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sleepysaint's guide to adam to get into what.cd without invite 
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begging:
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I got a list of possible interview questions from some forums. My 
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questions were a little different than these both times but I got 
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some of the same ones. I went through and detailed the correct 
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answers to each of these. You'd do well to study on formats but I 
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hope I've done the grunt work for you.
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The bottom line is, they want to know that you understand what 
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transcoding is in all circumstances because they're really 
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intolerance of bad transcodes and lossy music. As such, you should 
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first be familiar with lossy and lossless audio formats.
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Allowed on what.cd:
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Lossless: FLAC, DTS (don't worry about DTS)
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Lossy: MP3 at 192kb/s or GREATER. no less. Ogg. AAC. AC3. (don't 
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worry about AC3)
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They'll probably ask you about formats not allowed on what too.
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Lossless: FLAC, ALAC, APE, WAV(PCM), WMV, CDDA (CD audio)
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Read about each of these formats on wiki. Some are container formats, 
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meaning they could contain various types of audio data.
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http://wiki.hydrogenaudio.org/index.php?
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title=LAME#Detailed_explanation_.28long_answer.29
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That's your cheat sheet for MP3 bit rates.
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The hydrogenaudio wiki has a lot of info on other things as well, so 
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read up. 
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**The sample questions follow. They might ask you a totally different 
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set of questions about different things, like putting formats in 
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order or who knows what. You can cheat and google or use whatever 
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resources you have handy to find the answer but it's a timed test so 
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you gotta be quick. These are here to show you a lot of repetitive 
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answers that should come quickly. The overarching point is Lossless-
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>lossy = good and lossy->anything = BAD.
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They're gonna ask you some preliminary questions, probably something 
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along the lines of the following:
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1. Why are you interested in becoming a What member?
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Because you like obscure music and you're interested in knowing the 
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quality of the music you get, right? Mention liking FLAC and lossless 
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music for bonus points
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2. How often do you plan on using the site?
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Tell the truth, if you're like me you'll use it all the time.
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3. What kind of internet connection do you have? 
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They're gonna ask you before the interview to do a speedtest at 
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speedtest.net and send them a link to the screenshot. if you normally 
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run on wireless you might wanna wire into the wall when you do this, 
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just to improve ping. they'll accept it no matter what. just tell the 
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truth.
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4. Are you a member of any other private trackers? 
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Have a screenshot of your demonoid stats and username uploaded 
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somewhere, link them.
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5. How much experience do you have creating & uploading torrents? 
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Which BT client do you use? 
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Tell them the truth.
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7. How big is your music/cd collection? What bitrates/formats? Where 
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did you get your collection (internet-where?/own rips-read ahead)
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Tell them the truth.
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8. What application do you usually use to rip CDs & how many you have 
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(estimate)?
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Tell them you use Exact Audio Copy to rip CDs and if you've never 
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used it before then tell them that's what you plan to use.
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9. What is the difference between a lossy & a lossless audio codec?
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A lossless audio codec preserves all of the auditory information from 
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the source data. A lossy codec irretrievably loses some of the 
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auditory data due to compression, resulting in a lower quality sound 
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but a smaller file size.
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10. What are VBR & CBR? Out of following pick the highest standard 
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LAME mp3 bitrate: 192, V0, V2, 320, V4, 512? 
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In Constant Bit Rate encoding, the bitrate is kept constant across 
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each sample of audio in the file. In Variable Bit Rate encoding, the 
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encoder (for instance, LAME encoder for MP3s) chooses the number of 
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bits per sample based on the auditory complexity. VBR typically 
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results in more efficient filesizes if comparing equal sound quality 
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between VBR and CBR. (if that last sentence is confusing ignore it)
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Out of that list, 320CBR is the highest *standard* lame preset for 
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quality, because 512 isn't a LAME standard.
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11. What is transcoding, in terms of audio? Transcoding is simply 
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converting a digital audio file from one format to another via a 
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codec. There are four types of transcodes that can happen between 
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digital files:
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Lossless to lossless
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Lossless to lossy
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Lossy to Lossless
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Lossy to Lossy
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Of those, only the first two are allowed on what.cd, as the others 
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are considered "lossy transcodes".
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12. Will these transcodes give the same result as if they were done 
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straight from an original cd? "YES" or "NO" for each one please.
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a. 320 -> 192 no
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b. V2 -> 192 no
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c. 256 -> 256 no
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d. 256 -> 320 no
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e. wma -> mp3 yes
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f. FLAC -> mp3 yes
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g. mp3 -> Audio CD -> mp3 no
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h. mp3 -> Audio CD -> FLAC no
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The only time it will give the same result as if it came directly 
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from a CD is if it's a lossless format transcoded to something else. 
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ANY TIME you convert from one kind of mp3 to another, it's a bad 
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transcode. ANY TIME you burn a CD from mp3s and rerip it, it's a bad 
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transcode.
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If no more than one lossless to lossy encoding is permitted which of 
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these transcodes are/is generally acceptable? Give only a YES or NO 
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for each specified example.
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a. CDDA->WAV->CBR yes (WAV is lossless)
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b. 320->WAV(PCM)->FLAC no (source 320 is lossy)
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c. MP3->WMA->AAC no (source MP3 is lossy)
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d. AAC->MP3->ALAC no (middle MP3->ALAC is lossy->lossless)
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e. FLAC->APE->WAV(PCM) yes (all three are lossless)
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f. APE->FLAC->APE yes (same as above)
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g. FLAC->WAV(PCM)->CDDA yes (all three are lossless)
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h. WAV(PCM)->ALAC->AAC yes (Lossless->lossless->lossy)
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i. MP3->APE->FLAC no (source mp3 is lossy)
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j. V0->CBR->WAV(PCM) no (two no-nos here)
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k. CDDA->WAV(PCM)->MP3 yes
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l. V2->V1->V3 no
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m. V0->WAV(PCM)->CDDA no
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I hope you get the idea? Remember these questions will be different.
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2. Which conversions are acceptable without having *obvious* quality 
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loss? No more than one (1) lossless to lossy transcode is allowed to 
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take place. Answer Y (YES) or N (NO) to the following:
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a. 192 MP3 -> 320 MP3 N
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b. CDDA (CD) -> FLAC Y
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c. 320 MP3 -> 192 MP3 -> q6 Vorbis (Ogg) N
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d. FLAC -> CDDA (CD) -> 320 MP3 Y
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e. APE -> FLAC -> q7 Vorbis (Ogg) Y
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f. WAV (PCM) -> 256 MP3 -> APE -> FLAC N
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g. V0 MP3 -> CDDA (CD) -> 320 AAC (MPA/MP4) -> WAV Absolutely NOT
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h. ALAC (MPA/MP4) -> CDDA (CD) -> APE -> V2 MP3 -> FLAC no (the last 
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two are lossy to lossless)
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got those from <@clockoutx> only got 5 right for this havn't changed 
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them so again up to you to find out them
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1. How often will you use the site?
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Be honest, I use it multiple times daily unlike any other music site 
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I've ever been on including demonoid.
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2. How long will you seed for daily, and how long in total?
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As long as you can, never stop seeding.
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3. What is the concept of maintaing a ratio?
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You know this.
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4. Will you be able to maintain an acceptable ratio on What.cd? Can 
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you prove to me that you have been able to do this on other private 
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bittorrent sites?
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You'll try your best by limiting your downloads until you've uploaded 
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your fair share.
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1. Explain how lossy and lossless audio codecs are different Give 
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three examples of each.
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This is a repeat question. I'll repeat what I said above: A lossless 
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audio codec preserves all of the auditory information from the source 
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data. A lossy codec irretrievably loses some of the auditory data due 
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to compression, resulting in a lower quality sound but a smaller file 
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size.
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Lossy codec examples: AAC, Ogg vorbis, MP3
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Lossless codec examples: FLAC, ALAC, APE
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2. What is CBR & VBR? How are they different? Explain.
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Repeat answer: In Constant Bit Rate encoding, the bitrate is kept 
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constant across each sample of audio in the file. In Variable Bit 
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Rate encoding, the encoder (for instance, LAME encoder for MP3s) 
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chooses the number of bits per sample based on the auditory 
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complexity. VBR typically results in more efficient filesizes if 
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comparing equal sound quality between VBR and CBR. (if that last 
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sentence is confusing ignore it)
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3. What is v0?
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V0 ("Preset Fast Extreme") is a VBR preset in the LAME mp3 encoder. 
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The target bit rate for V0 MP3 is 245kbit/s but obviously can vary.
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4. What is the highest possible mp3 bitrate?
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320kbit/s CBR is the highest possible using LAME encoder.
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5. Give examples of methods that could be used to prove an audio file 
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is actually the type of format/bitrate advertised.
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Using a program such as Audio Identifier will help, but one way that 
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works well is looking at the frequency spectrogram of the audio file. 
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If it has been transcoded from a lossy source, there should be 
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telltale signs (a distinct pattern or line at a lower frequency than 
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the claimed bitrate should cut off at).
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6. - Define transcoding - In terms of audio.
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Is it good or bad and why?
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Are there good AND bad transcodes? Explain.
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Transcoding is just converting digital audio data from one form to 
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another. Transcoding is good because it allows people to convert a 
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very large lossless format into something compressed/more manageable. 
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Without transcoding there would be no way to put your CD collection 
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on your iPod. But there are bad ways of transcoding - that is, taking 
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a lossy file such as an MP3 and transcoding it again. Since it has 
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already been compressed in a lossy format, any more transcoding done 
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to the file will result it a great loss of information and much 
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poorer sound quality. A good transcode is one that comes from a 
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lossless source, such as an original CD or a FLAC file.