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- 0
- 00:00:05,000 --> 00:00:15,000
- INDOXXI
- Support dengan like & share :)
- 1
- 00:01:23,000 --> 00:01:26,120
- ♪ 'Cause I'll be leaving
- in the... ♪
- 2
- 00:01:32,360 --> 00:01:34,000
- ♪ In the fairest ♪
- 3
- 00:01:34,160 --> 00:01:36,280
- ♪ Of the seasons ♪
- 4
- 00:01:40,680 --> 00:01:42,320
- Oh.
- 5
- 00:01:42,480 --> 00:01:43,720
- Patricia.
- 6
- 00:01:46,600 --> 00:01:48,200
- ♪ That I'll be leaving ♪
- 7
- 00:01:48,360 --> 00:01:51,760
- ♪ In the fairest
- of the seasons ♪
- 8
- 00:01:51,920 --> 00:01:54,640
- ♪ Do I stay or should I go? ♪
- 9
- 00:01:54,800 --> 00:01:59,320
- So, I have a patient
- that is coming in five minutes.
- 10
- 00:01:59,480 --> 00:02:00,800
- I can ask him
- to come back later.
- 11
- 00:02:00,960 --> 00:02:02,720
- Please.
- 12
- 00:02:04,600 --> 00:02:06,120
- ♪ 'Cause I'll be leaving ♪
- 13
- 00:02:06,280 --> 00:02:09,040
- ♪ In the fairest
- of the seasons ♪
- 14
- 00:02:17,600 --> 00:02:20,040
- ♪ That I'll be leaving ♪
- 15
- 00:02:20,200 --> 00:02:21,520
- ♪ In the... ♪
- 16
- 00:02:24,000 --> 00:02:28,320
- This song, it's stuck
- in my head, and it's so loud.
- 17
- 00:02:54,160 --> 00:02:56,720
- They're going to try
- to keep her alive after all.
- 18
- 00:02:56,880 --> 00:02:57,960
- Markos?
- 19
- 00:03:37,080 --> 00:03:39,240
- I have to tell Sara
- to get out of there.
- 20
- 00:03:42,080 --> 00:03:44,360
- She's the only girl
- I actually give a damn about.
- 21
- 00:03:49,480 --> 00:03:50,440
- If I leave without her,
- 22
- 00:03:50,600 --> 00:03:52,760
- they may pick her next.
- 23
- 00:03:52,920 --> 00:03:54,200
- Or Olga.
- 24
- 00:03:54,360 --> 00:03:55,920
- I should warn Olga, too.
- 25
- 00:03:59,120 --> 00:04:00,640
- Olga's already
- figured out things.
- 26
- 00:04:00,800 --> 00:04:03,240
- She saw how they groomed me.
- 27
- 00:04:05,240 --> 00:04:08,400
- There's more in that building
- than what you can see.
- 28
- 00:04:18,800 --> 00:04:21,040
- They've been underground
- since the war.
- 29
- 00:04:26,080 --> 00:04:28,840
- And you think
- they can hear you now?
- 30
- 00:04:46,960 --> 00:04:49,440
- At the beginning,
- they gave me things.
- 31
- 00:04:49,600 --> 00:04:53,120
- Perfect balance, perfect sleep.
- 32
- 00:04:53,280 --> 00:04:55,720
- Talking with our minds.
- 33
- 00:04:55,880 --> 00:04:57,960
- But they took my hair.
- 34
- 00:04:59,480 --> 00:05:01,760
- They took my urine. They...
- 35
- 00:05:01,920 --> 00:05:04,440
- They took my eyes.
- 36
- 00:05:04,600 --> 00:05:06,760
- Now she can see me.
- 37
- 00:05:17,840 --> 00:05:19,520
- ♪ 'Cause I'll be leaving ♪
- 38
- 00:05:19,680 --> 00:05:22,760
- ♪ In the fairest
- of the seasons ♪
- 39
- 00:05:22,920 --> 00:05:24,440
- ♪ I'll be leaving... ♪
- 40
- 00:05:26,800 --> 00:05:28,240
- Mother Markos.
- 41
- 00:05:32,400 --> 00:05:34,760
- Oh, she wants
- to get inside of me.
- 42
- 00:05:35,760 --> 00:05:37,360
- I can feel her.
- 43
- 00:05:37,520 --> 00:05:38,920
- Oh, I thought I wanted it.
- 44
- 00:05:44,040 --> 00:05:46,400
- I let it happen.
- 45
- 00:06:32,800 --> 00:06:35,160
- If they find out I was here,
- they won't hesitate.
- 46
- 00:07:35,040 --> 00:07:37,720
- ♪ This is what I was thinking ♪
- 47
- 00:07:39,480 --> 00:07:41,440
- ♪ About our bodies ♪
- 48
- 00:07:44,080 --> 00:07:48,600
- ♪ What they mean ♪
- 49
- 00:07:48,760 --> 00:07:52,800
- ♪ For our salvation ♪
- 50
- 00:07:55,880 --> 00:08:00,240
- ♪ Only the clothes that ♪
- 51
- 00:08:00,400 --> 00:08:04,440
- ♪ We stand up in ♪
- 52
- 00:08:04,600 --> 00:08:09,240
- ♪ Just the ground ♪
- 53
- 00:08:09,400 --> 00:08:12,600
- ♪ On which we stand ♪
- 54
- 00:08:16,240 --> 00:08:20,760
- ♪ Is the darkness ♪
- 55
- 00:08:20,920 --> 00:08:22,880
- ♪ Ours to take? ♪
- 56
- 00:08:23,040 --> 00:08:25,360
- Okay, that's good. That's good.
- 57
- 00:08:25,520 --> 00:08:29,920
- ♪ Bathed in lightning ♪
- 58
- 00:08:30,080 --> 00:08:33,000
- ♪ Bathed in heat ♪
- 59
- 00:08:46,520 --> 00:08:49,040
- ♪ All is well ♪
- 60
- 00:08:49,200 --> 00:08:53,280
- ♪ As long as we keep spinning ♪
- 61
- 00:08:56,720 --> 00:08:59,680
- ♪ Here now ♪
- 62
- 00:08:59,840 --> 00:09:03,800
- ♪ Dancing behind the wall ♪
- 63
- 00:09:07,160 --> 00:09:09,800
- ♪ Hear the old songs ♪
- 64
- 00:09:09,960 --> 00:09:13,720
- ♪ And laughter within ♪
- 65
- 00:09:23,680 --> 00:09:26,960
- ♪ When I arrive, will ♪
- 66
- 00:09:27,120 --> 00:09:28,960
- - Morning, Pastor.
- - ♪ You come and find me? ♪
- 67
- 00:09:29,120 --> 00:09:30,640
- Did the rain get your clothes
- all wet?
- 68
- 00:09:30,800 --> 00:09:32,680
- No, don't you worry. The girls
- just hung that all up.
- 69
- 00:09:32,840 --> 00:09:34,400
- - ♪ In a crowd ♪
- - Two days of rain
- 70
- 00:09:34,560 --> 00:09:36,000
- is what I just heard
- on the radio.
- 71
- 00:09:36,160 --> 00:09:37,400
- - That'll just about do it.
- - Just about.
- 72
- 00:09:37,560 --> 00:09:40,040
- ♪ Be one of them ♪
- 73
- 00:09:41,800 --> 00:09:44,120
- How is she today?
- 74
- 00:09:44,280 --> 00:09:48,880
- - ♪ Mother wants us ♪
- - MAN: Much the same.
- 75
- 00:09:49,040 --> 00:09:53,400
- ♪ Right beside her ♪
- 76
- 00:09:53,560 --> 00:09:58,040
- ♪ No tomorrows ♪
- 77
- 00:09:58,200 --> 00:10:00,720
- ♪ At peace. ♪
- 78
- 00:11:55,400 --> 00:11:56,760
- You're Miss Tanner?
- 79
- 00:11:56,920 --> 00:11:58,480
- Yes. Come in.
- 80
- 00:12:06,680 --> 00:12:07,760
- Nah?
- 81
- 00:12:10,000 --> 00:12:12,560
- I tried to call you
- at your hotel this morning
- 82
- 00:12:12,720 --> 00:12:16,160
- to ask you
- if you could reschedule.
- 83
- 00:12:16,320 --> 00:12:18,960
- - Why?
- - Company business.
- 84
- 00:12:19,120 --> 00:12:21,200
- It's not a good time
- just today.
- 85
- 00:12:21,360 --> 00:12:22,840
- But here you are.
- 86
- 00:12:54,360 --> 00:12:57,400
- And one, and two,
- 87
- 00:12:57,560 --> 00:13:00,920
- and three, and four,
- 88
- 00:13:01,080 --> 00:13:02,760
- and five,
- 89
- 00:13:02,920 --> 00:13:06,440
- and six, and seven,
- 90
- 00:13:06,600 --> 00:13:07,680
- and eight.
- 91
- 00:13:07,840 --> 00:13:10,040
- Elbows up. And one...
- 92
- 00:13:11,360 --> 00:13:12,600
- Come in, Susie.
- 93
- 00:13:16,040 --> 00:13:20,280
- Miss Millius and Miss Mandel
- are the company's repetiteurs.
- 94
- 00:13:20,440 --> 00:13:22,280
- And Veva Blanc?
- 95
- 00:13:22,440 --> 00:13:24,360
- I was told she would be here.
- 96
- 00:13:24,520 --> 00:13:25,840
- Oh, dear.
- 97
- 00:13:26,000 --> 00:13:29,160
- You have no formal training
- or references.
- 98
- 00:13:29,320 --> 00:13:31,320
- Your insistence to audition
- 99
- 00:13:31,480 --> 00:13:35,800
- happened to catch Madame Blanc
- on a good day.
- 100
- 00:13:35,960 --> 00:13:39,400
- But you really shouldn't
- be here at all.
- 101
- 00:13:39,560 --> 00:13:41,880
- Do you understand?
- 102
- 00:13:42,040 --> 00:13:43,640
- - Mm-hmm.
- - Yeah?
- 103
- 00:13:43,800 --> 00:13:44,440
- Good.
- 104
- 00:13:55,400 --> 00:13:57,520
- Uh...
- 105
- 00:13:57,680 --> 00:14:00,560
- I prefer dancing without music.
- 106
- 00:14:00,720 --> 00:14:02,280
- Danke schoen.
- 107
- 00:14:02,440 --> 00:14:04,520
- You can keep time
- in your head, yes?
- 108
- 00:14:41,320 --> 00:14:43,600
- Mm-hmm, and Hypnose.
- 109
- 00:14:43,760 --> 00:14:45,720
- And here we have...
- 110
- 00:14:45,880 --> 00:14:47,320
- a line between the elbows.
- 111
- 00:14:47,480 --> 00:14:48,600
- Face forward.
- 112
- 00:14:48,760 --> 00:14:51,720
- Perfect, and... Morphus.
- 113
- 00:14:51,880 --> 00:14:54,400
- And here,
- not so close to the face.
- 114
- 00:14:54,560 --> 00:14:56,600
- More like you're holding
- a bird or something.
- 115
- 00:15:51,480 --> 00:15:53,760
- They did it when we
- were in morning rehearsal.
- 116
- 00:15:53,920 --> 00:15:55,920
- They just put her things
- in shipping boxes.
- 117
- 00:15:56,080 --> 00:15:58,360
- You don't think she
- had to go underground, do you?
- 118
- 00:15:58,520 --> 00:16:00,080
- I don't care what happened.
- 119
- 00:16:00,240 --> 00:16:01,720
- I just want her to call.
- 120
- 00:16:01,880 --> 00:16:03,000
- I'm really worried.
- 121
- 00:16:05,840 --> 00:16:07,200
- Fraulein Bannion.
- 122
- 00:16:07,360 --> 00:16:08,480
- Kommen Sie.
- 123
- 00:16:13,840 --> 00:16:16,000
- I've just spoken
- with Madame Blanc.
- 124
- 00:16:16,160 --> 00:16:17,520
- Well done, Miss Bannion.
- 125
- 00:16:21,760 --> 00:16:24,200
- I imagine you will need
- to return home
- 126
- 00:16:24,360 --> 00:16:26,640
- to settle things
- and make arrangements
- 127
- 00:16:26,800 --> 00:16:27,520
- for moving to Berlin.
- 128
- 00:16:27,680 --> 00:16:28,800
- No. No, no.
- 129
- 00:16:28,960 --> 00:16:31,320
- I can start right now.
- 130
- 00:16:31,480 --> 00:16:34,120
- Good.
- 131
- 00:16:34,280 --> 00:16:36,840
- This is Miss Boutaher,
- 132
- 00:16:37,000 --> 00:16:38,880
- our technical director.
- 133
- 00:16:39,040 --> 00:16:40,520
- Guten Tag.
- 134
- 00:16:40,680 --> 00:16:42,960
- And this is Miss Vendegast.
- 135
- 00:16:43,120 --> 00:16:44,920
- - She acts as house mother...
- - Hello.
- 136
- 00:16:45,080 --> 00:16:47,480
- ...for our dancers
- who reside here.
- 137
- 00:16:50,120 --> 00:16:51,040
- Where'd you come from?
- 138
- 00:16:52,440 --> 00:16:55,160
- Ohio.
- 139
- 00:16:59,240 --> 00:17:01,600
- We operate as a sort
- of Ruth Bré collective.
- 140
- 00:17:01,760 --> 00:17:04,440
- As we cannot pay our dancers
- a lot of money,
- 141
- 00:17:04,600 --> 00:17:07,600
- we offer dormitory-style rooms,
- rent-free.
- 142
- 00:17:07,760 --> 00:17:10,280
- You don't... you don't charge
- anything at all?
- 143
- 00:17:10,440 --> 00:17:11,640
- Not a mark.
- 144
- 00:17:15,680 --> 00:17:17,560
- In this company,
- we fully understand
- 145
- 00:17:17,720 --> 00:17:21,920
- the importance of a woman's
- financial autonomy.
- 146
- 00:17:23,680 --> 00:17:26,360
- Normally, it would be full
- at this time of year,
- 147
- 00:17:26,520 --> 00:17:28,960
- but we have had a room open.
- 148
- 00:17:29,120 --> 00:17:30,600
- Yeah. Patricia's.
- 149
- 00:17:31,520 --> 00:17:33,640
- Do you know Patricia?
- 150
- 00:17:33,800 --> 00:17:34,840
- Mmm...
- 151
- 00:17:36,560 --> 00:17:38,240
- No, I heard some girls talking
- 152
- 00:17:38,400 --> 00:17:39,760
- about her in the hall.
- 153
- 00:17:39,920 --> 00:17:42,520
- Ah.
- 154
- 00:17:42,680 --> 00:17:46,640
- Now that you're one of us,
- I won't be coy.
- 155
- 00:17:46,800 --> 00:17:48,600
- Patricia has just left
- the company
- 156
- 00:17:48,760 --> 00:17:51,200
- under sad circumstances.
- 157
- 00:17:51,360 --> 00:17:54,680
- We think she won't be back,
- so there's room if you want.
- 158
- 00:17:54,840 --> 00:17:59,280
- We'll send you one of our girls
- to help you with your luggage.
- 159
- 00:17:59,440 --> 00:18:01,000
- After lunch.
- 160
- 00:18:01,160 --> 00:18:02,720
- It's all right for you?
- 161
- 00:18:02,880 --> 00:18:04,240
- Yes.
- 162
- 00:18:04,400 --> 00:18:05,400
- It's-it... it's all...
- 163
- 00:18:05,560 --> 00:18:07,120
- Yes.
- 164
- 00:18:07,280 --> 00:18:08,640
- It's perfect.
- 165
- 00:18:33,760 --> 00:18:35,720
- Hello. Hi.
- I'm sorry I'm late.
- 166
- 00:18:35,880 --> 00:18:37,320
- - Hi.
- - It's the rain.
- 167
- 00:18:37,480 --> 00:18:39,120
- Whenever it rains in Berlin,
- everyone jumps in a cab,
- 168
- 00:18:39,280 --> 00:18:40,920
- and like an idiot,
- I just let ours go.
- 169
- 00:18:41,080 --> 00:18:42,480
- Hi. I'm Sara.
- 170
- 00:18:42,640 --> 00:18:44,280
- We're gonna have to take
- our chances on the street.
- 171
- 00:18:44,440 --> 00:18:46,040
- Do you have an umbrella?
- 172
- 00:18:46,200 --> 00:18:48,000
- Oh, when you weren't here
- by 6:00,
- 173
- 00:18:48,160 --> 00:18:51,240
- I had to take the room
- for another night.
- 174
- 00:18:51,400 --> 00:18:52,760
- Oh. God, Susie, I'm sorry.
- 175
- 00:18:52,920 --> 00:18:54,640
- Everything was a mess
- at the company today.
- 176
- 00:18:54,800 --> 00:18:56,960
- Why are you smiling?
- 177
- 00:18:57,120 --> 00:18:58,880
- I'm sor... I-I...
- 178
- 00:18:59,040 --> 00:19:01,640
- Um, uh, when you said Berlin
- a second ago,
- 179
- 00:19:01,800 --> 00:19:03,240
- you said "everyone in Berlin,"
- 180
- 00:19:03,400 --> 00:19:06,840
- and I just thought that...
- that includes me now.
- 181
- 00:19:07,000 --> 00:19:08,400
- I live in Berlin.
- 182
- 00:19:08,560 --> 00:19:10,640
- Yes. Congrats.
- 183
- 00:19:10,800 --> 00:19:13,000
- I heard you were
- a sensation today.
- 184
- 00:19:13,160 --> 00:19:14,800
- Have you called your
- family yet, to tell them?
- 185
- 00:19:16,640 --> 00:19:18,520
- Miss Blanc came
- into my audition.
- 186
- 00:19:20,040 --> 00:19:21,440
- But she left right after.
- 187
- 00:19:21,600 --> 00:19:23,800
- She's incredible.
- 188
- 00:19:23,960 --> 00:19:27,160
- The way she transmits her work,
- her energy.
- 189
- 00:19:27,320 --> 00:19:28,240
- When it shines on you, it's...
- 190
- 00:19:28,400 --> 00:19:30,080
- "addictive" is the word for it.
- 191
- 00:19:30,240 --> 00:19:31,520
- She's tough.
- 192
- 00:19:31,680 --> 00:19:33,800
- She kept the company alive
- through the war.
- 193
- 00:19:33,960 --> 00:19:35,800
- When the Reich just wanted
- women to shut off their minds
- 194
- 00:19:35,960 --> 00:19:38,120
- and keep their uteruses open,
- 195
- 00:19:38,280 --> 00:19:40,080
- there was Blanc.
- 196
- 00:19:40,240 --> 00:19:41,240
- Thank you.
- 197
- 00:19:41,400 --> 00:19:43,600
- La vraie chose.
- 198
- 00:19:43,760 --> 00:19:44,440
- What?
- 199
- 00:19:44,600 --> 00:19:45,520
- W-Was that French?
- 200
- 00:19:55,840 --> 00:19:57,320
- It's a bomb.
- 201
- 00:19:57,480 --> 00:19:59,360
- I can smell it.
- 202
- 00:19:59,520 --> 00:20:00,680
- There's a bank that way.
- 203
- 00:20:02,920 --> 00:20:05,360
- Don't you know
- what's happening here?
- 204
- 00:20:05,520 --> 00:20:07,000
- The hijackers
- are negotiating a release
- 205
- 00:20:07,160 --> 00:20:09,320
- of the Stammheim prisoners
- tonight.
- 206
- 00:20:09,480 --> 00:20:11,120
- The RAF.
- 207
- 00:20:11,280 --> 00:20:13,480
- Baader-Meinhof.
- 208
- 00:20:13,640 --> 00:20:15,560
- They kidnapped an executive.
- 209
- 00:20:15,720 --> 00:20:19,480
- During the war,
- he was a Nazi SS, an officer.
- 210
- 00:20:19,640 --> 00:20:23,680
- Now he runs the German
- Employers' Association.
- 211
- 00:20:23,840 --> 00:20:25,240
- You don't get how awful
- that is, do you?
- 212
- 00:20:32,240 --> 00:20:33,760
- Sorry.
- 213
- 00:20:33,920 --> 00:20:36,480
- I'm just worried
- about my friend.
- 214
- 00:26:43,160 --> 00:26:44,720
- Bedrooms are on
- the second floor.
- 215
- 00:27:02,120 --> 00:27:05,040
- Why don't you try speaking
- to me like you love me?
- 216
- 00:27:05,200 --> 00:27:06,440
- Huh?
- 217
- 00:27:06,600 --> 00:27:08,160
- For a change.
- 218
- 00:27:11,080 --> 00:27:12,920
- This is my room.
- 219
- 00:27:13,080 --> 00:27:15,480
- And here...
- 220
- 00:27:15,640 --> 00:27:16,840
- is yours.
- 221
- 00:27:17,000 --> 00:27:20,120
- We're neighbors.
- 222
- 00:27:20,280 --> 00:27:22,640
- You can knock on the wall
- if you ever need anything.
- 223
- 00:28:46,440 --> 00:28:47,560
- Good morning.
- 224
- 00:28:47,720 --> 00:28:49,440
- - Good morning.
- - Hello.
- 225
- 00:28:50,760 --> 00:28:52,240
- - Good morning.
- - Good morning.
- 226
- 00:28:52,400 --> 00:28:55,040
- - Hi.
- - Good morning. Good morning.
- 227
- 00:28:55,200 --> 00:28:56,800
- How's your knee? Okay?
- 228
- 00:28:58,200 --> 00:28:59,680
- It's wonderful you're here.
- 229
- 00:28:59,840 --> 00:29:01,880
- Thank you.
- 230
- 00:29:07,880 --> 00:29:11,280
- We have some happier
- company business today.
- 231
- 00:29:11,440 --> 00:29:13,320
- We have a new dancer.
- 232
- 00:29:13,480 --> 00:29:16,920
- This is Susie Bannion,
- who's joining us from America.
- 233
- 00:29:17,080 --> 00:29:19,680
- I was privileged to witness
- her audition yesterday.
- 234
- 00:29:19,840 --> 00:29:22,040
- We are very lucky to have her.
- 235
- 00:29:22,200 --> 00:29:24,000
- Would you like
- to say something, Susie?
- 236
- 00:29:26,200 --> 00:29:27,600
- Um...
- 237
- 00:29:27,760 --> 00:29:30,040
- I don't know.
- 238
- 00:29:30,200 --> 00:29:30,760
- Hello.
- 239
- 00:29:33,720 --> 00:29:35,120
- I feel like
- I'm not even here yet.
- 240
- 00:29:35,280 --> 00:29:36,400
- I don't know.
- 241
- 00:29:36,560 --> 00:29:37,560
- You join in
- whenever you feel ready,
- 242
- 00:29:37,720 --> 00:29:39,320
- but there's no rush.
- 243
- 00:29:39,480 --> 00:29:42,520
- Welcome to our little family.
- 244
- 00:29:42,680 --> 00:29:43,720
- I'm Susie.
- 245
- 00:29:43,880 --> 00:29:45,880
- Hi. Hi.
- 246
- 00:29:46,040 --> 00:29:48,240
- All right,
- so for today's rehearsal,
- 247
- 00:29:48,400 --> 00:29:51,120
- I want to pick up exactly
- where we left off with Volk.
- 248
- 00:29:51,280 --> 00:29:52,400
- I've spoken to Olga,
- 249
- 00:29:52,560 --> 00:29:55,200
- and she's going to dance
- Patricia's part.
- 250
- 00:29:55,360 --> 00:29:59,880
- And, Sara, I'd like you
- to dance Olga's part.
- 251
- 00:30:00,040 --> 00:30:01,240
- Is everyone happy with that?
- 252
- 00:30:01,400 --> 00:30:03,920
- Okay.
- 253
- 00:30:04,080 --> 00:30:05,240
- Good.
- 254
- 00:30:16,880 --> 00:30:18,800
- No, no, no, no, no, no, no, no.
- Music off, please.
- 255
- 00:30:18,960 --> 00:30:20,680
- One moment.
- 256
- 00:30:20,840 --> 00:30:21,960
- Okay, so...
- 257
- 00:30:22,120 --> 00:30:25,080
- And one, and two, and three.
- 258
- 00:30:25,240 --> 00:30:26,640
- You pull it from the ground.
- 259
- 00:30:26,800 --> 00:30:28,400
- All right? Gravity, remember.
- 260
- 00:30:28,560 --> 00:30:30,480
- And everybody from here,
- please.
- 261
- 00:30:30,640 --> 00:30:31,880
- And Tanner.
- 262
- 00:30:32,040 --> 00:30:33,920
- One and two and three.
- 263
- 00:30:34,080 --> 00:30:36,040
- And one, and two, and three.
- 264
- 00:30:36,200 --> 00:30:38,280
- Und eins, und zwei, und drei.
- 265
- 00:30:38,440 --> 00:30:40,800
- Und eins, und zwei, und drei.
- 266
- 00:30:40,960 --> 00:30:42,800
- Und eins, und zwei, und drei.
- 267
- 00:30:42,960 --> 00:30:45,040
- Und eins,
- und zwei, und drei.
- 268
- 00:30:45,200 --> 00:30:46,960
- Und eins, und zwei, und drei.
- 269
- 00:30:47,120 --> 00:30:48,920
- Und eins,
- und zwei, und drei.
- 270
- 00:30:49,080 --> 00:30:51,240
- Und eins, und zwei, und drei.
- 271
- 00:30:51,400 --> 00:30:52,920
- This is shit.
- 272
- 00:30:54,800 --> 00:30:56,440
- - Such shit.
- - Okay.
- 273
- 00:30:56,600 --> 00:30:59,520
- Why don't we all break
- for ten minutes.
- 274
- 00:30:59,680 --> 00:31:02,640
- You can't even be bothered
- to respect your own lies.
- 275
- 00:31:02,800 --> 00:31:04,400
- Miss Ivanova!
- 276
- 00:31:04,560 --> 00:31:06,400
- No, no, no, no, no, it's okay.
- 277
- 00:31:06,560 --> 00:31:07,960
- Let's face this.
- 278
- 00:31:09,280 --> 00:31:11,720
- Patricia is gone, Olga.
- 279
- 00:31:11,880 --> 00:31:13,880
- We don't know where.
- 280
- 00:31:14,040 --> 00:31:15,760
- If she's gone into hiding,
- she wouldn't have told us,
- 281
- 00:31:15,920 --> 00:31:18,080
- - would she?
- - She would have told someone.
- 282
- 00:31:18,240 --> 00:31:19,680
- We know that she had dealings
- 283
- 00:31:19,840 --> 00:31:22,080
- with people
- who are interested in targets.
- 284
- 00:31:22,240 --> 00:31:23,440
- And we know
- there was another bomb
- 285
- 00:31:23,600 --> 00:31:24,680
- in Kreuzberg last night.
- 286
- 00:31:24,840 --> 00:31:25,800
- She wouldn't do that.
- 287
- 00:31:27,000 --> 00:31:28,880
- She wanted to live her beliefs.
- 288
- 00:31:29,040 --> 00:31:31,160
- Who doesn't admire that?
- 289
- 00:31:31,320 --> 00:31:34,720
- And there's so much to change
- in the world.
- 290
- 00:31:34,880 --> 00:31:36,440
- If she wants to live
- in a cellar
- 291
- 00:31:36,600 --> 00:31:39,400
- filling bottles with petrol,
- that's her choice.
- 292
- 00:31:39,560 --> 00:31:42,480
- And who won't be heartbroken
- if she's shot by police?
- 293
- 00:31:42,640 --> 00:31:45,400
- You manipulate everything.
- 294
- 00:31:47,560 --> 00:31:50,520
- She didn't trust you
- because you're hypocrites.
- 295
- 00:31:50,680 --> 00:31:53,120
- Will you take Olga
- to her room, please, Tanner?
- 296
- 00:31:54,480 --> 00:31:56,160
- No, Miss Tanner!
- 297
- 00:31:57,480 --> 00:31:59,080
- Call Olga a cab.
- 298
- 00:31:59,240 --> 00:32:01,120
- She's had enough.
- 299
- 00:32:01,280 --> 00:32:02,720
- And is going to pack her things
- 300
- 00:32:02,880 --> 00:32:06,320
- and get the fuck out
- from this box of rabies!
- 301
- 00:32:22,600 --> 00:32:24,960
- I'm sorry about that.
- 302
- 00:32:26,760 --> 00:32:28,360
- It's a hot thing we do.
- 303
- 00:32:33,440 --> 00:32:37,560
- Okay, so... who will dance
- the protagonist?
- 304
- 00:32:37,720 --> 00:32:39,320
- Sonia?
- 305
- 00:32:39,480 --> 00:32:42,000
- I can't. Not yet.
- 306
- 00:32:42,160 --> 00:32:43,560
- Caroline?
- 307
- 00:32:47,400 --> 00:32:49,560
- Very well. We'll manage.
- 308
- 00:32:49,720 --> 00:32:52,800
- I suggest that we all
- take it from the top.
- 309
- 00:32:52,960 --> 00:32:54,440
- I'll dance.
- 310
- 00:33:03,640 --> 00:33:05,040
- I know it.
- 311
- 00:33:05,200 --> 00:33:06,600
- It's in the documentary.
- 312
- 00:33:06,760 --> 00:33:08,640
- I-I've seen it a hundred times
- at the library.
- 313
- 00:33:11,520 --> 00:33:13,960
- Sweetheart,
- we rehearsed this piece
- 314
- 00:33:14,120 --> 00:33:16,760
- for ten months
- before we performed it.
- 315
- 00:33:18,120 --> 00:33:20,800
- I've seen it in person, too.
- 316
- 00:33:20,960 --> 00:33:23,400
- First do it alone, then.
- 317
- 00:33:23,560 --> 00:33:26,960
- We don't want to put
- the others at risk.
- 318
- 00:33:27,120 --> 00:33:28,760
- The last thing we need
- 319
- 00:33:28,920 --> 00:33:32,400
- is someone to get kicked
- in the ribs.
- 320
- 00:33:36,320 --> 00:33:37,880
- All right?
- 321
- 00:34:32,840 --> 00:34:33,960
- Okay, stop. Stop, stop.
- 322
- 00:34:34,120 --> 00:34:35,600
- Stop.
- 323
- 00:34:35,760 --> 00:34:37,160
- All right.
- 324
- 00:34:37,320 --> 00:34:38,880
- Clear your head.
- 325
- 00:34:39,040 --> 00:34:40,840
- I want you to start over.
- 326
- 00:34:41,000 --> 00:34:43,200
- Have you stretched?
- 327
- 00:34:43,360 --> 00:34:45,160
- This is no joke.
- 328
- 00:35:14,520 --> 00:35:16,400
- Olga.
- 329
- 00:36:18,320 --> 00:36:19,800
- Olga.
- 330
- 00:36:23,960 --> 00:36:26,120
- Come.
- 331
- 00:36:53,120 --> 00:36:55,480
- Remember, you start
- on one with the music,
- 332
- 00:36:55,640 --> 00:36:58,640
- and if you feel ill
- at any time, just stop.
- 333
- 00:36:58,800 --> 00:37:00,680
- You start here.
- 334
- 00:37:00,840 --> 00:37:01,920
- And...
- 335
- 00:38:00,640 --> 00:38:02,160
- Lauter!
- 336
- 00:38:09,600 --> 00:38:11,800
- Bravo. Bravo, Susie.
- 337
- 00:40:18,960 --> 00:40:20,360
- It'll pass.
- 338
- 00:40:20,520 --> 00:40:23,160
- You're not the first dancer
- who lost the room.
- 339
- 00:40:27,800 --> 00:40:29,440
- I'm not usually dizzy.
- 340
- 00:40:29,600 --> 00:40:30,800
- An occasional collapse
- 341
- 00:40:30,960 --> 00:40:33,320
- is a vocational hazard,
- I'm afraid.
- 342
- 00:40:33,480 --> 00:40:36,720
- I-I didn't...
- I didn't collapse.
- 343
- 00:40:36,880 --> 00:40:39,840
- You're on the floor, and that's
- not where the dance ends.
- 344
- 00:40:42,760 --> 00:40:45,240
- I was trying not to throw up
- in your studio.
- 345
- 00:40:45,400 --> 00:40:46,720
- Susie, it's fine.
- 346
- 00:40:46,880 --> 00:40:48,960
- It was wonderful.
- 347
- 00:40:49,120 --> 00:40:52,160
- Sara, can you take her
- to her room, please?
- 348
- 00:40:52,320 --> 00:40:54,600
- You can rest
- for the rest of the day.
- 349
- 00:41:06,480 --> 00:41:08,920
- - How enlightening.
- - Okay, come on, girls.
- 350
- 00:41:09,080 --> 00:41:10,560
- Let's go.
- 351
- 00:41:10,720 --> 00:41:13,000
- And one, and two, and three.
- 352
- 00:41:13,160 --> 00:41:14,440
- And...
- 353
- 00:42:03,280 --> 00:42:04,040
- No, Susie.
- 354
- 00:42:04,200 --> 00:42:07,680
- We have to study America.
- 355
- 00:42:07,840 --> 00:42:09,440
- I said no.
- 356
- 00:42:12,160 --> 00:42:13,480
- Susanna.
- 357
- 00:46:07,000 --> 00:46:08,640
- You don't look better.
- 358
- 00:46:08,800 --> 00:46:11,080
- Or are you this pale
- all the time?
- 359
- 00:46:12,360 --> 00:46:13,960
- I will leave you.
- 360
- 00:46:15,360 --> 00:46:16,480
- Good night.
- 361
- 00:46:25,760 --> 00:46:27,200
- The Amish split
- 362
- 00:46:27,360 --> 00:46:29,600
- from the Mennonites
- in the 17th century.
- 363
- 00:46:29,760 --> 00:46:30,720
- They were worried
- the Mennonites
- 364
- 00:46:30,880 --> 00:46:32,400
- were becoming too liberal.
- 365
- 00:46:33,600 --> 00:46:35,680
- "They"? Not "we"?
- 366
- 00:46:35,840 --> 00:46:39,080
- You've left religious thinking
- behind you, then?
- 367
- 00:46:39,240 --> 00:46:41,480
- And you're not comfortable
- talking about these things.
- 368
- 00:46:41,640 --> 00:46:43,720
- I don't know why we are.
- 369
- 00:46:43,880 --> 00:46:45,440
- It's difficult not
- to be curious about you.
- 370
- 00:46:45,600 --> 00:46:47,840
- In two days, you've auditioned,
- 371
- 00:46:48,000 --> 00:46:51,360
- been accepted
- and danced a lead.
- 372
- 00:46:51,520 --> 00:46:54,160
- How did your journey
- towards us begin?
- 373
- 00:46:54,320 --> 00:46:55,800
- I went to New York.
- 374
- 00:46:55,960 --> 00:46:58,120
- To the Martha Graham Center.
- 375
- 00:46:58,280 --> 00:47:00,840
- I saw you there three times.
- 376
- 00:47:01,000 --> 00:47:02,520
- I went once by bus,
- 377
- 00:47:02,680 --> 00:47:05,040
- then I hitchhiked
- the other two.
- 378
- 00:47:05,200 --> 00:47:07,680
- That's risky.
- 379
- 00:47:07,840 --> 00:47:09,800
- Were you punished?
- 380
- 00:47:10,720 --> 00:47:12,240
- Yeah.
- 381
- 00:47:13,200 --> 00:47:15,520
- But I felt I had to see you.
- 382
- 00:47:24,000 --> 00:47:26,160
- What did it feel today
- 383
- 00:47:26,320 --> 00:47:30,080
- to dance Volkin front
- of the one who made it?
- 384
- 00:47:30,240 --> 00:47:32,040
- No, no.
- That's a vain question.
- 385
- 00:47:32,200 --> 00:47:34,200
- Let me ask you another.
- 386
- 00:47:34,360 --> 00:47:38,280
- When you were dancing,
- what did it feel like...
- 387
- 00:47:38,440 --> 00:47:41,800
- inside you, inside your body?
- 388
- 00:47:47,080 --> 00:47:51,720
- It felt like what I think
- it must feel like to fuck.
- 389
- 00:47:51,880 --> 00:47:53,720
- You mean to fuck a man?
- 390
- 00:47:53,880 --> 00:47:55,840
- No, I...
- 391
- 00:47:56,000 --> 00:47:57,480
- was thinking of an animal.
- 392
- 00:48:05,600 --> 00:48:07,320
- You looked...
- 393
- 00:48:17,920 --> 00:48:21,400
- I'm going to ask Caroline
- to work on your jumps with you.
- 394
- 00:48:21,560 --> 00:48:24,000
- Yours are nowhere near
- good enough yet.
- 395
- 00:48:24,160 --> 00:48:25,840
- We'll have to build you up.
- 396
- 00:48:27,440 --> 00:48:29,280
- So that I can dance
- the protagonist
- 397
- 00:48:29,440 --> 00:48:31,160
- when you perform it?
- 398
- 00:48:31,320 --> 00:48:34,680
- I'll need to see you dance at
- this level time and time again.
- 399
- 00:48:34,840 --> 00:48:35,960
- I can do it.
- 400
- 00:48:41,760 --> 00:48:45,600
- Olga made Volkseem
- like such heavy lifting.
- 401
- 00:48:47,240 --> 00:48:48,400
- She never understood
- the heart of Volk.
- 402
- 00:48:51,040 --> 00:48:52,920
- She lacked conviction.
- 403
- 00:48:53,080 --> 00:48:54,880
- I'm relieved she's gone.
- 404
- 00:48:56,680 --> 00:48:59,520
- Thank you for your help
- with that.
- 405
- 00:49:05,880 --> 00:49:08,080
- Madame Blanc...
- 406
- 00:49:08,240 --> 00:49:12,920
- wants me to dance
- the protagonist in Volk.
- 407
- 00:49:15,320 --> 00:49:18,760
- I didn't think it was
- gonna be like this.
- 408
- 00:49:18,920 --> 00:49:21,720
- She's so kind.
- 409
- 00:49:21,880 --> 00:49:23,440
- That's wonderful.
- 410
- 00:49:27,280 --> 00:49:28,680
- Are you all right?
- 411
- 00:49:30,520 --> 00:49:33,320
- I'm fine. I was just...
- 412
- 00:49:35,720 --> 00:49:39,160
- I was just thinking about
- what Olga said in rehearsal.
- 413
- 00:49:39,320 --> 00:49:40,840
- About Patricia.
- 414
- 00:49:41,000 --> 00:49:43,120
- What do you mean?
- 415
- 00:49:43,280 --> 00:49:46,720
- She was active
- in some political groups.
- 416
- 00:49:49,040 --> 00:49:51,000
- No one knows where she is,
- really.
- 417
- 00:49:51,160 --> 00:49:53,400
- If she's all right.
- 418
- 00:49:53,560 --> 00:49:55,920
- Was it true...
- 419
- 00:49:56,080 --> 00:49:57,560
- what Olga said?
- 420
- 00:49:59,560 --> 00:50:01,760
- Yes.
- 421
- 00:50:01,920 --> 00:50:04,360
- Patricia didn't trust
- the matrons.
- 422
- 00:50:05,800 --> 00:50:07,960
- And I never understood why.
- 423
- 00:50:12,040 --> 00:50:14,760
- If I asked you for a favor
- tomorrow, would you do it?
- 424
- 00:50:14,920 --> 00:50:15,920
- Yes.
- 425
- 00:50:22,960 --> 00:50:25,360
- We might get caught.
- 426
- 00:50:26,360 --> 00:50:27,360
- Okay.
- 427
- 00:51:12,280 --> 00:51:13,760
- Mother. Mother.
- 428
- 00:51:14,400 --> 00:51:15,640
- Mother.
- 429
- 00:51:15,800 --> 00:51:18,680
- Mother. Mother. Mother. Mother.
- 430
- 00:51:18,840 --> 00:51:20,400
- Mother. Mother.
- 431
- 00:51:24,160 --> 00:51:25,080
- Susanna.
- 432
- 00:52:59,960 --> 00:53:01,440
- - Guten Morgen.
- - Guten Morgen.
- 433
- 00:53:01,600 --> 00:53:02,560
- Morgen.
- 434
- 00:53:02,720 --> 00:53:04,200
- Guten Morgen.
- 435
- 00:53:14,240 --> 00:53:15,880
- Yeah, I know. It's crazy.
- 436
- 00:53:16,040 --> 00:53:17,880
- Okay, well, let's meet soon.
- 437
- 00:53:25,320 --> 00:53:26,760
- Yeah, no, I'm-I'm... I'm ready.
- 438
- 00:53:26,920 --> 00:53:28,840
- I'm almost out the door.
- 439
- 00:53:29,000 --> 00:53:30,640
- Okay. Yeah.
- 440
- 00:53:30,800 --> 00:53:33,200
- - I'll see you soon.
- - Marketa.
- 441
- 00:53:34,520 --> 00:53:37,720
- - Marketa, come on.
- - I'll see you soon.
- 442
- 00:53:39,640 --> 00:53:41,040
- Come on.
- 443
- 00:53:58,480 --> 00:53:59,920
- Come, come, come.
- 444
- 00:54:10,480 --> 00:54:13,200
- Are you sure no one's coming?
- 445
- 00:54:13,360 --> 00:54:15,240
- Oh, I'm sure. Don't worry.
- 446
- 00:54:15,400 --> 00:54:17,440
- Nobody comes here
- during the weekend.
- 447
- 00:54:44,840 --> 00:54:46,160
- Patricia's isn't here.
- 448
- 00:54:46,320 --> 00:54:48,560
- Try looking for Olga's.
- 449
- 00:54:48,720 --> 00:54:50,160
- Olga...
- 450
- 00:54:50,960 --> 00:54:52,320
- She's not here.
- 451
- 00:54:54,080 --> 00:54:56,280
- I just need a number.
- 452
- 00:54:56,440 --> 00:54:58,560
- For her parents or someone
- who can tell me for sure
- 453
- 00:54:58,720 --> 00:54:59,920
- she is or isn't in Berlin.
- 454
- 00:55:20,320 --> 00:55:22,520
- Hmm. How odd.
- 455
- 00:55:27,320 --> 00:55:28,560
- 1961.
- 456
- 00:55:30,400 --> 00:55:31,800
- 1955.
- 457
- 00:55:33,640 --> 00:55:35,280
- 1949.
- 458
- 00:55:36,800 --> 00:55:38,040
- It's bizarre.
- 459
- 00:55:43,560 --> 00:55:44,600
- Here, kitty, kitty,
- kitty, kitty, kitty, kitty...
- 460
- 00:56:13,240 --> 00:56:16,000
- Here, kitty, kitty, kitty,
- kitty, kitty, kitty, kitty...
- 461
- 00:56:30,240 --> 00:56:31,360
- There's nothing.
- 462
- 00:56:31,520 --> 00:56:32,880
- Come on.
- 463
- 00:56:36,920 --> 00:56:39,120
- Sit down.
- 464
- 00:56:43,560 --> 00:56:45,320
- This morning,
- 465
- 00:56:45,480 --> 00:56:48,160
- we turn our instincts inward.
- 466
- 00:56:48,320 --> 00:56:49,640
- Miss Millius, Miss Mandel,
- 467
- 00:56:49,800 --> 00:56:51,560
- can you close the mirrors,
- please?
- 468
- 00:56:51,720 --> 00:56:52,800
- Miss Marks, no music.
- 469
- 00:57:01,360 --> 00:57:04,040
- I want to start work
- on a new piece.
- 470
- 00:57:04,200 --> 00:57:08,160
- A piece about rebirths.
- 471
- 00:57:08,320 --> 00:57:11,160
- The inevitable pull
- that they exert
- 472
- 00:57:11,320 --> 00:57:14,960
- and our efforts to escape them.
- 473
- 00:57:15,120 --> 00:57:17,680
- We'll learn it now, but, Susie,
- 474
- 00:57:17,840 --> 00:57:20,560
- you will improvise freely
- at its heart.
- 475
- 00:57:20,720 --> 00:57:22,520
- I'm interested
- in your instincts here.
- 476
- 00:57:32,520 --> 00:57:35,720
- The piece will be called
- Weider OÖffnen.
- 477
- 00:57:35,880 --> 00:57:37,600
- Open Again.
- 478
- 00:57:37,760 --> 00:57:39,120
- Allez.
- 479
- 00:57:45,560 --> 00:57:49,000
- One, two, three, four.
- 480
- 00:57:49,160 --> 00:57:52,600
- One, two,
- three, four.
- 481
- 00:57:52,760 --> 00:57:56,120
- One, two, three, four.
- 482
- 00:57:56,280 --> 00:57:59,880
- One, two,
- three, four.
- 483
- 00:58:00,040 --> 00:58:03,400
- One, two, three, four.
- 484
- 00:58:03,560 --> 00:58:05,960
- One, two,
- three, four.
- 485
- 00:58:07,120 --> 00:58:10,400
- One, two, three, four.
- 486
- 00:58:10,560 --> 00:58:13,840
- One, two,
- three, four.
- 487
- 00:58:14,000 --> 00:58:17,400
- One, two, three, four.
- 488
- 00:58:17,560 --> 00:58:18,640
- One...
- 489
- 00:58:18,800 --> 00:58:20,800
- ...two, three, four.
- 490
- 00:58:20,960 --> 00:58:24,560
- One, two, three, four.
- 491
- 00:58:24,720 --> 00:58:27,600
- One, two, three, four.
- 492
- 00:58:27,760 --> 00:58:31,400
- One, two, three, four.
- 493
- 00:58:31,560 --> 00:58:34,960
- One, two,
- three, four.
- 494
- 00:58:35,120 --> 00:58:38,600
- One, two, three, four.
- 495
- 00:58:38,760 --> 00:58:41,960
- One, two,
- three, four.
- 496
- 00:58:42,120 --> 00:58:45,320
- One, two, three, four.
- 497
- 00:58:45,480 --> 00:58:47,040
- One...
- 498
- 01:00:26,320 --> 01:00:28,120
- Did something happen?
- 499
- 01:00:28,280 --> 01:00:30,320
- - Hmm?
- - To you, during it?
- 500
- 01:00:32,520 --> 01:00:34,520
- N-No.
- 501
- 01:00:34,680 --> 01:00:36,200
- Did you... did you...
- 502
- 01:00:37,280 --> 01:00:39,960
- Did you feel something there?
- 503
- 01:00:41,840 --> 01:00:44,000
- Someone?
- 504
- 01:00:44,160 --> 01:00:45,720
- Or just something.
- 505
- 01:00:47,480 --> 01:00:48,760
- What made you say that?
- 506
- 01:00:48,920 --> 01:00:50,120
- I don't know.
- 507
- 01:00:52,920 --> 01:00:55,640
- Am I confusing you?
- 508
- 01:00:56,600 --> 01:00:58,320
- No, it's, um...
- 509
- 01:00:59,480 --> 01:01:01,840
- It's odd. It's the...
- 510
- 01:01:02,000 --> 01:01:03,640
- It's the sort of thing
- Patricia would say.
- 511
- 01:01:03,800 --> 01:01:06,280
- It's bizarre.
- 512
- 01:01:06,440 --> 01:01:07,920
- Come on.
- 513
- 01:01:08,080 --> 01:01:09,960
- Let's get changed,
- or Sonia will leave without us.
- 514
- 01:01:10,120 --> 01:01:11,160
- I've got a dress you can wear.
- 515
- 01:01:11,320 --> 01:01:12,520
- Double caposhi.
- 516
- 01:01:27,680 --> 01:01:29,120
- Susie!
- 517
- 01:01:40,240 --> 01:01:41,920
- Oh, Susie!
- 518
- 01:03:27,080 --> 01:03:28,480
- Is it true?
- 519
- 01:04:01,080 --> 01:04:02,560
- Is it true?
- 520
- 01:04:08,200 --> 01:04:09,960
- I know who I am!
- 521
- 01:04:11,440 --> 01:04:13,400
- I know who I am!
- 522
- 01:04:18,280 --> 01:04:20,880
- It's all right.
- 523
- 01:04:21,040 --> 01:04:22,040
- It's okay.
- 524
- 01:04:22,200 --> 01:04:23,720
- Is she all right?
- 525
- 01:04:23,880 --> 01:04:25,280
- It's just a nightmare.
- 526
- 01:04:25,440 --> 01:04:27,000
- The Markos Company special.
- 527
- 01:04:27,160 --> 01:04:29,000
- I'm surprised
- it took this long.
- 528
- 01:04:29,160 --> 01:04:31,240
- Hey, let me know
- if she needs a Valium.
- 529
- 01:04:39,200 --> 01:04:41,360
- She's right. I dreamt
- of hairballs in toilets
- 530
- 01:04:41,520 --> 01:04:44,320
- for three weeks before I got
- a decent night of sleep here.
- 531
- 01:04:46,120 --> 01:04:47,160
- Move over.
- 532
- 01:04:58,360 --> 01:05:01,680
- I've only ever slept
- in bed with my sister.
- 533
- 01:05:01,840 --> 01:05:03,440
- We're sisters now.
- 534
- 01:06:54,960 --> 01:06:56,960
- Herr Klemperer?
- 535
- 01:09:05,920 --> 01:09:08,160
- And one, and two, and three.
- 536
- 01:09:08,320 --> 01:09:10,440
- And one, and two,
- and three.
- 537
- 01:09:10,600 --> 01:09:12,880
- And one, and two, and three.
- 538
- 01:09:13,040 --> 01:09:15,640
- And one, and two,
- and three.
- 539
- 01:09:15,800 --> 01:09:17,680
- One, and two, and three.
- 540
- 01:09:17,840 --> 01:09:20,240
- And one, and two, and three.
- 541
- 01:09:20,400 --> 01:09:22,600
- And one, and two,
- and three.
- 542
- 01:09:22,760 --> 01:09:24,880
- And one, and two, and three.
- 543
- 01:09:25,040 --> 01:09:26,720
- That's-that's okay.
- 544
- 01:09:28,960 --> 01:09:30,560
- Do you want to do the jumps?
- 545
- 01:09:32,120 --> 01:09:33,880
- Okay.
- 546
- 01:09:34,040 --> 01:09:35,680
- And...
- 547
- 01:09:35,840 --> 01:09:38,040
- one, and two, and three.
- 548
- 01:09:38,200 --> 01:09:40,680
- And one, and two, and three.
- 549
- 01:09:40,840 --> 01:09:41,560
- No.
- 550
- 01:09:41,720 --> 01:09:43,360
- Elbows higher.
- 551
- 01:09:43,520 --> 01:09:44,680
- All right, one moment.
- 552
- 01:09:44,840 --> 01:09:46,640
- Susie, part of the jump
- is muscle,
- 553
- 01:09:46,800 --> 01:09:49,000
- and that will develop
- as you condition,
- 554
- 01:09:49,160 --> 01:09:50,520
- but you seem to have
- an aversion to them,
- 555
- 01:09:50,680 --> 01:09:52,160
- and I don't quite see why.
- 556
- 01:09:52,320 --> 01:09:53,960
- Are you so happy
- to be stuck to the earth?
- 557
- 01:09:55,440 --> 01:09:57,200
- There's a yield
- before the push,
- 558
- 01:09:57,360 --> 01:09:58,880
- which I don't think
- you're quite understanding.
- 559
- 01:09:59,040 --> 01:10:02,200
- Caroline. Could you come and do
- a series for us, please?
- 560
- 01:10:17,920 --> 01:10:18,720
- Thank you.
- 561
- 01:10:20,080 --> 01:10:21,400
- And now you.
- 562
- 01:10:47,200 --> 01:10:49,240
- What I really want
- is to be on...
- 563
- 01:10:49,400 --> 01:10:51,400
- on the floor right now, anyway.
- 564
- 01:10:51,560 --> 01:10:52,960
- Well, of course.
- 565
- 01:10:53,120 --> 01:10:55,360
- That's because you're mistaking
- physical weakness
- 566
- 01:10:55,520 --> 01:10:57,440
- with artistic preference.
- 567
- 01:10:57,600 --> 01:10:59,240
- And because you're tired.
- 568
- 01:11:01,240 --> 01:11:03,760
- At this point,
- 569
- 01:11:03,920 --> 01:11:06,160
- the jumps are opposing
- the pull of the structure,
- 570
- 01:11:06,320 --> 01:11:08,520
- but...
- 571
- 01:11:08,680 --> 01:11:10,360
- it's soon for that,
- don't you think?
- 572
- 01:11:12,400 --> 01:11:16,800
- The floor work is... is keeping
- the other dancers pushed down.
- 573
- 01:11:16,960 --> 01:11:19,440
- So this...
- 574
- 01:11:19,600 --> 01:11:22,200
- this could echo that...
- 575
- 01:11:26,240 --> 01:11:29,920
- ...on-on a slightly higher
- point of elevation.
- 576
- 01:11:32,520 --> 01:11:34,200
- If I stay close
- to the ground now
- 577
- 01:11:34,360 --> 01:11:37,960
- and go straight into the jumps
- where you have them later,
- 578
- 01:11:38,120 --> 01:11:42,120
- then that's more to the point.
- 579
- 01:11:42,280 --> 01:11:44,480
- The resistance is more...
- 580
- 01:11:44,640 --> 01:11:46,600
- emphatic.
- 581
- 01:11:46,760 --> 01:11:47,960
- Right?
- 582
- 01:11:51,280 --> 01:11:56,000
- I don't know how aware you are
- 583
- 01:11:56,160 --> 01:11:59,400
- of what times we lived through
- here 40 years ago.
- 584
- 01:12:02,040 --> 01:12:03,840
- Out of which
- this piece was made.
- 585
- 01:12:05,800 --> 01:12:07,920
- We learned at great cost
- through those years
- 586
- 01:12:08,080 --> 01:12:11,160
- the value of the balance
- of things.
- 587
- 01:12:11,320 --> 01:12:16,200
- Every arrow that flies
- feels the pull of the earth,
- 588
- 01:12:16,360 --> 01:12:19,960
- but we must aim upwards.
- 589
- 01:12:20,120 --> 01:12:21,720
- We need to get you in the air.
- 590
- 01:12:39,720 --> 01:12:41,600
- Leave her, leave her,
- leave her, leave her, leave...
- 591
- 01:13:05,680 --> 01:13:07,320
- Ja?
- 592
- 01:13:13,760 --> 01:13:15,720
- She hit her head hard.
- 593
- 01:13:15,880 --> 01:13:17,280
- I heard it. I hope...
- 594
- 01:13:26,080 --> 01:13:30,760
- I am... I'm looking for
- a dancer from your company.
- 595
- 01:13:30,920 --> 01:13:33,200
- Who are you looking for?
- 596
- 01:13:33,360 --> 01:13:34,920
- You are Sara.
- 597
- 01:13:37,600 --> 01:13:39,160
- Yes.
- 598
- 01:13:39,320 --> 01:13:40,280
- May I help you?
- 599
- 01:13:40,440 --> 01:13:43,480
- I am a friend from Patricia.
- 600
- 01:14:04,680 --> 01:14:06,720
- I don't know what
- to make of any of this.
- 601
- 01:14:06,880 --> 01:14:08,480
- I know the kind of thing
- she was involved with,
- 602
- 01:14:08,640 --> 01:14:09,920
- but I can't see how any of this
- 603
- 01:14:10,080 --> 01:14:12,160
- could be happening
- inside the company.
- 604
- 01:14:12,320 --> 01:14:15,680
- Well, she describes...
- 605
- 01:14:15,840 --> 01:14:18,680
- something like
- a revolutionary organization
- 606
- 01:14:18,840 --> 01:14:21,400
- in a crisis of leadership.
- 607
- 01:14:21,560 --> 01:14:24,480
- With Markos very ill...
- 608
- 01:14:26,080 --> 01:14:27,760
- I live there.
- 609
- 01:14:27,920 --> 01:14:29,120
- I have friends there.
- 610
- 01:14:29,280 --> 01:14:31,280
- I don't see any evidence
- of this at all.
- 611
- 01:14:31,440 --> 01:14:32,720
- No one has ever approached me
- 612
- 01:14:32,880 --> 01:14:34,560
- or any of the other girls,
- as far as I know.
- 613
- 01:14:34,720 --> 01:14:37,480
- Read this.
- 614
- 01:14:37,640 --> 01:14:38,560
- What is this?
- 615
- 01:14:38,720 --> 01:14:40,600
- This is Patricia's diary.
- 616
- 01:14:42,600 --> 01:14:44,280
- Mother Markos.
- 617
- 01:14:44,440 --> 01:14:47,480
- Mother Meinhof.
- 618
- 01:14:47,640 --> 01:14:48,920
- The dance rehearsal.
- 619
- 01:14:49,080 --> 01:14:50,400
- Political action.
- 620
- 01:14:50,560 --> 01:14:52,360
- These two areas
- in Patricia's life
- 621
- 01:14:52,520 --> 01:14:55,600
- were of equal importance.
- 622
- 01:14:55,760 --> 01:14:58,360
- This is how
- transference happens,
- 623
- 01:14:58,520 --> 01:15:01,720
- how delusion is made.
- 624
- 01:15:01,880 --> 01:15:03,400
- Delusion, Sara,
- 625
- 01:15:03,560 --> 01:15:07,080
- is a lie that tells a truth.
- 626
- 01:15:07,240 --> 01:15:09,320
- - This says "witches."
- - Mmm.
- 627
- 01:15:11,000 --> 01:15:15,400
- Maybe Patricia's fantasies
- about witches,
- 628
- 01:15:15,560 --> 01:15:20,960
- they are her way of processing
- some other form of intrigue.
- 629
- 01:15:23,880 --> 01:15:26,280
- The company's a family.
- 630
- 01:15:26,440 --> 01:15:28,200
- There's a lot of love there.
- 631
- 01:15:28,360 --> 01:15:29,840
- Love and manipulation--
- 632
- 01:15:30,000 --> 01:15:34,120
- they... they share houses
- very often.
- 633
- 01:15:34,280 --> 01:15:36,840
- They are frequent bedfellows.
- 634
- 01:15:37,000 --> 01:15:38,760
- Sorry, I don't see this.
- 635
- 01:15:43,280 --> 01:15:44,280
- Eat.
- 636
- 01:15:46,400 --> 01:15:47,400
- Eat.
- 637
- 01:15:56,080 --> 01:15:58,680
- Only...
- 638
- 01:15:58,840 --> 01:16:01,600
- maybe the police,
- they missed something.
- 639
- 01:16:02,840 --> 01:16:06,760
- And Patricia,
- she did spoke of...
- 640
- 01:16:06,920 --> 01:16:10,000
- whole hidden areas
- of the building.
- 641
- 01:16:10,160 --> 01:16:13,120
- Actual rooms that are secret.
- 642
- 01:16:18,520 --> 01:16:20,840
- I don't want
- to be disrespectful--
- 643
- 01:16:21,000 --> 01:16:23,280
- I don't--
- but you're asking me,
- 644
- 01:16:23,440 --> 01:16:25,240
- - and I'm telling you...
- - Oh, please.
- 645
- 01:16:25,400 --> 01:16:26,560
- It's a dance company.
- 646
- 01:16:26,720 --> 01:16:28,600
- We're not talking
- about anything else.
- 647
- 01:16:28,760 --> 01:16:30,280
- Sara.
- 648
- 01:16:30,440 --> 01:16:33,680
- Please, only look closer.
- 649
- 01:16:33,840 --> 01:16:34,960
- Thank you for caring
- for Patricia,
- 650
- 01:16:35,120 --> 01:16:36,760
- but I hope
- you don't come again.
- 651
- 01:16:58,880 --> 01:17:00,040
- - Good night.
- - Good night.
- 652
- 01:17:00,200 --> 01:17:01,760
- Sara, hurry up.
- 653
- 01:17:01,920 --> 01:17:04,160
- I'm tired. I need the bathroom.
- 654
- 01:17:07,320 --> 01:17:09,240
- - Good night, Doll.
- - Good night.
- 655
- 01:17:18,800 --> 01:17:20,680
- She hasn't come back yet?
- 656
- 01:17:26,320 --> 01:17:28,760
- Maybe she's seeing somebody.
- 657
- 01:17:33,520 --> 01:17:35,040
- Part of the issue always
- 658
- 01:17:35,200 --> 01:17:37,520
- is not being able
- to see your body in space.
- 659
- 01:17:37,680 --> 01:17:42,120
- One angle in one mirror
- or on film is not enough.
- 660
- 01:17:42,280 --> 01:17:43,760
- Movement is never mute.
- 661
- 01:17:43,920 --> 01:17:45,360
- It is a language.
- 662
- 01:17:45,520 --> 01:17:47,000
- It's a series
- of energetic shapes...
- 663
- 01:17:47,160 --> 01:17:48,680
- ...written in the air
- 664
- 01:17:48,840 --> 01:17:51,800
- like words forming sentences.
- 665
- 01:17:51,960 --> 01:17:53,360
- Like poems.
- 666
- 01:17:54,600 --> 01:17:56,000
- Like prayers.
- 667
- 01:17:59,000 --> 01:18:00,240
- Spells?
- 668
- 01:18:02,280 --> 01:18:06,200
- When you jump,
- it's not the height
- 669
- 01:18:06,360 --> 01:18:08,720
- but the space beneath you
- that matters.
- 670
- 01:18:08,880 --> 01:18:11,520
- Every leap into the air
- must be a coup de foudre.
- 671
- 01:18:16,640 --> 01:18:18,280
- I don't understand.
- 672
- 01:18:18,440 --> 01:18:21,080
- A strike of lightning.
- 673
- 01:18:21,240 --> 01:18:23,320
- A bolt of love, in fact.
- 674
- 01:18:26,400 --> 01:18:28,840
- That's beautiful.
- 675
- 01:18:29,000 --> 01:18:32,200
- There are two things
- that dance can never be again:
- 676
- 01:18:32,360 --> 01:18:35,120
- beautiful and cheerful.
- 677
- 01:18:35,280 --> 01:18:37,080
- Today, we need
- to break the nose
- 678
- 01:18:37,240 --> 01:18:39,320
- of every beautiful thing.
- 679
- 01:18:39,480 --> 01:18:40,880
- And if you're going
- to be a dancer,
- 680
- 01:18:41,040 --> 01:18:42,880
- you must learn French.
- 681
- 01:19:19,200 --> 01:19:21,040
- When you dance
- the dance of another,
- 682
- 01:19:21,200 --> 01:19:25,080
- you make yourself
- in the image of its creator.
- 683
- 01:19:25,240 --> 01:19:26,400
- You empty yourself
- 684
- 01:19:26,560 --> 01:19:28,000
- so that her work can live
- within you.
- 685
- 01:19:28,160 --> 01:19:29,400
- Do you understand?
- 686
- 01:19:30,640 --> 01:19:32,680
- Yeah.
- 687
- 01:19:32,840 --> 01:19:33,960
- You're in a company now.
- 688
- 01:19:34,120 --> 01:19:35,400
- You have to find
- your right place.
- 689
- 01:19:35,560 --> 01:19:36,920
- You have to decide--
- 690
- 01:19:37,080 --> 01:19:40,160
- what is it you want to be
- for this company?
- 691
- 01:19:40,320 --> 01:19:42,080
- Is it the head?
- 692
- 01:19:42,240 --> 01:19:43,880
- The spine?
- 693
- 01:19:44,040 --> 01:19:45,960
- The sex?
- 694
- 01:19:46,120 --> 01:19:47,280
- The heart?
- 695
- 01:19:47,440 --> 01:19:48,600
- The hands.
- 696
- 01:19:51,520 --> 01:19:53,400
- I want to be
- this company's hands.
- 697
- 01:19:57,840 --> 01:19:59,760
- Higher.
- 698
- 01:19:59,920 --> 01:20:01,600
- Higher. Higher.
- 699
- 01:20:01,760 --> 01:20:04,360
- Higher.
- 700
- 01:20:04,520 --> 01:20:06,560
- Higher! Higher.
- 701
- 01:20:06,720 --> 01:20:08,080
- Higher.
- 702
- 01:20:09,640 --> 01:20:12,800
- Higher, higher, higher.
- 703
- 01:20:12,960 --> 01:20:14,040
- Higher.
- 704
- 01:20:19,320 --> 01:20:20,200
- Higher.
- 705
- 01:20:20,920 --> 01:20:23,160
- Higher. Higher.
- 706
- 01:20:23,320 --> 01:20:26,920
- Higher. Higher. Higher.
- 707
- 01:20:32,800 --> 01:20:35,520
- Sometimes I only need
- to be told twice.
- 708
- 01:22:30,120 --> 01:22:34,560
- 33, 34, 35, 36,
- 709
- 01:22:34,720 --> 01:22:37,880
- 37, 38, 39,
- 710
- 01:22:38,040 --> 01:22:39,560
- 40, 41.
- 711
- 01:22:44,640 --> 01:22:46,680
- 57, 58, 59,
- 712
- 01:22:46,840 --> 01:22:49,480
- 60, 61, 62, 63.
- 713
- 01:22:59,000 --> 01:23:02,040
- 65, 64, 63, 62.
- 714
- 01:23:10,200 --> 01:23:12,800
- 23, 22, 21.
- 715
- 01:23:26,360 --> 01:23:27,800
- Ten, nine, eight,
- 716
- 01:23:27,960 --> 01:23:29,520
- seven, six.
- 717
- 01:23:29,680 --> 01:23:31,840
- Two, one.
- 718
- 01:26:21,560 --> 01:26:24,040
- Come with me! Quickly!
- 719
- 01:26:41,400 --> 01:26:44,080
- Patricia wrote about
- 720
- 01:26:44,240 --> 01:26:47,520
- "Three Mothers" lost in time,
- 721
- 01:26:47,680 --> 01:26:51,880
- predating all Christian
- invention.
- 722
- 01:26:52,040 --> 01:26:55,240
- Pre-God. Pre-Devil.
- 723
- 01:26:55,400 --> 01:26:59,320
- Mother Tenebrarum,
- Mother Lachrymarum
- 724
- 01:26:59,480 --> 01:27:01,880
- and Mother Suspiriorum.
- 725
- 01:27:03,280 --> 01:27:07,320
- Darkness, Tears and Sighs.
- 726
- 01:27:08,360 --> 01:27:10,520
- I saw images of that
- last night.
- 727
- 01:27:10,680 --> 01:27:13,040
- In porcelain,
- these very fine things.
- 728
- 01:27:13,200 --> 01:27:14,560
- You can tell they have money.
- 729
- 01:27:18,560 --> 01:27:21,560
- Patricia said that, uh, Markos
- 730
- 01:27:21,720 --> 01:27:24,000
- claims to be one of the Three.
- 731
- 01:27:24,160 --> 01:27:26,760
- But there is dissent
- amongst them.
- 732
- 01:27:26,920 --> 01:27:31,760
- She wrote about "Markosites"
- and "Blancites."
- 733
- 01:27:31,920 --> 01:27:35,080
- In-Internal division.
- 734
- 01:27:35,240 --> 01:27:37,240
- Madame Blanc's
- involved in this?
- 735
- 01:27:43,560 --> 01:27:46,800
- Do they believe
- they're witches?
- 736
- 01:27:46,960 --> 01:27:52,200
- You can give someone
- your delusion, Sara.
- 737
- 01:27:52,360 --> 01:27:53,600
- That's religion.
- 738
- 01:27:56,320 --> 01:27:57,760
- That was the Reich.
- 739
- 01:27:59,320 --> 01:28:01,000
- The Reich had these things.
- 740
- 01:28:02,640 --> 01:28:04,560
- Insignia.
- 741
- 01:28:04,720 --> 01:28:07,560
- Esoteric ritual.
- 742
- 01:28:07,720 --> 01:28:10,760
- These "Mothers," yeah,
- they could be
- 743
- 01:28:10,920 --> 01:28:14,120
- code names for founding members
- 744
- 01:28:14,280 --> 01:28:16,560
- with metaphoric histories.
- 745
- 01:28:16,720 --> 01:28:18,920
- I don't know.
- 746
- 01:28:19,080 --> 01:28:23,560
- But I do know you are living
- with dangerous people.
- 747
- 01:28:23,720 --> 01:28:25,800
- Patricia could still be in...
- 748
- 01:28:25,960 --> 01:28:26,880
- ...in there.
- 749
- 01:28:31,280 --> 01:28:32,880
- They could be holding her.
- 750
- 01:28:33,040 --> 01:28:34,600
- In the building.
- 751
- 01:28:34,760 --> 01:28:36,800
- Well, I cannot promise
- that the authorities
- 752
- 01:28:36,960 --> 01:28:39,800
- will come back to, uh,
- inspect a cabinet
- 753
- 01:28:39,960 --> 01:28:44,200
- full of porcelain
- after all that has happened.
- 754
- 01:28:44,360 --> 01:28:46,520
- But we can try.
- 755
- 01:28:46,680 --> 01:28:50,320
- And in the meantime, you must,
- uh, take care of yourself.
- 756
- 01:28:50,480 --> 01:28:52,320
- Perhaps you should leave.
- 757
- 01:28:52,480 --> 01:28:53,920
- You have somewhere you can go?
- 758
- 01:28:56,080 --> 01:28:58,440
- I'll figure it out.
- 759
- 01:28:58,600 --> 01:29:01,280
- And I think you should
- put this back.
- 760
- 01:29:01,440 --> 01:29:03,280
- Or better still,
- you leave it here.
- 761
- 01:29:05,280 --> 01:29:07,320
- Not good for them
- to know that you have it.
- 762
- 01:30:36,480 --> 01:30:38,760
- Is anyone among you sick?
- 763
- 01:30:38,920 --> 01:30:41,440
- Let him call for the elders
- of the church;
- 764
- 01:30:41,600 --> 01:30:43,880
- and let them pray over him,
- 765
- 01:30:44,040 --> 01:30:47,440
- anointing him with oil
- in the name of the Lord.
- 766
- 01:30:47,600 --> 01:30:52,760
- And the prayer of faith
- shall save him that is sick,
- 767
- 01:30:52,920 --> 01:30:55,800
- and the Lord
- shall raise him up;
- 768
- 01:30:55,960 --> 01:30:59,920
- and if he has committed sins...
- 769
- 01:31:00,080 --> 01:31:01,920
- My daughter.
- 770
- 01:31:04,720 --> 01:31:06,680
- ...they shall be forgiven him.
- 771
- 01:31:10,600 --> 01:31:12,400
- My last one.
- 772
- 01:31:14,240 --> 01:31:18,000
- She's my sin.
- 773
- 01:31:18,160 --> 01:31:21,120
- She's what I smeared
- on the world.
- 774
- 01:32:00,640 --> 01:32:04,040
- You're making some kind
- of deal with them.
- 775
- 01:32:04,200 --> 01:32:06,440
- I don't know
- what you're talking about.
- 776
- 01:32:08,000 --> 01:32:09,280
- How can you know
- 777
- 01:32:09,440 --> 01:32:10,840
- what they're going
- to ask you in return?
- 778
- 01:32:11,000 --> 01:32:13,960
- Sara, whatever you have
- in your mind,
- 779
- 01:32:14,120 --> 01:32:17,280
- nothing is wrong.
- 780
- 01:32:17,440 --> 01:32:19,200
- You just haven't
- seen the bill yet.
- 781
- 01:32:21,240 --> 01:32:22,800
- Nothing's wrong.
- 782
- 01:33:19,240 --> 01:33:20,840
- What's the matter with you?
- 783
- 01:33:21,000 --> 01:33:22,640
- Huh?
- 784
- 01:33:26,720 --> 01:33:31,240
- You don't be so afraid
- about the white, Susie.
- 785
- 01:33:31,400 --> 01:33:34,600
- They need to see you
- from the very back row.
- 786
- 01:33:42,600 --> 01:33:43,960
- Where is Sara?
- 787
- 01:33:45,480 --> 01:33:47,720
- She came early in the morning,
- 788
- 01:33:47,880 --> 01:33:49,720
- did her makeup and left.
- 789
- 01:34:39,040 --> 01:34:39,960
- Girls!
- 790
- 01:34:40,120 --> 01:34:42,120
- Vier minuten!
- 791
- 01:34:42,280 --> 01:34:43,560
- Four minutes!
- 792
- 01:34:46,400 --> 01:34:49,240
- Vier minuten!
- 793
- 01:34:49,400 --> 01:34:51,040
- Tak, tak.
- 794
- 01:35:31,600 --> 01:35:32,680
- Is it true?
- 795
- 01:35:32,840 --> 01:35:33,760
- Sara.
- 796
- 01:35:35,160 --> 01:35:36,760
- Sara.
- 797
- 01:35:36,920 --> 01:35:38,280
- Patricia.
- 798
- 01:35:39,520 --> 01:35:42,400
- Patricia. Patricia.
- 799
- 01:35:42,560 --> 01:35:44,960
- - I knew it.
- - They'll kill him.
- 800
- 01:35:45,120 --> 01:35:46,920
- I'm sorry it took me so long.
- 801
- 01:35:47,080 --> 01:35:48,960
- I'm so sorry.
- 802
- 01:35:49,120 --> 01:35:51,120
- What did they do to you?
- 803
- 01:35:51,280 --> 01:35:53,640
- I wake up here every day.
- 804
- 01:35:53,800 --> 01:35:55,520
- It's all over now.
- I'll get you out.
- 805
- 01:35:56,760 --> 01:35:58,160
- The performance
- is starting upstairs.
- 806
- 01:35:58,320 --> 01:36:00,880
- Everyone will be looking
- the other way.
- 807
- 01:36:01,040 --> 01:36:03,360
- Get up. Get up.
- 808
- 01:36:03,520 --> 01:36:04,600
- Patricia!
- 809
- 01:36:05,680 --> 01:36:07,880
- - Patricia, get up.
- - I'm trying.
- 810
- 01:36:08,040 --> 01:36:09,160
- Get up.
- 811
- 01:36:20,000 --> 01:36:23,840
- Get it off of me!
- 812
- 01:36:24,000 --> 01:36:25,320
- Sara!
- 813
- 01:36:57,040 --> 01:37:00,440
- Markos! Markos! Markos! Markos!
- 814
- 01:37:21,120 --> 01:37:22,280
- Marketa.
- 815
- 01:37:22,440 --> 01:37:23,840
- Where is Sara?
- 816
- 01:37:24,000 --> 01:37:24,760
- Sara?
- 817
- 01:37:24,920 --> 01:37:25,960
- I don't know.
- 818
- 01:37:26,120 --> 01:37:27,840
- - Is she upstairs?
- - No. I looked.
- 819
- 01:37:28,000 --> 01:37:30,000
- Just dance
- as if she's with you.
- 820
- 01:37:38,800 --> 01:37:40,360
- Sara!
- 821
- 01:38:01,760 --> 01:38:02,360
- Go!
- 822
- 01:39:51,840 --> 01:39:52,840
- No.
- 823
- 01:39:54,400 --> 01:39:56,760
- - No.
- - Sara, lie still.
- 824
- 01:39:56,920 --> 01:39:58,760
- - No!
- - Sara.
- 825
- 01:40:01,840 --> 01:40:05,320
- Please. Please...
- 826
- 01:40:09,960 --> 01:40:12,640
- No! No!
- 827
- 01:44:11,800 --> 01:44:12,520
- Sara!
- 828
- 01:44:56,240 --> 01:44:57,440
- Good.
- 829
- 01:44:57,600 --> 01:44:59,280
- Good. That's good.
- 830
- 01:46:12,480 --> 01:46:14,320
- I'm sorry I went off book.
- 831
- 01:46:20,520 --> 01:46:22,520
- This can't happen again.
- 832
- 01:46:22,680 --> 01:46:26,760
- You're only just starting
- to understand, Susie.
- 833
- 01:46:26,920 --> 01:46:28,400
- We brought Sara back upstairs
- 834
- 01:46:28,560 --> 01:46:30,760
- to try to complete
- the performance in time,
- 835
- 01:46:30,920 --> 01:46:33,400
- but then you derailed it.
- 836
- 01:46:33,560 --> 01:46:35,520
- Did I hurt those people?
- 837
- 01:46:35,680 --> 01:46:37,000
- Not this time.
- 838
- 01:46:37,160 --> 01:46:38,440
- They saw a dance.
- 839
- 01:46:38,600 --> 01:46:39,560
- That's all.
- 840
- 01:46:41,480 --> 01:46:44,640
- It's all a mess, isn't it?
- 841
- 01:46:44,800 --> 01:46:46,840
- The one out there.
- 842
- 01:46:47,000 --> 01:46:48,480
- The one in here.
- 843
- 01:46:51,360 --> 01:46:52,720
- The one that's coming.
- 844
- 01:46:57,000 --> 01:46:59,320
- Why is everyone
- 845
- 01:46:59,480 --> 01:47:02,040
- so ready to think
- the worst is over?
- 846
- 01:47:20,360 --> 01:47:22,360
- I could
- explain everything to you.
- 847
- 01:47:24,680 --> 01:47:26,960
- I think it would be wrong,
- though.
- 848
- 01:47:59,960 --> 01:48:03,000
- One, two, three, four.
- 849
- 01:48:03,160 --> 01:48:06,880
- One, two, three, four.
- 850
- 01:48:07,040 --> 01:48:10,800
- One, two, three, four.
- 851
- 01:48:10,960 --> 01:48:14,600
- - One, two, three, four.
- - ♪ Open again ♪
- 852
- 01:48:14,760 --> 01:48:18,320
- One, two, three, four.
- 853
- 01:48:18,480 --> 01:48:21,920
- One, two,
- three, four.
- 854
- 01:48:22,080 --> 01:48:24,320
- ♪ We breathe again ♪
- 855
- 01:48:27,680 --> 01:48:32,720
- ♪ Upon the other shore ♪
- 856
- 01:48:32,880 --> 01:48:34,880
- ♪ Washed out ♪
- 857
- 01:48:40,600 --> 01:48:43,480
- ♪ We live again ♪
- 858
- 01:48:46,880 --> 01:48:52,640
- ♪ We're demons, all of us ♪
- 859
- 01:48:52,800 --> 01:48:55,680
- ♪ We're open ♪
- 860
- 01:48:59,880 --> 01:49:02,600
- ♪ Just say it ♪
- 861
- 01:49:06,080 --> 01:49:12,160
- ♪ Just say the magic words. ♪
- 862
- 01:49:30,400 --> 01:49:31,640
- Herr Doktor.
- 863
- 01:59:50,000 --> 01:59:51,480
- I'm ready, Madame.
- 864
- 02:00:16,920 --> 02:00:18,080
- You look afraid.
- 865
- 02:00:20,400 --> 02:00:22,240
- She's afraid for you.
- 866
- 02:00:37,800 --> 02:00:41,400
- There will be nothing of you
- 867
- 02:00:41,560 --> 02:00:45,240
- left inside.
- 868
- 02:00:45,400 --> 02:00:50,760
- Only space for me.
- 869
- 02:00:50,920 --> 02:00:53,280
- I came here for this.
- 870
- 02:00:55,840 --> 02:00:57,200
- You've all waited long enough.
- 871
- 02:00:57,360 --> 02:00:59,360
- Ah!
- 872
- 02:00:59,520 --> 02:01:02,280
- It is happening.
- 873
- 02:01:02,560 --> 02:01:05,520
- It is happening!
- 874
- 02:01:46,880 --> 02:01:50,360
- Do you come here willingly?
- 875
- 02:01:50,520 --> 02:01:52,200
- Hmm?
- 876
- 02:01:53,320 --> 02:01:54,200
- Huh?
- 877
- 02:01:54,360 --> 02:01:56,040
- You must have no doubts, Susie.
- 878
- 02:01:56,200 --> 02:01:58,440
- If you do, I can take you back.
- 879
- 02:01:58,600 --> 02:02:01,040
- I can take all of this
- from your head.
- 880
- 02:02:01,200 --> 02:02:03,240
- You can forget everything.
- 881
- 02:02:05,560 --> 02:02:08,600
- I want this to be pure.
- 882
- 02:02:08,760 --> 02:02:12,640
- We all know what you want.
- 883
- 02:02:16,760 --> 02:02:19,760
- This isn't vanity.
- 884
- 02:02:19,920 --> 02:02:22,560
- This isn't...
- 885
- 02:02:22,720 --> 02:02:24,560
- art!
- 886
- 02:02:26,640 --> 02:02:28,640
- There is something wrong here.
- 887
- 02:02:28,800 --> 02:02:29,880
- Can you not feel it?
- 888
- 02:02:30,040 --> 02:02:31,960
- This is not right.
- 889
- 02:02:32,120 --> 02:02:33,240
- We have to stop this now.
- 890
- 02:02:33,400 --> 02:02:35,960
- We have been on
- 891
- 02:02:36,120 --> 02:02:38,080
- two sides of this
- 892
- 02:02:38,240 --> 02:02:40,000
- for too long now.
- 893
- 02:02:40,160 --> 02:02:42,600
- Markos! Markos! Markos!
- 894
- 02:02:42,760 --> 02:02:46,280
- Markos! Markos!
- Markos! Markos!
- 895
- 02:02:46,440 --> 02:02:48,720
- Markos! Markos! Markos!
- 896
- 02:02:48,880 --> 02:02:50,480
- Markos! Markos!
- 897
- 02:02:50,640 --> 02:02:52,760
- Markos! Markos! Markos!
- 898
- 02:02:52,920 --> 02:02:55,160
- Markos! Markos!
- 899
- 02:03:25,080 --> 02:03:28,480
- If you accept me,
- 900
- 02:03:28,640 --> 02:03:33,520
- you must put down
- the woman who bore you.
- 901
- 02:03:35,800 --> 02:03:38,880
- Think of that false mother now.
- 902
- 02:03:51,200 --> 02:03:54,360
- Reject her.
- 903
- 02:03:54,520 --> 02:03:56,360
- Expel her.
- 904
- 02:04:00,000 --> 02:04:05,800
- You have the only mother
- you need here.
- 905
- 02:04:05,960 --> 02:04:08,840
- Death to any other mother.
- 906
- 02:04:09,000 --> 02:04:09,440
- Say it.
- 907
- 02:04:10,800 --> 02:04:14,200
- Death to any other mother.
- 908
- 02:04:43,840 --> 02:04:45,480
- Who are you?
- 909
- 02:04:51,640 --> 02:04:54,200
- For whom were you anointed?
- 910
- 02:04:54,360 --> 02:04:56,960
- Which of the Three Mothers?
- 911
- 02:04:57,120 --> 02:04:59,000
- Mother...
- 912
- 02:05:03,760 --> 02:05:06,680
- Mother Suspiriorum.
- 913
- 02:05:09,400 --> 02:05:11,880
- I am she.
- 914
- 02:05:48,840 --> 02:05:49,840
- Markos.
- 915
- 02:06:04,080 --> 02:06:04,960
- Markos!
- 916
- 02:06:39,760 --> 02:06:40,760
- Markos!
- 917
- 02:06:42,800 --> 02:06:43,800
- Markos.
- 918
- 02:06:50,640 --> 02:06:53,640
- Death to any other mother.
- 919
- 02:06:53,800 --> 02:06:54,920
- Markos.
- 920
- 02:07:01,760 --> 02:07:02,680
- Markos!
- 921
- 02:07:05,760 --> 02:07:10,400
- ♪ Come under my wings ♪
- 922
- 02:07:10,560 --> 02:07:12,800
- ♪ Little bird ♪
- 923
- 02:07:12,960 --> 02:07:14,360
- ♪ Come under ♪
- 924
- 02:07:14,520 --> 02:07:15,200
- Markos!
- 925
- 02:07:15,360 --> 02:07:17,920
- ♪ My wings ♪
- 926
- 02:07:18,080 --> 02:07:20,000
- ♪ Little bird ♪
- 927
- 02:07:20,160 --> 02:07:22,520
- ♪ Come under my wings... ♪
- 928
- 02:07:22,680 --> 02:07:23,800
- Markos!
- 929
- 02:07:28,760 --> 02:07:34,640
- ♪ Unmade ♪
- 930
- 02:07:35,760 --> 02:07:39,520
- ♪ Unmade ♪
- 931
- 02:07:41,800 --> 02:07:46,400
- ♪ I swear
- that there's nothing ♪
- 932
- 02:07:48,880 --> 02:07:52,280
- ♪ Up my sleeve ♪
- 933
- 02:07:57,080 --> 02:08:00,120
- ♪ Bring it back again ♪
- 934
- 02:08:03,000 --> 02:08:08,120
- ♪ I swear there's nothing... ♪
- 935
- 02:08:10,600 --> 02:08:15,080
- I am the Mother.
- 936
- 02:08:35,680 --> 02:08:38,000
- What do you ask?
- 937
- 02:08:38,160 --> 02:08:39,440
- To die.
- 938
- 02:08:39,600 --> 02:08:43,400
- ♪ Broken pieces ♪
- 939
- 02:08:43,560 --> 02:08:45,520
- Mother.
- 940
- 02:08:45,680 --> 02:08:47,280
- Mother, we're so tired.
- 941
- 02:08:48,520 --> 02:08:51,320
- ♪ Unmade ♪
- 942
- 02:08:55,080 --> 02:08:56,920
- What do you ask?
- 943
- 02:08:57,080 --> 02:08:59,160
- To die.
- 944
- 02:08:59,320 --> 02:09:00,680
- I want to die.
- 945
- 02:09:08,320 --> 02:09:09,880
- ♪ I swear there's nothing... ♪
- 946
- 02:09:10,040 --> 02:09:11,480
- Sweet girl.
- 947
- 02:09:13,680 --> 02:09:15,280
- What do you ask?
- 948
- 02:09:18,880 --> 02:09:19,800
- Die.
- 949
- 02:09:19,960 --> 02:09:23,000
- ♪ Come under my wings ♪
- 950
- 02:09:26,640 --> 02:09:31,440
- ♪ Come under my wings ♪
- 951
- 02:09:33,800 --> 02:09:38,320
- ♪ Come under my wings ♪
- 952
- 02:09:40,960 --> 02:09:44,640
- - ♪ Under my wings. ♪
- - SUSIE: Yes.
- 953
- 02:09:46,040 --> 02:09:48,560
- Dance. Dance.
- 954
- 02:09:48,720 --> 02:09:51,000
- Keep dancing.
- 955
- 02:09:51,160 --> 02:09:52,720
- It's beautiful.
- 956
- 02:09:53,880 --> 02:09:55,520
- It's beautiful.
- 957
- 02:09:56,800 --> 02:09:58,720
- It's beautiful.
- 958
- 02:11:22,240 --> 02:11:24,040
- Yeah. Okay.
- 959
- 02:11:24,200 --> 02:11:26,000
- Good. Good.
- 960
- 02:13:16,240 --> 02:13:18,720
- My God, what a night.
- 961
- 02:13:18,880 --> 02:13:21,360
- I definitely drank
- too much wine.
- 962
- 02:13:35,360 --> 02:13:36,640
- - Bonjour.
- - Bonjour.
- 963
- 02:13:40,440 --> 02:13:42,400
- - Guten Morgen.
- - Morning.
- 964
- 02:13:42,560 --> 02:13:43,680
- Good morning.
- 965
- 02:15:54,480 --> 02:15:56,880
- I regret what my daughters
- did to you.
- 966
- 02:15:59,240 --> 02:16:01,240
- I wasn't in a position
- to prevent it.
- 967
- 02:16:06,360 --> 02:16:08,720
- I believe you deserve
- to know the truth.
- 968
- 02:16:17,600 --> 02:16:22,040
- Your wife did try
- to make it south
- 969
- 02:16:22,200 --> 02:16:23,640
- to Teplice.
- 970
- 02:16:25,640 --> 02:16:29,440
- She was apprehended
- by border guards
- 971
- 02:16:29,600 --> 02:16:32,600
- in the woods
- just outside of Glashuütte.
- 972
- 02:16:35,800 --> 02:16:40,600
- She was then taken
- to Theresienstadt camp.
- 973
- 02:16:43,200 --> 02:16:45,560
- She lived there for 20 days.
- 974
- 02:16:47,400 --> 02:16:52,240
- On the 11th of November, 1943,
- 975
- 02:16:52,400 --> 02:16:56,480
- the commandant of the camp,
- a man named Burger...
- 976
- 02:16:58,000 --> 02:17:00,720
- ...ordered all 40,000
- detained there
- 977
- 02:17:00,880 --> 02:17:05,360
- stand outside in the cold
- for a census.
- 978
- 02:17:11,280 --> 02:17:13,240
- Hours and hours passed.
- 979
- 02:17:16,960 --> 02:17:18,960
- Some hundreds died of exposure.
- 980
- 02:17:27,760 --> 02:17:30,200
- Your wife had two women
- with her as she died.
- 981
- 02:17:32,560 --> 02:17:36,000
- Women she had befriended,
- 982
- 02:17:36,160 --> 02:17:38,720
- who made her feel
- that she was not alone.
- 983
- 02:17:45,840 --> 02:17:49,400
- Her final thoughts...
- 984
- 02:17:49,560 --> 02:17:52,960
- were of a birthday
- 985
- 02:17:53,120 --> 02:17:56,920
- when you took her
- to a concert as a surprise.
- 986
- 02:17:57,080 --> 02:17:59,520
- Chopin and Brahms.
- 987
- 02:18:03,840 --> 02:18:05,960
- It was the first time
- you held her hand.
- 988
- 02:18:11,840 --> 02:18:14,480
- She was cold when she died.
- 989
- 02:18:17,840 --> 02:18:19,280
- But she wasn't afraid.
- 990
- 02:18:23,680 --> 02:18:25,800
- She was thinking only of you.
- 991
- 02:18:44,600 --> 02:18:46,400
- Of Anke Meier...
- 992
- 02:18:48,760 --> 02:18:50,400
- ...of Patricia Hingle...
- 993
- 02:18:52,040 --> 02:18:53,680
- ...of Sara Simms...
- 994
- 02:18:57,520 --> 02:19:00,800
- ...of Susanna Bannion,
- 995
- 02:19:00,960 --> 02:19:04,160
- of all the women
- of your undoing...
- 996
- 02:19:07,080 --> 02:19:09,680
- ...every memory will vanish.
- 997
- 02:19:13,800 --> 02:19:17,200
- They will melt away in the sun
- 998
- 02:19:17,360 --> 02:19:18,520
- and be gone.
- 999
- 02:19:47,360 --> 02:19:49,120
- Herr Doktor.
- 1000
- 02:19:49,280 --> 02:19:51,800
- Herr Doktor.
- 1001
- 02:20:06,680 --> 02:20:08,640
- - Ja?
- - Ja.
- 1002
- 02:21:45,640 --> 02:21:49,400
- ♪ This is what I was thinking ♪
- 1003
- 02:21:50,480 --> 02:21:55,320
- ♪ About our bodies ♪
- 1004
- 02:21:55,480 --> 02:21:58,640
- ♪ What they mean ♪
- 1005
- 02:22:00,200 --> 02:22:03,560
- ♪ For our salvation ♪
- 1006
- 02:22:07,480 --> 02:22:12,000
- ♪ Only the clothes that ♪
- 1007
- 02:22:12,160 --> 02:22:16,960
- ♪ We stand up in ♪
- 1008
- 02:22:17,120 --> 02:22:21,360
- ♪ Just the ground ♪
- 1009
- 02:22:21,520 --> 02:22:25,240
- ♪ On which we stand ♪
- 1010
- 02:22:28,920 --> 02:22:33,520
- ♪ Is the darkness ♪
- 1011
- 02:22:33,680 --> 02:22:36,600
- ♪ Ours to take? ♪
- 1012
- 02:22:38,440 --> 02:22:43,000
- ♪ Bathed in lightning ♪
- 1013
- 02:22:43,160 --> 02:22:46,240
- ♪ Bathed in heat ♪
- 1014
- 02:23:00,320 --> 02:23:02,880
- ♪ All is well ♪
- 1015
- 02:23:03,040 --> 02:23:08,000
- ♪ As long as we keep spinning ♪
- 1016
- 02:23:12,240 --> 02:23:15,200
- ♪ Here now ♪
- 1017
- 02:23:15,360 --> 02:23:19,280
- ♪ Dancing behind the wall ♪
- 1018
- 02:23:24,120 --> 02:23:26,480
- ♪ Hear the old songs ♪
- 1019
- 02:23:26,640 --> 02:23:31,280
- ♪ And laughter within ♪
- 1020
- 02:23:37,240 --> 02:23:40,240
- ♪ All forgiven ♪
- 1021
- 02:23:40,400 --> 02:23:44,800
- ♪ Always or never be true ♪
- 1022
- 02:23:53,520 --> 02:23:57,680
- ♪ When I arrive, will ♪
- 1023
- 02:23:57,840 --> 02:24:02,640
- ♪ You come and find me? ♪
- 1024
- 02:24:02,800 --> 02:24:07,360
- ♪ In a crowd ♪
- 1025
- 02:24:07,520 --> 02:24:10,720
- ♪ Be one of them ♪
- 1026
- 02:24:14,920 --> 02:24:19,640
- ♪ Mother wants us ♪
- 1027
- 02:24:19,800 --> 02:24:24,320
- ♪ Right beside her ♪
- 1028
- 02:24:24,480 --> 02:24:28,960
- ♪ No tomorrows ♪
- 1029
- 02:24:29,120 --> 02:24:32,760
- ♪ At peace. ♪
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