SHOW:
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- or go back to the newest paste.
| 1 | A Corpo (Lombardi, 1968) | |
| 2 | After Leonardo (Le Grice, 1972) | |
| 3 | American Moon, The (Whitman, 1960) | |
| 4 | Am Rand (Radax, 1961) | |
| 5 | Anima Mundi (Johansson, 1965-7) | |
| 6 | Antonio delle Nevi (Epremian, 1967) | |
| 7 | Ariel Loquitur (Bacigalupo, 1967) | |
| 8 | Ateljéinterior [The Studio of Dr, Faust] (Weiss, 1956) | |
| 9 | Autoportrait (Schönherr, 1967) | |
| 10 | Autumn Spectrum (Hirsch, 1952) | |
| 11 | Avocada (Vehr, 1965) | |
| 12 | Bedroom (Gidal, 1971) | |
| 13 | Besöket (Arenhill, 1965) | |
| 14 | Bestiario, Il (De Bernardi, 1968) | |
| 15 | Binary Bit Patterns, (M. Whitney, 1969) | |
| 16 | - | Blind-White Duration (Le Grice, 1968) |
| 16 | + | |
| 17 | Body Works (Emshwiller, 1965) | |
| 18 | But Me No Buts (Ferrero, 1967) | |
| 19 | Byjina Flores (J. Whitney Jr, 1965-6) | |
| 20 | Castle 1 (Le Grice, 1966) | |
| 21 | Campagnereiter Club (Kren, 1969) | |
| 22 | Chair (Kuri, 1962) | |
| 23 | Change of Heart, A (Noren, ) | |
| 24 | Child (Cowan, 1962) | |
| 25 | Cinegiornale (Leonardi, 1967) | |
| 26 | Cinema, Paracinema and Precinema (Weibl, 1971) | |
| 27 | City-scape (Kamnitzer, 1968) | |
| 28 | Come Closer (Hirsch, 1952) | |
| 29 | Commercial Medley (L. Jacobs, 1933) | |
| 30 | Confessions of a Black Mother Succuba (Nelson 1964-5) | |
| 31 | Couleur de la Forme, La (Hirsch, 1941) | |
| 32 | Court Bouillon, Le (S. & V. Loffredo, 1952-62) | |
| 33 | Cronache (Antonio Vergine, 1963) | |
| 34 | Cronache del Sogno e del Sentimento, Le (De Bernardi, ) | |
| 35 | Cutting (Export/Weibel, 1969) | |
| 36 | Cybernetik 5.3 (Stehura, 1965-9) | |
| 37 | Dada (Iimura, 1962) | |
| 38 | Danke (Kren, 1968) | |
| 39 | Défense d'Afficher (Hirsch, 1943) | |
| 40 | Demonstration Movie (Finne, 1968) | |
| 41 | Desire in a Public Dump (Pike, 1957) | |
| 42 | Detonation (Linder, 1966) | |
| 43 | Deutschen Mutter, Der (I. & E. Sommer, 1969) | |
| 44 | Doppio Suicidio (Epremian, 1968) | |
| 45 | 8h01 - 8h11 (Schlemmer, 1968) | |
| 46 | E i Giardini di Artura R (De Bernardi, 1966/8) | |
| 47 | Electronic Happening Room (Vostell, 1968) | |
| 48 | Electron Ray TUBE (Export/Weibel, 1969) | |
| 49 | Envoi (Bacigalupo, 1970) | |
| 50 | Esercizio di Meditazione (Leonardi, 1968) | |
| 51 | Espiazone (Adam Vergine, 1968) | |
| 52 | E tu che ne sai dell’ America (Festa, 1968) | |
| 53 | Evening Star (Bute, 1937) | |
| 54 | Events (Llewellyn, 1968) | |
| 55 | Everyday Use of the Eyes of Death (Beavers, 1968) | |
| 56 | Evocation (Cowan, 1966-9) | |
| 57 | Faces (Zwartjes, 1968-70) | |
| 58 | Fachiro, Il (Capanna/Turi, 1963) | |
| 59 | Festa Ambigua, La (Leonardi, 1965) | |
| 60 | Film Z Teil 1 (Herzog, 1966) | |
| 61 | Fingerprint (Weibel, 1968) | |
| 62 | Fiore d'Eringio (Bacigalupo, 1969-70) | |
| 63 | Flowers (limura, 1968) | |
| 64 | Fotografare e Facile (Festa, 1968) | |
| 65 | 4 Minuten Nachmittag (Schönherr, 1967) | |
| 66 | Four Square (Conrad/Grant, 1970) | |
| 67 | Francesco dell’Amore (De Rinaldo, 1966-7) | |
| 68 | Fregio (De Bernardi, 1968) | |
| 69 | Gedanken beim Befuhlen einer Mädchen-haut (Schönherr, 1968) | |
| 70 | Globestrobe (Drummond, 1971) | |
| 71 | Ghost Reu (Schneemann, 1965) | |
| 72 | Giornata di Lettura (Angeli, 1967) | |
| 73 | Gondola Eye, The (Hugo, 1963) | |
| 74 | Grün (B. & W. Hein, 1968) | |
| 75 | Gurtrug Nr. 2 (Nekes, 1967) | |
| 76 | Hawaiian Lullaby (van der Linden, 1967) | |
| 77 | - | Gyromorphosis (Hirsch, 1958) |
| 77 | + | |
| 78 | Home, Sweet Home (Zwartjes, 1970- ) | |
| 79 | Horror Film 2 (Le Grice, 1971) | |
| 80 | Hot Leatherette (Nelson, 1966-7) | |
| 81 | House of Your Own, A (Zwartjes, 1970) | |
| 82 | How Old Is the Water? (Finne, 1968) | |
| 83 | Hummingbird (Csuri, 1967) | |
| 84 | IJDIJK (Seip, l967/8) | |
| 85 | Illinnois Central (Schneemann, 1968) | |
| 86 | Immagine del Tempo (Masini, 1963) | |
| 87 | Indulgenza Plenaria (Leonardi, 1964) | |
| 88 | Irene (Aldo Vergine, 1966) | |
| 89 | Iro (Iimura, 1962) | |
| 90 | I Saw the Shadow (Iimura, 1966) | |
| 91 | Jazz of Lights (Hugo, 1954) | |
| 92 | Jeremelu (Levine, 1965) | |
| 93 | Joan of Arc (Heliczer, 1967) | |
| 94 | Kitchen (Zwartjes, 1969) | |
| 95 | Kontakte (I. & E. Sommer, 1970) | |
| 96 | - | Junk (limura, 1962) |
| 96 | + | |
| 97 | Last Summer, The (Bacigalupo, 1969) | |
| 98 | Lei In (Doghani, 1969) | |
| 99 | Letter to D. H. in Paris (Brooks, 1967) | |
| 100 | Liban (Bacigalupo, 1965) | |
| 101 | Libro di Santi di Roma Eterna (Leonardi, 1968) | |
| 102 | Life and Death of a Car, The (VanDerBeek, 1962) | |
| 103 | Luci (Ferrero, 1967) | |
| 104 | Lune e Piena di fiume (De Bernardi, 1970) | |
| 105 | Lune e Pienesa (De Bernardi, 1970) | |
| 106 | - | Living and Glorious (Leonardi, 1964) |
| 106 | + | |
| 107 | Medea (Epremian, 1968) | |
| 108 | Melodic Inversion (Hugo, 1958) | |
| 109 | Mescal (Doghani, ) | |
| 110 | Migrazione (Bacigalupo, 1969-70) | |
| 111 | Mirakel, Ett (Holtén, 1954) | |
| 112 | Mobile Composition (Gercon/Louis/L. Jacobs, 1930) | |
| 113 | Moments (Gehr, 1966-7) | |
| 114 | Mostro Verde, Il (De Bernardi/Mensio, 1967) | |
| 115 | Motion Vision (Biguardi/Leonardi, 1967) | |
| 116 | Musica in Corso (Leonardi, 1956) | |
| 117 | Neck (Gidal, 1969) | |
| 118 | Nel Bosco: Una Conversazione(Bacigalupo, 1969-70) | |
| 119 | New Poems (Antonucci, 1967) | |
| 120 | Newsreel of two underground film stars having breakfast in bed (Dwoskin, 1962) | |
| 121 | Night Crawlers (Schneemann, 1967) (não 1964) | |
| 122 | Nivea (Weibel, 1966-7) | |
| 123 | Noi (Leonardi, 1966) | |
| 124 | N Ragazze Piu Belle di Piazza Navona, Le (Leonardi, 1968) | |
| 125 | Occhio Private sul Nuovo Mondo (Leonardi, 1970) | |
| 126 | Oiley Pelosa, the Pumph Man (Nelson, 1965) | |
| 127 | Once or Twice Upon a Time (Sens, ) | |
| 128 | Opere e i Giorni (De Bernardi, 1969-70) | |
| 129 | P + A - 1(K) (Yalkut, 1965-6) | |
| 130 | Passagio Misto (Patella, 1967) | |
| 131 | Penny Bright and Jimmy Witherspoon (Nelson, 1966-7) | |
| 132 | Perforce (Baruchello, 1968) | |
| 133 | Ping Pong (Export, 1968) | |
| 134 | Plastic Haircut (Nelson, 1963) | |
| 135 | Play (Schönherr, 1967) | |
| 136 | Political Portraits (Markopolous, 1969) | |
| 137 | Porträt der Cordua, Der (Schönherr, 1969) | |
| 138 | P.r.a.t.e.r. (Schmidt, 1966) | |
| 139 | Proussade (Epremian, 1967) | |
| 140 | Prune Flat (Whitman, 1965) | |
| 141 | Puppet’s Dream, The (Sens, ) | |
| 142 | Puo la Forza d'un Sorriso (Leonardi, 1968) | |
| 143 | Rockflow (Cowan, 1968) | |
| 144 | Rooms (Gidal, 1967) | |
| 145 | Sabotage (Van Brakel, 1967/8) | |
| 146 | Sakasama (Iimura, 1963) | |
| 147 | - | Quasi una Tangente (Bacigalupo, 1966) |
| 147 | + | |
| 148 | Schermerhoon (Seip, 1967) | |
| 149 | Schermo (Ferrero, 1968) | |
| 150 | Secret (Gidal, 1970) | |
| 151 | Serenity (Markopolous, 1955-60) | |
| 152 | 6 x 6 (Iimura, 1962) | |
| 153 | 60 Metri per il 31 Marzo (Bacigalupo, 1968) | |
| 154 | Skin (Linder, 1965) | |
| 155 | Soap Opera, The (Heliczer, ) | |
| 156 | Sogno di Anita, Di (Masini, 1963) | |
| 157 | Sogno di Constantino, Il (De Bernardi, 1968) | |
| 158 | Soul Freeze (Cowan, 1967) | |
| 159 | Stoccolma un Giorno (Leonardi, 1965) | |
| 160 | Story of a Nobody, The (Gercon/Louis, 1930) | |
| 161 | Striptease und Emanzipation (I. & E. Sommer, 1969) | |
| 162 | Summer Dance (Cowan, 1965) | |
| 163 | Super Spread (Nelson, 1966-7) | |
| 164 | Sviluppo Nr. 2 (Lombardi, 1968) | |
| 165 | S & W (B. & W. Hein, 1967) | |
| 166 | Takes (Gidal, 1970) | |
| 167 | Talla (Le Grice, 1967-8) | |
| 168 | Tapp und Tast Film (Export, 1967) | |
| 169 | Thaler’s, Meier’s, Sadkowsky’s Life in the Evening (Schönherr, 1967) | |
| 170 | Thick Pucker (Nelson, 1964-5) | |
| 171 | Thin Dime, A (Pike, 1957) | |
| 172 | 3 Most Beautiful Men (Warhol, 1966/7) | |
| 173 | Time of Mutation (Chessa, 1967) | |
| 174 | Tocatta and Fugue (Bute, 1940) | |
| 175 | Topografia Nr. 1 (E. & R. Centazzo, 1968) | |
| 176 | Tragicomedy of Marriage, The (Pike, 1957) | |
| 177 | Tre e Basta (Patella, 1967) | |
| 178 | Trigon (Radax, 1967) | |
| 179 | Tutto. Tutto Nello Stesse Istante (CCI Collective Film, 1969) | |
| 180 | Ukiyo Ukare (Iimura, 1964) | |
| 181 | Variation (J. & J. Whitney, 1941-3) | |
| 182 | Vase Etrusco, Il (De Bernardi, 1967) | |
| 183 | Venice Étude No. 1 (Hugo, 1962) | |
| 184 | Vep (Ferrero, 1968) | |
| 185 | Vestitione, Le (De Bernardi, 1966/8) | |
| 186 | Virgin Conception (Iimura, 1968) | |
| 187 | Voyage (Capanna/Turi, 1964) | |
| 188 | V (Bacigalupo, 1968) | |
| 189 | We Shall March Again (Lipton, 1965) | |
| 190 | White-Black (Kren, 1968) | |
| 191 | Wide Point (Chamberlain, 1970) | |
| 192 | Windows (Meter, 1972) | |
| 193 | Winged Dialogue (Beavers, 1969) | |
| 194 | - | Wege zum Nachbarn (Mommartz, 1968) |
| 194 | + | |
| 195 | Work in Progress (B. & W. Hein, 1970) | |
| 196 | Write a Love Letter (Festa, 1967) | |
| 197 | X (Holtén, 1957) |
