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[FLUTTERRAPE] Hobonon 3 - The Final Insult

Jun 22nd, 2013
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  1. >You are Anon
  2. >Pace up and down your 'room'. Getting more and more anxious with each second
  3. "Ahh, cool it, Anon. You're just trapped in the castle owned by your worst nightmare."
  4. >Freeze
  5. >Run over to the door and start pulling on the handle for all you're worth
  6. >Ain't movin' captain.
  7. >Pace again, with renewed vigour.
  8. >Princess Cadence
  9. >Oh how she's haunted your thoughts since Manehatten
  10. >She's everything you hate
  11. >Rich, powerful, clean, popular, has a hot stallion husband.
  12. >Okay, maybe not the last one. But the other 4 things are still pretty deplorable
  13. >Oh why did it have to be you?
  14. >You fight back a cry of frustration
  15. >Someone knocks on the door
  16. >Tense up
  17. >SHE'S HERE TO FINISH THE JOB
  18. >Frantically look around for a place to hide
  19. >Run over to the bed
  20. >Drag yourself under it, squeezing as hard as you can
  21. >Manage to fit and peer out from under the bed sheet draped over the front, hiding you from view
  22. >Another few knocks, louder this time
  23. >You stay silent and wait
  24. >The pony unlocks and lets herself in
  25. >Seems to be a maid
  26. >She appears taken aback at the empty room
  27. >She looks over her shoulder
  28. >Then cautiously enters and begins cleaning
  29. >You watch her intently
  30. >She goes around dusting and humming a tune to herself
  31. >Eventually she gets to the bed, that is creased from you lying on it
  32. >She pauses
  33. >Mutters something
  34. >And pokes her head under the bed
  35.  
  36. 1/?
  37.  
  38. "How did you-"
  39. >"You left a large dirty smear on the carpet. Do you EVER clean yourself?"
  40. >Oh she did NOT just ask that
  41. >Crawl out from under the bed with much effort
  42. >Stand up and glare at the pony
  43. >She glares back
  44. >She's a plump looking thing. Reminds you of that fat baker back in Ponyville
  45. >God damn the ass on that po-
  46. >Getting sidetracked. She insulted your filth
  47. I'll have you know that I'm a hobo and th-
  48. >"That's something to be proud of? Please. Get a job and have a bath, you filthy mongrel."
  49. >Gawp at her
  50. HOW DARE YOU! I'LL KILL YOU!
  51. >"With what? This?"
  52. >She levitates your hobo knife in front of you
  53. >How the fuck
  54. "Wh-"
  55. >"You really don't know what kind of ponies are employed as royal servants, do you?"
  56. >She jumps up and performs a spinning kick straight to your chest
  57. >It happens so fast you don't have time to think, and fly backwards, bounce off the springy bed mattress then hit the floor on the other side
  58. >Sit up and stare at the 'maid'
  59. >"I did 15 years in the Canterlot Covert Ops. If you try to escape, I'll break you and drag you back. If you talk back to me, I'll break you and you don't get supper."
  60. Jokes on you, faggot. I don't eat supper
  61. >"No supper for you then."
  62. "FUCK YOU, HORSE!"
  63. >She laughs and walks towards the door
  64. >"Consider me the warden, 'Anonymous'. Cadence wants you protected and I'll be damned if I'm going to fail her"
  65. >With that she exits the room and locks the door behind her
  66. >She even took your knife
  67. >Mother fucker
  68. >You drag yourself back onto the bed and lie on your back, staring at the ceiling
  69. "Great."
  70.  
  71. >Hours go by as you bang your head against the walls of the bedroom
  72. >Nothing is happening.
  73. >Why is nothing happening?
  74. >Are you going mad?
  75. >Does she want you to go mad so that she can subdue you more easily?
  76. >Diabolical.
  77.  
  78. 2/?
  79.  
  80. >You groan and fall backwards onto the large soft double bed
  81. >Lie there for an hour
  82. >Sit up and look at the clock
  83. >It was actually 15 seconds, not an hour.
  84. "THIS IS BULLSHIT."
  85. >Stomp over to the window and look down at the city again
  86. >Watch the crystal ponies strut around with their designer merchandise and expensive hooficures
  87. >Their very existence is an insult to the hard working lower class.
  88. >You should start a revolution when you get out of here
  89. >But that might take effort
  90. >And effort sucks
  91. >You ponder the implications of a society gone mad while you watch the citizens below go about their lives
  92. >Nothing interesting is going on down there, even though you can still see the smouldering wreckage of the Wingenburg
  93. >Crane your neck to look at the base of the citadel
  94. >You're a long way up. And your chances of escape are looking slim.
  95. >The lock on your door is pulled back
  96. >Step away from the window and grimace as the door opens
  97. >'The Warden' walks in
  98. >She smirks and levitates your knife, taunting you
  99. >"You know, I was thinking of donating this."
  100. >Could be worse. At least some poor kid somewhere will get a new knife to help him survive on the str-
  101. >"To the royal kitchens"
  102. >Scramble at her, with the full intention to turn her head into gak
  103. >She nimbly dodges you and laughs
  104. >"The Princess said I could have some fun with you. She'll be here tomorrow to do whatever she wants with you. So I think I'll play around with you a bit."
  105. >She waggles the knife
  106. >"Here boy! Come get the knife!"
  107. "You cannot even fathom how much I hate you."
  108. >"Oh, I think I can. It just makes me want to taunt you even more."
  109. >She laughs and floats the knife closer to you, pulling it back when you swipe for it
  110. >You dread to think what sick tortures your friends are going through right now.
  111.  
  112. 3/?
  113.  
  114. >You are Lyra "Stabbington" Heartstrings
  115. >PhD
  116. >The Diamond Dog reels backwards, nursing his jaw
  117. >"Y-You'll pay for that, you little mule!"
  118. >Crack your neck
  119. "Here doggy, Ol' Lyra has a treat for you."
  120. >The dog lunges towards you, blind fury in his eyes
  121. >Leap to the side and buck him in the kneecap
  122. >A sickening crack echoes around the cell
  123. >The inmates watching you howl in excitement at the sudden brutal entertainment
  124. >The dog whimpers and fights back tears as he clutches his broken knee joint
  125. >Grip his fur with some magic and yank his face towards yours
  126. "The next time you try and fuck with me, I'll break your other leg. Got it?"
  127. >He nods, an unmistakable fear in his eyes
  128. >Drop him and leave him to nurse his leg
  129. >Crawl back to your bed and lie down, your hooves behind your head
  130. "So. Where are we?"
  131. >"My leg..."
  132. "Yes yes, I'm sure it hurts. Now where are we?"
  133. >"Prison, you m-moron. Where else would you be?"
  134. >Roll over and glare at him
  135. >He cowers under your gaze
  136. "I gathered that I'm in prison, you stupid mutt. I mean WHICH prison. Are we in the Crystal Bastion? The Royal Dungeons? Shawflank Prison? WHERE?"
  137. >"Sh-Shawflank..."
  138. "And where abouts is that in relation to the Crystal Empire?"
  139. >"Just on the outskirts of the c-city... Did you really have to break my knee?"
  140. "Yes."
  141. >"Bitch"
  142. "What's that? Break your other one?"
  143. >"I'M SORRY, I'M SORRY!"
  144. "Good. Now what's your name, mutt?"
  145. >"Y-yeller"
  146. "I don't care. From now on you're Mutt. Understand?"
  147. >"..."
  148. "Well?"
  149. >"Y-yes."
  150. "Good boy."
  151.  
  152. 4/?
  153.  
  154. >Shawflank Prison.
  155. >You've heard tales about this place
  156. >They say that no one ever escapes
  157. >Those that go in never come out
  158. >You follow the line of inmates into the cafeteria
  159. >To your relief, sunlight streams in through the windows
  160. >That is, the barred windows
  161. >Protected by an iron grate
  162. >And most likely infused with an anti-magic barrier
  163. >Ponies are pretty intense when it comes to locking things up
  164. >Celestia herself sent her own sister to the -moon- for a thousand years
  165. >Watch in amusement as Mutt gets carried towards the medical quarter via stretcher
  166. >He glares daggers at you as he passes, the stone-faced guards carrying him paying you no mind
  167. >Snicker
  168. >Feel a push from behind and step closer to the food counter
  169. >Grab a tray and lock eyes with the cook
  170. >He looks like he's trying to hate you to death
  171. >Point at some grey mush
  172. "That, please"
  173. >He gives you a rotten carrot and a glass of water
  174. >Then gives you a shit eating grin
  175. "You're real funny, fat-ass."
  176. >Take your food away with a huff and go to find the most secluded table to sit at
  177. >The moment you sit down, you are surrounded by the largest minotaurs you've ever seen
  178. >The biggest and meanest of which smiles down at you
  179. >He slowly reaches forwards and plucks your carrot off the tray
  180. >Then eats it
  181. >"Thanks"
  182. "No problem. Though you might want to give me some room. I've fucked bigger cows than you."
  183. >"And you might not want to run your mouth off so much, little one."
  184. >Little one
  185. >This fuckin' bovine.
  186. >Stand up
  187. >The minotaur and his friends rise with you
  188. >"You may want to consider your next move carefully, little one."
  189. "I already have. I reckon I can tear out that shit nose ring of yours before your faggot friends can stop me"
  190. >You jump up on the table and hurl yourself at him, screaming at the top of your lungs
  191.  
  192. 5/?
  193.  
  194. >You are Sweetie Belle
  195. >And this place is... Creepy.
  196. >You stare at the foals
  197. >The foals stare at you
  198. >Try to remember what Anon taught you
  199. >"Remember, the brown apples are still good eating, but if you see one that's glowing a sickly green, stay away. I ate one of those once. Grew an extra limb offa my stomach. Had to cut it off with my knife before it got too powerful"
  200. >Shake your head
  201. >That wasn't it
  202. >"Oh yeah, and if you get trapped in an orphanage, watch your back. Nothing in this world is more dangerous and terrifying than a group of kids with nothing to lose"
  203. >What else did he tell you?
  204. >"Sweetie, stop eating that. You don't know where it's been. ... Oh, the trashcan? Okay then. Eat up."
  205. >You giggle
  206. >Anon was so funny
  207. >A small brown foal steps forward, holding a teddy bear
  208. >He's even smaller than you
  209. >It's so cute!
  210. "Hi! I'm Sweetie Belle!"
  211. >The foal's eyes grow, filled to the brim with silent wonder
  212. >He slowly lowers his teddy bear and smiles at you
  213. >Smile back
  214. >A new friend, perhaps?
  215. >"YOU TEKKIN THA FUKKIN PISS, MATE?"
  216. >Squeal in shock
  217. >The foal turns to the others
  218. >"Who the FUCK does this little twat think she is, yeah?"
  219. >One of the fillies, wearing copious amounts of make up, smacks her lips and waves a hoof around in a Z shape while moving her head around in a circle
  220. >"Terry. Terry I fink she's fuckin' around wit chu"
  221. >'Terry' turns back to you
  222. >"I fink she is as well."
  223. >He prods you in the chest
  224. >"You avin' a fuckin' giggle?"
  225. "N-No? I j-just want to be friends..."
  226. >Terry laughs, hard
  227. >As do his friends
  228. >"Y-you wanna be friends?!"
  229. >He prances around, imitating your voice poorly
  230. >"Ooooh laa dee daa, I'm a pretty pink pony and I want to be friends! Oh won't that be ever so magical!"
  231. >He bats his eyelids to seal the deal
  232. "Um, but I'm not pink-"
  233. >"SHUT IT."
  234. >You whimper
  235.  
  236. 6/?
  237.  
  238. >Terry turns to his friends
  239. >"What do we do wiv 'er?"
  240. >The filly wearing make up smacks her lips again
  241. >"I say you fuckin' deck 'er, Terry. She's like, totes givin' me evils."
  242. >Terry looks over his shoulder at you
  243. >"Oy, you givin' my bird evils? Mate, I will fuckin' wreck you if you're givin' my bird evils."
  244. I-I'm not doing anything! I swear!
  245. >Terry glares at you
  246. >His eyes narrow so much you half expect his mane to catch fire and for him to pummel you in a fit of rage
  247. >Instead, his eyes go back to normal, he picks up his teddy bear again and punches you in the shoulder
  248. >"Aight, fair do's. I'm Terry"
  249. >He points at the make-up Filly, another colt with no teeth, and an incredibly overweight colt wearing a Wonderbolt's badge
  250. >"That's Coomy, my bird. That's Gummy, and that's Big Jim."
  251. >You giggle
  252. "I had a friend who had a pet alligator named Gummy!"
  253. >Terry slaps you
  254. >"Don't be a twat, Sweets. Gummy's gum disease ain't funny."
  255. "...Sorry..."
  256. >The foals walk back to their beds, Terry motions to the other 4 empty beds
  257. >"Pick whichever one you want, yeah? Just don't fuck me off and we'll get along fine."
  258. >"Tell 'er to not fuck around wiv me too, Terry."
  259. >"Oh, and don't fuck around wiv Coomy. She's in a bad mood today."
  260. "W-why?"
  261. >"OH MY GOD SWEETIE YOU CAN'T JUST ASK ME WHY I'M IN A BAD MOOD, INNIT!"
  262. "I-I'm sorry, C-co-"
  263. >"Ran out of make-up and I was like 'Oh my Celestia' so I asked Terry for some more, yeah? But he said he couldn't keep nickin' stuff from the staff so I told him I wouldn't suck him off for like, a week if he didn't do it, right? So he says he can just get some other bird to suck him off and I was like 'OH MY CELESTIA I CAN'T BELIEVE YOU JUST SAID THAT' so I said I wasn't gonna talk to 'im for the rest of the day but I luv 'im, ya know? So I said soz and we both fucked and made up."
  264. >She smiles at you
  265. >"Ya get me?"
  266. "Uhhh... Yeah?"
  267. >You wonder where Dog got to.
  268.  
  269. 7/?
  270.  
  271. >You are Dog.
  272. >Survey the area one last time
  273. >All the other hounds are asleep in their metal prisons
  274. >One would think that you too are incarcerated, but to suggest such a thing would be a mockery of your skills
  275. >You lick a paw and slip it through the bars, then reach for the lock
  276. >Concentrate as you slide a long sharp claw in the keyhole
  277. >It finds a snag
  278. >Tweak it around, your face locked in a state of extreme focus
  279. >Hear a gentle click
  280. >The door silently opens and you hop out of your cage
  281. >Hit the floor with the grace of a cat and stalk along the sides of the room, enveloped in shadow
  282. >It reminds you of days gone by, when you were a mere pup.
  283. >Dark and miserable times, where every waking second was a battle for survival
  284. >But you did it. You surpassed the competition and you alone stood victorious among your enemies
  285. >With the techniques you learned, none could stand before your might
  286. >Pause for a second to scratch an annoying itch on your head
  287. >Continue on to the door, monologuing to yourself in your head the whole time
  288. >The fools that hold you here left the door at the end of the hall open.
  289. >No doubt they underestimated your vast array of prison-breaking strategies
  290. >Nudge open the door and skulk into the next room
  291. >A pony is leant back in a chair, his rear hooves resting on a desk
  292. >He's fast asleep
  293. >Asleep, and vulnerable
  294. >You toy with the idea of culling him in his slumber
  295. >It wouldn't be too difficult. A bite to the jugular, then move over slightly and crush his windpipe. He would be dead in seconds.
  296. >Alas, Sweetie Belle's gentle nature has rubbed off on you.
  297. >Instead, you sneak past him and move on
  298. >These ponies can hardly call themselves prison guards. They don't even have any roaming death squads patrolling the perimeter
  299. >A severe fundamental flaw in their plans
  300.  
  301. 8/?
  302.  
  303. >Push open several other doors until you reach what appears to be a store room
  304. >It's pitch black, so you wait for your eyes to adjust to the all encompassing darkness around you
  305. >A nearby box is lying on it's side, it's contents all over the floor before you
  306. >Sniff at it
  307. >Canine food
  308. >You test a piece
  309. >Tastes like beef and pork both at the same time
  310. >It shall do
  311. >You stock up on as much reserve food and energy as you can for the coming journey.
  312. >Lady luck has smiled upon you this day
  313. >To an outside watcher, "stocking up on reserves" means stuffing your face with whatever is in sight, your tail wagging madly as you cram as many crunchy nuggets in your maw as possible
  314. >But an outside watcher does not know of the strategic value of an over-abundance of rations
  315. >You, on the other paw, do.
  316. >Once your meal is finished, you look around the room, your eyes having fully adapted to the dark
  317. >You notice something you hadn't seen before
  318. >A small beam of moonlight coming from behind a pile of boxes
  319. >You jump up on them and carefully nudge the top-most package over
  320. >A window greets you
  321. >If you had lips, you would be smiling
  322. >But a good tail wag shall suffice in order to convey your immense satisfaction at finding an escape route
  323. >You push the box off the top of the pile, no longer caring for an noise made
  324. >Nothing can stop you now
  325. >The window is, thankfully, unlocked. A risky gamble, given your sudden brash actions, but a worthy risk nonetheless.
  326. >It's small. But you can fit.
  327. >A lifetime of starvation and scavenging can do that
  328. >Push your frame through the opening and tumble out of the other side
  329. >Land in a pile of rubbish bins
  330. >Ahh, the sweet scent of home fills your nostrils
  331. >As well as the scent of everything in a 100 meter radius
  332. >Comes with being a dog, really.
  333.  
  334. 9/?
  335.  
  336. >You bask in the glory of victory for a while, enjoying the- HOLY SHIT WAS THAT A CAT
  337. >Your ears perk up and you go stiff
  338. >T'was not a cat
  339. >You sincerely hope that no one saw you succumb to such a primitive reaction to the slightest noise.
  340. >Damnable genetics.
  341. >With the entire Crystal Empire around you, and the animal pound all but a memory, you set off in search of Sweetie Belle.
  342. >The others can come afterwards. It's what they would have wanted.
  343. >You get to work, snuffling the various roads and pathways through the rapidly degrading sections of the city, marking the transition from middle-class to shanty-town
  344. >A great deal of smells and sounds fill your ears, and you struggle to tune them out
  345. >You're searching for a certain scent
  346. >Your scent, that is. You don't give Sweetie Belle morning baths for nothing
  347. >It works like a homing beacon, all you need to do is...
  348. >Hello?
  349. >Turn down a corner
  350. >Look at the alleyway before you for a moment
  351. >It seems familiar somehow
  352. >...
  353. >You look out at the street, thinking
  354. >Glance back at the alley, the cogs in your mind turning slowly
  355. >Ahh, now you remember.
  356. >This was the alley you all hid down
  357. >The pound wasn't far from it at all
  358. >But if this is where you all hid, then this is where you were captured
  359. >Your tail starts to wag
  360. >And if this is where you were captured then-
  361. >Scamper over to an overturned bin
  362. >Sniff hard
  363. >And there it is.
  364. >Sweetie Belle
  365. >But where has she gone?
  366. >You walk around in circles for a brief moment, trying to get a lock on the filly's (or rather, your) scent
  367. >Ah ha!
  368. >You suppress a joyous bark, as such an action might well give your position away to any spies lurking in the shadows
  369. >But your excitement is too much to bear, and you take off running in the direction of the smell
  370. >Streets and buildings fly past you in a blur, the odd drunkard stumbling around proving no challenge to avoid in your mad dash to your beloved filly
  371. >You just hope that you can reach her in time
  372.  
  373. 10/?
  374.  
  375. >You are Sweetie Belle
  376. >Slowly open your eyes, the morning sunlight searing into your eyelids forcing them shut again
  377. >Groan and roll over, trying to open them again
  378. >Finally do so
  379. >Sit up and yawn, looking around the room
  380. >A small scrap of paper is on your mattress next to you
  381. >Read it
  382. >"Pper 2 smal. lft msg on Jim"
  383. >Look over to the sleeping giant that is Big Jim
  384. >His heavy snores reverberate throughout the otherwise empty room
  385. >His entire back shows a message
  386. >"Went downstairs to eat. Wake up the big guy as well while you're at it, yeah? Coomy says hi. She also says you look cute when you sleep"
  387. >Shudder at the idea of the makeup drenched filly watching you while you sleep
  388. >Hop off the mattress and stretch
  389. >Walk around Jim's bed to the front of him
  390. >Gently prod his leg
  391. "Big Jim?"
  392. >He snorts
  393. >Poke him again
  394. "B-big Ji- EEK!"
  395. >He grabs you in his sleep and holds you close like he would with a soft toy
  396. >You struggle to move
  397. >Nothing doing. You're stuck
  398. >Feel your stomach growl
  399. >Darn.
  400.  
  401. >Sweetie Belle's scent is getting stronger
  402. >You stop and pant as you watch the sun rise above a nearby mountain peak
  403. >Your legs ache from chasing the scent all over the empire for what seemed like hours.
  404. >It must have already been early, because it doesn't appear to be too long since you started running that the sun began to appear
  405. >But your search is almost at an end. You can feel it.
  406. >Run down another street
  407. >The scent abruptly ends
  408. >What? You can't have lost it!
  409. >Look around, sniffing the air frantically
  410. >Find it again
  411. >Turn to face a large imposing building, secluded from others, but still heavily degraded
  412. >"Happy Smiles Home for Lost Foals"
  413. >Blink
  414. >You wish you could read. But the trail seems to end here.
  415.  
  416. 11/?
  417.  
  418. >Run to the side of the building and start poking around for entry points
  419. >A window, a crack in the wall, an open door? Anything?
  420. >A full perimeter sweep concludes that this place is a veritable fortress, and nothing is getting in
  421. >Or out.
  422. >Poor Sweetie Belle.
  423. >Walk around the building again, sniffing the ground and whining
  424. >Notice a large bush with an odd smell coming from it
  425. >Smells like... Rust?
  426. >Dive into the bush and paw away any leaves
  427. >To your amazement, you find a grate
  428. >Look at the aged metal
  429. >Then back up at the building
  430. >Your tail starts wagging
  431.  
  432. >Be Sweetie Belle
  433. >Terry, Coomy and Gummy all walk through the door, Gummy still sucking on a piece of toast
  434. >They all stare at you, trapped in the clutches of the sleeping giant
  435. >Terry raises an eyebrow
  436. >"Fuckin' 'ell, Belle. That didn't take long."
  437. "It's not what it looks like!"
  438. >Terry snorts
  439. >"Yeah, sure. By the way, Randy was lookin' for ya'. He probably wants to molest you or some shit"
  440. >Your heart sinks
  441. "W-would he really do that?"
  442. >"Nah mate. Randy's cool. JIM. WAKE THE FUCK UP."
  443. >Jim snorts and stirs
  444. >"Huh, what? Oh. Hello Sweetie."
  445. "Hiya, Jim"
  446. >Jim buries his muzzle in your mane
  447. >You freeze and tense up, your eyes wide in shock
  448. >Jim whispers in your ear
  449. >"You smell great"
  450. "Uh. Ehehehe. Great! Umm. G-gotta go!"
  451. >You wriggle free, Jim relinquishing you from his grasp
  452. >Run to the door
  453. >Look back
  454. >Jim is grinning at you
  455. >Shudder
  456. >Run downstairs in search of Randy
  457.  
  458. 12/?
  459.  
  460. >This place is like a maze
  461. >You can't find anyone. Not even other colts or fillies
  462. >Before you decide to turn back, a large yellow blob moves into view
  463. >Take a step back and look up
  464. >Randy is smiling down at you
  465. >"Hiiiiii theeeeeeere!"
  466. >Well that's creepy.
  467. "Y-you wanted to see me?"
  468. >"Oh yeah! Yeah! Come right in!"
  469. >He motions towards the doorway he just stepped out of
  470. >Walk through it and into what you assume is Randy's office
  471. >He closes the door
  472. >It creeps back open
  473. >"Eehehe, silly door doesn't shut properly, haha!"
  474. >He turns to you, still smiling that creepy smile
  475. >"No matter"
  476. >He licks his lips
  477. >You view him with caution
  478. "Sooo... What did you want with me?"
  479. >"I'm going to molest you!"
  480. >Ahh poop. Terry was right.
  481.  
  482. >The grate took some work, but you managed to squeeze through one of the more rusted parts via sheer willpower and anorexia
  483. >It appears to lead underground towards the building Sweetie is in. But you can't imagine where it would come out at
  484. >Needless to say, you must be prepared for any encounter
  485. >There's no telling what horrors might lurk within that foul place
  486. >Run along the dirty tunnel
  487. >There are no torches or lights to lead the way, so once more you have become one with the blackness
  488. >You think you might see a dim radiance lying at the end
  489. >Getting closer confirms your suspicions
  490. >A small set of steps leads up to large wooden trap door
  491. >You scale them, and pray that it is unlocked
  492.  
  493. 13/?
  494.  
  495. >Randy clasps a hoof over your mouth
  496. >You squirm and try to scream, but he's far stronger than he looks
  497. >"Now now, Sweetie! This can feel good for you too, okie dokie?"
  498. >Randy laughs nervously and licks his lips
  499. >"I just want some of that..."
  500. >He presses a hoof against your flank
  501. >"Hot filly ass."
  502. >You are filled with terror and have no idea what to do other than to struggle as hard as you can
  503. >Randy moves his hoof towards your fillyparts, nervously laughing the whole time, accompanied by a crazed look in his eye
  504. >"There we are..."
  505. >The moment his hoof makes contact with your parts, a section of wood in the corner of the office is lifted open
  506. >A large shaggy dog crawls out, looking tired but vigilant
  507. >Randy stops dead
  508. >You stare in shock
  509. >The dog looks at you, then at Randy's hoof, then at Randy
  510. >He bares his teeth and growls
  511.  
  512. >THE ENEMY HAS BEEN SIGHTED
  513. >UNLEASH HELL.
  514. >With the attacker frozen in place, you waste no time in descending on him in a maelstrom of tooth and claw
  515. >Sweetie Belle screams and moves out of the way as you barrel into the pony trying to touch her
  516. >His howls of pain shatter the peace and quiet throughout the building, but you show no remorse for those that would dare touch your filly
  517. >The whole time, the filly in question is sat huddled up in a corner, covering her eyes with her hooves
  518. >Good. You wouldn't want her to see this
  519. >You tighten your grip around the pony's throat
  520. >"P-PLEASE! NO!"
  521. >Clamp down and crush his windpipe.
  522. >His body spasms and several waves of blood surge up his throat as he drowns on his own life source
  523. >Step back and watch him die
  524. >His eyes roll into the back of his head and his legs stop twitching
  525. >Then there is silence
  526. >Look towards Sweetie Belle, still shaking with fear
  527. >Walk to her and sit down
  528. >Then roll over and wag your tail
  529. >She giggles and rubs your belly with a hoof
  530. >"Hehe, good doggy."
  531. >Hurr hurrr hurr. Belly rub good.
  532. >Damnable instincts
  533.  
  534. 14/?
  535.  
  536. >You nuzzle your little one and lick her, removing any trace of that horrid scent she had developed all over herself
  537. >Sometimes you wonder how she does it
  538. >Once she is clean, you lie down in front of her, and she climbs onto your back, leaning forwards and clutching your body
  539. >Head back towards the hole in the office floor and vanish into the inky blackness beneath the earth, leaving the bloodied corpse for all to see.
  540.  
  541.  
  542. 15/?
  543.  
  544.  
  545. "So, what you in for?"
  546. >The pony with an eyepatch shifts uneasily under your gaze
  547. >"Lawyer fucked me"
  548. >Nod slowly
  549. "Yeah, I can believe that. But what are you actually in for?"
  550. >"I stole a candy bar from a stall"
  551. "At your age?"
  552. >"Yeah..."
  553. >Damn. These Crystal Ponies will lock you up for anything
  554. >You are Lyra "Seventy Hooves" Heartstrings once more
  555. >You're sporting a large black eye, several huge cuts all over your body, and a fractured rib
  556. >The cafeteria fight went down much better than expected
  557. >It took the leader's friends 2 seconds to drag you off him after you tore out his nose ring
  558. >All 3 of them are now in the med bay, no doubt chatting with Mutt.
  559. >You got your food rights revoked
  560. >You're only allowed breakfast now. No lunch or dinner
  561. >Jokes on them, this is like a hotel to you. And you once went 19 months without food or water
  562. >You might have been exaggerating, but it still sounds cool when you say it out loud
  563. >It's morning now, though. So you're enjoying your breakfast
  564. >A piece of cabbage covered in spit, courtesy of the cook.
  565. >Meh, you've had worse.
  566. >Chow down on it and wink at the cook, who was watching with glee from behind the counter
  567. >His smile falters when he sees how much you're enjoying it
  568. >Good.
  569. >Turn to your eyepatch-bearing companion
  570. "So what does a mare have to do to get some free stuff around here?"
  571. >He shrugs
  572. >"Dunno about 'free'. But there's a guy in here that has a knack for sneaking small items in, if you can pay him"
  573. "What's he called?"
  574. >"Red"
  575. "Really?"
  576. >"Nah. It's Smugglin' Smalls."
  577. "Where can I find him?"
  578. >"He's locked up in the warden's office."
  579. "Really?"
  580. >"Nah. He's sitting right behind you"
  581. >Turn around in your seat
  582. >A cheery looking pony is waving at you
  583. >"Hello!"
  584.  
  585. 16/?
  586.  
  587. >Stare at him
  588. >Sigh
  589. >Move your tray over to his table, grunting your goodbyes at eyepatchy
  590. "Name's Lyra"
  591. >"I know that, silly! My name is Smuggling Smalls! But you can call me Smuggling Smalls!"
  592. >Nod slowly
  593. >"What's your name?"
  594. "It's Ly- wait, what?"
  595. >Eyepatchy leans back
  596. >"I forgot to mention, he has severe short-term memory loss."
  597. "Ahh, bollocks"
  598. >Turn back to Smalls
  599. >"What's wrong, friend?"
  600. "Look, can you get me any item I ask for?"
  601. >"Sure I can! I'll need to know your name and cell number though!"
  602. "Lyra, and cell E-Nine."
  603. >"Alrighty then! And what items do you want?"
  604. >Look over your shoulder for any snooping ponies
  605. >Scan the rest of the room
  606. >No one seems to be watching
  607. >Pull Smalls closer, whispering
  608. "I need you to get me a rock hammer."
  609. >"A rock hammer? Whatever for?"
  610. "So I can tunnel my way out of here, of course. I reckon if I chip away little by little, I should be out of here in like, ten years"
  611. >"Tunnelling, eh? You'll need a rock hammer for that"
  612. "Oh for fuck's sake..."
  613. >"What's your name again?"
  614. >Groan and facehoof
  615. "Get. Me. A. Rock. Hammer."
  616. >"Okie dokie! I'll need payment first!"
  617. >Look over your shoulder again
  618. >Back to Smalls
  619. "What kind of payment?"
  620. >His eyes focus and he locks gazes with you
  621. >A serious look crosses his face
  622. >"I need you..."
  623. >Lean closer
  624. >"To tell me your name and cell number"
  625. >Let out an exasperated sigh
  626. >"Oh, and also a blowjob."
  627. >What.
  628. >Stare at him, shocked
  629. >Which is rare, since hardly anything shocks you anymore.
  630. "But... What?"
  631. >"Pretty mare like you can probably use those lips well. How about you meet me in the prison yard later on and we sort something out?"
  632. >You nod thoughtfully
  633. "Alrighty, hows about this."
  634. >He raises an eyebrow
  635.  
  636. 17/?
  637.  
  638. >Grab his neck with magic and pull him towards you
  639. >Also grab his food knife
  640. >Place the knife straight up on the table and hover his head over it so that his eye is about an inch away from the tip of the blade
  641. "You get me my rock hammer, or I'll give you a lobotomy. Got it?"
  642. >He stammers and nods furiously
  643. >"Y-y-yes! Of course! I'll just need your name and cell number!"
  644.  
  645. 18/?
  646.  
  647. >The small, fat warden/cleaning pony dances around your room, singing to herself and waving your knife around
  648. >Like the desperate hobo you are, you follow her, panting
  649. >She stops and looks at you with a huge grin on her face as you collapse to the floor and wheeze
  650. >"Oh come on! You've only been chasing me for thirty minutes!"
  651. "How... Are you... Still going..."
  652. >She cocks her head
  653. >"Why wouldn't I be?"
  654. "You're fat as hell... And so small..."
  655. >She glares at you
  656. >"Watch your tongue, ape."
  657. "You'll have to pry it from my cold dead body before I do that"
  658. >She spins your precious rusty knife around
  659. >"It might just come to that, were I not under orders to keep you alive and locked up."
  660. "Where hell is that revolting princess anyway?"
  661. >"She's out in the city visiting various districts, and if you insult her again, I really shall remove your tongue. She said 'alive'. Not 'unharmed'."
  662. >Gulp
  663. >The Warden smiles
  664. >"Chin up, monkey boy. She's probably just going to talk to you."
  665. "I doubt it."
  666. >"Yeah, me too. She's most likely going to rape you to death."
  667. >Gawk at her
  668. "And you're completely okay with that?"
  669. >"Ehh, she does a good job keeping the Empire safe. Why not let her have some fun?"
  670. "She has a husband!"
  671. >"He's away on duty fighting a changeling horde coming from the west. A mare has needs, ape."
  672. >She checks a clock on the wall
  673. >"She'll be back in about 3 hours. So I intend to have as much fun as I can with you until she's gone"
  674. "What fun is there to be found in making someone run around like some kid of... PET?!"
  675. >"I have a serious domination fetish"
  676. >What.
  677. >She retains a completely sincere look, and doesn't break eye contact with you
  678. "So you..."
  679. >"Yes."
  680. "This whole time..."
  681. >"Yes."
  682. "That's disgusting even by my standards."
  683. >"Yeah well, I don't care. Now come and get your knife."
  684. "Hell no"
  685.  
  686. 19/?
  687.  
  688. >She waves it around in front of your face
  689. >"Come on! Come and get the knife!"
  690. "No. You can keep it"
  691. >You feel yourself tearing up
  692. "You've... Tainted it."
  693. >"It's a knife, you overgrown chimp"
  694. "IT'S LIKE A BROTHER TO ME!"
  695. >"Are you SURE you don't want to chase me around? I was getting close as well..."
  696. "STOP SAYING... Euugh-- WORDS!"
  697. >She giggles, her plump form bouncing slightly
  698. >"Nope. I'm going to keep this knife and do terrible terrible things to it after you're gone."
  699. "Stop it."
  700. >"I might use the handle to-"
  701. "STOP IT."
  702. >"Maybe even get the blade replaced"
  703. "YOU HARLOT!"
  704. >"I think I might just colour it pink as well"
  705. "AAAAAAAAAAAAAAAAAARGH"
  706. >You give in and chase that fat fuck around the room as fast as you can
  707. >As expected, even when fuelled by rage she bounces around like some kind of perverted rubber ball, deftly dodging your every move and taunting you the whole time
  708. >"YOUR ANGER ONLY MAKES ME MOISTER!"
  709.  
  710. 20/?
  711.  
  712. >You and Sweetie Belle emerge from the tunnel and enter the now beaming sunlight
  713. >A warm and delicate breeze rolls through, and causes Sweetie, who is still perched atop you, to sigh
  714. >"This place is great! It's too bad that Anon and Lyra aren't here though..."
  715. >She makes a point. Lyra and Anon are still nowhere to be found, and you have no leads. It's been too long since you were at the place where you were captured, and the trail has no doubt gone cold by now. Scents don't linger for too long, and it was lucky you found Sweetie's in the first place
  716. >Still, you owe it to your pack to find them again
  717. >Lyra will no doubt be trapped in a complex designed to house dangerous ponies such as herself. Such a fortress will be even harder to penetrate than the building you just liberated Sweetie from
  718. >The filly in question giggles as her stomach grumbles
  719. >"Can we get something to eat, Dog? I'm kinda hungry."
  720. >Indeed. Sustenance comes first, and you wouldn't want your filly to go hungry after all that you have been through
  721. >Lick your lips and huff, setting off at a brisk trot in the direction of the nearest and strongest scent
  722. >Walk through the increasingly more crowded streets on the way to some form of food source
  723. >You would normally just swipe some sausages from a meat stand, since there are quite a few griffins located around this shanty town
  724. >But for some bizarre reason, Sweetie doesn't eat meat.
  725. >Lyra does. So why not Sweetie?
  726. >Regardless, you trudge on in search for something more green to give to your little one
  727. >Eventually you find a bin with a half eaten apple in it
  728. >Wait for Sweetie to jump off your back and scramble into the bin
  729. >She sits in the rubbish and chews on her apple, looking adorable.
  730. >Rest your head on the floor and close your eyes for a second
  731. >Hear a rustling nearby
  732. >Open one eye and look around
  733. >A newspaper flutters by, and gets stuck between a drainpipe and a wall
  734.  
  735. 21/?
  736.  
  737. >Cock your head and squint at it
  738. >Either your eyes are playing tricks on you, or...
  739. >You stand up and bark
  740. >Sweetie's head appears over the edge of the bin
  741. >"What is it, boy?"
  742. >Run over to the paper and grip it with your mouth, bringing it back to Sweetie and putting it in the bin with her
  743. >She smooths it out and looks at it
  744. >"Crystal Empire celebrates hottest day yet? What's that got to do with anything, Dog?"
  745. >Bark at her and whine
  746. >She looks beneath the main headline and gasps
  747. >"Ohmygosh! Dangerous bandits captured! Hey, Dog! That's us!"
  748. >You rear up on your hind legs and drape your head over the side of the bin
  749. >In black and white, a photograph of you, Anonymous, Lyra and Sweetie Belle are shown being carted off
  750. >You're all unconscious, and appear to have darts stuck in your necks
  751. >That explains the sudden fade to black you experienced
  752. >Sweetie Belle reads the article aloud
  753. >"Even the arrival of her highness Princess Cadence was not enough to prevent dangerous vagabonds from causing trouble, but her highness was vigilant and prevented them from hurting any more innocent ponies."
  754. >She huffs
  755. >"Even I could write a better article than this... I wrote for the school paper once!"
  756. >She continues
  757. >"Found with the troublemakers was a young filly, supposedly kidnapped, who has been placed in the Happy Smiles Home for Lost Foals until a family can be found for her"
  758. >She looks at you
  759. >"It wasn't -that- bad. Just a bit too creepy for my tastes"
  760. >You lick her face
  761. >She giggles and wipes the drool off herself before reading the last extract
  762. >"The infamous and elusive Anonymous has been taken into royal custody, and the nefarious criminal Lyra "Roadhouse" Heartstrings has been safely locked up in Shawflank Prison for the rest of her days. Truly it is a glorious day for the Crystal Empire"
  763. >Sweetie puts down the paper
  764. >"Well. At least we know where they are now."
  765.  
  766. 22/?
  767.  
  768. >Stare at the ceiling of your cell
  769. >Whistle a simple tune as you count sheep, trying to pass the time
  770. >"Yo, if that bitch tries to start with me, I'll fuck her up!"
  771. "I HEARD THAT"
  772. >"...Sorry!"
  773. >Fucking inmates
  774. >It's been like, 3 hours since you told that scum bag to get your hammer
  775. >You have no idea how long it will take, but you're getting impatient.
  776. >Getting out of here is only half the job, you still have to get Sweetie Belle, Anon and Dog to safety once you get out
  777. >Sigh
  778. >Hell of a task ahead of you
  779. >Hear a tapping on the bars to your cell
  780. >Look over
  781. >An old pony pushing a cart is trying to get your attention
  782. >"B-book service?"
  783. >Grunt and get up off the bed, walking up to the bars and glaring at the old guy
  784. "Did I ask for a book?"
  785. >"N-no, but I think you'd like this one, miss"
  786. >He passes you a copy of "Craftspony's Tools and Tricks of the Trade" through the bars
  787. >Raise an eyebrow as you look at the front cover
  788. >Look back up
  789. >The old pony has already moved on, and is calling out for book service to anyone who might care
  790. >Walk back to your bed and sit on it, your back resting against the wall
  791. >Open the book
  792. >To your surprise, all the pages are glued together, and the inside has been hollowed out
  793. >A small hammer rests inside
  794. >Smile to yourself
  795. "Well I'll be..."
  796.  
  797. 23/?
  798.  
  799.  
  800. >You are Anonymous
  801. >You're fucking done
  802. >Sit with your knees pulled up against your chest
  803. >The knife prods the side of your face
  804. >"Come on, do something funny"
  805. "Fuck off, horse"
  806. >She pouts, her face still managing to display an air of malevolence
  807. >"You're no fun!"
  808. "I said, fuck off. Go clean something if you have to be here"
  809. >She jabs you with the knife, much harder this time
  810. >You feel the very tip sink into your cheek
  811. >Wince
  812. >Feel a drop of blood slide down your unshaven face
  813. >"Next time, I won't be gentle. In fact, I might-"
  814. >She stops talking abruptly
  815. >You don't care.
  816. >...
  817. >Alright, you do
  818. >Look up at her
  819. >She's looking to the side, a solemn look on her face
  820. >The little pony turns back to face you
  821. >"Well. Would you look at the time"
  822. >Grudgingly look at the clock
  823. >...
  824. "Oh god no"
  825. >The warden turns to leave, taking your knife with her
  826. "Y-you can't leave! I'll be fun! I promise!"
  827. >"I'm afraid I have to, monkey boy. Good luck. You'll need it."
  828. >She exits the room and shuts the door behind her, locking it
  829. >You start to tremble in fear
  830. >It's high noon.
  831. >Cadence has returned to the castle.
  832.  
  833. 24/24
  834. The End
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