Advertisement
Not a member of Pastebin yet?
Sign Up,
it unlocks many cool features!
- 0
- 00:00:11,000 --> 00:00:20,000
- INDOXXI
- Support dengan like & share :)
- 6
- 00:01:50,810 --> 00:01:53,335
- OH, FUCK!
- 7
- 00:02:37,357 --> 00:02:40,383
- I WASN'T TRYING TO ESCAPE.
- 8
- 00:02:43,530 --> 00:02:45,430
- NO, PLEASE.
- 9
- 00:02:45,532 --> 00:02:49,434
- DON'T! DON'T!
- 10
- 00:02:52,172 --> 00:02:55,903
- NO! I DON'T WANT TO DIE.
- 11
- 00:03:01,314 --> 00:03:03,908
- YEAH, I'LL MAKE YOU CLEAN.
- 12
- 00:03:09,022 --> 00:03:10,956
- I'M SORRY.
- 13
- 00:03:11,057 --> 00:03:14,254
- I-I DIDN'T-
- I DIDN'T MEAN TO-
- 14
- 00:06:56,327 --> 00:06:58,727
- HEY, SIS.
- 15
- 00:06:58,830 --> 00:07:01,731
- - WHAT TIME IS IT?
- - JUST AFTER 8:00.
- 16
- 00:07:01,833 --> 00:07:05,462
- - YOU WANT ME TO MAKE COFFEE?
- - NO. I GOTTA GO. I'LL CALL YOU LATER.
- 17
- 00:07:05,570 --> 00:07:08,300
- YOU SURE THERE'S NOTHING I CAN DO?
- 18
- 00:07:08,406 --> 00:07:11,432
- ANGIE, EVERYTHING'S GONNA BE FINE.
- JUST GO BACK TO SLEEP.
- 19
- 00:07:54,552 --> 00:07:57,077
- [MAN] ALL RIGHT, I'M COMIN', I'M COMIN'.
- 20
- 00:08:01,159 --> 00:08:04,492
- - BEN CARSON.
- - LORENZO SAPELLI.
- 21
- 00:08:04,595 --> 00:08:07,063
- I'VE BEEN WAITING FOR YOU.
- COME ON IN.
- 22
- 00:08:07,165 --> 00:08:09,133
- THANKS.
- 23
- 00:08:14,572 --> 00:08:16,472
- HOW LONG
- YOU BEEN WORKING HERE?
- 24
- 00:08:16,574 --> 00:08:19,600
- ALL TOGETHER, 15 YEARS.
- 25
- 00:08:21,546 --> 00:08:24,447
- YOU WERE HERE FOR THE FIRE?
- 26
- 00:08:24,549 --> 00:08:26,449
- DEVASTATING.
- 27
- 00:08:27,552 --> 00:08:29,782
- ENTIRE BUILDING- UP IN FLAMES.
- 28
- 00:08:40,665 --> 00:08:42,963
- YEAH, IT'S BEEN
- FIVE YEARS SINCE THE FIRE.
- 29
- 00:08:43,067 --> 00:08:46,833
- THEY'RE STILL IN A LEGAL BATTLE
- WITH THE INSURANCE COMPANIES.
- 30
- 00:08:46,938 --> 00:08:50,305
- HEY, EVEN CLEANING UP THIS MESS
- IS IMPOSSIBLE.
- 31
- 00:08:50,408 --> 00:08:53,605
- I'VE GIVEN UP FAITH ABOUT
- REOPENING, AND BESIDES...
- 32
- 00:08:53,711 --> 00:08:56,509
- WHO'D EVER WANT TO SHOP HERE AFTER
- EVERYTHING THAT'S HAPPENED?
- 33
- 00:08:58,383 --> 00:09:01,477
- YOU KNOW, THE MEREDITH FAMILY
- ACQUIRED THIS BUILDING...
- 34
- 00:09:01,586 --> 00:09:05,682
- AFTER ST. MATTHEW'S HOSPITAL
- CLOSED IN, UH, 1952.
- 35
- 00:09:05,790 --> 00:09:09,055
- IT WAS THE VERY FIRST MAYFLOWER
- TO OPEN ON THE EAST COAST.
- 36
- 00:09:11,396 --> 00:09:15,890
- THE COMPANY WANTS US TO PATROL THE PREMISES
- EVERY COUPLE OF HOURS.
- 37
- 00:09:16,000 --> 00:09:18,935
- BUT I DO MY ROUNDS EVERY THREE.
- THAT'S MORE THAN ENOUGH.
- 38
- 00:09:19,037 --> 00:09:22,564
- ANYWAY, YOU'LL SEE-
- NOT TOO MUCH GOING ON.
- 39
- 00:09:22,673 --> 00:09:24,641
- IT'S PRETTY CALM AROUND HERE.
- 40
- 00:09:27,979 --> 00:09:31,244
- WELL, THERE YOU GO.
- 41
- 00:09:31,349 --> 00:09:34,785
- PERFUME AND COSMETICS DEPARTMENT-
- WHAT'S LEFT OF IT ANYWAY.
- 42
- 00:09:38,956 --> 00:09:40,924
- THANK GOD YOU DIDN'T
- SHOW UP ANY LATER,
- 43
- 00:09:41,025 --> 00:09:42,993
- THIS PLACE GIVES ME
- THE CREEPS AT NIGHT.
- 44
- 00:09:44,395 --> 00:09:47,660
- NO ELECTRICITY.
- ALL THESE MIRRORS.
- 45
- 00:09:49,400 --> 00:09:51,368
- BEST TO KEEP YOUR EYES
- AWAY FROM THEM.
- 46
- 00:09:51,469 --> 00:09:54,700
- - [BEN] YOU POLISH THEM?
- - I'M SORRY?
- 47
- 00:09:54,806 --> 00:09:58,003
- - THE MIRRORS. THEY'RE SO CLEAN.
- - OH, NO, THAT'S-THAT'S GARY,
- 48
- 00:09:58,109 --> 00:10:00,873
- GARY LEWIS- FELLOW WAS
- WORKING HERE BEFORE YOU.
- 49
- 00:10:00,978 --> 00:10:04,379
- HE WAS COMPLETELY OBSESSED
- WITH THESE DAMN MIRRORS,
- 50
- 00:10:04,482 --> 00:10:06,643
- SPENT THE ENTIRE NIGHT
- CLEANING THEM.
- 51
- 00:10:08,286 --> 00:10:11,813
- HOW LONG HAS IT BEEN
- SINCE YOU LEFT THE N.Y.P.D.?
- 52
- 00:10:13,658 --> 00:10:15,626
- ABOUT A YEAR.
- 53
- 00:10:15,726 --> 00:10:17,626
- I KNOW IT'S NONE OF MY BUSINESS...
- 54
- 00:10:17,728 --> 00:10:21,357
- BUT, UH, WHY DID YOU
- RESIGN FROM THE FORCE?
- 55
- 00:10:21,466 --> 00:10:24,799
- YOU USED TO BE A DETECTIVE.
- IS THAT CORRECT?
- 56
- 00:10:24,902 --> 00:10:26,802
- YEAH.
- 57
- 00:10:26,904 --> 00:10:30,806
- I'M SORRY.
- I ALWAYS BEEN TOO CURIOUS.
- 58
- 00:10:30,908 --> 00:10:32,876
- IT'S ALL RIGHT.
- 59
- 00:10:40,718 --> 00:10:44,347
- THERE WAS A PRETTY BIG TEAM
- WORKING HERE BEFORE THE FIRE.
- 60
- 00:10:44,455 --> 00:10:46,548
- YOU KNOW, WHEN YOU STOP TO THINK-
- 61
- 00:10:46,657 --> 00:10:48,557
- ALL THE DEPARTMENT STORES
- IN NEW YORK...
- 62
- 00:10:48,659 --> 00:10:52,891
- THIS ONE WAS THE MOST BEAUTIFUL,
- MOST LUXURIOUS.
- 63
- 00:10:52,997 --> 00:10:55,022
- I MEAN, IT BREAKS YOUR HEART.
- IT REALLY DOES.
- 64
- 00:10:56,834 --> 00:10:59,302
- WELL, HERE YOU GO.
- 65
- 00:10:59,403 --> 00:11:01,928
- THIS IS WHERE YOU’LL BE
- SPENDING MOST OF YOUR TIME.
- 66
- 00:11:02,039 --> 00:11:04,371
- AT LEAST YOU GOT ELECTRICITY IN HERE.
- 67
- 00:11:04,475 --> 00:11:06,909
- IT'S WARM. IT'S NICE.
- 68
- 00:11:07,011 --> 00:11:08,911
- YOU'VE EVEN GOT A TV.
- 69
- 00:11:22,293 --> 00:11:24,318
- [WOMAN ON TV] I OPENED UP THE TRUNK.
- 70
- 00:11:24,428 --> 00:11:26,328
- WHICH HE, SO CALLED, "HID'" THE PICTURES.
- 71
- 00:11:26,430 --> 00:11:29,058
- I GRABBED THE GOODY BAG,
- WALKED TO THE BACKYARD,
- 72
- 00:11:29,167 --> 00:11:31,067
- OPENED UP THE BARBECUE GRILL,
- 73
- 00:11:31,169 --> 00:11:33,694
- I GRABBED THE LIGHTER FLUID-
- 74
- 00:11:36,207 --> 00:11:38,107
- HELLO?
- 75
- 00:11:38,209 --> 00:11:40,302
- HELLO.
- 76
- 00:11:40,411 --> 00:11:42,311
- HEY, ROSA.
- HOW ARE YOU DOING?
- 77
- 00:11:42,413 --> 00:11:44,313
- - I 'M FINE. LET ME HELP YOU.
- - THANKS.
- 78
- 00:11:44,415 --> 00:11:46,110
- WHERE ARE THE KIDS?
- 79
- 00:11:46,217 --> 00:11:49,050
- UPSTAIRS WITH SEÑOR BEN.
- 80
- 00:11:49,153 --> 00:11:51,815
- THANKS.
- 81
- 00:11:51,923 --> 00:11:56,986
- - [BEN] SLOWER.
- - SO, EVERYBODY AT MY SCHOOL
- THINKS THIS BOY NAMED DAVON,
- 82
- 00:11:57,094 --> 00:12:01,053
- WHICH IS, LIKE, ONE OF MY BEST FRIENDS,
- WHICH IS A BOY, LIKES ME.
- 83
- 00:12:01,165 --> 00:12:05,534
- AND THIS GIRL NAMED CHRISTIANA,
- WHO LIKED HIM, IS JUST NOW GOSSIPING.
- 84
- 00:12:05,636 --> 00:12:07,536
- YOU WANT ME
- TO TALK TO MRS. WARD?
- 85
- 00:12:07,638 --> 00:12:10,471
- OH, SHE'LL MAKE THEM WANT TO WRAP ME UP
- IN TOILET PAPER FOR HALLOWEEN,
- 86
- 00:12:11,842 --> 00:12:13,935
- - HEY.
- - HEY.
- 87
- 00:12:14,045 --> 00:12:15,979
- LOOK, MOMMY.
- LOOK WHAT DADDY GOT ME.
- 88
- 00:12:16,080 --> 00:12:19,174
- IT LOOKS GREAT. YOU'LL HAVE TO SHOW ME
- HOW IT WORKS LATER, OKAY?
- 89
- 00:12:19,283 --> 00:12:22,411
- - IT'S SO FAST, MOMMY.
- - BEN?
- 90
- 00:12:22,520 --> 00:12:25,216
- - CAN I TALK TO YOU?
- - YEAH.
- 91
- 00:12:25,323 --> 00:12:28,292
- OKAY, YOU TWO.
- YOU NEED TO FINISH YOUR HOMEWORK.
- 92
- 00:12:28,392 --> 00:12:30,292
- YOU NEED TO GET READY FOR YOUR BATH.
- 93
- 00:12:30,394 --> 00:12:33,659
- - NO FOOLING AROUND. LET'S GO.
- - OKAY, LET'S GO, MICHAEL.
- 94
- 00:12:33,764 --> 00:12:36,665
- HEY, COME HERE,
- 95
- 00:12:38,302 --> 00:12:41,271
- - HAPPY, HAPPY BIRTHDAY. YEAH.
- - THANKS, DAD,
- 96
- 00:12:42,573 --> 00:12:45,701
- - HEY.
- - HEY.
- 97
- 00:12:58,556 --> 00:13:00,456
- - WHAT IS THIS?
- - WHAT?
- 98
- 00:13:00,558 --> 00:13:02,526
- I'VE ASKED YOU NOT TO DROP BY
- WITHOUT CALLING.
- 99
- 00:13:02,627 --> 00:13:04,390
- YOU WON'T ANSWER MY CALLS.
- 100
- 00:13:04,495 --> 00:13:07,396
- - PLEASE, I DON'T WANT TO ARGUE WITH YOU.
- - I DON'T WANT TO ARGUE EITHER.
- 101
- 00:13:07,498 --> 00:13:09,796
- IF YOU’RE NOT GONNA
- ANSWER MY CALLS, WHAT-
- 102
- 00:13:12,603 --> 00:13:14,332
- I HAVEN'T HAD A DRINK
- FOR OVER THREE MONTHS.
- 103
- 00:13:14,438 --> 00:13:16,531
- BUT SINCE YOU WON'T ANSWER
- YOUR CALLS, HOW WOULD YOU KNOW?
- 104
- 00:13:16,641 --> 00:13:20,543
- I DON'T WANT TO KNOW.
- WHAT I WANT IS FOR YOU TO RESPECT MY NEEDS.
- 105
- 00:13:20,645 --> 00:13:24,479
- AMY, I'M DOING EVERYTHING I CAN TO RESPECT
- YOUR NEEDS. I HAVEN'T HAD A DRINK,
- 106
- 00:13:24,582 --> 00:13:27,710
- I GOT A NEW JOB TO HOLD ME OVER
- TILL I'M REINSTATED,
- 107
- 00:13:27,818 --> 00:13:30,378
- I'M DOING EVERYTHING I CAN
- TO GET BACK ON MY FEET AGAIN.
- 108
- 00:13:34,025 --> 00:13:37,483
- WHAT? YOU DON'T THINK
- PEOPLE CAN CHANGE?
- 109
- 00:13:37,595 --> 00:13:41,361
- WE'RE NOT TALKING ABOUT PEOPLE.
- WE'RE TALKING ABOUT YOU.
- 110
- 00:13:41,465 --> 00:13:46,164
- AMY, I KILLED A MAN.
- YOU DON'T JUST GET OVER THAT.
- 111
- 00:13:46,270 --> 00:13:48,534
- I NEEDED TIME.
- I NEEDED YOU.
- 112
- 00:13:48,639 --> 00:13:51,938
- - I WAS RIGHT HERE.
- - YEAH, JUDGING ME LIKE EVERYBODY ELSE.
- 113
- 00:13:52,043 --> 00:13:53,738
- HOW DARE YOU SAY THAT TO ME!
- 114
- 00:13:53,844 --> 00:13:56,210
- I WAS THE ONLY ONE AT THE PRECINCT
- WHO DEFENDED YOU.
- 115
- 00:13:56,314 --> 00:14:00,375
- HOW MANY TIMES DID I CHASE
- REPORTERS OFF OUR FRONT LAWN?
- 116
- 00:14:00,484 --> 00:14:02,918
- HOW CAN YOU SAY THAT TO ME?
- 117
- 00:14:03,020 --> 00:14:06,046
- I'VE ALWAYS BEEN IN YOUR CORNER!
- I'VE BEEN THE ONLY ONE WHO BELIEVED IN YOU!
- 118
- 00:14:06,157 --> 00:14:09,217
- - YOU'RE FUCKING UNBELIEVABLE!
- - PLEASE, I DIDN'T COME HERE TO FIGHT.
- 119
- 00:14:09,327 --> 00:14:13,764
- LOOK, I'M SORRY THAT I CAME OVER
- WITHOUT CALLING, I-
- 120
- 00:14:13,864 --> 00:14:15,764
- I JUST WANTED TO SEE THEM.
- 121
- 00:14:15,866 --> 00:14:19,597
- - BUT WE HAVE TO SET UP SOME RULES.
- - WHAT FUCKING RULES?
- 122
- 00:14:19,704 --> 00:14:22,571
- COME ON, AMY. JUST TELL ME
- WHAT RULES I NEED TO FOLLOW
- 123
- 00:14:22,673 --> 00:14:25,767
- SO I CAN SEE MY SON ON HIS BIRTHDAY!
- 124
- 00:14:25,876 --> 00:14:28,071
- LOOK AT YOURSELF.
- 125
- 00:14:28,179 --> 00:14:31,376
- THIS IS EXACTLY
- WHAT I'M TALKING ABOUT,
- 126
- 00:14:31,482 --> 00:14:35,976
- I DON'T KNOW HOW YOU'RE GOING TO BE
- FROM ONE MOMENT TO THE NEXT.
- 127
- 00:14:36,087 --> 00:14:40,148
- WHEN I GET AROUND YOU, I-
- I GET NERVOUS...
- 128
- 00:14:40,257 --> 00:14:44,091
- BECAUSE I AM SO SCARED
- THAT I AM LOSING YOU...
- 129
- 00:14:44,195 --> 00:14:46,163
- AND I SCREW EVERYTHING UP.
- 130
- 00:14:48,733 --> 00:14:51,566
- - I'VE MISSED YOU SO MUCH.
- - I'VE MISSED YOU.
- 131
- 00:14:53,137 --> 00:14:55,264
- AMY, WE DESERVE ANOTHER CHANCE.
- 132
- 00:14:55,373 --> 00:14:57,273
- I KNOW HOW MUCH I LOVE YOU...
- 133
- 00:14:57,375 --> 00:14:59,969
- AND I KNOW, SOMEWHERE INSIDE THERE,
- YOU LOVE ME TOO.
- 134
- 00:15:01,712 --> 00:15:03,612
- PLEASE.
- 135
- 00:15:06,717 --> 00:15:08,617
- PLEASE.
- 136
- 00:15:19,029 --> 00:15:21,554
- I CAN'T DO THIS.
- 137
- 00:15:22,600 --> 00:15:24,591
- I CAN'T DO THIS, BEN.
- 138
- 00:16:32,570 --> 00:16:35,198
- NOW, SHIN-CHAN, LET'S KICK SOME ASS!
- 139
- 00:19:36,020 --> 00:19:37,920
- HOLY SHIT.
- 140
- 00:19:56,206 --> 00:19:58,174
- WHAT THE HELL?
- 141
- 00:20:51,562 --> 00:20:54,030
- FUCK!
- 142
- 00:21:51,922 --> 00:21:53,822
- YOU SHOULD STOP TAKING THOSE PILLS.
- 143
- 00:21:53,924 --> 00:21:55,721
- JESUS!
- 144
- 00:21:55,826 --> 00:21:58,590
- HOW ARE YOU DOING TODAY?
- 145
- 00:21:58,695 --> 00:22:01,163
- I'M FINE. I FEEL A LOT BETTER.
- 146
- 00:22:01,265 --> 00:22:03,699
- I'M LEAVING IN A COUPLE OF MINUTES.
- 147
- 00:22:05,602 --> 00:22:07,433
- ARE YOU SURE YOU’RE ALL RIGHT?
- 148
- 00:22:07,538 --> 00:22:09,438
- PLEASE, NOT YOU.
- 149
- 00:22:09,540 --> 00:22:12,373
- OKAY, I'M JUST SAYING,
- YOU CAN TALK TO ME IF YOU WANT,
- 150
- 00:22:12,476 --> 00:22:14,376
- I'M YOUR LITTLE SISTER.
- 151
- 00:22:14,478 --> 00:22:17,242
- IT'S THAT NEW JOB, ISN'T IT?
- 152
- 00:22:17,347 --> 00:22:19,838
- YEAH, WELL, I NEED THAT NEW JOB.
- 153
- 00:22:19,950 --> 00:22:24,444
- I CAN'T TAKE CARE OF AMY AND THE KIDS
- AND MYSELF ON MY PENSION.
- 154
- 00:22:24,555 --> 00:22:28,116
- I'M NOT GONNA SLEEP ON YOUR COUCH
- FOR THE REST OF MY LIFE.
- 155
- 00:22:28,225 --> 00:22:32,525
- OKAY, WELL, MAYBE YOU GET
- A-A DAYTIME JOB, A REGULAR JOB.
- 156
- 00:22:32,629 --> 00:22:34,597
- IT'S NOT THAT SIMPLE.
- 157
- 00:22:36,166 --> 00:22:38,134
- WELL, YOU SHOULD THINK ABOUT IT.
- 158
- 00:22:50,581 --> 00:22:52,913
- BEN! WHAT HAPPENED?
- 159
- 00:22:53,016 --> 00:22:56,213
- JUST LEAVE ME ALONE.
- PLEASE, JUST LEAVE ME ALONE!
- 160
- 00:22:56,320 --> 00:22:58,481
- ANGIE, GET OUT OF HERE! NOW!
- 161
- 00:23:25,415 --> 00:23:28,077
- WHAT IS HAPPENING TO YOU, BEN?
- 162
- 00:23:28,185 --> 00:23:30,153
- PULL YOURSELF TOGETHER.
- 163
- 00:26:21,758 --> 00:26:24,921
- HELP!
- 164
- 00:26:28,065 --> 00:26:30,363
- OH, MY GOD!
- OH, MY GOD!
- 165
- 00:26:30,467 --> 00:26:32,367
- HELP! HELP!
- 166
- 00:27:37,501 --> 00:27:39,401
- "GARY LEWIS,"
- 167
- 00:28:50,040 --> 00:28:52,508
- ESSEKER."
- 168
- 00:28:52,609 --> 00:28:55,271
- ESSEKER.
- 169
- 00:30:20,764 --> 00:30:22,664
- HELLO!
- 170
- 00:30:22,766 --> 00:30:25,701
- HELLO!
- 171
- 00:30:27,537 --> 00:30:29,437
- WHERE ARE YOU?
- 172
- 00:30:29,539 --> 00:30:32,099
- I WANT TO HELP YOU,
- BUT I NEED TO KNOW WHERE YOU ARE!
- 173
- 00:30:32,208 --> 00:30:34,768
- DAMN IT!
- 174
- 00:30:38,615 --> 00:30:41,209
- I'M COMING!
- 175
- 00:31:06,710 --> 00:31:08,678
- ANYBODY HERE?
- 176
- 00:31:12,182 --> 00:31:14,150
- IS ANYBODY IN HERE?
- 177
- 00:32:05,101 --> 00:32:07,069
- FUCK THIS PLACE.
- 178
- 00:33:29,052 --> 00:33:30,849
- MOM! MOM! MOM!
- 179
- 00:33:30,954 --> 00:33:33,218
- - MOM! MOM!
- - MICHAEL?
- 180
- 00:33:33,323 --> 00:33:35,791
- ARE YOU OKAY?
- WHAT'S HAPPENING?
- 181
- 00:33:35,892 --> 00:33:39,191
- MICHAEL, WHAT'S THE MATTER, SWEETIE?
- 182
- 00:33:39,295 --> 00:33:41,195
- - THERE'S A LADY SCREAMING.
- - WHERE?
- 183
- 00:33:41,297 --> 00:33:43,265
- THERE, IN THE MIRROR.
- 184
- 00:33:43,366 --> 00:33:45,266
- IN THE MIRROR?
- WELL-
- 185
- 00:33:45,368 --> 00:33:47,359
- I DON'T SEE ANYBODY
- BUT YOU AND I IN THE MIRROR.
- 186
- 00:33:47,470 --> 00:33:49,904
- - YOU JUST HAD A NIGHTMARE, SWEETIE.
- - OKAY.
- 187
- 00:33:50,006 --> 00:33:52,338
- SOMETIMES THEY CAN FEEL REALLY REAL,
- BUT THEY'RE NOT, ALL RIGHT?
- 188
- 00:33:52,442 --> 00:33:54,501
- - OKAY.
- - OKAY, LET'S GO BACK TO SLEEP.
- 189
- 00:33:54,611 --> 00:33:57,205
- COME ON. IN YOU GO.
- 190
- 00:33:57,313 --> 00:34:00,077
- I'M RIGHT AROUND
- THE CORNER, ALL RIGHT?
- 191
- 00:34:00,183 --> 00:34:02,310
- - LOVE YOU.
- - I LOVE YOU TOO, SWEETIE.
- 192
- 00:34:05,188 --> 00:34:08,316
- - CAN YOU LEAVE THE DOOR OPEN?
- - SURE, SWEETHEART.
- 193
- 00:34:08,424 --> 00:34:11,882
- - YOU TWO GO BACK TO SLEEP, OKAY?
- - ALL RIGHT, MOM.
- 194
- 00:34:11,995 --> 00:34:13,895
- NOT CLEAR HOW IT HAPPENED,
- 195
- 00:34:13,997 --> 00:34:16,522
- THE 42-YEAR-OLD IS EXPECTED
- TO GO ON TRIAL THIS MONTH,
- 196
- 00:34:16,633 --> 00:34:20,125
- FOR ALLEGEDLY SEXUALLY ASSAULTING
- A FORMER COWORKER IN HER APARTMENT
- 197
- 00:34:20,236 --> 00:34:23,672
- FOR 13 HOURS
- ON HALLOWEEN NIGHT IN 2005.
- 198
- 00:34:23,773 --> 00:34:27,971
- BRAUNSTEIN'S LAWYER SAYS HIS CLIENT
- WAS MENTALLY ILL AT THE TIME.
- 199
- 00:34:28,077 --> 00:34:31,569
- THE FEDS SAY THEY'LL SEEK THE DEATH PENALTY
- AGAINST A FORMER MOB BOSS
- 200
- 00:34:31,681 --> 00:34:34,081
- ACCUSED OF
- ORDERING A HIT ON A RIVAL.
- 201
- 00:34:34,183 --> 00:34:36,174
- THE TRIAL OF VINCENT
- "VINNY GORGEOUS"-
- 202
- 00:34:57,307 --> 00:35:01,209
- I SWEAR TO YOU,
- I COULD FEEL MY FLESH BURNING,
- 203
- 00:35:01,311 --> 00:35:04,109
- I COULDN’T 'T BREATHE,
- IT WAS LIKE MY LUNGS WERE FULL OF SMOKE,
- 204
- 00:35:04,213 --> 00:35:07,512
- IT WAS LIKE A NIGHTMARE, BUT I WAS AWAKE.
- I KNOW I WAS AWAKE.
- 205
- 00:35:09,719 --> 00:35:12,119
- - YOU THINK I 'M CRAZY, DON'T YOU?
- - I DON'T KNOW WHAT TO THINK.
- 206
- 00:35:12,221 --> 00:35:14,621
- I THINK YOU’RE JUST GOING THROUGH
- A HARD TIME IN YOUR LIFE.
- 207
- 00:35:14,724 --> 00:35:16,624
- YOU'RE UNDER A LOT OF STRESS.
- 208
- 00:35:16,726 --> 00:35:19,695
- YOU'VE BEEN HAVING THOSE NIGHTMARES
- SINCE THE SHOOTING.
- 209
- 00:35:24,167 --> 00:35:26,727
- - YOU KNOW IT WASN’T YOUR FAULT.
- - THEY'RE EVERYWHERE.
- 210
- 00:35:28,438 --> 00:35:31,805
- - WHAT ARE YOU TALKING ABOUT?
- - THE FUCKING MIRRORS- THEY ARE EVERYWHERE.
- 211
- 00:35:31,908 --> 00:35:34,172
- IN THE DEPARTMENT STORE,
- ON THE CORNER OF EVERY STREET...
- 212
- 00:35:34,277 --> 00:35:36,871
- IN THE WINDOW OF EVERY BUILDING
- IN THIS CITY.
- 213
- 00:35:36,980 --> 00:35:39,039
- I FEEL-
- 214
- 00:35:39,148 --> 00:35:43,107
- I FEEL LIKE I'M NOT THE ONE
- LOOKING INTO THE MIRRORS...
- 215
- 00:35:43,219 --> 00:35:45,585
- BUT THEY'RE LOOKING BACK AT ME.
- 216
- 00:35:48,458 --> 00:35:51,825
- THERE'S NO ONE LOOKING BACK
- AT YOU THROUGH THE MIRRORS.
- 217
- 00:35:51,928 --> 00:35:54,692
- YOU'RE OBVIOUSLY-
- 218
- 00:35:54,797 --> 00:35:56,765
- YOU'RE STILL CONFLICTED
- ABOUT WHAT HAPPENED.
- 219
- 00:35:59,702 --> 00:36:02,000
- MAYBE YOU NEED TO TALK TO SOMEONE.
- 220
- 00:36:02,105 --> 00:36:04,164
- A PROFESSIONAL, SOMEONE-
- 221
- 00:36:07,343 --> 00:36:10,574
- MIRRORS ARE JUST GLASS
- AND SILVER, BEN. THAT'S IT.
- 222
- 00:36:10,680 --> 00:36:13,046
- THERE'S NOTHING BEHIND THEM,
- 223
- 00:36:13,149 --> 00:36:18,177
- WILL YOU PLEASE GO GET SOME SLEEP? OKAY?
- 224
- 00:36:18,287 --> 00:36:20,187
- LOVE YOU.
- 225
- 00:36:20,289 --> 00:36:22,257
- NICE SHOT,
- 226
- 00:36:35,038 --> 00:36:37,734
- COMING!
- 227
- 00:36:39,842 --> 00:36:41,810
- HOLD ON!
- 228
- 00:36:48,451 --> 00:36:51,249
- - MR. CARSON?
- - YEAH.
- 229
- 00:36:51,354 --> 00:36:53,322
- YOU WANT TO SIGN HERE, PLEASE?
- 230
- 00:36:58,594 --> 00:37:00,892
- - YOU HAVE A GOOD DAY, SIR.
- - THANKS.
- 231
- 00:37:11,708 --> 00:37:13,699
- HOLY SHIT.
- 232
- 00:38:22,812 --> 00:38:24,746
- LORENZO, I NEED TO TALK TO YOU.
- 233
- 00:38:24,847 --> 00:38:26,815
- I JUST HAD THE CRAZIEST DAY HERE.
- 234
- 00:38:26,916 --> 00:38:29,783
- - YOUR EX-COLLEAGUES CAME TO PAY US A VISIT.
- - WHAT ARE YOU TALKING ABOUT?
- 235
- 00:38:29,886 --> 00:38:33,549
- - YOU KNOW GARY, THE GUY WHO WAS
- WORKING HERE BEFORE YOU?
- - YEAH.
- 236
- 00:38:33,656 --> 00:38:37,057
- THE COPS FOUND HIM DEAD
- IN A SUBWAY STATION IN HARLEM.
- 237
- 00:38:37,160 --> 00:38:40,357
- I NEVER LIKED HIM TOO MUCH, BUT, POOR GUY,
- HE DIDN'T DESERVE TO GO LIKE THAT.
- 238
- 00:38:40,463 --> 00:38:42,454
- DID THEY HAPPEN TO TELL YOU
- THE CAUSE OF DEATH?
- 239
- 00:38:42,565 --> 00:38:44,465
- - WHAT?
- - DID THEY TELL YOU HOW HE DIED?
- 240
- 00:38:44,567 --> 00:38:46,467
- NO, NO.
- THEY WOULDN’T TELL ME.
- 241
- 00:38:46,569 --> 00:38:48,935
- MRS. SAPELLI'S WAITING
- FOR ME AT HOME. I GOTTA GO.
- 242
- 00:38:49,038 --> 00:38:51,199
- OH, BY THE WAY,
- ABOUT THAT LEAK IN THE BASEMENT,
- 243
- 00:38:51,307 --> 00:38:54,401
- THEY'RE SENDING SOMEONE OVER TO
- WORK ON THAT BEGINNING OF NEXT WEEK.
- 244
- 00:39:24,373 --> 00:39:28,104
- WE HAVE A WHITE MALE,
- 50 YEARS OF AGE, NAME UNKNOWN,
- 245
- 00:39:29,478 --> 00:39:32,106
- FOLLOWING THE COMPLETION
- OF THE EXTERNAL EXAMINATION...
- 246
- 00:39:32,215 --> 00:39:34,479
- THE BODY WAS WASHED
- AND LIGHTLY DRIED.
- 247
- 00:39:34,584 --> 00:39:38,247
- A "Y" INCISION WAS MADE
- FROM THE BILATERAL CLAVICULAR JOINTS...
- 248
- 00:39:38,354 --> 00:39:40,686
- TO THE XIPHOID PROCESS.
- 249
- 00:39:40,790 --> 00:39:43,258
- - THE TISSUE WAS WATERLOGGED-
- - [WOMAN] AMY,
- 250
- 00:39:43,359 --> 00:39:45,793
- - YES, WHAT IS IT?
- - THERE'S SOMEONE IN THE LOBBY FOR YOU.
- 251
- 00:39:45,895 --> 00:39:48,056
- IT SOUNDS URGENT.
- 252
- 00:39:56,038 --> 00:39:59,269
- BEN. WHAT'S HAPPENING?
- WHAT ARE YOU DOING HERE?
- 253
- 00:39:59,375 --> 00:40:02,003
- THANKS FOR SEEING ME.
- LOOK, I NEED TO ASK YOU A FAVOR.
- 254
- 00:40:02,111 --> 00:40:04,841
- - I'M IN THE MIDDLE OF WORK.
- - I KNOW. TWENTY MINUTES.
- 255
- 00:40:04,947 --> 00:40:07,814
- YESTERDAY MORNING,
- YOU PICKED UP A BODY- GARY LEWIS.
- 256
- 00:40:07,917 --> 00:40:11,114
- - I JUST NEED TO TAKE A LOOK AT HIM.
- - WHO IS HE?
- 257
- 00:40:11,220 --> 00:40:14,155
- HE WAS A NIGHT WATCHMAN AT THE MAYFLOWER.
- I REPLACED HIM.
- 258
- 00:40:14,257 --> 00:40:16,521
- HOW DO YOU HAVE
- HIS DRIVER'S LICENSE?
- 259
- 00:40:16,626 --> 00:40:19,993
- I FOUND HIS WALLET IN THE DEPARTMENT STORE.
- I JUST NEED TO KNOW HOW HE DIED.
- 260
- 00:40:20,096 --> 00:40:22,257
- WHY DO YOU NEED TO KNOW HOW HE DIED?
- 261
- 00:40:22,365 --> 00:40:25,357
- BEN, YOU'VE BEEN SUSPENDED. YOU'RE NOT
- SUPPOSED TO BE DOING ANY INVESTIGATIONS.
- 262
- 00:40:25,468 --> 00:40:27,129
- PLEASE, JUST LISTEN.
- THIS IS SERIOUS.
- 263
- 00:40:27,236 --> 00:40:30,672
- THERE ARE SOME VERY STRANGE THINGS
- HAPPENING OVER AT THE MAYFLOWER.
- 264
- 00:40:30,773 --> 00:40:33,708
- I CAN'T EXPLAIN WHAT-
- 265
- 00:40:33,809 --> 00:40:36,937
- THIS GUY GARY LEWIS SENT ME
- A PACKAGE RIGHT BEFORE HE DIED.
- 266
- 00:40:37,046 --> 00:40:39,037
- THE THING IS,
- I NEVER MET HIM BEFORE.
- 267
- 00:40:39,148 --> 00:40:42,242
- INSIDE THE PACKAGE WERE ALL THESE ARTICLES
- ON THE MAYFLOWER, ON THE FIRE.
- 268
- 00:40:42,351 --> 00:40:45,946
- IT WAS LIKE HE WAS TRYING TO TELL ME
- SOMETHING OR WARN ME ABOUT SOMETHING.
- 269
- 00:40:46,055 --> 00:40:48,285
- I NEED TO FIGURE THIS OUT.
- PLEASE.
- 270
- 00:40:48,391 --> 00:40:52,384
- GARY LEWIS, GARY LEWIS.
- HERE HE IS. B16.
- 271
- 00:40:52,495 --> 00:40:55,362
- - HE SLASHED HIS THROAT.
- - WELL, THERE YOU GO. THERE'S YOUR ANSWER.
- 272
- 00:40:55,464 --> 00:40:57,364
- YOUR MAN COMMITTED SUICIDE.
- 273
- 00:40:57,466 --> 00:41:00,697
- YOU GET A LOT OF SUICIDE CASES WHERE PEOPLE
- HAVE SLASHED THEIR OWN THROATS?
- 274
- 00:41:02,405 --> 00:41:05,465
- I DIDN'T THINK SO.
- EXCUSE ME.
- 275
- 00:41:05,574 --> 00:41:09,169
- ALL I KNOW IS THE POLICE ARE STILL
- INVESTIGATING THIS ONE.
- 276
- 00:41:09,278 --> 00:41:10,905
- THAT'S WHY WE STILL HAVE THE BODY.
- 277
- 00:41:11,013 --> 00:41:13,106
- WHAT DID HE USE TO CUT HIS THROAT?
- 278
- 00:41:13,215 --> 00:41:15,877
- A PIECE OF A MIRROR.
- 279
- 00:41:15,985 --> 00:41:20,183
- HE PROBABLY BROKE THE MIRROR INTO PIECES
- SO HE'D HAVE SOMETHING TO CUT HIMSELF WITH.
- 280
- 00:41:20,289 --> 00:41:22,223
- SEVEN YEARS BAD LUCK?
- 281
- 00:41:23,926 --> 00:41:26,417
- ESSEKER!
- 282
- 00:41:26,529 --> 00:41:28,554
- ARE YOU OKAY, BEN?
- 283
- 00:41:28,664 --> 00:41:30,564
- I'M FINE.
- 284
- 00:41:32,501 --> 00:41:35,061
- I'M SORRY, EXCUSE ME.
- 285
- 00:41:37,840 --> 00:41:40,070
- I NEED TO SEE HIS FILE.
- 286
- 00:41:40,176 --> 00:41:42,076
- - WHAT?
- - I NEED HIS FILE.
- 287
- 00:41:42,178 --> 00:41:44,169
- - BEN-
- - WHAT'S THE PROBLEM? I JUST NEED TO SEE HIS FILE.
- 288
- 00:41:44,280 --> 00:41:46,441
- CALM DOWN. YOU'RE NOT EVEN
- SUPPOSED TO BE DOWN HERE.
- 289
- 00:41:46,549 --> 00:41:49,382
- NOW YOU WANT TO LOOK
- AT SOMEBODY'S FILE?
- 290
- 00:41:49,485 --> 00:41:53,046
- LOOK, I'LL BE OFF THEN. AMY, YOU KNOW
- WHERE TO FIND ME IF YOU NEED ME.
- 291
- 00:41:53,155 --> 00:41:55,623
- YEAH. THANKS, PETER.
- I APPRECIATE IT.
- 292
- 00:42:00,997 --> 00:42:03,056
- I WANT YOU TO LEAVE NOW.
- I'M SERIOUS, BEN.
- 293
- 00:42:03,165 --> 00:42:07,067
- AMY, I'M SORRY.
- I CAN'T LEAVE HERE UNTIL I SEE THAT FILE.
- 294
- 00:42:07,169 --> 00:42:09,933
- IT'S IMPORTANT, PLEASE.
- 295
- 00:42:12,074 --> 00:42:14,133
- PLEASE.
- 296
- 00:42:40,569 --> 00:42:44,767
- AMY, COME HERE
- AND LOOK AT THIS PICTURE.
- 297
- 00:42:48,377 --> 00:42:50,140
- LOOK AT THE PIECE OF MIRROR
- GARY LEWIS IS HOLDING,
- 298
- 00:42:50,246 --> 00:42:53,704
- AND LOOK AT IT UP HERE IN ITS REFLECTED IMAGE
- IN THE OTHER MIRROR.
- 299
- 00:42:56,085 --> 00:42:58,076
- IT'S FULL OF BLOOD.
- 300
- 00:42:58,187 --> 00:43:00,621
- YET, IN REALITY, IT'S PERFECTLY CLEAN.
- NOT A SINGLE DROP.
- 301
- 00:43:00,723 --> 00:43:02,748
- - NOT A SINGLE DROP ON IT.
- - SO WHAT?
- 302
- 00:43:02,858 --> 00:43:06,521
- IT'S PROBABLY THE ANGLE FROM WHICH THE PHOTOGRAPH
- WAS TAKEN. WHAT ARE YOU TRYING TO PROVE?
- 303
- 00:43:06,629 --> 00:43:09,359
- WHAT IF THE MIRRORS ARE SHOWING US SOMETHING
- THAT'S NOT REALLY HAPPENING?
- 304
- 00:43:09,465 --> 00:43:11,456
- - WHAT ARE YOU TALKING ABOUT?
- - JUST LISTEN TO ME,
- 305
- 00:43:11,567 --> 00:43:16,527
- WHAT IF THE MIRRORS ARE REFLECTING SOMETHING
- THAT'S BEYOND OUR REALITY?
- 306
- 00:43:16,639 --> 00:43:19,608
- WHAT IF THE MIRRORS CAN ACTUALLY MAKE US
- DO THINGS THAT WE DON'T WANT TO DO?
- 307
- 00:43:19,708 --> 00:43:22,370
- - LIKE MAKING GARY LEWIS SLIT HIS OWN THROAT.
- - BEN, LISTEN TO YOURSELF,
- 308
- 00:43:22,478 --> 00:43:25,242
- YOU CAN'T TALK LIKE THAT AROUND HERE.
- 309
- 00:43:25,347 --> 00:43:27,713
- DON'T YOU WANT TO GET REINSTATED?
- 310
- 00:43:27,817 --> 00:43:31,344
- AMY, I'M SEEING THINGS
- IN THE MIRRORS AT WORK- BAD THINGS-
- 311
- 00:43:31,454 --> 00:43:33,649
- TO THE POINT WHERE I CAN FEEL
- WHAT THEY'RE SHOWING ME,
- 312
- 00:43:33,756 --> 00:43:35,553
- BEN, YOU'RE DRIVING ME
- FUCKING CRAZY!
- 313
- 00:43:35,658 --> 00:43:39,219
- I DON'T HAVE TIME FOR THIS,
- WHAT'S WRONG WITH YOU?
- 314
- 00:43:39,328 --> 00:43:43,128
- DO YOU THINK I 'M MAKING THIS UP?
- DO YOU THINK I'M FUCKING LYING?
- 315
- 00:43:45,167 --> 00:43:48,534
- WHAT MEDICATION ARE YOU TAKING
- TO STOP DRINKING?
- 316
- 00:44:04,987 --> 00:44:06,887
- THAT'S A STRONG DRUG.
- 317
- 00:44:06,989 --> 00:44:09,583
- IT HAS A LOT OF SERIOUS SIDE EFFECTS,
- 318
- 00:44:09,692 --> 00:44:12,388
- HOW MANY PILLS ARE YOU TAKING A DAY?
- 319
- 00:44:15,564 --> 00:44:18,499
- I'M SORRY THAT I BOTHERED YOU.
- 320
- 00:44:18,601 --> 00:44:21,331
- YOU'RE RIGHT.
- 321
- 00:44:21,437 --> 00:44:23,905
- THANKS FOR TRYING TO HELP.
- 322
- 00:46:35,614 --> 00:46:38,048
- AT NIGHT AT THIS BAR,
- IT'S A COUPLE BLOCKS FROM HERE,
- 323
- 00:46:38,150 --> 00:46:40,084
- - [MAN] ALL RIGHT. WHERE'S THE BODY?
- - [OFFICER] CALM DOWN.
- 324
- 00:46:40,185 --> 00:46:42,176
- - HOW AM I GONNA CALM DOWN?
- - LET THE DETECTIVE BY.
- 325
- 00:46:42,287 --> 00:46:44,983
- AND, UH, THERE'S A GUY
- BEEN LIVING WITH HER AT HER PLACE.
- 326
- 00:46:45,090 --> 00:46:48,116
- - THERE'S A GUY.
- - ALL RIGHT. YOU SAY SHE WORKS AT A BAR?
- 327
- 00:46:48,227 --> 00:46:50,889
- - AT NIGHT OR SOMETHING?
- - YEAH, SHE WORKS NIGHTS,
- 328
- 00:46:50,996 --> 00:46:53,726
- SHE COMES HOME LATE,
- I DON'T SEE HER COME HOME.
- 329
- 00:47:26,196 --> 00:47:28,721
- I SAW BLOOD FALLING FROM THE CEILING.
- 330
- 00:47:28,832 --> 00:47:30,732
- THEN SHE CALL ME.
- 331
- 00:47:30,834 --> 00:47:33,200
- I WANT YOU TO ASK HER,
- DID SHE HEAR ANY NOISES, ANY SOUNDS?
- 332
- 00:47:33,304 --> 00:47:34,771
- - WHAT'S GOING ON?
- - ONE SECOND.
- 333
- 00:47:34,872 --> 00:47:37,864
- IT'S ALL RIGHT, I LIVE IN APARTMENT 8.
- I USED TO BE A COP.
- 334
- 00:47:37,975 --> 00:47:40,443
- - JUST TELL ME WHAT'S GOING ON.
- - JUST A SECOND.
- 335
- 00:47:40,544 --> 00:47:43,638
- I WANT TO TALK
- TO THE LEAD DETECTIVE! ANGELA!
- 336
- 00:47:43,747 --> 00:47:45,305
- WHO IS THE LEAD DETECTIVE?
- 337
- 00:47:45,416 --> 00:47:48,681
- - BEN.
- - LARRY, WHAT THE HELL ARE YOU DOING HERE?
- 338
- 00:47:50,921 --> 00:47:54,015
- - LARRY, JUST TELL ME WHAT'S GOING ON.
- - BEN, IT'S NOT GOOD.
- 339
- 00:47:54,124 --> 00:47:56,285
- WHERE'S ANGIE?
- 340
- 00:47:58,329 --> 00:48:01,025
- WHERE THE FUCK IS MY SISTER?
- TELL THEM TO LET GO OF ME!
- 341
- 00:48:01,131 --> 00:48:03,622
- - I CAN'T DO THAT, BEN.
- - GODDAMN IT!
- 342
- 00:48:05,736 --> 00:48:06,725
- THAT'S OKAY.
- 343
- 00:48:47,211 --> 00:48:50,203
- THE WATER HAS OBLITERATED
- MOST OF THE MARKS,
- 344
- 00:48:50,314 --> 00:48:53,715
- NO SIGN OF STRUGGLE OR FORCED ENTRY,
- 345
- 00:48:53,817 --> 00:48:56,752
- AND THE FRONT DOOR WAS LOCKED,
- WHICH MEANS THAT-
- 346
- 00:48:56,854 --> 00:48:59,049
- THE PERSON WHO DID THIS EITHER HAD KEYS
- TO THE APARTMENT...
- 347
- 00:48:59,156 --> 00:49:01,488
- OR IT WAS SOMEONE THAT SHE KNEW.
- 348
- 00:49:01,592 --> 00:49:03,583
- HE WOULD'VE NEVER
- LAID A FINGER ON HER.
- 349
- 00:49:05,129 --> 00:49:08,292
- YOU KNOW, WHEN THEIR FATHER DIED,
- BEN TOOK CARE OF ANGELA.
- 350
- 00:49:10,334 --> 00:49:12,234
- SHE MEANT THE WORLD TO HIM.
- 351
- 00:49:12,336 --> 00:49:16,136
- LISTEN, SO FAR, HIS STATEMENT IS PRETTY
- CONSISTENT WITH THE FACTS, YOU KNOW?
- 352
- 00:49:16,240 --> 00:49:19,232
- WE CHECKED IT OUT.
- HE SHOWED UP TO WORK AT 7:00 P.M.
- 353
- 00:49:19,343 --> 00:49:23,370
- AND THE DOWNSTAIRS NEIGHBORS SAID THEY BEGAN
- TO NOTICE THE WATER LEAKAGE AT AROUND 10:00.
- 354
- 00:49:23,480 --> 00:49:27,041
- THE ONLY STRANGE THING-
- AND THIS COULD JUST BE COINCIDENCE-
- 355
- 00:49:27,151 --> 00:49:30,985
- IS THAT BEN TOLD THE DAYTIME SECURITY GUARD,
- LORENZO SAPELLI,
- 356
- 00:49:31,088 --> 00:49:33,886
- THAT HE WAS PLANNING
- ON QUITTING THE JOB.
- 357
- 00:49:33,991 --> 00:49:35,982
- LIKE HE WAS MOVING AWAY SOMEPLACE.
- 358
- 00:49:36,093 --> 00:49:38,618
- HE MENTION ANYTHING
- LIKE THAT TO YOU?
- 359
- 00:49:38,729 --> 00:49:40,993
- NO.
- 360
- 00:49:41,098 --> 00:49:44,363
- LATELY, COMMUNICATION
- HASN'T BEEN OUR STRONG POINT.
- 361
- 00:49:44,468 --> 00:49:46,368
- WHAT ARE YOU GONNA DO WITH HIM?
- 362
- 00:49:46,470 --> 00:49:48,597
- FIGURE WE'LL LET HIM GO.
- GOT NO REASON TO KEEP HIM HERE.
- 363
- 00:49:48,705 --> 00:49:50,605
- LARRY,
- 364
- 00:49:56,680 --> 00:49:58,580
- OH.
- 365
- 00:50:02,753 --> 00:50:04,653
- I'M SO SORRY.
- 366
- 00:50:04,755 --> 00:50:09,818
- BEN? WHY DON’T YOU COME HOME
- AND SPEND SOME DAYS WITH THE KIDS, HUH?
- 367
- 00:50:09,927 --> 00:50:12,760
- I CAN'T.
- 368
- 00:50:12,863 --> 00:50:14,956
- I DON'T WANT TO PUT
- OUR CHILDREN IN DANGER.
- 369
- 00:50:16,867 --> 00:50:20,394
- SHE ASKED ME TO QUIT,
- AND I WOULDN'T.
- 370
- 00:50:20,504 --> 00:50:22,472
- THEY CAME AFTER HER.
- 371
- 00:50:22,573 --> 00:50:25,007
- WHAT? WHAT ARE YOU TALKING ABOUT?
- 372
- 00:50:27,511 --> 00:50:29,843
- I'VE GOT SOME THINGS
- I NEED TO TAKE CARE OF.
- 373
- 00:50:29,947 --> 00:50:33,041
- - WAIT, BEN. PLEASE.
- - AMY, LET ME GO.
- 374
- 00:50:33,150 --> 00:50:34,811
- I DON'T WANT YOU
- TO GET IN MORE TROUBLE.
- 375
- 00:50:34,918 --> 00:50:37,113
- - PLEASE STAY OUT OF IT.
- - I KNOW WHO DID THIS.
- 376
- 00:50:38,689 --> 00:50:41,157
- IN THAT CASE, YOU'VE GOTTA
- TELL LARRY EVERYTHING.
- 377
- 00:50:44,828 --> 00:50:46,796
- HE'LL NEVER BELIEVE ME.
- 378
- 00:50:48,465 --> 00:50:50,365
- NEITHER WILL YOU.
- 379
- 00:52:12,282 --> 00:52:14,375
- WHAT DO YOU WANT?
- 380
- 00:52:14,484 --> 00:52:16,850
- PLEASE, JUST TELL ME.
- 381
- 00:52:16,954 --> 00:52:18,922
- WHAT DO YOU WANT FROM ME?
- 382
- 00:52:23,527 --> 00:52:26,792
- WHAT DO YOU WANT FROM ME?
- 383
- 00:52:47,150 --> 00:52:49,118
- "ESSEKER."
- 384
- 00:52:53,890 --> 00:52:57,656
- HEY, I NEED YOU
- TO RUN A NAME FOR ME, ESSEKER.
- 385
- 00:52:57,761 --> 00:53:02,255
- ECHO, SIERRA, SIERRA, ECHO,
- KILO, ECHO, ROMEO,
- 386
- 00:53:02,366 --> 00:53:06,132
- - [MAN ON PHONE] DID YOU CHECK ONLINE?
- - I'VE ALREADY DONE THAT,
- 387
- 00:53:06,236 --> 00:53:08,704
- NOTHING- I.R.S. AND D.M.V.
- 388
- 00:53:08,805 --> 00:53:10,705
- - WHERE?
- - TRY NEW YORK,
- 389
- 00:53:10,807 --> 00:53:12,707
- - WHEN?
- - LAST FIVE OR SIX YEARS.
- 390
- 00:53:12,809 --> 00:53:15,869
- - OKAY, BEN,
- - THANKS. GET BACK TO ME AS SOON AS YOU CAN.
- 391
- 00:53:18,415 --> 00:53:21,009
- MAYFLOWER BURNS, FORTY-EIGHT PRESUMED DEAD.
- 392
- 00:53:23,420 --> 00:53:25,615
- BERRY CONFESSES,
- DEADLY MAYFLOWER FIRE.
- 393
- 00:53:31,595 --> 00:53:33,495
- WATCHMAN ARRESTED.
- 394
- 00:53:35,632 --> 00:53:37,623
- WOMAN, THREE CHILDREN MURDERED,
- THREE CHILDREN MURDERED.
- 395
- 00:53:37,734 --> 00:53:41,033
- COME ON, BEN, CONNECT THE DOTS.
- MR. BERRY MAINTAINS THAT THE MIRRORS IN THE STORE...
- 396
- 00:53:41,138 --> 00:53:43,470
- ARE THE ONES THAT BRUTALLY KILLED HIS WIFE
- AND THREE CHILDREN.
- 397
- 00:53:49,246 --> 00:53:52,044
- MIRRORS ARE GUILTY, MIRRORS ARE GUILTY.
- 398
- 00:53:52,149 --> 00:53:55,175
- - YEAH, WHAT DID YOU GET?
- - [MAN] HEY.
- 399
- 00:53:55,285 --> 00:53:57,981
- LOOK, I DIDN'T FIND ANYTHING
- UNDER THAT NAME.
- 400
- 00:53:58,088 --> 00:54:00,420
- SHIT! SHIT.
- 401
- 00:54:00,524 --> 00:54:02,424
- DO YOU WANT ME TO LOOK
- OUTSIDE NEW YORK?
- 402
- 00:54:02,526 --> 00:54:04,653
- UM, NO.
- HOLD ON. HOLD ON.
- 403
- 00:54:09,466 --> 00:54:11,661
- I WANT YOU TO RUN
- ANOTHER NAME FOR ME.
- 404
- 00:54:11,768 --> 00:54:14,328
- BERRY. TERRENCE BERRY.
- 405
- 00:54:14,438 --> 00:54:18,067
- TERRENCE BERRY.
- WAIT ONE SEC.
- 406
- 00:54:20,744 --> 00:54:22,974
- UH, I-I THINK I GOT HIM.
- 407
- 00:54:23,080 --> 00:54:24,980
- - YOU STILL THERE?
- - YEAH.
- 408
- 00:54:25,082 --> 00:54:27,448
- WHOA. YOUR GUY MURDERED
- HIS WHOLE FAMILY.
- 409
- 00:54:27,551 --> 00:54:30,042
- - I ALREADY KNOW THAT.
- - HE'S DEAD.
- 410
- 00:54:31,321 --> 00:54:33,414
- DAMN IT.
- 411
- 00:54:35,292 --> 00:54:38,193
- CAN YOU TELL ME WHERE
- HE WAS COMMITTED BEFORE HE DIED?
- 412
- 00:54:40,397 --> 00:54:42,331
- YOU KNOW, MR. CARSON,
- 413
- 00:54:42,432 --> 00:54:46,198
- WHEN ONE STARTS TO PERCEIVE ONE'S OWN
- REFLECTION AS A COMPLETELY SEPARATE BEING,
- 414
- 00:54:46,303 --> 00:54:49,534
- ONE IS SUDDENLY CONFRONTED
- WITH TWO ENTIRELY SEPARATE EGOS-
- 415
- 00:54:49,639 --> 00:54:53,268
- TWO ENTIRELY SEPARATE WORLDS
- THAT CAN SURFACE AT ANY GIVEN MOMENT.
- 416
- 00:54:53,376 --> 00:54:56,903
- A FEELING OF SELF-HATRED-
- USUALLY TRIGGERED BY A PSYCHOLOGICAL SHOCK-
- 417
- 00:54:57,013 --> 00:54:58,913
- CAN SPLIT THE PERSONALITY IN TWO...
- 418
- 00:54:59,015 --> 00:55:01,813
- HENCE CREATING TWO OR MORE PERSONALITIES
- WITH DISTINCT MEMORIES...
- 419
- 00:55:01,918 --> 00:55:05,615
- AND DISTINCT BEHAVIOR PATTERNS
- WITHIN THE SAME INDIVIDUAL.
- 420
- 00:55:05,722 --> 00:55:11,592
- THE PATIENT THEN HAS THE FALSE PERCEPTION
- 421
- 00:55:11,695 --> 00:55:13,822
- THE REAL WORLD
- AND THE WORLD INSIDE A MIRROR,
- 422
- 00:55:19,202 --> 00:55:21,466
- THESE RECORDINGS WERE USED
- IN TERRENCE'S TRIAL.
- 423
- 00:55:25,175 --> 00:55:27,336
- YOU’LL SEE THEY SPEAK FOR THEMSELVES.
- 424
- 00:55:30,514 --> 00:55:33,108
- WHY DID YOU SET THE DEPARTMENT STORE ON FIRE?
- 425
- 00:55:33,216 --> 00:55:38,017
- IN ORDER TO DESTROY THE MIRRORS,
- 426
- 00:55:38,121 --> 00:55:41,557
- ONLY FIRE CAN DESTROY MIRRORS.
- ISN’T THAT RIGHT, DOCTOR?
- 427
- 00:55:43,293 --> 00:55:46,421
- WHAT MADE YOU THINK YOU ABSOLUTELY
- HAD TO DESTROY THOSE MIRRORS, TERRENCE?
- 428
- 00:55:51,101 --> 00:55:56,129
- THEY KILLED MY HELEN
- AND MY THREE CHILDREN.
- 429
- 00:55:56,239 --> 00:55:58,264
- FOR WHAT REASON?
- 430
- 00:55:58,375 --> 00:56:01,037
- - WHY WOULD MIRRORS WANT TO KILL YOUR FAMILY?
- - BECAUSE I DIDN'T, UH-
- 431
- 00:56:01,144 --> 00:56:04,375
- DIDN'T DO WHAT?
- 432
- 00:56:04,481 --> 00:56:07,848
- - THEY ASKED ME TO FIND ESSEKER.
- - OH, MY GOD.
- 433
- 00:56:07,951 --> 00:56:10,886
- - WE ALL ARE LOOKING FOR ESSEKER.
- - AMY.
- 434
- 00:56:10,987 --> 00:56:12,955
- EXCUSE ME,
- I HAVE TO GO.
- 435
- 00:56:14,825 --> 00:56:17,487
- TELL ME ABOUT ESSEKER, TERRENCE.
- 436
- 00:56:17,594 --> 00:56:19,494
- WHO IS ESSEKER?
- 437
- 00:56:19,596 --> 00:56:23,293
- I DON'T KNOW WHO ESSEKER IS!
- 438
- 00:56:23,400 --> 00:56:26,301
- I DON'T KNOW WHO ESSEKER IS!
- 439
- 00:56:27,337 --> 00:56:29,271
- I DON'T KNOW!
- 440
- 00:56:37,280 --> 00:56:39,840
- MRS. CARSON, IT'S ROSA,
- 441
- 00:56:39,950 --> 00:56:41,713
- MR. BEN IS HERE.
- 442
- 00:56:41,818 --> 00:56:45,515
- HE'S MOVING ALL
- OF THE FURNITURE AROUND.
- 443
- 00:57:18,121 --> 00:57:21,022
- - HEY, HOW WAS SCHOOL TODAY?
- - GOOD.
- 444
- 00:57:21,124 --> 00:57:23,354
- GOOD.
- I'LL BE RIGHT BACK.
- 445
- 00:57:35,205 --> 00:57:37,696
- - DAD?
- - SWEETHEART, JUST GIVE ME A SECOND.
- 446
- 00:57:37,807 --> 00:57:39,775
- I GOTTA TAKE CARE
- OF A COUPLE THINGS.
- 447
- 00:58:01,698 --> 00:58:04,166
- DADDY, WHAT ARE YOU DOING?
- 448
- 00:58:06,603 --> 00:58:09,538
- HONEY, DON'T LOOK SCARED.
- EVERYTHING'S FINE.
- 449
- 00:58:09,639 --> 00:58:12,836
- I THINK IT LOOKS NICER
- LIKE THIS. DON'T YOU?
- 450
- 00:58:29,025 --> 00:58:31,220
- ROSA, WHAT'S HAPPENING?
- 451
- 00:58:31,328 --> 00:58:34,559
- TAKE THE KIDS DOWNSTAIRS, RIGHT NOW.
- RIGHT NOW!
- 452
- 00:58:34,664 --> 00:58:37,258
- - WHAT THE HELL ARE YOU DOING?
- - AMY, YOU'RE GONNA HAVE TO TRUST ME.
- 453
- 00:58:37,367 --> 00:58:40,336
- - THIS IS FOR YOUR OWN PROTECTION.
- - GET OUT OF THE HOUSE RIGHT NOW.
- 454
- 00:58:40,437 --> 00:58:43,929
- HEY, ARE YOU LISTENING TO ME?
- YOU ARE SCARING THE KIDS.
- 455
- 00:58:44,040 --> 00:58:45,769
- IF YOU DON'T LEAVE IMMEDIATELY,
- I'M CALLING THE POLICE.
- 456
- 00:58:45,875 --> 00:58:49,709
- - AND I WARN YOU, YOU WILL NEVER SEE YOUR KIDS AGAIN.
- - AMY, I AM NOT CRAZY.
- 457
- 00:58:49,813 --> 00:58:52,543
- THESE MIRRORS ARE DANGEROUS. AT FIRST,
- I THOUGHT IT WAS JUST THE ONES IN THE STORE,
- 458
- 00:58:52,649 --> 00:58:54,879
- AFTER ANGELA WAS KILLED,
- I REALIZED THEY CAN GET AT YOU ANYWHERE.
- 459
- 00:58:54,985 --> 00:58:58,682
- I PROMISE I WILL LEAVE THE HOUSE.
- JUST LET ME COVER THESE DAMN MIRRORS.
- 460
- 00:58:58,788 --> 00:59:01,279
- WHAT'S WRONG WITH YOU?
- 461
- 00:59:01,391 --> 00:59:03,916
- I KNOW WHAT YOU’VE BEEN GOING
- THROUGH HASN'T BEEN EASY,
- 462
- 00:59:04,027 --> 00:59:07,485
- BUT GUESS WHAT? IT HASN'T
- BEEN EASY FOR US EITHER!
- 463
- 00:59:07,597 --> 00:59:10,031
- ANGELA WAS A PART OF OUR LIVES
- TOO, YOU KNOW THAT?
- 464
- 00:59:10,133 --> 00:59:13,227
- IT'S NOT FAIR WHAT
- YOU'RE DOING TO US, BEN!
- 465
- 00:59:13,336 --> 00:59:16,828
- MICHAEL- HE'S ACTING SO STRANGE NOW.
- 466
- 00:59:16,940 --> 00:59:21,001
- HE ALWAYS WANTS TO BE ALONE.
- HE WON'T TALK TO ME. HE'S HAVING NIGHTMARES.
- 467
- 00:59:21,111 --> 00:59:24,274
- BEN,YOUR BEHAVIOR
- IS RUBBING OFF ON HIM.
- 468
- 00:59:24,381 --> 00:59:26,679
- HE IS SIX YEARS OLD.
- I HAVE TO PROTECT HIM.
- 469
- 00:59:26,783 --> 00:59:29,547
- LOOK AT THIS,
- I WANT TO SHOW YOU SOMETHING.
- 470
- 00:59:32,522 --> 00:59:35,514
- - BEN, LET GO OF ME!
- - YOU DON'T WANT TO BELIEVE ME? FINE, I'LL SHOW YOU.
- 471
- 00:59:35,625 --> 00:59:37,684
- - WHAT ARE YOU DOING?
- - I'LL SHOW YOU!
- 472
- 00:59:38,762 --> 00:59:40,730
- ARE YOU CRAZY?
- 473
- 00:59:42,766 --> 00:59:45,030
- - HAVE YOU GONE COMPLETELY MAD?
- - JUST WAIT, YOU'LL SEE.
- 474
- 00:59:45,135 --> 00:59:47,103
- - SEE WHAT?
- - YOU'LL SEE.
- 475
- 00:59:47,203 --> 00:59:51,139
- SEE WHAT, BEN? WHAT AM I SUPPOSED TO SEE?
- 476
- 00:59:58,948 --> 01:00:03,408
- IT'S NOT HAPPENING.
- IT'S NOT HAPPENING.
- 477
- 01:00:03,520 --> 01:00:06,546
- AMY, I SWEAR TO YOU,
- AT THE MAYFLOWER-
- 478
- 01:00:09,392 --> 01:00:11,883
- I AM NOT LYING.
- 479
- 01:00:27,177 --> 01:00:31,273
- BEN, LET'S GO BACK INSIDE, OKAY?
- 480
- 01:00:33,650 --> 01:00:35,618
- PUT THE GUN AWAY,
- 481
- 01:00:37,353 --> 01:00:41,551
- LISTEN TO ME, BABY.
- I WANT TO HELP YOU.
- 482
- 01:00:41,658 --> 01:00:44,991
- - TELL THE KIDS I'M SORRY.
- - BEN!
- 483
- 01:01:15,625 --> 01:01:19,026
- NO!
- 484
- 01:05:05,655 --> 01:05:07,748
- JESUS CHRIST.
- 485
- 01:05:08,791 --> 01:05:12,420
- WHAT IS THIS?
- 486
- 01:06:00,676 --> 01:06:02,576
- LARRY, IT'S ME,
- I NEED YOUR HELP AGAIN.
- 487
- 01:06:02,678 --> 01:06:06,079
- I'M TRYING TO LOCATE THE PATIENT- EMPLOYEE
- MANIFEST FOR ST. MATTHEW'S HOSPITAL.
- 488
- 01:06:06,182 --> 01:06:09,549
- - WHERE IS IT?
- - WHERE WAS IT? THEY CLOSED IT DOWN.
- 489
- 01:06:09,652 --> 01:06:12,246
- BUT IT WAS IN NEW YORK.
- IT'S WHERE THE MAYFLOWER USED TO BE.
- 490
- 01:06:12,355 --> 01:06:14,255
- THE MAYFLOWER?
- THE DEPARTMENT STORE?
- 491
- 01:06:14,357 --> 01:06:16,757
- DO YOU HAVE ANY IDEA WHERE
- THEY WOULD STORE RECORDS FOR A HOSPITAL
- 492
- 01:06:16,859 --> 01:06:18,759
- THAT'S BEEN CLOSED
- FOR OVER 50 YEARS?
- 493
- 01:06:18,861 --> 01:06:21,625
- NO, I DON'T. BUT I CAN SEND SOMEONE
- TO CITY HALL TO CHECK IT OUT.
- 494
- 01:06:21,731 --> 01:06:25,497
- IF IT’S A PUBLIC HOSPITAL, THERE'D BE A RECORD OF IT.
- TELL ME EXACTLY WHAT YOU NEED.
- 495
- 01:06:25,601 --> 01:06:29,093
- SAME THING. I'M LOOKING FOR A PATIENT
- OR AN EMPLOYEE WITH THE NAME ESSEKER.
- 496
- 01:06:29,205 --> 01:06:33,471
- ALL RIGHT, I'M ON IT. GIVE ME A COUPLE HOURS.
- AND, BEN, KEEP YOUR HEAD DOWN.
- 497
- 01:06:56,532 --> 01:06:58,466
- - HEY.
- - DID YOU GET IT?
- 498
- 01:06:58,568 --> 01:07:03,437
- YEAH, I THINK SO.
- IT'S, UH, ANNA ESSEKER.
- 499
- 01:07:05,475 --> 01:07:07,670
- I DIDN'T REALLY KNOW WHAT YOU WANTED,
- SO I GOT ALL THE MEDICAL FILES.
- 500
- 01:07:07,777 --> 01:07:10,871
- THIS IS PERFECT, LARRY,
- THIS IS PERFECT,
- 501
- 01:07:10,980 --> 01:07:13,881
- WHAT HAPPENED?
- DID YOU GET IN AN ACCIDENT?
- 502
- 01:07:13,983 --> 01:07:17,282
- - ANNA ESSEKER'S FILE. DID YOU
- HAVE TO GO TO CITY HALL FOR IT?
- - I DIDN'T HAVE TO GO ANYWHERE.
- 503
- 01:07:17,386 --> 01:07:20,184
- ALL THE FILES IN THAT PLACE WERE IN STORAGE
- WITH THE COLD CASE EVIDENCE.
- 504
- 01:07:20,289 --> 01:07:25,818
- - WHY, 'CAUSE OF THE FIRE?
- - NO. NO, IT'S BEFORE THE FIRE.
- IT'S A TOTALLY DIFFERENT CASE.
- 505
- 01:07:25,928 --> 01:07:27,953
- ANNA WAS A PATIENT AT ST. MATTHEW'S.
- 506
- 01:07:28,064 --> 01:07:31,659
- SHE WAS IN THE PSYCH WARD
- RUN BY A DR. KANE, NOW GET THIS,
- 507
- 01:07:31,767 --> 01:07:33,792
- SHE WAS ONLY 12 YEARS OLD
- WHEN SHE DIED.
- 508
- 01:07:33,903 --> 01:07:35,962
- - WHAT?
- - WHEN THE NURSES WENT ON THEIR ROUNDS
- 509
- 01:07:36,072 --> 01:07:39,166
- FIRST THING IN THE MORNING,
- OCTOBER 6, 1952...
- 510
- 01:07:39,275 --> 01:07:42,073
- THEY DISCOVERED THAT ALL THE PATIENTS
- HAD LEFT THEIR ROOMS DURING THE NIGHT...
- 511
- 01:07:42,178 --> 01:07:43,805
- AND THEY'D ALL GATHERED
- IN THE MAIN HALL.
- 512
- 01:07:43,913 --> 01:07:46,905
- BEN, THEY WERE ALL DEAD,
- INCLUDING THE GIRL.
- 513
- 01:07:47,016 --> 01:07:49,985
- APPARENTLY, THEY-THEY-THEY KILLED EACH OTHER.
- I MEAN, IT WAS A SLAUGHTERHOUSE.
- 514
- 01:07:50,086 --> 01:07:53,078
- THAT'S WHEN THEY CLOSED THE PLACE DOWN.
- WHO KNOWS WHAT REALLY HAPPENED?
- 515
- 01:07:53,189 --> 01:07:55,657
- - WHAT ABOUT THE DOCTOR? KANE?
- - WELL, THEY ARRESTED HIM.
- 516
- 01:07:55,758 --> 01:07:57,658
- THEY FOUND HIM DEAD
- FIRST DAY OF THE HEARING.
- 517
- 01:07:57,760 --> 01:07:59,887
- HE SLASHED HIS WRISTS
- WITH A PIECE OF THE CELL MIRROR.
- 518
- 01:08:01,664 --> 01:08:04,963
- - THANKS FOR YOUR HELP.
- - GOOD LUCK.
- 519
- 01:08:09,772 --> 01:08:12,366
- DAMN IT!
- 520
- 01:08:48,811 --> 01:08:51,211
- JESUS.
- 521
- 01:09:06,329 --> 01:09:08,297
- "OCTOBER 6, 1952,"
- 522
- 01:09:12,735 --> 01:09:15,499
- "ANNA ESSEKER IS DIAGNOSED
- WITH SEVERE SCHIZOPHRENIA...
- 523
- 01:09:15,605 --> 01:09:19,507
- LEADING TO WITHDRAWAL FROM REALITY,
- DELUSIONAL AND VIOLENT BEHAVIOR."
- 524
- 01:09:31,420 --> 01:09:34,321
- "PENNSYLVANIA, AUGUST, 1951."
- 525
- 01:09:52,708 --> 01:09:56,371
- THEY DON'T MATCH.
- 526
- 01:09:56,479 --> 01:10:00,279
- ANNA ESSEKER WAS DISCHARGED
- FROM ST. MATTHEW'S HOSPITAL OCTOBER 4-
- 527
- 01:10:00,383 --> 01:10:02,351
- TWO DAYS BEFORE THE MASSACRE.
- 528
- 01:10:25,174 --> 01:10:28,166
- SHE'S STILL ALIVE, ISN'T SHE?
- 529
- 01:10:41,824 --> 01:10:43,724
- YOU ALMOST DONE, SWEETIE?
- 530
- 01:10:43,826 --> 01:10:45,726
- OKAY.
- 531
- 01:10:45,828 --> 01:10:49,924
- WHY IS DADDY ACTING SO SCARED?
- IT'S NOT NORMAL,
- 532
- 01:10:50,032 --> 01:10:54,696
- HE'S WAY OLDER THAN ME.
- 533
- 01:10:54,804 --> 01:10:58,763
- AND I'M NOT ACTING SCARED,
- BUT HE IS.
- 534
- 01:10:58,874 --> 01:11:02,674
- - DOESN'T MAKE ANY SENSE.
- - MICHAEL?
- 535
- 01:11:02,778 --> 01:11:07,374
- - WHAT ARE YOU DOING?
- - NOTHING.
- 536
- 01:11:07,483 --> 01:11:10,043
- OKAY, WELL, YOU GOTTA
- GET GOING, ALL RIGHT?
- 537
- 01:11:10,152 --> 01:11:12,882
- - OKAY.
- - OKAY.
- 538
- 01:11:40,549 --> 01:11:44,542
- AMY?
- 539
- 01:11:44,653 --> 01:11:46,553
- - OH, BEN.
- - AMY, WHAT'S WRONG?
- 540
- 01:11:46,655 --> 01:11:49,453
- YOU HAVE TO COME
- TO THE HOUSE RIGHT NOW.
- 541
- 01:11:49,558 --> 01:11:52,994
- - I'M SO SCARED,
- - AMY, WHAT'S WRONG?
- 542
- 01:11:53,095 --> 01:11:56,087
- - I'M SO SCARED.
- - AMY, JUST TELL ME WHAT HAPPENED.
- 543
- 01:11:56,198 --> 01:11:58,223
- THERE'S SOMETHING IN THE HOUSE.
- 544
- 01:11:58,334 --> 01:12:01,895
- - SOMETHING IN THE MIRRORS.
- - I'M ON MY WAY.
- 545
- 01:12:02,004 --> 01:12:04,234
- GODDAMN IT!
- 546
- 01:12:09,545 --> 01:12:12,036
- COME ON.
- 547
- 01:13:02,364 --> 01:13:05,663
- DAD? WHEN ARE YOU
- COMING BACK HOME?
- 548
- 01:13:05,768 --> 01:13:08,737
- REALLY SOON, SWEETHEART.
- COME HERE.
- 549
- 01:13:11,240 --> 01:13:14,141
- - I LOVE YOU, DADDY.
- - I LOVE YOU TOO, SWEETHEART.
- 550
- 01:13:14,243 --> 01:13:17,872
- - I GOTTA GO.
- - I'M AFRAID TO STAY HERE.
- 551
- 01:13:17,980 --> 01:13:19,914
- THERE'S GONNA BE WINDOWS
- AND MIRRORS WHEREVER YOU GO.
- 552
- 01:13:20,015 --> 01:13:22,347
- ANYTHING THAT CAUSES
- A REFLECTION RIGHT NOW IS DANGEROUS.
- 553
- 01:13:22,451 --> 01:13:24,351
- AT LEAST INSIDE THE HOUSE,
- WE COVERED EVERYTHING.
- 554
- 01:13:24,453 --> 01:13:27,354
- IT'S THE SAFEST PLACE TO BE.
- 555
- 01:13:27,456 --> 01:13:32,655
- - AMY, I'M SO SORRY.
- - NO, IT'S NOT YOUR FAULT. I SHOULD'VE BELIEVED YOU.
- 556
- 01:13:33,729 --> 01:13:35,697
- - COME HERE.
- - BEN.
- 557
- 01:13:39,468 --> 01:13:44,201
- BEN, YOU DO WHATEVER
- IT TAKES TO END THIS. YOU HEAR ME?
- 558
- 01:13:44,306 --> 01:13:46,536
- I WILL.
- 559
- 01:13:48,010 --> 01:13:50,205
- I'LL BE RIGHT BACK.
- 560
- 01:15:43,158 --> 01:15:46,958
- [GASPS] JESUS.
- 561
- 01:15:49,131 --> 01:15:51,031
- YES, SIR.
- 562
- 01:15:51,133 --> 01:15:54,034
- EXCUSE ME.
- IS THIS THE ESSEKER FARM?
- 563
- 01:15:54,136 --> 01:15:56,036
- WHAT IS IT, JIMMY?
- 564
- 01:15:56,138 --> 01:15:58,629
- I DON'T KNOW, MA.
- WHAT CAN I DO FOR YOU, SIR?
- 565
- 01:15:58,741 --> 01:16:02,006
- I'M LOOKING FOR ANNA.
- ANNA ESSEKER.
- 566
- 01:16:02,111 --> 01:16:04,671
- THERE'S A MAN LOOKING FOR-
- YOU SAID ANNA?
- 567
- 01:16:04,780 --> 01:16:10,309
- - YES, ANNA ESSEKER.
- - AN ANNA ESSEKER, MA.
- 568
- 01:16:10,419 --> 01:16:14,116
- LOOK, I'M SORRY TO BOTHER YOU.
- I MUST HAVE THE WRONG PLACE.
- 569
- 01:16:15,457 --> 01:16:17,322
- WHAT IS IT YOU WANT
- WITH ANNA ESSEKER?
- 570
- 01:16:25,361 --> 01:16:27,955
- I'M DOING A RESEARCH PAPER
- ON SCHIZOPHRENIA.
- 571
- 01:16:28,064 --> 01:16:30,191
- I BECAME FAMILIAR
- WITH ANNA ESSEKER'S CASE.
- 572
- 01:16:30,300 --> 01:16:34,327
- I-I JUST WANTED TO
- ASK HER SOME QUESTIONS.
- 573
- 01:16:34,437 --> 01:16:38,203
- GO TELL GRANDPA THERE'S A MAN HERE
- WHO'S ASKING ABOUT HIS SISTER.
- 574
- 01:16:38,308 --> 01:16:41,641
- - OKAY.
- - THANK YOU.
- 575
- 01:16:41,745 --> 01:16:43,736
- GRANDPA?
- 576
- 01:16:43,847 --> 01:16:46,748
- YOU KNOW, UP TO THIS DAY...
- 577
- 01:16:46,850 --> 01:16:51,617
- VISIONS OF ANNA'S FITS
- STILL HAUNT ME AT NIGHT.
- 578
- 01:16:51,721 --> 01:16:56,681
- I HELPED MY FATHER FIX UP THIS PART
- OF THE BASEMENT ESPECIALLY FOR HER.
- 579
- 01:16:58,828 --> 01:17:04,095
- HER FITS WERE TOO VIOLENT. MY MOTHER
- COULDN'T TAKE HER SCREAMS ANYMORE.
- 580
- 01:17:11,775 --> 01:17:15,142
- WELL, WE HAD EVERY PRIEST,
- DOCTOR, HEALER...
- 581
- 01:17:15,245 --> 01:17:19,147
- COMING IN FROM ALL OVER THE COUNTY,
- BUT NO ONE COULD HELP HER.
- 582
- 01:17:31,294 --> 01:17:36,994
- - [GRANDPA] WELL, FINALLY,
- A DR. KANE FROM NEW YORK,
- 583
- 01:17:37,100 --> 01:17:41,503
- ANSWERED MY PARENTS' CRIES FOR HELP.
- 584
- 01:17:41,604 --> 01:17:45,904
- HE REJECTED THE IDEA OF DEMONIC POSSESSION.
- SAID HE DIDN'T BELIEVE IN IT.
- 585
- 01:17:46,009 --> 01:17:51,072
- WELL, HE WAS CONVINCED ANNA SUFFERED
- FROM A RARE FORM OF PERSONALITY DISORDER,
- 586
- 01:17:51,181 --> 01:17:55,379
- AND MIRRORS COULD HELP HER,
- 587
- 01:17:55,485 --> 01:17:58,818
- HE WANTED ANNA UNDER HIS CARE AT ST. MATTHEW'S.
- 588
- 01:17:58,922 --> 01:18:01,550
- MY PARENTS WERE VERY POOR...
- 589
- 01:18:01,658 --> 01:18:05,890
- - BUT HE AGREED TO COVER
- ALL THE COSTS OF THE HOSPITAL.
- 590
- 01:18:05,995 --> 01:18:09,487
- - WHERE'D SHE GO AFTER THE HOSPITAL?
- - DON’T YOU KNOW?
- 591
- 01:18:09,599 --> 01:18:11,829
- SHE DIED THERE WITH
- ALL OF KANE'S OTHER PATIENTS.
- 592
- 01:18:11,935 --> 01:18:15,336
- MR. ESSEKER, I READ THE FILE.
- 593
- 01:18:15,438 --> 01:18:17,702
- ANNA LEFT THE HOSPITAL
- TWO DAYS BEFORE THE MASSACRE.
- 594
- 01:18:17,807 --> 01:18:21,971
- DR. KANE ALTERED THE DOCUMENTS
- SO SHE COULD DISAPPEAR.
- 595
- 01:18:22,078 --> 01:18:24,979
- OH, MY GOD, WHERE-WHERE-WHERE
- DID YOU GET THAT DOCUMENT?
- 596
- 01:18:25,081 --> 01:18:28,847
- I NEED YOU TO TELL ME WHERE
- SHE WENT AFTER ST. MATTHEW'S.
- 597
- 01:18:28,952 --> 01:18:31,386
- WELL, SHE CAME BACK
- AND STAYED WITH US FOR A WHILE.
- 598
- 01:18:31,487 --> 01:18:35,355
- WHAT DO YOU MEAN FOR A WHILE?
- WHAT HAPPENED? WHY DID SHE LEAVE?
- 599
- 01:18:35,458 --> 01:18:38,484
- - I-I DON'T WANT TO TALK ABOUT THAT.
- - WHY DID SHE LEAVE?
- 600
- 01:18:38,595 --> 01:18:43,055
- BECAUSE- BECAUSE STRANGE THINGS STARTED
- TO HAPPEN IN THE HOUSE.
- 601
- 01:18:43,166 --> 01:18:47,398
- - WITH ANNA?
- - NO, NOT WITH ANNA ANYMORE.
- NO, SHE WAS TOTALLY CURED.
- 602
- 01:18:48,838 --> 01:18:53,036
- STRANGE THINGS STARTED TO HAPPEN
- WITH THE MIRRORS, DIDN'T THEY?
- 603
- 01:18:53,142 --> 01:18:56,578
- MR. ESSEKER, I NEED TO KNOW WHERE ANNA IS NOW.
- IT'S A MATTER OF LIFE AND DEATH.
- 604
- 01:18:56,679 --> 01:18:58,579
- DO NOT MAKE ME THREATEN YOU.
- 605
- 01:18:58,681 --> 01:19:04,551
- WE-WE- WE SENT HER SOMEWHERE
- WHERE MIRRORS ARE FORBIDDEN,
- 606
- 01:19:04,654 --> 01:19:07,088
- WHERE THE MIRRORS COULDN'T FIND HER.
- 607
- 01:19:07,190 --> 01:19:09,750
- WHERE? WHERE?
- 608
- 01:19:09,859 --> 01:19:13,818
- SAINT AUGUSTINE'S MONASTERY,
- ON THE ROAD TO REDFIELD.
- 609
- 01:20:16,008 --> 01:20:21,071
- - HOW CAN I HELP YOU?
- - I ' M SORRY TO DISTURB YOU, SISTER.
- 610
- 01:20:21,179 --> 01:20:24,615
- BUT I'VE COME TO SPEAK WITH A MEMBER
- OF YOUR COMMUNITY- ANNA ESSEKER.
- 611
- 01:20:24,799 --> 01:20:29,031
- - IS SHE EXPECTING YOU?
- - NO, NOT REALLY.
- 612
- 01:20:29,136 --> 01:20:32,105
- IF YOU’RE NOT LISTED,
- I CANNOT HELP YOU, SIR.
- 613
- 01:20:32,206 --> 01:20:37,371
- CAN YOU AT LEAST TELL HER THAT I'VE COME
- FROM NEW YORK TO SPEAK WITH HER?
- 614
- 01:20:37,478 --> 01:20:42,472
- I-I-I WORK WITH DR. KANE
- FROM ST. MATTHEW'S HOSPITAL.
- 615
- 01:20:42,583 --> 01:20:45,279
- IT'S VERY IMPORTANT. PLEASE.
- 616
- 01:20:50,656 --> 01:20:54,888
- ST. MATTHEW'S CLOSED DOWN
- IN 1952, WHO ARE YOU?
- 617
- 01:20:54,994 --> 01:20:57,462
- MY NAME IS BENJAMIN CARSON.
- 618
- 01:20:57,563 --> 01:21:01,329
- I WORK AS A NIGHT WATCHMAN
- ON SIXTH AVENUE IN NEW YORK CITY.
- 619
- 01:21:01,434 --> 01:21:03,994
- IN THE BUILDING THAT USED TO BE
- ST. MATTHEW'S HOSPITAL.
- 620
- 01:21:04,103 --> 01:21:07,539
- WHAT IS IT YOU WANT, MR. CARSON?
- 621
- 01:21:07,640 --> 01:21:09,870
- MY FAMILY'S IN DANGER.
- 622
- 01:21:09,976 --> 01:21:12,467
- AND WHAT'S THREATENING THEM
- IS ASKING FOR YOU.
- 623
- 01:21:12,578 --> 01:21:16,514
- I CAME ALL THIS WAY
- TO ASK YOU WHY-
- 624
- 01:21:16,616 --> 01:21:20,484
- WHY THE MIRRORS THAT WERE LEFT OVER FROM
- ST. MATTHEW'S HOSPITAL ARE SO DESPERATE TO FIND YOU.
- 625
- 01:21:22,588 --> 01:21:24,647
- PLEASE, MISS ESSEKER,
- 626
- 01:21:24,757 --> 01:21:26,657
- IF YOU DON'T HELP ME,
- 627
- 01:21:26,759 --> 01:21:31,059
- I'M GONNA LOSE THE MOST IMPORTANT THING
- TO ME IN THIS WORLD, AND THAT'S MY FAMILY.
- 628
- 01:21:34,467 --> 01:21:37,061
- SIT DOWN, MR. CARSON.
- 629
- 01:21:45,511 --> 01:21:48,503
- THE MIRRORS ARE MERELY
- WINDOWS ON OUR WORLD.
- 630
- 01:21:48,614 --> 01:21:53,745
- IT IS NOT THE WISH
- OF THE MIRRORS TO FIND ME...
- 631
- 01:21:53,853 --> 01:21:56,583
- BUT OF WHAT IS IMPRISONED
- INSIDE THEM.
- 632
- 01:21:56,689 --> 01:21:58,850
- WHAT IS IMPRISONED INSIDE THEM?
- 633
- 01:22:00,326 --> 01:22:02,920
- AT THE TIME THAT
- I WAS AT ST. MATTHEW'S-
- 634
- 01:22:05,164 --> 01:22:10,568
- DR. KANE'S THERAPY FOR PERSONALITY DISORDERS,
- 635
- 01:22:10,670 --> 01:22:14,504
- CONSISTED OF LOCKING THE PATIENT UP,
- 636
- 01:22:14,607 --> 01:22:17,804
- IN A MIRRORED ROOM
- FOR SEVERAL DAYS ON END,
- 637
- 01:22:17,910 --> 01:22:21,607
- FORCING THEM TO CONFRONT
- THEIR OWN IMAGE.
- 638
- 01:22:23,382 --> 01:22:27,910
- DR. KANE WAS WRONG ABOUT HIS THEORY.
- 639
- 01:22:28,020 --> 01:22:32,787
- THERE IS NO CURE FOR SCHIZOPHRENIA, MR. CARSON,
- 640
- 01:22:34,260 --> 01:22:36,956
- IT WAS SOMETHING ELSE.
- 641
- 01:22:37,063 --> 01:22:39,531
- AND WHATEVER IT WAS,
- 642
- 01:22:39,632 --> 01:22:43,261
- IT LEFT ME AND ENTERED THE MIRRORS.
- 643
- 01:22:45,671 --> 01:22:50,665
- SINCE THAT DAY, IT HAS BEEN COLLECTING
- THE SOULS OF THE PEOPLE IT KILLS.
- 644
- 01:22:50,776 --> 01:22:53,870
- I'M SORRY...
- 645
- 01:22:53,980 --> 01:22:57,177
- BUT IF I AGREE TO GO WITH YOU
- AND RETURN BACK TO THAT PLACE...
- 646
- 01:22:57,283 --> 01:23:02,311
- I WILL MAKE IT POSSIBLE FOR THE DEMON TO CROSS
- THE THRESHOLD BACK INTO THE REAL WORLD.
- 647
- 01:23:02,421 --> 01:23:04,514
- DO YOU UNDERSTAND WHAT
- THAT MEANS FOR MY FAMILY?
- 648
- 01:23:04,624 --> 01:23:07,616
- YOU CAN'T DO THIS.
- YOU NEED TO COME BACK WITH ME.
- 649
- 01:23:08,761 --> 01:23:11,662
- I'M GOING TO PRAY FOR YOU
- AND YOUR FAMILY.
- 650
- 01:23:11,764 --> 01:23:16,133
- THAT'S ALL I CAN DO RIGHT NOW,
- MR. CARSON, I'M SORRY.
- 651
- 01:23:16,235 --> 01:23:18,203
- GOD BLESS YOU.
- 652
- 01:23:19,939 --> 01:23:25,002
- GARY LEWIS, TERRENCE BERRY, AND MANY OTHER MEN
- HAVE DIED TRYING TO FIND YOU.
- 653
- 01:23:25,111 --> 01:23:27,272
- AND BECAUSE THEY FAILED,
- THEIR FAMILIES DIED TOO.
- 654
- 01:23:27,380 --> 01:23:30,406
- TWO DAYS AGO,
- MY SISTER WAS MURDERED.
- 655
- 01:23:30,516 --> 01:23:34,714
- MY FAMILY WILL BE NEXT
- IF YOU DON'T HELP ME, PLEASE.
- 656
- 01:23:34,820 --> 01:23:38,881
- PLEASE. WAIT, WAIT.
- 657
- 01:23:42,228 --> 01:23:45,527
- THIS IS MY FAMILY.
- IT'S MY WIFE, AMY...
- 658
- 01:23:45,631 --> 01:23:48,964
- AND MY DAUGHTER, DAISY,
- AND MY SON, MICHAEL.
- 659
- 01:23:49,068 --> 01:23:52,128
- THEY'RE BEAUTIFUL.
- THEY'RE INNOCENT.
- 660
- 01:23:52,238 --> 01:23:54,604
- THEY'VE NEVER HURT ANYBODY.
- 661
- 01:23:56,642 --> 01:23:59,634
- PLEASE, TAKE-TAKE THE PHOTO.
- 662
- 01:24:00,680 --> 01:24:03,205
- JUST-JUST TAKE THE PHOTO.
- 663
- 01:24:12,224 --> 01:24:14,715
- LOOK AT THEM,
- 664
- 01:24:16,696 --> 01:24:18,664
- I'M SORRY.
- 665
- 01:24:20,633 --> 01:24:23,625
- WHO THE HELL DO YOU THINK YOU ARE?
- 666
- 01:24:23,736 --> 01:24:26,364
- THEY'RE JUST KIDS!
- 667
- 01:25:02,708 --> 01:25:04,608
- - HELLO?
- - AMY.
- 668
- 01:25:04,710 --> 01:25:07,611
- - BEN, WHERE ARE YOU?
- - AT THE MONASTERY.
- 669
- 01:25:07,713 --> 01:25:10,113
- - DID YOU FIND HER?
- - YES.
- 670
- 01:25:10,215 --> 01:25:13,412
- - YEAH? DID YOU TALK TO-
- - AMY?
- 671
- 01:25:13,519 --> 01:25:17,114
- MICHAEL.
- MICHAEL?
- 672
- 01:25:17,222 --> 01:25:20,658
- - BEN, HOLD ON. MICHAEL'S GONE.
- - WHAT DO YOU MEAN?
- 673
- 01:25:20,759 --> 01:25:24,559
- I DON'T KNOW. I FELL ASLEEP WITH
- THE KIDS ON THE BED, AND NOW I
- DON'T KNOW WHERE HE IS. MICHAEL?
- 674
- 01:25:24,663 --> 01:25:26,460
- AMY, WHAT'S GOING ON?
- IS EVERYTHING ALL RIGHT?
- 675
- 01:25:26,565 --> 01:25:28,897
- OH, FUCK.
- 676
- 01:25:29,001 --> 01:25:31,094
- AMY, WHAT'S GOING ON?
- HAVE YOU GOT MICHAEL?
- 677
- 01:25:32,237 --> 01:25:34,171
- OH, MY GOD.
- 678
- 01:25:34,273 --> 01:25:38,334
- BEN, THERE'S WATER EVERYWHERE.
- 679
- 01:25:38,444 --> 01:25:40,935
- - OH, MY GOD.
- - YOU'VE GOTTA BE CAREFUL OF THE WATER.
- 680
- 01:25:41,046 --> 01:25:43,105
- IT CREATES REFLECTIONS.
- 681
- 01:25:43,215 --> 01:25:48,084
- SOMEONE'S IN THE HOUSE.
- SOMEONE SCRAPED ALL THE MIRRORS.
- 682
- 01:25:48,187 --> 01:25:52,647
- - AMY, WHERE IS MICHAEL?
- - I DON'T KNOW. I DON'T SEE HIM ANYWHERE.
- 683
- 01:25:52,758 --> 01:25:54,749
- AMY, LISTEN TO ME.
- YOU'VE GOTTA STAY AWAY FROM THE WATER.
- 684
- 01:25:54,860 --> 01:25:57,328
- GET THE KIDS AND STAY AWAY FROM THE WATER.
- 685
- 01:25:57,429 --> 01:25:59,624
- - MICHAEL?
- - AMY?
- 686
- 01:25:59,732 --> 01:26:02,360
- AMY? SHIT!
- 687
- 01:26:10,309 --> 01:26:13,608
- WHICH ROOM IS SHE IN? WHICH ONE?
- 688
- 01:26:18,117 --> 01:26:20,813
- MY FAMILY'S NOT DYING TONIGHT.
- YOU ARE COMING WITH ME.
- 689
- 01:26:34,800 --> 01:26:36,791
- MICHAEL?
- 690
- 01:26:55,354 --> 01:26:57,322
- DAISY?
- 691
- 01:26:59,558 --> 01:27:02,186
- DAISY, COME HERE,
- 692
- 01:27:15,340 --> 01:27:18,104
- COME HERE, DAISY.
- 693
- 01:27:18,210 --> 01:27:20,110
- MOM?
- 694
- 01:27:25,818 --> 01:27:27,809
- COME HERE, SWEETHEART,
- 695
- 01:27:46,939 --> 01:27:49,203
- WHAT ARE YOU DOING IN THERE?
- 696
- 01:27:49,308 --> 01:27:53,369
- EVERYTHING'S GONNA BE ALL RIGHT.
- 697
- 01:28:06,325 --> 01:28:08,555
- NO! NO!
- 698
- 01:28:12,431 --> 01:28:14,797
- NO! NO!
- 699
- 01:28:14,900 --> 01:28:17,926
- OH, DAISY! OHH!
- 700
- 01:28:18,036 --> 01:28:21,164
- COME HERE! GET DOWN!
- GET DOWN, RIGHT NOW!
- 701
- 01:28:21,273 --> 01:28:24,037
- GET DOWN, SWEETIE. GET DOWN.
- OH, MY GOD, ARE YOU OKAY?
- 702
- 01:28:24,143 --> 01:28:27,237
- OH, MY GOD! STAY RIGHT THERE!
- DON'T MOVE, BABY! DON'T MOVE!
- 703
- 01:28:27,346 --> 01:28:29,405
- MOM, WHY DID YOU DO THAT TO ME?
- 704
- 01:28:29,515 --> 01:28:32,279
- IT WASN'T ME, SWEETHEART. YOU KNOW
- I WOULD NEVER HURT YOU. YOU KNOW THAT.
- 705
- 01:28:32,384 --> 01:28:35,217
- HERE, HOLD THIS,
- HOLD IT TIGHT,
- 706
- 01:28:36,421 --> 01:28:38,480
- YOU OKAY?
- 707
- 01:28:40,092 --> 01:28:43,653
- HERE, GET DOWN, SWEETIE.
- LET ME SEE. LET ME SEE.
- 708
- 01:28:45,264 --> 01:28:47,198
- LET ME SEE, SWEETIE.
- IT'S GONNA BE OKAY.
- 709
- 01:28:47,299 --> 01:28:49,665
- ALL RIGHT? I KNOW IT HURTS.
- STAY RIGHT THERE.
- 710
- 01:28:52,604 --> 01:28:55,596
- ALL RIGHT, GIVE ME YOUR HAND.
- I NEED YOU TO HOLD IT REALLY TIGHT, OKAY?
- 711
- 01:28:55,707 --> 01:28:59,006
- JUST FLAT AND TIGHT.
- JUST LIKE THAT, OKAY?
- 712
- 01:28:59,111 --> 01:29:02,205
- NOW, I NEED YOU
- TO LISTEN TO ME, OKAY, BABY?
- 713
- 01:29:02,314 --> 01:29:06,080
- YOU HAVE TO BE VERY BRAVE.
- I NEED YOU TO STAY HERE NO MATTER WHAT HAPPENS.
- 714
- 01:29:06,185 --> 01:29:09,484
- NO MATTER WHAT YOU HEAR, DO NOT MOVE
- FROM THIS CLOSET UNTIL I COME BACK.
- 715
- 01:29:09,588 --> 01:29:11,488
- - YOU UNDERSTAND ME, RIGHT?
- - YES.
- 716
- 01:29:11,590 --> 01:29:15,549
- OKAY. OKAY.
- DO NOT MOVE. I LOVE YOU.
- 717
- 01:29:15,661 --> 01:29:18,926
- DON'T MOVE.
- 718
- 01:29:46,291 --> 01:29:48,259
- MICHAEL?
- 719
- 01:30:05,477 --> 01:30:07,445
- MICHAEL?
- 720
- 01:30:09,982 --> 01:30:11,950
- WHERE ARE YOU?
- 721
- 01:30:13,819 --> 01:30:15,787
- MICHAEL?
- 722
- 01:30:33,005 --> 01:30:35,906
- MICHAEL!
- MICHAEL, WHAT ARE YOU DOING?
- 723
- 01:30:40,846 --> 01:30:45,476
- DON'T BE SCARED, MOMMY.
- HE JUST WANTS TO PLAY WITH US.
- 724
- 01:30:45,584 --> 01:30:48,781
- MICHAEL, I WANT YOU TO
- DROP THAT KNIFE RIGHT NOW.
- 725
- 01:30:48,887 --> 01:30:51,549
- DO YOU HEAR ME?
- 726
- 01:30:51,657 --> 01:30:57,254
- YOU KNOW VERY WELL YOU'RE NOT
- ALLOWED TO PLAY WITH KNIVES, DON’T YOU?
- 727
- 01:30:57,362 --> 01:31:00,229
- COME ON.
- 728
- 01:31:02,668 --> 01:31:04,727
- THAT'S A GOOD BOY.
- 729
- 01:31:04,836 --> 01:31:07,634
- GIVE ME THE KNIFE, MICHAEL.
- 730
- 01:31:07,739 --> 01:31:09,832
- MICHAEL! MICHAEL!
- 731
- 01:31:12,878 --> 01:31:14,846
- MICHAEL?
- 732
- 01:31:22,120 --> 01:31:24,554
- MICHAEL?
- 733
- 01:31:24,656 --> 01:31:26,817
- MICHAEL?
- 734
- 01:31:29,728 --> 01:31:33,323
- MICHAEL? MIKE?
- MICHAEL!
- 735
- 01:31:35,133 --> 01:31:37,363
- MICHAEL?
- 736
- 01:31:37,469 --> 01:31:39,937
- WHY ARE YOU HIDING FROM ME,
- SWEETHEART?
- 737
- 01:31:51,717 --> 01:31:54,447
- MICHAEL?
- 738
- 01:32:44,436 --> 01:32:46,836
- [BEN] YOU OKAY?
- 739
- 01:32:46,938 --> 01:32:48,997
- COME ON.
- 740
- 01:33:35,821 --> 01:33:38,551
- IT'S WAITING FOR ME DOWNSTAIRS,
- 741
- 01:33:47,766 --> 01:33:51,998
- BRING ME INSIDE.
- FROM NOW ON, I HAVE TO KEEP MY EYES CLOSED.
- 742
- 01:33:52,104 --> 01:33:55,267
- STEP UP. YOU'RE IN THE ROOM,
- 743
- 01:33:55,373 --> 01:33:58,399
- STRAP ME IN.
- 744
- 01:34:06,451 --> 01:34:09,614
- I SPENT THE DARKEST DAYS
- OF MY LIFE IN THIS ROOM.
- 745
- 01:34:12,090 --> 01:34:13,990
- ARE YOU SURE THERE'S NO OTHER WAY?
- 746
- 01:34:14,092 --> 01:34:17,289
- IT'S FOR YOUR FAMILY, MR. CARSON.
- 747
- 01:34:17,395 --> 01:34:19,363
- FOR YOUR FAMILY.
- 748
- 01:34:33,879 --> 01:34:35,972
- MICHAEL?
- 749
- 01:35:19,591 --> 01:35:21,650
- MICHAEL?
- MICHAEL, LOOK AT ME.
- 750
- 01:35:24,162 --> 01:35:28,189
- MICHAEL! NO, MICHAEL!
- OH, MY GOD!
- 751
- 01:35:28,300 --> 01:35:33,863
- GIVE HIM BACK TO ME!
- GIVE HIM BACK TO ME!
- 752
- 01:35:33,972 --> 01:35:38,602
- NO! NO!
- NO! GET OUT!
- 753
- 01:35:38,710 --> 01:35:42,168
- OH, MY GOD! NO!
- 754
- 01:35:45,951 --> 01:35:49,512
- - YOU MUST GO NOW.
- - THANK YOU.
- 755
- 01:35:49,621 --> 01:35:52,715
- NO!
- 756
- 01:35:52,824 --> 01:35:55,190
- NO!
- 757
- 01:35:55,293 --> 01:35:58,057
- WHY?
- 758
- 01:36:32,664 --> 01:36:38,159
- GIVE HIM BACK TO ME!
- GIVE HIM BACK! GIVE HIM BACK!
- 759
- 01:36:38,270 --> 01:36:40,898
- MICHAEL!
- 760
- 01:36:41,006 --> 01:36:44,533
- NO! NO!
- 761
- 01:37:09,463 --> 01:37:13,024
- MICHAEL!
- OH, MY BABY! OHH!
- 762
- 01:37:21,825 --> 01:37:24,692
- MICHAEL.
- 763
- 01:37:38,141 --> 01:37:40,109
- COME ON.
- 764
- 01:37:41,912 --> 01:37:44,073
- ONE, TWO-
- 765
- 01:37:51,054 --> 01:37:53,318
- FIVE, SIX-
- 766
- 01:37:53,423 --> 01:37:57,450
- OHH! OHH!
- OH, THANK GOD!
- 767
- 01:38:02,599 --> 01:38:06,296
- OH, THANK YOU! I LOVE YOU!
- 768
- 01:38:18,215 --> 01:38:21,116
- ANNA?
- 769
- 01:38:47,410 --> 01:38:49,378
- ANNA?
- 770
- 01:40:30,981 --> 01:40:32,949
- COME ON, YOU BITCH!
- 771
- 01:42:45,896 --> 01:42:49,297
- OH, MY GOD.
- 772
- 01:42:49,400 --> 01:42:51,368
- OH, MY BABY.
- 773
- 01:42:53,037 --> 01:42:54,732
- OHH!
- 774
- 01:42:54,838 --> 01:42:57,033
- I LOVE YOU BOTH.
- 775
- 01:43:03,714 --> 01:43:06,945
- OHH!
- I LOVE YOU BOTH.
Advertisement
Add Comment
Please, Sign In to add comment
Advertisement