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YairZ

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YairZ
Dec 11th, 2019
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  1. % ŵ (UTF-8 test character: double-u circumflex)
  2. % “ = 0147 (left formatted quote)
  3. % ” = 0148 (right formatted quote)
  4. % — = 0151 (dash)
  5. % – = 0150 (shorter dash)
  6. % © = 0169 (copyright symbol)
  7. % ® = 0174 (registered copyright symbol)
  8. % ⌜ = u231C
  9. % ⌝ = u231D
  10.  
  11. \version "2.18.2"
  12. #(set! paper-alist (cons '("media carta" . (cons (* 5.51 in) (* 8.5 in))) paper-alist))
  13.  
  14. emphasize = {
  15. \override Lyrics.LyricText.font-shape = #'italic }
  16.  
  17. negra = {
  18. \override Lyrics.LyricText.font-series = #'bold }
  19.  
  20. normal = {
  21. \revert Lyrics.LyricText.font-shape
  22. \revert Lyrics.LyricText.font-series
  23. }
  24.  
  25. stemOff = { \hide Staff.Stem }
  26.  
  27. %\paper
  28. %{ #(set-paper-size "media carta")
  29. indent = 0.0
  30. line-width = 185 \mm
  31. %between-system-space = 0.1 \mm
  32. %between-system-padding = #1
  33. %ragged-bottom = ##t
  34. top-margin = 1.5 \cm
  35. %bottom-margin = 0.1 \mm
  36. %foot-separation = 0.1 \mm
  37. %head-separation = 0.1 \mm
  38. %before-title-space = 0.1 \mm
  39. %between-title-space = 0.1 \mm
  40. %after-title-space = 0.1 \mm
  41. %paper-height = 32 \cm
  42. %print-page-number = ##t
  43. %print-first-page-number = ##t
  44. %ragged-last-bottom
  45. %horizontal-shift
  46. %system-count
  47. %left-margin
  48. %paper-width
  49. %printallheaders
  50. %systemSeparatorMarkup
  51. %}
  52.  
  53.  
  54. \header
  55. {
  56. %dedication = ""
  57. title = ""
  58. %subtitle = ""
  59. %subsubtitle = ""
  60. % poet = \markup{ \italic Text: }
  61. % composer = \markup{ \italic Music: }
  62. %meter = ""
  63. %opus = ""
  64. %arranger = ""
  65. %instrument = ""
  66. %piece = \markup{\null \null \null \null \null \null \null \null \null \null \null \null \null \italic Slowly \null \null \null \null \null \note #"4" #1.0 = 70-100}
  67. %breakbefore
  68. %copyright = ""
  69. tagline = ""
  70. }
  71.  
  72.  
  73. global =
  74. {
  75. %\override Staff.TimeSignature #'style = #'()
  76. \time 3/4
  77. \key bes \major
  78. \override Rest #'direction = #'0
  79. \override MultiMeasureRest #'staff-position = #0
  80. \override Staff.TimeSignature #'stencil = ##f
  81. }
  82.  
  83. sopWords = \lyricmode
  84. {
  85. \override Score . LyricText #'font-size = #1
  86. \override Score . LyricHyphen #'minimum-distance = #1
  87. \override Score . LyricSpace #'minimum-distance = #0.8
  88.  
  89. % \override Score . LyricText #'font-name = #"Gentium"
  90. % \override Score . LyricText #'self-alignment-X = #-1
  91. \set stanza = "A." \override LyricText.self-alignment-X = #LEFT "Creaturas todas del Señor, bendecid al" \markup \italic Se -- \markup \bold ñor, "ensalzadlo con himnos por los" \markup \italic si -- \markup \bold glos.
  92. \set stanza = "B. " "Ángeles del Señor, bendecid al" \markup \italic Se -- \markup \bold ñor; "cielos, bendecid al" \markup \italic Se -- \markup \bold ñor.
  93.  
  94. %\set vocalName = "Men/Women/Unison/SATB"
  95. }
  96. sopWordsTwo = \lyricmode
  97. {
  98. \set stanza = "2. "
  99. }
  100. sopWordsThree = \lyricmode
  101. {
  102. \set stanza = "3. "
  103. }
  104. sopWordsFour = \lyricmode
  105. {
  106. \set stanza = "4. "
  107. }
  108. sopWordsFive = \lyricmode
  109. {
  110. \set stanza = "5. "
  111. }
  112. sopWordsSix = \lyricmode
  113. {
  114. \set stanza = "6. "
  115. }
  116. sopWordsSeven = \lyricmode
  117. {
  118. \set stanza = "7. "
  119. }
  120. altoWords = \lyricmode
  121. {
  122.  
  123. }
  124. tenorWords = \lyricmode
  125. {
  126.  
  127. }
  128. bassWords = \lyricmode
  129. {
  130.  
  131. }
  132.  
  133. \score
  134. {
  135. %\transpose es' d'
  136. <<
  137. \new Staff \relative c''
  138.  
  139. <<
  140. \override Score.BarNumber.break-visibility = ##(#f #f #f)
  141. %\set Score.midiInstrument = "Orchestral Strings"
  142. %\set Score.midiInstrument = "Choir Aahs"
  143. \new Voice = "sopranos"
  144. {
  145. \voiceOne
  146. \global
  147. %\override Score.MetronomeMark #'transparent = ##t
  148. \override Score.MetronomeMark #'stencil = ##f
  149. \tempo 4 = 120 \stemNeutral
  150.  
  151. \stemOff \cadenzaOn a \breve g4 a2 \bar "'" a \breve f4 g2 \bar "'"
  152. bes\breve a4 bes2 \bar "'" bes \breve g4 a2 \bar "||"
  153. }
  154.  
  155. \new Voice = "altos"
  156. {
  157. \voiceTwo
  158. }
  159.  
  160. \new Lyrics = sopranos { s1 }
  161. %\new Lyrics = sopranosTwo { s1 }
  162. %\new Lyrics = sopranosThree { s1 }
  163. %\new Lyrics = sopranosFour { s1 }
  164. %\new Lyrics = sopranosFive { s1 }
  165. %\new Lyrics = sopranosSix { s1 }
  166. %\new Lyrics = sopranosSeven { s1 }
  167. %\new Lyrics = altos { s1 }
  168. %\new Lyrics = tenors { s1 }
  169. %\new Lyrics = basses { s1 }
  170. >>
  171.  
  172.  
  173. \context Lyrics = sopranos \lyricsto sopranos \sopWords
  174. %\context Lyrics = sopranosTwo \lyricsto sopranos \sopWordsTwo
  175. %\context Lyrics = sopranosThree \lyricsto sopranos \sopWordsThree
  176. %\context Lyrics = sopranosFour \lyricsto sopranos \sopWordsFour
  177. %\context Lyrics = sopranosFive \lyricsto sopranos \sopWordsFive
  178. %\context Lyrics = sopranosSix \lyricsto sopranos \sopWordsSix
  179. %\context Lyrics = sopranosSeven \lyricsto sopranos \sopWordsSeven
  180. %\context Lyrics = altos \lyricsto altos \altoWords
  181. %\context Lyrics = tenors \lyricsto tenors \tenorWords
  182. %\context Lyrics = basses \lyricsto basses \bassWords
  183. >>
  184.  
  185. \midi { }
  186. \layout
  187. {
  188. \context
  189. {
  190. \Lyrics
  191. \override VerticalAxisGroup #'minimum-Y-extent = #'(0 . 0)
  192. }
  193. }
  194. }
  195.  
  196. %@h@\markup {
  197. %\fill-line {
  198. %""
  199. %{
  200. %\column {
  201. %\left-align {
  202. %\line {Aguas del espacio, bendecid al \italic Se \hspace#-.5 \bold ñor;}
  203. %\line { \hspace #2 ejércitos del Señor, bendecid al \italic Se \hspace#-.5 \bold ñor. }
  204. %}
  205. %}
  206. %}
  207. %""
  208. %}
  209. %}
  210. %\markup {\vspace #1.5
  211. %\fill-line {
  212. %""
  213. %{
  214. %\column {
  215. %\left-align {
  216. %\line {Sol y luna, bendecid al \italic Se \hspace#-.5 \bold ñor;}
  217. %\line { \hspace #2 astros del cielo, bendecid al \italic Se \hspace#-.5 \bold ñor.}
  218. %}
  219. %}
  220. %}
  221. %""
  222. %}
  223. %}
  224.  
  225. %\markup {\vspace #1.5
  226. %\fill-line {
  227. %""
  228. %{
  229. %\column {
  230. %\left-align {
  231. %\line {Lluvia y rocío, bendecid al \italic Se \hspace#-.5 \bold ñor;}
  232. %\line { \hspace #2 vientos todos, bendecid al \italic Se \hspace#-.5 \bold ñor.}
  233. %}
  234. %}
  235. %}
  236. %""
  237. %}
  238. %}
  239.  
  240. %\markup {\vspace #1.5
  241. %\fill-line {
  242. %""
  243. %{
  244. %\column {
  245. %\left-align {
  246. %\line {Fuego y calor, bendecid al \italic Se \hspace#-.5 \bold ñor;}
  247. %\line { \hspace #2 fríos y heladas, bendecid al \italic Se \hspace#-.5 \bold ñor.}
  248. %}
  249. %}
  250. %}
  251. %""
  252. %}
  253. %}
  254.  
  255. %\markup {\vspace #1.5
  256. %\fill-line {
  257. %""
  258. %{
  259. %\column {
  260. %\left-align {
  261. %\line {Rocíos y nevadas, bendecid al \italic Se \hspace#-.5 \bold ñor;}
  262. %\line { \hspace #2 témpanos y hielos, bendecid al \italic Se \hspace#-.5 \bold ñor.}
  263. %}
  264. %}
  265. %}
  266. %""
  267. %}
  268. %}
  269. %\markup {\vspace #1.5
  270. %\fill-line {
  271. %""
  272. %{
  273. %\column {
  274. %\left-align {
  275. %\line {Escarchas y nieves, bendecid al \italic Se \hspace#-.5 \bold ñor;}
  276. %\line { \hspace #2 noche y día, bendecid al \italic Se \hspace#-.5 \bold ñor.}
  277. %}
  278. %}
  279. %}
  280. %""
  281. %}
  282. %}
  283. %\markup {\vspace #1.5
  284. %\fill-line {
  285. %""
  286. %{
  287. %\column {
  288. %\left-align {
  289. %\line {Luz y tinieblas, bendecid al \italic Se \hspace#-.5 \bold ñor; }
  290. %\line { \hspace #2 rayos y nubes, bendecid al \italic Se \hspace#-.5 \bold ñor.}
  291. %}
  292. %}
  293. %}
  294. %""
  295. %}
  296. %}
  297.  
  298. %\markup {\vspace #1.5
  299. %\fill-line {
  300. %""
  301. %{
  302. %\column {
  303. %\left-align {
  304. %\line {Bendiga la tierra al \italic Se \hspace#-.5 \bold ñor,}
  305. %\line { \hspace #2 ensálcelo con himnos por \italic los \bold "siglos."}
  306. %}
  307. %}
  308. %}
  309. %""
  310. %}
  311. %}
  312.  
  313. %\markup {\vspace #1.5
  314. %\fill-line {
  315. %""
  316. %{
  317. %\column {
  318. %\left-align {
  319. %\line {Montes y cumbres, bendecid al \italic Se \hspace#-.5 \bold ñor;}
  320. %\line { \hspace #2 cuanto germina en la tierra, bendiga al \italic Se \hspace#-.5 \bold ñor.}
  321. %}
  322. %}
  323. %}
  324. %""
  325. %}
  326. %}
  327.  
  328. %\markup {\vspace #1.5
  329. %\fill-line {
  330. %""
  331. %{
  332. %\column {
  333. %\left-align {
  334. %\line {Manantiales, bendecid al \italic Se \hspace#-.5 \bold ñor;}
  335. %\line { \hspace #2 mares y ríos bendecid al \italic Se \hspace#-.5 \bold ñor.}
  336. %}
  337. %}
  338. %}
  339. %""
  340. %}
  341. %}
  342.  
  343. %\markup {\vspace #1.5
  344. %\fill-line {
  345. %""
  346. %{
  347. %\column {
  348. %\left-align {
  349. %\line {Cetáceos y peces, bendecid al \italic Se\hspace#-.5 \bold ñor;}
  350. %\line { \hspace #2 aves del cielo, bendecid al \italic Se\hspace#-.5 \bold ñor.}
  351. %}
  352. %}
  353. %}
  354. %""
  355. %}
  356. %}
  357.  
  358. %\markup {\vspace #1.5
  359. %\fill-line {
  360. %""
  361. %{
  362. %\column {
  363. %\left-align {
  364. %\line {Fieras y ganados, bendecid al \italic Se\hspace#-.5 \bold ñor,}
  365. %\line { \hspace #2 ensalzadlo con himnos por \italic los \bold "siglos."}
  366. %}
  367. %}
  368. %}
  369. %""
  370. %}
  371. %}
  372.  
  373. %\markup {\vspace #1.5
  374. %\fill-line {
  375. %""
  376. %{
  377. %\column {
  378. %\left-align {
  379. %\line {Hijos de los hombres, bendecid al \italic Se\hspace#-.5 \bold ñor;}
  380. %\line { \hspace #2 bendiga Israel al \italic Se\hspace#-.5 \bold ñor.}
  381. %}
  382. %}
  383. %}
  384. %""
  385. %}
  386. %}
  387.  
  388. %\markup {\vspace #1.5
  389. %\fill-line {
  390. %""
  391. %{
  392. %\column {
  393. %\left-align {
  394. %\line {Sacerdotes del Señor, bendecid al \italic Se\hspace#-.5 \bold ñor;}
  395. %\line { \hspace #2 siervos del Señor, bendecid al \italic Se\hspace#-.5 \bold ñor.}
  396. %}
  397. %}
  398. %}
  399. %""
  400. %}
  401. %}
  402.  
  403. %\markup {\vspace #1.5
  404. %\fill-line {
  405. %""
  406. %{
  407. %\column {
  408. %\left-align {
  409. %\line {Almas y espíritus justos, bendecid al \italic Se\hspace#-.5 \bold ñor;}
  410. %\line { \hspace #2 santos y humildes de corazón, bendecid al \italic Se\hspace#-.5 \bold ñor.}
  411. %}
  412. %}
  413. %}
  414. %""
  415. %}
  416. %}
  417.  
  418. %\markup {\vspace #1.5
  419. %\fill-line {
  420. %""
  421. %{
  422. %\column {
  423. %\left-align {
  424. %\line {Ananías, Azarías y Misael, bendecid al \italic Se\hspace#-.5 \bold ñor;}
  425. %\line { \hspace #2 ensalzadlo con himnos por \italic los \bold siglos.}
  426. %}
  427. %}
  428. %}
  429. %""
  430. %}
  431. %}
  432.  
  433. %\markup {\vspace #1.5
  434. %\fill-line {
  435. %""
  436. %{
  437. %\column {
  438. %\left-align {
  439. %\line {Bendigamos al Padre, al Hijo y al Espíri\hspace#-.5 \italic tu \bold Santo,}
  440. %\line { \hspace #2 ensalcémoslo con himnos por \italic los \bold siglos.}
  441. %}
  442. %}
  443. %}
  444. %""
  445. %}
  446. %}
  447.  
  448. %\markup {\vspace #1.5
  449. %\fill-line {
  450. %""
  451. %{
  452. %\column {
  453. %\left-align {
  454. %\line {Bendito el Señor en la bóveda \italic del \bold cielo,}
  455. %\line { \hspace #2 alabado y glorioso y ensalzado por \italic los \bold siglos. \italic Ant.}
  456. %}
  457. %}
  458. %}
  459. %""
  460. %}
  461. %}
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