
- [sighs]
- 1365
- 01:31:12,125 --> 01:31:15,208
- - [bar ambience music playing]
- - [chatter]
- 1366
- 01:31:16,791 --> 01:31:18,583
- Is my car safe out there?
- 1367
- 01:31:18,666 --> 01:31:20,166
- How the fuck should I know?
- 1368
- 01:31:25,000 --> 01:31:26,125
- Where did you go?
- 1369
- 01:31:27,000 --> 01:31:29,666
- This is Ben.
- He runs my old artist collective.
- 1370
- 01:31:30,333 --> 01:31:31,166
- Hey.
- 1371
- 01:31:35,166 --> 01:31:37,750
- [scoffs] Lovely. Can we go now?
- 1372
- 01:31:38,000 --> 01:31:39,083
- I'm staying.
- 1373
- 01:31:39,541 --> 01:31:41,375
- But I don't really like this place.
- 1374
- 01:31:41,458 --> 01:31:43,166
- Yeah, I'm talking longer timeline.
- 1375
- 01:31:43,250 --> 01:31:45,375
- I'm leaving Rhodora, her gallery.
- 1376
- 01:31:46,291 --> 01:31:47,125
- No, you're not.
- 1377
- 01:31:47,875 --> 01:31:49,166
- I can't be there.
- 1378
- 01:31:49,666 --> 01:31:52,375
- We have a significant show planned.
- You're high. Come on.
- 1379
- 01:31:52,958 --> 01:31:53,958
- I'm serious.
- 1380
- 01:31:57,875 --> 01:31:59,458
- You're about to break big.
- 1381
- 01:32:00,333 --> 01:32:02,041
- We're taking you global.
- 1382
- 01:32:02,833 --> 01:32:04,666
- You'd give that up? For what?
- 1383
- 01:32:05,208 --> 01:32:07,958
- Some sad garage space
- peddling graffiti murals?
- 1384
- 01:32:08,041 --> 01:32:11,250
- Jesus! What's the point of art
- if nobody sees it?
- 1385
- 01:32:30,708 --> 01:32:31,750
- [loudly] Fuck!
- 1386
- 01:32:35,375 --> 01:32:36,375
- [sighs]
- 1387
- 01:32:49,833 --> 01:32:51,833
- [honks]
- 1388
- 01:32:53,916 --> 01:32:55,916
- [honks again]
- 1389
- 01:33:02,250 --> 01:33:04,250
- [distant glass clinking]
- 1390
- 01:33:07,208 --> 01:33:08,416
- [metal rattling]
- 1391
- 01:33:34,625 --> 01:33:36,625
- [suspenseful music]
- 1392
- 01:33:51,666 --> 01:33:53,208
- [suspenseful music intensifies]
- 1393
- 01:33:54,250 --> 01:33:56,791
- Yeah, there's a car blocking my car.
- I want it towed.
- 1394
- 01:33:56,875 --> 01:33:58,500
- [wind whistling]
- 1395
- 01:33:58,583 --> 01:34:00,083
- I don't know.
- 1396
- 01:34:00,166 --> 01:34:01,958
- [scoffs] Hang on.
- 1397
- 01:34:02,333 --> 01:34:05,000
- Oh, 2057 Seventh Street.
- 1398
- 01:34:06,250 --> 01:34:07,291
- I'm waiting.
- 1399
- 01:34:17,833 --> 01:34:19,208
- [door unlocks]
- 1400
- 01:34:22,333 --> 01:34:24,333
- [suspenseful music]
- 1401
- 01:34:56,666 --> 01:34:58,208
- [suspenseful music intensifies]
- 1402
- 01:35:02,166 --> 01:35:03,375
- [wind chimes]
- 1403
- 01:35:05,208 --> 01:35:06,333
- [locks doors]
- 1404
- 01:35:07,458 --> 01:35:08,500
- [sighs]
- 1405
- 01:35:10,416 --> 01:35:12,416
- [intense dramatic music]
- 1406
- 01:35:18,125 --> 01:35:19,125
- [sighs]
- 1407
- 01:35:30,541 --> 01:35:32,541
- [music intensifies]
- 1408
- 01:35:42,000 --> 01:35:43,166
- [frustrated sigh]
- 1409
- 01:35:43,958 --> 01:35:44,958
- [bang from behind]
- 1410
- 01:35:54,041 --> 01:35:55,166
- [car alarm beep]
- 1411
- 01:36:10,250 --> 01:36:12,250
- [dramatic music continues]
- 1412
- 01:36:19,000 --> 01:36:19,833
- [sighs]
- 1413
- 01:36:20,500 --> 01:36:21,375
- Hello?
- 1414
- 01:36:44,333 --> 01:36:46,333
- I'm just waiting for a tow truck.
- 1415
- 01:36:53,291 --> 01:36:55,291
- [suspenseful music]
- 1416
- 01:37:07,250 --> 01:37:09,250
- [distant rattling]
- 1417
- 01:37:26,291 --> 01:37:27,291
- Oh, thank God.
- 1418
- 01:37:35,291 --> 01:37:37,416
- ["Für Elise" ringtone plays]
- 1419
- 01:37:38,666 --> 01:37:39,666
- Hello?
- 1420
- 01:37:39,750 --> 01:37:41,041
- Damrish is leaving.
- 1421
- 01:37:42,375 --> 01:37:46,958
- He met his old exhibitor in a dive bar
- and told me he's going back. It's over.
- 1422
- 01:37:47,041 --> 01:37:48,083
- [scoffs]
- 1423
- 01:37:48,375 --> 01:37:49,375
- Good for him.
- 1424
- 01:37:50,000 --> 01:37:52,916
- What do you mean, good for him?
- What are you talking about?
- 1425
- 01:37:53,000 --> 01:37:56,708
- Josephina, are you aware that Dease asked
- that all his art be destroyed?
- 1426
- 01:37:58,000 --> 01:37:59,583
- Would it have changed anything?
- 1427
- 01:38:00,333 --> 01:38:01,833
- Would I have destroyed them?
- 1428
- 01:38:02,333 --> 01:38:03,250
- No.
- 1429
- 01:38:04,416 --> 01:38:05,708
- He was a master.
- 1430
- 01:38:13,791 --> 01:38:16,083
- - [beep]
- - [gear grinds]
- 1431
- 01:38:19,958 --> 01:38:20,958
- [cat meows]
- 1432
- 01:38:22,166 --> 01:38:23,833
- Oh, Jesus. Hold on, Josephina.
- 1433
- 01:38:25,000 --> 01:38:25,833
- Stella.
- 1434
- 01:38:26,291 --> 01:38:28,291
- - [meows]
- - Stella. Stella.
- 1435
- 01:38:28,791 --> 01:38:30,666
- Stella. God damn it.
- 1436
- 01:38:36,750 --> 01:38:38,000
- - [bangs]
- - [Morf gasps]
- 1437
- 01:38:38,958 --> 01:38:40,958
- [breathes heavily]
- 1438
- 01:38:41,875 --> 01:38:43,250
- [bangs]
- 1439
- 01:38:50,166 --> 01:38:51,041
- [gear grinds]
- 1440
- 01:38:55,000 --> 01:38:57,333
- Have you ever felt invisible?
- 1441
- 01:38:58,083 --> 01:38:59,833
- - [loud banging]
- - [startled gasp]
- 1442
- 01:39:01,000 --> 01:39:03,958
- Once, I built a railroad.
- 1443
- 01:39:04,583 --> 01:39:06,583
- [grunts and breathes heavily]
- 1444
- 01:39:18,250 --> 01:39:19,208
- [loud bang]
- 1445
- 01:39:21,583 --> 01:39:22,416
- [grunts]
- 1446
- 01:39:24,541 --> 01:39:25,583
- [Josephina] Rhodora?
- 1447
- 01:39:30,041 --> 01:39:30,916
- Rhodora?
- 1448
- 01:39:39,791 --> 01:39:41,666
- Come on, Stella.
- Come on. Come on.
- 1449
- 01:39:41,750 --> 01:39:42,750
- Stella, come.
- 1450
- 01:39:43,625 --> 01:39:46,291
- Come on, good girl. Good girl.
- 1451
- 01:39:47,791 --> 01:39:48,875
- [rattling]
- 1452
- 01:39:49,416 --> 01:39:51,000
- Come on, Stella! Damn it!
- 1453
- 01:39:51,083 --> 01:39:52,250
- - [crackling]
- - Stella!
- 1454
- 01:39:52,500 --> 01:39:53,333
- Stella!
- 1455
- 01:40:01,208 --> 01:40:02,208
- [gasps]
- 1456
- 01:40:03,458 --> 01:40:04,416
- Rhodora?
- 1457
- 01:40:08,416 --> 01:40:09,458
- Oh, my God.
- 1458
- 01:40:12,000 --> 01:40:12,958
- [gasps]
- 1459
- 01:40:15,000 --> 01:40:17,000
- [breathing heavily]
- Oh, my... Oh my...
- 1460
- 01:40:17,583 --> 01:40:18,458
- Oh!
- 1461
- 01:40:21,666 --> 01:40:24,000
- [shouting]
- No, no! No! I understand!
- 1462
- 01:40:24,083 --> 01:40:27,500
- I understand!
- [muffled grunts and groans]
- 1463
- 01:40:29,291 --> 01:40:30,375
- [muffled screams]
- 1464
- 01:40:31,375 --> 01:40:32,958
- [Hoboman] I can't save you.
- 1465
- 01:40:33,541 --> 01:40:34,375
- [bones breaking]
- 1466
- 01:40:36,416 --> 01:40:40,166
- [Rhodora breathing heavily] Jesus Christ,
- I can't believe what just happened.
- 1467
- 01:40:40,250 --> 01:40:42,666
- - [Josephina panting]
- - Josephina? Hello?
- 1468
- 01:40:43,791 --> 01:40:46,750
- [screams]
- 1469
- 01:40:47,625 --> 01:40:49,291
- [screams]
- 1470
- 01:41:02,458 --> 01:41:03,458
- Oh.
- 1471
- 01:41:05,958 --> 01:41:06,791
- Where...
- 1472
- 01:41:08,166 --> 01:41:09,208
- [sighs]
- 1473
- 01:41:29,291 --> 01:41:32,916
- [screams] Oh, fuck me!
- 1474
- 01:41:36,291 --> 01:41:38,583
- [“Für Elise†ringtone playing]
- 1475
- 01:41:44,291 --> 01:41:45,125
- What?
- 1476
- 01:41:47,458 --> 01:41:48,291
- How?
- 1477
- 01:41:50,750 --> 01:41:52,583
- A storage facility?
- 1478
- 01:41:54,625 --> 01:41:56,375
- Well, what do they think happened?
- 1479
- 01:41:59,375 --> 01:42:01,625
- [stammers] No. I'm not coming in.
- 1480
- 01:42:02,375 --> 01:42:03,250
- I gotta go.
- 1481
- 01:42:04,541 --> 01:42:05,583
- [exhales]
- 1482
- 01:42:06,333 --> 01:42:07,541
- [breath trembling]
- 1483
- 01:42:23,000 --> 01:42:24,416
- Pick up the phone.
- 1484
- 01:42:26,166 --> 01:42:28,166
- [cell phone ringing]
- 1485
- 01:42:28,458 --> 01:42:29,708
- [car door closes]
- 1486
- 01:42:30,250 --> 01:42:32,041
- Hey. Yeah, we got it.
- 1487
- 01:42:32,833 --> 01:42:34,041
- No sign of the owner.
- 1488
- 01:42:35,041 --> 01:42:36,458
- We're taking it to Central.
- 1489
- 01:42:37,041 --> 01:42:37,875
- Yeah.
- 1490
- 01:42:52,583 --> 01:42:54,583
- [eerie music]
- 1491
- 01:43:22,625 --> 01:43:23,625
- [mover] That's all of it.
- 1492
- 01:43:24,416 --> 01:43:25,500
- [Rhodora] Everything?
- 1493
- 01:43:25,583 --> 01:43:28,333
- Every image, every drawing,
- every postcard,
- 1494
- 01:43:28,416 --> 01:43:29,875
- every piece of art?
- 1495
- 01:43:30,166 --> 01:43:31,000
- Uh-huh.
- 1496
- 01:43:32,500 --> 01:43:34,791
- - Say it.
- - It's completely empty.
- 1497
- 01:43:35,000 --> 01:43:36,833
- Forty-seven pieces. We removed everything.
- 1498
- 01:43:38,000 --> 01:43:38,833
- Thank you.[
- 1499
- 01:43:50,541 --> 01:43:52,750
- [melancholic music]
- 1500
- 01:44:19,041 --> 01:44:20,333
- [meows]
- 1501
- 01:44:28,166 --> 01:44:30,625
- - LAX. Terminal five.
- - Okay.
- 1502
- 01:44:46,000 --> 01:44:47,458
- [inhales, exhales]
- 1503
- 01:44:52,125 --> 01:44:54,125
- [melancholic music continues]
- 1504
- 01:45:34,583 --> 01:45:36,583
- [screams]
- 1505
- 01:45:38,125 --> 01:45:39,541
- [cat meows loudly]
- 1506
- 01:45:45,208 --> 01:45:46,750
- [cat meows softly]
- 1507
- 01:45:51,416 --> 01:45:54,083
- [somber music]
- 1508
- 01:46:10,083 --> 01:46:11,708
- - That's lovely.
- - Yeah.
- 1509
- 01:46:11,791 --> 01:46:12,958
- How much?
- 1510
- 01:46:13,333 --> 01:46:14,875
- I don't know. Five dollars.
- 1511
- 01:46:15,666 --> 01:46:16,500
- Yeah.
- 1512
- 01:46:20,041 --> 01:46:20,916
- Thank you.
- 1513
- 01:46:25,375 --> 01:46:26,333
- Here you go.
- 1514
- 01:46:27,166 --> 01:46:28,416
- - Thanks.
- - Take care.
- 1515
- 01:46:29,625 --> 01:46:31,625
- [somber music continues]
- 1516
- 01:46:51,375 --> 01:46:53,375
- [somber music turns ominous]
- 1517
- 01:46:57,875 --> 01:46:59,875
- [silence]
- 1518
- 01:47:02,458 --> 01:47:04,458
- [music playing]
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