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Gremlins (WIP)

Jul 31st, 2018
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  1. >everyone knows how the monster lord changed the monsters in her image
  2. >how creatures of legend came out of the dark and into the hearts of men
  3. >but not every monster used to incite terror and prey on the weak humans
  4. >one very peculiar monster always chose to be around humans
  5. >they dawned into human society with hardly a word and grew and prospered along side them
  6. >one of the oldest races next to Demons and Angels, but also one of the most illusive
  7. >this is, of course, the Gremlin
  8.  
  9. >long forgotten to common memory, there was a province called Hyrcania on the edge of the Caspian Sea
  10. >in that province lived a blacksmith
  11. >he descended from Greek heritage, his forefathers were farriers to Alexander the Great
  12. >but that was now ancient history and now a new empire stood to sweep all before it
  13. >shod in the finest armour and lead by the greatest minds
  14. >the Roman Empire was advancing east once again, and there seemed to be no stopping them this time
  15. >the Roman Emperor had decreed that the Selucid Empire must end
  16.  
  17. >Philip wasn't the person who would be ever have statues carved for him
  18. >a little shorter then his friends, a little weight that hid his muscle, and a dark shaggy mane
  19. >though his mother always called him handsome, he could never seem to catch the eyes of the girls
  20. >the major trade routes between Gorgan in the east and the Empires of the west always brought some Adonis into town
  21. >in the morning another family would find another daughter swept away and Philip couldn't compete
  22. >he knew this since he reshod and boarded the horses and wagons of those handsome strainers
  23.  
  24. >as a boy he was always fascinated by devices
  25. >he would play for hours with the contraptions brought through from fantastic places like Alexandria
  26. >much to the delight of the traders of course, an enraptured Philip meant a sure sale in Gorgon
  27. >he even had a trader from the far east show him a powder that burned ferociously
  28. >he never saw that trader again, puzzling since the military advantages of the powder were quite obvious
  29.  
  30. >as he grew into a young man, Philip began to copy those mechanisms in his spare time
  31. >he would spend hours bathed in the glow of his forge creating tools to craft the intricate movements
  32. >as his skills progressed, he was sometmes able to trade his devices for a certain black rock
  33. >when burnt, this rock would get so hot as to be able to melt the hearth of the forge
  34. >however, this rock would make his horse shoes last longer than anyone else's
  35. >it also made his mechanisms tinier and longer lasting
  36. >his creations become smaller and more complex, taking many months to make
  37. >but he was always flummoxed by how he would find his creations disturbed or put together wrong every morning
  38. >when he pointed this out to his father, the old man would always laugh
  39. >the boy had simply caught the attention of gremlins
  40. >attracted to a clever smithy, they would plague him until he gave up and stopped being clever
  41. >the gremlins would then simply move on in due time to another clever man
  42. >this wasn't news to Philip, the creatures of legend have always lived at the edges of man
  43.  
  44. >the province has always been known for it's mighty tigers
  45. >the eastern traders called them "Jinko"
  46. >Centaurs sometimes appeared with the Alan of the north, at least according to the stories
  47. >and everyone knows the story of Perseus and the wicked Medusa, even if no one talked of her sisters
  48.  
  49. >occasionally, late in the evenings, Philip's father would bring wine and sit with him as he created
  50. >as the wineskin would pass back and forth, the old man would regale the younger with stories of a gremlin who appeared to him
  51. >to hear the story, her beauty would shame the gods, the green of her hair would make the leaves themselves envious
  52. >she would poke and prod at him, never leaving him alone at his work, always making him better
  53. >he soon fell in love with her, but when he mustered the courage to take her, she up and vanished
  54. >but as his broken heart started to consume him, another beautiful woman appeared
  55. >she would soothe him, and eventually would make him whole again
  56. >of course, she ended up as the boy's mother
  57. >Philip would always try to head the story off before it entered that part of the story
  58. >Philip's father would laugh and laugh at the boy's embarrassment
  59. >one night, after a particularly full wineskin and another story of the gremlin, Philip went to relieve himself behind the workshop
  60. >as he walked out he could have sworn to see his mother leaned against the wall of the shop
  61. >her eyes closed and her ear pressed close with a smile on her face
  62. >when Philip returned he could find no trace of her
  63.  
  64. >of course, the next mornings would find his creation disassembled, moved, or assembled wrong
  65. >so he hatched a plan to see this pest for himself
  66. >taking two of his creations, a water pump and a clock drive he worked frantically to meld them together
  67. >of course, such a thing wasn't possible in a day, but that wasn't an issue
  68. >after making a great show of going to the house he snuck back in to keep watch
  69. >after much waiting he couldn't keep his eyes open and quickly fell asleep
  70. >only to awaken in the hay wrapped in a horse blanket
  71. >night after night went this way
  72. >one night he woke just enough to feel tiny slender fingers tucking the blanket around him
  73. >the next night he had the strangest dream as he lay on the shop floor
  74. >a god appeared to him clad in white with the wings of a dove, the horned helmet of divinity upon her head
  75. >she introduced herself as Geshtinanna as she lay her hands on his and kissed him, telling him that someone was here to see him
  76. >suddenly her features darkened
  77. >her blue eyes fell away into black voids, face grew long into the visage of a bear, double rows of teeth as fine as needles dripping with venom
  78. >Philip screamed into the face of chaos, the bear roaring in return "WAKE UP CHILD"
  79. >he snapped awake screaming as his arms thrashed for anything to grab
  80. >as he came to his senses, a green haired girl appeared over him
  81.  
  82. >the girl handed him a cup of water as they sat before the hearth of the cooling forge
  83. >"you saw her too didn't you?" she asked as Philip eagerly downed the cool contents
  84. >her pointed, furry ears swivelled at him as he remained silent
  85. >"I'll take that as a yes. Damned gods, it's not fair that we're toys to them."
  86. >"I don't think I'll ever forget that bear." Philip mumbled in return
  87. >the girl smiled at him "My name is Aziz."
  88. >"Philip" some colour reappearing in his cheeks
  89. >she smiled again "Yes, I know who you are. You're that woman's son."
  90. >Philip looked at her questioningly but no further answer was forthcoming
  91. >she slid off the table and over to the basket of charcoal that supplied the forge
  92. >Philip found his eyes wandering down her back to her round butt that bounced just the right way as she walked
  93. >he always understood that gremlins were pretty, and this girl was no exception
  94. >but his father had neglected to mention that they don't wear much clothing
  95. >she was wrapped in a cloth to make a gesture at concealing herself
  96. >but sheer enough to reveal her nude body in the right light
  97. >and by the gods, her body really would put the them to shame
  98. >Philip's thoughts were interrupted by Aziz throwing a couple lumps of charcoal into the forge
  99. >the soft red glow lapping hungrily at the new fuel
  100. >"There. Nights are getting colder, ya?" she turned to Philip
  101. >"Dressed like that, sure" he replied with a grin
  102. >she blushed slightly as his provocation, "Well I don't always dress like this, actually mostly never."
  103. >"so why...?"
  104. >"Shut up! That damn god told me to that's why! Idiot!" she cried, tossing a hammer in Philip's direction
  105. >Philip raised his hands in surrender "Alright, alright, I'll leave it alone."
  106. >Aziz ended up pacing up and down the length of the shop, her fists clenched at her sides muttering
  107. >Philip busied himself pulling down more blankets from the stables and fetching wine from the house
  108. >wine that he found conveniently in a jar sitting on the table with two small cups
  109. >returning with his haul to the shop, he found Aziz sitting on the table again with one the blankets wrapped around herself
  110. >she seemed to have settled down a bit but when presented with wine her smile soon reappeared
  111. >the two spent some time getting to know each other, even if the gremlin had him at a disadvantage
  112. >the rules of her people left him baffled
  113. >even when the two seemed to need each other, why would they forbid relations with humans?
  114. >why the fasination with smiths?
  115. >why would a gremlin heroine barter with the chief god Ishtar for love?
  116.  
  117. >the first rays of light were igniting the sky when Philip and Aziz fell asleep leaned against each other
  118. >but when the sun crept around corner of the shop to wake Philip, Aziz was nowhere to be found
  119. >stumbling into the house, Philip found his father and the big trader from Gorgan sitting at the table
  120. >his mother setting a meal before them
  121. >"Oh ho! There's the boy of the hour! Or I should say man!" the big trader exclaimed
  122. >"You look like she wore you out! Ha ha!"
  123. >Philip's mother and father squinted at the man, "What happened?" asked the elder
  124. >"Oh, your boy spent the night with a girl, and not just any girl by the sounds of it!"
  125. >he winked at Philip, "Tell me, did she enjoy the wine?"
  126. >Philip blinked at the man, "That was your doing?"
  127. >"Oh yes, yes! It's a mediocre gift, it sounded like you needed it after that hammer hit the wall!"
  128. >the man issues great peals of laughter through the room
  129. >after the big trader and Philip had eaten their fill, the man sat back and watched Philip's mother working in the kitchen
  130. >the two smiths busied themselves clearing the table for the day
  131. >Philip's mother still had her hands in the dishes when she turned to the trader
  132. >the man had been watching her with interest in his eyes, his hands clasped over his great belly
  133. >"Why are you here Anu? I thought retired gods would have better things to do."
  134. >Philip and his father exchanged a glance before turning to the woman
  135. >the trader's smile never faltered but the rest of his complexion grew serious
  136. >"Dear girl, I have no desire to be the messenger, but Ishtar is a busy woman and I've been asked to collect."
  137. >a silence fell on the house as his words sunk into her
  138. >"It's too early for that" she replied suddenly
  139. >"Oh no dear, I'm not here for you, I'm here for your son."
  140. >"NO! Ishtar will not take MY son!" her eyes flashed at the old god
  141. >"Wrong again dear, I'm simply here to ask him and his girl to look at something." Anu's smile got bigger
  142. >"Even the chief gods wouldn't cross such a dangerous creature as you."
  143. >He leaned forward and took his cup and filled it again from another jar of wine on the table
  144. >nodding at the flustered woman and her husband, "You might want to explain a few things to him you know."
  145. >"Philip and I have to check on a wagon."
  146. >He rose and gestured at the boy to follow and in stunned silence Philip did so
  147.  
  148. >the insects had started their songs in the heat as Philip and Anu propped the doors of the stable open
  149. >Anu's wagon was filled with large earthen jars, sealed with cork and clay
  150. >these amphora would take four men to lift but Anu simply grabbed it's ears and set it gently on the ground
  151. >"Two seasons ago a great rift crack in the ground formed in a land beyond the Nile and this water came out."
  152. >"Any who drank it died in a fashion even I wouldn't inflict on anyone." He laughed again
  153. >"Didn't stop a whole tribe of the black men from drinking it though!"
  154. >"At her insistence, the priests of Ishtar obtained these jars at great expense."
  155. >"So why are they here?" Philip replied, pointing at the stable
  156. >"This water melts metal and men. I don't think I need to tell you what would happen if this was used in war" Anu turned to the boy, the smile gone
  157. >"Since you're the most clever smith outside of the capital, Ishtar has asked for you by name."
  158. >"By heaven boy, you are on speaking terms with a gremlin, never mind your lineage!"
  159. >"I want to know all about this water, Philip. What it can and can't do, and how to stop it."
  160. >Philip nodded dumbly at Anu, he had no idea what to say or do as the god hoisted the amphora back up
  161. >though he didn't go back to the house, the god waddled past as if listening
  162. >nodding in satisfaction he ambled across the road and into the neighbouring grove of fig trees
  163. >leaving Philip to contemplate this turn of events
  164.  
  165. >as Anu walked through the lush grass and trees he came upon a woman leaned against a tree
  166. >although motherly in form, her eyes betrayed the glint of calculated intelligence
  167. >"Will she do it, Anu?" she asked
  168. >"Her son will, and I have hopes for his girlfriend, a young gremlin as well."
  169. >Your deal should be satisfied well enough" Anu grunted in return
  170. >"...she has a son?" asked the very surprised Ishtar
  171.  
  172. >that night Philip retreated back to the shop
  173. >his parents were acting very clingy and they climbed to their room right after the meal
  174. >opening the stable, Philip broke open one of Anu's amphora
  175. >the stench of rotten wine assaulted his nose
  176. >he carefully dipped a small earthen bowl into the water and scooped a small amount out
  177. >as he entered the shop, he noted that Aziz had preceded him and was again sitting on the table
  178. >at least this time she was more modestly dressed in a functional robe and headscarf to cover her ears
  179. >after explaining the situation as best he could to the disgust of Aziz, they set to work on their task
  180. >various metals were tested against the water, and many failed, rotting away to nothing
  181. >toward the darkest of the night, Aziz had gotten efficient in her testing
  182. >picking up the ends of two remaining chunks, she let out a surprised yelp
  183. >dropping the pieces on the table she jumped back, pawing furiously at her arms
  184. >Philip bolted up to her with a bucket of water but she waved him off as she stared at the bowl
  185. >grabbing two more chunks of copper and iron from the pile she wrapped her robe around her hands
  186. >the two pieces of metal went into the bowl but she slowly brought the two top ends together
  187. >just as the pieces were about to touch, a spark of the bluest fire leaped between them
  188. >Philip couldn't believe his eyes, after blowing out the lamp, Aziz did the experiment again
  189. >and again a small blue spark crackled between the metals
  190. >all night this went on, with bigger bowls of the water
  191. >Philip hammering out the pieces of metal into different shapes, resulting in larger or smaller sparks
  192. >until Aziz' robe couldn't prevent her from getting shocked, the blue spark racing through her
  193. >in one hand and out the other as she collapsed on the floor
  194. >she was alive, Philip could hear her heart, but it was a long while before she woke up
  195. >with sleep creeping into their minds and the shock of discovery wearing off, the two collapsed into the hay
  196. >the creak of doors woke Philip to find Aziz wrapped around him snoring peacefully
  197. >light streamed into the stable, silhouetting Anu against it
  198. >a grin formed as he closed the door and turned back to the house
  199. >"Both of you come to the house for breakfast when you get up."
  200.  
  201. >waking a gremlin is a challenge as Philip found out
  202. >her grasp got tighter and tighter as he tried to pry himself up
  203. >her face buried harder into his chest "why do you hurt me?" she would plead
  204. >finally she relented and both stumbled into the house, but took some pleading and dragging from Philip
  205. >they both entered the house to find his parents and Anu sitting at the table
  206. >both were completely unprepared for his mother, who was most decidedly not human anymore
  207. >gone was the elderly woman who raised him, in her place was a seemingly ageless gremlin
  208. >her hair turning slightly white at the tips was the only sign she was older than Aziz
  209. >turning to Anu, Philip demanded to know what he had done to his mother
  210. >this earned another laugh from the god, "This is your mother Philip!"
  211. >"She has simply decided not to be human anymore."
  212. >"To give your father what he wanted, I would have to leave my kind behind" began the older woman
  213. >"I would have been run out, so why not become a human? I made a deal with Ishtar to be made again as a human."
  214. >"I thought that would make my husband happy to not have to hide his wife" she paused
  215. >"But I was wrong to do that, so Anu kindly broke the will holding to human form"
  216. >Anu waved her words away with a hand, "A childish mistake, hardly one worth mentioning."
  217. >"And Ishtar is still calling in her side of the deal?" Philip interjected
  218. >"Yes, a deal is a deal after all." replied the god turning to the boy "I cannot void her arrangements."
  219. >"Tell me, have you had any interesting discoveries last night?"
  220. >Aziz hissed slightly under breath, "We're being used as toys again"
  221. >Anu's eyes drifted to the girl, "My child..." he began before being cut off by Aziz
  222. >"We are not your children!" she huffed
  223. >"You're right, dear Aziz, your origins are blocked to even us gods. But you still inhabit this world."
  224. >"As such, the gods are still responsible."
  225. >"Being that, I was told that I'd find love here! Instead I'm being used for payment!" Aziz defiantly rebuked
  226. >Anu started rubbing his eyes, as if tired "Can you honestly tell me that you haven't found love here?"
  227. >Aziz' mouth dropped open, her ears flattening to the side "N... No. I can't say that."
  228. >two stood in silence, Aziz cowed and Philip still lost in the news
  229. >Anu cleared this throat and kicked the bench toward the two "Sit, let's share a meal."
  230. >as the five emptied their bowls, Philip gave a condensed version of the events of the night
  231. >including the blue sparks effects on Aziz
  232. >Aziz' theory was that the sparks were, in fact, lightning
  233. >Anu listened with rapt attention until the two were done and thanked them for their work
  234. >while the four cleaned the kitchen, Anu seemed lost in thought staring into the remains of the fire
  235. >Philip's mother grilled Aziz endlessly for news of their homes
  236. >after a while Anu turned to Philip "I have a quest for both of you, if you desire" he nodded at Aziz
  237. >Philip gestured at the man to continue
  238. >"You know of the roman empire, yes? Then you know that they have declared war on this kingdom."
  239. >"If they win they will not hesitate to put this kingdom to the torch and enslave anyone who poses a threat to them."
  240. >"The gods are torn, we don't get involved with what humans do to each other, but the eastern kingdoms have always worshipped us well."
  241. >"I'm retired and can do what I want, so I'm going to get involved."
  242. >"I want you to build a weapon with what you have learned. I need to stretch my legs again. Discuss it, let me know when I get back."
  243.  
  244. >when Anu walked back in, he found Philip sitting by himself at the table
  245. >"She wanted no part of it." Philip muttered "she was very upset at being used."
  246. >Anu stooped over the table, "What do you plan to do then Philip?"
  247. >the boy shrugged, "To be honest, I'd need her to do what you've asked."
  248. >"Even if you don't build a weapon, I can always find another to do it. But it's a shame to let a girl like her go."
  249. >Philip smiled, Anu was right. She was worth chasing. "I don't know where she went, I've never even seen a gremlin before her."
  250. >"She's got a camp right over the hill behind the stable" Anu gestured casually as he reached for the wine again.
  251.  
  252. >Philip found Anu's directions to be extremely accurate as he stumbled, out of breath, into a very small camp set in the trees
  253. >Aziz sat hunched over a small, smouldering fire, her ears pinned flat against her head at the sight of Philip
  254. >"Anu sent you didn't he?" she snarled
  255. >"In all honesty, no he didn't, but he did tell me where to find you." Philip gasped in between breaths
  256. >Aziz groaned as she continued to poke at the fire, "Then why are you here, Philip? To convince me to go on some grand adventure?"
  257. >"No. I was wondering if you would still be willing to come visit me after this is over." he countered, leaning over to blow on the embers
  258. >her ear twitched slightly "Why?"
  259. >"You're far better company than a certain god I know."
  260. >that got a smile out of her before her sour demeaner reasserted itself
  261. >"...and besides, you're kinda pretty." Philip gulped.
  262. >her ears stood right up, "oh, did you finally notice?"
  263. >"Well, your outfit the first night made it pretty obvious."
  264. >Philip's face turned a light shade of pink
  265. >"They got us good didn't they?" she sighed
  266. >"Yeah. But it wasn't all bad."
  267.  
  268. >"You should know something Philip, we've had dealings with gods before and I'm worried that that we might not have a choice but to go along."
  269. >Philip nodded in response, "If it happens, it happens. You know my feelings on it already, but it won't be me who forces you to go."
  270. >The fire flared slightly catching Philip's attention
  271. >"Why do you have a fire anyway?"
  272. >"Keeps the monsters away, but I was hoping that it'd keep the gods away too."
  273.  
  274. >The next day Philip's mother went to see Aziz at her camp and returned with the girl and her handcart in tow.
  275. >It was explained to Philip that while his father was invalid with a broken hip, the girl would be be staying to help.
  276. >Philip was momentary excited to have help in the shop, but his hopes were promptly dashed.
  277. >Aziz was going to learn to run a home instead.
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