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- I "discovered" this technique when I was at the barbershop waiting for my turn, and looking at a lamp in
- the ceiling just thinking about stuff. After a few minutes of being lost in thought I snapped back and
- looked away, and, naturally, saw the afterimage of the lamp burnt into my retina appear.
- That's when I figured "What if I can maintain this afterimage, even after the burn itself is gone?", which
- led me to experimenting with it and gave some pretty satisfying results. Now, some of you may already have
- heard of this technique, some of you may not, but I've certainly found it helpful seeing as how my
- visualization skills are shittier than shit playing with shit in a puddle of shit. This allows for even
- those who aren't as adept with their mind's eye, yet would like to start working on imposition. It can be
- considered a form of open-eyed visualization, but it mostly is you creating a hallucination on the spot, aka visually imposing.
- WHAT TO DO:
- Obviously you'll need a lamp, or something bright to look at. Now I don't want you to go and burn your
- retina by looking at a lamp for hours on end, so it's up to you to decide when you've practiced enough. The
- basic technique is simple:
- STEP 1:
- Look at the lamp for anywhere between 20-60 seconds, then look away, preferably at a white wall or some
- other opaque surface. Then focus on the afterimage that the lamp leaves in your retina. What you want to do
- is maintain this afterimage, long after the burn in your retina is gone. At first you won't really know
- whether it's the afterimage or you mentally forcing the hallucination of it into your field of vision, but
- after a couple of tries you should be able to maintain the image for many minutes after looking at the
- lamp. Your goal should be to go from maintaining it for, say, a minute, to up to 10 minutes.
- STEP 2:
- Once you've managed to hold the image for a steady amount of time and are pretty sure that if you sat there
- for another hour you'd still be able to see it, make it disappear. Then try to "summon" the afterimage back
- into sight, and try to hold the image again. You'll notice that this is a lot harder than actually
- maintaining an already existing image. If this comes easily, make it disappear and wait for a while, or go
- do something else, then later on try to summon it into your field of vision. The goal here is to be able to
- summon that afterimage into sight whenever you feel like it, and then maintain it for as long as you want
- to.
- STEP 3:
- Once you've mastered this step, it's time to start having some fun. By this point you should be able to
- summon the afterimage at will and hold it in your field of vision for as long as you want to. Summon the
- afterimage (In this scenario I'm assuming it's a circle, but whatever shape works) and try to make it
- bigger. Make it grow and grow until it covers nearly all of your vision. Then make it smaller again. Once
- you can change it's size at will, try changing the shape. If it's a circle, try turning it into an ellipse.
- Then a triangle, a square, a pentagon, hexagon, octagon, etc. until you can pretty much turn it into any
- basic shape you want to.
- The goal here is to move from a simple shape like a circle or line to complex
- shapes like a star or bird. At this point the image should still be in 2D. If it's in 3D, the next step
- will be a whole lot easier for you.
- STEP 4:
- Now you can play with the shapes, it's time to make them 3D. But before we do that, there is a minor step
- you have to master first, which may or may not be difficult. By now summoning the image into your field of
- vision should be a piece of cake. Try summoning a square, and then cloning it, holding both images at the
- same time. Once you can manage to hold both squares without losing focus, make a third one. Then a fourth,
- fifth, and sixth. Now try to glue them together, like the cross shape of an unfolded cardboard box. If you
- don't get what I mean, it should look like this:
- []
- [][][]
- []
- []
- It should be obvious where I'm going for here. Your goal here is to try to "close" that box. Now I know
- this sounds /much/ easier than it actually is, and it may take you a while to get it right (or not, depends
- on you really. Just assume it'll take you a shitload of time so you won't feel bad when it doesn't work
- right away.) but once you do, you'll have much more room for experimentation.
- NOW TAKE A BREATHER:
- Alright. At this point you should take a break and look back at what you've achieved. You've managed to
- hold an afterimage in your field of vision as a hallucination, then manipulate it, then you've managed to
- make that image 3D. Congratulations, you're imposing :D U lukee fkr.
- However, you're not even halfway there yet. Your box probably has an opaque color or no color at all,
- right? :ooo KOLORZ? Yes motherfucker, you forgot about the colors. Some of you may already be able to play
- with them by now, but we're not all as gifted as them, so for those who can't:
- STEP 5:
- So you've got your 3D box or circle or whatever you preferred making, but there is no actual color to it or
- it's just a vague, transparent kind of mind-color. Not a problem. I'll break this down into two sections
- for those with color and those without.
- 5.1:
- If your box has no color, or no real color, it's just a shape, then what you've got to do is simply give it
- one. You've managed to create a hallucination of a 3D box at will, visualizing a color for it shouldn't be
- too hard. It may take some effort, but the important thing here is to pick a single color (preferably your
- favorite) and try to create an open-eye visualization of the box in that color before trying to impose it
- onto the actual box. Once you've managed to give the box a single color and are able to keep it that way,
- you can move on to the next step.
- 5.2: You better have read 5.1 you lazy fuck. The technique for this is basically the same, except more
- advanced. Your box already has a color or a number of colors, but you can't control it. So, you create a
- visualization of it before imposing it onto the box. Let's say you picked green. If you can hold that
- color, change it to red. Then blue, then yellow. If that comes easy to you, you can start by changing the
- color on one of the sides, for example an all yellow box with a blue front square. Vibrant, contrasting
- colors work best, but don't use white or black. Once you manage to color a single square, try coloring the
- next square in another color, and the next, and the next, until you've colored all sides differently. Once
- you can manage this, try changing the colors randomly. The goal here is to be able to change the colors on
- all sides with little to no effort at all.
- STEP 6:
- Now that your square has a bunch of vibrant colors on it, let's dim it down a bit. Your tulpa's form
- probably isn't a christmas tree (Though if it is don't be feeling offended, I'm sure they're a pretty
- christmas tree) so you'll need to be able to do softer colors as well. Try working around the spectrum,
- rotating your box as you change the sides into different shades of the same color. You know, baby blue,
- light blue, dark blue, navy blue, etc. etc. etc. Once this is also an easy thing to do, you can start by
- practicing making more complicated shapes like a banana or a packet of cigarettes and giving them their
- appropriate color. Try to be as accurate as possible.
- Note: If you have trouble making things other than boxes and balls and whatnot, remember that all objects
- make use of those elementary shapes. It may sound like the obvious when I tell you a packet of cigarettes
- is a rectangle, but once you get to more complex objects this is an important thing to keep in mind. If you
- can't impose a pair of pants, make two cilinders instead, then join them at the top and work from there.
- STEP 7:
- Itz tiem. You have finally managed to impose 3D objects with realistic colors and it costs you no effort at
- all. You are an imposition GOD. Not really, but this is the part you've been waiting for, practicing so
- hard for, and raged so often at in impatience because you weren't here yet. You've read this step over and
- over hoping you would get to do it one day - and now you can.
- That's right. Imposing the tulpa. For this part, the only thing you need to do is give your tulpa control
- over their imposed form after you make it. Creating their form like their wonderland form should take a
- while, as you'll want to implement all the details and try to make it as realistic as possible. From then
- on it should be up to your tulpa to make use of that form and move it around.
- Congratulations, you've visually imposed your tulpa :D Now you can interact with them in reality and do
- nsfw stuff with them while pretending you don't because it's morally wrong.
- Final notes:
- Obviously, this requires patience and lots of time, as all tulpaforcing techniques do. I've found it best
- to practice this at night, when I'm tired and more prone to hallucinate, however you can practice this
- whenever you feel is best for you. Remember to be persistent and consistent, and to incorporate your tulpa
- in the process whenever you can. Ask them about how you're doing, how you can do things better, etc. It's a
- different process for everybody so you probably won't do it exactly the way I described, but this should
- give you a good idea of where to start. Good luck :D
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